Kaaval

What is the movie about? :: Thamban Maathan (Suresh Gopi) and Antony Joseph (Renji Panikkar) used to be close friends for a long time, but now Antony is left alone at his home with his two children, Rachel Antony (Rachel David) and Alex Antony (Evan Anil). Antony’s health has been failing for a long time, and is troubled by those who had loaned them money, as well as some former adversaries. He wishes to get Rachel married as soon as possible, but it seems like an impossible task, as those who had provided them with money won’t allow that. The local SI Madhu K (Kichu Tellus) doesn’t care about what happens to Antony, as police has always held a grudge against him due to a few incidents which happened many years ago. They are only happy about Antony being at the receiving end of all these troublesome incidents. Head Constable Aravindakshan (Sadiq) is the only person who thinks otherwise, but is helpless. It is evident that the locals will also haunt their family in the name of their past.

So, what happens happens around here? :: Things would seem to go on as usual, but is only a matter of time until Thamban dies and the situation gets worse for Alex and Rachel. During their troublesome past, Thamban and Antony had been fighting against the local bigshot Kuzhiyil Chandy (Suresh Krishna), as well as the police officers SI Muralidharan (Sreejith Ravi) and PC KP Varghese (Shanker Ramakrishnan). Situation continues to go out of hand further, as the whole thing intensifies with retaliations happening all the time. Soon enough, Varghese is found dead, and it becomes a matter of self-respect for Muralidharan and the entire police force. But the cops won’t depend on themselves for the act, as there are many others who are looking to get back to the two. As the intensity of the rivalry increases, Antony is beaten up and has his leg amputated, while Thampan somehow manages to survive the attempt to murder him. Antony’s wife asks Thampan to go away and cause no further problems there, to which he agrees. But now, he will need to make the much needed comeback.

The defence of Kaaval :: When we talk about the movie, it is clear that it is dependent on Suresh Gopi to keep it going. The strength here is all focused on that core on which the structure is built. The movie seems to be made for him to play this character, one which is supposed to make a comeback as he himself is doing here. There are some moments to remember, and those are all related to him making that grand return. The movie also has most of its characters as evil, and it is basically the reality about our world – humanity’s degeneration has been shown to catch our attention, for these are the times when you just cannot trust people who choose to live on hatred towards their fellow creatures. There is also some fine twists to go in the end, and as the mystery is revealed, it is not something you have predicted, even though the same could have been revealed in a more interesting manner instead of just talking about it. The visuals are all beautiful, and one can only love this setting with greenery all around.

The claws of flaw :: The movie follows somewhat the usual pattern that was chosen a few years ago, and such a repetition can be seen as being followed here too. It also does drag, and this much of a length should have actually been avoided. The flashback here is also too weak and pretty much predictable, with a few weaknesses coming in there, as the same also ends rather quickly to let in the newer world. If the movie had released much earlier, its flaws would have been mostly forgiven. We are also predicting too much of the things around here, and that goes for even the dialogues. The strength of the movies like Ekalavyan, Commissioner, Lelam and Vazhunnor cannot be emulated even in a much smaller dose. The film also seems to have been in a hurry to end, as the final moments don’t do justice to all the build-up, for there were so many ways in which the movie could have ended, and none of them are taken. The quick end can now only be justified by a sequel, but one can have doubts about the same. Then there is also the burden of expectations.

The performers of the soul :: Kaaval is the film that marks the return of Suresh Gopi after the much awaited earlier return in Varane Avashyamund – that was not a comeback to his comfort zone though, but we did see the spark returning there. The film here has him returning to his usual style instead of the comic side which was prevailing in that movie which released last year. He has two other similar films coming up in the form of Ottakkomban and Paappan which seems to share the feeling which is not so far away – the two also seems to have more grandeur related to its scope. As we look around here, it is more or less the Suresh Gopi that we have loved to watch in the past – the years haven’t changed him related to what he has been doing doing for sure. Renji Panicker comes up with some fine combination with Suresh Gopi, and the two would have made a fine team if the film was released many years earlier, for the movie itself has elements which could link it to many years ago.

Further performers of the soul :: Rachel David plays the role of the daughter figure, and she has done the same in a convincing manner, with a much better role than what she had on her debut as the leading actress. Evan Anil, the brother of Drishyam‘s Esther Anil also plays one significant role here, which stays as notable. The two youngsters do show some promise, and it is not really that much of a surprise. Among the villains, Kichu Tellus does stay strong in comparison with the others, while Suresh Krishna’s character is dead too early. The film also has its own dose of surprise villains, as the twists related to them are there to be taken, and bring the surprise in the end. There are lots of known names around here, and they all play their parts well enough. You see Shanker Ramakrishnan, Sreejith Ravi, Santhosh Keezhattoor, Padmaraj Ratheesh, Rajesh Sharma and others, all playing fine roles as part of the tale. This never goes short with actors and actresses.

How it finishes :: Kaaval doesn’t bring anything new, but does come up with some additions the memories of the past. It is an entertaining movie, even with some stretching in between. But some advancement according to a new world was surely required, for some innovation in the usual thing can always be taken. With a shorter run-time, and moving somewhat away from the older formula, this could have surely been much better. Even without the same, we can be happy with the grand return that Suresh Gopi has received, and be glad that we are reminded of those movies of the 1990s which we have cherished for so long. With the release on Netflix, we are also able to watch that at a time when the new variant of COVID-19 is threatening to close the theatres again and has us worried. During these troubling times, we are reminded of those Suresh Gopi movies which have entertained us with big action and heavy dialogues. Kaaval is a reminder, and something of that nostalgia that will live forever.

Release date: 27th December 2021 (Netflix), 25th November 2021 (India)
Running time: 148 minutes
Directed by: Nithin Renji Panicker
Starring: Suresh Gopi, Rachel David, Renji Panicker, Evan Anil, Kichu Tellus, Kannan Rajan P Dev, Padmaraj Ratheesh, Muthumani, Sadiq, Sreejith Ravi, Suresh Krishna, Shanker Ramakrishnan, Rajesh Sharma, Pauly Valsan, Chali Pala, Baby Parvathy, Anjali Nair, Santhosh Keezhattoor, Santhakumari, Gilu Joseph, Aristo Suresh, Anitha Nair, Ambika Mohan, Aman Panicker, Jaise Jose, Ajmal

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@ Cemetery Watch
✠ The Vampire Bat.

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Johny Johny Yes Appa

What is the movie about? :: The movie tells the story of three brothers, Peter (Tini Tom), Johny (Kunchacko Boban) and Philippose (Sharafudheen). Having a strict award-winning teacher of the nearby school as their father (Vijayaraghavan), there is a struggle in living upto the expectations. Johny ends up being the father’s favourite son by choosing a twisted path to success, and the result is that Peter suffers. In the end, Peter is thrown out of home, and Johny maintains the image of a nice guy even though he is actually a skilled thief. Johny becomes active in social activities and the good image is maintained, especially in the church where he is a very popular person. But during the nights, he continues to steal, and gives no clue to the police regarding his presence in those robbed houses.

So, what happens with the events to follow? :: At the same time, Johny is in love with his childhood friend Jaisa (Anu Sithara) who has decided that she would marry him only. Even though her education is only until the ninth standard, her father Chavaranprackal Jose (Kalabhavan Shajon) is so rich that he could buy most of the educated men in the town as possible grooms for his daughter. But she is desperately in love with Johny, much to the dismay of Jose who doesn’t consider the man to be worthy. Everything goes according to the plan until he comes across Adam (Sanoop Santhosh), Nandana (Anikha Surendran), Amala (Mamta Mohandas) and Sujatha (Lena). It is then that things begin to change, and there is the twist of fate that would mean problems for the image he has kept for so long. It would mean that he has to come up with something special, but can he?

The defence of Johny Johny Yes Appa :: The movie has a high amount of dramatic irony in store, as nobody knows about the secrets of this particular person. As a family-friendly movie, it has that kind of jokes, and there is the deviation towards bringing a message or two too. The jokes are working, and we have the same in a regular dose especially in the first half. The emotions also run strong, and the family audience will be able to connect to that too. The songs are pretty much okay with this one. We also see the small twists here and there, and some good visuals support the flick well enough. There is no problem here that would prevent the family audience from taking over this movie, even though Kayamkulam Kochunni is still running extremely strong, all set to go over the big movies like Premam, Oppam and Drishyam, even though Pulimurugan has set that seemingly unattainable score with the box-office collections of Malayalam movies.

The claws of flaw :: The movie seems to deviate a little too much in the second half, seemingly changing the whole things a little too much than one would expect. There are times when one ends up thinking if this was one complete story or combined from different things, creating a Frankenstein monster with technology added to the whole thing in the end. It is the director of Paavada and the script writer of Vellimoonga who have joined forces here, and the expectations were high with this one too. But we can see that so much is not there, even though the improvement from Kunchacko Boban’s earlier movie of this month, Mangalyam Thanthunanena is clearly visible. We could have used better story with a better protagonist whose actions made better sense. The thief whom we cheer for could have better defined qualities, and we wonder why his world doesn’t fly high as it should have.

The performers of the soul :: This movie depends on Kunchacko Boban to keep things going smoothly, and to provide it with that effect that can bring all those family viewers in. His best of the year was Shikkari Shambhu which was a fun-filled entertainer with all needed elements. But other than that, it was quite a dull year for him even though Panchavarnathatha did come close. Kuttanadan Marpappa struggled to fly high enough, and rest of the movies were not even close to being memorable. It is to the same list that this movie brings some more of light as the attempt is to keep the darkness away. Kunchacko Boban has no problem at all, as far as this particular movie is concerned. He goes through this one with ease, as not much is asked. He also has that kind of a character which gets the right amount of claps in the end, no matter what path he travels earlier.

Further performers of the soul :: The one who scores big in this movie is indeed Tini Tom who has the funny as well as the emotional sides going strong for him. It has to be noted that he was there in three movies with Kunchacko Boban this year itself. He does the work naturally here, and so does Veena Nair who plays his wife. Mamta Mohandas has only very less time to be there. Anu Sithara has the role done really well, and she seems to suit this kind of characters so well. Sharafudheen makes the funny side seem so easy, coming right out of the villain role in Varathan. Kalabhavan Shajon and Abu Salim add even more fun to the whole thing. Anikha is back again after The Great Father, but doesn’t contribute much. Lena is solid again after Aadhi and Ira. Nedumudi Venu seems to be there just for the sake of being present, giving us only a few minutes of him. Sanoop Santhosh of Philips and the Monkey Pen fame does leave a mark again.

How it finishes :: This is the season of the thieves, and Johny Johny Yes Appa joins Kayamkulam Kochunni and Aanakkallan to make more than one theatre full of thieves and nobody else, unless there is Halloween and one serial killer joins the team. There has always been one thing about Kunchacko Boban, and it is certainly what brought us to watch this flick. His movie would be something to watch for the family audience every time, and even this time, the focus is on that group only. The fight is still more this time, and the flick would struggle to keep going. But it is still a safe bet, and the weekend should have more for this movie with the family audience being a stronger presence during this week with the Sunday as a bank holiday. There could have been more with this one, but there is just enough, as you would notice easily.

Release date: 26th October 2018
Running time: 144 minutes
Directed by: G Marthandan
Starring: Kunchacko Boban, Anu Sithara, Tini Tom, Kalabhavan Shajon, Sharafudheen, Mamta Mohandas, Vijayaraghavan, Veena Nair, Geetha, Sanoop Santhosh, Lena, Abu Salim, Nedumudi Venu, Jaise Jose, Anikha Surendran

@ Cemetery Watch
✠ The Vampire Bat.