Forensic

What is the movie about? :: A little girl is separated from her elder sister at a dance school, and is later found murdered. Rithika Xavier IPS (Mamta Mohandas) is in charge of the case which had soon become a media sensation. Samuel John Kattookaran (Tovino Thomas) and Shikha Damodar (Reba Monica John), the forensic experts are asked to assist Rithika in the case. But Samuel also has a past with Rithika who was his elder brother Xavier John Kattookkaran’s (Saiju Kurup) wife until their divorce due to the loss of one of their daughters. Due to the same reason, Samuel and Rithika are not happy about working together in the case, but they manage to find out some important clues, as another child is murdered. They find out that this is the work of a serial killer who was linked to another series of murders known as the Burma Colony serial killings.

So, what happens with the events here? :: A retired police officer Abdul Wahab (Renji Panicker) who was dealing with Burma murders case, a child psychologist Jayakumar Menon (Prathap Pothan) and the two other police officers who are also in the case, Murali Mohankumar (Anwar Shereef) and Dano Mammen (Rony David) also become the key factors in moving forward in the investigation. But time is running out for them, as another child is kidnapped, and this time within a few minutes of her mother leaving her at a seat in the hospital, that too with so much of crowd and CCTV camers around. The cops figure out that it is not the usual serial killer, and the person couldn’t be alone. Someone working close to them might also be helping the killer. But time is running out, and the media has created enough panic among people – how long will it take to end this?

The defence of Forensic :: This movie releases at a time when a little girl had gone missing and her body was found in the nearby river, and this date of release being a strange co-incidence which adds to that feeling of fear and eerie. With twists and thrills maintained, and the suspense existing till the end unlike Anjaam Pathira which decided to make it a revenge movie too early as it showed the villain rather earlier, Forensic definitely holds strong. It takes the terror to the last moments, and has one psycho killer who could actually be called so, without a motive other than the murder which becomes the justification all by itself. There is a balance, and an order being followed here. For a movie which begins with a patricide, there is a fine foreshadowing of what is to follow, if the character shown in the opening scenes is going to be at the centre of attraction. The red herrings are given very well to improve the impact further.

The claws of flaw :: Even though the movie does hold advantage over Anjaam Pathira, the movie lacks similar moments of sudden shock, but the same can be seen running underneath the idea of the movie throughout, and coming to light more in the later stages with the psycho coming out of the darkness. But a better use of darkness and silence was required instead of focusing more on the blood and violent moments – it could have had some balance there. The final moments leading to revelation could have also been managed in a different way to create better impact. There are also some usual moments which were not needed in a serious movie of investigation like this. A few moments of the movie are also predictable, and a better treatment of its main characters like Memories did, would have also contributed here in a better way, but Forensic makes no such effort.

The performers of the soul :: After having two of the best movies of the year to his credit in the form of Virus and Uyare, Tovino Thomas does manage to begin this year in style, as 2020 has one thriller to follow the much appreciated Anjaam Pathira for him too. The character works for him well, as he plays a smart forensic expert who helps the police – it is the kind of role which doesn’t require him to bring anything special. There are some action scenes for him too, as he moves forward strongly with this character. Mamta Mohandas had only two movies to her credit last year, with a supporting role in 9 and playing the lady lead in Kodathi Samaksham Balan Vakeel, both of them not crossing the border to create further impact among the audience. She makes a police officer with a troubled past with ease – the character works well on two levels.

Further performers of the soul :: Reba Monica John who made her debut in Jacobinte Swargarajyam had things going in her favour with the role in Bigil, but other than Paippin Chuvattile Pranayam, she remained mostly unnoticed by the Malayalam movie audience. Her supposed cameo in Mikhael had also gone unnoticed. She has a good role here, and the same doesn’t have any romantic side, and it is a positive thing in a movie like this. Saiju Kurup is paired with Mamta here, and it is to be noted that the two made their debuts as leading actors in the movie Mayookham. He has a rather usual role, which he does with ease, and the same can be said about Renji Panicker who is not stranger to his character in this movie too. Anwar Shereef and Rony David also come up with the roles of police officers, which they do well enough. The kids also play the roles nicely, especially the boy with long hair and the girl who plays the leading actress’ daughter.

How it finishes :: With the success of Anjaam Pathira, there was always going to be the need for more thrillers, and with movies like Anveshanam only becoming half-thrillers while going deep into melodrama, Forensic had become a necessity. Well, it can be said that Forensic scores over Anjaam Pathira when we compare the two – this movie is clear with each element, and shows how one events lead to the other. Forensic also has a clear psycho killer with the motive not being revenge from a long gone post. The movie also doesn’t rush through things like Anjaam Pathira – the terror in Forensic also feels more real, as murder itself becomes the motive, as it was said in the trailer. With a clear revenge motive like Anjaam Pathira did, such a feeling couldn’t have been achieved. The advantage has been clearly gained.

Release date: 28th February 2020
Running time: 134 minutes
Directed by: Akhil Paul, Anas Khan
Starring: Tovino Thomas, Reba Monica John, Mamta Mohandas, Renji Panicker, Saiju Kurup, Prathap Pothan, Mohan Sharma, Rony David, Anwar Shereef, Srikanth Murali, Ramu, Dhanesh Anand, Anjali Nair, Devi Ajith, Anil Murali, Lukman, Giridhar, Rajesh Hebbar, Sadhika Venugopal, Thennal

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@ Cemetery Watch
✠ The Vampire Bat.

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Luca

What is the movie about? :: As part of a case investigation, Police officer Akbar (Nithin George) comes across a diary which goes through the lives of Luca (Tovino Thomas) and Niharika (Ahaana Krishna). Luca is a highly talented artist who makes the best art works out of scrap materials, but is a short-tempered man who lives close to his small circle of friends. He had lost his father at a very young age, and his mother within a few years after that. He has extreme fear of death and dead bodies. Niharika is a research scholar in industrial chemistry who has come to Cochin from Bangalore as part of her research. Half-Malayali and half-Bengali, she has had a troubled childhood, and had lost her father at a very young age. Akbar is very close to divorcing his wife Fathima (Vinitha Koshy), as he is unable to forget his first love Jannet (Neethu Bala) who left him for reasons unknown to him, and is often adviced by his senior officer Jayaraman (Thalaivasal Vijay).

So, what happens with the events to follow? :: The story goes through the love story of Luca and Niharika as well as the tale of Akbar going through his investigation with the help of his junior officer Aloshy (Anwar Shereef). The friendship and later love of Luca and Niharika develops after latter has a bad opinion about the former’s works, which she changes soon. Later, the two meets again, only to have her move to one of the empty rooms in his house, as she feels safer there. The only two people who are at the home most of the time are those who do the household duties, Martin (Chempil Asokan) and Salomi (Pauly Valsan). Niharika’s uncle Jayaprakash (Srikant Murali) despises her attitude and actions, but as she hates him, things come as no surprise. But there would be a few incidents which would change the lives of Luca and Niharika, but nothing changes regarding love.

The defence of Luca :: There is beauty in every frame of Luca. It is more or less like having a wizard, an overlord of aesthetics at work here, as we see beauty on the big screen, which never gets even close to fading away. We have home which is a work or art by itself, and the presence of rain makes the scenes even more beautiful. At the same time, we see some of those elements which have certain significance in the society, and the role that childhood plays in the lives of people and how it affects them as grown-ups can be seen. The movie is also strong with its emotional moments, especially in the end, as it deals with love in a deeper way rather than what is usually seen on the outside. There are also those moments which are there to stay for now, and we feel that a few things are rather symbolic of something else. The narrative strength of the tale keeps the movie together, and one has to love the way it progresses.

The claws of flaw :: Luca does not become your usual flick about romance. Well, it goes beyond that, and can make Romeo and Juliet feel that they can do better at a few things – it is that kind of love that is deeper that what our common movie watchers can take on. There is also a certain tragedy associated with it, and it stretches a bit with the story. One would also think that the tale could have been better, with a deeper investigation side. The mystery could have unfolded in another way too, and with such visual beauty on the screen, the movie had all it needed to go bigger. There is also that usage of flashback which is a little more than one would want to have. There might have been the feeling that Luca was going to be Charlie, but that didn’t happen, as this one develops its own identity.

The performers of the soul :: Tovino Thomas’ avatar is nothing less than stunning, as we see the character go through the journey of colours. Even though this is not your usual character, he makes his character both lovable and believable, set close to all that defines Kochi Biennale. He is here after three highly appreciated critical and commercial success movies, Virus, Uyare and Lucifer, and this happens to be one fantastic year for him already – we still have half an year to go. Well, the last year was not less grand either, as we had more. Ahaana Krishna hasn’t been there in many movies, and we remember seeing her last in Njandukalude Nattil Oridavela – she has nicely blended in here and has done a fantastic job. She has become the character with ease, and we see her excel in the emotional as well as romantic moments, as she makes a fine combination with Tovino.

Further performers of the soul :: Nithin George who plays the police officer in charge of the investigation comes up with a brilliant performance. He plays the man who lives in his memories, and hopes for answers from the past, and we go on the journey with the character. There is the beauty of serenity in that performance, and the situation that he is in also has us interested. Vinitha Koshy who played the teacher in Aanandam once again has interested in her character. Chempil Asokan and Pauly Valsan makes a perfect pair as the helping hands of the house. Anwar Shereef gives good support as the junior police officer. Jaffer Idukki is there for only a short period of time, and Thalaivasal Vijay only has a little more time with bigger dialogues. Srikant Murali leaves a mark with certain moments. Neethu Bala makes some good impact with one song which she is part of.

How it finishes :: Luca easily gets to the list of the best movies of the year, and it does the same with the love story side rather than getting into some other genre – the investigation and twist are there, but the focus continues to be with the romantic side. With some wonderful music in there, the flick had already caught out attention, and it is one movie which you shouldn’t miss for the beauty on the screen. Along with the same, the socially relevant issues also stays there. As it stands, Luca will continue to stay strong in our theatres. One would wish to watch it again for the emotional content as well as the power of aesthetics, both never backing away from giving the best, just like the actors in there. Have a look at a song from the movie, among the best of the year so far.

Release date: 28th June 2019
Running time: 151 minutes
Directed by: Arun Bose
Starring: Tovino Thomas, Nithin George, Ahaana Krishna, Neethu Bala, Anwar Shereef, Rajesh Sharma, Vinitha Koshy, Sooraj S Kurup, Shalu Rahim, Chempil Asokan, Devi Ajith, Jaffer Idukki, Neena Kurup, Pauly Valsan, Srikant Murali, Thalaivasal Vijay, Raghavan, Hansika Krrishna

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@ Cemetery Watch
✠ The Vampire Bat.

Culprit

Vampire Owl: Do you know that I am a culprit in love?

Vampire Bat: How is that relevant right now?

Vampire Owl: I just wanted to remind you that the word applies to me too.

Vampire Bat: I am sure that your experience cannot match the genre of this short-film.

Vampire Owl: You mean to say that you are not finished reviewing short-films?

Vampire Bat: I don’t see why I should ever stop doing that.

Vampire Owl: What about those big movies which have got you most of the hits?

Vampire Bat: They have stopped being something that matter. I am supporting smaller ones right now; they are the future. There is more material in them.

Vampire Owl: You are talking like a true vampire apprentice.

Vampire Bat: I am the first vampire apprentice to write movie reviews. So, my opinion counts more than most of the others in the New Vampire World.

[Gets some potato chips and three cups of Ceylon tea].

What is the movie about? :: Amal (Akhil Vivek) reaches Mumbai from Cochin to meet Jithu (Danish Ashokan), a friend and an elder brotherly figure. It turns out that he has run away from Kerala after the circumstances which lead to a girl named Ancy Kuriyan Thomas (Dona Shankar) going missing, pointed fingers at him. There hasn’t been much progress in the case which only has him as the sole link to the events, but about which he has no clue. Amal tells Jithu his story, which has his best friend Sooraj (Akash Sheel), and an unknown phone call from a female voice which introduced itself as a girl named Devika Varma. As they get closer, Amal asks for her to meet up with him instead of being the random voice on his phone. But despite her agreeing to meet up at Cherai, later calls him to warn him against calling her again unless he wishes to get in trouble.

So, what happens next? :: As they attempt to investigate on the matter, it leads them to Dr. Shafeeq (Anwar Shereef) on whose name, the sim card is taken. He tells them something about the missing girl in the news, Ancy Kuriyan Thomas, which shocks them. But it turns out that they can’t tell that to anyone else, as it would put the shadow of doubt on them. But the police ends up getting a photo which works against Amal, and puts him directly in trouble from the cops as well as the media. Now, he has come directly to Maharashtra and hopes to solve this confusing problem. Can he do that before time runs out? Who is this Devika Varma and how is she related to the mysterious disappearance of Ancy Kuriyan Thomas? Is there a chance than Ancy might be alive after so many days? Why does all this point to Amal when it seems to be clear that he has nothing to do with the girl named Ancy?

The defence of Culprit :: The suspense that the movie has is pretty much huge, and we enjoy how it is told, and it is twisted, in a positive way. From the first few moments, it is established that we have a thriller in store, and then, after a few minutes of the usual stuff to set up the whole thing, we are taken back to staying on the edge of our seats. One would still feel that the end was too quick, and wonder if the absence of the explanation for some deeds were the need – it still lets us think more, and come up with our own conclusions. The movie is actually longer than most of those usual short-films that you see, and so there is plenty of time for the viewers to get drawn into it. With its half an hour run-time over, we end up wishing for the length to be little more, and that is surely a rare thing. Whenever the movie seems to stray away from its path, there will be something, a moment or a dialogue to bring it back on track, and it has a smooth run all the way.

Soul exploration :: Culprit explores what all are there as more than what meets the eye. It shows a protagonist being clueless against a force which seems to have worked against him right from the beginning. There is a mystery here that needs to be solved, as it threatens his own existence, and he understands it should be done as quickly as possible. What we see here is a crime committed, and the person who does that goes to any end to make sure that he is not convicted; for it is something planned well enough to have more than one escape route – there is not much of friendships here to save the day, as the protagonist can trust nobody. We see the movie slowly and steadily getting hold of things, leading to that wonderful revealing in the end. There are things that the movie doesn’t try to tell, and on everything else, what you see and understand gets the clarity.

How it finishes :: Culprit is a fine example of how the right talent shows itself when there is a chance. On one side, we have those big movies struggling to become interesting thrillers, and even with that high budget and big stars, they fail – but here, we have something small in scale, but strong with the idea, which is presented really well on screen. We get a great quality here, without waiting in the queue or spending that extra money on online booking, along with those increased ticket prices – we just need a few MB of data to get into some nice thrilling moments. Culprit also comes at a time when there have been too many short-films dealing with the great nonsense romance in many absurd ways. A well-made thriller lasting half an hour is something that has the strength to go far, and it is hence proven by this short-film.

[Walks into the balcony with another cup of tea].

Vampire Owl: Do you think that such people can exist in our society too?

Vampire Bat: We are an alcohol-free society – so it would be difficult, but evil always finds a way.

Vampire Owl: Do you think that they could come through the portal which Doctor Frankenstein had opened earlier?

Vampire Bat: Mr. Frankenstein can only be the means to evil if we allow him to be.

Vampire Owl: It could be through anyone, someone whom we trust the most.

Vampire Bat: Yes, Evil as a person is a clever manipulator.

Vampire Owl: It could be the Lich Queen, Werewolf Anger, Vampire Kung Fu Panda

Vampire Bat: Why do you keep waiting for evil to come, when there is the chance to embrace goodness?

Vampire Owl: Well, you just can’t see so much evil, and still go with goodness.

Vampire Bat: Goodness is difficult, and evil is easy. It is on this that we wonder, and get inspired to think more about the same.

[Walks into the silence of darkness].

Release date: 9th July 2017
Running time: 31 minutes
Directed by: Jithin S Babu
Starring: Akhil Vivek, Danish Ashokan, Dona Shankar, Akash Sheel, Anwar Shereef, Santhu Bhai

Watch the interesting thriller, Culprit here:

@ Cemetery Watch
✠ The Vampire Bat.