Mother Android

Vampire Owl: So, another movie with the world going to end?

Vampire Bat: Yes, humans love making this kind of movies.

Vampire Owl: It is basically because they know that their world is going to end soon.

Vampire Bat: They know that so well because they are causing it.

Vampire Owl: Well, Doctor Frankenstein wouldn’t make such dangerous inventions.

Vampire Bat: Mr Frankenstein has never been a real scientist.

Vampire Owl: At least he is making some medical inventions, not trying to run away to the Moon and Mars like the wealthy humans.

Vampire Bat: I am sure that he doesn’t care about our world any more than humans.

Vampire Owl: You know that as an undead doctor, he is trying to do his best.

Vampire Bat: He has been a dead doctor for a longer period of time than being undead.

[Gets a blueberry cake and three glasses of orange shake].

What is the movie about? :: It is a Christmas evening, and Georgia Olsen (Chloe Grace Moretz) finds out that she is pregnant with the child of her boyfriend, Sam Hoth (Algee Smith). Georgia is disappointed, as she doesn’t want to have a child at an young age. Sam tells here that she is ready for anything, and also asks her to marry him. She is not really sure about this particular relationship, and wonder what the next step is – she also hides this newly discovered secret from her parents Mr and Mrs Olsen (Jon F Merz and Tamara Hickey). An android Eli (Stephen Thorne), which is owned by the Olsens wishes wishes them Happy Halloween, which seems to point to something being wrong. Soon there is a sound which resembles a technical glitch, and while the smartphones start exploding, and the androids start attack their owners. As they watch another android named Daniel (Liam McNeill) attack its owners, and a series of explosions everywhere, they understand the end of humanity is close enough to arrive now.

So, what happens with the events here as we just keep looking? :: Nine months have passed after the incident which was then considered as close to the end of the world as it could get. Now, Georgia is expecting her baby any time soon, and try to get to Boston which is supposed to be highly fortified. The rest of the areas had androids taking over, and completely running through the military forces. Georgia and Sam have heard rumours about new mothers and babies being transported to Asia, where they can have a peaceful life. But to reach there, they have to cross an area full of androids who will not stop until they find all humans out there dead and buried. On the way, they find a military post, where they are let in, and Doctor Howe (Kate Avallone) allows them to have the baby here, but as Sam gets into a fight with a soldier, they are thrown out. Once they are outside, they decide to take a motorbike and quickly go through the android-infested area, but with the machines on the hunt, that seems to be one grand dumb idea.

The defence of Mother/Android :: The man vs machine theme is present, even though not used to the best advantage. The movie getting released on Netflix after Hulu was indeed a good idea, as more people have access to it now. The beginning stages of the movie can be considered as the best parts, as we know that we are up to something big, and there is an apocalypse coming up, like that of the Terminator and similar movies. The expectations are raised high during those moments. The world after the apocalypse is also nicely created, without hope, and with most of the civilization already finished. There are similarities to a zombie apocalypse here, even though there is no transforming into machines. The final moments do capture the strength of the emotions back, and it works because of Chloe Grace Moretz, an actress whom we have seen from her childhood, one young lady who never holds back with her work. As Raul Castillo comes in later, the performances can mostly be appreciated, and we are all in support of a lady who is soon to be a mother, trying to survive against all odds.

The claws of flaw :: Mother/Android required to have more science and also more action, along with more thrilling moments, as the elements of drama are the ones that have the advantage here, with the rest taking the backseat. The emotions could have also been better defined, instead of having only a woman who is going to give birth at the centre, with not that much to be added after that. You have a couple in love with each other, and the woman is pregnant – there is not much to do for the the man here other than become the protector. The man is the protector and the woman is the mother, thus having not much of a significance here otherwise, as their personalities are not that much to remember, as both do get irritating at times. The movie is slow, and is about half an hour too long, as we look at it and try to feel the entertainment. The idea of the androids attacking is also not used to the best advantage, and there are no real memorable scenes, even after that twist has us taken for surprise – the advantage is just not taken here.

The performers of the soul :: Chloe Grace Moretz is an actress whom we have seen around for a very long time, from those times when she was not an adult – she was there as part of so many different roles which had our attention. Dark Shadows and Carrie were the ones which caught my attention first, but these made me go back and watch one of my favourite vampire movies of all-time, Let Me In – she has been one remarkable actress from her childhood days, and she had also played a similar figure with motherly affection in a more recent movie, Shadow in the Cloud, a full action film. As usual, she holds her side strongly, and with all the focus on her, gets it right, even when the movie seems to struggle with some of its content. She fits into the mother looking to survive in a machine-troubled world with ease, as no role seems to evade her fine performance. Algee Smith plays the supportive role, and that is done in a natural way, with nothing huge, and no surprises added. Raul Castillo plays the man with a secret, and he is surely the kind of actor who is suited for a post-apocalyptic work, as he has some action sequences to go with it.

How it finishes :: Even with the restrictions related to the budget, Mother/Android has managed a pretty good post-apocalyptic flick with fine performances to go with it. Just like the title says, it has only two significant things in the movie, the android and the mother – the others are pretty much insignificant. Just like some of the recent post-apocalyptic works, this one stays slow, even though there is just enough of the thrilling moments in a specific atmosphere as well as the twists to keep it going – well, not all movies set after apocalypse can be asked to become as quick paced as The Hunger Games, The Maze Runner, Divergent, Mortal Engines or Mad Max: Fury Road. This one does manage to bring the feeling of the end of the world again, and as expected, with technology, the idea which the Terminator franchise has always provided the support for. Well, the world, most probably is going to end due to the effects of science and technology – it is surely the one thing which has brought all the global warming and the nukes to the scene, and if this movie also holds it responsible one can only agree.

Release date: 7th January 2022 (Netflix)
Running time: 118 minutes
Directed by: Mattson Tomlin
Starring: Chloe Grace Moretz, Algee Smith, Raul Castillo, Linnea Gardner, Kiara Pichardo, Oscar Wahlberg, Christian Mallen, Jared Reinfeldt, Liam McNeill, Stephen Thorne, Jon F Merz, Tamara Hockey, Jason Bowen, Hana Kim, Benz Veal, Will Lyman, Owen Burke, Kate Avallone

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@ Cemetery Watch
✠ The Vampire Bat.

Meander

Vampire Owl: I remember having met an elf with a similar name.

Vampire Bat: Well, this is certainly not a fantasy movie.

Vampire Owl: Elves are as real as we are. None of us are fantasy.

Vampire Bat: Well, for humans, we are all fantasy elements.

Vampire Owl: The girl on the poster does look very much real.

Vampire Bat: You surely cannot say the same about her surroundings.

Vampire Owl: The poster here doesn’t seems to mean anything.

Vampire Bat: It could be a reflection of the useless lives that the humans lead.

Vampire Owl: Well, with the terrible mindset that they have, what else can they do?

Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.

[Gets a vancho cake and three cups of iced tea].

What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.

So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.

The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.

The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.

Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.

How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.

Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen

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@ Cemetery Watch
✠ The Vampire Bat.

Kuruthi

What is the movie about? :: Ibrahim (Roshan Mathew) lives in the pain of having lost his wife (Navya Davy) and daughter (Aiza Hassan) to a devastating landslide which killed twenty four people during the heavy monsoon rains and the resulting floods in Kerala. He hopes that he would be united with his wife and daughter in heaven soon enough, while his community is blaming the United States, Israel and the North of India for their plight while trying to recover from the remains of the earlier destruction. Most of the local people including Ibrahim’s good friend Kareem (Shine Tom Chacko) has moved to an area further away from the devastated area, but two families have remained at the same place, and Sumathi (Srindaa) who lives with her brother Preman (Manikandan R Achari) at the nearest house is only happy to help them whenever required. Is then that on a usual night, the town Sub Inspector Sathyan (Murali Gopy) comes into the house with a young murderer, Vishnu (Sagar Surya) whom he hopes to protect from religious violence, as this murderer himself was part of a similar religious crowd long ago.

So, what happens with the events here? :: But for the same, he has to fight the biggest religious fundamentalist that he has ever known, Laiq (Prithviraj Sukumaran), who had already attacked the police earlier with his violent group of religious fanatics. He is also the son of the man who was earlier killed in the violence, and he seeks revenge in the name of religion, community and family, while Ibrahim finds it difficult to understand the neverending hatred in his eyes. He makes a grand entry with his friends, and knows that his prey is there. He had come back from Paris earlier after getting into trouble there, and now he only knows vengeance. Laiq gets into the house with the help of Kareem, and with another helper, they manage to outsmart the police officer, ending up stabbing him. As Ibrahim sees the violence, and takes the policeman’s gun and forces Laiq and his friends to go outside, the dying policeman makes him swear an oath on his holy book that he will protect the man at any cost. But that wouldn’t be acceptable to those who just went outside.

The defence of Kuruthi :: Thrillers have been the need of the COVID-19 times, and here, one more gets added. With just above two hours of run-time, this movie manages to go through the thrills in the darkness. What is striking about this film is that it deals with the hatred which has always existed in the mind of man, something which has spread in the minds over humanity, leading to the idea of the “other”, thriving through the world. But the characters in the film are not just motivated by the same, and are instead having their own reasons for what they are doing during the one fateful night. Due to the same, there are some unexpected twists along with those which people can guess, and we also have some very strong dialogues going on here. Some of them might be very much memorable too. The performances also fuel the film really well, and it often comes from those characters who are considered to be lesser, but with less number of characters here, they all have roles to play in what happens in an eventful night.

The claws of flaw :: There were many routes for this particular thriller to follow, and the trailer had suggested many. The film follows its own, and not every moment of the same seems to go in the right direction. It does misses many opportunities to create the elements of fear when the protagonist is locked inside the house with other characters, and when it could have done better, it tries to go without taking risks. There is also a scarcity female characters in the movie, and other than Srindaa, there is only a new face, Navya Davy in a flashback along with a child actress. It also seems to be in a hurry to finish things, rather than using the atmosphere in the best possible ways. Being caught in an area like this would have brought the chance for more thrilling and scary circumstances, but while looking at philosophy, the movie seems to forget the same. It could have done that at least with the total run-time being increased by a few minutes. Well, we know where vengeance can lead a movie when there is something more to fuel the same.

Performers of the soul :: Prithviraj Sukumaran who was last seen in Cold Case, another thriller which released in Amazon Prime Video, is once again strong, and even though menacing from the beginning, he could have shared this more with Shine Tom Chacko. The purpose seems to be more or less as adding the star value rather than getting him more to perform. The evolution of Roshan Mathew from that very small role of Adi Kapyare Kootamani and the student role of Aanandam has been a thing to remember, and the same will be much talked about after this film too. He is the protagonist in the film, and how the film moves on, depends on his actions. He has that pain in his eyes which is reflected in his actions. It is nice to see Shine Tom Chacko getting some nice roles, but as he was last seen in a smaller work in Operation Java, this is also a comparatively smaller screen-time, even though he has a presence throughout the film. Murali Gopy has a role which is quite easy for him, and even though he is there only for a short period of time, he leaves a mark with his actions and dialogue as he has always done.

Further performers of the soul :: It is also good that Srindaa is doing roles like these instead of silly stuff like Aadu and minute as well as useless things like in Sara’s, as her work was becoming more and more of clichés. Here, she is amazingly strong in her character, and she is the only female character in the whole movie’s present. After the grandeur of Kammattipaadam, we have seen very less of Manikandan R Achari when we think how much he has been capable of doing, and he contributes well too. Then, Mamukkoya in a serious role is memorable here with a touch of humour, and we have seen the same effect with so many of actors who were focusing in comic roles in the past – he also gets the best dialogues here. Sagar Surya whom we recognize from his light-hearted comic role in Thatteem Mutteem series in Mazhavil Manorama is also here, doing the serious role, which he does in a fine manner. It is nice to see such names familiar to families coming to the big screen. Naslen K Gafoor whom we remember from Thanneermathan Dinangal also has a strong role here to play, further away from the funny side which he had then, and the same is done effectively here.

How it finishes :: Kuruthi, even though feels like a full thriller, it is surely more than just that. It seems that during COVID-19 times, ideas of making a good thriller has also been worked on, really well. Along with the same, it also takes on a society which is driven by hatred rather than anything else, as people are divided on different lines here. It shows the people who acts differently under strange circumstances, and it also has a little bit of humour in between the bleak times, and that is a nice surprise. Kuruthi is indeed a film that tries to speak about how people have been divided, and it ends without hope for the future – the bleak times of our world, with its uncertainties get reflected here, and the same is done without COVID-19 being the villain. Well, you don’t need a virus to end the world, as you always have humans. If you have seen the Russian film, The Blackout, you will have an idea of what a virus really would be, if an alien was to look at Earth before planning a full-scale invasion of the planet. Well, the only war which you win with hatred, is that which the future generations will lose, and you can see the signs if you look backwards in history. Back to the present, you fight on social media, you battle on those Youtube comments like you are brain-dead. What is the point?

Release date: 11th August 2021 (Amazon Prime Video)
Running time: 122 minutes
Directed by: Manu Warrier
Starring: Prithviraj Sukumaran, Roshan Mathew, Shine Rom Chacko, Murali Gopy, Srindaa, Manikandan R Achari, Mamukkoya, Sagar Surya, Navas Vallikunnu, Naslen K Gafoor, Navya Davy, Aiza Hassan

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@ Cemetery Watch
✠ The Vampire Bat.

The Platform

Vampire Owl: Have you walked through the platforms?

Vampire Bat: Which one are you talking about?

Vampire Owl: The moving platforms which have been introduced inside the castle.

Vampire Bat: Now we vampires have moving platforms? Why?

Vampire Owl: Come on. This is supposed to a haunted castle with many vampires. Such attractions are supposed to be there.

Vampire Bat: You mean to say that Uncle Dracula is planning to make Hotel Transylvania, a five star hotel with special attractions.

Vampire Owl: No, the castle a historical place. We can only add some attractions which supports its status as the monument.

Vampire Bat: They are going to destroy another historical monument. Do the vampire elders know about this?

Vampire Owl: They will know when the platforms are introduced. We are giving them a sweet little surprise.

Vampire Bat: They are so old that such a shocking surprise can make them former elders, and bury them in the vampire underworld.

[Gets a mango cake and three cups of mixed tea].

What is the movie about? :: Goreng (Ivan Massague) wakes up in a concrete room with another man on the bed opposite to his, and Trimagasi (Zorion Eguileor) is a man who seems to have different opinions on world compared to him. The room is marked by the number 48, and there is a hole in the centre through which he is able to look at a large number of similar rooms going up and also going down towards infinity. Trimagasi explains that they are in a tower-style building that goes a long way to the higher and lower levels, at which food is delivered through a platform that travels from the top, stopping for a fixed period on each floor – each floor below gets only the left over of what the higher floors eat, and the amount of food decreases as each floor passes. If they try to keep some food with them for later use, the room gets heated or cooled towards the extreme ends until the food is thrown down. Each month, the imprisoned people are randomly reassigned to a new level and it seems to happen randomly.

So, what happens with the events here? :: The prisoners at the building were allowed to take one item which they really loved, or wanted to keep, into this building, and Goreng had taken a copy of Don Quixote, one of the best known and the most influential novels in Spanish, something which has been an inspiration and part of syllabus in many colleges all around the world teaching English Language and Literature course. One day, a young woman named Miharu (Alexandra Masangkay) rides down on the platform with food, and Trimagasi tells Goreng that she goes down the hole every month searching for her lost child. Goreng sees that she is being attacked by two men, but is relieved to see that she manages to kill both of them using a knife she had with her, and she continues to go down with the food, seemingly searching for the child that she needed to find.

And what is to follow here as time passed in the pit? :: While Goreng had volunteered to spend six months in what was known as the Vertical Self-Management Center to earn a special diploma, Trimagasi is someone who is serving a one year sentence for manslaughter, and he is surprised to see that someone would volunteer to be part of such a programme just for earning a diploma degree. Even though Trimagasi is not someone who seems to be so friendly, the two somehow manages to be pretty good friends, but only until they are transferred to the next cell, which is numbered 171, a place which is on the lower side, and would get none of the food, because 170 levels above and 340 people in there would need a lot more than what is moved on a platform. So, this is up to the two friends to figure out how to survive in this terrifying situation with no food. Will they find a way to survive until the next change to a better space, or will they end up killing and eating one another? Os is there a way to go to another room or escape from this experiment?

The defence of The Platform :: There are some relevant ideas being discussed in this movie, some directly, and most them indirectly. There is some violence, and it is shown as part of human need, and we also have survival of the fittest, with the certain support of luck, as the residents of this building shows life itself in another way, but the core remains the same. There is a display of how higher social order, or people of a better economic status will look at others, even those who were at their same status earlier. The idea at the base goes like this – if you only take what you need, there will be enough for everyone else; it thrives on the need rather than the want, because the desire for more than you need is the root of all evil. It is not just the case of food, but also of other basic needs like clothing and water among others. Along with food, the one thing that people have more than they need is surely clothes, and water is the one thing which is wasted the most. The movie nicely touches these elements with action and thrills to go with them, and the performances from everyone is good.

The claws of flaw :: The movie could have been more accurate with how it presented its ideas, because some are being lost here. There are also some repetitions, even when considering the fact that this is a movie which is just over one and half hours in total run-time. It is also to be noted that more elements could have been included in this movie in that run-time itself, or by adding a few more minutes, because the movie remains a short one considering the idea which it is trying to convey to the audience of our times. The characters could have also been more interesting, and the ambiguity regarding what was happening above could have been removed, especially with one of the people in the office also becoming a prisoner. The movie is also pretty much violent, and often makes some people feel disgust and shock – this is not really a movie for everyone, as the film doesn’t choose to go through that safe path to bring in the audience, making this a much lesser known Spanish flick.

How it finishes :: As The Platform asks some questions relevant during the time of Corona Virus, with COVID-19 spreading throughout the globe, and it is the time to help others, we cannot deny its significance against a world of chaos as well as selfishness. With only a few main characters, the movie manages to bring its point during the season of crisis, even though it did release much earlier, but not many people had heard about it then. It is the kind of movie which will come to the light during different types of similar problems in the world, and it can be considered as a movie standing on its own, with similarities more with its other elements, and not with its core idea. The Platform is the movie that you need to watch during the season of quarantines, isolation and lock-downs, so that as a part of humanity, you can ponder over whatever is happening in a world which has been taught to be the fittest to survive in a cruel world full of inherent evil that William Golding talked about in his novel, the much studied Lord of the Flies. You can also watch another similar lock-down social experiment with The Belko Experiment.

Release date: 6th March 2019
Running time: 94 minutes
Directed by: Galder Gaztelu-Urrutia
Starring: Ivan Massague, Zorion Eguileor, Antonia San Juan, Emilio Buale Coka, Alexandra Masangkay

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@ Cemetery Watch
✠ The Vampire Bat.

The Monkey King II

Vampire Owl: I have this name wandering in my mind somewhere.

Vampire Bat: I am sure that you have known many kings and monkeys during your life-time.

Vampire Owl: Yes, the most recent acquaintance being the Lich Queen with her undead minions.

Vampire Bat: What? You met the Lich Queen? It is forbidden for a vampire to meet an undead queen sorceress.

Vampire Owl: She is not that undead, you know, and she is a good host.

Vampire Bat: Whatever. That doesn’t explain how you met the Monkey King though.

Vampire Owl: Well, I was reading this classic, and the pages came alive.

Vampire Bat: And they attacked you?

Vampire Owl: No, then I realized that I was tearing the pages apart. Then I took some glue and fixed it back to its place.

Vampire Bat: The imperial librarian won’t be that happy this time. You should get a few zombie minions to cover it up.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: A young Buddhist monk, Tang Sanzang (Feng Shaofeng) is on the journey to the West, to the Thunder Monastery in India to collect some of the valuable scriptures of Buddha. But the soldiers who were meant to assist and protect him during his journey leaves him when a white tiger attacks them. Trying to protect the horse, he ends up being under attack from the tiger, only to get into a cave and save himself. As he is followed by the tiger, he sees Sun Wukong a.k.a. The Monkey King (Aaron Kwok) who was imprisoned under the Five Fingers Mountain as part of his five hundred years of atonement for the trouble which he had caused in heaven. The awakened and released monkey soon deals with the tiger, but that only begins in new life, as the Goddess Guan Yin (Kelly Chen) has instructed him to protect the monk throughout his journey.

So, what happens next? :: Wukong is not someone who likes taking orders from anyone, but he is bound to stay close to the instructions made by the goddess, as he is wearing a magical headband which can’t be removed, and will cause him pain if he acts like a bad monkey. He finds his life connected to the monk’s, and decides to finish this job as soon as possible, and get back to his usual, mischievous life. On the way, Wukong defeats two other immortals looking like monsters – Zhu Bajie (Xiaoshenyang) and Sha Wujing (Him Law) who joins them in the journey as atonement for their sins, as the monk gets protected from three sides. Both of the new travelers consider Wukong as their big brother, and approves of his superiority in skills. They have some interesting moments during their travel, and reaches Yun Hai Xi Kingdom, which is ruled by a king (Fei Xiang) and his people living in fear.

And, what is to follow next in the adventure? :: The kingdom is terrorized by the White Bone Demon (Gong Li), a powerful demoness who is known to take away children from everywhere, and she is supposed to devour them to keep herself in this world. As the demoness learns about the arrival of the young monk, she decides to eat him, and thus get more powerful, without no reincarnation, being an eternally unstoppable demon who could challenge even heaven and hell. She, along with her three demoness minions (Lu Weu, Xi’er Qi and Miya Muqi) get the four to their house in the middle of the forest, where they offer all of them a place to rest. She tells them the story of her past as a young woman, which had Sanzang in tears. The two monsters fall into the seductive trap of the demonesses posing as beautiful girls, and Wukong seems to have some problem with his eyes – so, will the demoness and her minions be successful in using the young monk to expand their evil? Or will the Monkey King be able to save him?

The defence of The Monkey King 2 :: This movie is visually excellent with its creatures, surroundings and magic having our attention, and has those action sequences which will immediately ask for your attention. There are also the messages about forgiveness, and the reflection of the fact that humans are so capable of being more evil than the demons every time. There is also some humour present here, and the comic relief is very much useful in this movie. It actually combines nicely with the adventure as well as the spiritual side, making this package whole. Everything is so simple in this movie, and this simplicity in fantasy is something that we can cherish, and the same makes sure that this movie is for everyone – kids are certainly going to love this one as much as any animated movie. Even though there are not that many reviews of this movie in English, the ratings received, including those in Rotten Tomatoes make nice example of how well this has worked.

The claws of flaw :: Maybe, a more serious version of the classic might have been expected by many, and also this one happens to be a sequel rather than the original story, which could have also kept some people from watching this particular flick. There is also more needed of action from everyone other than Monkey King whose action scenes never cease being delightful – the fans from everywhere will always look for more from him, as I had wondered more about this particular character than anyone else. Also, despite having a very strong female villain there with minions, her manipulation or the fighting skills get quite less attention than we would have expected to witness. Looking silly at times is not something that one would expect from this movie, as there is enough depth all the time, as long as you have a classic in your hands, and got hope of everyone who has read or has read about the work expecting a lot. Also, despite the movie being a visual treat, there are moments when the CGI looks too much and strange.

How it finishes :: Those who have read the novel Journey to the West by Wu Cheng’en, are sure to love this movie adaptation of the tale – there are so many version of the same, and many translations. This tale is actually something that needs to be read by everyone, and this movie will help in attaining that for sure. As more people get to read Four Great Classical Novels of Chinese Literature, adding the other three, Romance of the Three Kingdoms, Dream of the Red Chamber and Water Margin to their list of books to read, we can safely say that this visual extravaganza of an action movie is successful in doing the right thing for literature. Even if you haven’t watched this movie’s predecessor, or never known about the novel, it is still okay to watch this movie – this one is a rather stand-alone work, and things really can’t get any simpler than this as far as fantasy movies are concerned. Then, the messages are also straight-forward with nothing there to bring a message out of a message. Also note that the actor who played the antagonist in the previous movie plays the protagonist here.

PS: For more on the movie of the week here, read on – Thondimuthalum Driksakshiyum

Release date: 6th February 2016
Running time: 119 minutes
Directed by: Cheang Pou-soi
Starring: Aaron Kwok, Gong Li, Feng Shaofeng, Xiaoshenyang, Him Law, Fei Xiang, Kelly Chen, Lu Weu, Xi’er Qi, Miya Muqi

@ Cemetery Watch
✠ The Vampire Bat.