Vampire Owl: I had some hope about this movie even before watching it.
Vampire Bat: Yes, the actors chosen here point to the same.
Vampire Owl: We were very close to watching this in theatre and not OTT.
Vampire Bat: Yes, but then we got vampiric sadness and decided not to go out.
Vampire Owl: I would say that sadness is a basic trait of vampire nature.
Vampire Bat: What can centuries-old vampires do other than being sad?
Vampire Owl: Watching humans do all the nonsense makes anyone sad.
Vampire Bat: They still having their civilization makes me wonder.
Vampire Owl: They would only have a few years left till extinction; I am sure.
Vampire Bat: I am checking on the time left for human extinction already.
[Gets a paneer uthappam and three cups of Sikkim tea].
What is the movie about? :: Aleena (Parvathy Thiruvothu) who had lost her husband Abraham (Asif Ali) during an operation which was executed without enough backup, opts for the same job despite a safe, desk job offered to her by the Kerala Police. As she decides to follow the path of her husband, she faces difficulties, but passes the training camp overcoming all struggles. She gets her first appointment at a police station which seems to have lesser number of troubles than one would expect, and her fellow officers CPO Sreenath (Mathew Thomas), ASI Dasan (Sidharth Bharathan) and CPO Divya (Unnimaya Prasad), with whom she becomes good friends. But their superior officer SI Xavier (Azeez Nedumangad) is more of an angry and frustrated man who is facing divorce from his wife due to his behaviour and alleged relation outside marriage. Meanwhile, the station is led by a more respectful and dignified, but often confused Circle Inspector Prathap (Vinay Forrt) who is fasting as he is getting ready to visit Sabarimala.
So, what happens with the events here as we just keep looking? :: The four officers also struggle with their own problems, as Sreenath has his relationship in trouble due to caste and status differences, Dasan wishes to marry a teacher whom he met while on duty and Divya is hoping to finally have a child after years of marriage. A textile showroom manager Jayaprakash (Sirajudheen Nazar) who seems to be leading a normal life with his wife Shilpa (Jayashree Sivadas) is secretly targeting and robbing homes at night with the help of his partner Meera (Catherine Maria) who works at the same showroom. On a night when both Prathap and Xavier are not at the station, Dasan, Sreenath and Aleena who are on night patrol, Jayaprakash in a car tries to evade the officers, only to end up being caught and taken to a police station where Divya is almost ready to leave duty. He tells them that he was only trying to avoid getting caught for drunk driving, making them uncuff him, but when they try to check the boot space, there is a fight during which Jayaprakash gets hold of Divya’s gun and is fatally shot. This leads a situation of custody death, from which they wonder how to escape.
The defence of Pradhama Drishtiya Kuttakkar :: The central conceit works like a dream here, as the group of cops trying to cover up evidence from their own department creates even higher stakes than Drishyam, which can be considered as having a less risky journey in comparison to this one. The fear and tension are so much there, never restricted to the background. The visuals are too good and we see the same elevate the tension during key procedural moments as well as the cover-up sequences. The moments are nicely arranged and the narrative strikes gold with ease. The movie’s best moments come out of nowhere when we least expect the same. While many sequels forget to keep the same level as original, this one brought some classic thrills which never goes down in level. The fights, when present, are also shown in a realistic manner, and we see the incidents unfolding in a believable manner. The assurance of a realistic journey can be seen at all times, and the success in achieving this much of twists and thrills with the same needs to be appreciated.
Positives and negatives :: The movie can feel like a little lengthier than needed, but as soon as the inciting incident happens, the same can be forgiven. There might be the feeling that too many liberties are taken, and the reliance on luck seems to be guiding the characters so much. There are moments when one feel that Drishyam-mode is activated, as even with finding of the corpse, there are more twists to follow, as the protagonist is as much well-planned as that particular family hero who has so much in mind. It is not easy to bring twist based on a twist, but that has been achieved. The emotional side also stays strong with the movie, and we stay in support of the main characters, even though the whole thing revolves more or less around one specific female character. Despite all of these, the movie has its own dose of humour. We also see dual-faced characters here who are not uncommon in any part of the world, and they remain the reflection of the society which keeps taking in pretenders as their champions.
The performers of the soul :: Parvathy Thiruvothu as Aleena Abraham serves as the one emotional and intellectual anchor to the proceedings, and we would remember her for a full-lead performance after a very long time here. Playing a junior police officer thrown into highly complicated situation, she goes from panic to stabilizer of the situation in no time. She blends into the situation like no other, and this might be the character we would remember her the most from now on, as works in movies like Ennu Ninte Moideen and Uyare pales in comparison. Vijayaraghavan stands tall on the other side, and instead of going through an aggressive mode following the usual cliches, he moves forward as a weary investigator whose patience is far more intimidating than anger. The slow, methodical dialogue delivery and classic observation rises above the rest with ease. Vinay Forrt plays the witness to all of these very well, while Sidharth Bharathan remains a fine likable character. Mathew Thomas plays his character in a convincing manner while Unnimaya Prasad could have had more to do in proceedings. Azees Nedumangad shines again in a police role different from that remarkable Kannur Squad.
How it finishes :: Pradhama Drishtya Kuttakkar is that kind of a thriller which has a crime coverup thriller very well done. While its overstretched total run-time and reliance on convenience keep us wondering if more could have been done, the film remains consistently watchable with strength in performances. Focusing on Parvathy Thiruvothu’s restrained intensity and Vijayaraghavan’s quiet menace, it deals with institutional guilt as much as survival panic, bringing twists and thrills as it keeps moving forward. Coming out of nowhere to get to that fifty-crore mark, this one can be counted as the silent assassin on low-budget rising above those higher budget thrillers which seemingly have tried more. One thing about the later Malayalam crime thrillers is that they have remained realistic, with or without a serial killer, and there are some of those investigations which surely deserve sequels. One cannot be sure about this particular movie which seems to have come to a fine end though.
Release date: 11 September 2026
Running time: 158 minutes
Directed by: Shahad Nilambur
Starring: Parvathy Thiruvothu, Mathew Thomas, Sidharth Bharathan, Vijayaraghavan, Vinay Forrt, Unnimaya Prasad, Azees Nedumangad, Balaji Sharma, Catherine Maria, Sirajudheen Nazar, Jayashree Sivadas, Midhun Venugopal, Suparna S, Jaya Shankar, Vrindha Menon, Bibin Joseph Vettukattil, Rini K Rajan, Jayarajan Kozhikode, Anusha Aravindakshan, Kalabhavan Niyas, Nandini Gopalakrishnan, Salman Kuttikode, Dinesh Prabhakar, Lal Jose, Praveen Selvam, Shifa Badusha, R Parthiban, Asif Ali (cameo)
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✠ The Vampire Bat.
