Parava

What is the movie about? :: Irshad a.k.a. Ichappy (Amal Shah) and Haseeb (Govind V Pai) are friends from a neighbourhood in Mattanchery, and also goes to the same class until the former fails in a subject to stay back in the class for an year. Their main time-pass together is breeding pigeons for the big pigeon race which is held every year. With different gangs with older people trying to do better in the competition every year, the two boys find it tough to keep their birds from being stolen or the cages destroyed at night by some other gang. Still, they don’t back down, and also don’t miss some chance to have fun with romancing a new beautiful girl in the school, participating in the usual sporting events, or watching one of those movies which they are not allowed to watch. But in the end, everything comes to the pigeon race, which stands tall over other sports, whether it is cricket or football.

So, what happens with the events to follow? :: While the newer generation seems to have some fun out there, we have the youth, who have had a terrible flashback. The same which includes Shane (Shane Nigam), Hakeem (Arjun Ashokan), Mujeeb (Jacob Gregory), Imran (Dulquer Salman) and a few more, has had a brutal and bloody side written all over it with one incident on the beach with a group of drug addicts (Soubin Shahir, Sreenath Bhasi and others). Such an incident wasn’t known to happen in the locality for so many years. This has kept Shane silent and uninterested in almost everything which has been going around for a long time, including the fights with the rival team leader in the pigeon race (Shine Tom Chacko). The same had left Irshad as the last hope for parents, and his hope is on his pigeons. What would happen when things get intertwined?

The defence of Parava :: There is the bold choice of subject being taken here, on the lines of Guppy, which is not known for its box-office success. The visuals of the place takes over, and with some nice music, gives us the feel of the neighborhood. Yes, these locations like Mattanchery and Fort Cochin, or even Thoppumpady and Kumbalangy can give that kind of a feeling if captured on the camera well enough. There are some cute moments involving the pigeons as well as those situations in school which evoke laughter. The funny side is strong with the kids, and the emotional side runs parallel, and gets into form when needed. The strength of the cast assures that the same happens well. We see the happenings as simple, and the movie as a feel-good entertainer, knowing its strength in its cast. Even its extended cameo is placed exactly where it could do the best impact; one would have felt the need to add it in the beginning or the end, but this one appears at the right place.

The claws of flaw :: Parava does stretch itself a little too much than needed, as it should have been shorter with the realistic world which it gets to have – but the positive thing is that it holds ground, and never gets to be the long dragging thing which was Annayum Rasoolum. There is also the absence of notable female characters who are able to make any impact on the flow of the tale, other than being the reason. There is no real heroine in this one, and there is no leading actress to talk about either. Also, when there was the chance for the movie to become another Maheshinte Prathikaram or Thondimuthalum Driksakshiyum with its reflection of reality, it just doesn’t take it, and floats away. Even Guppy was simpler, with simple people and their simple dreams. The movie could have also shortened the final fight scene and finished it with a final shot of them playing on the ground; this one extends both scenes.

Performers of the soul :: As it was Chethan Jayalal for the movie which was less watched in the theatres, but appreciated later, Guppy, we have Govind and Amal doing the job. Among the two, one can’t stop noticing the shades of Chethan in the former. You feel the strength of the skills from an upcoming generation right here in this movie, as the two handles not just the funny moments, but also the emotional side without holding back at any moment. Whether it is about those lighter incidents at school or those harder situations in the reality of life, they remain solid, and holds the movie together. They rise above everyone else, as they have more screen presence as well as more situations, none of which goes missing from them. You see scope to make more movies with children at the centre after this one, maybe even come up with many sequels of Philips and the Monkey Pen.

Further performers of the soul :: Among the elder cast, it is Shane Nigam who shines, taking it to the next level from Kismath and C/O Saira Banu, two fine movies which he has been part of, after the smaller role in Kammatipaadam. He has his best moments with one of sadness and final release of anger. Dulquer Salmaan who is restricted to less than half an hour, gets a strong character, but we lose him as we get to know and love him. More of Dulquer’s character would have been good, but we adjust with what we can have with a big cameo. Jacob Gregory also has less of the funny side to explore here unlike expected, and Siddique does the classic father role with ease. Soubin Shahir and Sreenath Bhasi brings the negative shades smartly, while Shine Tom Chacko is there in another noticeable role with his pigeons. Among the female characters, it is Srinda who gets the better.

How it finishes :: Parava is that kind of a movie which attracts us towards it, right from the first sequence involving the kids and the fish, and towards that final fight scene. It has to be noted that how well Soubin Shahir in his first movie as a director takes something which is lesser known in other parts, and elevates it to a higher and more popular level – there is nothing huge being added to the mixture at the same time. As a feel-good entertainer, this one makes us forget its tendency to stretch, and makes us feel as part of the place ourselves, whether we have visited the place or not. We need experimentation like this one to make sure that the wings of our industry stay stronger, as this one releases with Pokkiri Simon. After all, we expect our pigeons to improve and do better every time. Parava is that kind of a movie, which makes on feel that there is surely something to keep close to heart.

Release date: 21st September 2017
Running time: 147 minutes
Directed by: Soubin Shahir
Starring: Shane Nigam, Govind V Pai, Amal Shah, Dulquer Salmaan, Jacob Gregory, Shine Tom Chacko, Harisree Ashokan, Jaffer Idukki, Indrans, Srinda Ashab, Soubin Shahir, Sreenath Bhasi, Zinil Zainudeen, Arjun Ashokan, Siddique, Len Prasad

@ Cemetery Watch
✠ The Vampire Bat.

Role Models

What is the movie about? :: Gautham Shekhar (Fahadh Faasil) is a man who is always concentrating on his work, and is so busy earning money, that the only person whom he regularly speaks to, is the mobile’s assistant app. He wakes up early in the morning and goes through everything according to the schedule. The boss of his company (Dileesh Pothan) is always calling him names in front of his colleagues despite his hardwork, and he lives his life according to calculations, drinking the maximum amount of water and even making sure that he goes to the urinal frequently according to plan. He has no friends and no love, and he is always busy, and when he is not busy, he is just asleep at night. If he ever gets any time to do anything, he dedicates those moments for studying too, and he has special interest in studies regarding astronomy. He has declared himself cent percent against having fun because it is of absolutely no use.

So, what happens next? :: His father and college professor Shekharan (Renji Panicker) is too worried about the same, and therefore contacts his son’s former best friends from college, Rexy Joseph (Sharafudheen) and Jyothish Narayanan (Vinayakan) whom he had himself evicted from the institution to make sure that Gautham wouldn’t be friends with the boys whom he found worthless and making nuisance. The two old friends are not that fond of their former enemy calling them, but decides to have the free alcohol and chooses to help their old friend with whom they had their best moments in life. They are joined by the third person, Shoubahn Khader (Vinay Forrt) who was the fourth member of their gang which used to be called Role Models during their time at the college. The group, along with the mischief making girl Christy (Srinda Ashab) used to create head ache for everyone in the college especially Gautam’s parents who taught there.

And what is to follow with the adventure? :: The three old friends are shocked to see the attitude of their former best friend towards life, as he had changed so much. He seemed to be exactly the opposite of all that he used to be. They try many things to get him back to be the happy and loving person that he used to be, including alcohol, friendship, and even misunderstanding Christy as his lost love from college. But then, they come to know that the real love of Gautham was Shreya Menon (Namitha Pramod), a girl who was more of an all-rounder, present everywhere, but stayed away from becoming a big name. Their search for her lands them in Goa, where she is a changed person. She is happy to see her old friends, but how will they make sure that Gautham can win his love back? Is there any chance for them to have their old friend back in the way that he used to be?

The defence of Role Models :: There are some nice jokes with which the movie begins – it has that kind of a cast with great comic timing, which improves the level, and keep striving for something better in that department. We have them coming quick and steady in the first half, and the trio handling the same never backs down from doing it. “Thechille Penne” song is nice, but you do feel that should have had more relevance in the movie. The movie also has some messages, even though we are not clear which of them needs to get our attention the most. We would figure out that it is more about parenting than any other. It is good to focus on the significance of parents supporting the children in studying what they really want to – almost every time, the father is the culprit, and due to this attitude of the parents and relatives, the youth are transformed into creatures that should just study for scoring high marks, get a good job with big salary and get married to someone rich and of high family value. Well, the movie does end on a good note despite the confusion. A cameo also arrives in the end nicely, but one has to wonder if it was there because there was no other idea available.

The claws of flaw :: Never does Role Models tries to overcome the limitations which it had put on itself, with not thinking much about the story and how it is told with the entertaining elements. The movie just goes on as if it is walking through sleep, as some characters and some incidents are there just for the sake of being there. Fahad’s action scenes were rather useless, and bringing that certain disorder and making it chaos was certainly a real bad idea. If the same was necessary for the makers to do, they could have at least made things more interesting, and presented in a smart manner. The audience often wonders where the movie is actually heading with so many things added as if they are taken from different movies. You feel that with Fahadh Faasil playing a character reminding you of the same in North 24 Kaatham will make things that good, but this one which has its own confusion running through, never becomes something close to that awesome flick which was critically acclaimed. A divergent movie is fair when it uses the divergence to the best effect, the movie makers should have remembered that.

Performers of the soul :: Once again, Fahadh Faasil makes this seem so easy, as he does his character’s both stages with such an ease that we wonder how he is there to make things better for even the least interesting movie. Keeping on rising with Maheshinte Prathikaaram and Take Off, this one will not be another big movie, but his performance is as usual, to be noted; signs were there in that song which became instantly popular. Sharafudheen-Vinayakan-Vinay Forrt combo is also nothing short of a nice call for laughter, and we have them executing the same really well. The friends just makes things so much better. It is also good to see Namitha Pramod back after Adi Kapyare Kootamani and Amar Akbar Anthony – she gets two times of the character’s life here. Srinda has an interesting and funny role too, after Munthirivallikal Thalirkkumbol and Adventures of Omanakuttan this year. Meanwhile, Renji Panicker is left with not much interesting to do and Suraj is rather wasted in this role.

How it finishes :: It is surprising how close to each other are the three Malayalam movie releases for the Eid holidays, starting from Avarude Raavukal, going through Oru Cinemakkaran and now standing at Role Models. All three of them released on consecutive dates, and are in quality, quite close to each other. They do provide a mixture of genres, and has the comic side as the one fueling everything right from the beginning, and there are twists in store in each of them. Is it a co-incidence that we have all these movies so similar to each other, and those watching it can only give them ratings so close to each other? Well, when Godha, Adventures of Omanakuttan and Achayans had released, all three of them were so different from each other, and we couldn’t consider them to be on the same level. Well, we have regular entertainment in store here for the festival season as Role Models becomes the third movie to release on the third day.

Release date: 25th June 2017
Running time: 131 minutes
Directed by: Rafi
Starring: Fahadh Faasil, Namitha Pramod, Vinayakan, Srinda Ashab, Sharafudheen, Rohini, Seetha, Vinay Forrt, Renji Panicker, Suraj Venjarammood, Aswathi Menon, Dileesh Pothan, Siddique, Bibin George, Harisree Ashokan (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Geethanjali

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What is Geethanjali? :: Even as all of us literature students have to answer this with Rabindranath Tagore’s Gitanjali, the collection which made him the first non-European to win the Nobel Prize for Literature, and the only Indian to win the same so far. But as the Vampire Bat is not alive enough to talk about such great works of Indian literature, he is talking about a movie of the same name, not about the National Film Award-winning Telugu movie of the same name, but the recently released indirect sequel to the masterpiece which was Manichitrathazhu. It once again has Mohanlal as Dr. Sunny Joseph, one of the most loved characters in the Malayalam movie industry. Its been a long time since there was a Mohanlal movie too. Thanks to the hype and the well-made trailer, this became one of the most anticipated releases of the time, even when colliding with the other movies which released during the same weekend – Thira, Insidious: Chapter 2 and Ram-leela.

What is it about? :: There were two twins, Geetha and Anjali (both Keerthy Suresh) (together making the movie Geethanjali – if one of them was Chitra, the movie would have been Chitranjali, like the name of the studio which was used by the film?) and only Anjali is alive now, as the other is supposed to have committed suicide by jumping into the sea – and body not found. Anjali comes back to her home where she lived till her youth after her mother falls down from the terrace and goes into a comma. Her fiancee is also with him, and at the house, she has visions of her dead sister who also loved the same person. The vision of the ghost who seem to try to end her life to keep the lover away from her, makes life uncomfortable for the young lady. The fiancee Anoop (KP Nishan) calls Nakulan (Suresh Gopi) who recommends Dr. Sunny Joseph (Mohan Lal) for the case, but the question remains if the future bride can remain alive or at least in his senses before the man arrives, and if he can solve this mystery before anything horrible happens.

The defence of Geethanjali :: It is hard to defend a movie which has been so much critically panned in a nation where even Krrish 3 gets positive reviews in another corner. Yes, this corner is famous for movies which usually get two or two point five out of five, and this miserly area doesn’t give away much. But let me tell you that Geethanjali scores with its environment, the almost effective scary scenes and the added twist, with the funny elements supporting it quite well. The cinematography helps the movie a lot, and this should be the first visually superior horror movies in Malayalam movie industry. The last good horror movie was Sahasram, released in 2010, starring Suresh Gopi. This doesn’t live up to that either, but the attempt is there, even if not original or with the right flow. Check out for Keerthy Suresh too, as she scores in her first movie – there is something called legacy, and she might be some of the few who might be proving it. There should be no comparisons to Manichitrathazhu though – who compares Dracula or Interview with the Vampire to Twilight? And as Alexander Pope says in Epistle to Dr Arbuthnot: “Who breaks a butterfly upon a wheel?”

The claws of flaw :: The worst thing that could happen to this movie is that it released with Thira, which is already a hit as it comes from a man who has cent percent success rate. I can remember that Vineeth Sreenivasan’s Thattathin Marayathu was a hit months before it released. I am also sure about watching it myself. The problem is that the more we praise that one, the more we tend to downgrade this movie. To add to it, there are the copied things, along with the ghost who looks like the daughter of the Avatar guy and The Ring girl. The mirror and the ceiling fan leaks instead of the television and there is a lot of hair like The Grudge. More details about similarities can be found in the details with spoilers section. One can say that the movie tried too much to be like Manichitrathazhu, and there is a big problem, for it can’t be the same as the world has changed and so did a lot of things. People are also looking for something of variety just like the original classic, and more flawless stuff including no small mistakes (like Armenian Orthodox Church cross having Latin inscriptions and there might be quite some concerning the twins).

Performers of the soul :: Mohanlal is the star psychatrist yet again, but this time he has less screen presence, and this surely won’t be the Dr Sunny that we remembers. He makes his entrance just before the second half of the movie, and once he enters, there is a lot of hope being built up – even as he lives up to it with his performance, there is not that much in the story. His combination with Innocent is very good and Swapna Menon is a pleasant surprise and a fine addition to the funny side of the movie. Harisree Ashokan also contributes in a lesser manner to the comic side. Nishan has a weak role, but does the romantic part very well, but not that much in he climax scene where the debutant Keerthy Suresh takes over with a wonderful performance to support the beautiful screen presence. She doesn’t go on to become another beautiful young actress who can’t act – she does incredibly well as the two sisters, too good for a debutant. Well, the beauty gets more than just the pass marks. Its her movie, as she is both the protagonist and the antagonist. Siddique and Nassar provides nice support, and Seema’s role is too limited – Madhu’s character was almost not needed.

Details with spoilers :: The story has so much in common with Nadiya kollappetta Rathri and Chaarulatha, the former was one of my favourites, and this impersonation for love was well performed by Kavya Madhavan and rightly investigated by the character of Suresh Gopi. The latter which was a remake of a 2007 movie Alone, had a lot of things which this movie now has in common. The twins who impersonate and kill for love was told as an investigative thriller in the first case, and as a pure ghost story in the second. The good thing is that they are not conjoined twins like the latter. Our movie has a psychological twist to the same, seemingly attempting to make it just like Manichitrathazhu, and also adding some comedy in between. If you haven’t watched the two movies, this shall be a new experience for you, or if you want to repeat the experience in another way, this movie can help. Those who don’t like the two movies much and don’t want any more of it, might want to skip it though. I felt so from some of the reactions from a few.  This is not going to be remembered in the later days like the well-crafted Devadoothan either.

How it could have been :: This could have been a lot better, there is no doubt about that. The ghost and the supernatural would have been better not shown and not observed by the family other than the girl. The blue ghost could have done better if shown just in the shadows without the support of water and the fallen hair. The sea on one side is a clear negative on a house which formerly made us feel that it is at a remote location on some hill or mountain. The darkness itself could have been an ally to a possible psychological thriller in this one. The songs might have done better if not coming up when not needed. The suspense could have been made more shocking even without the support of deaths. Mohanlal could have made an entry earlier. Overall, there should be no following the policy of the early classic, instead having some life of its own, keeping further distance from the movies which were used as inspirations. I would be surprised if even the C.I.D Moosa sequel can be any good considering the limited imagination involved with making sequels. Meanwhile, a horrible drop for this movie might discourage horror movies in Malayalam, and I am not going to stand that!

Release date: 14th November 2013
Running time: 150 minutes
Directed by: Priyadarshan
Starring: Mohanlal, Keerthy Suresh, KP Nishan, Swapna Menon, Siddique, Innocent, Ganesh Kumar, Nassar, Madhu, Seema, Harisree Ashokan, Chris Gayle Kuttappan, Suresh Gopi (cameo)

geethanjali copy

@ Cemetery Watch
✠The Vampire Bat.