Qarib Qarib Singlle

What is the movie about? :: Jaya Sashidharan (Parvathy), a Keralite based in the city of Mumbai, spends her time alone, both at home and at office, as she has only a few friends, and has been a widow for about ten years. After so many years of lone life, and not listening to anyone who tells her to marry or get a boyfriend, she finally decides to have a look at an online dating website at the age of thirty five. After being bombarded by so many ridiculous comments by so many men, she finally comes across Yogi (Irrfan Khan) who is interested in poetry and has his own special style, making his case very different from the rest. She is careful about him and understands that both of them are different from each other in so many ways, but decides to go with him to meet three of his ex-girlfriends so that he could understand more about him as a person.

And what is to follow in this particular adventure? :: As part of this long adventure, the two has to travel through Haridwar, Bikaner and Gangtok. But there is one particular fact about Yogi, and it is that he is a carefree person who takes no responsibility on his shoulders – he doesn’t work even after passing engineering, but has written poetry in his mother tongue, and also speaks not much of English. This leads to him missing his flight and getting on the wrong train, and creating a few other situations. Meanwhile, Jaya who has identified herself as Jayashree TK, is fluent in English, and needs everything to go as planned. At their first location itself, they do become good friends, but going past that might be a little difficult, but who knows where some paths can lead? Well, strange things do happen, especially in love and war!

The defence of Qarib Qarib Singlle :: You will find the changes in this movie as a lot refreshing, and a fine thing which is away from the usual Bollywood model. The movie feels real with its incidents and emotions, and never really jumps into that fountain of melodrama which has kept the industry buried alive in a coffin from which there was never supposed to a chance of return, and it is a situation that could be termed as a sadistic thing of terrible beauty if we take a look at things as an outsider. Yes, the fans have always enjoyed the same, as it is what they have always been trying to do, but when we are outside that thought process of becoming addicted to a celebrity who has enough strength to become a parasite on the common man, throwing nonsense and grabbing money, we want the change. Qarib Qarib Singlle is surely that divergence from the regular path, and has fun moments in its realistic world having people who come up with no wonders in love, and are good at heart, not in their muscles, clothes or freaky singing and dancing in a party or pub.

The claws of flaw :: Some people can consider Qarib Qarib Singlle to be a little slow for their liking, but thanks to the smaller length, things get better. People who want less simplicity, and go for that colourful jump mode new generation romance in a pub calling for party, can also skip this one, as the movie calls more for the combined audience of family and youth. You can actually agree to the fact that there could be more comic sequences in this flick, and the journeys to different places could have also been more beautiful with the local scenery captured further along with what all are already there. All those characters other than the two protagonists never really get to do much here, and there is no development of the background as one would expect to be there. The reason for the movie’s journey would also seem a little strange for many. More could have been thus developed with the setting itself too.

Performers of the soul :: There is no stopping Irrfan Khan, and it is a proven fact. It was a few months back that I had come across Hindi Medium, and realized that how much this man had elevated it above the Malayalam version with the same theme, Salt Mango Tree. There is something that he brings on the big screen every time, and we cannot keep ourselves away from it. While Bollywood has been bringing nonsense in the name of keeping the audience entertained with masala, he was there with movies like The Lunchbox, Talvaar and Madaari. Here, he delivers two sides of a character with ease, as the funny side as well as another side with a certain depth in his ideology, arrives safely here. With no fake image of a hero being built, he becomes the everyman character, speaking a little too much, and doing a little more than a usual person, but doing all of them with such perfection which you will find difficult to find with any superstar who depends on his or her fans to sing blind praise.

Further performers of the soul :: While Irrfan Khan’s character maintains a certain amount of mystery as we come across him only after Parvathy’s character decides to go on to meet him, the latter gets a clear personality to work with, right from the beginning. She has worked with it with such skill that one can easily understand that she is one step ahead of almost everyone with that “superstar” title on head, which all try to hold on to. Still, the question remains if Bollywood is worthy enough or at least ready to have a heroine like her, who won’t jump into that masala stuff which provides a heroine with so less to work with that she is reduced to an eye candy. Into a world which is full of “actors or actresses who are related to someone in the industry”, she thrives with her performance rather than anything else, as she did this year with the amazing upgrade to Airlift, known as Take Off, and earlier with Charlie and Ennu Ninte Moideen. Here is one Bollywood debut of quality.

How it finishes :: A long way ahead of the usual romantic flick that Bollywood has been providing us, and also racing ahead of many overrated dumb romance from many languages which got only some ridiculous party songs, pub dance and meaningless infatuation for the audience, Qarib Qarib Singlle makes a point. It shows exactly how a fine romantic feel-good movie can be made, without those unnecessary elements appreciated by a certain group of half-witted audience who should be held responsible for Bollywood having so many low quality hundred crore movies with content not worthy of even being made a short-film – such cases are better suited only for an alien world which has no scope for brain development. If you prefer movies with aversion for clothes being at the same high level as the disinclination for making something sensible, do not bother, and go back to your usual world and continue watching what you call “cool”. Sometimes, the audience becomes the villain to an industry.

Release date: 11th November 2017
Running time: 125 minutes
Directed by: Tanuja Chandra
Starring: Irrfan Khan, Parvathy, Bajrangbali Singh, Anud Singh Dhaka, Neha Dhupia, Brijendra Kala, Luke Kenny, Siddharth Menon, Pushtii Shakti, Isha Sharvani

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Masaan

masaann

What is it about? :: Set in the city of Varanasi, this tale separates into two, bringing two stories together. One of them is the tale of Devi Pathak (Richa Chadda) with her boyfriend checking into a hotel room, but the police also follows them. As the police inspector tries to record their faces in his mobile phone, the scared boy locks himself in the bathroom, and in fear of humiliation in front of his family and friends, commits suicide much to the shock of Devi. But her trouble doesn’t end there as her father Vidyadhar Pathak (Sanjay Mishra) and herself are blackmailed by the corrupt police officer (Pankaj Tripathi) who demands what seems to be a huge amount of money for them, for not leaking her video into Youtube and other social media. As she keeps switching the jobs and running away from people, things just don’t get any better.

So, what is it about the second tale? :: The next story is that of Deepak Chaudhary (Vicky Kaushal) in the same city of Varanasi, hailing from a low caste that deals with the burning of corpses. But he wishes to go beyond the restrictions of his caste, and studies Civil Engineering at a polytechnic college. He soon meets and falls in love with Shaalu Gupta (Shweta Tripathi), an upper-caste girl. Even though it takes time, she accepts his proposal. Even though he does find the courage to tell her about his caste and what his people do, she doesn’t hesitate in going forward with the relationship. She asks him to stay focused and look for camus placements to get a good job – she would accept him as his husband even though her parents won’t, as long as he has a job. But there is a twist waiting to wreck havoc in their lives too, and the question remains if Deepak can get himself out of the depression.

The defence of Masaan :: The biggest advantage of this movie is that it sticks to the common man and a town rather than going for the ultra-modern city life and its people – this one has also told the story in a realistic way without adding those usual Bollywood flavours. One can safely say that Masaan is a long way above a usual Bollywood movie. It works so well emotionally because its characters are not people wearing colourful dress and jumping around with loads of money, and still complaining about their “zindagi” which is not enough. These are not about the kind of spoilt people who blame their past and their parents for what has gone through in their lives – instead, these are responsible people, ready to fight, which is why we fall for them, and we want them to win – there is no moment in this movie that we don’t feel for them, as we go through the tragedy of life which still has hope here and there.

Claws of flaw :: This is not for the usual Bollywood fan-people who support movies which make no sense; this one stays away from that, and uses the real world instead of the exaggerated visions of life – it is not a flaw, but for some people, that means no entertainment. Yes, the movie is pretty much slow, and it won’t have people dancing to strange party music – I would certainly thank God for that. Maybe the ending could have brought something more, even though hope is still there at the finish, stretching its arms towards our protagonists. Finding fault with Masaan is not an easy job; unless you are the masala entertainment seeker who wish to label this one as not interesting and even boring – but trust me, as both these are not the things that we relate to this movie, even when we are sleepy. Masaan is that good, and its nice philosophical claws point towards a reflection of perfection rather than the flaws.

Performers of the soul :: Richa Chadda has an amazing outing in the movie, as her character makes us feel each moment of loss and sadness, and this one is also one of the stronger character that we have been seeing in Hindi movies – she is not the kind of person who blames her parents for her past and falls in love with everyone around, becoming so ambitious with “zindagi” that she cannot sleep and then needs a therapist. It is a character that we admire, and with this performance, the person we see on the screen gets better. Then there is Vicky Kaushal whose character’s feelings reflect on us so well. His bliss in love and his sadness in separation – all feel so real that we feel the need to get further away from the so called superstars of the industry; the best actors and actresses are seen in realistic movies, in the tales of the lives of common man, and not with those ultra-modern people who creates problems for themselves and needs someone to solve them.

Further performers of the soul :: Richa Chadda and Vicky Kaushal might be two names which not many people here knows, but they are among those real performers who act in the movies which are rather real, and not exaggerated. This is exactly the reason why we need new faces with skills instead of superstars; as it is proven here again that a movie shouldn’t be about the big stars and who they are, for there are only characters who need to be played with the needed features. Yes, there is also Shweta Tripathi as Shaalu Gupta who brings such cuteness to the screen that we begin cheering for the two to get married – she has some beautiful combination scenes with Vicky Kaushal that makes us feel for them, not just within this movie, but rather eternally. The next one who impresses us is Sanjay Mishra, and he is there doing the same throughout this movie. To add to it, the world itself is a character, as we see how it influence the people.

How it finishes :: There is a certain happiness and sadness that Masaan leaves one with. It is the happiness of having watched this beautiful movie, and at the same time, the sadness that we share with the protagonists of this movie who are troubled by what fate or destiny has provided them with. There might have been the tendency to move away from the beauty at the centre of everything, but the movie stays there and becomes a realistic film rather than moving towards that side which is too common in Bollywood. Masaan is a very significant movie as it tells us that there is real skill out there, and the best that comes from anywhere around Bollywood can be found among the movies collecting less at the box-office, and has not much of the so called superstars, both male and female. Masaan shows how good content can get better, and so close to perfection, and it becomes another reason why people need to watch realistic movies more, and leave the usual exaggerated and overrated works behind.

Release date: 24th July 2015
Running time: 109 minutes
Directed by: Neeraj Ghaywan
Starring: Richa Chadda, Vicky Kaushal, Shweta Tripathi, Sanjay Mishra, Pankaj Tripathi, Nikhil Sahni, Satya Kam Anand, Vineet Kumar, Niharica Raizada

masaan

@ Cemetery Watch
✠ The Vampire Bat.

Dear Zindagi

dearzindagi-1

Vampire Owl: This is not acceptable to the vampire community.

Vampire Bat: I see no problem in some vampire censoring here.

Vampire Owl: There is too much about life here. If they get too much caught up with life, how can we recruit our minions?

Vampire Bat: Consider this life after death.

Vampire Owl: That would be beautiful, even though these people don’t look like zombies.

Vampire Bat: Well, beauty of life after death is more than just about zombies.

Vampire Owl: To that, I can drink tea.

Vampire Bat: We are drinking tea to that.

Vampire Owl: And we are watching this movie only for that.

Vampire Bat: In the end, I am sure that most of us will end up watching this for different reasons.

[Gets the tickets with cheese popcorn and vegetable puffs].

What is the movie about? :: Kaira (Alia Bhatt) is a rising cinematographer who wishes to shoot a full movie instead of the smaller projects that she usually does. Raghuvendra (Kunal Kapoor) is the person who becomes her chance to get to the big scene at New York, and it is with him that she is cheating on her boyfriend, Sid (Angad Bedi). But things don’t go on as planned, and she ends up in Goa, where her parents are – as many other people in her life, she can’t get along with them too. She is unable to sleep and except for her very few friends, she is angry at most of the people. But one day, she comes across Dr. Jehangir Khan (Shah Rukh Khan) whom she figures out as the right choice to solve her problems. She decides to be open to her therapist, and he has a few sessions with her, and life will never be the same for her again.

The defence of Dear Zindagi :: Here you get another inspirational movie. There is no shortage of messages, no matter how they are presented – it is more about claiming back one’s life while getting rid of the ghosts of the past, and the rest of the messages can be discovered by oneself. There is some humour here and there, but nothing that remains memorable enough. The visuals work nicely, and the songs are okay, with “Love you zindagi” being a clear winner. There are also some dialogues which you can use as a quotation on another day. The fact that this movie made this much without much of a plot is actually interesting. Then there is the cast which is another big advantage for this movie. It is also an interesting thing to notice that Bollywood is thinking differently these days – we had many movies with difference this year, and that is a welcome change; but the fact that this was so close to being a lot better movie should be rather disappointing.

Claws of flaw :: Well, we get so many of inspirational movies here; if you take a look back, there are enough of them to keep some extra inspiration for later use – there are separate movies for children like Philips and the Monkey Pen, for women like Rani Padmini and also for many different categories of people. It is near impossible to relate to the character played by Alia Bhatt too, as we get too much of a world which is less ours. This could have been more fun if it felt more real with its happens. We see that something unreal comes up here and there even in an inspirational movie – a bad habit without doubt. This certainly goes exaggerated, and thus that bad quality of Bollywood is also retained. There are slow parts and you know the unconvincing side – not easy to feel for the characters; our protagonist herself has too easy a life and no pain. The drag makes one feel that this an even longer movie, with an already big run-time – too many dialogues there too.

Performers of the soul :: Alia Bhatt’s character does spend a lot of time buying things from e-bay and cleaning the roads with her clothes as she move around in them, but you see that she plays this interesting, but irritating character very well. Her long speech about her childhood might be the boring side of the same though, followed by her anger at her parents. But the energy that she brings to this character is a lot. Still, it is only when Shah Rukh Khan’s character enters the scene after an hour, that things get interesting. After that, things get going, until that climax which is nothing more than ordinary. Even as Alia Bhatt remains the soul of this movie, it is Shah Rukh Khan that holds the parts together, and whemever he is there, we are cent percent glued to the screen. Among the supporting cast, it is Yashaswini Dayama who plays Jackie that scores the most.

Soul exploration :: The protagonist’s problems are also more Bollywood kind, as she keeps falling in love – one has to wonder if she actually does anything else in her life; too much falling in love and leaving them behind. Then she also gets to be rude to her parents living in the past. There are moments when one feel that these kind of people don’t deserve a movie at all, unless provided with a warning in the beginning. But Bollywood’s aversion to common man goes on as it looks only for special people. As usual, for a Bollywood movie, there is also too much melodrama in this one, and the real solution of this problem was there so early – as the problem in this movie for Alia Bhatt’s character is she herself. Some people have to be taught how to be good to others, even when their life is actually going very smooth, and that indeed is the problem of this world, isn’t it?

How it finishes :: There is one thing that we keep wondering about – why is the Bollywood movies too much about the aspirations and disappointments of people of another level? At the same time, the Malayalam movie Kattappanayile Rithwik Roshan is running in the theatres, and this one is closer to the common people despite it focusing more on the comic side without feeding advice with brains. You saw the same with Zindagi Na Milegi Dobara, as the heroes just had to travel all around the world – maybe Bollywood wishes to tell less about the common man and make its stars people with a lot of money or special skills? Meanwhile, movies like North 24 Kaatham and Mili could easily tell such stories of finding oneself, that too with the common people as protagonists. If you have watched Mummy & Me with Archana Kavi being advised by Suresh Gopi on how to get her life better, you will know how such movies can be done with realistic protagonists with whom we can relate to. This one will work, but the theory to “overdo things for attention with less focus on the story” is here with Bollywood.

Release date: 25th November 2016
Running time: 150 minutes
Directed by: Gauri Shinde
Starring: Alia Bhatt, Shah Rukh Khan, Ira Dubey, Yashaswini Dayama, Rohit Saraf, Kunal Kapoor, Angad Bedi, Ali Zafar, Aditya Roy Kapur

dearzindagii

@ Cemetery Watch
✠ The Vampire Bat.

Pyaar Ka Punchnama 2

PyaarKaPunchnama2 (2)

What is it about? :: Anshul (Kartik Aaryan), Siddharth (Sunny Singh Nijjar) and Tharun (Omkar Kapoor) are best friends who share a flat. Anshul meets Ruchika (Nushrat Bharucha) during a party, gives her his mobile number and their relationship begins. Siddharth comes across Supriya (Sonnalli Seygall) at a wedding program and immediately falls in love, hoping to get married to her as soon as possible. Tharun meets Kusum (Ishita Raj) while at the gym and with his infatuation, their love story begins. But all these three relationships don’t move forward as expected. They try to make things better, even by going to a trip to Pattaya, but the situation remains the same. It seems almost impossible to get along with each other, with a split ready for all the three couples.

The defence of Pyaar Ka Punchnama 2 :: The comic side of this movie is strong as expected. The same successfully generates a lot of laughter in the theatre. Making the audience laugh a lot is not that easy, and that has been achieved, both in the case of men and women viewers. The songs are okay. The vain love based on infatuation gets the beating here, even when there is absolutely no need to bring a message here or be serious about its idea. The jokes related to online life and the struggles of Siddharth to impress the girl’s parents are the best among them. This movie only does what it is supposed to do, and if anyone wanted it to do something else which it was never planning to come up with, they can hate the movie, but bringing just one point up is more like vendetta. I agree that this could have done differently, and that would have surely improved my opinion, but this product works.

Claws of flaw :: You can see that critics have chosen to degrade this movie, but most you will see that the reason itself is one-sided and prejudiced, as it can only be found by digging the wrong way. But this movie is no big thing either. The flick actually starts with some drag, and it only gets better with the men meeting the women. All the comedy stuff won’t work that well either, and it is not applicable for everyone in the same way throughout the flick. Some dialogues were quite unnecessary, and the movie surely had better scope. The acting department is not that great either, but not much is required in this movie as the cast manages okay. You will also get less out of this movie if you have decided to thrive in the negative idea given to you by the critics, and won’t watch this as a regular movie loving human who thinks not from or in favour of any category.

Soul exploration :: I keep wondering why some critics think that this movie hates women. It makes no sense, because anything against women in this movie is from three male protagonists who are pretty much dumb (nobody needs to believe even a word they say); so if there is anything negative here, it is to be shared between both sexes. I can have problems about how men are portrayed in this movie too! Well, it is a modern take on the relationships which have no value and about those which are too hasty; it is about how decisions taken without base never last – it is also applicable both ways; you can also see a male character whose girlfriend has ditched him, and it is clear that the particular person appears as the mirror image. People are free to come up with opinions, but some people surely need to develop some tolerance – otherwise, these people might not have the right to call the political parties and religions intolerant.

Further soul exploration :: This just a story about a relationship, and not judgment. There are movies with good women and there are others with bad women; sometimes there are those which are full of bad men and otherwise good women. But if you look closely here, are these characters the kind of people who can’t exist in this world? Haven’t you seen the shades of some of them in your life? Don’t try to deny it because of your prejudice. Well, if you are looking for the same story to progress from all angles with just one movie, you are looking at the wrong place. These people who pass judgment in favour of just one side of this flick really need to think again. If they need movies which hate women, Bollywood has many of them along with another Indian flicks, and this movie here is not one of them – you will know if you remove those shades of prejudice. Nobody with sanity will let this movie define their world except for laughing at the jokes! This is never really about true preaching! No characters here are heroes to imitate either!

More of soul exploration :: If you are determined to hate this movie, and looking for points to note down, feel free to write something even before watching this movie. If you think that men in this movie are so awesome and women so bad, you need to look into your viewpoints about the good and the bad; because all that this movie has is a collection of grey characters. You don’t even feel that the women are evil in this movie if you look deeper; what you see here is a case of not finding the right person, as each human being is different. These three men found the wrong women, and they suffer for it – the men are not really angels either, and their choices were just dependent on infatuation or lust. Here is a message for you to take home even if there is none intended – don’t go for looks and don’t fall for what you feel with first looks; go for character. You got the message when there is none; happy? Now, that is a good addition.

How it finishes :: Actually, under normal circumstances, if you are looking to take a message from a full comedy movie, you are looking at the wrong place. What to expect from this movie was pretty much clear. I went for this movie thinking how terrible this would be, thanks to those critics who only saw only one side of this one. But that only helped me to once again understand why I shouldn’t go by the opinions especially when they are focusing on one particular thing which is not even the basic factor of this movie. I haven’t watched the first movie, but about Pyaar Ka Punchnama 2, I am sure that it will make the viewers laugh, and the genre here is comedy – note that down. It doesn’t have anything else, and this is not a movie to be taken seriously. If you thought that this was going to the movie with a grand love message, the problem is on your side and not with the movie makers. Use that side of brain somewhere else, as there are many serious ones and grand superstar movies which work against equality.

Release date: 16th October 2015
Running time: 136 minutes
Directed by: Luv Ranjan
Starring: Kartik Aaryan, Nushrat Bharucha, Sonalli Sehgall, Ishita Raj, Omkar Kapoor, Sunny Singh, Rumana Molla, Sharat Saxena, Manvir Singh

pyaarkapunchnamaa

@ Cemetery Watch
✠ The Vampire Bat.

Welcome Back

welcomeback (2)

Vampire Owl :: Thank You. I appreciate it.

Vampire Bat :: What do you appreciate? Why?

Vampire Owl :: You said welcome back when I entered the theatre.

Vampire Bat :: I was telling the name of the movie when you entered. Why do you talk as if the theatre is my ancestral property?

Vampire Owl :: Actually, as you spend a lot of time here, I had the feeling that this is really your home. You should actually think about shifting here. This way, you can sleep in the queue and when you wake up, you will be the first one on the queue.

Vampire Bat :: This is why nobody listens to your ideas.

Vampire Owl :: Or you can marry the daughter of a theatre owner, or ask for some kind of season ticket for movies. See, I am giving you free advice which nobody else can offer.

Vampire Bat :: You can do me a favour by not giving me any idea.

Vampire Owl :: You are going to make me watch a Hindi comedy movie after you got me to watch Humshakals and Main Tera Hero. You will be forced to return to my ideas in return.

Vampire Bat :: That was because we missed the movies which we were actually going to watch on those days. Now you have ruined the day already by talking about those movies.

[Gets ready for the movie].

What is it about? :: Uday Shetty (Nana Patekar) and Majnu Pandey (Anil Kapoor) have ceased being dons and are running big hotel business in Dubai, as they try hard to control themselves from going back to their life of crime again. But they are finding a certain amount of loneliness in their lives, and the realization that even their low level henchmen are happily married with kids makes them very depressed. They look for the right person to marry as they find Nandini (Ankita Shrivastava), a stunningly good-looking girl who is also a princess from some royal family. With beauty and royalty there in store, both men falls for the same girl, and hopes to have the happy ending for themselves. Her mother, the royal mother, the Maharani (Dimple Kapadia) makes arrangements for the wedding.

And welcome back the problems and confusions :: There is the tough decision to make, based on which of the two to marry. Ever since they were shot on the heart with one sight of the girl in bikini at the beach, both of them are not ready to back-off. Meanwhile, Uday’s father comes to the scene with another daughter in his third marriage, Ranjhana (Shruti Haasan) and hopes that the former underworld dons try to get her married too. The mother-daughter team who are not really of royal blood, but con women who are hoping to steal as much money from the two friends as much as possible, come up with the condition that their sister has to be married off at first, because it is the tradition. This is where Doctor Ghungroo (Paresh Rawal) and his step-son Ajay Barsi a.k.a Ajju Bhai (John Abraham) comes to the picture.

The defence of Welcome Back :: There is no moment when this movie pretends to be smart, and you know what to expect here right from the beginning and throughout the movie. The visuals are stunning, and they have used Dubai to give some of the best treats for the eyes of the audience. The laughs are there, and most of the jokes are delivered through some interesting dialogues – the path is lead by the trio of Paresh Rawal, Nana Patekar and Anil Kapoor as expected. With these three around, there is the certainty of fun; the comic timing is right there as even the more simpler situations are turned into scenes of comedy. The pick of all the funny scenes is the one at the cemetery. There is also no shortage of style and good-looking people in this movie. There are only a few comic situations which goes down in effect; otherwise the comedy, despite being mindless is right there.

Claws of flaw :: The silliness of the movie is heavy, and it gets more ridiculous by the end. There is a strange mayhem going on in the end along with some extra meaninglessness added as if to make things come together. There are big SUVs, helicopters, remote controlled copters which explode, gangsters shooting, people running around, random people falling – there is even a sand storm and running camels making no sense even with nothing in the mind. The songs are not much interesting, and the source material surely had scope for better development and even more fun. May be they never really needed another big don here, and may be the focus could have always been with how the former underworld dons are manipulated into agreeing to the marriage, with mother and daughter playing interesting parts in it happening. But this has chosen to keep any trace of logic out of the scene, and has also stretched the flick.

Performers of the soul :: John Abraham proves to be good – he is not the show-stealer here, but he has done his part with sincerity, and here he is showing some skills with the comic side. He has managed this avatar just the way one would expect it to be. Shruti Haasan looks very cute throughout the movie, and doesn’t have much to perform. The big performances go into the hands of Nana Patekar and Anil Kapoor who steals the show along with Paresh Rawal. These three make this movie the fun that it has managed to be. They just can’t be replaced, not even a twenty sequels later (who knows how many more will come this way). The new comer Ankita Shrivastava might be the most beautiful person around, and she has some skills for the comic side – there is future. Dimple Kapadia joins the fun well and Rajpal Yadav has some short, but funny moments. Naseeruddin Shah and Shiney Ahuja get a few such moments too.

How it finishes :: About the special appearances, only Surveen Chawla makes some impact. This one actually has similarities with Main Tera Hero, but doesn’t go that way to become a disaster. The credit for the same goes to how things are managed without heroism and the overacting which was abundant in that movie no longer exists here in the case of Welcome Back. The cast itself is the big boost to this movie as Wecome Back can provide something to those looking for this type of mindless comedies. This could have still been shorter, and getting rid of some of the cliches and repetitions would have been nice – one has to wonder what is hindering the innovation when not much trouble has been taking with other departments including the script. What we need here is not to think and just to enjoy the comic side. The South actually got Kunjiramayanam to enjoy more at the same time.

Release date: 4th September 2015
Running time: 152 minutes
Directed by: Anees Bazmee
Starring: John Abraham, Shruti Haasan, Nana Patekar, Anil Kapoor, Ankita Shrivastava, Dimple Kapadia, Naseeruddin Shah, Shiney Ahuja, Paresh Rawal, Supriya Karnik, Sakshi Maggo, Rajpal Yadav, Surveen Chawla (cameo), Lauren Gottlieb (cameo)

welcomeback

@ Cemetery Watch
✠ The Vampire Bat.

Hate Story II

hatestori (3)

Vampire Owl :: But I didn’t watch the first movie of this franchise.

Vampire Bat :: No need. This will not be connected to the prequel even that much as Sachin Tendulkar is to Maria Sharapova.

Vampire Owl :: That is indeed reassuring. Isn’t this Surveen Chawla the one who paired with Sreesanth in Ek Khiladi Ek Haseena?

Vampire Bat :: And in many Hindi serials with unknown people and those which none of us watches. She even hosted a television show called Comedy Circus Ke SuperStars.

Vampire Owl :: So this will create something new for the erotic genre in India or recreate whatever the first movie did?

Vampire Bat :: I would think that the only eroticism will be in the poster and the songs. She should be shooting people all around.

Vampire Owl :: So it should be cheating by the posters?

Vampire Bat :: Just like any other movie around here. Every movie pretends.

Vampire Owl :: At least we can watch the movie for her.

Vampire Bat :: Well, she is incredibly cute, even with a gun.

[Enters the movie hall].

What is it about? :: The scene shifts to Mumbai where Sonika (Surveen Chawla) who is attending regular photography classes. After the death of her parents, Mandar Mahatre (Shushant Singh) had become her guardian and is keeping her as a mistress. Mandar is a powerful political leader in Mumbai who is feared if not respected by all. She is forced to succumb to his demands until Akshay (Jay Bhanushali) comes to her life, and the two photography classmates become lovers. But as our villain understands that she is with some random guy, they are forced to run away to Goa, but that doesn’t stop our villain from going there and attempting to kill them both. She ties Akshay to the seat of a car and drowns him in a river while he buries the girl alive in a cemetery, but is found by a man who comes there to mourn a death. As she is shifted to the hospital, there are attempts to murder her, but soon she gets out of trouble and begin planning her vengeance. As expected, she starts from the lesser ones to go to the big fish, and the question remains if she can be good enough to take on such a powerful man who controls a lot of things in Mumbai including the police.

The defence of Hate Story 2 :: Well, our heroine no longer uses her body or sexuality to take revenge. She doesn’t go to that level of the protagonist of the first movie and just goes on to murder people – not in that much of a bloody fashion as Killl Bill, but she does finish them off nicely. Surveen Chawla is the highlight of the movie, but the erotic scenes are rare, and even absent in the case of the movie without the songs. It is in those songs that such scenes occur and so do those bikini scenes. Some of them even waits till the movie to end until coming up. So one can watch it not as an erotic movie as the songs will be available on television (haven’t checked them myself yet). Yes, she doesn’t stand with a bare back and a gun and neither does she appear like in some other posters which seems to have offended a few. I would say that the poster gives a different opinion about the movie, and being erotic is not one of the strong points of the movie. But the songs are really good, and they are nicely picturized without losing the mood of the movie except for one which comes with the hallucination. This should have enough to satisfy the fans of Surveen as well as the revenge movie fans. Unlike Ek Villain, this is also more original in its soul.

Claws of flaw :: With choosing to do away with the erotic scenes which actually powered it before the release, the strangest thing in the movie is Jay Bhanushali coming back from the dead as the glowing avatar as part of her hallucinations. I do wonder why they even had to think about it. Then the romantic side comes up with him at the wrong moments, and in the end it also helps to add a few more erotic scenes in a small screen with the credits. But most of the photos on the posters never really happens in the movie. Even with those which happen, they are in the songs, and that would give rise to the question if getting some video songs later will be enough. It has so much less erotica and compared to its predecessor, it even lags in the thrills and the cast performance – even the dark shades becomes less and the story is just average. It is not something that we haven’t seen before, and adds to the large number of revenge movies which are part of our movie collection. It is really a predictable end that awaits the audience too, and you know what it will include. We needed a lot more and with the kind of views that the trailer had, a much better movie was expected.

Performers of the soul :: This movie is about Surveen Chawla and the character that he plays, and it is the story of her hatred which can only be destroyed by the taste of vengeance. She is nothing less than wonderful on her debut. I was pretty confident about her being good as this had to completely depend on her. She maintains her level through different emotions, and her transformation is good. She is comparatively better as the lover and the one facing her own troubles, and I would guess that the face suits a damsel in distress. But the same can’t be said about the rest of the cast who falters. Jay Bhanushali struggles and it was a bad idea to bring him back as hallucinations, as he was quite good until then – later he was made an illusion with the support of music and the time of entrance is mostly terrible too. As the movie was about the heroine, it is still mostly fine. Sushant Singh is okay, and there are moments when he is very good. But overall, he had the potential to be a better villain which is ruined by some lazy writing and leaves the movie to our heroine as expected, and thankfully, she excelled. Sunny Leone is there just for the item song “Pink Lips”, which is also okay, but the song scene springs out nowhere and disappears without trace.

Soul exploration :: The movie asserts the need for revenge, but its hatred is weaker than the prequel even with the presence of a villain worth hating, right from the beginning to the end, at no point stating otherwise with his action or speech. What our protagonist does is actually something that she should have done a long time ago. She is scared, but as she comes back from the dead, she becomes fearless. Near-death experiences do bring the best, doesn’t it? Or is it the love that guides her? I would say a little bit of both, but she becomes the revenge seeker without remorse. It has its messages about the evil that is in the society and its ability to destroy the life of a common person, but doesn’t really work on it further. The movie has the hero being murder by water, the heroine attempted to be killed under earth, one villain killed by fire and the another one by air – good use of the elements, I would say, but I do wonder if that was actually meant to be so. Ek Villain and Hate Story 2 are still signs that the thriller genre is doing fine in Bollywood, and it is actually a good sign – along with the matching fact that the heroine gets murdered early in the former and the hero in the later.

How it finishes :: I hope a certain lack of more ideas could be forgiven as I was having heavy fever while watching this one at the theatre. Well, fever is such a mortal thing and it can’t stop the Vampire Bat, even as there is no denying that things got worse after watching the movie – the air conditioner and the fan stopped in the theatre, still the fever got worse. I guess as far as I can walk, I can go to a theatre and watch movies. I had thought a lot of things about this one while watching, but I guess I can always come up with more in detail later at http://theteacerebration.wordpress.com/. Still, I can say for sure that if you liked Hate Story‘s first entry, you can go for this, but remember that this not that erotic and there is no working on the same lines as the prequel except for the fact that there is revenge by a female protagonist. I haven’t been a fan of Surveen Chawla, but if you are, I guess you will surely need to try this one – otherwise, just try your luck. This is a movie which can go either way for the audience, and it is more of an opportunity which could have been better used.

Release date: 18th July 2014
Running time: 129 minutes
Directed by: Vishal Pandya
Starring: Surveen Chawla, Jay Bhanushali, Sushant Singh, Mika Singh, Siddharth Kher, Rajesh Khera

hatestory2 copy

@ Cemetery Watch
✠ The Vampire Bat.

Bewakoofiyaan

bewakoofiyaann

Why the Bewakoofiyaan? :: Now that should be a valid question because this was not among those movies which I was looking forward to watch. If there was any Hollywood movie or a hyped Malayalam movie releasing this weekend, I would have surely skipped this with so much ease. Neither the trailer nor the much talked about bikini scene of Sonam Kapoor actually created any interest in this movie. But if we consider the talks about the Cricket World Cup T20 affecting this movie’s business, it can only be partially true in case of a failure to prove false. I am pretty sure that cricket and movies can’t be considered in the same league. Cricket is just another sport (or the least significant of them, thanks to the match-fixing, overdose of money and the retirement of all players who were role-models as IPL has been successfully crowned as the good WWE’s evil twin brother), and movie is an art (even as there have been a lot of high-grossing movies from Bollywood in 2013 itself which attempts to prove that there is a lot of trash); so in this situation when there are not many other movies releasing to challenge this one, Bewakoofiyaan will have only itself to blame.

What is it about? :: It is the love story of Mayera Sehgal (Sonam Kapoor) and Mohit Chaddha (Ayushmann Khurana) who have been in love for quite a long time. In the beginning itself, we come to know that Mohit was promoted and now has a salary above rupees sixty thousand per month. Mayera earns more, and her father VK Sehgal (Rishi Kapoor) is an IAS officer with lots of influence in the police and the government. He is a strict father who wishes to get his daughter married to a rich man so that she can get whatever she wants. But unfortunately, she is in love with an orphan who earns less than what happens to be her salary, and Sehgal can’t accept him. So he puts his future son-in-law in a probation period as he checks his records and keeps a track of his life so that he can understand if he is any good for his daughter. At the same time, he hopes that he can somehow rejects the guy who seems not good enough for his daughter. The movie is all about how the relationship between the three progresses as the situation worsens.

The defence of Bewakoofiyaan :: There are not many things that the movie can boast about. But it does hold onto its mediocrity with such power it doesn’t end up being boring despite not being on the interesting side for long. There are no particular moments which are exceptional or too bad. The movie is like a straight line and it doesn’t go above that standard which it sets in the beginning. The flaws are there, but they can be forgiven up-to an extent as this movie takes no risk, thus keeping everything under control, no bringing any fatal blow on itself. The songs are just about average. The message of love reigning over money is there, even as it works only partially, and most of the time one is left to wonder about all the relationships in the movie, may be with the exception of one very minute love story between the workers of a coffee shop. But there is still the love, and once again they say that money has no real significance in front of love, and there comes the morality tale’s tail and it wags.

The Claws of flaw :: There are always movies like Besharam which eats and breathes flaws in bulk and thrives on nothing else. But Bewakoofiyaan doesn’t go that way even when the tendency is always there. The plot’s predictability is the first thing that keeps pulling the movie back, as we have seen such stories so many times that such overdose can make Barnabas Collins lose his faith in eternal love and burn copies of Romeo and Juliet. The emotional element is indeed weak, as the so called love separates just in the name of a rock show and shoes. Then everything just comes into place after a sudden transformation from the future father-in-law out of nowhere. This lack of ideas and innovations makes brings to us the makers’ need to inflate the movie further. The funny moments doesn’t work fully and the laughter is limited. In that case, the relief is Rishi Kapoor who handles that side with care, even as we know that there could have been so many more moments created with a story like this. I would say, use that stupidity in the title to create a big advantage!

Performers of the soul :: The first impression that one might get after hearing about the movie might be that it is the movie of Sonam Kapoor, and there is the need to look out for her. We wish that there would be something special coming up, but there is nothing. She ends up being just the third important character in the story in a movie which is all about her getting married to the man she loves, and the one thing she manages is to looks awesome throughout the two hours. Ayushmann Khurrana does well though, in a character which doesn’t seem to being anything new. We can’t say that they haven’t tried to bring the title of the movie into the plot though. But the whole thing is taken over by Rishi Kapoor more than anybody else. He remains funny throughout the movie, even as the character can’t escape from being irritating at times. We have seen better father-in-laws who wish to save their daughters from making the wrong choice, but as far as this one is concerned, it is the actor who makes it more interesting. He only gets better by the time the movie gets closer to the end.

Soul exploration :: There is question of choosing money or love, and our characters seem to choose both of them at one or the other point of time. Still, love is asserted again and again, and somehow the hero and heroine manages to stick together until that one stupid fight which lands out of nowhere. The father-in-law is too much into money until he suddenly transforms. If the message is about how minute a thing money is, that is still a fine message, in a world where Gandhiji works only paper. The movie also touches the dignity of labour and the value of true friendship, and the fact that nothing is forever; they are even doubtful about the couple happily living ever after as they write so in the end. As far as reckless spending is concerned, this doesn’t work that well as the Malayalam movie Diamond Necklace or even as much as London Bridge, as that side is too much eclipsed by the romantic side. But one can’t disagree to the fact that some lessons might have been learned by the protagonists and there is a lot more in store.

How it finishes :: My birthday was this week, just a few days ago and my desire to watch a movie on the day was finally fulfilled with this one. Yes, I am giving a certain amount of birthday bonus to this movie, as there would have been no birthday movie for me if it wasn’t for this one. Yes, there are no better movies which released this weekend. The number of theatre going audience has gone down, but still the fact remains that they have failed to release movies like Prisoners, Oldboy, Ender’s Game, I Frankenstein and Non-stop here; when they don’t release such movies which can bring audience, and instead did come up with movies like After Earth and Mortal Instruments: City of Bones last year, there is no doubt that they don’t know what the viewers want. Then there is 300: Rise of an Empire with the most shows in a multiplex which will be abandoned by families; so this is your week, Bewakoofiyaan – hold on to it, and if you can stick to the screens and the opinions won’t go too bad, you can come out well; after all you are still better than movies like Chennai Express, Krrish 3 and Dhoom 3.

Release date: 14th March 2014
Running time: 118 minutes
Directed by: Nupur Asthana
Starring: Ayushmann Khurrana, Sonam Kapoor, Rishi Kapoor

Bewakoofiyaan copy

@ Cemetery Watch
✠The Vampire Bat.

Highway

highwayy

The eternal wait :: The one question that I had to ask myself is “On the second day of October, what did the movie Besharam give to me”? It did take away seventy rupees, but I am not talking about that. The answer is a lack of interest in Hindi movies since that Gandhi Jayanthi had come up with terror which had me watch no Hindi movie at all for almost five months (yes, not even on the television). So, it was a necessity that I wait for sometime so that such disaster won’t happen too soon. But there is no denying the fact that I almost watched Jai Ho, but the show was housefull. There are not many movies that have been as hyped as Highway despite having no big male star right in the middle of the story. I always knew that the best thing would be to watch my next Bollywood movie in the form of Highway rather than any other. There have been so much talks about this movie like “what is it going to be?”, “what story will it tell?”, “Alia Bhatt should be so awesome in it, so its a sure watch?”, “isn’t it about Stockholm syndrome?” and so on. The Vampire Bat had heard so much or rather too much about the movie, and he finally decided to fly to the theatre on a motor-bike.

What is it about? :: Veera Tripathi (Alia Bhatt) is kidnapped just before her wedding as she goes on a night ride with her fiancee trying to keep away the pressures and tension of the big function. She is kidnapped by a group of criminals as they stop at a petrol pump. But as the gang realizes that she is the daughter of a rich and powerful man with links to the government, police and the army, they decide to cancel their plans. But Mahabir Bhati (Randeep Hooda) is not ready to give up as he takes her on a road trip away from the place so that they won’t be tracked. Even as she is initially bound and gagged by them, Veera gets more and more comfortable with her captors, and a bond develops between Mahabir and her. She feels free even as she is a captive, and feels so happy. She even refuses to escape when there is chance and feels that she should be with him for so much longer. She herself says that she doesn’t want the journey to end, as she has no desire to go back or go where the journey ends. But how long till her people finds them and the travel diary is put to a quick end?

The defence of Highway :: Most of the Keralites should remember a pseudo-travel movie with the long name Neelakasham Pachakadal Chuvanna Bhoomi and a big drag which begins with about fifteen minutes into it and ends only when the story finishes. Highway is far ahead of that one in almost all aspects, the most important ones being the acting and the visuals. Highway is a visually superior movie with its awesome locations, especially as it has succeeded in capturing the beauty of the paradise which is Kashmir. The beauty of nature becomes more and more joyful to watch as the movie moves on to the latter part of the second half, and it gets stronger and stronger by the time it reaches the end. Its messages of finding oneself and reaching beyond one’s fear are also stronger than ever. It’s use of the two protagonists, a man and woman, both having traumatic childhood works so well to touch our hearts. There is so much honesty in the way these are portrayed too, as there is no addition of stupid masala which makes worthless movies super-hits.

The claws of flaw :: The movie drags a lot, and shows potential to keep dragging. From the beginning itself, the movie seems to make the viewers feel that there is not much to come, even as it is wrong. The character of the lady protagonist is rather too far-fetched to make one believe. She seems rather crazy at times (loosely reminding us of the semi-kidnapped lady protagonist of the Malayalam movie Kilukkam), and her attachment towards a criminal who keeps threatening her comes rather too soon. Except for one or two songs which are okay, the music fails to get the attention of the viewers, and there are times when they come when not needed. There is also the use of other languages or may be variations of Hindi which was rather difficult to follow. There was the need for subtitles at least in it comes rather South. The movie takes one away from any kind of usual entertainment which is usually looked for in such a flick. It won’t give anyone the exaggeration that they might look for in a love story as this keeps that side plain and simple.

Performers of the soul :: Well, most of us won’t identify the faces in the movie other than that of Randeep Hooda and Alia Bhatt. The former (he is the reason why I lament missing John Day which had only one late night show here – who cares for good thrillers with non-superstars who can act, right?) comes up with a powerful performance of brilliance, even as there are less dialogues for him; we can strongly believe that this portrayal by him will be appreciated. We can surely expect a lot more from him. Alia Bhatt is there as the centre of everything, right from the beginning to the end. Even as there is some struggle, she seems to be custom made for the role, seeming to be in so much ease with her character. There are occasions when one would wonder if she does rather too much or a lot more than needed, but that should have come with the character. It is hard to believe that this is only her second movie, and I had missed her first one, Student of the Year. She remains incredibly cute throughout the movie and makes it impossible for any other actress to come up with a better performance in such a role soon. She is so dynamic and full of energy that just her presence keeps the whole thing working so well.

Soul exploration :: The movie is the story of two people whose lives get connected by just one act of crime, a kidnap. It comes up with a lot of things to think about, and it remains so close to being a movie of the soul even if not there completely. Even as not all of them remain close to the truths about life, it is evident that there is a clear attempt to bring to the scene as much humanity as possible; not without its troubles, not in the absence of the good side, yet not abandoning the darker side which tries to get closer to the human soul with more power than ever before. Stockholm syndrome is explored from one side while it continues to be a travel diary as a whole. There are realizations being made about life, and it changes both the kidnapper and the kidnapped in a journey which goes on for kilometres. As Saint Augustine of Hippo says “The world is a book and those who do not travel read only one page”.

How it finishes :: As the movie for which we have been long waiting for, Highway mostly delivers, thanks to the performances of the leading actors, the visuals and the message that it delivers. Despite the drag and the occasional inability to connect, the movie thrives in simplicity and that humanity which are its own Kraken and Leviathan in the huge ocean of movies this weekend. It’s emptiness is not of the soul, but of the physical world, and that is one void that everyone can afford to avoid. As Robert Frost says, when two roads diverge, you have to choose the one less traveled, and here it is Highway, and even as it might not go as expected, this one makes the difference, and there is no doubt about. But let me tell you, happiness is highly subjective, just like the opinions on this movie seems to be – ask Alia Bhatt’s character in Highway and she reiterates money can’t buy you happiness, or even anything close to that. So, if you are making a choice, think about all these factors mentioned above.

Release date: 21st February 2014
Running time: 133 minutes
Directed by: Imtiaz Ali
Starring: Randeep Hooda, Alia Bhatt, Saharsh Kumar Shukla, Pradeep Nagar, Durgesh Kumar, Arjun Malhotra

highway copy

@ Cemetery Watch
✠ The Vampire Bat.

Murder III

murd

The Vampire Bat has never been the fan of the original movie, Murder – but he was forced to change that one opinion to think about following the series with Murder 2. That made sure that this was going to be a series which has the worst in the beginning itself. It doesn’t matter how good people might think it was, it was never a good copy from Hollywood. The second was more close to glory as Prashant Narayanan came up with one of the best performances witnessed for such a long time. It was both gruesome and awesome at the same time. Then, the question would be about Murder 3 right now and the answer might be somewhere in between the first and the second of the series. It could never rise upto the second, but still creates a better impact than the first. It is supposed to be the remake of the Colombian thriller The Hidden Face, but at no point does it gives a feeling that it does not belong to this part of the world, for it has been changed well enough. It might still seem to defy logic, but that is something which is to be forgiven to attain the maximum effect of the needed horror.

Any disappointment about the movie has to be left to the first half, which is a little strange – it has a photographer who has turned alcholic after losing his girlfriend, along with his new girlfriend. He is a young man who just lost his future wife and has brought another one out of nowhere; not really inappropriate for the Murder series, but still something which tells the viewer a little about the protagonist, the new-age Icarus whose interests are as unlimited as his ambitions. He has his wings, but the question might be about the path through which he is flying, and also about his other interests while moving so close to that fire-starter who can burn more than just a few things of wax. He might have to think again about all these, and it is doubtful when he will have the opportunity to do so. Meanwhile, his first girlfriend is more of the one who sacrifices her own interests. Now that would make the question of her leaving him obsolete. That is a fact which would keep the cops on his tail, investigating about his hands in her disappearance. But knowing them as a loving couple, not many would doubt his involvement in her absence.

His second girlfriend is more of a Lady Icarus, from one angle, even as she is shown more as a sympathizer in the first half. There is no point where one can be sure about this one character though. She is not really a static character, but still not someone whos progress can be easily traced. There are events happening all around, indicating the presence of some supernatural force and a mystery that surrounds the protagonist. Most of it just seem to happen just for the sake of frightening, until most of the twists and further explanations are done in the second half of the movie. It brings light to what lies inside the shadows of a world which looks too simple from outside. It brings two worlds and combine them into one; there is one inside the mirror and the other outside; both human, one free and the other imprisoned – but the souls of both might be in their own prison. One of them is not seen and the other is there for everyone to see. A reversal of roles is a possibility which is attempted soon enough, what lies beneath the depths of the hearts of two women and one man is difficult to know.

The whole story revolves around the three people and the love triangle. While the first half almost made a mess of it with a kind of “romantic horror” or “horror romance” which was neither here nor there, the relations get intense and further explained in the second half. It suddenly surprises and even shocks the viewer out of nowhere, at a moment when it seemed to be running out of everything. It starts climbing from there, towards a good, justified climax and a fine finish. That wouldn’t make the first half bad though, as it never really failed in a collateral manner even in the beginning stages as some might have thought it to be. There are shades of what might happen in the second half right from the beginning itself. The essence of mystery never leaves the little world of this movie. It leaves some scratches for the audience to be in the hunt for the mystery. The creepy house and the strange surroundings are supported by a bath tub, bathroom sink and the shower acting in a supernatural way.

The most exciting question of the movie would be if there is a murder which would justify the title? The second movie had lots of bloody murders, but this one is more of a psychological murder. There is the murder of faith and trust, and there is the possiblity of one or two murders which might have happened in the end – that is an ambiguity, an ending which could be interpreted in more than one way. It might be an end with the death of two, death of one and the imprisonment of the other, or with nothing too bad happening in the mansion. Love continues to be a matter of life, death, horror, mental disorder and everything else, and its role is above the supernatural yet again. It might reach even bigger heights of the mind in a possible Murder 4. What we see in the movie is that redemption is attained by the ones who has taken them out of the attention of fake, carnal love. The rest are left to feel the heat. Well, there is beauty to the heat, and gorgeousness to the horror – not one, but two; for there is no way to deny that.

Sara Loren and Aditi Rao Hydari has made this one more of a movie centred on two women, almost entirely different, but still has their lives centred on one man. The former keeps the first half running with her stunning looks while the latter runs the second half. The female characters run from sympathy to seduction and possessiveness to torment, a journey which is independent from one another, but not entirely separated in the sequence of events. Both of them begin as simple victims to an infatuation which drives them to one man and the creepy mansion. It is only a matter time before the love-birds would be no less than the vultures of selfishness. As it continues to bring more and more questions into the heads of the viewers, the more successful it becomes. But still, there are the missing parts, for the movie has its own low points where its horror becomes kind of laughable. But that is something worth forgiving for the total effect, especially for the minutes towards the end of the movie.

Thinking about the most talked-about side of the movie, this is not exactly the erotic thriller. There is sensousness and the scarcity in the department of clothing could be taken into account. But this actually takes the elements of relationships and mental status to the new heights instead of the physical relationships. This time, it gets closer to the emotions even if the skinshow never loses its role in the movie. The philosophy might be mostly hidden, but the absence of a true villain or a true hero is the evidence of the fact that this is more open to the discussions than ever, unlike the previous two movies of the series. That adds to the absence of Emraan Hashmi as a new thing to the series. In simple words, what Murder 3 has done is that it has provided some proof that there is hope around here for the horror genre even without ghosts and serial killers; there is future in many forms, and this future is more than just stunning.

Release date: 15th February 2013
Running time: 120 minutes
Directed by: Vishesh Bhatt
Starring: Randeep Hooda, Aditi Rao Hydari, Sara Loren, Rajesh Shringarpure, Shekhar Shukla

murder3 copy

@ Cemetery Watch
✠The Vampire Bat.