They Will Kill You

Vampire Owl: They used to say these words about us related to killings.

Vampire Bat: They do this at a time when humans are the real killers.

Vampire Owl: I still wonder why they are not extinct yet.

Vampire Bat: Evil always finds a way to survive and destroy others.

Vampire Owl: For them, death leads to afterlife and not to the undead status, so they will.

Vampire Bat: Yes, we do not accept evil humans as vampire anymore.

Vampire Owl: Have you seen any good human in the last few years.

Vampire Bat: You know that I do not meet humans anymore. Too much evil around them.

Vampire Owl: All the evil overlords have always been human.

Vampire Bat: Well, humans have always been good with black magic and the chaos nodes which channel their powers.

[Gets a mango burfi and three cups of Munnar tea].

What is the movie about? :: Asia Reaves (Zazie Beetz) is coming out of a troubled past which involved a lot of time being spent in prison after she shot her abusive father. Coming out of her troubled past, she goes searching for her sister Maria Reaves (Myha’la) who was taken away by the same abusive father, and arrives at the Virgil, a huge high-rise building in New York City, posing as the new maid appointed by the special extra rich people who choose to live there. She had gathered information anything anyone last knew about Maria was that she had taken a job was a maid there, and people who take the work is never really seen outside. Lily Woodhouse (Patricia Arquette) tells Asia that the building is more than one hundred years old, and she expects her to do good work for the wealthy and elite which leaves no room for mistake. She is also given a well-arranged beautiful room to stay for the day. She meets Lilly’s husband Ray Woodhouse (Paterson Joseph) who leaves a message “They Will Kill You” on the mirror of her bathroom, but she misses the same as she moves directly into the shower and fog on the mirror erases the same.

So, what happens with the events here as we just keep looking? :: Asia notes that there are some strange sounds coming from within the walks, and while she is sleeping, a masked man attacks her, and while trying to fight back, both of them get knocked out. Soon, a few other masked people also come in from the ventilation shafts and secret passages in the room. But she wakes up and manages to fight back. They are surprised to find Asia armed and highly skilled at defending herself, managing to kill all of the assailants despite being outnumbered, thrown around and beaten up. Asia gets out of the room only to find Lily and she demands the location of Maria, who is known to work as a maid at the Virgil. But Lilly only laughs at her while Asia’s attackers resurrect, forcing her to run from them to hide herself in a room, only to find out that the windows of the building cannot be broken, and later to be stabbed by a little boy on her back. She then seeks refuge in the building’s vents, clueless about what is happening around her.

And what more happens here as something more terrifying awaits at each turn? :: Asia who manages to survive against the chasing Sharon Vanderbilt (Heather Graham) despite almost being at the receiving end of the blows, and is saved from others by Ray who explains that the Virgil is a dedicated temple to Satan, and the residents have been granted immortality by performing human sacrifices by capturing and ritually killing the young women looking for jobs as maids. He guides them through the vents and above the room of lust with naked people going through orgies of sexual activities, as Ray tells them about the other deadly sins being openly practiced within the building to please Satan. Sharon who whose head was destroyed by Asia’s shotgun had her eyeballs following them though, and they find Maria only to understand that she does not wish to leave the place at all. She tells them that she had dedicated her life as a maid there and knows what goes on there, making her a part of the Satanic pact. Asia knocks her out and tries to leave only to be hunted by the Satanists. Can the sisters make it out alive?

The defence of They Will Kill You :: The situation which is darkly comedic, but with a stylish approach to action and violence, with fights very much interesting at all times – there is nothing much that one can expect here more than what we see on the screen here. Zazie Beetz whom we know the best from Deadpool 2 is a perfect scream queen survivor fighter here too, as she goes through the fights and maintains that emotional weight, as she balances her feelings with survivalist action – the first fight in the room is too good with style and fun as she excels right there, with those unexpected moves and sets the tone really well for what is to follow in the movie later; there is even a nice, funny side to that battle. The environment really works in favour of the movie too, as the eerie, isolated luxury high-rise building provides a claustrophobic atmosphere which leaves one with no chance to escape and no help to be taken from outside. The use of Satanism also works in its favour like in Psycho Killer, as the terror feels like having some other-worldly influence as escape seems more and more difficult.

Positives and negatives :: The movie’s situation nicely resembles the sequel to Ready or Not which released this year with its own sisters in trouble to due to a group of families hunting them within a closed space in a luxury land property instead of this luxury building rising high. The Satanic presence was also around in that movie, and the similarities still point out the differences, with this one not being that serious, and the humour here is surely stronger with more focus on horror, while the earlier movie felt more serious and further emotional about sisterhood. The movie’s brutality might not be acceptable to everyone, but there is a certain amount of balance maintained there too. The shift between the genre can also feel strange at times. The style also takes over a little bit too much, and some elements of possible horror seems to be left unattended as the terrifying seriousness is not set as the most significant thing here. Myha’la and Heather Graham also deserved more fights here, but they are very good when they go through the same.

How it finishes :: This might be one of the most fun-filled survival horror thrillers that you might ever see in a long time, as the way in which it serves the purpose has to be appreciated. One would feel that some smaller moments could have been taken differently, but that would go unnoticed unless the viewer is digging a lot deeper. We note that this one became an entertaining watch like not many others could accomplish with similar situations. The social message about the rich hunting the poor is also there, and we see how evil has its roots in the influential sides, maintaining its terror really well. The action here is too good, and the surprise provided by the first fight in the room scores higher than ever, with another big fight in the darkness and the final battle making impact too. If you are looking for an inventive, gory, survival-based thrill ride with big action, this is the one entertainer that you are looking for, and the same can be accessed through Jio Hotstar, with Zazie Beetz stealing the show so well.

Release date: 27 March 2026
Running time: 94 minutes
Directed by: Kirill Sokolov
Starring: Zazie Beetz, Myha’la, Paterson Joseph, Tom Felton, Heather Graham, Patricia Arquette

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@ Cemetery Watch
✠ The Vampire Bat.

Wonder Woman 1984

Vampire Owl: It has been too long since we wanted to watch Wonder Woman.

Vampire Bat: I thought that we wanted to watch Black Widow more.

Vampire Owl: Yes, that too, but this is a sequel, and we will end up forgetting the first film.

Vampire Bat: Well, it is like we have almost completely forgotten Avengers too.

Vampire Owl: Nobody forgets the Avengers.

Vampire Bat: Everybody forgets everyone, not just Avengers. It is only a matter of time.

Vampire Owl: Vampires have their memories towards eternity.

Vampire Bat: Not at all vampires. There are levels.

Vampire Owl: Levels like in Super Mario?

Vampire Bat: Not exactly. But existence for a long period of time matters.

[Gets some french fries and three cups of grape juice].

What is the movie about? :: In 1984, Diana Prince (Gal Gadot) works at the Smithsonian Group in Washington DC, and in a flashback, we see that when she was little, she had taken a shortcut to win a tournament among the Amazons. There, Antiope (Robin Wright), the general of the Amazon Army had told her there are no shortcuts, and everything has to achieved with honesty, and her mother, Hippolyta (Connie Nielsen), the queen of Themyscira had agreed on the same. Even though Diana is doing the usual kind of job in the 1980s, she is also going through the superhero stuff. In the same city, Barbara Minverva (Kristen Wiig) lives, and as a new recruit to The Smithsonian, meets Diana. Barbara is not popular at all, and she feels that nobody likes her. People usually walk around her as if she doesn’t exist, and she is highly disappointed about that kind of treatment with even her name being forgotten.

So, what happens with the events here? :: Barbara becomes friends with Diana very soon, and they notice one item, a stone that contains a Latin inscription which claimed to grant the holder one wish. Barbara wishes that she becomes as good as Diana in all ways, while Diana wishes that Steve Trevor (Chris Pine) comes back to her. They see both wishes being fulfilled very soon, as Barbara finds herself stronger and sharper, as well as liked by everyone around her – she finds out that even her body structure has undergone some change, and she is no longer the clumsy person she used to be, along with finding herself able to lift heavy objects. At the same time, Steve has returned as his soul has possessed another man (Kristoffer Polaha) whose original form can be seen in the mirror reflections. The confusion of entering a new world is with Steve, but with Maxwell Lorenzano (Pedro Pascal) trying to get that stone, it will be the least of their problems.

The defence of Wonder Woman 1984 :: We do feel that the original essence of Wonder Woman is maintained up to an extent, even though it is indeed faded when do a comparison with the previous film. There are some fine action sequences, even though we should have had more grandeur. The best fight is the one in the White House, and showing the helplessness of superheroes making connection with the audience works most of the time. It manages to keep its level high enough among the other DC movies if we make more comparisons with more. The characters in the film are nicely linked with the tale’s progress, and how it finally sets things well for a possible sequel later. There is the message that goes against selfish motive, and going for your desire without thinking about others – against those people who are completely into their ambitions as if people around them do not matter. The setting of 1980s also work really well, and there is a lot of background here that works nicely.

The claws of flaw :: A movie on Wonder Woman can always be better, and there is no doubt about it, for we know what happened in the first film. There could have been more fight scenes around here, and the action could have been bigger. The last fight with the two characters in strange costumes makes things rather weird instead of making everything better in quality. Cheetah should have been a case of terror much earlier as the only character worthy of giving a fight, and should have really had a costume to go with the villainy. The fun that superhero movies usually have, and the dark side that the DC films have had, are not here to make the impact on both sides. The film only gets more and more predictable in its run, and its more and more so by the end. There are moments when CGI doesn’t look that good, especially when the protagonist in the air. There are moments when the movie also feels stretched, and this time even the cameo between credits feel unnecessary.

Performers of the soul :: Gal Gadot, as we always know does remain the strength of the movie, even though there is the feeling of tiredness here in comparison to original Wonder Woman and Justice League. She manages this role very well, as we would expect her too, and the feeling that Wonder Woman brings is different from Marvel’s Captain Marvel – a feeling which is not always easy to manage, but is done really well here. Among these lady superheroes, the gap between Wonder Woman and Captain Marvel is rather too high, with latter as a character is not the person we love. Kristen Wiig does make a pretty good villain character as she handles the spirit, but not much of a Cheetah that we had expected, despite the first half of the movie had her nicely set, even though in a predictable manner. Pedro Pascal does well as the villain who causes the big trouble. Chris Pine returns, but despite everyone having needed the same, this is short-lived.

How it finishes :: This version of Wonder Woman doesn’t match up to the original, and that point is made clear very early into the movie itself. Well, we are sure that it is not possible to match the skill of Marvel here, but we did expect an exception in this case, which didn’t happen though. There was the chance of making some great action sequences here, but they are limited, and Cheetah itself could have been further grand. When we consider the grand scheme about the last movie, this one surely trails behind. But with the entertainment that the movie provides, it is always nice to have another superhero during these times of trouble. The film also has its moments, and we get this on Amazon Prime Video at a time when we are in lockdown. During these times of COVID-19, stay at home, and thus stay safe. After all, entertainment keeps more people at home than anything else. At the same time, let us hope for a better tomorrow.

Release date: 16th December 2020 (United Kingdom), 25th December 2020 (United States), 15th May 2021 (Amazon Prime Video)
Running time: 151 minutes
Directed by: Patty Jenkins
Starring: Gal Gadot, Kristen Wiig, Chris Pine, Pedro Pascal, Robin Wright, Connie Nielsen

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@ Cemetery Watch
✠ The Vampire Bat.

Wrath of the Titans

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✠ It was in 2010 that my favourite movie based on Greek mythology released, in the form of Clash of the Titans – but I have to admit that I haven’t watched many movies based on that mythology. The 2011 version, Immortals was strictly okay. Even as my love for Greek mythology goes as far as my childhood with such stories easily available in a local version in the nearby library, the love was extended to something better in the first half of the 2000s with that city building game called Zeus: Master of Olympus. Despite the similar games Pharaoh and Caesar III, this was the game which stole my time, and the fact that it was based on the mythology helped, just like in the case of Age of Mythology. Wrath of the Titans is that sequel which falls somewhat behind from its predecessor, and has not many things to boast about. Otherwise, it could have come up with an extraordinary box-office performance, that is for sure.

Count Dracula: You had to watch that? I heard that the gods die in the movie. I couldn’t stand that after watching Immortals. They call themselves immortals and they die, isn’t it the same case with Wrath of the Titans? I guess I am the true immortal of this world, and about the other dimensions, I shall speak not.

Vampire Bat: Immortality is losing soil right from underneath its feet. The main culprit is the use or rather the abuse of vampire mythology in the works like Twilight. The ridiculous glorification of immortality has lead to at least some people having a certain feeling against it, and it seems that Immortals and Wrath of the Titans have tried to hold onto that aversion towards immortality by killing those gods who were supposed to be immortals. Now the gods die and random pale teenagers with bad teeth lives forever with strange pacts, ideas and a love story which should qualify as the wonder blunder of the world.

Count Dracula: I am glad that you didn’t call them vampires. Yes, they are blood suckers and not vampires. They belong to a breed of mosquitoes. They are also indirectly killing not only the vampire franchise, but also many others, and the Greek mythology is also one of them. I won’t even talk about the other group walking on four legs. It is beyond hope, but still what is it in Wrath of the Titans?

Vampire Bat: This movie’s incidents happen many years after the events of the first movie, as the gods keeping on losing power and they almost lose control over the imprisoned Titans until Ares and Hades turns against the other gods and make the process complete. Zeus is captured and kept a prisoner as Kronos slowly awakes and Poseidon dies. The other gods are not even in the fight, as Hephaestus is the only one who is there to show himself. If you are looking for gods, you better play the game Zeus: Master of Olympus.

Count Dracula: I have never seen that horrible gods as those in Immortals. In that movie, when it was known that Luke Evans was Zeus, I thought that he was just a crazy guy who lived in one of those caves. I would rather not see them if I have to witness them like that. I would still miss Aphrodite though. They could have also had Athena and Artemis, as the only divine creature I liked in Immortals was Isabel Lucas’ Athena. I wondered how it would have been if Freida Pinto played an immortal.

Vampire Bat: We don’t even get to see Gemma Arterton, as her character is declared dead. Alexa Davalos is also missing, as Rosamund Pike becomes Andromeda, something which doesn’t seem to fit as a whole. Sienna Miller or Rachel Nichols might have been a better choice as this time the lady is more of a warrior princess rather than the damsel in distress. My imagination of Andromeda is completely destroyed by this movie.

Count Dracula: Well, if you consider the destruction of the images in my mind caused by Immortals, there will be too long a list. They are all trying to deviate from the mythology that we have read. Even Percy Jackson was closer to mythology than the so called mythological movies. Why would you even watch a movie based on mythology after such a setback?

Vampire Bat: The special effects are excellent, and what it misses out on the story, it tries to make up with the graphics and the action sequences. May be some of our literature postgraduates can come up with a better story than this one which has quite a useless Zeus and Poseidon, a more wasted Hephaestus and a strange Ares along with a Hades with clear psychological problems making it almost impossible for him to do the right thing or even the wrong thing. Perseus and Andromeda doesn’t even seem to belong to the world. It is still that visual extravaganza that you can watch on the big screen.

Count Dracula: It has Sam Worthington as Perseus, and that should be its best advantage. One can guess that without even going near that movie. Whenever he is there, one can feel that there will be something there to look out for. I am not an Avatar fan, but if someone can save a movie with his presence even without many people of a land knowing the name of the actor, it is him.

Vampire Bat: Yes, he does save the movie just like Perseus saves the world. Rosamund Pike also does the same, not as Andromeda, but more as a warrior princess or a fighter queen who has come to aid whoever tries to save humanity. Ralph Fiennes and Liam Neeson are given what might be their worst characters ever, and why would they need these two to play those characters is so strange. May be as the characters are like that, these two were needed to make it any good. This is such a shame that monsters of this movie saves the day for the viewers while the gods ruin the same – the exact opposite of what happens in the movie.

Count Dracula: I would rather like the movie for being what might be the last movie based on Greek mythology for a very long time. Everyone needs a dose of Greek mythology, not considering Percy Jackson which is a different take. The love for monsters is a thing of this age. This is an age of no faith, and people tend to like monsters more than gods and pretend that they don’t believe in both. Trust me when I say this from my experience – it is not in human nature to be good, and without civilization, they are nothing. It is the beliefs and the faith in God that keeps them good, and the bad are only those who deviate from faith.

Vampire Bat: I agree, as there is no pillar for faith in this age. I have to struggle with my set of beliefs very often because there is always an attempt to brainwash people into believing that there is no God, and there is no evil. People are denied the chance to live in faith, and we are glad to be part of a nation which has more faith in the supreme power than any other. The weakening of the gods with the loss of faith of humans is a parallel to the recession and the financial problems which Europe and America have faced due to the loss of faith, and the nations with faith are improving. Without faith, you are nothing – even Zeus was nothing.

Count Dracula: Exactly my thoughts. I am a man who has seen almost all wars which you have studied about. None of those wars were actually religious wars. There were just people who lost faith in God and went for material achievements. They never conquered anything for God. They did it for themselves and to enjoy their life on Earth. I have seen into their mind and they had only “Carpe Diem” in their mind. Most of them didn’t really believe in me, and it is such a shame. I lose my confidence when they loss faith in me. Then I can only transform into a little toothless black cat!

Vampire Bat: That comparison is one of those things which I could find. Hades is more like the devil, feeding from the fears of man, but he is also that fallen angel whom Milton told us about. We would love to see such a movie being made based on Paradise Lost, and the fact that the Bradley Cooper’s portrayal of Lucifer will no longer happen is such a shame. The movie could have taken the movie experience to greater heights, something which Noah might succeed in a limited manner. But nothing like angels and demons fighting a war and their leader delivering those speeches. Not even Kraken, Chimera, Cyclops, Minotaur and Kronos together could have stood a chance.

Count Dracula: They can rather develop an original mythology based on my life. Yes, I have fought my battles and my tale has one of the best stories ever, which can be developed into a mythology. I know you would still rate this high enough, and I might also do the same, even with that knowledge that this is an unwanted sequel.

Vampire Bat: Yes, it shall get a 70/100 for its special effects, 3D, the leading actor, use of whatever mythology they can, the action sequences, the monsters and bringing a different idea on gods and ending the franchise for good. That will be good?

Count Dracula: Yes, I think it is. Well, it is time for me to go to the Goblin Market and sharpen my fangs. Good bye, my brother in fangs.

Vampire Bat (to himself): Wrath of the Titans is a lot like its predecessor and it has only a few new things. If this movie was the first of the franchise, the whole thing could have been better, and as a stand-alone version, this scores better. There is a lot of monster stuff for the fans of Greek mythology stories, but that hasn’t really helped, and that much we can easily figure out from the way the responses have been.

Wrath of the Titans will not improve your impression about movies based on mythology, and it won’t make you better with greater knowledge of Greek mythology. Don’t consider it your spark-notes, but watch it for the visual treat that it has to offer with special effects and action sequences. Also, look out for the labyrinth. Lets hope for Hercules: The Thracian Wars to be great, even as it is more of a comic based adventure rather than having a strong base in Greek mythology. We might need a lot more than just a random mythological story to come up with a perfect demigod story. There is the need for a lot more, and the lack of popularity of Wrath of the Titans is no real surprise. For now, we can adjust with this movie, and compared to Immortals, this is a much better choice, and scores as being among the best of its kind (mostly due to not many movies of the kind being released).

Release date: 30th March 2012
Running time: 99 minutes
Directed by: Jonathan Liebesman
Starring: Sam Worthington, Rosamund Pike, Ralph Fiennes, Liam Neeson, Bill Nighy, Édgar Ramírez, Toby Kebbell, Danny Huston

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@ Cemetery Watch
✠The Vampire Bat.