Wonder Woman 1984

Vampire Owl: It has been too long since we wanted to watch Wonder Woman.

Vampire Bat: I thought that we wanted to watch Black Widow more.

Vampire Owl: Yes, that too, but this is a sequel, and we will end up forgetting the first film.

Vampire Bat: Well, it is like we have almost completely forgotten Avengers too.

Vampire Owl: Nobody forgets the Avengers.

Vampire Bat: Everybody forgets everyone, not just Avengers. It is only a matter of time.

Vampire Owl: Vampires have their memories towards eternity.

Vampire Bat: Not at all vampires. There are levels.

Vampire Owl: Levels like in Super Mario?

Vampire Bat: Not exactly. But existence for a long period of time matters.

[Gets some french fries and three cups of grape juice].

What is the movie about? :: In 1984, Diana Prince (Gal Gadot) works at the Smithsonian Group in Washington DC, and in a flashback, we see that when she was little, she had taken a shortcut to win a tournament among the Amazons. There, Antiope (Robin Wright), the general of the Amazon Army had told her there are no shortcuts, and everything has to achieved with honesty, and her mother, Hippolyta (Connie Nielsen), the queen of Themyscira had agreed on the same. Even though Diana is doing the usual kind of job in the 1980s, she is also going through the superhero stuff. In the same city, Barbara Minverva (Kristen Wiig) lives, and as a new recruit to The Smithsonian, meets Diana. Barbara is not popular at all, and she feels that nobody likes her. People usually walk around her as if she doesn’t exist, and she is highly disappointed about that kind of treatment with even her name being forgotten.

So, what happens with the events here? :: Barbara becomes friends with Diana very soon, and they notice one item, a stone that contains a Latin inscription which claimed to grant the holder one wish. Barbara wishes that she becomes as good as Diana in all ways, while Diana wishes that Steve Trevor (Chris Pine) comes back to her. They see both wishes being fulfilled very soon, as Barbara finds herself stronger and sharper, as well as liked by everyone around her – she finds out that even her body structure has undergone some change, and she is no longer the clumsy person she used to be, along with finding herself able to lift heavy objects. At the same time, Steve has returned as his soul has possessed another man (Kristoffer Polaha) whose original form can be seen in the mirror reflections. The confusion of entering a new world is with Steve, but with Maxwell Lorenzano (Pedro Pascal) trying to get that stone, it will be the least of their problems.

The defence of Wonder Woman 1984 :: We do feel that the original essence of Wonder Woman is maintained up to an extent, even though it is indeed faded when do a comparison with the previous film. There are some fine action sequences, even though we should have had more grandeur. The best fight is the one in the White House, and showing the helplessness of superheroes making connection with the audience works most of the time. It manages to keep its level high enough among the other DC movies if we make more comparisons with more. The characters in the film are nicely linked with the tale’s progress, and how it finally sets things well for a possible sequel later. There is the message that goes against selfish motive, and going for your desire without thinking about others – against those people who are completely into their ambitions as if people around them do not matter. The setting of 1980s also work really well, and there is a lot of background here that works nicely.

The claws of flaw :: A movie on Wonder Woman can always be better, and there is no doubt about it, for we know what happened in the first film. There could have been more fight scenes around here, and the action could have been bigger. The last fight with the two characters in strange costumes makes things rather weird instead of making everything better in quality. Cheetah should have been a case of terror much earlier as the only character worthy of giving a fight, and should have really had a costume to go with the villainy. The fun that superhero movies usually have, and the dark side that the DC films have had, are not here to make the impact on both sides. The film only gets more and more predictable in its run, and its more and more so by the end. There are moments when CGI doesn’t look that good, especially when the protagonist in the air. There are moments when the movie also feels stretched, and this time even the cameo between credits feel unnecessary.

Performers of the soul :: Gal Gadot, as we always know does remain the strength of the movie, even though there is the feeling of tiredness here in comparison to original Wonder Woman and Justice League. She manages this role very well, as we would expect her too, and the feeling that Wonder Woman brings is different from Marvel’s Captain Marvel – a feeling which is not always easy to manage, but is done really well here. Among these lady superheroes, the gap between Wonder Woman and Captain Marvel is rather too high, with latter as a character is not the person we love. Kristen Wiig does make a pretty good villain character as she handles the spirit, but not much of a Cheetah that we had expected, despite the first half of the movie had her nicely set, even though in a predictable manner. Pedro Pascal does well as the villain who causes the big trouble. Chris Pine returns, but despite everyone having needed the same, this is short-lived.

How it finishes :: This version of Wonder Woman doesn’t match up to the original, and that point is made clear very early into the movie itself. Well, we are sure that it is not possible to match the skill of Marvel here, but we did expect an exception in this case, which didn’t happen though. There was the chance of making some great action sequences here, but they are limited, and Cheetah itself could have been further grand. When we consider the grand scheme about the last movie, this one surely trails behind. But with the entertainment that the movie provides, it is always nice to have another superhero during these times of trouble. The film also has its moments, and we get this on Amazon Prime Video at a time when we are in lockdown. During these times of COVID-19, stay at home, and thus stay safe. After all, entertainment keeps more people at home than anything else. At the same time, let us hope for a better tomorrow.

Release date: 16th December 2020 (United Kingdom), 25th December 2020 (United States), 15th May 2021 (Amazon Prime Video)
Running time: 151 minutes
Directed by: Patty Jenkins
Starring: Gal Gadot, Kristen Wiig, Chris Pine, Pedro Pascal, Robin Wright, Connie Nielsen

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@ Cemetery Watch
✠ The Vampire Bat.

The Room

Vampire Owl: Are they talking about that particular room in the north-east?

Vampire Bat: That can’t be the room these humans are talking about.

Vampire Owl: Are you sure? It is a room which we consider to be among the best in the Old Vampire World and the new one.

Vampire Bat: Yes, this is not a room of horror unlike what they think.

Vampire Owl: So, there is no Halloween attraction in the room

Vampire Bat: No, there is none at all.

Vampire Owl: You mean to say that there are no evil clowns either.

Vampire Bat: Exactly, as this is a room of another kind.

Vampire Owl: Okay, then I will need to find the horror from inside.

Vampire Bat: After you watch this movie, maybe you can have a different kind of horror.

[Gets a chicken cutlet and three cups of masala tea].

What is the movie about? :: Kate (Olga Kurylenko) and Matt (Kevin Janssens) are a couple who moved to a new place in the countryside, and it was a large secluded manor which they had managed to buy only recently. As Matt is an artist and Kate a translator, they hoped to find a better career at this part of the world, while spending some time together without being bothered by anyone else, as they couldn’t have children despite the doctors saying that both of them are alright. After coming across certain electrical problems, they call an electrician who understands that the wiring in the home is a complicated mess of wires that runs through almost everywhere in the house, and he needs to work out an estimate and plans before starting to look for any possible problems in them. Before leaving, the electrician reminds Matt that the previous owners were murdered by an unknown man in the house, something which the couple never knew until then.

So, what happens with the events here? :: But this is not where the strange things about the house begins and ends, as it is a house which holds a mystery which nobody could explain. Matt finds out that the killer’s is given the random name of John Doe, and is now living in a mental asylum. Thinking about it, and unable to sleep, he sits in a room which they had discovered locked and hidden underneath the wallpaper, and wishes for a bottle of alcohol which he finds in front of him. Scared and confused, he moves away, but begins to ask for more including the historical paintings. Kate is surprised when she wakes up finding many expensive paintings in the newly discovered room, and when she wishes for a lot of money, she ends up finding them in the room. Even though Kate is initially reluctant, they begin a hedonistic life-style, staying all the time in house. But there is more than what meets the eye to the house, and as they cross the limits, there are consequences. Can they overcome the following troubles?

The defence of The Room :: The movie holds around seventy eight percent reviews at Rotten Tomatoes, which is clearly justified with the quality being maintained here. It effectively shows the dangers of getting whatever one wants, and what happens when you don’t understand the consequences of crossing the limits. The same is told in a tale of thrills and twists, with a certain amount of hidden horror being present at all times. Once upon a time, there was the magic lamp, there was the wishmaster, and now we have the room which takes the horror to a psychological level rather than keeping it direct. The result is that you are more disturbed with terror rather than being simply scared. You take this idea into your soul, and the message is strong. The psychological intensity is maintained by the movie very well, after a nice, fun-filled beginning which doesn’t seem to point to the terrible fate which is to come later. Olga Kurylenko with what might be her best performance so far, has you interested at all times.

Positive and negatives :: The Room doesn’t try to twist it too much, even when there was the chance. It could have been made more visually terrifying too, even though the setting is indeed scary in another way. It shows how things become complicated when you take the wrong decision regarding a child – the same you had seen in Brightburn and Pet Sematary which told you a few things about alien and undead children. But as William Golding had shown in Lord of the Flies, there are many more which children are capable of, even while staying within their innocence. Some people might not like the fact that there is no explanation regarding why all these are happening, for viewers might at least except a supernatural explanation related to magic, aliens, spirits or demons – but you have to remember that the idea itself is the explanation, as the same becomes the message. The Room is the movie which you just cannot ignore with its content.

Performers of the soul :: Olga Kurylenko stays at the heart and soul of this movie, like she has been for many other movies. She had a wonderful presence in Johnny English Strikes Again, and even more in Oblivion, with her being secondary focus, but in this case, she is the main member of the cast, the one who qualifies as the primary protagonist. Being the Bond girl in Quantum of Solace and acting in modern action movies like Hitman and Max Payne as well as the rather ancient fighting in Centurion, she has been best in those action movies, but she is not that far behind in drama and horror, as we see her excel in those emotional sequences. Whenever she is there she seems to give the best – Olga is one underrated actress whom we should be seeing in more movies. You can see that she excels in the emotional sequences here. Kevin Janssens as Matt matches up in a good number of sequences here.

How it finishes :: Among all the horror thrillers, The Room is different and special, and this is the feeling that you will have, no matter what kind of genre you prefer, and whatever type of horror you have your mind on. With a concept like this executed so well, you know that things are going to better as time progresses. Olga Kurylenko makes sure that it gets maximum effect. The Room also leaves you about a few things to ponder about, regarding what matters the most in life, and where one has to draw the line. It also has a message about human greed, and how they are not able to stop, when luxuries are poured on them. We also have the idea of inherent evil in man at work here. The Room needed to have its elements at the right place to have this working at the exact level, and we see that the movie has managed to do that just fine. The Room is a film which is lesser known, and it deserves to be watch for making everything count.

Release date: 15th April 2019
Running time: 100 minutes
Directed by: Christian Volckman
Starring: Olga Kurylenko, Kevin Janssens, Carole Weyers, Marianne Bourg, John Flanders, Joshua Wilson, Francis Chapman, Vince Drews, Oscar Lesage, Michael Kahya

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@ Cemetery Watch
✠ The Vampire Bat.