Wonder Woman

Vampire Owl: I see that humans have come up with another one with superpowers. They are never short of heroes who don’t exist.

Vampire Bat: The superheroes have also grown up with their civilizations along with the myths.

Vampire Owl: I do wonder how they manage to remember the names of this many superheroes. Maybe they have a list.

Vampire Bat: Well, there are the very famous ones, and then there are those which come in the next level of popularity. They remember only those whom they want to.

Vampire Owl: I had once known only Superman, Batman, Spider-Man and He-Man.

Vampire Bat: And there was also The Phantom and Mandrake, plus we knew some X-Men beginning with the Wolverine.

Vampire Owl: The rest certainly came late except for those who had regular access to DC and Marvel Comics.

Vampire Bat: And we are having a lot extra of the same now; remember there was even Doctor Strange who seemed like Mandrake to us.

Vampire Owl: DC and Marvel should be in a battle for more.

Vampire Bat: I am actually tired counting these superheroes, but there are some who needs more attention due to the variety.

[Gets the tickets with masala tea and cheese popcorn].

What is the movie about? :: Diana Prince a.k.a. the Wonder Woman (Gal Gadot) receives an old photograph from Bruce Wayne a.k.a. Batman (Ben Affleck) after the events in Batman v Superman: Dawn of Justice which seemingly lead to the death of Superman (Henry Cavill) in the hands of the monster known as Doomsday. This image open a flashback to when Diana was a child and was training with the Amazons in the island of Themyscira, a place hidden from the outside world. Looked after carefully by her mother Queen Hippolyta (Connie Nielsen) and her aunt Antiope (Robin Wright), she has a fascination to fighting, which they reluctantly agrees to have her go through. With a fear of war always in their heads, the Amazons are always ready for battle, with their combat training, in which Diana excels. But they know, and keep telling her that there is more to her than what meets the eye, and they understand that she is not really one of them by birth.

So, what happens next? :: Diana rescues a pilot named Steve Trevor (Chris Pine) after his plane manages to get through the fog and enter the coast of Themyscira. The Amazons kill the German soldiers chasing him with their arrows, but Antiope dies protecting Diana. It is revealed that Steve has been working as a spy for the Allies during World War I and has stolen valuable information from a weapons facility in the Ottoman Empire. With the help of the Turks, the German General Erich Ludendorff (Danny Huston) is having his sadistic scientist Doctor Maru a.k.a. Doctor Poison (Elena Anaya) produce a new kind of gas which could deviate the war in their direction. Learning that millions could die if the German general has his way, Diana decides to leave the island with Steve and her weapons. She intends to find the God of War, Ares, and stop this war to end all wars. Despite their doubts, the Amazons decide not to stop her.

And, what is to follow next in the adventure? :: Their arrival at the city of London has Diana in doubts, but she goes along with his plans hoping to find the God of War and finish him off to save humanity. Despite providing the officials with his information, Steve is told to hold off any act against the Germans as an armstice is being discussed. But knowing that General Erich Ludendorff will not hold off his plan to release the gas, Steve decides to the frontlines, arranging a small team including a spy and language expert, Sameer (Said Taghmaoui), expert sniper Charlie (Ewen Bremner), and a smuggler Chief (Eugene Brave Rock) who helps them to get to the front. With no hope of getting through the lines, Diana decides that she has to take this to the next level. But how far can she go in search of the God of War, and how far will it lead her team of five through the First World War?

The defence of Wonder Woman :: There are many names which have come in favour of being the Wonder Woman, but Gal Gadot surely steals the show this one. Known the most for her work in the Fast and Furious series, that is surely going to change now, if it hadn’t with Batman v Superman: Dawn of Justice. If you don’t watch this movie or ban it because she is in there, it is your loss – we have heard about people boycotting movies over the beliefs of one person, as they cruelly did with Ender’s Game, and also the nationality or other work is no reflection of the movie that he or she acts in – the irritating fans could be a better reason. She is brilliant in this one, with so many shades of a superhero being present here. Chris Pine also brings a fine, controlled performance here, even though he will always be remembered for Star Trek and its sequels more than any other. There is also that wonderful world in 3D, especially that of the Amazons, and we also have the explosions with all the shooting and all the rest that goes on in a superhero movie.

Positives and negatives :: The movie has some of the most memorable battle scenes, first one with the Amazon warriors battling the Germans on the beach and the second one with Wonder Woman making her way through the No Man’s Land. The final battle is not that much, with too much darkness on the screen at times, and at other times having too many explosions – the idea of the God of War could have also been left as it was expected to be, as we know humans and the evil that they bring to their world. I wouldn’t depend that much on the villains either, and even that twist feels rather unwanted – humans could have been left their right to be the villains in their own tale. The first half is also superior to the second, with the nice humour and the Amazon world becoming the highlights. There is also some balance here, without the overdose of heroism, except for what comes in the end. It is still a case of surprise seeing not many multiplexes showing this movie, and not many people wishing to watch it even on a holiday – there were like ten to fifteen people when I watched the same.

How it finishes :: Wonder Woman makes sure that the battle between Marvel and DC is on, and with Justice League coming up, we are sure to have them bringing the battle to Avengers. With Batman v Superman: Dawn of Justice not being an assurance, and Suicide squad despite being an excellent one not working for those who decided not to embrace its poetic beauty on the screen, DC was to be left with those Dark Knight movies and up-to an extent, Man of Steel. But that won’t be the case from now on, and Wonder Woman begins that programme of resurrection. Well, with the shield and their ideas about the world, Wonder Woman can be DC’s own Captain America, but what one has to remember is that Avengers did it first, and Justice League is only following – with Marvel having the advantage, the question remains if DC can come up as strong as its competitor, without Christopher Nolan? The answer is to come late, but until then, we can enjoy Wonder Woman.

Release date: 2nd June 2017
Running time: 141 minutes
Directed by: Patty Jenkins
Starring: Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, Elena Anaya, Eugene Brave Rock, Lucy Davis, Ewen Bremner, Lisa Loven Kongsli, Saïd Taghmaoui, Madeleine Vall Beijner, Ann Wolfe, Mayling Ng, Florence Kasumba

@ Cemetery Watch
✠ The Vampire Bat.

Wrath of the Titans

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✠ It was in 2010 that my favourite movie based on Greek mythology released, in the form of Clash of the Titans – but I have to admit that I haven’t watched many movies based on that mythology. The 2011 version, Immortals was strictly okay. Even as my love for Greek mythology goes as far as my childhood with such stories easily available in a local version in the nearby library, the love was extended to something better in the first half of the 2000s with that city building game called Zeus: Master of Olympus. Despite the similar games Pharaoh and Caesar III, this was the game which stole my time, and the fact that it was based on the mythology helped, just like in the case of Age of Mythology. Wrath of the Titans is that sequel which falls somewhat behind from its predecessor, and has not many things to boast about. Otherwise, it could have come up with an extraordinary box-office performance, that is for sure.

Count Dracula: You had to watch that? I heard that the gods die in the movie. I couldn’t stand that after watching Immortals. They call themselves immortals and they die, isn’t it the same case with Wrath of the Titans? I guess I am the true immortal of this world, and about the other dimensions, I shall speak not.

Vampire Bat: Immortality is losing soil right from underneath its feet. The main culprit is the use or rather the abuse of vampire mythology in the works like Twilight. The ridiculous glorification of immortality has lead to at least some people having a certain feeling against it, and it seems that Immortals and Wrath of the Titans have tried to hold onto that aversion towards immortality by killing those gods who were supposed to be immortals. Now the gods die and random pale teenagers with bad teeth lives forever with strange pacts, ideas and a love story which should qualify as the wonder blunder of the world.

Count Dracula: I am glad that you didn’t call them vampires. Yes, they are blood suckers and not vampires. They belong to a breed of mosquitoes. They are also indirectly killing not only the vampire franchise, but also many others, and the Greek mythology is also one of them. I won’t even talk about the other group walking on four legs. It is beyond hope, but still what is it in Wrath of the Titans?

Vampire Bat: This movie’s incidents happen many years after the events of the first movie, as the gods keeping on losing power and they almost lose control over the imprisoned Titans until Ares and Hades turns against the other gods and make the process complete. Zeus is captured and kept a prisoner as Kronos slowly awakes and Poseidon dies. The other gods are not even in the fight, as Hephaestus is the only one who is there to show himself. If you are looking for gods, you better play the game Zeus: Master of Olympus.

Count Dracula: I have never seen that horrible gods as those in Immortals. In that movie, when it was known that Luke Evans was Zeus, I thought that he was just a crazy guy who lived in one of those caves. I would rather not see them if I have to witness them like that. I would still miss Aphrodite though. They could have also had Athena and Artemis, as the only divine creature I liked in Immortals was Isabel Lucas’ Athena. I wondered how it would have been if Freida Pinto played an immortal.

Vampire Bat: We don’t even get to see Gemma Arterton, as her character is declared dead. Alexa Davalos is also missing, as Rosamund Pike becomes Andromeda, something which doesn’t seem to fit as a whole. Sienna Miller or Rachel Nichols might have been a better choice as this time the lady is more of a warrior princess rather than the damsel in distress. My imagination of Andromeda is completely destroyed by this movie.

Count Dracula: Well, if you consider the destruction of the images in my mind caused by Immortals, there will be too long a list. They are all trying to deviate from the mythology that we have read. Even Percy Jackson was closer to mythology than the so called mythological movies. Why would you even watch a movie based on mythology after such a setback?

Vampire Bat: The special effects are excellent, and what it misses out on the story, it tries to make up with the graphics and the action sequences. May be some of our literature postgraduates can come up with a better story than this one which has quite a useless Zeus and Poseidon, a more wasted Hephaestus and a strange Ares along with a Hades with clear psychological problems making it almost impossible for him to do the right thing or even the wrong thing. Perseus and Andromeda doesn’t even seem to belong to the world. It is still that visual extravaganza that you can watch on the big screen.

Count Dracula: It has Sam Worthington as Perseus, and that should be its best advantage. One can guess that without even going near that movie. Whenever he is there, one can feel that there will be something there to look out for. I am not an Avatar fan, but if someone can save a movie with his presence even without many people of a land knowing the name of the actor, it is him.

Vampire Bat: Yes, he does save the movie just like Perseus saves the world. Rosamund Pike also does the same, not as Andromeda, but more as a warrior princess or a fighter queen who has come to aid whoever tries to save humanity. Ralph Fiennes and Liam Neeson are given what might be their worst characters ever, and why would they need these two to play those characters is so strange. May be as the characters are like that, these two were needed to make it any good. This is such a shame that monsters of this movie saves the day for the viewers while the gods ruin the same – the exact opposite of what happens in the movie.

Count Dracula: I would rather like the movie for being what might be the last movie based on Greek mythology for a very long time. Everyone needs a dose of Greek mythology, not considering Percy Jackson which is a different take. The love for monsters is a thing of this age. This is an age of no faith, and people tend to like monsters more than gods and pretend that they don’t believe in both. Trust me when I say this from my experience – it is not in human nature to be good, and without civilization, they are nothing. It is the beliefs and the faith in God that keeps them good, and the bad are only those who deviate from faith.

Vampire Bat: I agree, as there is no pillar for faith in this age. I have to struggle with my set of beliefs very often because there is always an attempt to brainwash people into believing that there is no God, and there is no evil. People are denied the chance to live in faith, and we are glad to be part of a nation which has more faith in the supreme power than any other. The weakening of the gods with the loss of faith of humans is a parallel to the recession and the financial problems which Europe and America have faced due to the loss of faith, and the nations with faith are improving. Without faith, you are nothing – even Zeus was nothing.

Count Dracula: Exactly my thoughts. I am a man who has seen almost all wars which you have studied about. None of those wars were actually religious wars. There were just people who lost faith in God and went for material achievements. They never conquered anything for God. They did it for themselves and to enjoy their life on Earth. I have seen into their mind and they had only “Carpe Diem” in their mind. Most of them didn’t really believe in me, and it is such a shame. I lose my confidence when they loss faith in me. Then I can only transform into a little toothless black cat!

Vampire Bat: That comparison is one of those things which I could find. Hades is more like the devil, feeding from the fears of man, but he is also that fallen angel whom Milton told us about. We would love to see such a movie being made based on Paradise Lost, and the fact that the Bradley Cooper’s portrayal of Lucifer will no longer happen is such a shame. The movie could have taken the movie experience to greater heights, something which Noah might succeed in a limited manner. But nothing like angels and demons fighting a war and their leader delivering those speeches. Not even Kraken, Chimera, Cyclops, Minotaur and Kronos together could have stood a chance.

Count Dracula: They can rather develop an original mythology based on my life. Yes, I have fought my battles and my tale has one of the best stories ever, which can be developed into a mythology. I know you would still rate this high enough, and I might also do the same, even with that knowledge that this is an unwanted sequel.

Vampire Bat: Yes, it shall get a 70/100 for its special effects, 3D, the leading actor, use of whatever mythology they can, the action sequences, the monsters and bringing a different idea on gods and ending the franchise for good. That will be good?

Count Dracula: Yes, I think it is. Well, it is time for me to go to the Goblin Market and sharpen my fangs. Good bye, my brother in fangs.

Vampire Bat (to himself): Wrath of the Titans is a lot like its predecessor and it has only a few new things. If this movie was the first of the franchise, the whole thing could have been better, and as a stand-alone version, this scores better. There is a lot of monster stuff for the fans of Greek mythology stories, but that hasn’t really helped, and that much we can easily figure out from the way the responses have been.

Wrath of the Titans will not improve your impression about movies based on mythology, and it won’t make you better with greater knowledge of Greek mythology. Don’t consider it your spark-notes, but watch it for the visual treat that it has to offer with special effects and action sequences. Also, look out for the labyrinth. Lets hope for Hercules: The Thracian Wars to be great, even as it is more of a comic based adventure rather than having a strong base in Greek mythology. We might need a lot more than just a random mythological story to come up with a perfect demigod story. There is the need for a lot more, and the lack of popularity of Wrath of the Titans is no real surprise. For now, we can adjust with this movie, and compared to Immortals, this is a much better choice, and scores as being among the best of its kind (mostly due to not many movies of the kind being released).

Release date: 30th March 2012
Running time: 99 minutes
Directed by: Jonathan Liebesman
Starring: Sam Worthington, Rosamund Pike, Ralph Fiennes, Liam Neeson, Bill Nighy, Édgar Ramírez, Toby Kebbell, Danny Huston

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@ Cemetery Watch
✠The Vampire Bat.

Percy Jackson II

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In an overwhelming desire to find myself fair about this movie, I have to confess that I watched The Mortal Instruments: City of Bones right after watching this – it was a back-to-back movie adventure separated only by the desire to have lunch and the need to travel from one mall to the other. If you don’t need to know more about it, and the two movies in relation to each other, you are free to skip the first two paragraphs, an offer of escape from comparisons which includes this paragraph. In a simple comparison of no great intellect, our reviewed movie is more of a follower of the Harry Potter pattern, with a world for the demigods away from the original world, with its major base on magic and the individual and collective inner strength and righteousness which they exhibit while facing big powers; but the second movie has more similarities with Twilight, with a female protagonist who is just a boring ordinary girl who is introduced into another world which is hidden among the known human world and is once again caught in a triangular love between herself and two other guys, both belonging to different species.

So the other fantasy movie of the day has a good amount of Constantine, Underworld and surely, the most of dominant of them all, Twilight. To make it look more of a formidable power, it has added the horror elements, and there was demons, vampires and werewolves, the three creatures whom we never thought would come along in herds in the same movie, an absurd improvement on Underworld and Twilight which has surely backfired, despite of the presence of the lovely leading actress who can act incredibly well, Lily Collins who has done a great job. But with a little visual effects, horror and action, the movie runs out of gas. It is there that Percy Jackson scores. The two movies were released on the same day here, along with We’re the Millers, and the advantage would surely go with Sea of Monsters, as it doesn’t come with an “A” certificate unlike the others, and it is in 3D. The theatres seem to have realized the same too, as they have put more shows for the movie, and it is the only English movie in more than one theatres this week.

Even as it is difficult to set aside the great performance of the beautiful Lily Collins, lets leave the absurdity which was the half-baked bad mixture of all the fantasy works ever produced, which was The Mortal Instruments: City of Bones, and move on to the movie of the week, which is Percy Jackson: Sea of Monsters. Our movie doesn’t deal with forbidden love and has no apples or people with bad tooth unless they are monsters. May be that should be reserved for Twilight copies, and there might be a time when the apples begin to keep the viewers away rather than the doctors. The best thing about Percy Jackson is that it sticks to the basics. It takes the legends from the Greek Mythology, but it maintains a formula which is not at all ambiguous and more true to the core. It doesn’t rely on anything strange or unnecessary to give temporary satisfaction with any teenage fantasy which doesn’t go well with the plot and the flow of the story. It doesn’t try to give pleasure to anyone suffering from the withdrawal symptoms, which is mostly a Twilight withdrawal rather than from the intellectually superior Lord of the Rings or Harry Potter series.

Percy Jackson (Logan Lerman) no longer seems to have the popularity that he might have had with him getting back the lightning bolt, saving both the Olympus and the world, and such great stuff which were to become legends. Clarisse La Rue (Leven Rambin) is his constant rival to glory, as she beats him in almost all the competitions. As Luke Castellan (Jake Abel), announces his plans to destroy Mount Olympus by bringing back Kronos from Tartarus and sends a mechanical bull to attack the demi-god camp after poisoning Thalia Grace (Paloma Kwiatkowski) who is the tree which defends the camp with a magic forcefield. Even as Annabeth Chase (Alexandra Daddario) is the one who finds out that the Golden Fleece could heal and restore the tree, Clarisse is sent to retrieve the artefact much to the dismay of Percy, Annabeth and Grover Underwood (Brandon T. Jackson). But the trio decides to follow the team led by Clarisse, and they are joined by Percy’s half-brother Tyson (Douglas Smith), who is a cyclops. They also have one prophecy and a group of rogue half-bloods supported by a Manticore, and one big cyclops guarding the fleece to deal with.

With no denial of credit to one Lily Collins who had tried in vain to restore order among chaos and absurdity in the other fantasy movie, lets move into our characters. Logan Lerman leads the team as Percy Jackson, a demigod and the son of the God of Ocean, Poseidon. He was there in the 2011 version of The Three Musketeers, and here is he is again, and it surely seems to be a familiar territory for him. It is a honest performance from all angles. Brandon T. Jackson as Grover Underwood makes sure that there is no dull moment in the movie, along with Douglas Smith as Tyson the Cyclops. Most of the funny moments of the movie are from these two, and they are really good, and never inappropriate. Alexandra Daddario plays Annabeth Chase, the demigod daughter of Athena, the Godess of Wisdom, and this is one supporting character that you will remember for a long time, despite of the romantic angle kept away in the movie completely. She does have that look too, of that intensity which is kept in check by the heavenly wisdom. She was that good in Percy Jackson & the Olympians: The Lightning Thief too, and continues the good work.

Leven Rambin is Clarisse La Rue, the arrogant, hot-tempered daughter of the war God, Ares – always looking for combat, and at at the same time finding Percy a threat to her supremacy. After seeing her in The Hunger Games as the District 1 tribute, and the strong contender Glimmer, there was a certainty, that she was going to be great in such roles, and here she is, leading a group of undead who served her father Ares. As the story progresses, her character turns out to be more dynamic, along with adding to the funny as well as the action elements of the movie. There is the suiting depiction of the contrast between the daughter of this God of War and the Goddess of Wisdom. There is no point where the two are similar, and being the daughter of the great War God, she shares nothing in common with all the others out there, with Paloma Kwiatkowski’s Thalia Grace, of the demigod daughter of Zeus still pending. Jake Abel’s Luke Castellan, the demigod son of Hermes is a continuation of what was there in the first part of the movie. Nathan Fillion’s Hermes is a short, but effective presence which stays throughout the movie.

Percy Jackson: Sea of Monsters has taken over at a time when the book-based fantasy novels are on the decline. The Mortal Instruments: City of Bones has proved to follow the path of The Host, and clearly stay with Twilight. The Harry Potter series have finished and Lord of the Rings and Narnia are taking a slow path. There is the need for something similar to fill in, and here is Percy Jackson. With its superior and appropriate 3D effects and the well done action sequences supported by the visual imagery, there is no loss of moments spent for watching this movie. There are also the funny lines, but it denies itself a big chance to take some risks, as it follows the conventional path, never to stray away from it. But, there is a huge amount of honesty in this path which is without any ambiguity, and there is absolutely no attempt to complicate things. The whole thing is kept simple, and as the endoskeleton comes from the Greek Mythology and a little bit of the Harry Potter series, this is a bankable movie which most of the critics need to stop overthinking. It is time to have some fun and at the same time, recollect those days of learning the Greek Mythology.

Release date: 7th August 2013 (United States); 30th August 2013 (India)
Running time: 107 minutes
Directed by: Thor Freudenthal
Starring: Logan Lerman, Alexandra Daddario, Leven Rambin, Brandon T. Jackson, Paloma Kwiatkowski, Jake Abel, Stanley Tucci, Nathan Fillion, Douglas Smith, Anthony Head, Robert Maillet, Derek Mears, Aleks Paunovic, Missi Pyle, Yvette Nicole Brown, Mary Birdsong

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@ Cemetery Watch
✠ The Vampire Bat.

The Dark Knight Rises

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The one thing I am certain about this movie is that it is the one I have waited eagerly in 2012, and what I might differ in opinion with a few is that this is not among the best movies of the year. There is another element in which I would agree on, and it is that this is not the best of the series, and where I disagree is at the level of quality of each movie of the Christopher Nolan’s Batman series, with my favourites going in the same path as the timeline, as Batman Begins is my favourite, followed by The Dark Knight and this one, both separated by not much. But I wouldn’t do that without reasons. Ra’s al Ghul v/s Joker v/s Bane is a battle which has a clear winner for many, but The first one is a villain with something special, a big idea. But Batman Begins succeeds in its story, and the Scarecrow is a better villain than Two Face for sure. Both the Two Face and Bane were not used to their potential, and this is where the first movie of the series scores, as it built this triology out of nowhere, with nothing to support it at a time when Spider-Man and X-Men had the status of being the better loved heroes around here.

Without Batman Begins, there is no dark knight, a term which became incredibly popular and was even used with Novak Djokovic, not that much of an expected winner caught between the rivalry between Rafael Nadal who had clay in his pocket at that time, and Roger Federer who ruled the rest of the clay-less world. Therefore, it is just natural to pay the due respect to that movie which started them all. The Dark Knight had all its fame and glory only due to what the beginning had given its viewers, and I have to admit that I didn’t realize that the first time. But as long as the long list of origin stories are concerned, from X-Men Origins to the recently released Man of Steel, Batman Begins has a high place. The Dark Knight Rises continues that legacy which was handed over to it by the more critically acclaimed and more hyped second movie, and has completed the trilogy in style. The problem which this movie has to face is the long trail of near-perfection in the superhero genre that its predecessors had left for this one, and the same thing is both the good thing and the bad thing for this movie; for this one could improve on box-office, as it went on to overtake its predecessors and become the eighth highest grossing movie of all time grossing over a billion United States dollars. But it is to be noted that unlike its predecessors, the film was not nominated for any Academy Awards.

Eight years have passed after Harvey Dent’s death and the covering of the existence of the Two Face. The organized crime has almost been wiped out completely. Feeling guilty for covering up Dent’s crimes and framing Batman for the same, Gotham City’s Police Commissioner James Gordon writes a resignation speech which revealed the truth concerning the two, but decides not to use it at the last moment. Batman has disappeared and Bruce Wayne has kept himself away from all the action. It is at this moment that a burglar Selina Kyle appears, known to most of the fans as the Cat Woman. Bane’s appearance is the other major thing which changes the scenario, as he intends to fulfill Ra’s al Ghul’s mission to destroy Gotham City and thus fulfill the aim of the League of Shadows. He punishes Batman and breaks his back, and then puts him in a prison from where escape is almost impossible. The fellow prisoners tell him the story of Ra’s al Ghul’s child, born in the prison and cared for by a fellow prisoner before escaping, the only prisoner to have ever done so – Batman assumes the child to be Bane, and his actions the revenge for what Batman did to his father.

Meanwhile, Bane traps Gotham police underground and destroys all the exits. He converts Bruce’s own reactor core into a nuclear bomb and uses the bomb to hold the city hostage and isolate Gotham from the rest of the world. Using Gordon’s speech which he had stolen, Bane reveals the cover-up of Dent’s crimes telling the people that the whole police action and passed laws based on Dent’s act was a lie and releases the prisoners from different jails. There is a kind of revolution and the wealthy and powerful have their money and property taken away, are dragged from their homes, and forced to trials presided over by Dr. Jonathan Crane a.k.a the Scarecrow, where any sentence means death on most occasions and otherwise exile. After months of recovery and training both the body and the mind to face Bane, Batman manages to escape the prison and reach Gotham City, and enlist the help of Cat Woman and the others. But with a pseudo-revolution on the run, and all the criminals on the streets with no police force to stop them, Batman has more than what he would wish for this time. It is up-to him to stop the man who broke his back with relative ease, and to prevent whatever Ra’s al Ghul had intended to do.

Christian Bale as Bruce Wayne a.k.a Batman continues his conquests, and here his performance is lowered only due to the absence of a villain who was as good as those in the first two movies, and there is no intellectually superior mastermind who decides who lives and who dies, and there is no wretched of the soul who is half Loki and half Lucifer, made with everything evil and everything psychotic. Instead he has a militant who is more of a physical threat than mental. Unfortunately, his thoughts and decisions are not his alone and himself outsmarting Batman was not something for which he could take credit, and at that point, he loses his significance and still not his presence and power. Still, Tom Hardy’s Bane is excellent in what he does. Anne Hathaway as Selina Kyle a.k.a Cat Woman becomes a revelation in the movie, and it is evident that she has trained extremely tried and tried her best to fit into that costume which so much physically demanding. Marion Cotillard outshines herself in the second half, and Joseph Gordon-Levitt as John Blake comes up with a pleasant performance. Michael Caine and Gary Oldman plays the two normal characters in the movie who makes any impact.

Christopher Nolan did make Inception just a few years before this with that touch of brilliance, it was what stood between the two sequels; it was something which further accelerated the expectations. Here, we get some of it, and considering the fact that Batman has undergone evolution and there is no real base for the same, and there is no end to this superhero, we have to respect this title despite of the hype. It has done all that it could do, but it did nothing spectacular, and yet, this is very well done. It was a good decision to continue the Ra’s al Ghul legacy, and it was hundred percent a good decision not to make this in the 3D – full marks to that. There are movies that are to be enjoyed for fun, and even with all the entertaining elements in this movie, it scores slightly higher at the intellectual level rather than how it is supposed to happen in a regular superhero movie. The movie also leaves open slots, not just for a sequel, but also for a Cat Woman and a Robin spin-off as well as Justice League of America movie, in the model of The Avengers. It is certain that we haven’t seen even a little bit of what the DC’s cinematic universe has to offer its viewers. There is a lot coming, that is for sure with this one being the third highest grossing film of 2012 and also the third highest grossing superhero film of all time.

There is no doubt that the caped crusader has grown enough to lead the Mount Olympus of superheroes as the Zeus of this generation, with his biggest arch-rival Superman failing to live up-to the hype, and his next best rival Spider-Man slowly fading from the scene – both of them coming up with below-the-bat reboots which fails to challenge the Man-Bat. These three are challenged not by those superheroes of childhood, The Phantom and He-Man, but by the man they call Iron Man and his gang of Avengers, as well as X-Men, but they all follow a different path. The world’s greatest detective with the Bat logo has nothing to worry about his position right now, but in case of a reboot, it is all upto him to lose, as the rest have only gotten better. The concept of billionaire playboy, industrialist, and philanthropist itself already has been challenged by Iron Man, and with Man of Steel all the dark elements; The Amazing Spiderman has conquered the heroic elements, and whenever the abilities are glorified, there was X-Men First Class, with Wolverine to follow this year. Therefore, this domination of the dark knight is in a precarious position, and as this end to the trilogy was not as perfect as expected, there is surely a storm coming, and it would consist of more than one superhero. The only fear that I have is that can the Batman remain Batman for long, or will he be completely transformed into the dark knight, and Superman into the man of steel? It is that question which will be answered in a decade.

Release date: 20th July 2012
Running time: 165 minutes
Directed by: Christopher Nolan
Starring: Christian Bale, Anne Hathaway, Michael Caine, Gary Oldman, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman, Juno Temple

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@ Cemetery Watch
✠ The Vampire Bat.

Prometheus

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Enter the most significant flashback to 2012, and welcome Prometheus, the Greek titan who is credited with stealing the fire and giving into humans. The punishment of Prometheus for this generous act is the most significant and the most interesting part of his tale, and it is a major part of ancient as well as modern works of literature and art. He was immortal and thus open to eternal torture, an opportunity which someone like Zeus was not supposed to miss, as he was tied to a rock, and each day an eagle would test its beak on his liver and eats them, which would then grow back to be eaten again the next day. Prometheus is said to be freed at last by the strongest of the Greek heroes, Heracles a.k.a Hercules. So how does Prometheus fit in this movie? Well, he is the symbol of human quest for knowledge, and also that of the risk of unintended consequences. The Modern Prometheus was used as the subtitle by Mary Shelley for her 1818 Gothic horror novel Frankenstein with its hero attempting something which was not supposed to be done according to the divine will, thus creating life which is not just abominable, but too strong for him to end. Christopher Marlowe’s The Tragical History of the Life and Death of Doctor Faustus can take it better, as Doctor Faustus crossed the limits himself, and paid for it with a lovely, intellectually superior soul for dinner in the inferno that night as Mephistopheles, Lucifer and Belzebub are concerned.

The movie does the same, it is the story of a search to another world in a ship was rightly named Prometheus, even as I think the name Icarus would have also done good, considering the fact that they are going after a thing which could burn themselves as well as their world. You can have your own wings of fire, but they will eventually burn out – Icarus could at least drink water before he died, but for the seekers for something bigger than sun, one can’t be so sure. The biggest advantage of the movie is that it raises questions about the origin of human life and doesn’t provide the viewers with answers, making them use their brains as well as wait for a possible sequel with all the answers. There are also times when one should stop searching for answers and logical explanations for everything, as there are things for which there is no suitable explanations, for the world was not built on science, and controlling life and nature is just a distant impossible dream. Therefore, those who watch the movie will have to understand the mystery and accept the fact that it has to remain the same. There are things that you shouldn’t and couldn’t understand. The other group of people who oppose this movie are the trolls of the worst kind, who are always looking for attention, pretending that they know everything with their off-topic nonsense.

Another thing about the mystery is that if you do understand what you are not supposed to understand with the help of stupid logical explanations, there would be disasters, and you would end up being nothing more than another Greek mythological figure, Sisyphus who was forced to roll a huge boulder up a hill, only to see it roll back down, and to repeat this action forever – no you won’t get to be Naranath Bhranthan, as he was divine and intellectual, and you will be termed fools. He pretended to be mad, but in your case, there might be no need to pretend as long as you keep seeking things that you shouldn’t. You can keep searching for something which is not supposed be found and shall never be found, therefore initiate a meaningless action similar to that of our Sisyphus. Why should one create such a cruel situation for oneself in a world which is complete in itself unless human beings won’t interfere with the progress of natural life with too much science and technology? Wonder why the so called rational minds are so proud and prejudiced that they can’t accept what they can’t understand; unfortunately, that well has the devil prepared his webs of sin and lies. Just see how much destruction man has brought upon the planet by seeking the wrong things rather than God. Lets learn from it, and stop searching for the wrong answers and cease asking the wrong questions.

As a spaceship is seen to depart from a world similar to Earth during an unspecified time period, and a humanoid alien drinks a vial, then starts to disintegrate and then fall into the waterfalls under his feet and his remains would seem to create some biological transformation on the world. In 2089, Peter Weyland, the CEO of Weyland Corporation, funds an expedition to a distant moon LV-223 on the spaceship Prometheus on a mission to find the creatures who predated humanity, calling them the Engineers. The Prometheus lands on the moon near a large artificial structure. The place looked good enough to live, as if someone already lived there, or someone was supposed to. During an exploration, they find a huge number stone cylinders which are arranged in an orderly manner, a large and a monolithic statue of a humanoid head reminding of the large stone-heads of the Easter Island of Chile. From a corpse of a large alien, a head is taken which is later found to be similar to that of humans in the DNA. There would be questions to be asked and some of the answers would come at a price, including th total annihilation of the human race on Earth. The only thing which is predictable is the presence of alien life forms which would attack humans, and even form a parasite-provider relationship with them if possible; something which will end in the same mode as the original Alien movie.

Noomi Rapace plays the protagonist, Elizabeth Shaw, an archaeologist, and a firm believer in God who keeps the crucifix close to her heart and the mind. No, she was never like Alien franchise’s own alien destroyer, Ellen Ripley. This one is a more believable character for sure, and there can still be questions about her being another Ripley as the series get a second part. She had faith and it kept her making the right decisions, and also helped her in being the one sensible person out there. She has kept her beliefs in that time of turmoil, and what kept her strong is that symbol of faith which she carried. In a society which was so advanced, and might have surely persuaded her to leave it by hook or by crook, she held on to it like any righteous person would do. It is her faith that makes her the true protagonist, and considering the person she is portrayed to be, the lack of it would have ended whatever was good in her, just like it can be seen in the other characters. She survives the alien creature coming out of her stomach, and also the death of her lover; she even stops the alien life forms from destroying Earth, something which was made possible by her faith and belief, which the other lacked. She searches her own God even when looking for the so called superior creatures; she is a noble soul and the heroic character, a lady knight for the mankind against the aliens, a title which she might truly gain by the end of the franchise.

Charlize Theron as Meredith Vickers has another villain-like role for her after her evil queen in the worst movie of 2012, Snow White and the Huntsman, in which she was the fairest of them all, and Kristen Stewart who played Snow White looked pale and useless. She is still not that evil this time, as she is just trying to take control all the time, and remain the lady in command throughout the mission. There might still be questions about her being real human, with her decisions which is without emotions, these doubts only proven wrong when she comes out drop-dead-gorgeous out of that tube like chamber in which she was cryogenically frozen in a hyper-sleep and then again when she tries to save herself, something which a machine would have cared about less. She looks incredibly beautiful throughout the movie, and still working her character to its strong, selfish motives. To be frank, she was rather good in some of her decisions, and I would be deeply saddened to say that they have killed off the character with a spaceship on her head – still there is a little hope in the second part, as she could have fallen into some pit when the spaceship crashed on her; well, they brought back significant characters in Fast & Furious 6 and G.I.Joe: Retaliation from the dead, and so it is there for giving a chance.

Michael Fassbender scores as David, the android robot whose action leads to the death of Elizabeth Shaw’s lover as well as her impregnation with the alien. He works for Peter Weyland (Guy Pearce), and both act together in their logical need for immortality for the boss. Along with great performances from the case, the movie continues to score with its mind-blowing CGI and the 3D which can be termed optional. There is nothing about Prometheus that a sensible person can hate, and when the movie takes unexpected turns and take to a least expected universe, learn to live with that, because it is for the good. It is evident from the fact that sensible critics did give the movie a good rating. James Cameron, the director of Aliens, has said that the movie is great. There might be a few people who think otherwise, and their problem should be the inability to take in the awesomeness, and this one was clearly out of their comprehension, as they gave away all their imagination and creativity to the demon of logic. Prometheus doesn’t wander around people like you, slaves of logic, it is for the people who dare to create their world and live in it without going with the modern barbarians looking for nonsense logic and talk bad about everything which remains beyond their tiny brains. These people can stop playing dogs and asking for bones. Prometheus is a brilliant start to something new, and if it was released before Alien, it would have been the top grosser of the year or even the decade.

Release date: 8th June 2012
Running time: 124 minutes
Directed by: Ridley Scott
Starring: Noomi Rapace, Charlize Theron, Michael Fassbender, Guy Pearce, Idris Elba, Logan Marshall-Green

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@ Cemetery Watch
✠ The Vampire Bat.

Olympus Has Fallen

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There are a few characters we find difficult to forget. One of them might be that NYPD detective John McClane makes more than just an impact in a Los Angeles skyscraper. It was Die Hard and spanned four sequels, the last one being the most critically panned edition. The first of the series was one of those movies which ruled my childhood, and what Olympus Has Fallen managed to do is to remind me of that one. It is not really a bad thing, as Die Hard never really had a deserving sequel, and this one could have been the closest to being the same. There are terrorists of different nationalities, the setting and the type of building vary by a heavy margin and both the hostages and the redeemer are different, other than that, there might seem a similarity in style and the attitude of the hero in both these movies. With the support of the new technology and the experience gained by the new age movie makers, this one has almost become a worthy successor, not just by the skills, but also by divine providence. This movie’s story is actually an opportunity to die hard, not just for the redeemer, but also for the terrorists – both sides have their own chances, as they have chosen to take the risk.

The name was the first thing to catch my attention. There is something “fallen”, long time after I hear that word, for the second movie of Transformers had it in the name, and so do we hear it relating to the fallen angels of the firmament. But it is not someone who has fallen this time, for it is something. Just for a moment, forgetting the fact that Mount Olympus is also the name of a mountain in the Washington state, lets go to the other Mount Olympus whom we are more familiar about, the highest mountain in Greece, hailed in Greek mythology as the dwelling place of the Twelve Olympian gods of the ancient Greek world ruled over by the most powerful God of thunder and lightning, Zeus himself. According to the writing of the legendary writer Homer, Olympus was that great and divine that it was not shaken by winds nor was wet with rain, and never did snow fall upon it. So it was said about the abode of the twelve; Zeus, Hera, Poseidon, Demeter, Athena, Dionysus, Apollo, Artemis, Ares, Aphrodite, Hephaestus and Hermes, and here we have another Olympus, another seat of supreme power, the White House of the United States.

The hero of the story and another form of John McClane is Mike Banning (Gerard Butler), the lead Secret Service agent assigned with the United States President Benjamin Asher (Aaron Eckhart) whose wife dies in an accident – an incident which Banning fails to prevent even as he manages to save the President’s life. Eighteen months later, Banning works at the Treasury Department, not separated by the scars of the incident which blinded his senses. But he is still not separated from his skills. His office is not too far away from the White House and lives a quiet life with his wife Leah (Radha Mitchell) after being demoted. Meanwhile, during a meeting between the heads of the United States and South Korea, Korean-led guerrilla forces, aided by some people from the inside itself, launch a perfectly planned air and ground attack which surprises and even shocks the defence and leads to the capture of the White House. The ease with which they achieves this rather surprising, and the deaths which occur in this assault, especially of civilians is more of a thing of terror than strangeness.

Asher and several top officials are held hostage in the White House bunker, where the South Korean prime minister is killed by the same terrorists. The attack has been lead by Kang Yeonsak (Rick Yune), a wanted terrorist wishing for a reunification of Korea. He wishes to force the United States army to withdraw from Korea. He also wants to detonate all of America’s nuclear weapons in their own soil and destroy the country by turning it into a nuclear wasteland, but for this, he will need a few access codes, and in achieving this, he will go to any limit, murder being just a simple thing of no significance. Meanwhile, Banning manages to get into the White House, and begins his own mission of saving the President’s son who might be somewhere in the house and murdering the terrorists one by one before finally rescuing all the captives including the President himself. It is his miracle and his second chance given by fate on the way to redemption, his chance to become another John McClane, into which this character successfully transforms into. In the objective, he is aided by Allan Trumbull (Morgan Freeman), the Speaker of the House and the Acting President through earphone.

Gerard Butler is at his best since his King Leonidas of 300; as he improves upon Gamer & unleashes the new action hero who is likable to most of the audience if not all of them. Mike Banning is the new John McClane, and there is no point in the movie where you can doubt it with full heart. He saves the day, and his world as well as of others, and he is alone in this job. He looks vulnerable on so many occasions, and is still strong throughout. He had his ups and downs in life and career. He has more courage and love for action than anybody else – he wishes to die hard. Radha Mitchell’s role as his wife is limited, and Morgan Freeman’s role is not that much as expected considering the posters. Rick Yune’s villains is successful without doubt, not in the mission but with the audience. Aaron Eckhart’s President works quite well. The best thing is that there is no silly romance, and even the screentime for married couple discussing future is pretty much low. There is no slowness in the movie, and even when the situation seem to calm down, there is a certain amount of thrilling factor ready to explode.

The movie can be termed as unrealistic and violent as most of the others of the same genre, but there are limits which the movie hasn’t crossed, those which have contributed to the success of this movie for the common audience. Still the dose of patriotism and CGI might be a little high. The action and the blood reminds one of more than one first person shooters of the 2000s, for I shall not speak about 2010s and what is to come later. But, this is no computer game – still, the destruction is immense, not just with the bombing and shooting, but also with the two people of fearlessness on both sides, of good and evil, of saving and destroying. There might be less memorable dialogues in this one considering what one should be expecting, but the avoidance of unnecessary dialogues also contributes to the success of this movie, for it rests on Gerard Butler’s character as what he is, rather than what he pretends to be, and what he appears to be. In that case, he is better than John McClane, even if not more interesting for the masses. The fall of the Olympus is one thing and the rise of the titan is another, and that titan in Butler as Banning, for he has to achieve what the Olympian gods couldn’t, not by fighting them or himself, but by saving his own Olympus from the common outsider enemy.

As the upcoming movie White House Down also seems to deal with the same theme of a takeover of the White House, one has to wait and see which one ends up being superior. But for now, Olympus Has Fallen keeps the title of being the movie which has taken this theme to new heights. Even as it is more of a Die Hard happening in White House, there is no point where this can be seen as a thing of lesser energy or imagination. There has been no creativity which was left in the gutters with this movie, as it had that impressive style of taking the audience by surprise, at least in this part of the world where this is to be considered as a highly under-rated and a not much screened movie. The presence of the new 3D version of Jurassic Park and G. I. Joe: Retaliation‘s hesitation to leave might be the main reasons. But as even Life of Pi hasn’t really left some of the theatres here, there is surely no surprise about. But the fact remains that it is time these movies get their due, even if they are not hyped enough and has no stars who are popular enough in this part of the world.

Release date: 22nd March 2013 (USA); 5th April 2013 (India)
Running time: 120 minutes
Directed by: Antoine Fuqua
Starring: Gerard Butler, Aaron Eckhart, Morgan Freeman, Angela Bassett, Cole Hauser, Ashley Judd, Melissa Leo, Dylan McDermott, Radha Mitchell, Rick Yune

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@ Cemetery Watch
✠The Vampire Bat.