Vampire Owl: It is nice to have a Swedish movie on the list too, right?
Vampire Bat: Yes, we only have Norwegian from Scandinavia until now.
Vampire Owl: Well, Netflix knows how to choose the right movies.
Vampire Bat: We have known that the best with Minnal Murali premiering there.
Vampire Owl: So many interesting movies in foreign languages too.
Vampire Bat: Those are the kind of collections which Amazon Prime Video should have too.
Vampire Owl: They could always have more of those lesser known foreign movies.
Vampire Bat: Scandinavia is a fine area to build a castle right now.
Vampire Owl: There should be our kind already in existence there.
Vampire Bat: Why don’t you take a trip there and find out?
[Gets a sweet puffs and three cups of Vagamon tea].
What is the movie about? :: David (Anastasios Soulis) proposes to his girlfriend, Nadja (Nanna Blondell) in public on the day of their graduation at the university. She accepts it gladly, even though the proposal turns out to be very much awkward, despite having a certain amount of cuteness related to it. They make a promise that they will always be together, no matter what happens. But one year and half later, due to the need to study and work at the same time, they are no longer happy at their apartment in Stockholm, the busy capital of Sweden. Soon, she finds out that she is also pregnant, and she is not sure if they should be parents, as she is studying to become a doctor – this would not be helpful for her future either. She feels that if she has a child any time soon, she will end up being a housewife taking care of the kid, as David is working all the time. Despite being assured by their neighbour that they will be great parents, she doesn’t inform David about the pregnancy, and decides to keep it a secret as long as possible.
So, what happens with the events here as we just keep looking? :: David arranges a trip to the northern lights so that they can have some happy time together. This is also the one tour which they are having after a very long time. On the way, they meet two locals, Jarmo (Kalled Mustonen) and Rolle (Tomas Bergstrom) at the gas station, but are comfortable with their presence and their strange dialogues about the dog and the lady. While leaving too soon, David’s car also leaves a scratch on the pick-up truck of the locals, but they go on moving without saying anything about it. Einar (Johannes Bah Kuhnke) seems to be the only person who is friendly to them, as he runs the inn where they are supposed to stay. He says that the people there are not used to seeing interracial couples. Nadja soon finds their car scratched, also leaving few racists words, which makes her angry enough to leave a scratch on the truck of the locals which they earlier encounter, as she is sure that they are the ones who did it. But the two locals seem to be much surprised by the same.
And what awaits them with the northern lights in the wilderness? :: David feels strange about the actions of Nadja, but she feels that this is how one should deal with racists. After a long drive, they finally reach an area beneath the northern lights, and it gets really cold. There, she reveals to him that she is pregnant, and that makes him very much nervous, as he is not sure what is to be done next. But their conversation about it is soon interrupted by a red dot on the wall of their tent, which keeps moving. They first feel that it is a prank done by some local kids with a laser pointer. But with a jolt, they soon understand that it is a laser view from a gun, as they are shot at. Nadja is sure that it is the brothers who are attacking them in revenge for her action, and David remembers that he had seen a weapon in their truck. Their dog which tries to find the attackers, is killed and as they return to the camp after searching for it, finds its head, a trap, and their belongings including the mobile phone missing. With the snow coming down slowly, they have to somehow make it out of there, but can they? Is there hope within so much of cold?
The defence of Red Dot :: The movie uses its landscape to its advantage, and the locations here are all beautiful enough. Whether it is the beauty of nature or the terror of it, we have things going well. Scandinavia is the area which almost everyone wishes to wish to visit, and maybe spend most of the life – I would have done that if there was the opportunity, and there is no shortage of such motivation with the world for eyes within this film too. It also has some interesting twists in the last few moments of the film, and also leaves a message that many things are lost as people just randomly points a few actions as a result of racism, often because it seems to be the easiest thing to do, along with adding things as misogyny or part of religious beliefs – sometimes, things are just personal to the core, and nothing more than that. As the movie is less than one and half hours long, things don’t get dragged or slow down at any point of time. There is no loss of pace at any moment, and it takes the deviation from the usual well enough, but never turning to melodrama even when it could have used the chance.
The claws of flaw :: The movie could have achieved more with a couple being hunted in the snow, with no hope seemingly around. It also seems that none of the characters are likable, with a mostly irresponsible couple, and the lady seemingly attributing most things to racism, and randomly blame the mentality. The snow as well as the red dots could have been used more, and there could have more twists over the incidents. There are times when the movie seems to be unwilling to take the risk with most of the things. The romantic side is often forced rather than having any intimate or lovable side to the same. When thinking about Vikings from Denmark, Norway and Sweden, we are always expecting an intense ride with the movies from there, even with the realization that it is not that age any more. There were so many moments for some horror to be added here and there, and this could have transcended the genres with ease. Some more red blood on white ice along with some shocks added here and there would be been worthy enough – more action too.
How it finishes :: The movie has the strength throughout its run, thanks to the performances which are appreciable – there are only a few characters of significance in this movie, and they had to do well, which does happen around here. With people being hunted, this would feel like Wrong Turn in the snow at some point of time, but that idea is lifted during the last few moments of the film. Maybe, we could also have a similar movie shot during the corona virus times, hunted in the lockdown, with nobody around to help. At least, the viral pandemic did provide us with opportunity to watch movies like this one on the OTT platforms. It is always better to have them on the laptop screen, as you can also type on another laptop at the same time. I would also like not to know how much the popcorns, puffs and tea would cost in a multiplex after the lockdowns. Yet, we all know that the rise in petrol price won’t serve the purpose at all, and hope is only with Netflix, Amazon Prime, Disney Hotstar, Sony LIV, Manorama MAX and others.
Release date: 11th February 2021 (Netflix)
Running time: 85 minutes
Directed by: Alain Darborg
Starring: Johannes Kuhnke, Nanna Blondell, Anastasios Soulis, Kalled Mustonen, Tomas Bergstrom
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@ Cemetery Watch
✠ The Vampire Bat.
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