Thallumaala

Vampire Owl: I heard that this movie is all about fights.

Vampire Bat: Yes, the title does signify the same.

Vampire Owl: Do you think that there could be more fights in our realm too?

Vampire Bat: We don’t have such small fights. We have only wars.

Vampire Owl: Maybe the wars could be reduced to smaller fights.

Vampire Bat: The smaller fights are not of relevance.

Vampire Owl: They can help stop the bigger wars.

Vampire Bat: I am sure that zombies and werewolves won’t agree to that.

Vampire Owl: Well, Uncle Dracula might agree.

Vampire Bat: For that, he requires a champion. The protagonist of this movie could serve as one in an undead state.

[Gets a marble cake and three cups of mint tea].

What is the movie about? :: There is a fight between Manavaalan Wazim (Tovino Thomas) and SI Reji Mathew (Shine Tom Chacko), and it is a one on one battle while their friends look on. The reason for this fight goes back by a few years, and there is a score to settle. A long time ago, Wazim was someone who usually got into fights, and after the pandemonium was over, he made friends with those who fought with him – the fights develop into a friends ciricle which includes him along with Jamshi (Lukman Avaran), Sathaar (Swathi Das Prabhu), Vikas (Adhri Joe) and Rajesh (Austin Dan). At the same time, he had also fallen in love with Fathima Beevi (Kalyani Priyadarshan), a famous Instagram and Youtube sensation based in UAE, even though she has her roots in Kerala. Despite her early doubts, she soon becomes assured that he could be the one for her, and manages to convince her parents to let her marry the man, even though none of her relatives have a good opinion about her – some of them even think that he is a useless young man who is of no good to the society.

So, what happens with the events here as we just keep looking? :: Wazim’s parents (Johny Antony and Neena Kurup) had already ceased having good opinions about him. They want him to go and do some job in Dubai rather than wander around Ponnani town and pick up fights. After starting a fight with Siyad (Noushad Ali), and after they burn down Wazim’s father’s theatre, he is forcibly sent to the Middle East. But when he comes back, he starts another fight, this time with the group led by Reji – it lands them in the hospital, but hopes for revenge. Reji who wants to make up with them is not accepted with them, as everyone other than him and Wazim seems to be upset whenever the other group is seen around. Kalapurakkal David (Binu Pappu) who was part of Reji’s gang had warned against the two groups seeing each other again, but the situation seems to be in favour of both teams fighting each other again. At the same time, there is also a pending fight with Omega Babu (Chemban Vinod Jose) and Jamshi is depressed about it as he often remembers being beaten up by him. So, can Wazim fight these battles along with being able to marry Fathima?

The defence of Thallumaala :: This is the one movie which you might want to watch if there is the need for seeing a lot of fighting on the big screen. The movie also remains colourful throughout its run, and the visuals are really good. The humour works well during most of the time, and they have really added some fine doses of comedy in between to elevate the level of the film. There is the reminder of masculine ego which is hurt, as it was in Maheshinte Prathikaaram, where two women do talk about the madness of the major male characters who decide to go on an unnecessary fight. The audience will keep getting fights over fights, and in the end, they will have the feeling of having watched a big adventure with fists and legs as the main character never stop thinking about fights even if they cease to believe in love and the other common things in a movie. Some of the songs remain very notable, especially for the different kind of treatment. There are those dance moves which were already seen in the released songs. The world becomes different with this movie, and there is no need to have any outside interference related to this.

The claws of flaw :: Thallumaala‘s trailer had already given the feeling that this was going to be about fights, but it takes a lot of steps towards meaningless fights starting out of nowhere. The trailer itself was indeed confusing up to an extent. The first half takes some time get to be interesting, and most of the engaging moments can be seen as happening in the second half. The romantic side is rather strange around here, as there seems to be no real reason for the incidents to happen and turn the hero and heroine to marriage, especially for the lady who is very rich and remains an Instagram sensation who is adored by so many people all around the world. The story is not that strong, with most of the incidents in the film having not much of a meaning. The show of the sequence of events in also everywhere, and we don’t see anything occurring straight enough. In the first half, the tale keeps moving through different timelines as if they have a time machine – everything is basically everywhere to keep the audience confused. There were many things which could be added and also removed around here as there is struggle to be overcome.

The performers of the soul :: It is indeed great to see Tovino Thomas in a different avatar around here. His roles in Vaashi, Naaradan, Minnal Murali, Kaanekkaane, Kilometers and Kilometers and Forensic were all different, as he played superhero, lawyer, journalist, forensic expert and many others in a short period of time, and he has done the same with some fine skills. This role will be something to remember for him, as he also seems to get younger with this one, as this reckless youth is also of variety. Shine Tom Chacko indeed shines in this work, and he seems to perfectly suit the character. It would seem like the right thing to have him Soubin Shahir who dropped out of the film, as a character like this one requires Shine. Kalyani Priyadarshan, even though becomes the leading actress, has much less to do for the progress of the tale, and in between the fights which are supposed to happen at all times, would be happening with or without her presence in Kerala. Among the friends, it is Lukman Avaran who stands out, as he seem to blend in here like no other. In the other gang, Binu Pappu remains notable – in both gangs, all of them are indeed of relevance. Johny Antony’s father role is lovable, and Shafi Kollam of Star Magic fame gets a fine role to perform. Chemban Vinod Jose is there but with not much to do.

How it finishes :: Among the releases set around Independence Day and a week beyond, this particular movie seems to have the advantage over the others. It cannot be considered as the better film among these choices, but is surely the one flick that seems to attract the young audience to the theatres more than any other. The film makes us wonder if the only thing that the new generation does is to fight, and whether everything is solved by fighting with each other, a disappointing trend for a movie which has Mahatma Gandhi as the father of the nation, and after seventy five years post getting independence. Yet, there is the assurance of entertainment, and the funny side often makes sure that the fighting does not feel too cruel around here. It is to be noted that Shine Tom Chacko brings this movie back to life so well, and we end up wanting his character to win in the end. Well, this variety for sure, and it is not in the story, but in what surrounds it, as we are introduced to the one real fight movie in the Malayalam film industry. It is also realistic if we consider the number of random fights which have broken out in the state for no reason, and adorn the news.

Release date: 12th August 2022
Running time: 148 minutes
Directed by: Khalid Rahman
Starring: Tovino Thomas, Shine Tom Chacko, Kalyani Priyadarshan, Chemban Vinod Jose, Lukman Avaran, Binu Pappu, Johny Antony, Neena Kurup, Gokulan, Swathi Das Prabhu, Adhri Joe, Austin Dan, Assim Jamal, Shafi Kollam, VP Khalid, Noushad Ali, Bhanumathi Payyannur, Ann Salim, Mashar Hamsa, James Elia, Unni Raja, Mohammed Eravattoor, Anand Bal, Satheesh Kumar, Balan Parakkal, Babu Annur, Nasar Karutheni, Salim Kumar (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Nna Thaan Case Kodu

Vampire Owl: The movie had become the big talk during these days.

Vampire Bat: It was related to the pot-holes on the roads.

Vampire Owl: Well, vampires don’t really need the roads.

Vampire Bat: Humans are really in need of some good roads.

Vampire Owl: I have heard that Doctor Frankenstein has developed a formula for it.

Vampire Bat: He cannot even prepare the levitating ground for vampires.

Vampire Owl: Sir Frankenstein is a much better scientist than what you think.

Vampire Bat: Well, you cannot depend on pseudo-scientists at all times.

Vampire Owl: He will prove his worth as an award winning scientist this year itself.

Vampire Bat: You keep waiting for it for an eternity.

[Gets an onion vada and three cups of butterscotch ice cream].

What is the movie about? :: Rajeevan (Kunchacko Boban) has been living as a thief for most of his life, and has been in and out of prison many times after being caught for such small thefts. He meets Devi (Gayathrie Shankar), a Tamil labourer, and after falling in love with her, decides to stop all illegal activities and start a family. One night, as Rajeevan returns after a temple festival, he almost gets hit by an auto rickshaw, which makes him jump over a wall – he lands in the frontyard of the local MLA’s house and is bitten by his pet dogs, only to be accused of trying to rob the politician’s home. The police and the locals believe the accusation as he has had a history of being thief, something written clearly in the police records. Devi who knows his history also suspects him, and despite her being pregnant, does not want him to be anywhere near him. Rajeevan decides that he has to prove his innocence, and also wishes to punish the person who is responsible for his plight, and for the same, he starts with finding the auto rickshaw.

So, what happens with the events here as we just keep looking? :: He starts by finding Sureshan (Rajesh Madhavan) who was driving the auto rickshaw called Aayiram Kannumayi, and it turns out that he lost control of the vehicle as he came across a pickup truck which was driven by Johny (Sibi Thomas) tried to avoid hitting a bicycle which fell into a pot-hole in front of MLA’s house. This makes the PWD minister KP Preman (Kunhikannan Cheruvathoor) the man responsible for these sequences of events which led to Rajeevan being bitten by the dogs and branded as a thief again. He takes the advice of Advocate Gangadharan (Gangadharan Kuttamath) who is an old acquaintance – he also decides to help him in the case, even though there is not much of a hope in fighting against a cabinet minister. Even though they manage to get Chief Minister Deepa (Unnimaya Prasad) accept the complaint and approve of action, proving it in the court would be a more difficult thing. The politicians and their goons along with their money power would make things tough, but can he come out of it and hold the minister responsible for the pot-holes on the road?

The defence of Nna Thaan Case Kodu :: The satire has not been used that effectively in Malayalam movies in this century, with only a few exceptions going beyond it. But this movie has made sure that it is done well, and this time, it has also worked well with the common family audience too. The movie also serves as a reminder that Kunchacko Boban has evolved a lot, while we also realize that there are so many skilled newcomers waiting to make their appearance in the films – Malayalam movie industry seems to be taking a lot of them, unlike Bollywood which has always rooted itself in nepotism without shame. The movie scores with situational comedy as the court proceedings go on. There are also some smart dialogues added to the same, some of them which makes us think about our plight, and it does make fun of those in power whenever possible. The advantage of this movie as well as Vaashi is that they are not ridiculously loud and spitting mass dialogues like Jana Gana Mana did as if the court belonged to the protagonist’s father. We will remember this movie for the moments which focus on what the common man needs.

The claws of flaw :: With its use of the idea, Nna Thaan Case Kodu could not go on to become something like the perfect satire Sandesam and the near-perfect satirical comedy Pranchiyettan and The Saint – it falls short of making such a usage. It could have done a lot more with the content which was there to be used. There is a certain amount of lag which we also feel, as the movie goes long with the programmes in the court. The language is difficult to follow at times, and unlike Solamante Theneechakal, there is not Malayalam or English subtitle for the Tamil dialogues here, and neither it is present for the Kasargode slang which is much divergent from the same language used in other parts of the state. Maybe they could have used English subtitles for the whole movie, at least for the theatres which were part of the multiplexes in shopping malls. We also do feel that some of the situations displayed here might not be possible – even though we feel the realism, we wonder if such things can ever be possible in real life fighting against the political dominance. The tale required some extra punch to make sure that it goes to the next level.

The performers of the soul :: Kunchacko Boban had shown signs of changing track from the old romantic hero and the man of humour through the thrillers like Anjaam Paathira, Nayattu, Pada and Nizhal, and even moved further from the true love elements with his Bheemante Vazhi. This one has him in another avatar which we are going to remember, as it is so much dependent on him, even though other performers are not far behind with the moments that they get – the problem is that we don’t really know the names of most of them, but we can appreciate them as a whole, as the cast seems be very well prepared to suit the world of this movie. Gayathrie Shankar makes a fine entry into Malayalam cinema, but as she plays a Tamil labourer and never speaks anything in Malayalam, the true entrance to the industry would still have to wait – she has surely come with a very good supporting performance though. Among the actors, Gangadharan Kuttamath who plays the protagonist’s advocate and PP Kunhikrishnan who plays the magistrate are to be specially noted. But most of the humour is effectively handled by Rajesh Madhavan and his lover, whose name we don’t know – their moments led to to the whole theatre breaking into laughter.

How it finishes :: Nna Thaan Case Kodu has been in the news for a few days after its release as it talked about the pot-holes on the road in Kerala in its poster, and it lead to the call for boycott of the film by some of the followers of the ruling party, but the PWD minister himself said that a movie is to be seen as the work of art. There were many discussions related to the same in the television channels. Anyway, it is nice to see that the movie has risen above all of these to become the most watched film in the theatres these days, and as a work of satire, it holds a fine mirror in front of the audience. It not just a reminder of the pot-holes which have been bothering the people of Kerala for a long time, but also a reflection of the irresponsible politicians who have gained victory over their opponents because the options were less. The movie can be considered as a protest against all the MLAs, MPs and ministers not just in Kerala, but also in the centre, as politics should not be the last refuge for anyone or the result of nepotism, but an opportunity to serve the people. This movie is indeed the needed satire of these times.

Release date: 11th August 2022
Running time: 138 minutes
Directed by: Ratheesh Balakrishnan Poduval
Starring: Kunchacko Boban, Gayathrie Shankar, Rajesh Madhavan, Basil Joseph, PP Kunhikrishnan, Sibi Thomas, Kunhikannan Cheruvathoor, AV Balakrishnan, Shukkur, Gangadharan Kuttamath, Mridul Nair, Unnimaya Prasad, Bhanumathi Payyannur

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@ Cemetery Watch
✠ The Vampire Bat.

Heaven

Vampire Owl: Do you think that Uncle Dracula is going to heaven?

Vampire Bat: I am sure that vampires have a different afterlife.

Vampire Owl: You mean beyond heaven and hell?

Vampire Bat: Somewhere in between, to be exact.

Vampire Owl: Are you talking about the purgatory?

Vampire Bat: I wouldn’t know before death, but there would surely be blood.

Vampire Owl: Well, as long as there is blood, I am okay with it.

Vampire Bat: You don’t really take the blood substitute anymore?

Vampire Owl: Until Doctor Frankenstein invents the perfect substitute, I won’t.

Vampire Bat: Then, be assured that it will a long wait, because that pseudo-doctor and scientist with fake degree is involved.

[Gets a paneer puffs and three cups of iced tea].

What is the movie about? :: A group of NCC cadets discover a dead body in the forest area where they were camping for the holidays from their school. The first police officer to the scene is Bijoy Kuruvilla (Sudev Nair), and the dead person is identified to be Fabian John (Deepak Parambol), with the help of the forensic experts who are led by Narayana Swami (Joy Mathew). According to the descriptions from the witnesses and circumstancial evidences, the police discover the murderer to be none other than Peter Kurishingal (Suraj Venjaramoodu), another police officer. Then, the movie gets a flashback when Peter is in charge of a police station in a village. He had only recently lost his wife, and has a number of cases for investigation, which he takes very seriously so that he can use them to forget the grief of loss. His mother Mariyam Kurisingal (Vinaya Prasad) takes care of his only son, as he remains mostly busy as a strict police officer. But things get worse as he comes up against a case which would prove to be personal for him, as a family is murdered, and along with them, he also find his son’s dead body, much to his shock.

So, what happens with the events here as we just keep looking? :: Peter’s subordinate Sukumara Pillai (Alencier Ley Lopez) is posted in the case with the new officer in charge of the investigation, Inspector Kishore (Padmaraj Ratheesh) who seems to be solving the case rather quickly, and a man named Stephen (Jaffar Idukki) confesses to have committed the crime with an immigrant labourer from West Bengal, as part of an attempted robbery. Peter has his doubts, but as one of the victims is his son, his superior officer Revathi Subramaniam (Abhija Sivakala) declines him an opportunity to be part of the investigation team, but lets him have a look at it as part of a parallel investigation for which he would be solely responsible. Soon, he discovers that the man who is accused of murder, Stephen actually had nothing to do with it. This home named Heaven, where the murders took place, seem to have more than one secrets to be discovered. His discoveries soon lead to him taking over the case after joining back on duty. But it remains to be seen if he will like what he would discover.

The defence of Heaven :: Here is one more addition to the smart thrillers of our times with some fine red herrings. The investigation shown in the movie feels solid, and so does the emotional side. The movie achieves its motives without exaggerating anything at any moment. There are twists till the end of the movie, and we see that it has nicely solved the puzzles to come strong in the end with enough strength. The realistic mode is maintained while bringing up the thrills and twists, and it surely feels like something which could happen during these days when different crimes are part of the news more than ever. Even the police procedures seem to be much accurate, and it doesn’t seem to venture into those areas where the smartness of the audience is questioned; maybe it is because the film chooses to have no such superstars who have so many fans wishing for their favourite actor to destroy evil like a fallen angel. Well, this movie is also something with fallen angels, but it knows how to keep it realistic. This is the kind of film that can teach valuable lessons for Bollywood which has its non-performers coming out of nepotism, not able to emote.

The positives and negatives :: The visuals are really good, and the camera is particularly good in capturing the emotions of Suraj Venjaramoodu, with all the grief which is part of the character’s life. The moments after the son’s death is as emotional as it can get, and it is only matched by the determination in his face that comes up later. There are the inner and outer battle shown here are with their own relevance. Heaven does not hesitate in going through the emotional path of the police officer and his investigation, just like it was seen in the movie Memories which had that abiding sadness in it which would return to haunt the viewer. The movie could have actually focused on the darker side even more. The return to the initial moments come rather too late, and due to the same, people might have actually forgotten the events which had happened earlier. The movie does slow down after the deaths and following emotional troubles, and it could have used a serial killer instead of the usual vengeance ideas being repeated. The music doesn’t feel as that great in comparison to some of the other thrillers which dealt with similar themes.

The performers of the soul :: Suraj Venjaramoodu handles the regretful cop role really well, and it reminds us of his earlier movie Pathaam Valavu, where he had also lost his child. The helpless and lack of hope can be seen on one side, while there is smartness on the other. He is the police officer and father to remember. The emotional struggle which was best displayed in Kaanekkaane, and added with mass in Jana Gana Mana and Driving License works really well here too, as he is indeed one of the best actors to go through a strong emotional side. The biggest support to him is provided by Alencier Ley Lopez who makes a fine cop in a supporting role; I had felt that John Luther could have really used him as a police officer too. The actors like Sudheesh and Jaffer Idukki add more of an emotional side to the film with their shorter presence. Vinaya Prasad also has the emotional grandmother role. Padmaraj Ratheesh and Sudev Nair also makes some fine police officers. Abhija Sivakala as the superior police officer is also solid. Deepak Parambol’s as well Nimisha Sajayan’s smaller roles are effective too. The collection of performers here makes sure that there is something interesting about all of them.

How it finishes :: Heaven gets into the list of interesting thrillers including the recently released Twenty One Grams and Solamante Theneechakal, as well as many others which came earlier. After all, the thrillers of this world mean more than just Drishyam. The movie working a lot better than the heavily hyped movies like CBI 5: The Brain is a reminder that we have some new names who can do the same thing better. Well, this is the kind of film which can never work for Bollywood as the sons and daughters of superstars would not agree to act in movies which cannot progress without throwing hundreds of villains around. Movies like this should open their eyes to the idea that there is the need for more thinking differently, or the drought in Bollywood of blockbusters is going to continue forever. Bollywood’s fight with its own incompetence might be forever, but during those times, Malayalam movie industry, just like the other South Indian film industries, is coming up with some fine works of quality which are to be remembered.

Release date: 19th August 2022 (Hotstar); 17th June 2022 (Theatre)
Running time: 130 minutes
Directed by: Unni Govindraj
Starring: Suraj Venjaramoodu, Sudev Nair, Sminu Sijo, Sudheesh, Joy Mathew, Alencier Ley Lopez, Jaffer Idukki, Vinaya Prasad, Abhija Sivakala, Deepak Parambol

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@ Cemetery Watch
✠ The Vampire Bat.

Makal

Vampire Owl: I feel that this refers to the daughters of darkness.

Vampire Bat: Uncle Dracula refers to to the children of darkness, but they are different.

Vampire Owl: I am sure that darkness can have many undead children.

Vampire Bat: Yet, most of them are also the children of chaos.

Vampire Owl: You just cannot have such children roaming around.

Vampire Bat: The witches would not mind that.

Vampire Owl: They wouldn’t, while looking for some special ingredients for potions.

Vampire Bat: It has somewhat gone out of fashion, especially after the hunters started targeting the lesser witches of the woods.

Vampire Owl: The witches will still maintain most of their features.

Vampire Bat: The future of witches is yet to be finalized.

[Gets a vancho cake and three cups of ginger tea].

What is the movie about? :: Juliet (Meera Jasmine) lives with her daughter Aparna (Devika Sanjay) who is studying in plus two, and preparing for medical entrance. Aparna’s father Nandakumar (Jayaram) had been working as a mechanic in the Middle East for a long time, and finally returns to Kerala after losing his job. As Nandakumar and Juliet comes from different religious, social and economic backgrounds, there is more complication here. He starts a food processing unit with the name Pravasi Food Products which gains some initial success. But it seems that the products need more publicity, as sales in the supermarkets stay at an all-time low, and he is forced to find some other methods for support. Meanwhile, Rohit (Naslen K Gafoor) keeps trying to get closer to Aparna. He even becomes a part of Nandakumar’s factory in the disguise of a migrant worker from West Bengal. He keeps trying to make an impression upon Nandakumar until finally getting caught. Nandakumar and Aparna go through regular arguments related to her dog being inside the house, the problem reaching its highest point when the dog goes missing.

So, what happens with the events here as we just keep looking? :: When Juliet finally gets a government job in Wayanad, things get more complicated. There is the generation gap which is always present, and misunderstandings also exist. Aparna driving the car without a license becomes another common reason for fights. Even Nandakumar doesn’t have an Indian license, and he doesn’t like the car as it was given by Juliet’s family. He also feels tha Aparna is getting too close to her male friends. Meanwhile, Juliet arranges her stay with her co-worker Fathima (Dayyana Hameed), and is not able to take off on weekends to go home and meet her husband and daughter. Premlal (Kottayam Ramesh), the superior officer at the collectorate where she works is not ready to provide any relief to the employees. It is then that something strange happens in their life, as an unknown person also becomes part of their life – coming from Karnataka, Garuda Naik (Balaji Manohar) is a man of mystery. This would change their perspective about father-daughter relationship. But will that come a little too late for their liking?

The defence of Makal :: This family drama moves forward with a touch of humour, which seems to work very well with the audience for whom it is intended. The messages for the families related to parenting and family attachment are always there, as one would expect from this kind of a movie. Most of the struggles shown here feels very much real, and the problems with a new generation of teenagers are portrayed close to reality. It shows how difficult it is to take care of the new generation of such teenagers who rarely listen to their parents, despite seemingly staying with them and using their money for what seems to be forever. As this kind of movies are not easy to find among the categories these days, it is good to see this one coming back too. The emotional sequences are mostly working, and the credit to the same goes to a certain amount of nostalgia that goes towards the past. These are the kind of movies which takes us into the past, and places that world in the contemporary world, and we remember the values which are rarely present during these days when there is a new generation descending into chaos – it can be lamented, while the feel-good factor of this film is strong.

The claws of flaw :: There are many unnecessary sequences in the movie which makes one feel that they lose the focus on regular intervals. With better focus, some of the dialogues and situations wouldn’t have found light in relation to this particular movie, which had the potential for much more. The feeling of being outdated is also there at times. The major twist which happens in the movie is indeed the strangest addition which feels rather unwanted, and a movie which was going the realistic path seems to struggle in finding some realism from that moment. Before the incident, there were also the repetitions which never hesitate to appear out of nowhere. One would feel that some characters should have had more purpose around here. Some moments just gets added to bring more humour in here. Even the main characters seem to be irritating at times, but considering how the real-life people go about, blaming them for being so feels rather difficult. The small romantic angle added here seems to serve nothing other than some humour and a little bit more of emotions, even though all of these were already there.

The performers of the soul :: Jayaram has been having some skill in maintaining this kind of family-oriented films, and that quality is still here, even though the world has changed a little too much from those early times. The fatherly figure has suited him very well for some time now. Meera Jasmine makes her return to Malayalam cinema industry as a grand one, as she is the leading lady again, maybe marking a permanent stay around here. Devika Sanjay who was earlier seen in Njan Prakashan is the one person whom we notice more than anyone else, as she once again scores in playing the teenager with the usual problems which are reflective of the new generation. Naslen K Gafoor of Thanneer Mathan Dinangal and Kuruthi kind of variety and most recently seen in Jo and Jo, has much less to do, but still adds to the humour really well – still, this is a character with minimal impact on the tale. Sreenivasan makes a notable, but less influential appearance here too. Innocent and Siddique remain strong as the veterans. The smaller roles of Nilja K Baby and Dayyana Hameed would also be remembered, and the two are surely going to make it big sooner or later.

How it finishes :: It is clear that the audience intended for this particular movie are the groups which come to the theatre as families. For the other audience, this would seem like something which they have already seen. The movie released on the OTT platform much later than the other, and it comes as a surprise as it could have easily grabbed more viewers with an earlier release. It is late by at least two months, and such a delay would have been heart-breaking for the fans of Meera Jasmine waiting to see her return. We have known what Sathyan Anthikad movies have been capable of, and not much change has come across them. We can still feel the absence of some common names which were part of the cast in his most films, some of them not alive anymore and others not being there for some reason. Well, the 1980s and 1990s were the classic ages of the director, and it is clear that he still have the power of the same family values to be brought to the audience. One can accept them or choose to reject, but these works which has the minimum guarantee are not to be avoided. Most of our parents would always prefer to watch movies like this one.

Release date: 18th August 2022 (Manorama MAX); 29th April 2022 (Theatre)
Running time: 142 minutes
Directed by: Sathyan Anthikad
Starring: Jayaram, Meera Jasmine, Siddique, Sreenivasan, Innocent, Devika Sanjay, Dayyana Hameed, Naslen K Gafoor, Meera Nair, Sreedhanya, Balaji Manohar, Jayashankar Karimuttam, Nilja K Baby, Althaf Salim, Sreelatha Namboothiri, Kottayam Ramesh, Krishna Praba, Mani Shornur, Salim Hasan

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@ Cemetery Watch
✠ The Vampire Bat.

Solamante Theneechakal

Vampire Owl: Do you think that there could be honeybees in this movie?

Vampire Bat: I am sure that the bees are different in this case.

Vampire Owl: I was looking forward to see a vampire bee.

Vampire Bat: There has been no bee which has been turned into a vampire.

Vampire Owl: Doctor Frankenstein has transformed a few.

Vampire Bat: They are pseudo vampires. They won’t count.

Vampire Owl: You continue to show your prejudice against Doctor Frankenstein.

Vampire Bat: I have never shown love for dumb experiments.

Vampire Owl: You will surely love the vampire bee though.

Vampire Bat: You should see how the human bees turn out here in this movie which is noted as a romantic thriller.

[Gets a vegetable samosa and three cups of cardamom tea].

What is the movie about? :: Glyna Thomas (Vincy Aloshious) and Suja S (Darshana S. Nair) are police constables who are also best friends – they have also rented a place together in Cochin. While Suja is posted in traffic duty, Glyna is assigned the duties at the police station itself. CI Binu Alex (Addis Antony Akkara) is in the charge of the station, and Suja hopes to get rid of the traffic duty and somehow be part of the station duties. For the same, Suja tries to portray Sharath Balakrishnan (Shambhu Menon) as a nuisance for women, but fails miserably. She even falls in love with him later. Sharath works for Nikhil Davis (Sunil Sukhada) who runs a rent-a-car business, but also has other motives. Their love story continues well until one day Binu and Sharath comes across each other, leading to a fight. Binu vows to make Sharath suffer for laying his hands on a police officer, but it is then that a criminal named Arumughan (Manikandan Achari) makes an entry with a grudge against Binu. Then, on an eventful night, things go out of control, and Suja might be the one to suffer for it. Will at least Glyna stand with her during the crisis?

The defence of Solamante Theneechakal :: It is to be noted that Solamante Theneechakal is a movie that has been much awaited by people who had watched at least one episode of the talent hunt show from where the leading actors of the movie where selected. But considering the performances which we come across here, this is more than that – none of the leading performers show any signs of acting in their first movie. They cast indeed is the biggest strength of the movie, as the newcomers score so well with the elder stars like Joju George and Johny Antony. The thrills remain strong, right after the defining incident. The twists are also there to be taken, and the red herrings are very much effective, to make us wonder about them. The early scenes also remain cute, and the friendship is effectively portrayed, with romance almost having a role to be added. There is also a certain amount of realism in the way the life of the leading ladies are portrayed, as both Vincy and Darshana make everything feel so real. Until the life turns around, everything that they do is so natural and without hesitations – the audience falls in love with such portrayal without exaggerations or pretensions.

The claws of flaw :: The absence of the big stars might make this movie’s collections and early appreciation struggle a bit – most people are still slaves to the superstars, and there are other three already established success stories in the form of crowd favourite movies already running in the theatres, which could make this particular movie take a hit. The dark side that the movie adds, do not get that much of a strength as it was expected, and there is some predictability about a few things, even though not with the grand scheme of things. The songs are not that great, and none of them provides the feeling of romance or terror, two elements which seemed to rise above the others – one or two still provide the feel-good feeling though. The first fight scene might be the only exaggerated moment, but there is no following it up well enough. The investigating officer does seem to deviate from the main concerns in the case, but it is justified in the end. Some of the supporting cast members don’t seem to have been used with the effectiveness that they might have deserved – it is still understandable, as the focus is on establishing the new talent which did such a fantastic job on television and deserves to be in the focus throughout the film. Yet, at times it chooses to defy logic by a little bit

The performers of the soul :: It was news then that the main performers for Lal Jose’s new movie were to be selected through a talent hunt show called Nayika Nayakan which aired on Mazhavil Manorama. Darshana S Nair and Shambhu Menon were the winners of the show, and they play the lead with the romantic side in this movie. Vincy Aloshious and Addis Antony Akkara who were the runner-ups in the show also play the next important roles in the movie as expected. They were selected from sixteen contestants going through multiple rounds, and it was one of the high quality shows from which these people were selected, and they have shown the same set of skills reflected around here too. Along with Vincy, some other participants like Meenakshi Raveendran, Ann Jameela Saleem, Venkitesh VP, Amina Nijam and Malavika Krishnadas were already seen in small roles in movies. Thattumpurath Achuthan had served as a vehicle for most of them to make some relatively small appearances which would not be memorized, and this one was to become the bigger space for these four to perform in a memorable way.

Further performers of the soul :: The movie is supposed to be the next big platform for these performers to show their skills, even though their talent hunt show was something which was a memorable experience for the audience. Even the participants in that show who were eliminated earlier, like Ann Paul were enormously skilled – that left no doubt about what these people could achieve. To support them, as the centre of everything, there is also Joju George, who had his best performance in Madhuram last year along with that memorable journey through Pada this year. He feels very natural as the police officer whose portrait never gets exaggerated – we know what he can do with this from Joseph itself. The performers from the talent show makes us feel the professionalism and not the reluctance of the newcomers. Among them, Vincy Aloshious stands out as the star performer, and her moments with Addis are too good. Darshana gets into make things even better – her moments with Vincy are among the best, whether with a funny side or the emotional one, and the two make things work so well. Addis’ villainous side is a strong one, and a lot realistic, but could have used better voice. Shambhu feels perfectly suitable for this role.

How it finishes :: This seems to be a movie which should have released much earlier, if it was not for the corona virus spreading through the world. As it was intended, the movie serves as the fine platform to show the abilities of the performers selected from the talent hunt show, which would reach the bigger audience. I was still surprised to see the less number of audience for this movie, and I would hope for the numbers to increase as it has the quality – we are all admirers of good movies, as far as I know. The other successful movies at the theatre might be a reason, but this need to pick up the pace, and with some good opinions, it should surely do that – this would be one of the first such opinions. The movie has to depend on the content more than anything else with the big names being absent, and it does exactly that, with the thrilling moments and the twists that are added to the tale. With no exaggeration of action or life itself, the movie is something that has the special ingredient, which is the new young cast itself. Seeing them would make us believe that Lal Jose has indeed made the right decision once more.

Release date: 18th August 2022
Running time: 139 minutes
Directed by: Lal Jose
Starring: Joju George, Darshana S Nair, Vincy Aloshious, Addis Antony Akkara, Shambhu Menon, Shiva Parvathy, Johny Antony, Manikandan Achari, Shaju Sreedhar, Binu Pappu, Sunil Sukhada, Sivaji Guruvayoor, Abhinav Manikantan, Aurora Adya

<<< Click here to go to the previous film review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Sweet and Sour

Vampire Owl: I see that they are now exploring two shades of life.

Vampire Bat: Life has millions of shades as of now, towards infinity.

Vampire Owl: There are not many shades for the undead.

Vampire Bat: We have stayed in the grey, not light or dark, not sweet and sour area.

Vampire Owl: Well, humans do consider us to be very much evil.

Vampire Bat: You have never really cared for their opinions.

Vampire Owl: If they are going to cross over to our realm, we will have to care.

Vampire Bat: Nobody can come through the portal without identification. They shall meet their doom even if they manage to do so.

Vampire Owl: Well, you cannot be sure about humans and evil – both always find a way to spread the terror.

Vampire Bat: Evil shall spread, but random humans crossing the portal are the least of our worries. An army of the dead led by the lich queen should worry us more. It would give even Uncle Dracula a jolt.

[Gets a chocolate cake and three cups of Thekkady tea].

What is the movie about? :: Jang-Hyuk (Lee Woo-je) is hospitalized due to Hepatitis B, and his own relatives as well as parents keep away from him. They keep their masks and glvoes at all times and makes him very uncomfortable. A nurse Da-eun (Chae Soo-bin) ignores the advice of others and takes good care of him. Soon, they become close, and spends some time time together after he saves her from being caught for smoking. She is annoyed that she has to work all the time, and often eats with him or falls asleep on his bed. He helps her to take a nap in his space while setting a timer. Jang-Hyuk is unhappy that he has to be in bed at a time right after he got a permanent job, but the presence of Da-eun makes him feel better. Even though he feels that she the two are really close, the time for his discharge is almost there, and Da-eun seems to be getting distant from him. On the day on which he leaves, his favourite nurse is nowhere to be found, and his friends and family returns to him as he is now cured. His friends also tells him that people like him won’t be able to get beautiful girls like her as girlfriends.

So, what happens with the events here as we just keep looking? :: He goes back to the hospital and find the first part of her number, and calls a good number of phone numbers until he finally finds that it is her on the other side. She invites him to come to her home, and he stays with her for the night – he spends the night repairing the broken lamps and preparing breakfast. The two seem to be attracted to each other, and after they go on a trip to Jeju Island together. He decides that he would lose weight and in that way, they can wear similar clothing and look cuter together. A slim Jang-Hyuk (Jang Ki-yong) comes into the picture soon. As he has been a hard working engineer, he is intimated by his superior that he will be sent to a big firm in Seoul where he will have some grand opportunities with chances to earn more. This means that he will have to travel from Incheon to Seoul so that the couple can still be together. But when he reaches there, he discovers that there is another candidate for the permanent post, and he would not be assured about holding the position because she is tough competition.

And how does life go on with the new changes :: The other candidate for the permanent post, Bo-yeong (Krystal Jung), seems to be always trying to make him look worse than her. But when Bo-yeong comes up with a new bridge design, Jang-Hyuk comes up with a critical flaw in the design. She is forced to sort it out with him. Initially, he is happy about her not able to solve the problem, and thus not able to go home. Soon enough, he takes pity on her, and helps her in solving the problem – the two begin to have a bond, and with their success, gets more projects to work together. The relationship between Jang-Hyuk and Da-eun seems to be more strained though, as both of them have to work late, and traveling all the way between the two cities in the heavy traffic is even more strained. He arrives late, and even though he does not come home every day anymore, shows less interested in Da-eun. He even refuses to do the small things at home. Soon, it turns out that Da-eun is pregnant, and he wishes to spend more time with her, but it also seems near impossible. Then it seems that he has feelings for Bo-yeong. Life becomes more complicated for all of them.

The defence of Sweet and Sour :: Chae Soo-bin raises the level of this movie with her performance, and it can be seen that she is always one step ahead – it becomes clear by the end of the film. The cuteness factor also serves well towards the performance, and the initial moments at the hospital are so good. Krystal Jung and Jang Ki-yong plays the other two main characters, and their work also contributes well here – the combination scenes at the office are very much interesting; there is some humour related to that too. I am seeing all these three main performers in any movie for the first time. Lee Woo-je, despite lesser screen space, adds some humour to the movie early too, along with a feel-good factor – the early incidents featuring him are very relevant to how the movie ends. The movie is more drama and less romance, and it is evident after half an hour into the proceedings itself. It has to be best appreciated for how it brings the twist in the end, how it brings everything together to have a feel-good even within break-up – a little bit of tampering with the narrative helps it to achieve the same with efficiency.

Positives and negatives :: The movie nicely move away from the cliché which would have been expected with this movie. As things come around, the audience is reminded of the situations when work and family are not easy to manage together. With the stress that comes as the result of work, and the desire to reach newer heights as part of the job, the relationships are very much destroyed with ease as shown here. The endless work and no appreciation is no stranger to any of us even in India – as it has been evident for years, the situation of nurses never got to be any better, despite the service that they have provided during the corona virus pandemic and beyond. The movie keeps reminding us about the every day problems which become part of relationships. The physical exhaustion as part of a competitive world is something that would feel real for almost everyone; unless you are a politician who can get whatever is needed with least work. The movie should have still focused on the romance as much as the drama. There are also moments when the film seems to repeat things, and does a little extra when not needed. People who missed the first few minutes will also fail to catch up with the finish.

How it finishes :: Sweet and Sour is the romantic drama with a twist that makes us feel that it is more than just the usual drama of life – yet, it is as close to reality as it can be. The last fifteen minutes or so becomes the big finish that elevates the movie. It serves as a reminder to what can happen when more importance is given to things other than relationships. Yet, in a world which seeks success in work for the definition of an ideal person, especially men, you just cannot stop working as if your life depends on it. You will never stop thinking about how the world has transformed, and about the difficulties to battle the competition, and still be available to do anything other than work. It is the curse that has come across the profit-seeking world, which never stops asking for more; profits matter more than lives, and there are not many things that can substitute money in a world which favors nothing over a huge bank balance. The idea that simple romantic drama can bring something different makes us think a lot about the possibilities that we can have even in a realistic world. The reality of romance strikes hard.

Release date: 4th July 2021 (Netflix)
Running time: 101 minutes
Directed by: Lee Gye-byeok
Starring: Jang Ki-yong, Chae Soo-bin, Krystal Jung, Lee Woo-je, Choi Hwan-yi, Shin Joon-hang, Park Chul-min, Yeo Min-joo, Park Ji-hoon, Yoon Byung-hee, Lee Geung-young, Yoo Sun, Choi-hyeong, Kim Mi-hye, Ahn Gil-kang, Kim Mi-kyung

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@ Cemetery Watch
✠ The Vampire Bat.

Malayankunju

Vampire Owl: Do you remember the floods and landslides of the last few years?

Vampire Bat: Yes, 2018 floods was too terrifying for vampires too.

Vampire Owl: I am sure that this movie will be a Fahadh Faasil show.

Vampire Bat: You mean, more focused on him than the big works like Joji and Malik.

Vampire Owl: I don’t see why it should be any different.

Vampire Bat: There can always be balanced acts.

Vampire Owl: The focus always shifts to Fahadh Faasil at some point of time.

Vampire Bat: We remember the much earlier Fahadh Faasil movie which was focused on high ranges too.

Vampire Owl: Maheshinte Prathikaaram was one of its kind.

Vampire Bat: Well, so was Kumbalangi Nights which deserved better accolades than what it had received then. Still my favourite movies of him would still be the earlier ones in the form of Amen and Diamond Necklace.

[Gets a blueberry cake and three scoops of blackcurrant ice cream].

What is the movie about? :: Anil Kumar aka Anikuttan (Fahadh Faasil) is an expert electrician who serves the locals of the high ranges of Kerala. He is the one whom almost everyone depends on, whether it is about laptops and mobiles or related to general household items like televisions, refrigerators and washing machines, with any possible doubts being cleared using Youtube. Sumesh (Deepak Parambol) is his best friend, and helps him with obtaining the electrical equipments required for repair, as they live closer to the forest area. His father Radhakrishnan (Jaffar Idukki) had committed suicide a long time ago, and he had been unhappy about it for a long time, leading him to becoming frequently angry towards others and even resulted in him acting strangely for most of time. His mother Shanthamma (Jaya S Kurup) is particularly unhappy about how he has been living his life – as the child next door cries all the time, he feels disturbed and not able to concentrate on his work, leading to more fights with neighbours.

So, what happens with the events here as we just keep looking? :: All of these points to his sister Sandhya (Rajisha Vijayan) eloping with Deepu (Arjun Ashokan) on the night before her marriage, the event thus becoming the major reason for the suicide of Anil’s father. Even though his uncle Surendran (Indrans), neighbour Poulose (Irshad) and a few others are still in support of him, he doesn’t gain any fans among the people around. As his sister comes back to the area with her child, he is not ready to go and see her. He also gets into fights with the locals, and lands in the police station. But he somewhat gets along with these people, but it has been raining heavily for a long time, and an alert was already issued. Most of the people nearby had already moved from the area, and Anil’s neighbours plan to get out there the very next morning. Anil is adamant that he won’t leave his house, despite the warnings of his mother. But the landslide occurs during that night, and everyone seems to have perished. Anil tries to get out of the area underneath the land and try to save others who might have also been caught in there, but can he?

The defence of Malayankunju :: The struggle that the main character has to face, feels as real as possible. The skills with cinematography seems to have worked in favour of the movie, not just underneath the ground, but also outside with the shots, even though there are no shots of this particular world like in one of the best quality films in high ranges for sometime, John Luther. There are no exaggerations in this tale which is close to reality from the beginning to the end – the protagonist is no hero, and struggles with the problems of the mind reminding us of North 24 Kaatham which had a different crisis from inside. The movie is very much well shot in parts, and with some fine use of lighting and sound effects, creates the desired effects to take us to that world. The nature with all the greenery works close to the tale, even though environment is pushed to the background for quite a long time. This seems to be a movie custom made for Fahadh Faasil, and he assures the audience about the same. He continues with his excellence, and when he is there, you know that the movie will rise further, even if caught in the ordinary at times.

The claws of flaw :: With the premise, one would have expected this to be a disaster movie with the visuals of the terror also coming into the picture. The time spent underneath the ground could have also looked better, with some more smaller events of interest – the situation outside could have also been shown from outside, about what had actually happened, and how the news channels report the incidents – these could be easily achieved without making things complicated or exaggerated. The idea of having the father appear in the dream-like sequence doesn’t work, considering the mood which the film has been maintaining. Some of the characters are there to do very less, and it is disappointing considering their skills. The sudden interest in humanity which is displayed by the protagonist seems to be forced, as he looks like the one who is interested in his fellow humans all of a sudden. The movie had already stretched a little bit too much with the events in the early stages. After all, as people watch survival thrillers in different languages, they are no strangers to the idea. The songs are also not that interesting.

The performers of the soul :: Fahadh Faasil has never stopped amazing us with his works, and it is to be noted that even with the ordinary stories like Ayal Njanalla and Role Models, he has elevated the movie to a classic level, and there is no question about those works which have managed to be close to perfection with his presence. We have been seeing him as the actor who has been part of movies from different languages and having more and more fans from different parts of the world and even outside the nation. Here, he is excellent in displaying the protagonist’s desire to survive against all odds, as he is caught in the debris which remained after the landslide. Rajisha Vijayan plays another role in which she does a fine job, even though one would have wanted to see her more, as we had only recently seen how well she managed to work as the sole star in Keedam, a quality which was also seen in Kho Kho, Finals and June, all of them having her rising above all expectations. The usual veterans are surely strong in here, in the form of Indrans, Irshad and Jaffar Idukki. Nilja K Baby also gets a good role which is performed well, and we would expect RJ Nilja as part of more similar movies – more of future for the film industry.

How it finishes :: The movie seems to have had its inspiration from the landslides which occurred in Kerala, especially from the year of Kerala’s biggest floods of the century till the year of the corona virus – the devastation of the times seems to serve as inspiration for creativity as much as for caution. The horror related to natural disasters has never been too far away from us. This one works as an eye opener for all people, as everyone needs to come together during the disaster which unites humanity, and let them get out of the boundaries of religion, caste, race and language. The disaster has been used to remind people of what they have been missing, and some fantastic performances make sure that it gets to the viewers. It also works as the triumph of humanity when it discovers what it had lost in the last few years – hope and love for the other. Malayankunju successfully urges the audience to reclaim the same, even though a world of chaos and destruction awaits to be unleashed on unsuspecting people.

Release date: 11th August 2022 (Amazon Prime Video); 22 July 2022 (Theatre)
Running time: 114 minutes
Directed by: Sajimon Prabhakar
Starring: Fahadh Faasil, Rajisha Vijayan, Indrans, Nilja K Baby, Johny Antony, Jose MV, Deepu Navaikulam, Jaffar Idukki, Jaya S Kurup, Deepak Parambol, Arjun Ashokan, Meera Krishnan, Binu Manambur, Irshad, Chali Pala, Meera Krishnan, Remya Suresh, Kiran Peethambaram

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@ Cemetery Watch
✠ The Vampire Bat.

Nothing Serious

Vampire Owl: Vampires do take everything seriously.

Vampire Bat: This is about humans not taking relationships seriously.

Vampire Owl: Well, for us, even the dirt in the graves are serious matter.

Vampire Bat: You are forgetting the dirt in the coffin.

Vampire Owl: Well, humans should at least take the planet seriously.

Vampire Bat: I have heard that they are all prepared to migrate to the next.

Vampire Owl: What? I hope they don’t choose our realm.

Vampire Bat: Well, they were specifically saying that they choose planets.

Vampire Owl: Let us just close the portals to the vampire realm. They will end up destroying our natural world with rivers of blood and graveyards filled with skeletons.

Vampire Bat: You need not worry about it. Uncle Dracula has taken all necessary precautions.

[Gets a mango cake and three cups of Vagamon tea].

What is the movie about? :: Woo-ri (Son Seok-koo) is thirty three years old and single, feeling alone all the time after the woman who was so close to being his girlfriend finds herself a boyfriend. He working at a magazine where he is forced to take over the sex column instead of culture, politics and sports with which he used to be comfortable. Ja-young (Jeon Jong-seo) is a twenty nine year old woman almost turning thirty, and she has had many problems with previous relationships. Woo-ri has his account created on a dating app which Ja-young had created after her breakup with the boyfriend. Ja-young is warned by some of her friends about using the app, but she decides to go on with it, as she finds out that her former boyfriend is getting married, and she would be left single – one of their friends had also found a good partner with the app. She had tried having a relationship in the gym, but that doesn’t work, and neither does her idea of finding someone at the bookshop. Even the random good-looking guy she meets during mountaineering turns out to be the wrong choice, while her debts remain high.

So, what happens with the events here as we just keep looking? :: It is basically the big number of alerts that makes her get back into the dating app, and most of the people there seems to be creepy for her. Woo-ri feels that he will also get something to write in the sex column, and his friend tells him that it will be like having multiple advantages with one single choice with the app. The two meet on the New Year Day and after having a long period of talk over some food, they realize that they do get along quickly enough, only to get their friends curious. She tries to make herself believe that it was a temporary relationship which is not going to last for long, while he is genuinely interested in her. His sex column becomes an instant hit among the readers, as he uses his creative imagination with his experiences, making it like an entertaining story. There is also a lot of appreciation from the higher officials. Despite not getting into a relationship, they do meet each other again and again, and move close to that. Even though they go on with the idea of friends with benefits with nothing serious, there could be more.

The defence of Nothing Serious a.k.a. Romance Without Love :: The movie tries to be the cute romantic love story that does not leave one with much to think about, as the usual romance gets some extra additions here. The visuals of the city are good, and they have chosen some nice places, from restaurants, hotels and cafes to random outdoor places to bring some beauty on the screen. The leading performers of the movie are always there throughout the movie, and for most of the time, both of them are also on the screen, and there is that kind of a dependence on the two characters, which actually works in favour of the film. The fact that these two breathe life and enthusiasm into the main characters is to be appreciated – these are two characters that bring the movie together. Even though there is the usual in here, we also have the divergence also in store – the movie is a combination of the expected and the unexpected, both coming together to create something which is not that far away from life of this century in the big cities. The movie is free-spirited, straight-forward and smart with how it deals with the leading cast, and such collection of qualities are rarely seen in dumb Bollywood romance and others.

The claws of flaw :: The movie does deviate from the cuteness factor at times, as if there is a certain amount of confusion related to which audience the movies is serving. This film should have stayed close to the sweeter side, and could have left some moments for the imagination. All its opportunities are not really sued by the movie, as the first few minutes would make us feel that this movie is up for more. The logic should have been served, but as we know, love story would require less of it, for we know how even the real world tales of love are going and often leading to murders and suicides of the partners before or after the marriage. The movie might not appeal to all kinds of audience, and it seems to be more focused on the newer generation, even though good enough for those generations which are just behind. Even though lasting only one and half hours, there is a certain amount of drag in between, especially with a lot of dialogues coming up. The predictability also has its say, and some melodrama was certainly not needed. The ending also seems forced, even though pretty good to be a finisher to the movie.

The performers of the soul :: Jeon Jong-seo leads the way in this romantic movie, and this is the first time that I am seeing her in a movie. There is a certain amount of cuteness related to her performance here, and there is also some humorous side along with the romantic one. She seems to handle the different emotions of her role quite well. Son Seok-koo contributes in a similar manner, and the chemistry between the two works really well, and seems to raise the movie further. The cuteness factor also relates to their relationship till it gets rather too serious in the last few minutes, only to get back to the same stage by the end. He was part of the supporting cast of the movie, Hit-and-Run Squad among others. Kim Seul-gi and Gong Min-jeung also appear in memorable supporting roles. Kim Young-ok as the grandmother and Kim Jae-hwa as the editor in chief of the magazine also have their moments to be remembered. Along with the same, Kim Kwang-gyu plays the father figure which would also be noted. The supporting cast seems to be quite big, and most of them are going to leave some impact here.

How it finishes :: Nothing Serious a.k.a. Romance Without Love is one of those romantic movies which manages to hold its ground despite not clear with its path, and without bringing anything special. The cuteness factor related to the chemistry between the leading performers seems to drive the movie forward more than anything else. South Korean movies have managed to bring at least some quality in almost every genre that they seem to be part of, and with horror and thriller being the perfect categories, romance and drama also got the power to support. This movie also maintains that quality, and even when there doesn’t seem to be that much of a story, it won’t come down that much in content, and the leading pair elevates it. Jeon Jong-seo who has become part of this genre so well, is often the single reason for the same. It is a much shorter, but interesting idea to spend one and half hours, as there is no shortage of some fun-filled moments. No one can deny the need for some love in the air after the corona virus pandemic.

Release date: 24th November 2021
Running time: 95 minutes
Directed by: Jeong Ga-young
Starring: Jeon Jong-seo, Son Seok-gu, Gong Min-jung, Kim Seul-gi, Kim Young-ok, Kim Jae-hwa, Bae Yoo-ram, Im Sung-jae, Kim Kwang-gyu

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<<< Click here to go to the previous romantic film review.

<<< Click here to go to the first Korean film review here.

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@ Cemetery Watch
✠ The Vampire Bat.

Midnight

Vampire Owl: There are not many mediums that vampires can use at midnight.

Vampire Bat: I am sure that we can use an Ouija board at midnight instead.

Vampire Owl: That board is a fake medium invented by humans.

Vampire Bat: So, you think that there is no hope with the board.

Vampire Owl: Yes, we need to look forward to finding an undead conductor.

Vampire Bat: You cannot have any of the undead allow something from the other side to pass through it.

Vampire Owl: The undead is greater than any spirit.

Vampire Bat: Getting possessed by a spirit is not a great experience.

Vampire Owl: So, you think that there can be possessions.

Vampire Bat: Well, you know the thing about demonic possessions.

[Gets a green apple cake and three cups of Munnar tea].

What is the movie about? :: Kim Kyung-mi (Jin Ki-joo), is a mute and deaf woman who works as a sign language customer service executive at a sign language call center. Her mother Kyung-mi’s mother (Gil Hae-yeon) is also dumb and deaf. As some of the employees have to go for a dinner with the clients, she chooses to go with her employers and return late at midnight. Jung-eun’s (Kim Hye-yoon) goes out on a date at night, and her brother Jong-tak (Park Hoon) who works as a security guard after serving in the army, is worried because she would arrive late, almost at midnight, especially as a man and woman were found dead during an earlier night. Coming back home late after dinner and visiting her mother, Kim witnesses the sister bleeding after being stabbed by an unknown man and becomes the new target for this particular serial killer Do-sik (Wi Ha-joon) who had been hunting women, and sometimes unsuspecting men some time around midnight. She runs further away from the area when her mother is standing and tries to hide, but the killer is someone who knows the area really well.

So, what happens with the events here as we just keep looking? :: The killer needs to find the young woman to make sure that there are no trails that lead to her. At the same time, Jong-tak is in the streets, searching for his sister who has not returned home yet. As Kim reaches her car and enters it, she is shocked to find him inside the vehicle, and after being forced to drive at knifepoint, she jumps out the car, once again chased by the killer, only to connect to the cops, but as she cannot sleep, it does not work at all. When the police finally arrive, it seems that the killer had already manipulated all the evidence, and there are no suitable clues in the CCTV cameras either. The killer had also joined them in making things more confusing for the mother and daughter duo. As the brother also arrives in the police station with the photo of his sister, Kim identifies her as the woman who was abducted, stabbed and kept in the vehicle by the stranger. But the killer is someone who knows when to manipulate and when to kill with all the brutality – does this mean that the killer will go on with the murders and the sister and the witness would also have to die?

The defence of Midnight :: In the beginning, this movie might seem to be just another serial killer movie with its antagonists targeting random people on the streets, but it becomes much more than that, as it uses almost everything at its disposal to the best effect. The night itself has been used to its best advantage, and this is also not the kind of movie when there is a long investigation going on, and the police has to go for clues which they acquire over days, and the result is that there would be more victims. Instead, this movie has so many thrilling moments set in a night, which has the serial killer’s smartness displayed in an interesting manner, but we are not bothered with the flashbacks or the motive that would have been there in other movies – this becomes more of a survival movie where there is the need to make sure that a missing woman survives, and at the same time, the leading lady further struggles to survive. As things unfold with a night that progresses, there is the idea that two of the main characters cannot speak and hear, which drives this movie to bringing things to light in a different manner. There is no shortage of thrills around here, and silence is nicely used with sound effects in a visual treat of terror.

Positives and negatives :: There are moments when one would feel that the movie could have elevated the status a little bit. But the final moments are just too good, as finally the serial killer understands that more than one person can play his game. The movie is a survival thriller for the main protagonist, and Jin Ki-joo, with her performance, has us backing her to survive against all odds. The characters do no get to be that smart as they should be though, as they create opportunities for the killer to come back and get them, multiple times. There are many co-incidences in here too, and those are used a little more than needed. But there is no shortage of the feeling of danger around here, as night seems to be used as a medium for the serial killer terror to spread – it always seems that he is in control, even when he gets beaten up. We did not know about this movie when it released, but we know it now, and we have that serial killer whom we have been waiting. The movie is also a reminder that in a busy world, nobody has time to check on others, and a serial killer could always be hiding among us, undetected until captured.

The performers of the soul :: Jin Ki-joo is leading lady and the protagonist of this movie, and she comes up with a performance to remember as the woman who cannot speak or hear, but has to rise above her limitations as she faces one of smartest and most brutal serial killer who is good at hiding his motives. She has presented the character so well that the audience keep believing that she has no hope, but continues to see that slight ray of hope that she could stay alive despite the odds being very much against her. She seems to be better known for the South Korean television series and the drama, but the way in which she displays the hopelessness and fear to replace it with courage, is something that will catch our eyes – the ending with her character gaining the advantage is too good. Wi Ha-joon makes a fantastic serial killer, and I won’t be surprised if someone would try to copy this character, as the killer works so well. Park Hoon also join in very well. Then there is Gil Hae-yeon who comes up with the mother figure really well. At the same time, Kim Hye-yoon is lovely addition, and becomes the reason for the events of the movie to start moving forward.

How it finishes :: Midnight is a reminder that Korean films still possess the top quality with horror thrillers featuring serial killers. It will be a good idea to watch the movie on Amazon Prime Video before someone from Bollywood copies the film and shows it as a much lesser version with the brother of the victim and the girl who witnesses the crime dancing to songs at a party while the serial killer kills the abducted girl, and we would also have to listen to some very sad songs with the brother grieving for the sister. The quality of this movie will always be higher as it does have all the emotions, but never does it overdo them, or come up with irrelevant subplots or exaggerating the villain. We directly enter this world which is all about that particular night, and the audience is also as much part of the events that happen during midnight, and everyone goes on this journey with the main characters. You are also reminded that you need to go back to these kind of movies, and even though we do have our own serial killers with films like Forensic, Anjaam Pathiraa, Memories and Antakshari, but none so classically determined in the form of a stranger as this one.

Release date: 30th June 2021
Running time: 103 minutes
Directed by: Kwon Oh-seung
Starring: Jin Ki-joo, Wi Ha-joon, Kim Hye-yoon, Gil Hae-yeon, Park Hoon, Kang In-seo, Noh Su-min, Na Eun-saem, Lee Jae-seok, Park Ji-hoon, Song Yoo-hyun, Bae Eun-woo, Kwon Young-min, Jung Wo Chang

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<<< Click here to go to the previous Korean film review.

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@ Cemetery Watch
✠ The Vampire Bat.

Squared Love

Vampire Owl: I hope that blood drinking can also be squared.

Vampire Bat: Drinking blood does not work like that.

Vampire Owl: You should understand that there are many ways of drinking blood.

Vampire Bat: The act has its own value for the soul.

Vampire Owl: Well, that is only if you follow the procedure.

Vampire Bat: Nobody follows the procedure these days.

Vampire Owl: I was not talking about the Twilight vampires.

Vampire Bat: I was not referring to fictional vampires either.

Vampire Owl: I have heard that new vampire tales are not fictional, but related to the lives of humans who are too hungry.

Vampire Bat: Well, it means some fine creative imagination.

[Gets a vegetable cutlet and three cups of orange tea].

What is the movie about? :: Monika Grabarczyk (Adrianna Chlebicka) lives a double life, as she works as a school teacher as well as reputed model, with or without the wig and makeup. She also wears glasses, and changes the colour of her eyes to make sure that people don’t easily recognize her. She does not really like both jobs, as she is scolded by the headmaster due to the unruly children and all the exposing as the model in swimwear does not appeal to her either – but she still has to pay back her loans in time. Stefan Tkaczyk (Mateusz Banasiuk), also known as Enzo is a journalist who is also in multiple relationships with many different women – he remains popular with the women despite making some unwanted mistakes in his articles. His firm still keeps him due to his popularity. The company decides to make good use of his popularity in an upcoming ad, as things works the best for him with his face on the television. He is soon kicked out of his live-in relationship, the one which he was pursuing with many others at the same time, but this one makes him basically homeless.

So, what happens with the events here as we just keep looking? :: He ends up living with his brother for the time being, as his wife is has gone on a trip from which she might not return to him, and there is the need for someone to look after the child. Even though neither Monika or Stefan wants to continue with that ad, the agencies are adamant that they are the ones suitable for the job. Monika particularly does not want to be seen with Stefan on the posters and billboards all around the city, which are already full of her pictures in swimwear. But her father’s debt keep following her even at school, and she is forced to go back to shooting the ad again. The company is looking for something for something special from the two leads of the campaign, and they feel that without it, they are done. They keep trying for something different, and they manage to get something working in their favour after a long time of brainstorming. Meanwhile, Monika is warned that her students have to score well, or she would lose her job. Now, what awaits both Monika and also Stefan who seems to be beginning to get along with her both versions?

The defence of Squared Love :: The one thing that you would love more than the other things is that the movie maintains its status as a romantic comedy really well, and it never gets melodramatic, even though there are those emotional moments – the feel-good elements maintain a certain amount of strength, and it can be seen at its best by the end of the movie. There is something about this light-hearted romance which will make you wish to watch it with admiration for the proceedings rather than the usual feelings. Despite the whole thing being related to modeling, we do notice a certain amount of cuteness related the proceedings – the leading lady remains differently beautiful in those avatars, as one would find it difficult to recognize one as better than the other; yet the teacher avatar is indeed more suitable to her. The movie is indeed a modern age fairy-tale which can be watched by everyone in the family; it is the kind of film which is good for everyone. The experience is indeed beautiful, without ever falling into melodrama or sadness at any point – we remain happy to watch this one, and remain so throughout it.

The claws of flaw :: The movie does keep us reminded that this kind of ideas have been used many times, and it does not really try to come up with any innovation with the basic idea. The subtitles might not be exact too, as some people seems to have commented about the film in different platforms; I would have expected some nice romantic dialogues translated with poetic beauty to English with the right use of words. It is also surprising that people are not able to recognize the young lady as the common school teacher and not the swimsuit model, but the situation is still better than some of the Bollywood movies in which the wife is not even able to recognize the husband – the students whom she teaches are able to know that both are the same without taking much of time. The role of the other protagonist is also not that well defined, as only his nature seems somewhat established – as about one quarter of the film is done, he is more of a model than a journalist; one would be forced to guess whether he is some Youtube, Instagram or Facebook influencer due to which he has the fans and admirers.

The performers of the soul :: The proceedings are led well by Adrianna Chlebicka, who is perfect in two identities of the character – there is excellence in her work as the model which she might have already been familiar with, and she does even better as the teacher who takes care of the children so well. She has her emotions expressed with beauty and quality like not many actresses have done in relation to such a role, and there are many close-up shots which seems to favour her. She should be part of some romantic flick in Hollywood at some point of time. Mateusz Banasiuk seems to suit the role well, even though the character is not that clearly defined related to what he does for a living, as he writes, models, lives with girlfriends and in the end, has a lot of fans, a number which only increases in time. Then, there is the chemistry between the two, which works like a dream – there is even a certain amount of cuteness related to it. Mirosław Baka as the leading lady’s father and Tomasz Karolak as the school principal have their notable roles. Helena Mazur who plays the child is also a lovely addition to the film.

How it finishes :: Squared Love feels like the usual romantic love story which one would like to keep watching again and again in different forms. I have not really been fans of romantic comedies, especially when they are not in Malayalam – the Bollywood ones with romance are the strangest and the dumbest of them all, with infinite ridiculous scenes and some really dumb music. It seems that without nepotism, acting also gets to a higher level. After all, there is nothing worse than watching a Bollywood romance with the so called superstars dancing and showing lust in the name of pure love; that would make this one a fresh breath of air in comparison. At least Poland knows knows how to make a fairy-tale kind of love story work. Bollywood could give it a match when it learns something from the Malayalam films, not just with the evergreen Romantic classics like Summer in Bethlehem, Niram and Aniyathipravu of the past, but also those which came in the modern age like Anarkali. Until then, we have the movies from Eastern Europe in support too.

Release date: 11th February 2021 (Netflix)
Running time: 102 minutes
Directed by: Filip Zylber
Starring: Adrianna Chlebicka, Mateusz Banasiuk, Agnieszka Żulewska, Anna Smołowik, Krzysztof Czeczot, Mirosław Baka, Tomasz Karolak

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<<< Click here to go to previous Polish film review.

<<< Click here to go to first Polish film review here.

<<< Click here to go for a recent undead love story.

@ Cemetery Watch
✠ The Vampire Bat.

Pathaam Valavu

Vampire Owl: So, there is the tenth turn where the twist lies.

Vampire Bat: We vampires are not worried about the turns. We fly over them.

Vampire Owl: Humans do not fly, but their spirits do float.

Vampire Bat: We don’t have the spirits. But we fly.

Vampire Owl: Where do you think a vampire’s spirit cross over to the other world?

Vampire Bat: I am expecting a river of blood there too.

Vampire Owl: So, you think that there will be blood on the way there.

Vampire Bat: Blood will be part of our afterlife as it is now.

Vampire Owl: You mean to say that blood also has the spiritual significance.

Vampire Bat: Vampires have been spiritual for a long time.

[Gets a vegetable samosa and three cups of cardamom tea].

What is the movie about? :: Sethunath (Indrajith Sukumaran) is the officer who is in charge of the Kattappana police station. His wife Suja (Swasika) is pregnant, and Sethunath rarely comes home due to his busy work. After a long time, he finally decides to take a few days off. It is then that he is asked to bring a prisoner who got out on parole and did not return – Solomon (Suraj Venjaramoodu) was arrested as part of a sensational case, and him not returning came as a surprise for most of the police officers. Sethunath visits Solomon’s house with a few other officers in company, just before he goes on a fifteen days leave, as his superior officer as Shihab Ali (Major Ravi) asks for one last duty to be finished. The team gets to Solomon’s home and also finds him, but fails to capture him. But he is caught by Xavier (Nisthar Ahmed) who has a large estate in the area, and they transfer him to the police. On the way back to the police station, there is a landslide on the tenth turn, and the team is forced to stop and have tea and snacks. There, Solomon tells Sethunath his story.

So, what happens with the events here as we just keep looking? :: Solomon was someone who survived one of the biggest landslides the highranges had ever seen, at the age of six. He lived as favourite of the locals, especially of the local priest (Sudheer Karamana) who has served as his local guardian. He falls in love with Seetha (Aditi Ravi), who elopes with him with the help of her sister, Anitha (Krittika Pradeep), and in the process, gets disowned by her rich and influential family. They soon have a child too. Varadhan (Ajmal Ameer), the local police officer who was supposed to marry her is particularly angry with them, especially as his next marriage reached the verge of divorce. He also gets transferred to the highranges soon, with a fight breaking out between him and Solomon, and this leads to Varadhan being relieved of duty and going home early. It is then that their child also goes missing, and the dead body is found between the rocks on the next day. Varadhan becomes the usual suspect for the locals, and there is fear in his eyes. His senior officer asks him to go on leave, but he is determined not to go from there. But where does this lead Solomon?

The defence of Pathaam Valavu :: This is a thriller that also goes on the path of a revenge with the support of flashbacks. There are moments of excellence, and unexpected elements of humour are also present with some flashbacks. The visuals give a beautiful feeling to the happenings around here too. The emotional side does the job well, and in between, the cute moments also get something to work on. It is the kind of the movie which could have gone The Great Father way, with the father of a child doing unbelievable acts in stylish dresses as if he was a rich monkey man, but manages to keep things realistic instead – well, you don’t want exaggerations when dealing with this kind of topics. Dealing with the life of the common man which is filled with simple happy moments of family, and turning it into moments of worries have been used effectively in Drishyam and Drishyam 2 along with the remakes – the same idea still continues to work. In the end, it also gives a social message, and finishes well as if poetic justice would return with a little help provided.

The claws of flaw :: The movie does start slow, as nothing much happens in the first thirty minutes or so, as it takes a little bit more time to establish itself. There is also some slow motion forced in there, against the overall mood of the movie. The loss of thrills to emotions can also be seen at times here. There is a lot of predictability that comes to the scene during the later stages of the movie, despite having the twists to provide the power. Some of the clues are also given in the early stages of the movie itself , which is re-established in the later stages too. The clues should have been hidden to keep the audience guessing. The red herring which the movie provides losses the steam because of the unexpected clues which are left in the process of moving the tale forward. The audience had the right to guess the killer differently, but such an opportunity is ruined too early. If the opportunity was better used, this movie could have been something bigger.

The performers of the soul :: Suraj Venjaramoodu remains the strongest element of this movie, and manages the emotional side really well yet again. He has been doing such roles with perfection for some time now, with its highest point in Kaanekkaane, and most recently in Jana Gana Mana. Yet, the one performance from him which would stay with me even more is from Finals. Indrajith Sukumaran has displayed a certain amount of skill in portraying the police officers, last seen in Night Drive – there is the feeling of not exaggerating the cop role when he is playing the role; it has been there since Angels. Aditi Ravi has been an underrated actress, and her realistic performance as a mother is a reminder of her skills. Her recent release, 12th Man did not give her enough opportunity, and it was only Alamara which used her potential well enough. Ajmal Ameer gets a good role in Malayalam movie industry after a long time, and he did come up with a fine performance until the character was just pushed to the background for seemingly no real reason.

How it finishes :: Pathaam Valavu becomes another interesting addition to the long list of engaging thrillers. It does have the moments, and there are other areas where it could have scored more. Yet, one thing I won’t get is that people call movies like these as one-time watchable; well are all movies not to be watched once? There is absolutely no point in keeping on watching a movie again and again, except for the jokes and songs. There have already been two fine thrillers in this year in the form of John Luther and Twenty One Grams, and this one, even though not that good as the two murder mysteries, still serves its purpose with effectiveness. It is also a reminder that we no longer need those big names to play the central character and make the movie a success. We are no longer in that age of superstars, even though fans can still disagree and go to the theatres as a crowd, providing money to their favourite heroes.

Release date: 22nd July 2022 (Manorama MAX); 13th May 2022 (Theatre)
Running time: 115 minutes
Directed by: M Padmakumar
Starring: Indrajith Sukumaran, Suraj Venjaramoodu, Aditi Ravi, Ajmal Ameer, Sudheer Karamana, Baby Kanmani, Swasika, Sohan Seenulal, Aneesh G Menon, Jayakrishnan, Major Ravi, Nisthar Ahmed, Abhinav Raj, Binu Adimali, Shaju Sreedhar, Idavelu Babu, Joy John Antony, Sudheer Paravoor, Nandhan Unni, Krittika Pradeep, Pria Menon, Thushara Pillai, Anjana Appukuttan

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@ Cemetery Watch
✠ The Vampire Bat.

Prakashan Parakkatte

Vampire Owl: I think that they are trying to make the light spread.

Vampire Bat: You are misunderstanding the title.

Vampire Owl: So, humans are no longer spreading the light.

Vampire Bat: They had stopped living in the light a long time ago.

Vampire Owl: You mean living in goodness.

Vampire Bat: Goodness has not graced humans for such a long time.

Vampire Owl: Well, I have always known that humans fall easily.

Vampire Bat: When they fall, they end up very deep.

Vampire Owl: I would say they would go as deep as hellfire.

Vampire Bat: There is no fire that could burn a fried evil human.

[Gets a Little Hearts biscuit and three cups of ginger tea].

What is the movie about? :: Das (Mathew Thomas) is a plus two student who is not interested in studies, and spends time in other activities, leading to him missing classes regularly. He lives with his parents Prakashan (Dileesh Pothan) and Latha (Nisha Sarang) as well as his younger brother Akhil (Ritunjay Sreejith). Das’ best friend is Anwar (Govid Pai) who joins him in bunking class, a process which is repeated on almost all days. They often go to the local town of Mukkom and the city of Calicut without anyone noticing. Nobody believes that any of the two friends will pass the plus two exam, and even the headmaster is not bothered about them leaving the class too early, and encourages them to leave without bothering other students. Das also falls in love with another plus two student, Neethu (Malavika Manoj), but the problem seems that she belongs to a rich family which owns the bus which travels in the same route. She also studies in a private girls’ school, which bothers him. To get close to her, he also joins the tuition centre of Suni (Dhyan Sreenivasan) where Neethu also studies.

So, what happens with the events here as we just keep looking? :: Prakashan owns a grocery shop in the village which is not that much of a profitable enterprise, but as there are not many similar shops nearby, things don’t get that bad for them. His brother-in-law Kuttan (Saiju Kurup) spends his time wasting all the money which is earned from the shop. He is also a youtuber who has a group of people who calls themselves vloggers, but are nuisance to the locals. It is then that things get more difficult, as according to the local leader Raghavan (Sreejith Ravi) warned him earlier, Musthafa (Aju Varghese) starts Madheena supermarket near the grocery shop. Kuttan also supports Musthafa, who is his childhood friend, and the supermarket becomes a grand success. It is then that Akhil meets with an accident, and Das is blamed for the same for his reckless behaviour, especially by Latha who had always preferred her younger son over the elder one. As Akhil requires a surgery and further care, Latha is further angry at Das. Prakshan is forced to take loans from different people as there is the emergency. This turns their lives upside down, with an uncertain future.

The defence of Prakashan Parakkatte :: The movie is set up nicely to bring a tale of the common people who have their own struggles within the family. It never ceases to make one feel like it is a realistic world of simple things. The setting is really good, and there are the usual kind of people which we see around. The movie’s emotional side remains relatable and the struggles feel very much real. The truth about the youtubers who do no constructive things in life is also brought to life here in opposition to people who work hard and still can’t have enough to keep their family going. People who are looking for easy money and their spreading the curse through videos can be seen here. The visuals of this particular world nicely contributes to the overall movie, as the highlands have never really ceased being beautiful in Malayalam movies which explores the common man’s lives and struggles. The songs are good, and the one depicting plus two romance stands stronger. The cast is a really good one, and we can only love these performers going through the realistic mode.

The claws of flaw :: There is nothing new that the movie tries to bring around here. The formula has already been tested and approved, and there is no special ingredient to elevate the level of the film. Sometimes, the movie just seems to move forward without an idea about where it is heading – the direction should have been better planned here. Some of the emotional sides also feel overdone, and predictability is rather high. The ending doesn’t end the movie, but brings a continuation which seems to reflect the usual world. It could have chosen many different paths to reach the final destination, but here we see the safe path being taken instead. Taking risk doesn’t seem to be this movie’s cup of tea. The trailer and the choice of actors and actresses seemed to point to something bigger, but that much is not achieved here. There was the chance for bringing more humour here too, but without enough focus, it is not achieved. Sometimes, one does wonder what exactly the plan is. It could have added more feel-good elements, which had many opportunities to come to the scene – after all plus two life in school also becomes reflection of more opportunities.

The performers of the soul :: Mathew Thomas who had some fantastic performances in Kumbalangi Nights, Thanneer Mathan Dinangal and Jo and Jo has another work to remember here. He has always stood one step ahead of the other actors of his age. Govind V Pai of Parava fame is the one who supports him this time instead of Naslen K Gafoor who has aged a little too much to get back to his plus two avatar, and should be looking for the college roles or the elder brother roles to Mathew and Govind. Dhyan Sreenivasan plays the kind of role which Vineeth Sreenivasan had played with Mathew years ago, and this time, it is a cameo. Dileesh Pothan shines in the father role here, and the director turned actor is indeed the best choice for a role like this. Nisha Sarang of Uppum Mulakum fame joins and suits the role really well. Malavika Manoj is good addition to the role here, and she surely has a fine future ahead – she can join the new group of actresses like Mamitha Baiju and Anaswara Rajan who have had some strong presence early enough. Saiju Kurup nicely plays the typical new generation youtuber who tries the easy path without any hard work.

How it finishes :: Prakashan Parakkatte works just like those nice little feel-good movies following the trend which started with new life in Maheshinte Prathikaaram. The movie also serves as a coming-of-age story, the bildungsroman which works with the first half of life if we consider Premam as the one typical story in Malayalam film industry. The final message about money not being that important in life comes a little bit too late, and it is the kind of revelation which won’t work with people of this age where how much one earns and has in the bank account is considered to be the most significant thing, without which there is no life. One would wonder if the message of being a good person considered more important than money will work in this particular age when society depends on what lies in the bank account. But the movie attempts to provide that message and hope that thing will come together well. In the process, this becomes the usual movie with the common family problems, while being in control of the emotional side.

Release date: 29th July 2022 (ZEE 5); 17th June 2022 (Theatre)
Running time: 124 minutes
Directed by: Shahad Nilambur
Starring: Mathew Thomas, Dileesh Pothan, Malavika Manoj, Nisha Sarang, Govid Pai, Saiju Kurup, Aju Varghese, Dhyan Sreenivasan, Sreejith Ravi, Ritunjay Sreejith, Nithin Sabu, Stevin Bijum

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@ Cemetery Watch
✠ The Vampire Bat.