Mamangam

What is the movie about? :: Mamangam, a grand fair used to be held on the banks of Bharathappuzha in the north of Kerala has a history that is written in blood. It had great economic, social and political significance, along with being a religious festival associated with the temples. There, the Zamorin ruler of the Kingdom of Calicut challenged other regional kingdoms to oppose his supremacy. There were the suicidal warriors from Valluvanad region who dared to oppose him and make history. But they would mostly die fighting against the powerful army of Zamorin, and only left those messages of bravery and honour for their people to cherish. It becomes their right to die as a soldier in the battlefield, and inspire more to follow their path through martyrdom. The last Mamangam fair was held in 1755, and this movie comes up with a memorable one before that.

So, what happens with the events here? :: Chandroth Panicker (Unni Mukundan) is the latest addition to that list of the suicidal warriors known as Cheverukal, attempting to challenge Calicut’s Zamorin’s authority again. His mother, wife and sister are unhappy about the decision, but they can do nothing, as for him, it is a decision made by the gods. It is then that the son of his sister, the young Chandroth Chanthunni (Master Achuthan) also joins him to join Chaverukal, much to the dismay of the whole family. They have the tale of Chandroth Valiya Panicker (Mammootty) who betrayed their tradition ahead of them, so that they should go on with that they have been training for – to end Zamorin which is the best thing to do. On the way, they have to stop at the abode of Unnimaaya (Prachi Tehlan) and Unni Neeli (Iniya), after being attacked by Zamorin’s men. There is a long way ahead of them, but they will need some help to get anywhere close to success.

The defence of Mamangam :: There are not many movies which we have waited for so long like Mamangam, except for some which are still to be released. Malayalam movie industry always needed good historical movies other than those which keep talking about the British – The Colachel War has been long forgotten, despite it being a landmark. Considering the same, Mamangam has taken the pain to bring something with a difference. The visuals are all grand, even better than some of those overrated movies seemingly belonging to a similar genre. The beauty out there is not limited to the background, but to almost everything in particular. The action sequences are all very good, especially in the final moments, which are breath-taking, leaving one wishing for more. The message goes on against revenge, and that it is not something healthy to pass the same through the generations – forgiving and forgetting do have better meaning.

The claws of flaw :: The movie is a little bit too long, and its extra dose of dialogues make it feel even longer. It does seem to repeat the same thing multiple times, and deviates from the idea of action and adventure associated with the title. Even though the “Mookkuthi” song makes some impact, the rest of the songs are not up to the mark. The presence of a mentor character doesn’t add much to the otherwise direct and straightforward movie, and the feminine version of the character is a bad and unnecessary diversion. The lack of completeness is evident, as the movie struggles to live up to its theme and story on many occasions. The final scene after the mamangam fight also feels unnecessary, as there could be nothing bigger to be added. A movie like this should offer something better, and one is left to wonder why it is becoming more and more difficult to make movies based on Kerala History, even those which are set at a time period not even five hundred years into the past.

The performers of the soul :: Mammootty was part of one of the best movies of the year, Unda, and now he is back with the movie with we have all been waiting for. As we all know, he is no stranger to historical movies and epic stories which tell the tales of heroes of the past, and this was time that he had another one to add to that list. Still, one has to wonder why he went for that exaggerated dance and some ridiculous comedy with another side of that character – this kind of ridiculous moments are not suitable for this kind of a movie, not for a historical epic action movie. Unni Mukundan does a fine work here, and his controlled performance is worth the appreciation. Master Achuthan comes up with a wonderful performance at the same time. It is him who catches our attention the most, and he excels in the action sequences even more. The last scenes are nothing less than magnificent, and it belongs to him completely.

Further performers of the soul :: Prachi Tehlan comes up as the leading female presence in this one – the former netball and basketball player has no trouble in the less amount of role given to her. Iniya provides her support, even though not much is needed from her side. At the same time, Anu Sithara and Kaniha has even smaller roles here, most of the time sticking to some dialogue or tears. There are also other actresses here including Maala Parvathi and Kaviyoor Ponnamma, but the female characters here are rather insignificant in the movie plan at work. Siddique has a villainous role here, and even though done quite well, it is not the kind of antagonist that we are going to remember for doing the terrifying job. Sudev Nair, even though nice, is wasted in a role which makes no difference to story at all – the character doesn’t add anything significant to the whole thing, for even otherwise, things could progress in the same manner without any trouble at all.

How it finishes :: Last year, in another December, on almost the same date, we had another Malayalam movie set in the past trying to make history – Odiyan. It was not that much of a successful attempt, but that was certainly a sign. We have more signs here, even though we are still far away from having that right historical movie. There is the need to improve, as Mamangam goes on through its journey. There is a better understanding of history and the reflection of the same required, and one can only hope that things could reach further level with the genre. A fine depiction of Colachel War might be the solution, but we haven’t heard about anyone trying for such a case. Until then, we have these movies which have the potential for greatness, but fall short in the process. But we would need to watch these, with all the splendour which is displayed on the big screen.

Release date: 12th December 2019
Running time: 157 minutes
Directed by: M Padmakumar
Starring: Mammootty, Prachi Tehlan, Unni Mukundan, Master Achuthan, Siddique, Anu Sithara, Kaniha, Mohan Sharma, Tarun Arora, Iniya, Maala Parvathi, Neeraj Madhav, Idavela Babu, Manikuttan, Kaviyoor Ponnamma, Suresh Krishna, Sunil Sukhada, Meghanathan, Manikandan Achari, Baiju Ezhupunna, Jayan Cherthala, Sudheer Sukumaran, Vishnu Marakkal, Abu Salim, Sudev Nair, Nandan Unni, Valsala Menon, Nilambur Ayisha

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Aadhyarathri

What is the movie about? :: Manoharan (Biju Menon) never really had the best of times during his childhood and youth, with everything reaching the worst situation, having his elder sister eloping with someone in the village, and his father having a cardiac arrest at the same time. Even though the marriage at his home didn’t happen, he take the profession of a marriage broker after he fixes a wedding ceremony and saves the bride’s family from humiliation. For two decades, he continues in the same profession, and there is no wedding ceremony in the area happening without him playing a part in it. He is the first person who comes to anyone’s mind when they think about wedding, and sometimes even other significant functions which are part of people’s life. Along with the same, he also runs a tutorial college for the local students.

So, what happens with the events to follow? :: Manoharan is that kind of a person who has everything planned as far as relationships are concerned. He knows which boy will be suitable for which girl, and for the same, he supports only arranged marriage. Any case of falling in love is strictly opposed by him, and all the youth from the area are afraid of his interventions in their possible love affairs. It is during these times when he gets a chance to arrange the marriage of Kunjumon (Aju Varghese), the richest man in the village, and Aswathy (Anaswara Rajan), a modern, educated girl of the village who lives in Bangalore – the combination was always a risky one, but as Manoharan was always a godfather-like figure to Aswathy, he takes the risk. But it is not that easy to get this one done, and the question arises if he will fail in arranging a marriage for the first time.

The defence of Aadhyarathri :: The humour used in this movie is simple, and the message is indeed to ask the girl’s consent before fixing marriage, a case which would have worked better if it had released about ten to twenty years ago. The movie has its own feel-good factor to add to the same, and it is a simple movie with no pretensions, going through everything directly. The visuals are nice, and the setting contributes to the same very well. The nicely created situations make sure about it, and we have another movie for the family audience with jokes that can be accepted by everyone. During these Pooja holidays, you need a movie to look forward to with family, and this might be the right one, staying above the bigger hyped Onam releases like Love Action Drama and Ittymaani too. Also, look out for the Kuttanadan Baahubali dream song which is really attractive.

The claws of flaw :: The movie does feel a little outdated, as these are those days when the youth takes their own decisions with ease, and parents are on the backfoot in almost everything. These are also those days when parents keep agreeing to what the children want because there is just one kid or two, and they want to get them all that they wish for. With a new generation of children and youth, this movie might not serve much, and can focus on only a small number of people in need in a world when people fall in love indiscriminately and set their former lovers on fire. The movie has to work in a world in which almost everyone of the generation has a boyfriend or girlfriend, and therefore struggles. It also feels incomplete with some characters being lost and others serving no purpose. There is also the lack of focus on the progress of the narrative. Sometimes, it feels that parts of it is just forced.

The performers of the soul :: Biju Menon is once again at ease playing this kind of a role. Vellimoonga, Rakshadhikari Baiju Oppu, Swarna Kaduva, Anakkallan, Salt Mango Tree – all these had him playing the commoner’s role and handling the light-hearted humour in the leading role with ease. Here too, the movie is dependent on him to do what he has been doing the best, and the same is handled with the skill that he possesses, and has once again displayed without stepping back. Anaswara Rajan, after Udaharanam Sujatha, Evidey and Thanneer Mathan Dinangal makes fine impact, even thought not that much as we have seen in the two previous movies. Other than that song on the ship, she doesn’t have really have much of memorable moments in the movie, and someone elder would have been the best for this role. At the same time, it is to be noted that there is no romantic angle to the main character, which is to be appreciated.

Further performers of the soul :: Anu Sithara’s cameo seems totally unnecessary, and that is one scene added to prove a point in an easy way instead of proving it through the progress of the story itself, and it seems that she was chosen to assert the same in an even bigger manner. Aju Varghese does a nice job in the movie, and does the exact amount of comedy as it was needed – there is no overdose here even though the tendency was always there. Manoj Guinness is the one who plays the sidekick role here, and he is fine at most parts of the movie, even though some of the comedy is surely lost. Sarjano Khalid of June fame has a dull character to play here, and does less. Biju Sopanam has some funny moments to add, and Pauly Valsan does the job well as expected while Vijayaraghavan does another interesting role to fine impact. But it is to be noted that not all characters get their due.

How it finishes :: Coming from the director of the much appreciated Vellimoonga, and having the same leading actor, the expectations were very high, and this one does come close on many occasions. Still, it does fall short in comparison, and is no match for that movie which had everyone in love with the flick. Vellimoonga had set things in motion enough to make way for a good number of movies with similar theme, and Biju Menon himself had played so many of such roles. This one won’t have that much of an impact, but with Pooja holidays around, the family audience might be very much interested in this particular flick. It doesn’t seem to attract that many people right now, but in the next two days, that number should increase, and the movie should do well enough, even though not like its earlier superior relative, Vellimoonga.

Release date: 4th October 2019
Running time: 130 minutes
Directed by: Jibu Jacob
Starring: Biju Menon, Aju Varghese, Anaswara Rajan, Sneha Babu, Manoj Guiness, Ashwin Jose, Vinod Kedamangalam, Sarjano Khalid, Sree Lakshmy, Prasad Muhamma, Shiny T Rajan, Naseer Sankranthy, Biju Sopanam, Pauly Valsan, Vijayaraghavan, Anu Sithara (cameo)

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Oru Kuprasidha Payyan

What is the movie about? :: An orphan, Ajayan (Tovino Thomas) was doing different kinds of work, and finally he settled down in a Restaurant named Paradise with Jineesh (Balu Varghese), his good friend who is also with him. He does almost every job in the restaurant, and has the special duty of bringing idli from Chembakam (Saranya Ponvannan) to the restaurant – it is something that he has to do early morning. At the same time, Jalaja (Anu Sithara) who also works in the same restaurant is in love with him, and soon their attraction towards each other grows further. But things change for the worst when Chembakam is murdered by an unknown assailant. The local police investigation doesn’t reach anywhere, and crime branch is assigned the investigation after the protests from people. The new police officer in charge of the case is Simon George (Sujith Shankar) who has an envious record with the number of solved cases.

So, what happens with the events to follow? :: Simon is determined to solve the case in one way or the other, and the local people seems to know nothing much about what could have happened on that night of murder. It is then that they interrogate Bhaskaran (Alencier Ley Lopez), a drunkard who comes up with a strange and baseless accusation. Simon decides to develop on the same, even though there is not much truth in it. Soon, Ajayan finds himself framed for the murder of Chembakam. Simon makes sure that he confesses to having committed the murder, after days of torture. Everything is perfectly planned by Simon, and against Ajayan, the famous lawyer Suresh Narayanan (Nedumudi Venu) is set to appear. The court has the junior lawyer Hannah Elizabeth (Nimisha Sajayan) fighting the case for Ajayan as her first case. This one wouldn’t be the case she wanted to begin her career, but she decides that it is her best chance.

The defence of Oru Kuprasidha Payyan :: The movie deals with a variety of themes and we alienation, society’s labels, human emotions running high, and more, as the movie goes through its journey reflecting the contemporary society itself. It is a struggle of more than one person, even though it is just one person whom we see. Everyone has something to prove as well as a few things to lose, and more than one worlds collide in proving the point – the movie shows the same nicely, and never does it back down from showing the people as they are, and the society as it is, with no exaggerated character. The movie has some nice courtroom scenes with nothing overdone there. We also have some twists with the proceedings, and the struggle of a lone man without hope is not something that has reflected in our world so well, just like the abuse of power, prejudice and opportunism go along with the movie well.

The claws of flaw :: With this movie coming from the director of the critically acclaimed movies like Thalappavu and Ozhimuri, the expectations were certainly high. Such a level of movie isn’t here, as another path is taken. The first few minutes of the movie were also not really needed, because a quick entry to action is always the best in a flick like this, and that could have made this movie just above two hours – an appropriate length, and also very quick with its proceedings. The court room scenes are the movie’s strength, and therefore, being there early would have done the movie more favours. The film also chooses a middle path, not going for the mass audience, and not going the exact other way either, which means that it won’t be for all, but is meant mostly for those who are looking for a believable and good cinematic experience. Still, we feel that it ends too soon without that expected grandeur in the end.

The performers of the soul :: Tovino Thomas is back at the top again, after his Theevandi and Maradona, both having a great run as well as some nice opinions as he reflected this generation of youth with two tragic flaws in both cases, even though none of them lead to his fall. Well, Mayaanadhi, just like Guppy was that movie which set a wonderful fairy-tale kind of path for him, which seems to be at the strongest point right now. You remember him doing secondary roles in Ennu Ninte Moideen, Charlie and Style in succession, but you see where he is now – there is that display of simple and human emotions which is there better than ever this time. The emotional side is nicely handled, and he plays the character that is the representative of someone who has nobody to help, and as the character says, there is always someone from above who will be there to help.

Further performers of the soul :: Anu Sithara is one actress who has done very well in the industry with certain charm, but never really managed to go beyond a certain level with her movies, as almost all of them couldn’t rise to become the flicks which they promised to be. She has a smaller role here compared to what we thought, but she is really good in this avatar. It is very much a suitable one, as she proves. Beginning with a lead role for the first time in Thondimuthalum Driksakshiyum, Nimisha Sajayan also couldn’t get a movie of that level after that. But Nimisha is too good in this movie in which we can see the struggling junior lawyer seeking to give her best, perfectly placed in her hands. Sujith Shankar’s police officer is a solid one, and so is Nedumudi Venu’s lawyer lacking in humanity.

How it finishes :: With Drama and Kayamkulam Kochunni still running in the theatres, Oru Kuprasidha Payyan makes a grand entry into the shows, promising to be something special considering the fact that it comes from the director of movies like Thalappavu and Ozhimuri. Malayalam movie industry surely needs some thrillers, as those days of Drishyam and Memories seem to be long gone. We are in need of more thrillers like Oru Kuprasidha Payyan which doesn’t just have the murder investigation in there, but also something hidden behind the real scene. A mirror to the contemporary society is another recommended factor in cinema, and it is exactly what Oru Kuprasidha Payyan becomes, in part. There is more than what meets the eye to Oru Kuprasidha Payyan, and it is why the flick shall endure and won’t yield to the rest of the flicks currently running in the theatres.

Release date: 9th November 2018
Running time: 145 minutes
Directed by: Madhupal
Starring: Tovino Thomas, Anu Sithara, Nimisha Sajayan, Dileesh Pothan, Alencier Ley Lopez, Siddique, Balu Varghese, Saranya Ponvannan, Shwetha Menon, Nedumudi Venu, Sukanya, Sreelakshmi, Maala Parvathi, Sujith Shankar, Sudheer Karamana, G. Suresh Kumar, Madhupal

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Johny Johny Yes Appa

What is the movie about? :: The movie tells the story of three brothers, Peter (Tini Tom), Johny (Kunchacko Boban) and Philippose (Sharafudheen). Having a strict award-winning teacher of the nearby school as their father (Vijayaraghavan), there is a struggle in living upto the expectations. Johny ends up being the father’s favourite son by choosing a twisted path to success, and the result is that Peter suffers. In the end, Peter is thrown out of home, and Johny maintains the image of a nice guy even though he is actually a skilled thief. Johny becomes active in social activities and the good image is maintained, especially in the church where he is a very popular person. But during the nights, he continues to steal, and gives no clue to the police regarding his presence in those robbed houses.

So, what happens with the events to follow? :: At the same time, Johny is in love with his childhood friend Jaisa (Anu Sithara) who has decided that she would marry him only. Even though her education is only until the ninth standard, her father Chavaranprackal Jose (Kalabhavan Shajon) is so rich that he could buy most of the educated men in the town as possible grooms for his daughter. But she is desperately in love with Johny, much to the dismay of Jose who doesn’t consider the man to be worthy. Everything goes according to the plan until he comes across Adam (Sanoop Santhosh), Nandana (Anikha Surendran), Amala (Mamta Mohandas) and Sujatha (Lena). It is then that things begin to change, and there is the twist of fate that would mean problems for the image he has kept for so long. It would mean that he has to come up with something special, but can he?

The defence of Johny Johny Yes Appa :: The movie has a high amount of dramatic irony in store, as nobody knows about the secrets of this particular person. As a family-friendly movie, it has that kind of jokes, and there is the deviation towards bringing a message or two too. The jokes are working, and we have the same in a regular dose especially in the first half. The emotions also run strong, and the family audience will be able to connect to that too. The songs are pretty much okay with this one. We also see the small twists here and there, and some good visuals support the flick well enough. There is no problem here that would prevent the family audience from taking over this movie, even though Kayamkulam Kochunni is still running extremely strong, all set to go over the big movies like Premam, Oppam and Drishyam, even though Pulimurugan has set that seemingly unattainable score with the box-office collections of Malayalam movies.

The claws of flaw :: The movie seems to deviate a little too much in the second half, seemingly changing the whole things a little too much than one would expect. There are times when one ends up thinking if this was one complete story or combined from different things, creating a Frankenstein monster with technology added to the whole thing in the end. It is the director of Paavada and the script writer of Vellimoonga who have joined forces here, and the expectations were high with this one too. But we can see that so much is not there, even though the improvement from Kunchacko Boban’s earlier movie of this month, Mangalyam Thanthunanena is clearly visible. We could have used better story with a better protagonist whose actions made better sense. The thief whom we cheer for could have better defined qualities, and we wonder why his world doesn’t fly high as it should have.

The performers of the soul :: This movie depends on Kunchacko Boban to keep things going smoothly, and to provide it with that effect that can bring all those family viewers in. His best of the year was Shikkari Shambhu which was a fun-filled entertainer with all needed elements. But other than that, it was quite a dull year for him even though Panchavarnathatha did come close. Kuttanadan Marpappa struggled to fly high enough, and rest of the movies were not even close to being memorable. It is to the same list that this movie brings some more of light as the attempt is to keep the darkness away. Kunchacko Boban has no problem at all, as far as this particular movie is concerned. He goes through this one with ease, as not much is asked. He also has that kind of a character which gets the right amount of claps in the end, no matter what path he travels earlier.

Further performers of the soul :: The one who scores big in this movie is indeed Tini Tom who has the funny as well as the emotional sides going strong for him. It has to be noted that he was there in three movies with Kunchacko Boban this year itself. He does the work naturally here, and so does Veena Nair who plays his wife. Mamta Mohandas has only very less time to be there. Anu Sithara has the role done really well, and she seems to suit this kind of characters so well. Sharafudheen makes the funny side seem so easy, coming right out of the villain role in Varathan. Kalabhavan Shajon and Abu Salim add even more fun to the whole thing. Anikha is back again after The Great Father, but doesn’t contribute much. Lena is solid again after Aadhi and Ira. Nedumudi Venu seems to be there just for the sake of being present, giving us only a few minutes of him. Sanoop Santhosh of Philips and the Monkey Pen fame does leave a mark again.

How it finishes :: This is the season of the thieves, and Johny Johny Yes Appa joins Kayamkulam Kochunni and Aanakkallan to make more than one theatre full of thieves and nobody else, unless there is Halloween and one serial killer joins the team. There has always been one thing about Kunchacko Boban, and it is certainly what brought us to watch this flick. His movie would be something to watch for the family audience every time, and even this time, the focus is on that group only. The fight is still more this time, and the flick would struggle to keep going. But it is still a safe bet, and the weekend should have more for this movie with the family audience being a stronger presence during this week with the Sunday as a bank holiday. There could have been more with this one, but there is just enough, as you would notice easily.

Release date: 26th October 2018
Running time: 144 minutes
Directed by: G Marthandan
Starring: Kunchacko Boban, Anu Sithara, Tini Tom, Kalabhavan Shajon, Sharafudheen, Mamta Mohandas, Vijayaraghavan, Veena Nair, Geetha, Sanoop Santhosh, Lena, Abu Salim, Nedumudi Venu, Jaise Jose, Anikha Surendran

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Sarvopari Palakkaran

What is the movie about? :: Jose Kaithaparambil Mani (Anoop Menon) is a police officer working in the special branch, based out of Palai in Kottayam. He is on the search for the right girl to marry, as everyone feels that the time has already passed for the same, and a few years later, he will have zero scope in the marriage market. His father Mani Chacko (Alencier Ley Lopez) and a friend Joymon (Balu Varghese) are the two people who are actively looking for the girl. But they are not able to find the right one for him, as Jose rejects everyone without regret. He finds all girls to be too modern, and not suitable for his lifestyle – sometimes, there is a problem with how the girl greets him, at other times there is a problem with what she wears, and on some occasions, he just feels that the girl is too proud. It is only after a long search that they find Linta (Anu Sithara) who is working at Cochin. Despite her not perfectly matching his viewpoint, they get along, and get engaged.

So, what happens with the events to follow? :: After being transferred to Thrissur and taking charge there, ASP Chandra Sivakumar (Gayathri Arun) assigns to him the case of a human trafficking which has Mani Swami (Nandhu) as the main link, who is known to find young girls to transport to the Middle East – he also has the charge of kindapping and rape of an iillegal immigrant on his head. While chasing for the man who occasionally visits the city, he comes across Anupama Neelakandan (Aparna Balamurali) who is an activist working for the betterment women and children, and is also working with a theatre group. Jose who is searching for the wanted criminal to bring justice to the victim and Anupama who is looking to help the victim as well as many others like her, finds each other as stumbling blocks more than once. With the help of SI Ramesh Kumar (Chali Pala), he wants to get rid of her, but it is not that easy. And Mani Swami seems like someone who can’t be stopped – unless there is a twist in the tale.

The defence of Sarvopari Palakkaran :: The movie is surely a believable one in most parts. There is absolutely no heroism associated with the protagonist, and it has more of a collection of flawed characters without glorifying any particular side. It surely has a wonderful start, and an interesting finish – in between, there are some sequences which will catch our attention. There is some social relevance with this movie, but it is not given that much focus. We see two sides and two ways of thinking colliding here, and both of them come together as one. We also have some humour at work here, other than some of the comedy which is forced with situations created out of nowhere. There is also a twist, or rather two of them in the end, which works nicely, even though there is a certain stretched feeling present. There are some beautiful visuals in here too, starting from Palai, moving towards Thrissur and then Cochin as well as the highlands of Idukki, and finally into Murdeshwar with its huge Shiva statue and surroundings.

The claws of flaw :: There are moments in this movie which go nowhere. The first song during the credits is one of them, and then there are those points which has no hesitation in defying common sense – maybe the characters are supposed to be somewhat dumb when facing certain situations. Well, there is not much in the songs of this movie – they just try to keep us away. There is also that hidden camera sequence involving the protagonist’s father and friend, which could have just been removed; there is also too much of meaningless scenes between the police officer and the activist, which seems to be strangely done. Maybe, without these, a shorter length of the movie would have made things perfect. Also, they leave the town of Palai too early, and one has to wonder how much the title is justified here – this is not really about him being from a place if you look at it, for it is more about him being conservative and orthodox; could work with someone from any place or district in the same manner.

Performers of the soul :: The one who stands out here is Aparna Balamurali, without doubt. Even though Jimy Augustine from Maheshinte Prathikaaram will remain her most memorable character, and it seems that it will be so for quite long time, she has been creating some fine effect with Oru Muthassi Gada and Sunday Holiday. This one would get to be her second most noticeable character after Jimsy – it is rather more versatile than each and every role she has played, if you look at it. She makes her entry later, but becomes the big screen presence without leaving a chance for doubt. The other heroine, Anu Sithara, even though looking so good in this avatar, pales in comparison, being provided with a predictable character – there is not much to do for her rather than being the love interest of the protagonist. She surely has her one or two nice dialogues with stand out though, entirely different from what she did in Happy Wedding, Fukri and Ramante Edenthottam.

Further performers of the soul :: It is rather surprising that we haven’t seen that much of Anoop Menon for some time, and his only movie this year was Munthirivallikal Thalirkkumbol. But it has to be noted that he had three fine movies last year among others, and other than the more discussed Paavada and Karimkunnam 6s, he had the underrated Maalgudi Days – a movie which had won Janaki Menon the Best Child Actor Award at the fort sixth Kerala State Film Awards for portraying the character of Atheena. Sadly, his movies have been underrated compared to the others, and it is a grave mistake – we see him fit right into the role here, and at no point do we separate the character from the man. The best thing about him is that he is stays as close to life as possible – there is nothing strange, or super cop model being tried here, as he becomes the everyman police officer. Balu Varghese has a smaller role, and the humour seems to be forced by him and Alencier Ley Lopez along with Chali Pala. Nandhu does a fine job while Gayathri Arun makes her presence here in a role rather not needed.

How it finishes :: This movie thankfully focus on those expected features of the place where it is based – those flicks based on the place, on the district where the place stands, or even on the neighbouring districts have always been based on a protagonist who drinks alcohol most of the time, beats up a lot of people, and then go back to drinking alcohol again. When he is not doing these in this order, he is doing the same mixing things up. Still, he is not just a good man, but a hero – whether it is the more recent Thoppil Joppan or any of them in that long, older list, things have been the same. Despite the name which suggests that it is about the man being a part of the town rather than anything else, Sarvopari Palakkaran dares to move away from that stereotype which had become a curse. Along with the same, it brings an interesting story which is not big in scope, but works – surely more for the family than Chunkzz.

Release date: 4th August 2017
Running time: 136 minutes
Directed by: Venugopan
Starring: Anoop Menon, Aparna Balamurali, Anu Sithara, Vijayakumar, Alencier Ley Lopez, Balu Varghese, Chali Pala, Nandhu, Roshan Basheer, Gayathri Arun, Manju Satheesh, Manuraj, Nithin Susheel

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Fukri

fukri-2

Vampire Owl: What about Fukrey?

Vampire Bat: I don’t think that there is a relation between the two. That one was a coming of age comedy film.

Vampire Owl: You mean just like Premam.

Vampire Bat: The genre is rather too vast. People who have no idea about that genre were blaming Premam for being close to its category.

Vampire Owl: Yes, some people even praised Blinglore Days for downgrading Premam.

Vampire Bat: It is Bangalore Days.

Vampire Owl: Whatever it is, our concern should only be about the nights, right?

Vampire Bat: It is the presence of the day that makes sure that there is night.

Vampire Owl: Yes, but we all have our preferences, don’t we?

Vampire Bat: Yes, as long as the night has darkness.

[Gets the tickets with cardamom tea and cheese popcorn].

What is the movie about? :: Lucky (Jayasurya) and Franklin (Bhagath Manuel) are best friends who are also engineering dropouts looking forward to making some quick money. For the same, they try many things. One day, they end up complicating things so much that they have to keep running from people. During his adventures in making easy money, he meets Nafsi (Prayaga Martin) and Sana (Salini RT) who needs someone to act as an elder cousin to bail them out of some trouble which they had due to bunking classes for watching a Salman Khan movie first day first show. There, posing as their cousins, they come across their real cousin, Ubaid (John Kaippallil), and ends up telling a lie that Lucky is the son of Ali Fukri (Lal) who is the son of Sulaiman Fukri (Siddique). Sulaiman and Ali has a long gone past, which has left them as terrible enemies who wouldn’t hesitate to beat each other up if there was a chance.

So, what happens next? :: Despite being hostile to his son, Sulaiman the patriarch, isn’t angry with his grandson. But Aliya (Anu Sithara) whom Lucky meets on his way back from the college, reveals that Ali has no son, and she is his only daughter. She asks him to get into the Fukri mansion posed as Ali’s son, and there is also an opportunity to be there at Ali’s wife house. Ali had married a Brahmin girl which was one of the many reasons for the problems with his father. Aliya provides enough details for Lucky to be at both places, and during his stay there, he solves almost all his financial debts. As Lucky is in love with Nafsi, he feels that this could work in favour of him in more than one way. At the same time, he decides to unite both families as well as the father and the son. But one day, Ali returns, and he is certainly not happy with it – he wishes to destroy all happiness in Fukri family, and one has to wonder what would happen next.

The defence of Fukri :: There is the presence of comedy, and the jokes work most of the time, and at other times, we have to make ourselves believe that there is some fun stuff going on. The songs are mostly okay, but there is nothing much to remember for long. It is still nicely done for the family audience, and without any bad joke added here and there and hurting no religious or community sentiment, manages a clean work – it needed someone like our veteran director to do the same, even though it is surprising that he had chosen to go through such a safe path with no risk taken. Even though it stays for more time that it should have, lasting above two and half hours, we don’t end up complaining about the length. Denied its release during the Christmas season due to the theatre owners’ strike, this one has a festival mood too, with all the colour and style that we see around. This might be the right choice to spend the time you have in extra.

The claws of flaw :: The main problem with this movie is that it has the kind of idea that has been tried again and again so much. It is certainly an old wine in a pot which he seems to have borrowed from a number of older movies – he has just added a little bit of flavour, and so we know that we have seen this before on lots of occasions. From the beginning itself, it is so predictable, and one twist with the daughter might be the only exception. The first half is rather brainless with comedy thrown in here and there, and the second half has a little bit too much of melodrama and it ends as if they had to force an ending out of nowhere. There is a little too much of Udayapuram Sulthan here, with one son trying to unite families from Hindu and Muslim families posing as someone else; his father was the main problem-maker there too. Posing as the cousin was the main idea in Dilliwala Rajakumaran too, and Kaaryasthan also had the protagonist trying to unite families – the examples are many, and it is a rather outdated idea for these times.

Performers of the soul :: There are three people who control this movie with ease – Jayasurya, Lal and Siddique, playing the fake grandson, and the next two generations of parents. The three generations effectively make this one worth our time. Jayasurya still has it easy compared to the kind of roles with which he had surprised us earlier. Lal and Siddique are perfectly suited for their roles, as their looks and style also compliment being the two big characters. Among the heroines, it is Anu Sithara who plays the daughter figure who scores the best – we had last seen her in Happy Wedding. Prayaga Martin pales in comparison, except for the looks – even though she looked even better in Kattappanayile Rithwick Roshan. It was also good to see Bhagath Manuel playing the second fiddle. Joju George is the one person to create the best effect on screen with minimal screen presence.

How it finishes :: There has been something different going on with the Siddique movies in the last few years – Ladies and Gentleman and Bhaskar the Rascal were clearly terrible movies, and even after bringing a combined effort with Lal in King Liar, nothing really changed with that. Bodyguard was an overrated movie too, with similar overrated remakes coming in many languages. And then there is Fukri. Coming directly into this situation, Fukri is definitely is a better flick. As we consider all these movies, Fukri is also the closest to a pretty good family flick which you can watch for the weekend. With Munthirivallikal Thalirkumbol and Jomonte Suviseshangal running in the theatres and Ezra all prepared to release, it is back to the busy times for Malayalam cinema industry after that terrible break due to the strike! Still, this could have been a laugh riot with its premise already established long ago – but that is not the case.

Release date: 3rd February 2016
Running time: 156 minutes
Directed by: Siddique
Starring: Jayasurya, Lal, Prayaga Martin, Bhagath Manuel, Siddique, John Kaippallil, Anu Sithara, Joju George, Krishna Praba, KPAC Lalitha, Sreelatha Namboothiri, Thesni Khan, Reena, Naseer Sankranthi, Salini RT, Sajan Palluruthy

fukrii

@ Cemetery Watch
✠ The Vampire Bat.