Bheemante Vazhi

Vampire Owl: So, they are going to talk about the path taken by Bheeman.

Vampire Bat: It is like the path which is constructed by Bheeman.

Vampire Owl: Are we talking about Chhota Bheem or Jai Bhim here?

Vampire Bat: No, this has absolutely no relationship with them.

Vampire Owl: It is indeed strange, because then we will have go to mythology.

Vampire Bat: This person has a real name, and it is not Bheeman.

Vampire Owl: So, he is pretending to be Bheeman.

Vampire Bat: I would suggest that you focus on watching the film instead of thinking about this particular Bheeman.

Vampire Owl: Well, it is what we are supposed to do, right?

Vampire Bat: It is what we always do without failing.

[Gets a blueberry cake and three glasses of mango shake].

What is the movie about? :: Sanjeev Shankar a.k.a. Bheeman (Kunchacko Boban) is in a relationship with Blessy (Vincy Aloshious), but it isn’t really among his first relationships or the last, as she does get married – he doesn’t have any regret about the same. His idea of marriage is closely related to a large amount of dowry it is for the same that he requires a good road in front of him house. The present path is a small one, allowing only one motor-bike or scooter to squeeze through the area. When his mother has health problems, he is forced to carry her all the way through the small paths which led to and from his house. When the local ward councillor, Reetha (Divya M Nair) talks to him in detail about it, and assures the people of the area about the possibilities of the municipality granting some government fund and building a road if everyone out there was willing to give a part of their land for the purpose. Most of the people do agree to it, and they also make the hesitant Gulaan Paul (Naseer Sankranthi) accept the proposal, after Bheeman has a long talk with him.

So, what happens with the events here as we just keep looking? :: But municipality is not the only place from where they should get the approval. There are more than enough approvals required from different government department for we always have KWA, KSEB and many other government institutions along with the usual stuff that comes into the picture. Then, there are two plots, one which is required to give a lot of land for the purpose, belonging to Dr Cederic Simon (Ashvin Mathew) who has settled outside, and is not really bothered about having a good road in front of his house where he rarely stays. Then there is Oothampilly Kostheppu (Jinu Joseph) and his brother Oothampilly Caspar (Bhagath Manuel) who has zero percent interest in all of these, as they live where the path begins, and so big vehicles can enter their home from the other side. Kostheppu is also a greedy man who doesn’t give anything to anyone free, or even with discount. As there is a railway line passing nearby, Bheeman will also need the NOC from Indian Railways, for which he contacts Kinnari (Megha Thomas) to whom he is attracted. The list of requirements only get longer, and he wonders if this is even possible.

The defence of Bheemante Vazhi :: After two big thrillers Nizhal and Nayattu, Kunchako Boban is back to working on the family movies. Mohan Kumar Fans had him bringing the same after Virus and Anjaam Pathira, and here he leads well again. The not-so-good-hearted hero is the commoner who has to make some fine plans, and these form the core of the movie. The movie focuses on going sarcastic, and some of them do work. It also has the elements of realism embedded in it, except for the final moments when things seem to be rather strange. Disputes about paths and plots are common during these days, and these are the things which lead to the worst situations, as we do read in newspapers about brothers trying to kill each other and neighbours attacking one another in the name of the borders of their lands and the paths being cleared. Here, we have one man with inherent evil in nature being brought to light, even though there is no violence to support the same. The struggle which is shown here does feel real, and so do the people who fail to think from the viewpoint of others.

The claws of flaw :: The emotional side which we expected from this film is rather weak, and it is mostly due to slow progress of the movie, and the dragging feeling that it possesses, as this is the kind of content which deserves not more than one and half hours – that should be the maximum. The name of the movie also feels strange as the main character doesn’t have anything that reminds one of that grand character from Mahabharata – there is also no fight scenes to go with the same. Another confusion about the title is related to the feeling that this could be about the main character’s way, but it is not about that either. This is surely a better movie than Chemban Vinod Hose’s earlier film, Angamaly Diaries which was much appreciated for reasons unknown to me and everywhere whom I came up with, but still fails to rise higher. The beauty of the location is also not that much captured, and the world here is not presented in an interesting manner. There are also so many moments in the film which drags it down and makes slower and slower, with repetitions being everywhere. Then finally, by the end, everything seems to be forced, and problems are resolved in a flash.

Performers of the soul :: This one from Kunchacko Boban for the family audience after some time seems to be a different kind of return, as the dark shades of this particular character is more than what he usually come up with – he has been a thief in Varnyathil Aashanka, Shikkari Shambhu and Johny Johny Yes Appa, but this is another kind of the shade. Here, he is not a likable character in any ways, and this time, he is not steadfast in love, with the quality that has followed him in so many movies deserting him without trace. Even though he is indeed the protagonist, the one person who catch our attention the most is Jinu Joseph, who plays a perfect commoner antagonist – the troublesome neighbour who has no love for his people. He had two entirely different roles in Iyobinte Pusthakam and Rani Padmini, as well as others, and this one is completely divergent. The four main actresses, Divya M Nair, Megha Thomas, Vincy Aloshious and Chinnu Chandni shares the space, but those other than Divya are mostly forgettable. Chemban Vinod Jose, Binu Pappu and Nirmal Palazhi provide good support while Suraj Venjaramood’s nice entry doesn’t go on for a long enough time period. Bhagath Manuel and Naseer Sankranthi also have notable roles.

How it finishes :: The very slow and often dragging Bheemante Vazhi is somewhat entertaining in parts, and the interest for the movie should be different for each person. Yet, it makes a usual family movie which can be watched for New Year. As I finish this particular review, I also want to wish all of you a very Happy New Year. 2021 hasn’t been that much of a great year for all of us, and it can be considered even worse than 2020, because the latter was a fine, happy year till the end of March when the lock-down was finally declared. 2021 had also seen so many Corona virus related deaths, and it is only the usual depressing thing, for we have had many depressing things in the year. Well, still we see that humans haven’t learnt their lessons – there were those devastating floods and then the COVID-19 pandemic, and people are worse than ever. This movie has a few of such people too, as we look closely – if things go like what is happening right now, one can only be assured that humanity deserves the extinction which is coming to them, and it is only sad that some other species will also suffer due to them.

Release date: 30th December 2021 (Amazon); 3rd December 2021 (India)
Running time: 115 minutes
Directed by: Ashraf Hamza
Starring: Kunchacko Boban, Chemban Vinod Jose, Jinu Joseph, Megha Thomas, Vincy Aloshious, Divya M Nair, Arya Salim, Chinnu Chandni, Naseer Sankranthi, Suraj Venjaramoodu, Jeeva Janardhanan, Ashvin Mathew, Bhagath Manuel, Binu Pappu, Shabareesh Varma, Nirmal Palazhi, Anand Bal

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@ Cemetery Watch
✠ The Vampire Bat.

The Priest

What is the movie about? :: Fr Carmen Benedict (Mammootty) is a priest who is known to have helped the police in multiple cases. Diya Alex Alatt (Saniya Iyappan) approaches him with a certain amount of concern regarding a series of deaths which had occured earlier in the rich and influential family, and were dismissed as suicides. Diya feels that the present controller of the assets of the family, Elizabeth Alatt (Meera Nair) might know something about it. He calls DYSP Shekhar (Sivadas Kannur), who begins to share some of his doubts. When a little girl named Ameya Gabriel (Baby Monica) is also found in the house, and the connected incidents related to her lead to the discovery of more clues related to the murder, Fr Carmen also understands that there is more to her than what meets the eye. Ameya is an orphan, and nobody has any idea what she is upto, because she often goes missing from her orphanage, and comes back by herself. Her actions are also nothing less than what others consider to be strange.

So, what happens with the events to follow? :: Jessy Cherian (Nikhila Vimal), a new teacher takes charge in the school where Ameya is studying. Even though Ameya has been hostile to each and every person in the school including teachers and students, she immediately becomes friendly to Jessy who is also happy about the same. As the school is closed for summer vacation, Ameya begs for her to be taken with Jessy. With the permission of the orphanage authorities, she manages to take the child to her home in the highlands, which had been abandoned for a long time. But it turns out that this child is not really the kid which she had expected. When anyone else comes in between Jessy and Ameya, the latter reacts violently, especially when Jessy’s fiance Siddharth (Venkitesh VP) comes to meet her, and proposes her. Soon, things take a further violent turn, and Fr Carmen makes his way to the place, as he understands the seriousness of the situation. But this might not be the kind of spirit which Carmen thought it is. He takes the help of Dr Mathews (TG Ravi), but he understands the need to learn about the spirit.

The defence of The Priest :: The movie scores heavily with its visuals, as we do have a perfect setting for horror, and along with the environment, there are the usual scares effectively used with the help of sound effects. The music is also very interesting. The scares are added here and there, and at times they work depending on the audience. There are some twists to be added here, but we do expect a few among with ease, seemingly because of trying to stick to the Hollywood style. The performance are also of a higher level, even though we do feel that the first investigation was even more interesting than what came later. It does have the most interesting part in the beginning, like Mammootty’s Abrahaminte Santhathikal had that crime at the start, and even with the presence of clowns, doesn’t make them nonsensical like it was done in the strange Mammootty movie The Great Father. Instead, most of the time, The Priest plays to its strength, and makes sure that there is no risk taken, even though it was there to be taken.

The claws of flaw :: The Priest has many elements which we would feel borrowed, and the reminder of Hollywood movies is sure to come back here. The climax doesn’t deliver the needed punch either, as it goes through the safe way, and adds one scene after the finish, seemingly as a justification. Looking at films like The Conjuring, The Nun, Insidious, Sinister and Annabelle, we have had an overdose of horror movies with spirits, and as there was enough for reference, this could have certainly done better – we all remember what Ezra did with the Jewish demon. Well, when the demon really doesn’t want to be terrifying, and with the first motive being close to a Mathematics teachers, the scary side weakens – when the motive and actions of the supernatural doesn’t scare us enough, the genre itself struggles. After all, a spirit should do what it always does the best, and it should go further when listing itself as a horror film at all places. There can be more to an act of exorcism and the process of haunting. We also see something missing with the sequence of events, but can’t talk about that without revealing the suspense and twists.

The performers of the soul :: The movie was marketed as the first movie in which Mammootty and Manju Warrier acted together – the last word does have some complications though, because the latter’s character was dead some time ago, and so the characters won’t be living together in the film, and we would have to wait to see them in the leading roles. Manju Warrier’s role is also quite short here, and it can be considered only as long as the work of Saniya Iyappan who also has some work to do related to the first adventure of the protagonist. Mammootty’s avatar here is a lot better than what we have seen in most of his action and thriller films, and this is a character that he does with ease. We can now remember him like Father Brown, the Roman Catholic priest and detective who was the main character in the fifty three short stories written by British novelist GK Chesterton in the years after Victorian era. There we were not into horror though.

Further performers of the soul :: Even though often known as the first Mammootty-Manju Warrier movie, the latter gets only limited presence, and in the first half we don’t even have a clue that she exists. But when she is there, she works through this very well. Nikhila Vimal is once again seen as a talented actress, extending her good work from Njan Prakashan and Aravindante Athithikal. Saniya Iyappan has the early shorter presence, and as we had seen her effectiveness in horror with Krishnankutty Pani Thudangi where she was the only saving grace, we were expected more of her presence there. Ramesh Pisharody and Jagadish are also given some early moments in here. Venkitesh VP whom we have known from the television show Nayika Nayakan also has done some good work. Baby Monica also contributes nicely once the horror side begins. She excels in displaying that scary side which is brought to light in the second half of the movie.

How it finishes :: The Priest was among the much awaited movies with Mammootty in the lead, and it has come late due to COVID-19 pandemic – according to the reports, it has still managed to be a profit-making venture, even with the theatre occupancy being controlled. The Priest is the one Malayalam movie which brought the viewers to the theatres and made sure that the business was running smoothly. As it has released on the OTT platform of Amazon Prime, one can now watch the film without those fears which we had earlier. The Priest is not only on a path towards being a stylish horror movie, as it is also an innovation in having a release on an OTT platform a month after its theatre release – it is a path which many more movies can follow, as there are other films which need to be released, and we are still facing the worst case of that one grand pandemic. With the clouds bringing darkness early in the afternoon, The Priest makes an interesting thriller for the time, even though it could have been bigger and smarter.

I also wish everyone a Very Happy Vishu! Stay safe and enjoy the day 🙂

Release date: 11th March 2021 (Theatre), 14th April 2021 (Amazon Prime)
Running time: 147 minutes
Directed by: Jofin T Chacko
Starring: Mammootty, Manju Warrier, Nikhila Vimal, Baby Monica, Venkitesh VP, Saniya Iyappan, Sivadas Kannur, Jagadish, Lishoy, Shivaji Guruvayoor, Ramesh Pisharody, Kochu Preman, Ameya Mathew, TG Ravi, Dinesh Panicker, Kalabhavan Haneef, Naseer Sankranthi, Sminu Sijo, Jeeva Joseph, Shiny T Rajan, VK Prakash, Meera Nair, Thomas Kuriakose, Jayadevan, Manoj Chennai, Sohan Seenulal, Madhupal

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@ Cemetery Watch
✠ The Vampire Bat.

Fukri

fukri-2

Vampire Owl: What about Fukrey?

Vampire Bat: I don’t think that there is a relation between the two. That one was a coming of age comedy film.

Vampire Owl: You mean just like Premam.

Vampire Bat: The genre is rather too vast. People who have no idea about that genre were blaming Premam for being close to its category.

Vampire Owl: Yes, some people even praised Blinglore Days for downgrading Premam.

Vampire Bat: It is Bangalore Days.

Vampire Owl: Whatever it is, our concern should only be about the nights, right?

Vampire Bat: It is the presence of the day that makes sure that there is night.

Vampire Owl: Yes, but we all have our preferences, don’t we?

Vampire Bat: Yes, as long as the night has darkness.

[Gets the tickets with cardamom tea and cheese popcorn].

What is the movie about? :: Lucky (Jayasurya) and Franklin (Bhagath Manuel) are best friends who are also engineering dropouts looking forward to making some quick money. For the same, they try many things. One day, they end up complicating things so much that they have to keep running from people. During his adventures in making easy money, he meets Nafsi (Prayaga Martin) and Sana (Salini RT) who needs someone to act as an elder cousin to bail them out of some trouble which they had due to bunking classes for watching a Salman Khan movie first day first show. There, posing as their cousins, they come across their real cousin, Ubaid (John Kaippallil), and ends up telling a lie that Lucky is the son of Ali Fukri (Lal) who is the son of Sulaiman Fukri (Siddique). Sulaiman and Ali has a long gone past, which has left them as terrible enemies who wouldn’t hesitate to beat each other up if there was a chance.

So, what happens next? :: Despite being hostile to his son, Sulaiman the patriarch, isn’t angry with his grandson. But Aliya (Anu Sithara) whom Lucky meets on his way back from the college, reveals that Ali has no son, and she is his only daughter. She asks him to get into the Fukri mansion posed as Ali’s son, and there is also an opportunity to be there at Ali’s wife house. Ali had married a Brahmin girl which was one of the many reasons for the problems with his father. Aliya provides enough details for Lucky to be at both places, and during his stay there, he solves almost all his financial debts. As Lucky is in love with Nafsi, he feels that this could work in favour of him in more than one way. At the same time, he decides to unite both families as well as the father and the son. But one day, Ali returns, and he is certainly not happy with it – he wishes to destroy all happiness in Fukri family, and one has to wonder what would happen next.

The defence of Fukri :: There is the presence of comedy, and the jokes work most of the time, and at other times, we have to make ourselves believe that there is some fun stuff going on. The songs are mostly okay, but there is nothing much to remember for long. It is still nicely done for the family audience, and without any bad joke added here and there and hurting no religious or community sentiment, manages a clean work – it needed someone like our veteran director to do the same, even though it is surprising that he had chosen to go through such a safe path with no risk taken. Even though it stays for more time that it should have, lasting above two and half hours, we don’t end up complaining about the length. Denied its release during the Christmas season due to the theatre owners’ strike, this one has a festival mood too, with all the colour and style that we see around. This might be the right choice to spend the time you have in extra.

The claws of flaw :: The main problem with this movie is that it has the kind of idea that has been tried again and again so much. It is certainly an old wine in a pot which he seems to have borrowed from a number of older movies – he has just added a little bit of flavour, and so we know that we have seen this before on lots of occasions. From the beginning itself, it is so predictable, and one twist with the daughter might be the only exception. The first half is rather brainless with comedy thrown in here and there, and the second half has a little bit too much of melodrama and it ends as if they had to force an ending out of nowhere. There is a little too much of Udayapuram Sulthan here, with one son trying to unite families from Hindu and Muslim families posing as someone else; his father was the main problem-maker there too. Posing as the cousin was the main idea in Dilliwala Rajakumaran too, and Kaaryasthan also had the protagonist trying to unite families – the examples are many, and it is a rather outdated idea for these times.

Performers of the soul :: There are three people who control this movie with ease – Jayasurya, Lal and Siddique, playing the fake grandson, and the next two generations of parents. The three generations effectively make this one worth our time. Jayasurya still has it easy compared to the kind of roles with which he had surprised us earlier. Lal and Siddique are perfectly suited for their roles, as their looks and style also compliment being the two big characters. Among the heroines, it is Anu Sithara who plays the daughter figure who scores the best – we had last seen her in Happy Wedding. Prayaga Martin pales in comparison, except for the looks – even though she looked even better in Kattappanayile Rithwick Roshan. It was also good to see Bhagath Manuel playing the second fiddle. Joju George is the one person to create the best effect on screen with minimal screen presence.

How it finishes :: There has been something different going on with the Siddique movies in the last few years – Ladies and Gentleman and Bhaskar the Rascal were clearly terrible movies, and even after bringing a combined effort with Lal in King Liar, nothing really changed with that. Bodyguard was an overrated movie too, with similar overrated remakes coming in many languages. And then there is Fukri. Coming directly into this situation, Fukri is definitely is a better flick. As we consider all these movies, Fukri is also the closest to a pretty good family flick which you can watch for the weekend. With Munthirivallikal Thalirkumbol and Jomonte Suviseshangal running in the theatres and Ezra all prepared to release, it is back to the busy times for Malayalam cinema industry after that terrible break due to the strike! Still, this could have been a laugh riot with its premise already established long ago – but that is not the case.

Release date: 3rd February 2016
Running time: 156 minutes
Directed by: Siddique
Starring: Jayasurya, Lal, Prayaga Martin, Bhagath Manuel, Siddique, John Kaippallil, Anu Sithara, Joju George, Krishna Praba, KPAC Lalitha, Sreelatha Namboothiri, Thesni Khan, Reena, Naseer Sankranthi, Salini RT, Sajan Palluruthy

fukrii

@ Cemetery Watch
✠ The Vampire Bat.