MIB International

Vampire Owl: This particular franchise has been so old that I am beginning to feel young.

Vampire Bat: Do you know that we have a group, Vampires in Black?

Vampire Owl: We do? What do they do?

Vampire Bat: They wear black, and wander around the castle, as if black is the coolest colour a vampire can wear.

Vampire Owl: So, this VIB does nothing of use.

Vampire Bat: Well, MIB has had another sequel, and so we might be up for more.

Vampire Owl: I think that we should run VIB parallel to MIB because I have so many ideas related to it.

Vampire Bat: What kind of idea do you have?

Vampire Owl: It is regarding a group of vampires wearing black, and facing aliens.

Vampire Bat: I think that people won’t need many more of that, unless created with some really good content.

[Gets a ghee cake and three cups of mixed tea].

What is the movie about? :: Molly Wright (Tessa Thompson) is someone who had witnessed her parents’ memories of aliens erased by agents of Men in Black while she helps an alien escape. As her memories of aliens stayed, she started looking for employment in the secret organization which she found out about, but finds out that there is no chance. Everybody thinks that she is delusional, and that there is something really weird about her. With no friends and no life of her own, she finally manages to find the Men in Black after tracing an alien who is taken away by the agents. She discovers the headquarters of the organization quite fast, enters without any hesitation, and makes a fine impression on Agent O (Emma Thompson) who heads the team in United States of America, and after naming her Agent M, sends her to work in London as a probationary agent to know how much she is capable of.

So, what happens with the events here? :: There, Agent M meets High T (Liam Neeson), head of the London branch, and Agent H (Chris Hemsworth), the two of whom are supposed to have stopped an invasion of the Hive, a parasitic race at the Eiffel Tower, many years ago. After that, while High T leads the force, Agent H had become irresponsible, leading to T having to cover up all his failures. M meets H, and manages to go with him in his meeting with his close friend and alien royalty who is killed by some mysterious alien twins able to manifest as pure energy, which the agents are not able to counter. Before dying, the alien royalty provides M with a strange crystal, telling to her that it won’t be useful giving it to H because he had changed after the incident during which he saved the world. It turns out that the crystal is not just the usual thing, and that there is something special about it, but they will have to find it the hard way, while the agency is not happy about the royal alien being killed. So, what is next for the two against all odds? Can they save the world?

The defence of Men in Black International :: As expected, the special effects with the action sequences score more than anything else, and the CGI elements are at fine work here, making the alien presence have glory – after all, the technology has improved so much, and this was to look better in each and every movie. The location explored are really nice, especially Marrakesh in Morocco which provides the best visuals around. MIB does manage to continue as how it used to be in essence, with a big universe with unlimited number of aliens to be saved these days. There is some humour present, even though most of them don’t work, or are repetitive. We can hope to have another movie in the franchise though, including these new characters and some of the old ones, which can prove to be interesting with some extra innovation, for we should never be short of smart ideas as far as alien invasion is concerned.

The claws of flaw :: There is not much different here as far as the plot idea of the Men in Black series is concerned, as each movie works on a similar thing every time, and the disadvantage here is that it lacks those stars whom we have associated this movie franchise with, and there is absolutely no emotional connection here – that side is almost completely done with. We develop no feelings for the protagonists here, and therefore the concern is rather less. There is not much to save here compared to those original movies which we had, and the villain reveal was rather unnecessary, because we could have guessed that from a long time ago, and it was certainly not that good a choice. The twist was pretty much unnecessary, and the best characters in the movie go unexplored. There is also absence of humour, as the funny side here is rather minimal, and it rarely works, leading us to question the direction it is going.

Performers of the soul :: Men in Black will miss Will Smith and Tommy Lee Jones this time, and there is no doubt about the same. It might be due to the same reason that we have a pair which worked so well with Thor: Ragnarok to get out of the Avengers world with that grand finish in Avengers: Endgame, and come to this franchise. Yes, they will have their roles to play in the Marvel Cinematic Universe as Thor and Valkyire, but their combination doesn’t work that well in this movie, even though they are okay together for most part of the movie. Chris Hemsworth does take a little bit of the early Thor attitude in here too, as the proud MIB agent. Tessa Thompson is fine here, but a younger actress playing this role would have been more appropriate. Rebecca Ferguson, the Mission Impossible and Doctor Sleep girl has fine run in her smaller role, while our TakenNon-stop action star Liam Neeson is a fine addition to the movie here, but they could have used him in a better way, at least by the end scenes.

How it finishes :: Men in Black International continues that same format which it had been following for a long time, and through that idea which has been well-established, it manages to be entertaining – after all, there is also the presence of the big names like Chris Hemsworth, Tessa Thompson, Rebecca Ferguson and Liam Neeson who are there to keep us entertained. There is not much that we will find new in this movie, or to be greater than the previous movies in the franchise, but you have the guarantee because it is this particular franchise that we are talking about. But, it could have had a movie like Charlie’s Angels had, a long time later, but falls short due to the absence of that humour and an energetic cast. Yet, it is the movie that you watch for being Men in Black with all the aliens and saving the world stuff.

Release date: 14th June 2019
Running time: 115 minutes
Directed by: F Gary Gray
Starring: Chris Hemsworth, Tessa Thompson, Rebecca Ferguson, Liam Neeson, Kumail Nanjiani, Rafe Spall, Laurent Bourgeois, Larry Bourgeois, Emma Thompson

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@ Cemetery Watch
✠ The Vampire Bat.

A Monster Calls

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Vampire Owl: Do you know that a monster did call me before?

Vampire Bat: Yes, the potato chips monster.

Vampire Owl: No, a real monster.

Vampire Bat: What did he say?

Vampire Owl: He said that he would eat me for dinner.

Vampire Bat: Oh! A monster that eats the undead for dinner. This should have been in the news.

Vampire Owl: Yes, but it was April Fool, coming right from Uncle Dracula.

Vampire Bat: According to the humans, we are surely monsters. So, from another perspective, it is true.

Vampire Owl: But we are vegetarian.

Vampire Bat: Yes, that is indeed our specialty which is to remain the same.

[Gets three cups of masala tea with potato chips].

What is the movie about? :: A young boy named Conor O’Malley (Lewis MacDougall) is in a state of worry due to his mother Elizabeth Clayton’s (Felicity Jones) cancer. She keeps telling him that she is getting better, but the truth is that she is not. It is only getting worse, and she is slowly and steadily moving towards her end. It is difficult for him to accept the same, and with his father Mr. O’Malley (Toby Kebbell) being separated from him and living far away from them, he has not many people to look forward to. He is also targeted by Harry (James Melville), a bully at the school, and he is asked by his grandmother Mrs. Clayton (Sigourney Weaver) with whom he doesn’t have a great relationship, to move to her home with her. But Conor is more frustrated by the idea of moving to his grandmother’s home than about being bullied by his classmate and his friends.

So, what happens next? :: One night at exactly 12:07 a.m., Conor comes across a strange tree-like monster (Liam Neeson), that tells him it is going to come up with three stories, after which Conor has to tell the monster his own story, which is the truth behind the nightmare that he keeps seeing. The first story is that of an old king who has lost all his sons battling giants, dragons and great wizards who led men and creatures of darkness. The only heir he had was his grandson who was loved by all people of the kingdom. But at his old age, he gets married to a beautiful woman, after which he falls ill and dies. With the prince not old enough to claim the kingdom, the queen becomes the ruler, and the prince runs away with his love, a farmer’s daughter who seems to be murdered. This queen who is claimed to be a witch, is supposed to be behind the death of both the king and the lover, is saved by the monster, as he claims – Conor wonders why.

So, how do things go from here? :: The second story is that of an ill-tempered, greedy apothecary who follows the old ways of medicine, and pesters a local parson to let him cut the yew tree in the churchyard. The parson who is a man of strong faith is against the apothecary who grows in hatred towards everyone around. But when the parson’s two children gets ill, he asks the apothecary for help, and even offers the yew tree and a change in his own belief. But the apothecary refuses to help him, and the children die. The tree then takes his monstrous form and begins destroying the house of the parson, much to the dismay of Conor who doesn’t understand why the creature is not destroying the house of the apothecary instead. As the third tale nears, Conor’s relationships with his father and grandmother worsens further, and his mother’s disease also gets worse – now, the question remains if the creature can actually heal his mother.

The defence of A Monster Calls :: There is sadness in A Monster Calls, and you can feel it all the way from the beginning to the end. The monster has the message to move on with one’s life, and survive through the unexpected pains – on what it takes to live through the certainty of losing a loved one. It uses all the available themes to its advantage, and tells the message with ease. All the characters used here points to that one message. It has all which are needed to strike you emotionally, and at the same time, despite being a fantasy movie, has more of real life in it with all the fiction that seem to be part of the world. It becomes more of a fairy-tale for the adults rather than children, as each point that its main characters make is worth pondering about. It makes one turn into one’s own mind and ask the same questions about humanity again and again, and at the same time, we get to see the nice creature detail to go with it.

The claws of flaw :: You can keep feeling a certain amount of drag throughout this flick, and those who are looking for the usual kind of fantasy movies are going to feel strange. If you can’t take some preaching, this one is going to be not the movie for you. There also seems to be an attempt to get more and more emotional with things, but that was really not needed, as there was a lot of the same, which came naturally. This is also based on a novel of the same name, written by Patrick Ness, and so it is up-to the author who wrote the screenplay for the movie as well as the fans to decide on how it did justice to the work. There is also the chance to miss out on the symbolism that one comes across in the movie, and so maybe the flick could have hinted on what it was planning to do – a lot of people should have felt that the monster is the usual one, but this one is not just a monster, but much more than that, and one needs to take that.

How it finishes :: The fangs of the message here is quite strong, and it is the performances which support the same more than anything else. You will see how well Lewis MacDougall takes the protagonist to the viewers so well. There is no doubt anywhere about how Sigourney Weaver gets us closer to things, and Felicity Jones makes us feel the pain. As the movie deals with a situation which most people will face in one way or the other, one can be certain that there is the need for A Monster Calls at some point, and we will have to take these messages from the movie right back home. Well, above them all, there is Liam Neeson as the monster, and there is nobody else who could be a monster who provides us with the best messages – proven here without doubt. What would you do when your own monster calls? Well, it is something to keep thinking about.

Release date: 23rd December 2016
Running time: 127 minutes
Directed by: J.A. Bayona
Starring: Sigourney Weaver, Felicity Jones, Toby Kebbell, Lewis MacDougall, Liam Neeson, James Melville, Geraldine Chaplin, Max Golds

amonstercalls

@ Cemetery Watch
✠ The Vampire Bat.

A Walk Among the Tombstones

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What is it about? :: Matthew Scudder (Liam Neeson) is someone who used to be an aggressive police officer in the early 1990s. But now, eight years later, he is a recovering alcoholic and is approached by Peter (Boyd Holbrook) for his brother, a drug trafficker called Kenny Kristo (Dan Stevens) whose wife Carrie (Razane Jammal) was kidnapped and murdered despite the ransom fee being paid at the right time. The fact that he got his wife as pieces inside the trunk of a car makes his hope for vengeance that stronger, and Matthew who works as an unlicensed private detective is the one he looks out for help. Despite the initial reluctance, he takes the case and starts collecting clues. It turns out that Carrie is not the first one to suffer the fate, and neither will she be the last.

The defence of A Walk Among the Tombstones :: The return of Liam Neeson in another thriller might be reason enough for this movie to defend itself in front of the fans. It is the protagonist played by him that once against manages to be outstanding. As a crime-drama thriller, this one is more artistic and having strong emotional moments which add to the thrills very well. The movie nicely progresses with its strengthening factors until the nice finish has been reached. The links between the brutal murders are well connected in a realistic way rather than bringing some big clue out of nowhere. The lack of goodness in this grey or darkness-aligned world is well portrayed in this movie which successfully shows some signs of hope by the end, but not before going through the test. There is no unrealistic action sequences in this one, and don’t look for it.

Claws of flaw :: The movie is surely slow, and despite having a certain beauty about its pace, it is still slow and so it is surely not for the fans of Liam Neeson’s other movies like Non-Stop, A-Team and that popular Taken franchise – it is not Unknown or The Grey either. So, people who don’t like to have an artistic and realistic touch instead of those exaggerated sequences, are surely going to be disappointed. This doesn’t go the The Silence of the Lambs and Se7en way either, even though the serial killers and violence to victims are there along with the inquiries into the same – there is not much of the gore on the screen despite the idea being used. There is also a certain lack of the background to the killers, and the ending could have been more intense – it is surely satisfying and peaceful, but there could have been more strength to it.

Performers of the soul :: Liam Neeson is the man in control once again. It is completely about how his character go through these situations in his own way. It should be his name which might have brought the attention here, and he is perfectly fit for his character. This will remind you of some of the other characters he has played, but only here and there – he goes a lot more realistic in this one. He keeps avoiding all chances of getting into a fight, so much that once he keeps getting beaten up while not even trying to resist until he speaks when given a chance. He talks against violence and revenge so often in this movie, and hopes to keep himself always straight forward and also support even the not so good people in a positive way – even with similarities in the role, it is not your powerful action star here! Brian Bradley’s character was kind of strange and often irritating, but the rest worked well in this movie.

Soul Exploration: The problems of being a good person :: The main character himself is firmly rooted in disappointment as well as guilt, as he goes through what he should have done earlier during his times as a police officer, to reach the salvation that he intends to. He never hopes for that though, as he is without a direction, doing just random things for no reason, instead of having a purpose. You can see that feeling on his face throughout the movie, as Liam Neeson does that to perfection with ease. It is about people with high potential never being realized, and they end up being lesser achievers than they deserve to be, while there is no limits to what the liars, cheaters and back-stabbers can achieve in this world of chaos – and they are appreciated for the same. But good people always have to suffer and struggle even for the smallest mistakes.

Soul Exploration: The difficulty in finding goodness :: There is a certain amount of darkness and sadness which prevails throughout this movie, and almost nobody in this movie is a happy person, and not many good things happen around here – it is a clear reflection of what the life is, a pure situation of hopelessness were only the richest, powerful and those who can lie really well thrive in this world and the good ones as well as the grey ones who mostly infest this movie will suffer because they are rarely considered important. We are all going to suffer one day, may be in the hands of those who are just evil, or otherwise the rich who wants to feed on those who are not that rich or the system itself. Goodness is not valuable in this world, and at the end of our times, we are going to suffer for the presence of goodness and die.

How it finishes :: “People are afraid of all the wrong things” – this dialogue sets the mood for the movie a few minutes into the action, as it has that kind of evil that should be feared more than many others because it is random and naturally existing in most of the humans. The movie reflects this statement, as it goes steady and solid throughout, and keeps its power in its smooth movement towards the end, and the feeling that the audience has remains the same till the end. This one is also a fine opportunity to see Liam Neeson in his most human form as far as his action thrillers are concerned. A Walk Among the Tombstones is fine addition to the list of thrillers in which the man has acted in, and you can watch this one and find out where it features in that interesting list.

Release date: 19th September 2014
Running time: 114 minutes
Directed by: Scott Frank
Starring: Liam Neeson, Dan Stevens, David Harbour, Boyd Holbrook, Ólafur Darri Ólafsson, Brian Bradley, Eric Nelsen, Mark Consuelos, Adam David Thompson, Sebastian Roché, Laura Birn, Danielle Rose Russell, Razane Jammal, Kim Rosen, Natia Dune, Genevieve Adams, Lana Delaurent, Al Nazemian, Jolly Abraham, Frank De Julio, Whitney Able

awalkamongthetombstones

@ Cemetery Watch
✠ The Vampire Bat.

Taken 3

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Uncle Dracula :: So do you believe that the Vampire Owl was taken?

Vampire Bat :: I didn’t say that. I was talking about him not going for movies, and not being available for consideration even for watching the movie Taken 3.

Uncle Dracula :: But he could have been taken, nevertheless.

Vampire Bat :: Why are we even having this conversation?

Uncle Dracula :: Because I am giving you a substitute for the Vampire Owl here. Take Igor.

Vampire Bat :: What? Wasn’t he with Doctor Frankenstein?

Uncle Dracula :: Yes, but he was taken. You didn’t know? Even my brides know that.

Vampire Bat :: Yes, they will surely know that, because they have no other job. They don’t even brush their fangs. But taken by whom?

Uncle Dracula :: Taken by me. Who else? I am the only Bryan Mills around here. Now, take my new vampire chariot and leave. You are getting late and there is a chance that you might be taken by Doctor Frankenstein in retaliation.

Vampire Bat :: That is a fair point. And you stop abducting people after transforming into fog, mist, wolves, dogs, potato chips, Cambridge Advanced Learner’s Dictionary, Titanic DVD and all those other things. The age is different now. It is not cool anymore.

[Kick-starts the vampire chariot].

What is it about? :: The two major incidents seem to have cooled down, and nobody seems to be “taken” anymore. Bryan Mills (Liam Neeson) is once again trying to be good with his daughter Kim Mills (Maggie Grace) who is now living with her boyfriend and his ex-wife Lenore Mills (Famke Janssen) who is having problems with her current husband, Stuart St. John (Dougray Scott). But things get turned around as his wife is found murdered, and when he enters the house, he is framed for the murder. As he becomes the prime suspect here due to the evidence, he manages to flee from the scene using his special skills and uses the same to find a way to get to her murderer. The police is on his trail and asks him to surrender and let them investigate, leaving it for the court to decide, but Bryan knows that he can trust his skills better than anything else. Inspector Franck Dotzler (Forest Whitaker) is in charge of the case and decides to go after Bryan.

The defence of Taken 3 :: You know what to expect in a sequel to the kind of movies that the predecessors were. Even with a change in the basic plot as nobody is “taken”, this one tries to use the same protagonist to its advantage nicely. Yes, it chooses not to follow that idea and comes up with something different, even as it is not something which hasn’t been tried before. The action sequences involving our protagonist are once again good, even as not raising the level. This is also more of the action movie than thriller, even as some suspense is there trying to make smaller impacts. The stunts mostly involve some melee combat, more shoot-outs and a lot more car chase action. The fans might still love this one up-to an extent, and too much expectation will kill this one. Yes, the franchise ends here, and may be that will also work in favour of this in your mind, even as one his the last dialogues might make one feel otherwise.

The claws of flaw:: Taken 3 fails to give a great ending to the franchise which has to be satisfied with the average finish compared to how it has been going. There is no coming anywhere near the first movie, that is for sure. A comparison with the predecessors is going to devastate this movie, and the place of this one is below the previous two. This is not even that well edited, or even developed as something that brings the thrills to the viewers. It even hesitates to go full swing action, and one has to wonder why. The final scenes also lack the power, and the villains as well as the gang remains not just weak, but also uninteresting. Even the twist could have used more power. It needed more action and thrills, but Taken 3 tries to hang on to the power of the previous movies and bring this franchise to an end which neither Liam Neeson or the audience deserved. After watching this one, may be you will feel that this should have been a movie out of Taken franchise – like Non-Stop, Unknown and The Grey.

Performers of the soul :: You see a Liam Neeson movie here again, and he takes the avatar of one of his best known characters, even as I don’t consider his characters in Non-Stop, The Grey and Unknown with any less reverence – same goes to Hannibal of The A-Team. Being the action hero that everyone wants to see beating up the bad people, he once again doesn’t fail to deliver. There are signs of old age for sure, but he still got it as the man who got the special skills that he acquired. Here, he is bigger than the movie – no doubt about that. You know that Famke Janssen’s character gets killed early, but Maggie Grace is once again very good, but is left with not that much to do in this movie. Forest Whitaker was impressive during his stay, but the villains were too weak. The Russian villain idea never really came close to working, and the other villain twist was another weak addition. There could have been better ideas about it, but we find none here.

Soul exploration :: Taken 3 has its heart at the family, and once again the father-daughter relationship gets a good chance in the middle. But if it was given better thoughts or at least shown with more humour, that would have actually worked in favour of this movie, considering how much this movie has struggled to keep up with its predecessors. Even in what has made this franchise such a big name, this one struggles to make the expected impact. I have actually heard my friends saying “does this guy’s family still have members who are to be kidnapped? How big a family is that?” – when they heard about the release of a third movie. Taken 3 is more like The Hangover III considering the fact that it had no hangover as this one had nobody being taken, but the after-effects of the earlier hangovers and those abductions in the earlier movies still stay.

How it finishes :: Taken 3 doesn’t seem to make much impact in the theatres, even as the initial crowd is there due to the fame of the previous movies, and it is only a matter of time until the advantage is lost. There is a long list of Hollywood movies from the previous weeks though, like Exodus: Gods and Kings, The Woman in Black 2: Angel of Death, Interstellar, Night at the Museum: Secret of the Tomb, The Hobbit: The Battle Of The Five Armies and Penguins of Madagascar along with the other language movies, all of them with better opinions received than this one. The advice here would be not to go for Taken 3 with the expectation of another Taken. Think about it as another action movie coming from Liam Neeson, and the characters as just the reflections of the situation in the flick. Watch this one for Liam Neeson, and think not much about the franchise or the rest of the things.

Release date: 9th January 2015.
Running time: 108 minutes
Directed by: Olivier Megaton
Starring: Liam Neeson, Maggie Grace, Famke Janssen, Forest Whitaker, Dougray Scott, Sam Spruell, Leland Orser, Jon Gries, Jonny Weston, Dylan Bruno

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@ Cemetery Watch
✠ The Vampire Bat.

Non-Stop

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That prayer for release :: People have many reasons to pray for, but one thing that I have prayed for is the release of Non-Stop. We have known that it did release in India on a much later date than its United States release, and thanks to the PVR Cinemas website which thinks that I am from Bangalore and shows me the timings there (when not showing the Chennai timings), I know that it did release there and still not here, just like a number of other movies including I Frankenstein, Ender’s Game, Oldboy and Prisoners making one wonder what is wrong with these people. For a movie like Non-Stop which has someone like Liam Neeson doing what he does the best, one has to be surprised that it took so much time to grace the theatres here, and now it has come with Bangalore Days, and one is left to wonder how stupid is that. Well, it is there in not many theatres and so I guess it is not really another official release. It just proves that multiplex owners are lacking in common sense, and this absence hurts them in collections as well as the movie fans. Well, everyone has a reason to pray, and the prayers are answered now.

What is it about? :: William Marks (Liam Neeson) is an air marshal who is more of an alcoholic after the depression over the death of his daughter. As he travels from New York to London and with the flight travelling away from coast and over the Atlantic Ocean, he gets text messages from an unknown source stating that one person will die every twenty minutes unless a sum of one hundred and fifty dollars is transferred into a specified account. He attempts to find the truth with Jack Hammond (Anson Mount), the other air marshal on the plane, but that doesn’t go on well as Jack is killed. Now, with the help of the person sitting next to him, Jen Summers (Julianne Moore) and an air hostess Nancy Hoffman (Michelle Dockery), he goes on trying to find the person who is behind the threat. But the people in the flight gets suspicious as he doesn’t reveal anything, and those on the ground are pretty sure that he is hijacking the plane and not investigating anything. Between all these, and also with a bomb discovered in the middle, can the air marshall come up with enough to save one hundred and fifty passengers on the plane?

The defence of Non-Stop :: The best defence of the movie is Liam Neeson; while Arnold Schwarzenegger might have lost his touch because he is old, this man is getting better as he is getting old, which is why he doesn’t need to be in any of The Expendables. We are given one of the last action heroes that we will have, without martial arts flurry or special effects overdose, and he himself is a living defence. He takes us into the middle of the thrills just a few minutes after the flight takes off, with the stranger striking, and that too with a dual nature of being the investigator as well as the suspect. The thrills stay from then to the end, and even as it leaves us to make some guesses, it certain that the best guesses are not the result. There are so many suspects for us that we can start from one end and continue to the other, just like our protagonist is doing in the movie. It remains intense as well as entertaining, never ceasing to be the thriller that it is supposed to be. It has nicely used its setting to have an advantage over what would have happened if it wouldn’t have occurred anywhere else. The movie has managed that all that was expected of it, and with no denial of the same, comes its defence.

The claws of flaw :: Some people ask for logic, and it is a surprise that they would ask for it in this movie which has remained as close to the same as it could, under the circumstances and the environment. They are mostly the fanboys and fangirls who are actually more interested in seeing motor-bikes turning into bikes and huge super-bikes running on a small thread as in Dhoom 3 or complete nonsense as in Krrish 3. They make dumb Bollywood movies grand success by lending their eyes to stuff that could go straight into the garbage can, and when there are Hollywood movies which keeps its logic working according to the setup of the movie, they say that the movie is stupid, but it is not for the common viewer to pay any attention to such stuff. The climax and the ending are of lower quality, compared to the movie as a whole, especially the first half and the first part of the second. This one does remind the viewer of Die Hard and its sequel, with a man against all odds and a flight with hijackers involved. Flaw finders can run around this one, but can’t take away the quality that it has maintained throughout the movie.

Performers of the soul :: The man whom we loved in Schindler’s List is now one of those super action stars whose movies we can watch without bothering much about the entertainment factor. There were always Taken, Unknown, The Grey and The A-Team which defined the same. He was one star that we could trust with no doubts, and even the more complicated Chloe turned out to be pretty good. He has been Zeus, he fought the Nazis, secret organizations, terrorists, wolves in different movies and even manage to hold one Victor Hugo classic on his shoulder, now how can one doubt him? We never did, which is why we chose this one over Maleficent. Julianne Moore comes up with a character who helps our protagonist, but not without creating that needed shadow of doubt which follows her, and she has carried it with her not lacking in what is needed. Michelle Dockery has smaller, but quite important role as the air hostess, and happens to be the most beautiful person on that dangerous flight. These are actually the three people who we mostly notice, and talking about the villains who come out as a surprise would be a crime.

Soul exploration :: When we were there to watch the movie, it was going to be cancelled, with not enough audience for a show to run, which is eight according to them. But thankfully, some people who couldn’t get the tickets for another movie (Bangalore Days) did save the day, and it is thus evident that one movie helps the other, like the Malayalam movie Drishyam helped three movies in our local theatre during its run, Our Indian Pranayakatha, 1983 and London Bridge. Supported by the hopes of scoring at the expense of another movie, Non-Stop could have done much better with an earlier release, as it asks the viewers questions about how safe they are, and how true can the assurances of the government be. We already know how media goes after breaking news twisting the facts, and how the appearances can be deceiving no matter how close a view we can manage to get, and a further display of the same also comes with this movie. The questions that the movie asks may feel to be without answers, but I guess that is how it is supposed to be. No matter what changes, there are a few questions that we can never manage to answer, and there something that will never get better.

How it finishes :: Non-Stop won’t do that good here with its horribly late release and in the presence of Bangalore Days which is expected to be good and if it is not, will be hailed so by the fans and the youth; we know how fan-boys and fan-girls work. The challenge from its Hollywood opponent will also be high, especially as it has the power of being new. But it is certain that there will be a lot of people who really want to see Non-Stop and with the face of Liam Neeson on the poster, this should bring a few people in, that’s all. This weekend’s winner in Kerala will surely be Bangalore Days though, and questioning the same would be just madness. There are positive reviews out already, the lowest ones being around average or just above average. Non-Stop is that movie which I had missed, and was sure not to get an opportunity to watch again on the big screen, but I guess I can just be glad that I had this chance out of nowhere. Liam Neeson is made for the big screen, he is that good and I made sure its on th big screen.

Release date: 14th March 2014 (India); 28th February 2014 (US)
Running time: 106 minutes
Directed by: Jaume Collet-Serra
Starring: Liam Neeson, Julianne Moore, Michelle Dockery, Scoot McNairy, Nate Parker, Jason Butler Harner, Anson Mount, Lupita Nyong’o, Omar Metwally, Jason Butler Harner, Corey Hawkins, Frank Deal, Shea Whigham, Bar Paly, Jon Abrahams, Quinn McColgan

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@ Cemetery Watch
✠ The Vampire Bat.

The Lego Movie

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The Lego animation :: We all know Lego bricks, don’t we? Those interlocking plastic brick-like things were part of our childhood, and most of us did build a lot of things with them – one of our first teachers of creativity and imagination. Even as they came in many colours, the one I remember the most is blue, and I wonder how that comes to mind often; may be I broke most of the pieces of other colour, who knows? I had them strong until Hasbro came into my life with G.I. Joe. Storm Shadow, Snake Eyes and Daestro took over at that time. But where did my Lego go? I have to admit that I no longer knew anything about it, and I guess it passed on to my younger cousin brothers and sisters, and I had completely forgotten about the same until I came across the trailer of this movie; yes the Lego people were back, stronger than ever, and they had Batman and Wonder Woman for support. The toys had win hearts, and this was the time of the movies – lets see how they fare.

What is it about? :: Vitruvius (Morgan Freeman) is a wizard and one of the master-builders of the Lego universe, but he fails to stop Lord Business (Will Ferrell) from taking over a superweapon Kragle. He still tells the villain about the prophecy about a special person who will stop his villainy. Years later, an ordinary construction worker Emmet (Chris Pratt) accidently finds “Piece of Resistance” which can stop Lord Business. As Bad Cop (Liam Neeson) captures him, he is rescued by Wyldstyle (Elizabeth Banks) who takes him to another world where Vitruvius lives. As the wizard tries to make him imagine and create something like a master-builder, they find out that his creativity is zero, and he needs an instruction manual to create anything. The other master-builders, Batman, Superman, Wonder Woman, Dumbledore, Shakespeare, Gandalf, Dracula, Green Lantern, Pirate Metal Beard and rest of the team are very much unimpressed by him as he makes a hopeless speech and shows his lack of creativity. But as time is less, they have to work together to find a way to stop the Lord before using the weapon. Can they do it?

The defence of The Lego Movie :: This is one of the funniest animated movies of the decade. even as one might wonder if Lego qualifies as animation. Their use of superhero characters is hilarious, and how they managed to bring them into the story is very nice, especially Batman. There is Batman saying “I only work in black. And sometimes, very, very dark gray” and Superman saying “I super hate you” to the Green Lantern. The Wonder Woman is not left behind in fun either, and Metal Beard jumps in like Blackbeard might have did. Uni-Kitty’s attempts to be happy and positive is another thing to watch out for. Even Abraham Lincoln and Michelangelo joins. There are dialogues like “Come with me if you want to not die” parodying The Terminator. I would still prefer Frozen any day, that is for sure. It is nice how a few other worlds are added to the original city of Lord Business, involving Wild West as well as Castles and Dragons settings.

The claws of flaw :: The 3D was totally unnecessary, not only is it ineffective, but it doesn’t suit this kind of toyline animation. It worked well with movies like Frozen and a good number of such titles, but when used with this, it is not effective, in my opinion. There could have also been an even better use of these characters, with our vampire guy and the Shakespeare guy given a better due. I didn’t like the way in which its central theme was exaggerated again and again, even as it was nice in the beginning. This is also too much of a common story, about a normal guy trying to save the world, even as the superheroes fails to do the same – for the same, the movie preaches a lot, and keeps saying that everyone is so special and shouldn’t go according to the rules. Looking at a whole world made of Lego looks fresh in the beginning, but keeps losing its charm. Its connection with the real world is interesting, but is still too weird or rather a little too unnecessary, but that worked, no doubt about it.

How it works :: There might be the usual misconception that a movie which shows so much of a toy-line can’t be that good. Now, that might still be valid even after the success of this movie. A major question might be about what they can come up with such a toyline which is all about construction; what can one bring out of Simcity? But here is the idea that changed that thought. Here is something that rivals the over-hyped animated movies like Brave. The voices are nice, and other than the two main characters, there is some really interesting stuff from Liam Neeson as Bad Cop/Good Cop with that split personality, and Alison Brie as Uni-Kitty. Will Ferrell as Lord Business is another nice villain performance, just like he did with the voice in Megamind. Channing Tatum has a very short time as Superman, but that’s pretty nice too. Morgan Freeman as Vitruvius even comes back as a ghost, and that was a nice surprise. All the voice actors seem to become the character they were embodying.

Soul exploration :: The movie tells that everyone is special and there is the need to nurture the imaginations and show creativity rather than just follow the instructions. It comes up with he idea that almost anyone can make a difference, no matter how much immature or inexperienced that person is. Now, that sounds nice, but when it is completely against that order which works against chaos, there is a little bit loss of trust. It fails to set a limit to that imagination, and it is only in a perfect world under the best circumstances that such things can happen in the right way. Otherwise, instructions can always be helpful, no matter how much they are hated or opposed to prevent people from following them. The movie also doesn’t really come up on top when thinking about being special or adding more imagination, as it could have definitely used more as it neared the end. The end doesn’t justify the nice beginning, as there is the ordinary stuff that fills the finish.

How it finishes :: As we can see from the reviews all around, The Lego Movie finishes strong in the theatre. We should wait very long to meet someone who didn’t like this movie. As an animated movie, it is difficult to find errors from this movie, and almost everyone who have ever played with a Lego toy will like this one a lot, and this one also mostly applies to the rest. From what the year has to offer, this might be the best animated movie of the year. It surely has a colder reception here though, as there are not many screens showing the movie, and the maximum of about three shows or something among so many theatres and multiplexes, with not many viewers either. But it is indeed going on to become a global success, and it can surely stay in the top grossing movies of the year for some time. I can only be glad that this didn’t become one of those movies which didn’t release here, as there are so many movies of other languages which have occupied the screen at this time.

Release date: 7th February 2014
Running time: 100 minutes
Directed by: Phil Lord, Chris Miller
Starring (voice): Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett, Nick Offerman, Alison Brie, Charlie Day, Liam Neeson, Morgan Freeman

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@ Cemetery Watch
✠The Vampire Bat.

The Grey

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* Just a reminder about my Facebook page 😀 (https://www.facebook.com/pages/Movies-of-the-Soul/378583758873946)

On The Grey :: This is a relatively unknown thriller movie starring Liam Neeson in a human battle against nature and its creatures. The movie can be further remembered for the poem which is recited in the movie: “Once more into the fray Into the last good fight I’ll ever know Live and die on this day Live and die on this day”. These are very strong lines according to the situation, and written by Joe Carnahan the director of the movie, this poem is more suitable to the age of civilization rather than that of world in the middle of nowhere. It is more of a man against nature stuff for sure, but on another level, we can see a survivor horror of another kind, this one being a thriller which involves man fighting against forces which are stronger and smarter than the average zombie in the survival horror movies. It is also an action-adventure movie where a group of men, especially one man is brought down into a world of chaos just as he thought he would be back to civilization. Yes, where there is no order or civilization, there is to be chaos, and the ultimate result is mostly death.

What is it about? :: John Ottway (Liam Neeson) is the hero of the story, who works in Alaska. He is an efficient shooter whose job is to kill gray wolves which regularly threaten an oil drilling camp. He has visions of his wife and lives with a desire to kill himself, something which he just cannot accomplish. He is kind of a loner, and does what he is supposed to. But all these have to change as their plane crash on a return trip home. The survivors of the plane crash is lead by John, but not everyone agrees to his leadership. Soon they find that they are in the territory of a gray wolf pack, and as long as they don’t get out of there, the creatures shall hunt them. As one of them (Ben Bray) is killed by the wolves at night, they decide that they have to keep moving, and it would be better for them to be away from the crash site as much as possible. With no idea of which way to go towards civilization, or at least away from the wolf territory, all of them have to depend on their own instincts to survive in the extreme climate. Are they into the last good fight they will ever know? Only time will tell.

The defence of The Grey :: You might know that having Liam Neeson there is the biggest and the best thing for this movie. Let me tell you that this movie is not about wolves, and therefore lets not think about how they are acting in this one – for this movie is about courage and the humanity’s everlasting desire for survival. You already know that man can be destroyed, but can’t be defeated. It doesn’t matter how weak you are, it is the circumstance that makes you stand up and be tough. It has a powerful and yet never exaggerated depiction of a world which is cent percent against human existence, and ruthless instincts for survivals are asked for. Yes, people live and day on a day, and we are pushed into battles, sometimes you know that it is your last chance, and it is not an option to win. The Grey has beautifully captured all these scene by scene, with the acts and dialogues of the characters as well as the presence of snow and the wolves. The Grey is that thrilling movie which has nothing supernatural or extra-terrestrial and yet gives the feeling of something out of this world, and this success of the movie is a good sign for future.

Positives and Negatives :: There was a big chance that this movie was going to be set aside as just another movie which uses has a group of people trying to survive the snow and the wolves along with using Liam Neeson’s star value in attracting attention. But no, not with The Grey. It reminds us that movie is a craft and the director is the craftsman, and provided with someone of great caliber to support it from the inside, this is more than enough for making a fantastic movie. The first instinct of all of us might be to brand this movie as an action movie with Liam Neeson beating up wolves – partially right, and this one is also an adventure – there too somewhat right; but about all, this is a survival thriller, which keeps not only the wolves, but also ourselves in the hunt. There are no death-defying action – that should disappoint a few, and Liam Neeson is not right out of Taken or The A-Team, believe it. Instead, we have people who walk in the snow covered valley of shadow of death, with different beliefs, but hope for survival all the same. The movie’s snow world and repetitions might trouble a few, and it does have an unclear end and some drops of depression and pessimism at times.

Performers of the soul :: Liam Neeson activates the movie, runs the movie and ends it in style. The same director and actor comes together once again after The A-Team and unlike the strange modern world that our actor explored in the form of the thrillers Unknown and Taken, this one takes the viewers right back to an age where the animals and nature had the upper-hand. My favourite movie of his shall always be Schindler’s List, and I do feel that everyone would agree. His presence in Les Miserables would comes second best, in a role which involves selflessly saving the innocents yet again. I would say that his performance in The Grey stands next, as he plays a man who is himself a hunter, and becomes as much a predator as the wolf by the end. There are those moments of Ra’s al Ghul in Batman Begins that comes to the mind when this man who had made a great villain comes to the scene once again never to give up. Our character doesn’t lose hope, and neither does he loses his courage, and Liam Neeson makes sure that the character is awesome. I am looking forward to his A Walk Among the Tombstones, as it sounds interesting, and there is also the movie with an earlier release date – Non-Stop.

Soul exploration :: The wolves are more of the symbol of what attacks us in the real life, taking the individuality out of us, making us afraid and act like what we are expected to be. The nature has its fury and so do the wolves, but in our civilized world, we suffer from the same attacks, not just physical, but also of intellectual and spiritual nature, as we are forced to give away our beliefs due to many reasons – the wolves can be a lot of things, as our right to believe in something or the right to be someone is taken away. Yes, the future dystopia will be based on materialism alone, as art, literature and religion will be taken away. We already know how much the courses on arts are suffering and how the current society has taken away imagination in favour of logic. They have marked their territory, and wolves continues to take many new forms, and the support that most of them receives continues to increase. Obviously most of the society consider us students of arts as worthless, and they kill us like these wolves, with their teeth and claws supported by the climate which favours them. They try to make us believe that we have studied an inferior course – do survive, like Liam Neeson, for we struggle more than anyone else, caught between the community reservations after which we General category people get none.

How it finishes :: How well The Grey is taken, goes beyond comparisons. It doesn’t have that much inside it if you just watch it and leave it, and it will be basically a man – wolf battle against all odds. The wolf is often more than just a creature, and when the nemesis is also a philosophy, there comes the epic struggle. Beautifully shot with its visuals and sounds which produces depression as well as intensity, the movie will be a treat for most, and might not gather the attention of a few others. Liam Neeson is the catalyst that this movie needed, and anyone else would have not worked the movie in the same movie. The Grey is more of what the title suggests, it is more grey than anything else, with no black or white, just the struggle for survival as the humans face the sure mortality when they least expect it, and that too of a horrible kind. By the end, there is death, and still there is the courage to take the fight to the wolves as there is that last battle, to live and die rather than to live or die – for to live or to die is not an option, as people live and die and some part of us can always be dead and buried, even with immortality continued to be given that significance that it deserves.

Release date: 27th January 2012
Running time: 117 minutes
Directed by: Joe Carnahan
Starring: Liam Neeson, Frank Grillo, Dermot Mulroney, Dallas Roberts, Joe Anderson, Nonso Anozie, James Badge Dale, Jacob Blair, Ben Bray, Anne Openshaw

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@ Cemetery Watch
✠The Vampire Bat.

Wrath of the Titans

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✠ It was in 2010 that my favourite movie based on Greek mythology released, in the form of Clash of the Titans – but I have to admit that I haven’t watched many movies based on that mythology. The 2011 version, Immortals was strictly okay. Even as my love for Greek mythology goes as far as my childhood with such stories easily available in a local version in the nearby library, the love was extended to something better in the first half of the 2000s with that city building game called Zeus: Master of Olympus. Despite the similar games Pharaoh and Caesar III, this was the game which stole my time, and the fact that it was based on the mythology helped, just like in the case of Age of Mythology. Wrath of the Titans is that sequel which falls somewhat behind from its predecessor, and has not many things to boast about. Otherwise, it could have come up with an extraordinary box-office performance, that is for sure.

Count Dracula: You had to watch that? I heard that the gods die in the movie. I couldn’t stand that after watching Immortals. They call themselves immortals and they die, isn’t it the same case with Wrath of the Titans? I guess I am the true immortal of this world, and about the other dimensions, I shall speak not.

Vampire Bat: Immortality is losing soil right from underneath its feet. The main culprit is the use or rather the abuse of vampire mythology in the works like Twilight. The ridiculous glorification of immortality has lead to at least some people having a certain feeling against it, and it seems that Immortals and Wrath of the Titans have tried to hold onto that aversion towards immortality by killing those gods who were supposed to be immortals. Now the gods die and random pale teenagers with bad teeth lives forever with strange pacts, ideas and a love story which should qualify as the wonder blunder of the world.

Count Dracula: I am glad that you didn’t call them vampires. Yes, they are blood suckers and not vampires. They belong to a breed of mosquitoes. They are also indirectly killing not only the vampire franchise, but also many others, and the Greek mythology is also one of them. I won’t even talk about the other group walking on four legs. It is beyond hope, but still what is it in Wrath of the Titans?

Vampire Bat: This movie’s incidents happen many years after the events of the first movie, as the gods keeping on losing power and they almost lose control over the imprisoned Titans until Ares and Hades turns against the other gods and make the process complete. Zeus is captured and kept a prisoner as Kronos slowly awakes and Poseidon dies. The other gods are not even in the fight, as Hephaestus is the only one who is there to show himself. If you are looking for gods, you better play the game Zeus: Master of Olympus.

Count Dracula: I have never seen that horrible gods as those in Immortals. In that movie, when it was known that Luke Evans was Zeus, I thought that he was just a crazy guy who lived in one of those caves. I would rather not see them if I have to witness them like that. I would still miss Aphrodite though. They could have also had Athena and Artemis, as the only divine creature I liked in Immortals was Isabel Lucas’ Athena. I wondered how it would have been if Freida Pinto played an immortal.

Vampire Bat: We don’t even get to see Gemma Arterton, as her character is declared dead. Alexa Davalos is also missing, as Rosamund Pike becomes Andromeda, something which doesn’t seem to fit as a whole. Sienna Miller or Rachel Nichols might have been a better choice as this time the lady is more of a warrior princess rather than the damsel in distress. My imagination of Andromeda is completely destroyed by this movie.

Count Dracula: Well, if you consider the destruction of the images in my mind caused by Immortals, there will be too long a list. They are all trying to deviate from the mythology that we have read. Even Percy Jackson was closer to mythology than the so called mythological movies. Why would you even watch a movie based on mythology after such a setback?

Vampire Bat: The special effects are excellent, and what it misses out on the story, it tries to make up with the graphics and the action sequences. May be some of our literature postgraduates can come up with a better story than this one which has quite a useless Zeus and Poseidon, a more wasted Hephaestus and a strange Ares along with a Hades with clear psychological problems making it almost impossible for him to do the right thing or even the wrong thing. Perseus and Andromeda doesn’t even seem to belong to the world. It is still that visual extravaganza that you can watch on the big screen.

Count Dracula: It has Sam Worthington as Perseus, and that should be its best advantage. One can guess that without even going near that movie. Whenever he is there, one can feel that there will be something there to look out for. I am not an Avatar fan, but if someone can save a movie with his presence even without many people of a land knowing the name of the actor, it is him.

Vampire Bat: Yes, he does save the movie just like Perseus saves the world. Rosamund Pike also does the same, not as Andromeda, but more as a warrior princess or a fighter queen who has come to aid whoever tries to save humanity. Ralph Fiennes and Liam Neeson are given what might be their worst characters ever, and why would they need these two to play those characters is so strange. May be as the characters are like that, these two were needed to make it any good. This is such a shame that monsters of this movie saves the day for the viewers while the gods ruin the same – the exact opposite of what happens in the movie.

Count Dracula: I would rather like the movie for being what might be the last movie based on Greek mythology for a very long time. Everyone needs a dose of Greek mythology, not considering Percy Jackson which is a different take. The love for monsters is a thing of this age. This is an age of no faith, and people tend to like monsters more than gods and pretend that they don’t believe in both. Trust me when I say this from my experience – it is not in human nature to be good, and without civilization, they are nothing. It is the beliefs and the faith in God that keeps them good, and the bad are only those who deviate from faith.

Vampire Bat: I agree, as there is no pillar for faith in this age. I have to struggle with my set of beliefs very often because there is always an attempt to brainwash people into believing that there is no God, and there is no evil. People are denied the chance to live in faith, and we are glad to be part of a nation which has more faith in the supreme power than any other. The weakening of the gods with the loss of faith of humans is a parallel to the recession and the financial problems which Europe and America have faced due to the loss of faith, and the nations with faith are improving. Without faith, you are nothing – even Zeus was nothing.

Count Dracula: Exactly my thoughts. I am a man who has seen almost all wars which you have studied about. None of those wars were actually religious wars. There were just people who lost faith in God and went for material achievements. They never conquered anything for God. They did it for themselves and to enjoy their life on Earth. I have seen into their mind and they had only “Carpe Diem” in their mind. Most of them didn’t really believe in me, and it is such a shame. I lose my confidence when they loss faith in me. Then I can only transform into a little toothless black cat!

Vampire Bat: That comparison is one of those things which I could find. Hades is more like the devil, feeding from the fears of man, but he is also that fallen angel whom Milton told us about. We would love to see such a movie being made based on Paradise Lost, and the fact that the Bradley Cooper’s portrayal of Lucifer will no longer happen is such a shame. The movie could have taken the movie experience to greater heights, something which Noah might succeed in a limited manner. But nothing like angels and demons fighting a war and their leader delivering those speeches. Not even Kraken, Chimera, Cyclops, Minotaur and Kronos together could have stood a chance.

Count Dracula: They can rather develop an original mythology based on my life. Yes, I have fought my battles and my tale has one of the best stories ever, which can be developed into a mythology. I know you would still rate this high enough, and I might also do the same, even with that knowledge that this is an unwanted sequel.

Vampire Bat: Yes, it shall get a 70/100 for its special effects, 3D, the leading actor, use of whatever mythology they can, the action sequences, the monsters and bringing a different idea on gods and ending the franchise for good. That will be good?

Count Dracula: Yes, I think it is. Well, it is time for me to go to the Goblin Market and sharpen my fangs. Good bye, my brother in fangs.

Vampire Bat (to himself): Wrath of the Titans is a lot like its predecessor and it has only a few new things. If this movie was the first of the franchise, the whole thing could have been better, and as a stand-alone version, this scores better. There is a lot of monster stuff for the fans of Greek mythology stories, but that hasn’t really helped, and that much we can easily figure out from the way the responses have been.

Wrath of the Titans will not improve your impression about movies based on mythology, and it won’t make you better with greater knowledge of Greek mythology. Don’t consider it your spark-notes, but watch it for the visual treat that it has to offer with special effects and action sequences. Also, look out for the labyrinth. Lets hope for Hercules: The Thracian Wars to be great, even as it is more of a comic based adventure rather than having a strong base in Greek mythology. We might need a lot more than just a random mythological story to come up with a perfect demigod story. There is the need for a lot more, and the lack of popularity of Wrath of the Titans is no real surprise. For now, we can adjust with this movie, and compared to Immortals, this is a much better choice, and scores as being among the best of its kind (mostly due to not many movies of the kind being released).

Release date: 30th March 2012
Running time: 99 minutes
Directed by: Jonathan Liebesman
Starring: Sam Worthington, Rosamund Pike, Ralph Fiennes, Liam Neeson, Bill Nighy, Édgar Ramírez, Toby Kebbell, Danny Huston

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@ Cemetery Watch
✠The Vampire Bat.

Battleship

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What is Battleship? :: I have to admit that I had no idea that this was an alien movie mostly based on the sea before I went on to watch it. Yes, I found out that a Hollywood movie has released in the local theatre which would cost me absolutely no travelling charges and just the fifty rupees for the ticket, and wasted no time in looking for the plot synopsis or the reviews. Convert it, and it is not even one Unites States Dollar – too good for a movie with Hollywood effects. Thank God for the cheap tickets even in those multiplexes. Well, let me tell you that this is a confused movie, as it clearly wonders what is is supposed to do and why it is exists. In the meaningless or rather absurd world that it creates, the movie wonders what is it doing. But there is lot of entertainment in store in that world. If people can make Krrish 3 a superhit, why not this one? Always a better science fiction story than Krrish 3 – with better graphics, better story and a lot more. The best thing is that nobody really comes up and gives it a four out of five.

The Setting :: I always loved Battleship as the guessing game that it is. In spite of reminding me of that very old game called Minesweeper which I played while my computer lab hours of Plus Two, it was fun enough and may be one of those few games which I could just win by making some of the most stupid guesses. I didn’t know how to play the other games including Hearts, Solitaire and Backgammon and my only hope was to install Pinball or Allen Border’s Cricket – those were the days of floppy games, the memories keeping me nostalgic. So here comes Battleship as a movie, and I wondered how is it related to the game? May be because the makers were trying too much of a guessing game about the success of this movie, or may be our hero’s guess work has finally paid off and the alien invaders are defeated. There is indeed a lot of strange happenings in the movie, and I would like to guess that the aliens too guessed after having their own guessing game, may be named “Starship” – yes this has aliens and the military, and lots of battleships from both sides.

What is it about? :: Alex Hopper (Taylor Kitsch) is an undisciplined U.S. Navy officer who is in love with Samantha Shane (Brookyln Decker) who is the daughter of Admiral Terrance Shane (Liam Neeson) and our hero is just steps away from being discharged from the navy. But sometimes good things come in the form of an invasion and the best things come in the form of an alien invasion, that too concentrating in the ocean, thus giving him that opportunity to be the alien war hero. Well, five alien spacecrafts arrive, thanks to the curious Earthling cats trying to kill themselves with their space programs and their attempts to communicate and travel to the other world. The Navy fleet comes in contact with an alien fleet and gets most of their forces destroyed. With most of the people dead and Alex Hopper being the next person on charge, he has to take on the aliens with whatever crew he has left (which obviously includes Rihanna’s character) while his girlfriend who is with a U.S. Army veteran tries to take on some other aliens in another way.

The defence of Battleship :: It is better than the other two alien movies which turned out to be success at the box-office in the earlier years, Skyline (2010) and Battle: Los Angeles (2011), but this wouldn’t be that much of a box-office success, mostly due to the higher budget and secondly due to it coming later, after Cowboys and Aliens as well as The Darkest Hour, none of them creating that big impression which the alien movies needed. I don’t think that none of these movies are bad though. Well, I would say that this one needs to be watched just for its action sequences, well-designed alien spacecrafts and weaponry, the special effects and the well-designed alien creatures. We could take the virus-logic of the 1996 Will Smith movie which they decided to name Independence Day and most of the audience accepted the movie which one of the worst climaxes that anyone could think about, and so thinking more about this movie is vain, and one has to accept this one for the effort that was put into it and all that has worked.

The claws of flaw :: There is good design, but that mostly leaves the alien ships as transformers of the ocean (but still having their own style), and the movie concentrates rather too much on the navy which is rather an overdose which one could have avoided. They could have had it, but with lesser emphasis on the awesomeness of that navy or rather decreasing the screen-time. Yes, the name of the movie is Battleship, but it doesn’t mean that you have to praise battleships and show them again and again making us feel that it is the hero and the characters are not important at all. You have someone like Taylor Kitsch and someone as awesome as Liam Neeson, but where is the focus? On the battleships of humans and aliens. May be it can have a big basket to keep its collection of cliches. When a movie tries to claim that it is adapted from a game like Battleship, what can you expect? They can’t even copy the cutscenes or dialogues! Why water? Because they want to show battleships a lot!

Performers of the Soul :: Taylor Kitsch is there playing the protagonist (the one which is human), but doesn’t have that good a role which could prove his abilities, and is still good with the character. John Carter was awesome and his performance was great, and another thing that I appreciate about him is that he is ready to do a sequel to the movie which might be highly unlikely due to its previous box-office performance. I am proud of thee and Lynn Collins. He deserves better than this, just like John Carter deserved a lot more. I really don’t know why they had Rihanna in the movie, and it is a question better left unanswered. Brooklyn Decker has her presence, but one has to think that she wasn’t really needed in this movie, and this so much pales in comparison to how she has been in Sports Illustrated. Another question is that how could they waste an actor like Liam Neeson is such an insignificant role? Ra’s al Ghul and Jean Veljean should dislike that, and I am not even going to Oskar Schindler.

How it finishes :: Battleship is more of an excuse to make another alien invasion movie and get some box-office collection from it. People can watch it to stare at Brooklyn Decker, but it also gives us some reasons why the third movie of Transformers was not that good (as if the second was of any good). This movie also has the CGI and special effects which rival that series, and has Brooklyn Decker instead of Megan Fox and the other lady who was there for the looks. Battleship will not be a movie franchise like Transformers, and this might be the last time we see such an alien movie based on the ocean, but this movie can surely provide us with a lot of entertainment as long as one chooses to watch it. This is still a better movie than Transformers: Revenge of the Fallen and Transformers: Dark of the Moon – if you ever come across these movies at the same time on television, watch this one; has more logic, common sense, style and even better characters and story than the mis-adventures from Bay, and not to forget the use of graphics and the right use of special effects on the explosions and stuff.

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Release date: 18th May 2012
Running time: 131 minutes
Directed by: Peter Berg
Starring: Taylor Kitsch, Alexander Skarsgård, Rihanna, Brooklyn Decker, Liam Neeson, Tadanobu Asano, Jesse Plemons, Adam Godley, Gregory D. Gadson, Peter MacNicol, John Tui, Hamish Linklater

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@ Cemetery Watch
✠The Vampire Bat.

The Dark Knight Rises

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The one thing I am certain about this movie is that it is the one I have waited eagerly in 2012, and what I might differ in opinion with a few is that this is not among the best movies of the year. There is another element in which I would agree on, and it is that this is not the best of the series, and where I disagree is at the level of quality of each movie of the Christopher Nolan’s Batman series, with my favourites going in the same path as the timeline, as Batman Begins is my favourite, followed by The Dark Knight and this one, both separated by not much. But I wouldn’t do that without reasons. Ra’s al Ghul v/s Joker v/s Bane is a battle which has a clear winner for many, but The first one is a villain with something special, a big idea. But Batman Begins succeeds in its story, and the Scarecrow is a better villain than Two Face for sure. Both the Two Face and Bane were not used to their potential, and this is where the first movie of the series scores, as it built this triology out of nowhere, with nothing to support it at a time when Spider-Man and X-Men had the status of being the better loved heroes around here.

Without Batman Begins, there is no dark knight, a term which became incredibly popular and was even used with Novak Djokovic, not that much of an expected winner caught between the rivalry between Rafael Nadal who had clay in his pocket at that time, and Roger Federer who ruled the rest of the clay-less world. Therefore, it is just natural to pay the due respect to that movie which started them all. The Dark Knight had all its fame and glory only due to what the beginning had given its viewers, and I have to admit that I didn’t realize that the first time. But as long as the long list of origin stories are concerned, from X-Men Origins to the recently released Man of Steel, Batman Begins has a high place. The Dark Knight Rises continues that legacy which was handed over to it by the more critically acclaimed and more hyped second movie, and has completed the trilogy in style. The problem which this movie has to face is the long trail of near-perfection in the superhero genre that its predecessors had left for this one, and the same thing is both the good thing and the bad thing for this movie; for this one could improve on box-office, as it went on to overtake its predecessors and become the eighth highest grossing movie of all time grossing over a billion United States dollars. But it is to be noted that unlike its predecessors, the film was not nominated for any Academy Awards.

Eight years have passed after Harvey Dent’s death and the covering of the existence of the Two Face. The organized crime has almost been wiped out completely. Feeling guilty for covering up Dent’s crimes and framing Batman for the same, Gotham City’s Police Commissioner James Gordon writes a resignation speech which revealed the truth concerning the two, but decides not to use it at the last moment. Batman has disappeared and Bruce Wayne has kept himself away from all the action. It is at this moment that a burglar Selina Kyle appears, known to most of the fans as the Cat Woman. Bane’s appearance is the other major thing which changes the scenario, as he intends to fulfill Ra’s al Ghul’s mission to destroy Gotham City and thus fulfill the aim of the League of Shadows. He punishes Batman and breaks his back, and then puts him in a prison from where escape is almost impossible. The fellow prisoners tell him the story of Ra’s al Ghul’s child, born in the prison and cared for by a fellow prisoner before escaping, the only prisoner to have ever done so – Batman assumes the child to be Bane, and his actions the revenge for what Batman did to his father.

Meanwhile, Bane traps Gotham police underground and destroys all the exits. He converts Bruce’s own reactor core into a nuclear bomb and uses the bomb to hold the city hostage and isolate Gotham from the rest of the world. Using Gordon’s speech which he had stolen, Bane reveals the cover-up of Dent’s crimes telling the people that the whole police action and passed laws based on Dent’s act was a lie and releases the prisoners from different jails. There is a kind of revolution and the wealthy and powerful have their money and property taken away, are dragged from their homes, and forced to trials presided over by Dr. Jonathan Crane a.k.a the Scarecrow, where any sentence means death on most occasions and otherwise exile. After months of recovery and training both the body and the mind to face Bane, Batman manages to escape the prison and reach Gotham City, and enlist the help of Cat Woman and the others. But with a pseudo-revolution on the run, and all the criminals on the streets with no police force to stop them, Batman has more than what he would wish for this time. It is up-to him to stop the man who broke his back with relative ease, and to prevent whatever Ra’s al Ghul had intended to do.

Christian Bale as Bruce Wayne a.k.a Batman continues his conquests, and here his performance is lowered only due to the absence of a villain who was as good as those in the first two movies, and there is no intellectually superior mastermind who decides who lives and who dies, and there is no wretched of the soul who is half Loki and half Lucifer, made with everything evil and everything psychotic. Instead he has a militant who is more of a physical threat than mental. Unfortunately, his thoughts and decisions are not his alone and himself outsmarting Batman was not something for which he could take credit, and at that point, he loses his significance and still not his presence and power. Still, Tom Hardy’s Bane is excellent in what he does. Anne Hathaway as Selina Kyle a.k.a Cat Woman becomes a revelation in the movie, and it is evident that she has trained extremely tried and tried her best to fit into that costume which so much physically demanding. Marion Cotillard outshines herself in the second half, and Joseph Gordon-Levitt as John Blake comes up with a pleasant performance. Michael Caine and Gary Oldman plays the two normal characters in the movie who makes any impact.

Christopher Nolan did make Inception just a few years before this with that touch of brilliance, it was what stood between the two sequels; it was something which further accelerated the expectations. Here, we get some of it, and considering the fact that Batman has undergone evolution and there is no real base for the same, and there is no end to this superhero, we have to respect this title despite of the hype. It has done all that it could do, but it did nothing spectacular, and yet, this is very well done. It was a good decision to continue the Ra’s al Ghul legacy, and it was hundred percent a good decision not to make this in the 3D – full marks to that. There are movies that are to be enjoyed for fun, and even with all the entertaining elements in this movie, it scores slightly higher at the intellectual level rather than how it is supposed to happen in a regular superhero movie. The movie also leaves open slots, not just for a sequel, but also for a Cat Woman and a Robin spin-off as well as Justice League of America movie, in the model of The Avengers. It is certain that we haven’t seen even a little bit of what the DC’s cinematic universe has to offer its viewers. There is a lot coming, that is for sure with this one being the third highest grossing film of 2012 and also the third highest grossing superhero film of all time.

There is no doubt that the caped crusader has grown enough to lead the Mount Olympus of superheroes as the Zeus of this generation, with his biggest arch-rival Superman failing to live up-to the hype, and his next best rival Spider-Man slowly fading from the scene – both of them coming up with below-the-bat reboots which fails to challenge the Man-Bat. These three are challenged not by those superheroes of childhood, The Phantom and He-Man, but by the man they call Iron Man and his gang of Avengers, as well as X-Men, but they all follow a different path. The world’s greatest detective with the Bat logo has nothing to worry about his position right now, but in case of a reboot, it is all upto him to lose, as the rest have only gotten better. The concept of billionaire playboy, industrialist, and philanthropist itself already has been challenged by Iron Man, and with Man of Steel all the dark elements; The Amazing Spiderman has conquered the heroic elements, and whenever the abilities are glorified, there was X-Men First Class, with Wolverine to follow this year. Therefore, this domination of the dark knight is in a precarious position, and as this end to the trilogy was not as perfect as expected, there is surely a storm coming, and it would consist of more than one superhero. The only fear that I have is that can the Batman remain Batman for long, or will he be completely transformed into the dark knight, and Superman into the man of steel? It is that question which will be answered in a decade.

Release date: 20th July 2012
Running time: 165 minutes
Directed by: Christopher Nolan
Starring: Christian Bale, Anne Hathaway, Michael Caine, Gary Oldman, Tom Hardy, Marion Cotillard, Joseph Gordon-Levitt, Morgan Freeman, Juno Temple

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@ Cemetery Watch
✠ The Vampire Bat.

Iron Man III

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A long time ago, there was the age of superheroes – some people might call it childhood; and during that age, three of the most significant superheroes might have been Superman, He-Man and The Phantom. But life changes and the focus had to shift to Spider-Man, a process which was boosted by the release of a movie starring Tobey Maguire and Kirsten Dunst. Then Christian Bale and Liam Neeson had their say with that Christopher Nolan movie which shifted the scene to Batman. Iron Man came later, but survived through the assault of the bat on all the superheroes making the darkest and the not-so-super one the superior crime fighter. The man of iron was seen more as a lesser superhero compared to the man of steel as well as the man of darkness, but the series stepped on this prejudice and has given the viewers the third movie with no rust. The Marvel Cinematic Universe has never failed in that case, as it has impressed me not only with the the three movies of this series, but also with those movies – with the incredible man-monster painted all green by science, with the alien god of the other world with a hammer, with the captain and defender of honour with that shield, and not to forget – with all of of them were combined and put together in a brilliant manner. These movies which are not named are quite easy to find out, and it is due to their popularity itself.

The movie occurs sometime after the alien invasion, the much effective team work, and all those events of The Avengers. Tony Stark has been too much concerned about the safety of his girlfriend, the new Stark Industries chief Pepper Potts; he has filled his place with Iron Man armour and most of them now works on their own according to his command. But soon, it is realized that the alien invasion is not what would be the upcoming terror for him, as Stark, with his lover of the time, and brilliant scientist Maya Hansen, had avoided the crippled scientist Aldrich Killian, whose dreams are shattered beyond repair. Meanwhile, a series of bombings by an unknown terrorist, the Mandarin has left intelligence agencies with no evidence to get on with their investigation as there is no bomb found. When Stark Industries security chief happens to be a victim of such an attack, Stark issues a threat to the Mandarin, and soon gets an unexpected response as he destroys Stark’s home with helicopters fitted with guns. Stark is taken far away from the site by his artificial intelligence and finds himself reported dead and too weak in power to return.

During his journey to revival, he discovers that the explosions were triggered by soldiers from an experimental treatment which would allow people to recover from horrible injuries. It is their bodies which couldn’t handle the programme that exploded. He also discovers the Mandarin is actually a British actor named Trevor Slattery and the terrorist is a creation of Killian who has also kidnapped Pepper and subjected her to the same treatment. The President is also his target and for that, he has taken control of the War Machine armour which has been serving to protect the President. Now, the Iron Man has to deal with all his problems including the anxiety disorder which followed the near-death experience related to that alien invasion event, his love which he had failed to show as well as prove in the middle of all the chaos, save the world with his own lover and also one President – not really a hard task considering what he has done so far, but not that easy when his situation is given attention. But the fact remains that he is still the Iron Man, which he does say with confidence, and that is one thing which would guide him with chaos and misery all around. It is his success that should keep the Marvel Cinematic Universe going, and it is left for us to see.

300: Rise of an Empire is still the comic book movie which I want to watch this year more than anything else, but I would say that love is beyond comics and more into a dream of the past and a nightmare of history. The movie might not even reach here. My expectations about Man of Steel and The Wolverine won’t be as high as what I have for this one either. So it is worth talking about this one as the much awaited superhero comics movie of the year. If asked about the movie being living upto the expectations, it certainly did. While talking more about the expectations, wasn’t that more about pure fun than anything else? In that case, the movie has incredible success. I am not that much of a fan of the movie’s 3D, and would have found it good enough to have seen it in 2D at a lower price and without the trouble of having to wear the glasses. But as long as the special effects are concerned, they are well done and all those action sequences with the support of these effects, create a world of enjoyable chaos and destruction which are of no pain. The movie is made into a pure entertainer and a master of its genre, gaining in strength from its own pace and still getting faster from its strength that is sticking to what it has been doing through the previous titles – to entertain and not to take logic for dinner and make her talk.

Robert Downey Jr is the Iron Man once again, and there is no point where he isn’t the man in the armour, no matter how much he walks around without it. I would consider him more as Sherlock Holmes rather than Iron Man, but in this movie, he is more of iron, and his character has undergone more changes which makes him more of that superhero not just to the crowd, but also to his own people. The story of the man in the armour moves so, and so does the movie, and to expect some other person in this role is absurdity, for there is no question about it yet again. Gwyneth Paltrow’s role has been extended in this one, not just by the screen presence which is not an improvement – for it is more of the essence as well as the power and influence. She gets that much power by the end of the movie, and this strength which is more hulk-like than anything else is more funny than being significant enough to be carried on. The damzel in distress gets powerful – not forever and not in the way she wanted to be and it is surely not a thing to be kept in the urn and driven towards eternity by the horsemen of the other world. The character has become more and more of her, and the lady of the superhero has lived upto the title, as the woman of iron who burns – being hot was applicable to many women in the movie, but for her, it also becomes literal.

Guy Pearce as Aldrich Killian is too effective as a villain that it is very easy to hate the character. One gets to remember Sebastian Shaw of X-Men: First Class – there was Kevin Bacon, and both the characters being involved in genetic mutation and the use of science and technology as evil, with a never ending desire to rule the world and keep things running in their own way – they deserve to be partners in crime, but I don’t see the X-Men being brought to the Avengers initiative and the Shaw character was already finished by the end of the last X-Men movie. Here, Killian is a “created” monster – an indirect creation, unlike Shaw who created monsters out of good men. Our monster here is not only the monster, but also the creator who creates more out of what he has become. He is able to channelize his anger and desperation in the right path, that is incredibly wrong and evil. What his wrath does is to redo the wrong and the wicked in such a way that it becomes so common. If he was shown with conscience or some kind of emotional attachment, that would have been his failure. But there is nothing of that sort, and the success in villainy is attained. There is the presence of science, technology, energy, destruction, and all which would suit an evil genius of his type – thats all he needs and thats what he gets.

Rebecca Hall as Maya Hansen, is another character and a bit of the monster’s little helper, and despite of the presence of the so called “hotness”, the best looking lady around – talking about in a subjective manner. She is with the monster, but still not monster enough. Stephanie Szostak looks so scary and attractive as the assassin which makes an incredible contradiction out of nowhere. The literal “hot” version can be applied to her too, as she bruns quite a lot as the result of that experiment. Ben Kingsley creates a powerful effect on the movie, which was good to see. Don Cheadle continues to be the “other man of iron” as expected, with no trouble. With all these, the movie is undoubtedly a huge grosser even in this part of the world. There is a good amount of difficulty in getting the tickets and if asked why it is so popular, the reasons are so many. I had to witness too many trailers before the movie to get into it, and the crowd was huge and getting into the theatre took some time with all the traffic and related stuff, but it was worth that. My advice on it would be to drink some tea and get some tickets. Any other advice would be so much beyond the armour of iron, and the best of armour comes from the elixir of life that is tea.

Release date: 26th April 2013
Running time: 130 minutes
Directed by: Shane Black
Starring: Robert Downey Jr, Gwyneth Paltrow, Don Cheadle, Guy Pearce, Rebecca Hall, Stephanie Szostak, James Badge Dale, Jon Favreau, Ben Kingsley

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@ Cemetery Watch
✠The Vampire Bat.