Vampire Owl: I can feel the presence of some vampirism in here.
Vampire Bat: You are not talking about vampire locusts, are you?
Vampire Owl: Well, all kinds of vampiric creatures are welcome to our realm.
Vampire Bat: I don’t think that locusts need any special welcome.
Vampire Owl: Everybody needs to be welcomed to the realm.
Vampire Bat: Except for the Corona virus.
Vampire Owl: Who is going to welcome a virus at this point?
Vampire Bat: We cannot be sure about that. Humans are crazy enough.
Vampire Owl: Humans can always be crazier.
Vampire Bat: You can trust them to do that every time.
[Gets a chicken cutlet and three glasses of orange shake].
What is the movie about? :: Virginie Hebrard (Suliane Brahim) is a widowed mother who has been unsuccessfully raising locusts for proteins, and it is not something which brings her favourable returns. Their family used to have goats around earlier, and her children, Laura Hebrard (Marie Narbonne) and Gaston Hebrard (Raphael Romand) are pretty much embarrassed by the business of locusts, with people ridiculing the same, including people at their school. As the locusts are not active enough, and with a lower level of health and reproduction among the insects, the family struggles to go on. Soon, she becomes more and ore frustrated, as people wouldn’t buy the locusts at even lower rates. As she trashes the locust enclosure and passes out there, she finds out that locusts are eating from the wounds on her arm. Soon enough, she finds out that the locusts are now more active, and lets the locusts feed from her wounded arm.
So, what happens with the events here as we just keep looking? :: Laura is not happy about how things have turned out though, as with everything going well out there and locusts doing better, they will have to continue to stay there. Her hope that they can finally sell the farm and get away from the place is no longer there. She tears open one of the greenhouses, leading for a swarm of locusts to escape. This escaped swarm would make sure that there would be enough supply of blood for them. That wouldn’t stop her from being more and more obsessed about the locusts. The need to feed them more blood comes to the picture, and she is ready to take further risks for the same. At the same time, all these affect her relationships with people around her, including her children. But is it too late for all of these to change now? How much more the locusts will take out of relationships and in the form of blood and flesh?
The defence of The Swarm :: The drama side of the movie is okay, even though they haven’t really tried too much with the characters. There is the feeling of melancholy that runs through the movie, and most of the characters do have a certain amount of the same. There is just enough CGI and gore to keep the interest going. The setting is very much suitable for such a story, and we know that this is even more possible these during the time of Corona virus pandemic, where there is always mutation and people also get to live more alone than ever, facing even more financial crisis than ever. This is not a full insect attack movie, and people will have to remember that while choosing the same – for those who are looking for such full attack films, there are others from the second half of the twentieth century which was never short of such horror attacks from different creatures. Otherwise, you do watch this one as a drama with some insect horror added.
The claws of flaw :: A problem with this particular movie is that it losses its power as a thriller and horror flick, and gives in to the drama all the time – whenever there is a chance to make this one a horror thriller, it goes down to the state of a common drama about a widowed mother looking forward to make a living by farming. Well, a single mother with two children and financial struggles always make drama rise over any other elements of any genre. There could have been more interesting moments related to locust horror, or at least have some connection to science fiction. The characters and their relationships are also not that much explored, especially that of the daughter who could have had some life at the campus, even if not a positive one. It is certainly not what you expect when you go to watch the film, and the ending is also not that strong by any means. You can see some horror ready to go through the rails, but there is never the green flag, as we see a hesitation to let it go, while the movie slows down and drags at times.
Performers of the soul :: Suliane Brahim handles the role of the widowed mother in grief, trying to make her business do better, quite well. The attraction and the later obsession to the locusts which are shown by her, has something unique about it, even though it should have had more terrifying images than she presenting her body to feed for the insects in between – imagine the amount of horror which just that idea could have brought, but has been missed. Marie Narbonne is a lovely addition to the movie, and she plays the confused younger sister who hopes that things can get better if they leave the locust farm and home attached to it. The melancholy that she goes through is reflected on her face at almost all times, and the way she looks at people even with smiles, reflects a certain amount of sadness. Raphael Romand’s character remains a memorable one too. The one character who stands apart is Sofian Khammesas’s, as he plays the man who is always willing to help, a rare one during this age without faith.
How it finishes :: It is still a thing of wonder that this movie doesn’t redeem itself with thrills and horror when there was so much of an opportunity. While the drama goes on, the other elements lag, even though we feel that it scores a family adventure throughout most of its stages. It is the kind of movie which has the elements to confuse us about the genre in which it stays. One would feel that it could have worked even without focusing on the locusts, and maybe even after replacing them. It would have done fine enough by growing some of the more common things in the farm, as we look at them. On another day, this could be a full-horror movie with insect attacks, a thriller which has a family hunted, or a science fiction flick with mutated insects bringing something further terrifying. But it chooses to focus on the drama, and it suits one kind of audience much more than the others. As we are now in fear of the next mutation of the virus and wonders if everything has to go back to lockdown again, enjoy this one outside the theatres.
Release date: 1st August 2020
Running time: 101 minutes
Directed by: Just Philippot
Starring: Suliane Brahim, Sofian Khammes, Marie Narbonne, Raphael Romand, Nathalie Boyer
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@ Cemetery Watch
✠ The Vampire Bat.