Jungle Cruise

Posted on November 2, 2022 by Tennyson

Vampire Owl: Do you remember the last time we went for a cruise in the river?

Vampire Bat: Are you talking about the journey through the River of Blood?

Vampire Owl: No, that was only a temporary river caused by the war with the werewolves.

Vampire Bat: The river still stands strong with the result of the new battles.

Vampire Owl: The blood in there is not enough even for Uncle Dracula on an eventful night.

Vampire Bat: Still, it is a river with blood.

Vampire Owl: There are other rivers which hold interesting red liquids.

Vampire Bat: You do think about a water world much different.

Vampire Owl: Yes, you have to respect the tradition of the water world.

Vampire Bat: We respect just the tradition of the blood around here.

[Gets a vegetable samosa and three cups of elaichi tea].

What is the movie about? :: In the sixteenth century, a group of Spanish conquistadors had searched the interior jungles of South America for something known as the tears of the moon, which came from a lesser known tree. It was a very long search which went on for so many years that people actually got too tired about it. The flowers of this tree is supposed to cure a good number of illnesses and heal injuries, while even believed to be lifting curses according to the locals. After many people die in search of the special tree’s flowers, the tribal people help a few of them with the unexpected medicine brought out of the flower. When the conquistadors force them to reveal the location of the tree and then burns the village, the chief of the tribe curses them before dying, and all of them are forced to live there forever – near the Amazon river, and under the power of the jungle which watches them at all times. This might not be the best known of the legends surrounding Latin America, but in 1916, seems to be the one which has the attention of a little too many people.

So, what happens with the events here as we just keep looking? :: Dr Lily Houghton (Emily Blunt) and MacGregor Houghton (Jack Whitehall) are searching for the same thing more than anyone else. MacGregor presents his sister Lily’s paper at the Royal Society in London, which the audience feels is rather dumb. But at the same time, Lily is searching for an artifact which might be the key to finding the tree. She hopes that the flowers of the tree can actually save millions of people all around the world. She finds the artifact within the society house, while MacGregor had created the diversion. She also manages to escape the area, but not without gaining a lot of attention. While the scientists continue to consider it as a ridiculous myth, Prince Joachim (Jesse Plemons) of Prussia is very much determined to find the tree for the Germans. He has also done a lot of research related to it, and spent a lot of money. As the youngest son of the emperor, he is determined to get what he wants, at any costs, and even has a lot of troops, ships and even a submarine ready for him.

And what is to be added to the adventures around here? :: The scene shifts to Brazil – Frank Wolff (Dwayne Johnson) is someone who has been offering cheap jungle cruises to people, and he has also added some fake theatrical danger events to make things look more alive and interesting. When Lily asks, Frank is hesitant at first, but agrees later, as he is desperately in need of money and had also looked for the flowers by himself a long time ago, before getting stuck there. After getting back his boat’s engine from the man who had lent him money, the three start the journey together, after evading the German submarines which come at them. But it is only the first problem that they have, as more troubles await them. There are the tribal people that await in the jungles as well as the dangerous animals. Along with the same, there are also those Spanish conquistadors who are caught in the forests to live forever in a terrible state. The Germans would also make a grand return. Are these people ready to face all the troubles that await in the path?

The defence of Jungle Cruise :: This movie once again brings a world which is full of adventure, and we also have the environment to be really good and suitable for the situations shown here. There is one world belonging to the jungle and river, as well as another one which goes further as we get close to the tree that serves as the destination. This world is that kind of place which we would really wish to visit for the natural beauty – the green world which is provided here only gets better as the movie progresses further. The journey is more or less taking us there to travel through the river and the mysteries that lies close to it, related to a curse. There is also some fine humour to add to it, and we don’t feel that we ever come short of the same. There is no better guarantee for entertainment than this movie, and it is basically a safe path for fun, suitable for all ages, and a perfect one for watching with family. We also have that memories of playing Tomb Raider and other related games with artifacts in the forests coming back to us.

Positives and negatives :: Whether it is Jumanji, Hobbs & Shaw or the rest of the Fast and the Furious series, The Rock a.k.a. Dwayne Johnson is the one actor whom we look forward to bring all the entertainment. The action and the humour sticks perfectly to him this time too, as the adventure only gets sharper for his character. He remains the muscle of the film, as he has been with so many other movies too. Whether in Edge of Tomorrow or A Quiet Place, Emily Blunt has the skill for some serious adventure, even though this one surely adds a certain funny side to it. She becomes the Tomb Raider of this particular movie, and a character like this never losses the charm. Edgar Ramirez also comes in nicely as one antagonist of the past. Jack Whitehall is more or less about the funny side. This is the kind of movie which one would love to watch in 3D, as there are so many elements which qualifies in making things better with visuals. Yet, the movie could have gone for a smarter progress with its myth, and it could have had more dangers being shown as part of the world. Some of the dialogues also seem to have come unnecessarily.

How it finishes :: Jungle Cruise stays close to its strengths and makes this one a very entertaining ride. The movie does know where it can stand without troubles. It doesn’t really try to move away from the safe zone in working with the content. It stays simple, and with the same, would attract all the audience with ease. This one is also the classic family friendly journey to which Dwayne Johnson is not a stranger – Journey to the Mysterious Island had provided something similar quite some time ago, as we remember such mysteries and legends getting the due. Well, you can always trust the Rock with that. The transportation to this particular world is done in a way that no kind of audience is left behind. It is the kind of world which can surely have an attraction in a theme park with its name. As we have not travelled that much in the last few years in the name of Corona virus and its restrictions, we are all going to have this virtual one.

Release date: 30th July 2021
Running time: 128 minutes
Directed by: Jaume Collet-Serra
Starring: Dwayne Johnson, Emily Blunt, Edgar Ramirez, Jack Whitehall, Jesse Plemons, Paul Giamatti

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@ Cemetery Watch
✠ The Vampire Bat.

Transformania

Posted on January 19, 2022 by Tennyson

Vampire Owl: Do you know that they made Van Helsing the bloody scientist here?

Vampire Bat: Yes, I am completely aware of that.

Vampire Owl: They have replaced Doctor Frankenstein. How evil is that?

Vampire Bat: Doctor Frankenstein was never really a true scientist.

Vampire Owl: You should stop saying that. We know his inventions.

Vampire Bat: Your list of his inventions is flawed.

Vampire Owl: But they have been very useful.

Vampire Bat: Van Helsing has always been a real doctor.

Vampire Owl: You cannot support that evil former vampire hunter.

Vampire Bat: Well, you have to appreciate the fact that he is not into hunting again.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Count Dracula (Brian Hull) has the celebration of the 125th anniversary of Hotel Transylvania happening with almost every guest attending the party. His human son-in-law, Jonathan Loughran (Andy Samberg) almost ruins everything though, as he continues to be the moron that he has always been. During the celebrations, he was planning to retire and leave the hotel to Jonathan and Mavis (Selena Gomez), but as Jonathan continues to be the most foolish person on Earth, he decides to pretend that there is a clause that the hotel cannot be transferred to anyone who is not a monster. Jonathan who has no inch of smartness in his small brain decides that the only solution here is to change himself into a monster. It is then that Professor Abraham Van Helsing (Jim Gaffigan) provides him an opportunity become a monster, as he has the device to change people into such creatures. He does successfully test it on a guinea pig, and becomes proud of his grand invention, boasting further about it.

So, what happens with the events here as we just keep looking? :: So, Jonathan a.k.a. Johnny is transformed into a dragon-like monster which breathes fire, and has huge claws. Dracula tries his best to make sure that nobody gets to know about it, and tries to reverse the action, but ends up making himself human in the process, also destroying the device as a result of the events that follow. Abraham Van Helsing tells them that there is a way to change them back, and it is by finding a crystal in South America, which can take the place of the one which was destroyed, and get the device to work again. Dracula’s good old friends Frankenstein (Brad Abrell), Wayne (Steve Buscemi), Griffin (David Spade) and Murray (Keegan-Michael Key) also turn human, as they drink from a fountain contaminated by the ray. Even though Frankenstein feels good about it, as he is now a handsome human being, the others are not really fond of their transformation, and neither is the other monsters who find it to be very strange and unacceptable.

And how can the transformation be reversed now? :: Dracula and Johnny have already travelled all the way to South America, and as Ericka Van Helsing (Kathryn Hahn) sees some news about an old tourist being rescued by a monster in a Latin American country, they figure out that this is related to the father-in-law and son-in-law. They find Abraham Van Helsing hiding from the guinea pig monster, and understand things better, finally deciding to travel to South America and find the two. Meanwhile, Dracula does face the problems of being human again, as he is now old, and much weaker than his original state. They are forced to go through a jungle which seems to have enough dangers in store for them, but the monster finds it easy to go through them. The whole team from the castle are also in South America now, searching for the two. But it won’t be easy to find the two in the forest. Now the question remains if the transformation can actually be reversed, and whether things can now go back to the strange way of being normal. Well, you have to hope for the best, but not always when monsters are involved.

The defence of Hotel Transylvania: Transformania :: The Hotel Transylvania feeling is maintained here again, and the usual stuff gets going once again. The characters do continue to be interesting, as we look at them, and we have always wanted the monster world to be more relevance. The animation remains a thing of quality, and the world within Latin America is also nicely created, and would have looked much better if watched on the big screen with 3D, but we know that Amazon Prime Video is the best option with most of us not having the desire to sit in an air-conditioned hall with possible infected people for one an half hours. Well, the short run-time is still a positive thing, as we look at it. The message is surely given, even though there is the feeling of repetition, making us feel that we have seen all of these already. There is also some humour present around here, even though there is not much around. Well, you have vampires, the mummy, werewolves and the Frankenstein monster in an animated movie and you have to enjoy it up to an extent every time, doesn’t matter what the flaws are.

The claws of flaw :: Hotel Transylvania: Transformania is the fourth film in the franchise, and there hasn’t been any improvement, that is for sure. As we are watching this on Amazon Prime Video, we cannot really know if there is that much of a grandeur set for the big screen. The one young human here continues to be a complete moron, and a character whom we hate more than ever – the fact that he doesn’t die in this movie is the biggest disappointment of the whole franchise, the daughter vampire could have also been dead to add some beauty to the whole thing. The movie’s whole point should have been the end of humans and the rise of the monsters who are less evil, but the franchise still struggles to get to that point. It should take in some ideas of innovation from other successful animated movie franchises and get the creative imagination working – after all, it is about vampires and other interesting monsters, and you can never really have enough of them. You do have the premise to work on, don’t you?

How it finishes :: Hotel Transylvania: Transformania is just another addition to the grand list of similar movies which are part of a franchise, and has dealt with similar things for quite a long time. The first movie was among the very first animated films to be reviewed on this website, and there has been many animated movie reviews which followed. This one is surely a step backward from the original, and I cannot say about the other movies of the franchise as I haven’t watched them yet. With the lack of inspiration to create something better, and lacking further in creative imagination, the movie only continues what it has been doing, and does provide the feeling of repetition throughout its run. Still, it is some fun, and more entertainment for those who haven’t really watched the previous movies. Well, you can just start with Count Dracula who is running a hotel, trying to transfer it to his daughter and son-in-law, for there is not much lost related to it. These are the kind of movies which can always stand alone, as they are supposed to cater to the younger audience better and keep them wanting a sequel or two. Well, not every movie can be Frozen and its sequel.

Release date: 14th January 2022 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Derek Drymon, Jennifer Kluska
Starring: Brian Hull, Andy Samberg, Selena Gomez, Kathryn Hahn, Jim Gaffigan, Steve Buscemi, Molly Shannon, David Spade, Keegan-Michael Key, Fran Drescher, Brad Abrell, Asher Blinkoff, Richard Blevins

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Intuition

Posted on September 9, 2021 by Tennyson

Vampire Owl: I remember having an intuition myself.

Vampire Bat: Vampires don’t have intuitions, for we have the vampire sense.

Vampire Owl: I thought that it was called the vampire instinct.

Vampire Bat: It was changed after the film, Basic Instinct released.

Vampire Owl: I didn’t find anything wrong about that movie.

Vampire Bat: Yes, but vampires used to be very prude at that time.

Vampire Owl: It was because of Doctor Frankenstein. He had his strange habits.

Vampire Bat: Well, he is creating a COVID-19 vaccine with zero side effects.

Vampire Owl: You mean to say that there can be a vaccine which works with vampires.

Vampire Bat: A vaccine among the undead has its own possibilities. We are forever, and there won’t be the need for a second dose.

[Gets a red velvet cake and three glasses of pineapple shake].

What is the movie about? :: Francisco Juanez (Joaquin Furriel) had solved a case involving a serial killer who murdered young girls just recently. The murderer had killed himself before being caught. Due to an injury caused to a police officer on duty, a new recruit, Manuela Pelari (Luisana Lopilato) is assigned to investigate the murder of a woman who was assaulted with a sharp weapon. She is considered to be a VIP case, and the police are not able to find the weapon, as Francisco joins the team. The dead woman is Gloriana Marquez (Delfina Chaves), the daughter of a business magnate with many media connections, political contacts and the support of many big businessmen, and the police needs to be very careful about this case, or things could go out of control for the department whose reputation is at stake. Their first suspect is her boyfriend who has been in a relationship with her for two years, and was also the first person to find her body. Then her best friend is also added to that list.

So, what happens with the events here? :: At the same time, the head of the police department asks Manuela to keep an eye on Francisco who hasn’t been himself since his wife died, and it seems that the man who murdered her was killed earlier, and they suspect Francisco on that particular case. Manuela doesn’t believe that he might have committed the murder, but decides to investigate anyway. At the same time, the investigation on Gloriana’s death seems to go in a complex path. More information is added to Gloriana’s life is revealed by talking to her close contacts. Manuela tries to find where Francisco happened to be, at the time when the man’s murder had taken place. At the same time, the dead man’s family hopes to have vengeance, as they are sure that it was Francisco who murdered him. They are just waiting to pounce on the police officer as soon as there is clarity on who was really responsible for the death. El Zorro (Abel Ayala), his brother is ready for blood. Minerva del Valle (Maite Lanata) confesses to the murder of Gloriana, but Francisco is not convinced, or is he?

The defence of Intuition :: This one works as an interesting investigative thriller, without any doubt at all. Everything here seems to be perfectly arranged, and there is fine quality about how things go forward. There is no exaggeration being added here, and even if this is about a strange investigation, there is so much that we feel is close to reality around here. With two murders being investigated at the same time, and with the police officer also being a suspect, this one has more to guess than what originally meets the eye. The main character also serves as a mystery all by himself. The visuals are really good, and we see the beauty of the Argentine city with some good shots, just as it shows the area outside the urban area. The background score is also very much suitable and keeps us interested. There is also more about the murders than what meets the eye, and twists are there while suspense is maintained throughout the film, making one wonder who is one which side, and how all these would be coming together. It keeps you interested in what is happening, even when things get slow.

The claws of flaw :: There are moments when it seem a little confusing, and there are more dialogues than it was needed. There was no need to complicate things beyond the need for the case itself. The pace keeps getting higher and lower, even though the pace is mostly slow. The beginning stages are also badly used, and it doesn’t have much to do with the later case, and if they couldn’t use that to their advantage, it could have been removed – a serial killer would have suited this film really well too. This kind of initial cases not that useful for plot has been seen in different movies all around the world, for example, the Malayalam film, Abrahaminte Santhathikal. All these distractions occur when the better thrillers like Memories, Forensic and Anjaam Pathira focuses on what is to follow rather than providing an introduction which seems to be of grand focus, but doesn’t come into the picture after that except for some mentions. In the end, one feels that there is some missing out on the thrilling elements which should have been there in the film.

Performances of the soul :: The performances here and very good, and that includes so many of them who are involved. Joaquin Furriel whom we know for his film, The Son, leads the way as a police officer with a mystery surrounding him, and at the same time, also makes a perfect and determined cop. There are some nice dialogues to add to the same too. Luisana Lopilato matches the same in skills, and she remains solid as the rookie police officer too. She could have been parts of similar Hollywood films at some point of time, because she has that kind of a performance delivered throughout the film. Their moments together are really good, with some moments as well as dialogues to remember. Maite Lanata plays another character who is connected to the crime, and she plays well into the mystery of the whole thing. Her interrogations have more than what seems when we look forward to find more than what meets the eye. Rafael Ferro plays the cop with his own secrets very well. Abel Ayala’s character has short stay, and so does Delfina Chaves, whose death sets things in motion here.

How it finishes :: Intuition makes it to list of interesting Spanish films to watch, especially those thrillers that we would like to watch carefully. These are the kind of thrillers which have something special about them for everyone if we look at them closer. Even with its slower pace, and some complications, it manages to be another thriller with more than one mystery to be solved. As the first Argentine original Netflix film, it does have the quality to go to the international audience. Based on the novel called La Virgen en tus Ojos in Spanish and translated as The Virgin in your Eyes, written by Florencia Etcheves, it also works as a prequel to the 2018 thriller Perdida a.k.a. Missing. As the original novel is in Spanish, the idea about the book that we can have here is minimum, but without that, we can surely enjoy the movie, and can see how it has managed to work here. When we think about Argentina, the first thing that comes to our mind is surely the Argentinian football team with Lionel Messi, and Maradona from the past, and maybe the fans should also have a look into the Spanish films from Argentina and enjoy them.

Release date: 28th May 2020
Running time: 116 minutes
Directed by: Alejandro Montiel
Starring: Luisana Lopilato, Joaquin Furriel, Rafael Ferro, Delfina Chaves, Maite Lanata, Marita Ballesteros, Juan Manuel Guilera, Sebastian Mogordo, Abel Ayala

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<— Click here to go to Chilean Spanish film review.

@ Cemetery Watch
✠ The Vampire Bat.

Ema

Posted on July 8, 2020 by Tennyson

Vampire Owl: I almost didn’t notice the absence of one “M” here.

Vampire Bat: Yes, this is not the Emma we know from the novels or its adaptations.

Vampire Owl: I had guessed the same because this was a Spanish one from Chile.

Vampire Bat: Even though a movie with the real Emma Woodhouse did release this year.

Vampire Owl: Yes, the movie which has the girl from The Witch, right?

Vampire Bat: Yes, Anya Taylor‑Joy who was also seen in Shyamalan’s Split.

Vampire Owl: I haven’t read the Jane Austen novel yet, and that is a disappointment.

Vampire Bat: I would definitely agree to that, because I consider it to be her best work.

Vampire Owl: Even better than Pride and Prejudice, the much appreciated and adapted one?

Vampire Bat: Yes, indeed. My doubt is just regarding this Ema with a missing “M”.

[Gets a beetroot cake and three cups of iced tea].

What is the movie about? :: Ema (Mariana Di Girolamo) and her husband Gaston (Gael Garcia Bernal) were leading a fine life and had dance as part of their world. But their adopted son Polo (Cristian Suarez) is the big problem which they invited into their life, and he has an attitude bigger than her mother who has already been strange enough as far as Gaston is concerned. The boy was becoming more and more violent every day, and had caused a fire which had burned the face of Ema’s sister. Polo was not asked to change, but was sent back to the orphanage from where he came from, but Ema just can’t stop thinking about him, even though Gaston blames her for making the boy what he had become. They do not hate each other yet, but are not able to stop blaming each other for the situation where they had reached, from a premise which was good enough for both. It has been a long way down, and it was achieved too quickly.

So, what happens with the events here? :: Ema is quick to begin some new relationships, as she plans to file for a divorce, and the lawayer she chooses is Raquel (Paola Giannini). At the same time, she becomes very close to Anibal (Santiago Cabrera), a firefighter, and she also begins to live with Sonia (Giannina Fruttero), leaving her husband behind after a talk related to the boy who set fire to the house. She had also left the dance troupe run by her husband, and Sonia was with her along with a few friends in doing the same, as they begin dancing in the streets, following the form which her husband considered to be inferior. They find joy in the same, while Ema plans to get closer to Polo, even though the child security services forbids her from going anywhere near him, as he is now adopted by a new family where he is having a good life. But Ema is not someone who would stay behind, as she has her own plans with her life, and would stop at nothing to get what she wants. But will she choose the right path for the same?

The defence of Ema :: Whenever you look at the movie, it is a visually beautifully thing, whether the dance moves or the world which they live in – the flames are also as beautiful as it can get. The world is full of some lovely colours, and the streets with the buildings have some special charm – this is the first movie from Chile that most of us would be watching, even though we might have watched Spanish flicks from Spain and Argentina before, and in that case, this is a special experience too. The dance moves are particularly charming, as the lead character is specialized in the same, along with her friends too. The music is also lovely. There is the idea of parenting and motherhood being talked about, even though the mother-son relationship remains strange throughout the movie’s run. The twists happening throughout the movie which comes to that even more weird end is indeed a satisfactory thing. There is that wonderfully strange feeling which runs through here.

The claws of flaw :: The movie might feel too strange for most of the people, and it does travel a twisted path which doesn’t really bring the justification or poetic justice as one would expect to have. There is no positive message given here even though you did feel that there would be something coming up soon. The flick also feels rather indirect on many occasions. You also see that it is difficult to care for the characters here, and the motives are rather strange, not just for the main character, but also for a kid. We don’t really like the people in here, and when it applies to so many people, we will see this to be too uncommon. Some characters just feel unnecessary in the scheme of things. The manipulation seen here seems to be too complex as well as strange. It is also the kind of movie which cannot be put into any category. Some of the imagery are rather going too far, and a few of the dialogues could have been avoided.

Performers of the soul :: You just cannot take your eyes off Mariana Di Girolamo playing the titular character Ema here. We have a very complex character here, but she has made it feel perfect, and with the dance moves she has further perfection in moving her body around with the delightful music. She seems to be come the character with such precision that if we look at her on Google otherwise, it feels that she is an entirely different person, nothing from her beyond the movie coming into this particular character. Gael Garcia Bernal has a lesser role in comparison, and he manages that fine. This makes Paola Giannini the next person whom we get to focus on, and she is lovely as her character who goes through another path, but nicely has herself attached to the main character with the help of a little bit of manipulation. She is also joy to watch, while Giannina Fruttero seems to play another character which has some more change than one would expect – we see her contributions to be delightful too, as female characters score high in this movie, thanks to the performances.

How it finishes :: Not to be confused with Jane Austen’s Emma, this Ema comes with something very much divergent when you look at many other movies which have dealt with a premise like this, with an adopted child as the centre of attraction. The film’s biggest advantages are its visuals, music and an unpredictable character in the centre who is more than what meets the eye. Ema might not be the movie for everyone, but it is the kind of film that we would consider to be a successful experiment, even with its troubles which comes from the same areas where it has its positives. Chile is another South American country that you feel the need to visit, and you get to see some of it in this movie, even though the film doesn’t go on to show us the glorious side much – until we visit those charming areas like Santiago Metropolitan Cathedral, Chilean National Museum of Fine Arts, Sanctuary of the Immaculate Conception on San Cristobal Hill and many others, we will be happy with having watched one Chilean movie, and another Spanish film to the credit.

Release date: 26th September 2019
Running time: 102 minutes
Directed by: Pablo Larrain
Starring: Mariana Di Girolamo, Gael Garcia Bernal, Paola Giannini, Santiago Cabrera, Giannina Fruttero, Josefina Fiebelkorn, Paula Hofmann, Paula Luchsinger, Antonia Giesen, Catalina Saavedra, Mariana Loyola, Susana Hidalgo, Cristian Felipe Suarez

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@ Cemetery Watch
✠ The Vampire Bat.

The Son

Posted on June 20, 2020 by Tennyson

Vampire Owl: And we have another Spanish movie, but this seems different.

Vampire Bat: Yes, this one is from Argentina, and so it is not like the other movies we watched earlier, from Spain.

Vampire Owl: Okay, so just like the one Porutuguese movie on this site is from Brazil and not from Portugal.

Vampire Bat: Yes, people tend to have such confusions when someone is mentioning the language used.

Vampire Owl: So, we are seeing a rise in French, Spanish, Korean and Chinese movies in comparison to the other foreign languages.

Vampire Bat: Yes, and I don’t think that you would be surprised about the Korean ones.

Vampire Owl: It is not surprise, because Korean films have been here for a long time.

Vampire Bat: We haven’t focused on the rest, even though we should have.

Vampire Owl: Well, times have changed, and things can be different.

Vampire Bat: Yes, we can further work on watching more such movies.

[Gets an orange cake and three glasses of blackcurrant shake].

What is the movie about? :: Lorenzo (Joaquin Furriel) is a fifty year old Argentinian painter who has been trying to rebuild his life, as he hasn’t been that successful with his career or the personal side, even though there has been no doubt about his talents. Julietta (Martina Gusman), his former student and love interest is now living with his friend Renato (Luciano Caceres), while Lorenzo marries a much younger Sigrid (Heidi Toini), a Norweginian biologist doing research in Argentina, who approaches him for an experiment, and later decide to move in with him. But there is a certain amount of anxiety related to the child going on there, and Lorenzo and Sigrid seem to be going apart. Sigrid who is a biologist, wants to have the baby at home, citing the possible infections in a hosptial, and for the same, she brings a Norwegian mid-wife who assisted in her mother’s delivery a long time ago. The baby is born, but the relationship between its father and mother is strained, and there is something strange going on with both of them.

So, what happens with the events here? :: It turns out that Sigrid doesn’t go out of her room or shows the baby to anyone else. She stay inside with the baby, and she is the pediatrician with the support of the mid-wife, much to the dismay of Lorenzo who doesn’t get to spend any time with the child, even after six months. She doesn’t allow him to take the boy to the hospital which makes him further depressed. When he finally takes the child to the hospital, she files a case of domestic violence, and makes sure that he can’t come near her or the baby. After that, she asks for divorce, and tries to keep him away using anything within the law that gives her the advantage as a woman. Now, the question remains if Lorenzo can finally meet him, because he feels that the boy who is with Sigrid is not their son, but somebody else. Is it the truth or just a feeling that he has? Is there a big mystery surrounding these incidents, or is he just hallucinating, as he is a person with a long history of being an alcoholic?

The defence of The Son :: The movie surely keeps one guessing, and there is a certain amount of skill being displayed here on not letting us know exactly what is happening. We are not sure whose side we should be on, because strangest of things do happen. But there is something about her which is not usual, because it is clear that she is playing the victim card as a woman to blame her husband for fake domestic abuse and everything else. As a biologist, something strange is going on with her, and we are still left in the dark about what is going on – with that, the movie is successful. The film also deals with the possibilities that someone could make use of, as far as laws helping a particular gender, religion, race or any such category is concerned – especially in the name of helping a group which seems to be brought into submission. It also talks about how judgmental people happen to be, as far as some cases are concerned, taking only one side with the help of law. At the same time, we have the suspense and twists in there.

The claws of flaw :: The film does have a certain amount of slow pace associated with it, but it is mostly solved by the short length of the movie. The feeling of danger is also absent in this movie, as we only suspect people being possessive, or having some minute problems, and nothing more. The ending also feels rather incomplete – it leaves too much for the audience to think about, and we feel like we left that movie without watching it completely. The movie could have been closer to horror rather than the other genres, but it doesn’t try to use the horror at all. Even those movies which don’t have any such inclination will try to do that, and this one leaves the idea behind completely. We feel that there is so much more that this movie could have done, as the stage was all set, and there was something in the background trying to take over at all times. There was enough around here to bring a special ingredient into the picture, which is not really there.

Performers of the soul :: Joaquin Furriel’s performance is the one thing that elevates the movie to another level. He looks solid as the painter and the one who is in some kind of problem almost all the time. We can relate to him as he seems to face situations which make no sense for him at all, even though he does leave enough for us to doubt him too – we lie there in between. Heidi Toini is very good as she goes on looking more or less like a psychotic person of science, someone who seems to be in control of everything biological, looking at even doctors as if they are not necessary. Martina Gusman also comes up with some quality performance as she tries to help the main character – the same can be said about Luciano Caceres in a lesser way, as he is not there for that much time in comparison. Then we only have Regina Lamm who speaks only in Norwegian, and we know nothing much about that – maybe someone who knows the language will bring some light into that if required.

How it finishes :: The Son might not be the first Spanish movie on this website, but is certainly the first Argentinian film around here. Despite a certain amount of weirdness associated with this movie, The Son does have enough to keep us guessing, as we wonder what is going on here, at all times. It also reminds us that things are not usually what they seem to be, and when one takes the side of a person who is also supported also by the law in the name of gender, race, religion or anything else, you have to look deep into it because things are not always what they seem to be. As of now, all the Spanish movies which I have watched did leave me with the same feeling. It should have more to do with my choice of movies, but it has been there. After all, the Spanish Football Team is also my favourite international team, and it is also a nation which I have always wanted to visit; you can add that feeling to both Spain and Argentina – maybe, one day, very long after the Corona restrictions, I will.

Release date: 2nd May 2019
Running time: 92 minutes
Directed by: Sebastian Schindel
Starring: Joaquin Furriel, Heidi Toini, Martina Gusman, Luciano Caceres, Regina Lamm

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@ Cemetery Watch
✠ The Vampire Bat.

Bacurau

Posted on May 19, 2020 by Tennyson

Vampire Owl: Now, we have time for Portuguese movies too.

Vampire Bat: Yes, and this one is not really from Portugal. It is Brazilian.

Vampire Owl: Well, we have always loved most of the things which are Brazilian.

Vampire Bat: You are saying that mostly related to the football team.

Vampire Owl: It is something that one would say during the FIFA World Cup.

Vampire Bat: Well, in that case, Brazil is not the only team in the picture.

Vampire Owl: Actually, nothing matches the fan support of Argentina and Brazil even during these days when the European teams are gaining the fans.

Vampire Bat: Yes, even though Germany, France, Spain, Italy and England got quite a good number of fans, and increasing.

Vampire Owl: Let us now dedicate this movie watching adventure to the Brazilian football team then.

Vampire Bat: I am very much in support of such a thing, but it is to be noted that Movies of the Soul doesn’t get much of the views from Brazil or Portugal, even though the former is picking up these days of Corona Virus and lock-down.

[Gets a green apple cake and three cups of white tea].

What is the movie about? :: After the death of her grandmother Carmelita (Lia de Itamaraca), Teresa (Barbara Colen) comes home to her village in Brazil after a long time to find that something is not right, and it is not the same as she had left it then. Some of her old friends like Acacio (Thomas Aquino) are still there though, and there has not been much modern development out there. Bacurau, a small fictional settlement in Brazil’s remote backcountry doesn’t get much of an attention from anyone in the city, as nobody really comes that way. It doesn’t work even as a tourist destination with so many hills and forests around. Even those who are contesting for the mayor spot just comes there with some books and medicines, and after a few minutes, just leaves the place. It is so remote that if someone comes in an advanced car or bike, people would be feeling that there is something wrong, or something special is going to happen out there.

So, what happens with the events here? :: Even though there was a death recently, they have no time for mourning as the water supply has been cut off with water tankers coming that way having holes on it, animals from the forest are running through the streets, and their place has disappeared from all satellite maps completely. Soon, there is no network connection in their mobile phones either. Along with the same, some strangers are walking arouns with guns, and an Unidentified Flying Object has been located nearby. It had to do something with people who were not from around the settlement, and not even from further out in Sao Paulo, Brasilia or Rio de Janeiro. What could be happening around here? Can there be something sinister in play here? Will it be the work of something paranormal or that of influential people who have some evil plans?

The defence of Bacurau :: The visuals of a fictional, remote, Brazilian village makes an impact, and so does the people there, most of them being simple, likable people. The movie does get into the mood of a thriller in the later stages, and there is some nice shooting to go with it as the action begins. With danger getting closer, there are some stranger, but effective measures taken, and the whole situation changes. During the time of Corona Virus, this is more relevant, as people are quarantined into small towns and villages. There is the question about what one can do while facing an armed attack at the same time – with no defense against the human predators, what would the people who are locked in like animals do? The terror created colonialism and terrorism has a new face, as people are not considered to be humans, but things to be hunted and killed. When someone chooses your home as a shooting range with a racist ideology, there is nothing else to do, but to fight back, and the movie shows the underdogs coming up with the same, nicely.

The claws of flaw :: There is the chance of people having doubt about this movie in the beginning, wondering where the tale is heading, and only after establishing everything that we see a certain change beginning to happen. When a lady gets a lift with a truck driver and they are traveling in a road in the middle of nowhere, you feel that this is going to be a very slow, clueless, award movie in which nothing much happens, and you have to find meaning for everything after spending days thinking about it, but you have to get over that feeling to start enjoying this movie which is much more. It doesn’t follow the pattern of the usual action adventure thriller, and never does it try to explain everything which is happening around there, thus making it not a movie for everyone. Some sequences seem to be unwanted, and it surely drags in the beginning, taking time to get into its world. After avoiding some unnecessary sequences and shortening the run-time, this could have a better one to look out for.

Performers of the soul :: Berbara Colenmight seem like the main character in the beginning, but she is not – it is to be noted that she does come up with a simple and serene performance though. Then there is Sonia Braga, but she is not the leading lady either. Thomas Aquino also has a big role to play here, but he remains just one of the characters when we consider the film with its totality. Silvero Pereira as Lunga comes into the picture late, and has his own moments to steal some of the show. But one has to feel that this is a movie without one protagonist or an antagonist, as there are many characters spread throughout the movie – in the beginning, we think that one person is the star, and then we see the focus shifting from there, and other characters are thrown into the picture with chances of being the leader, but the same keeps changing all the time. There are moments when one feels that there is something here that people from other parts of the world might end up missing. Well, the approval rating of 90% based on 125 reviews on Rotten Tomatoes should mean something more.

How it finishes :: Bacurau is the first Portuguese movie that I have watched, and I have been wishing to watch one for a long time. The movie is Brazilian and not Portuguese in identity, and is thus closer to Latin America than Europe, providing a different experience. It is great to see a new world displayed in the movie, with all its simplicity, and the natural problems which come with the same. The action comes in the later stages, and the movie turns into a thrilling adventure without any warning. Bacurau might be a good choice to start watching as far as those different or rather strange movies are concerned. There are times when we think that Bacurau is not just a small town in the middle of nowhere that struggles to be displayed on the map, but a reflection of what can happen to people when facing the inherent cruelty from the rest of the human beings who consider themselves to be very much superior in race, technology, colour, strength or anything else.

Release date: 25th September 2019
Running time: 132 minutes
Directed by: Kleber Mendonça Filho, Juliano Dornelles
Starring: Sonia Braga, Udo Kier, Barbara Colen, Thomas Aquino, Silvero Pereira, Karine Teles, Julia Marie Peterson