Wazir

wazir (1)

What is it about? :: After a personal tragedy strikes the family of a police officer Danish Ali (Farhan Akhtar) in the form of the death of his daughter in the hands of terrorists, he is blamed for it; separating him from his wife Ruhana Ali (Aditi Rao Hydari). He is later suspended from service as he murders a terrorist who was the only key for the cops to find a minister linked with the terrorist. As he is extremely depressed and thinks about ending his life, he meets Pandit Omkarnath Dhar (Amitabh Bachchan), an old chess master on a wheel chair who used to teach chess to the cop’s daughter. They come across each other again and a friendship is formed between the two. Omkarnath had also lost his daughter only some time ago, and he suspects that a popular politician, Izaad Qureshi (Manav Kaul) is behind the murder even as the police records it as an accident.

So, what happens next in the movie? :: Omkarnath tries to get the attention of the police department, the media and the government. But nothing really happens except for bringing more fury into the mind of the politician and his supporters. This is where the henchman known only by the name Wazir (Neil Nitin Mukesh) comes into the picture. But this person seems to be something more than a henchman, as he stays in the shadows and creates situations of terror for the old man, becoming more like a shadow assassin. Danish is mostly helpless as he is suspended from service, but makes the promise to protect his new best friend and play his part in the battle for justice as if it is his own. Their fates are going to join together and soon, the shadows of darkness which are cast on their lives shall converge. Can Danish stand this big test?

The defence of Wazir :: It always feels good to have a Bollywood movie with an interesting plot especially as there are too many of the flicks which don’t have one at all, and there are movies which asks “why always the same story” and while saying that, it comes with the exact same plot told in a miserable way. This is where Wazir uses its intelligence as well as the strong emotional side to become a better and different movie. I do wonder at times why Bollywood movies and good plots are never friends enough. But if you look here, Wazir shows how to become an interesting emotional thriller bringing the breath of fresh air which makes the beginning of the year a nice one indeed, as there are no mindless flicks floating around anymore. The thrills are present and so is the suspense factor. There is also variety and style in how the whole thing is handled. The action sequences are done in a smart way, no overdoing and no slow-motions; believable as well as exciting.

Claws of flaw :: Even though its short length will save some time, people will want more here. Well, we ask ourselves if this is the kind of protagonist whom we want in the investigative thriller flicks, and there are moments when we will think about having a sequel to complete this movie. The usual Bollywood fans who love the entertainment and masala elements are also going to like this one less too; for there is nothing of such kind in here. Even when I visited the theatre, there was so much less interest for this movie there, but I hope to see it get better in the coming days. The movie surely has some points when it becomes slower, especially as a certain emotional side tries to play its role. The fact that some actors are there for only an extended cameo or special appearance will also put some people into lesser interest for the proceedings. The movie could have done better with the thrills overtaking everything else; no doubt about that – but it works well as it is!

Performers of the soul :: Amitabh Bachchan and Farhan Akhtar makes a highly impressive team here. One man in sorrow has his mind game going strong while the other one is physically fit and has been one of the best police officers of the department – both roles are played with such passion here. The intensity that Farhan Akhtar shows here should be the one thing for which you wouldn’t want to miss this one. Aditi Rao Hydari has a beautiful and at the same time, a happy-transformed-into-sad presence in this movie, and you will feel that even the absence of words speak in favour of her as seen with her expressions. I am pretty sure that she is a lot better than the overrated actresses of the industry. As I turn back the pages, I remember that I had seen her on screen, in the Malayalam movie Prajapathi in which she made her debut as well as in Murder 3; the rest I had missed.

Further performers of the soul :: Neil Nitin Mukesh makes the best out of what he has in this movie, even though it is more of a special appearance. He reminds one of the character “Musafir” in the Malayalam movie The Tiger, who has been an agent and contract killer for the terrorists; but it turns out that even with the essence and soul being the same, the existence is different, and you will know that by the end of the movie with that one final twist – your love for the movie is going to be ultimately decided by that. John Abraham stays strong while doing another special appearance, something which reminds us of him in Madras Cafe; his character will be a reason for us to ask for a sequel to this one – he can always excel in this kind of a role. Manav Kaul as Izaad Qureshi is a really strong presence in this movie. He makes quite a big impact here as the villain who needs to be brought down for the two protagonists.

How it finishes :: Wazir is a movie which begins well as well as ends well. The slowing down in the middle can be forgiven, and the shorter run-time will make sure that you will have an engaging experience with this thriller. Even when viewing it from here, Wazir is no Memories, but it is an engaging journey. The game of chess is also nicely used in parallel with the story-line. It was used not as part of the story-line in the Malayalam movie, the Mohanlal starrer Grandmaster, but here, it comes in as part of the plot; in a smart way of course. You will know better about the relation between life and chess as the movie gets towards the end; one of the protagonists do talk about a few things which relates them much earlier though. The songs are also pretty much okay here. I loved the director’s earlier movie David, and Wazir is the movie which becomes a fine start to the new year, and it is the movie that needs to watched; not those one hundred crore gaining movies, most of which never deserved to be there in the 100-crore club!

[Edit – This review was also later published at: http://kiagia.com/index.php/current-film-releases-movie/1275-wazir-movie-review-2]

Release date: 8th January 2016
Running time: 103 minutes
Directed by: Bejoy Nambiar
Starring: Amitabh Bachchan, Farhan Akhtar, Aditi Rao Hydari, John Abraham, Neil Nitin Mukesh, Manav Kaul, Anjum Sharma, Mazel Vyas

wazir

@ Cemetery Watch
✠ The Vampire Bat.

3G

The Vampire Bat’s desire for horror has been getting stronger and stronger every day. The procedure of watching Murder 3 actually accelerated it to the maximum and therefore 3G was not to be missed. Silent Hill: Revelation 3D, The Cabin in the Woods, House at the End of the Street or The Haunting in Connecticut 2: Ghosts of Georgia never came to the theatres here. There was no question of The Woman in Black. For Paranormal Activity 4, they might have had an early heart attack. But unfortunately, Piranha 3DD did arrive as pseudo-horror. The only hope was to adjust with the Resident Evil and the Underworld series as horror even as they could no longer fit into that category. This ridiculous attitude towards horror might be the worst thing about the theatres and malls around here, as they don’t really mind the local language horror movies, not checking if they are any good. At least 3G made it to most of the theatres around here, even if it is no material of Silent Hill quality. The silence of depression which every horror fan faces around here needs to be treated, and therefore, this review is going to be quite lenient – there will be no hard measures taken on this movie and it will be given a free pass in many departments.

“Wherever you go i am there: Gadha Jam” said Mohanlal in the 1989 Malayalam movie Vandanam. Here, it is a mobile phone which says the same. It is an advanced phone for a spirit to try and infect, with touch screen and 3G facility. The movie begins with a guy murdering his girlfriend stabbing her through the right eye right after proposing to her in an abandoned area. Then the screen shifts to a stylish opening credits shown in a very innovative way in the beginning. There is the mention of the billions of phone users in the world. It also talks about the large number of phantom calls which are received worldwide which cannot be traced. Here, these calls are related to spirits of the other world trying to connect to this world. That did sound a little overreaching for me, but that also gave a push both to the expectations and the skepticism. This is the beginning of an ambitious plot and we might be talking more about its ambiguity later, but for now lets get on with it.

The 3rd generation of mobile telecommunications technology makes way for Sheena (Sonal Chauhan) who comes out of the saline water of Fiji in a red bikini; and that much talked-about scene ends with a not-so-happy conversation with her lover Sam (Neil Nitin Mukesh). But all the minute problems are solved as he comes to Fiji to be with her, losing his mobile in the process and initiating the “Kaise Bataaoon” song. There are surely in love, but are always interrupted, first by Sam’s own hallucinations which makes him see demonic faces not only on others, but also as a ghost – something which interferes with their relationship. The second stage makes him near-possessed and almost makes him strangle Sheena in her bath tub and also to take his own life by hanging. Then the spirit seems to take over him completely. To add to it, there is a video of a girl getting murdered inside the phone while strange sights and voices happen on the outside. The attempt to get rid of the phone has already failed, as it came back from being deposited in the sea as well as being broken into pieces. That should have been expected when there are dead people involved.

Neil’s territory is divided into two, one of a passionate lover and the other of the possessed. His performance as the former is never under doubt and the as the latter is incredible at times and okay on the other occasions. One of those moments is when he is seen possessed over the bath tub of his lover and the other when he asks a priest, “Have you forgiven yourself?”. The moments are strange, but effective enough. There is also a scene of bloody murder which is strange, but still powered by his thrilling performance. Sonal has the supporting role, looking gorgeous and playing the character who hesitates to leave her lover despite of the haunting that happens around him and inside his mind. She never looks less than stunning throughout the movie. Her presence here only does the movie good, even though it is surely not for giving a big performance that she is there. I wouldn’t guess that people were expecting something else around here.

This movie is less of a thriller and more of a horror flick, and in that case, this one is far ahead of any of the movies in Bollywood. I would not deny that Murder 2 and Murder 3 were better in wholeness, but the fact remains that 3G better in parts. But, the problem is that this lack of wholeness makes this one inferior to the other two I mentioned. Still, the advantages of 3G includes its ability and its use of that ability to successfully generate the visual and audible fear supported by good use of sound effects & camera, in a much spookier way compared to its predecessors. The creepy environment is successfully created even in the presence of two of the best looking people on the screen, and the attention successfully shifts more to the horror elements than them. The fact that things get kind of absurd and fails to make much sense as a movie with its weaker logic still makes it good in parts. 3G certainly has its moments of horror glory, but there also those of extreme stupidity creating moments of unintentional comedy. This is more of a minor oasis in the desert of romantic comedies and mindless action for the starving horror fans in India.

There was a lot of scope for this movie, but the ghost who tries to be Miss India and a grown-up version of The Ring girl at the same time, along with the fluctuations in the story has left the audience with more to ask for. There is a certain absence of intellect as well as the presence of ambiguity throughout the movie, even as the first half rarely explains anything. The best not-so-hot, not-so-intimate scene in the movie still came in the first half, when our hero is playing a game of car race in a taxi in the mobile and with a crash in the game comes a car crash in real life, as they land in the hospital with the spirit mobile which is left unscratched. Well, watch it for Neil Nitin Mukesh’s depiction of two personalities, the possessed and the unpossessed, the dazzling beauty that is Sonal Chauhan and the interesting concept of horror which hasn’t been tried this effectively in Indian movies. There is also a message against porn in the movie, and the presence of a hidden message against the effect of technology in our lives, especially that of the mobile phones. I hope you can recollect that much remembered scene from The Ring when Samara crawls from the tv and kills Noah with fear. Nobody crawls out of the mobile though, as the ghost is both inside and outside; but keep that in mind.

The need for horror has reached its highest point right now. Unless, the multiplexes and regular theatres do not hesitate to show the bloody movies of International horror standards, there will be no satisfaction for the common horror fan. The movies like 3G, Murder 3 and Table No.21 might serve as satisfactory thrillers or sources of horror which might give a small, but certain amount of relief. If one thinks about Dracula 2012 3D in Malayalam, no lets just leave the literary works alone; for they are to be more classics than just horror and the vampire life would just be like a random Twilight unless the soul of the work makes it way to the screen. Well, how can you reach the heart even when you cut incredibly deep if there is none? How can you influence the brain if it is already frozen and unavailable? 3G doesn’t really appeal to the brain, but for the heart, it is another story. It won’t really matter how this one would turn out to be, but there will be no stopping the horror genre. If the best horror movies are brought to the theatres, that would be incredibly satisfying, or otherwise there is 3G.

Release date: 15th March 2013
Running time: 120 minutes (estimate)
Directed by: Sheershak Anand-Shantanu Ray Chibber
Starring: Neil Nitin Mukesh, Sonal Chauhan, Mrinalini Sharma, Asheesh Kapur

3G

@ Cemetery Watch
✠The Vampire Bat.