Those Who Wish Me Dead

Vampire Owl: Can someone wish that the undead be dead?

Vampire Bat: Well, that would be something the werewolves would do.

Vampire Owl: Do they still try to make sure about it?

Vampire Bat: They haven’t been that dumb for some time.

Vampire Owl: You mean that werewolves are no longer dumb.

Vampire Bat: Let them make a claim related to that.

Vampire Owl: Well, zombies did make such a claim, and they are surely dumb.

Vampire Bat: Zombies never get to eat enough brains. You can’t blame them.

Vampire Owl: Werewolves don’t get enough of full moon either.

Vampire Bat: Let us not blame them for wishing us dead, at least for now.

[Gets a blueberry cake and three cups of cardamom tea].

What is the movie about? :: Hannah Faber (Angelina Jolie) who used to be smokejumper is struggling with her past after facing a forest fire and failing to prevent the deaths of three young campers and another smokejumper. She ends up being posted at a fire lookout tower in pretty much a remote location. At the same time, Owen Casserly (Jake Weber), who works as a forensic accountant, watches the news about the death of his boss and family in what seems to be a gas explosion, and panics, ending up leaving his city with his son, Connor (Finn Little) who is confused about is happening. The house was originally destroyed by assassins Jack (Aidan Gillen) and Patrick (Nicholas Hoult) who were sent by highly influential people who wants to destroy the evidence of what Owen knew and had informed his boss. As they come to know that Owen had left his home with his son, they start another hunt with the clues which they were able to find at his house.

So, what happens with the events here? :: Owen hoped to find refuge with the one man whom he hopes that he can trust, his brother-in-law, Ethan Sawyer (Jon Bernthal), a Deputy Sheriff, who used to be Hannah’s ex-boyfriend. As they are attacked by the assassins, they are forced to drive down the cliff, leading to the death of Owen. Now, only Connor has the much valued evidence against the gangster Arthur Phillip (Tyler Perry). Connor who keeps on running ends up meeting Hannah, who he doesn’t really trust in the beginning, but decides to go with her anyway, as he runs out of options. It turns out that her tower was just hit by a lightning, and they no longer have any option for communication. At the same time, the assassins get another warning from their boss, and as they need to finish what they started as soon as possible, they set fire in the forest as a distraction and goes on looking for the boy at all possible locations, with time running out.

The defence of Those Who Wish Me Dead :: There is always chance for having more and more thrillers which are lesser known, but has enough strength inside to make an impact, thus keeping us interested. This film tries to be one of them, and succeeds up to an extent. This is also a film which we never knew that it had released, but thanks to Amazon Prime Video, we know. The film has engaging moments, as there is the boy being hunted, and we also have a protagonist with a troubled past who is trying to save him as well as others who also comes in. The setting used here is really good, as we have a huge forest area, a small town, and fire that burns them all. The situation has been nicely managed around here, as far as the environment is concerned. It also manages to have an emotional side to go with things. It could have also suited a slasher horror film well too – we have watched films like Nobody Sleeps in the Woods Tonight and Hoax a few months ago.

The claws of flaw :: Those Who Wish Me Dead doesn’t make full use of what it has in the hands. It also stays rather slow during most of its time, and it doesn’t seem to be in a hurry at any moment. It also misses the opportunity to bring some horror in between, and with a quicker pace, it could have achieved much more, after all, we have people who are supposed to be expert assassins fighting some local people. The slasher elements could have also made some impact around here. The intensity could have been much higher as we see how things are progressing around here. Angelina Jolie still has what it takes, but we do feel that she wants to let it go, and Nicholas Hoult, if used as the sole assassin, could have scored much more here. We do miss those days when these two people could have done things which nobody else could do, and that reminds us that we are also getting older – how has the world changed in more than one way, right? Well, all these do make the film feel much longer, even as it is not that long.

Performers of the soul :: Angelina Jolie is the name which makes you watch films during these days too. If there was no COVID-19 pandemic, and if this had released in the theatres here, just her name would have brought the audience to the multiplexes, that much has been her star value around here. She continues to come up with the fine performances, even though there is that tired look which seems to be that much associated with her as much as the character with which it connects really well. Nicholas Hoult who is the next best known name with films including X-Men franchise, Jack the Giant Slayer, Warm Bodies and Mad Max: Fury Road to his name, surprisingly doesn’t get a boost to his role, and is limited to the usual assassin that we see – well, that much is done pretty well. Aidan Gillen plays the other assassin well enough too. Medina Senghore as Allison is the strongest character around here, and Jon Bernthal as Ethan has his moments here too. Finn Little has some good moments as the child actor.

How it finishes :: Those Who Wish Me Dead adds to the list of the usual thrillers with some fine setting to go with it. It had the scope to be more, but that chance is not taken. It would have made more impact if the theatres were open around here, even though one can’t be sure if it is to get a chance for a release here with so many Malayalam films getting ready for release as soon as the COVID-19 numbers get lower. We do have to appreciate the fact that they are indeed releasing these movies on Amazon Prime Video which most of us have better access, as there is almost nobody who doesn’t order from Amazon these days and most of the people do have the Prime account. After all, these are the days when we are hoping for better times, and some good movies can help us to keep life going better. There is nothing like a tale of survival against all odds that can keep us going during these days. So, until things get better, we still have these around.

Release date: 14th May 2021 (USA), 17th September 2021 (Amazon)
Running time: 100 minutes
Directed by: Taylor Sheridan
Starring: Angelina Jolie, Nicholas Hoult, Finn Little, Aidan Gillen, Jake Weber, Medina Senghore, Jon Bernthal

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Dark Phoenix

What is the movie about? :: In the year 1992, when a space mission seems to be in trouble, while facing a solar flare, the X-Men lead by Professor X a.k.a. Charles Xavier (James McAvoy) decides to help the humans, and once again prove that mutants and humand are to co-exist. But it is a risky mission, as the plane is ready for a journey into space. But the team including Jean Grey (Sophie Turner), Nightcrawler a.k.a. Kurt Wagner (Kodi Smit-McPhee), Storm a.k.a. Ororo Munroe (Alexandra Shipp), Quicksilver a.k.a. Peter Maximoff (Evan Peter), Mystique a.k.a. Raven Darkholme (Jennifer Lawrence), Beast a.k.a. Hank McCoy (Nicholas Hoult) and Cyclops a.k.a. Scott Summers (Tye Sheridan) go on the mission despite having the doubts. The situation seems under control as Nightcrawler’s teleportation and Quicksilver’s high speed seems to be enough to finish the job.

So, what happens with the events to follow? :: But it is revealed that there is one more person to be saved, and they decide to go back. With Jean holding the space shuttle together, Nightcrawler takes the remaining person out, but is unable to take Jean back as the solar flare covers her. But he is able to recover her body after that, and surprisingly, she wakes up. The X-Men are hailed as heroes by the public, and the bond between humans and mutants gets to be stronger. But there is something different about Jane after that incident. Hank finds her energy to be beyond comprehension, crossing all borders. Scott also feels that there is something different about her. At the same time, Raven is not happy about Charles leading the mission to a point from which a return becomes near impossible; she feels that making a future with the deaths of mutants won’t be fair.

And what more is to happen? :: Jean seems to unleash herself at a point, and collapses. Unable to get into her head for the first time, Charles uses the Cerebro machine, and with it at high power, finds that the bad memories that he had shielded in the mind of Jean, are now out in the open, and she won’t be the same again. With memories of her distant past coming back to her, Jean leaves, and the X-Men follows here – they won’t have anything positive to find there though. Her actions there would turn both mutants and humans against her, with no chance to return to the previous state. At the same time, certain aliens from outer space have also reached Earth, searching for the Phoenix Force within Jane. They are lead by Vuk (Jessica Chastain) who serves as the leader of this shape-shifting alien race, called D’Bari. This would lead to time running out for Jean, before she could be herself again.

The defence of X-Men: Dark Phoenix :: The action sequences surely score with this movie, and so does the visual beauty. The action on the train in the final moments are among the best so far in any X-Men movie. There are also a few others which offer something similar. The special effects are used well, and we see the mutant powers being used nicely. CGI is used nicely by the movie, as the desire for another superhero movie after Avengers: Endgame has been provided in the form of X-Men: Dark Phoenix. The path that the movie takes seems to be interesting, and ready to bring further twists, even though this might be the final movie of this film with these characters in the main roles. The premise is a wonderful one for sure, even though the movie doesn’t really use the same to the best of effects. It has also released in India earlier than the original release date, and it should serve the movie to get better collections here.

The claws of flaw :: The movie is unable to prove to be better than X-Men: The Last Stand which was the movie which dealt with the same story thirteen years ago, and still managed to better at that time. It was not a fantastic movie in any way, but it had somehow managed to do better, not just with its story, but as a whole – it is only with the final moments of action that this movie holds more power. The titular character is also not explored in the right way, as her being all-powerful just goes too much beyond the border, as we get tired of the same quickly. We also know what is to happen with this tale, and how the same person does the job in the end is ridiculous – this is where the previous Dark Phoenix movie served better, with weakness in between the all-powerful; think about Superman without the idea of kryptonite there, and it is easier to understand. The movie also slows down in the middle, and the emotions go weak on a number of occasions.

The performers of the soul :: Sophie Turner from the Game of Thrones fame, has been an interesting addition to the film series – we see her continuing her form at a number of moments, but not as a whole, as things get repetitive. We wouldn’t get to see her as we had seen her in the popular television series, with the avatar itself being different around here. It would have been nice to see her as the earlier and more vulnerable Jane better. Jennifer Lawrence is completely wasted in her short stay there, and there is nothing that she does except for coming up with some unnecessary dialogues. The one who comes up with some of the best moments is Michael Fassbender, who shines as Magneto once again, rising above his good friend and leader of X-Men – James McAvoy who plays the leader is a weakened figure going too strange this time. Alexandra Shipp and Nicholas Hoult come up with pretty good job here. Kodi Smit-McPhee is memorable, while Jessica Chastain and Tye Sheridan are not.

How it finishes :: There is something about X-Men that we have always loved, going back to the childhood memories of watching that animated series. There is not much of a reflection of the same around here though, as the level has certainly come down from the predecessors X-Men: Days of the Future Past and X-Men: Apocalypse – it can’t even stand against the single mutant centered tales which came earlier, like Deadpool, Deadpool 2, The Wolverine and Logan. But it is enjoyable up to an extent, thanks to the action sequences where the mutants go for the full scale display of their powers. We are not going to miss the X-Men after this as we already miss Wolverine, and so lets watch a movie of the series one more time, and enjoy the good parts, while we will also have The New Mutants releasing next year as an extra addition. It will have Anya Taylor-Joy and Maisie Williams as young mutants, making it something to look forward to.

Release date: 5th June 2019 (India); 7th June 2019 (USA)
Running time: 114 minutes
Directed by: Simon Kinberg
Starring: Sophie Turner, Jennifer Lawrence, James McAvoy, Michael Fassbender, Nicholas Hoult, Tye Sheridan, Kodi Smit-McPhee, Alexandra Shipp, Evan Peters, Jessica Chastain

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

X-Men: Apocalypse

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What is the movie about? :: En Sabah Nur (Oscar Isaac), later known as the Apocalypse, the world’s first mutant possessed powers that were stronger than everyone else combined, and ruled the ancient Egyptian civilisation as the force that nobody could think about stopping. Worshipped as God and obeyed as the king, he enjoyed unlimited powers in the greatest civilisation of its time on the banks of River Nile. Using his powers to make himself even stronger and supported by four other powerful mutants who are referred to as the Four Horsemen of the Apocalypse, he easily got rid of all those who stood against him. But one day, his worshipers who had enough of his tyranny manage to hold and bury him inside a pyramid at a time when he was changing his body to keep his eternal life going. With his mutant force dead while trying to preserve him, he stayed there, buried deep.

So, what happens next in the movie? :: After many years, Apocalypse awakens to a world which is nowhere near his vision. With the weaklings humans having control over everything with their machines, he decides to destroy all that mankind has built to create a new world which will have him and his fellow mutants as gods and demigods, who are to be worshiped by the weak humans. With Egypt as the centre of the new world again, he would bring the change that every mutant would have wanted to happen at some point. As an immortal being, he understands that he should still be the greatest power of the time, even bigger than the weapons of mass destruction that the man has invented, and also those mutants of the newer age. With the rise of the Apocalypse, Jean Grey (Sophie Turner) begins to have terrible visions about the end of the world.

So, what follows the rise of Apocalypse? :: Alex Summers a.k.a. Havoc (Lucas Till) finds out that his younger brother Scott a.k.a. Cyclops (Tye Sheridan) is mutating and is having problems with controlling the optic beams coming out of his eyes. He takes Scott to Professor Charles Xavier’s (James McAvoy) institute for mutants, hoping that they could find some way to bring him in control. There, Scott meets Jean and they become good friends. Meanwhile, Apocalypse finds his four horsemen starting with Ororo Munroe a.k.a. Storm (Alexandra Shipp) who is a pickpocket wandering around the streets of Cairo, Psylocke (Olivia Munn) who happens to be a blackmarket enforcer, Angel (Ben Hardy) who used to be a fighter, and Erik Lehnsherr a.k.a. Magneto (Michael Fassbender) who is deeply saddened by the death of his wife and daugher in the hands of humans.

What fate awaits the world with Apocalypse unleashed? :: With Raven Darkholme a.k.a. Mystique (Jennifer Lawrence) returning to the institute with the new recruit Kurt Wagner a.k.a. Nightcrawler (Kodi Smit-McPhee) to talk about Magneto and Peter Maximoff a.k.a. Quicksilver (Evan Peters) joining them in a search for his father, can they stop the evil that threatens to destroy the world right from its foundation itself? What does Dr. Henry McCoy a.k.a the Beast (Nicholas Hoult) who is looking forward to being themselves and the CIA agent Moira MacTaggert (Rose Byrne) who has been witness to the rise of this ancient evil think? What role does Colonel William Stryker (Josh Helman) has to play as he looks forward to turn these mutants into weapons following his Weapon X programme? Does any of these mutants stand a chance against Apocalypse and his upgraded horsemen?

The defence of X-Men: Apocalypse :: The big advantage of this X-Men movie that it makes the viewers think – it is a development that has come a long way since this series first showed up. The action sequences are also nothing less than amazing, with the mutants at their full power battling for what they think is the best for their world. The battles are nicely done, and there are lots of visual effects that are used really well. In the end, it become more of that visual treat, and its mutant characters are all very interesting, and the most interesting one should be Nightcrawler who returns to the franchise after a long time. Sophie Turner as Jean Grey becomes a nice improvement for this character that we have seen before and had gone to the worst possible level in X-Men: The Last Stand. Olivia Munn as Psylocke also catches our attention even when she gets less screen space, and with all of them around, the final battle becomes something nothing less than a full action treat.

Positives and negatives :: Among all X-Men movies, I have felt that this one is not just the best looking, but also the best-fitting into that long list of puzzles that make the franchise. Some people might find this rising evil and saving the world to be repetitive, but without that what would superhero movies do? Maybe Apocalypse is that kind of a villain who got even more possibilities, but this one works as it is. This one also doesn’t directly continue from where the last movie had left off. Meanwhile, the movie also reminds you of how good Michael Fassbender is, as Magneto never gets to be any less interesting. Evan Peters’ Quicksilver continues to catch one’s attention, as he also gets his own nice sequences. There is one sad thing though, and it is that Mystique doesn’t get enough of her place as a character with her own style to be interesting, and the same is the case of the Beast and Storm. Well, you needed a spectacle bigger than the previous movies, and you can have it here – just keep the thoughts of repetitions away from the mind!

How it finishes :: X-Men: Apocalypse is actually an improvement from its predecessors released in the last few years, including X-Men First Class, The Wolverine, X-Men: Days of Future Past and Deadpool. Filled with entertainment right from the beginning, and also having a fine emotional side, this movie will make sure that the full 144 minutes don’t go missing. With all these mutant powers running wild, one has to wonder why people can choose not like this movie. The full dose of action that is present here often makes one wonder if Avenger movies can take something right out of this one. There is intelligence in the choice of mutants and the use of their powers displayed on screen, and we have to accept the fact that this is a superior superhero compared to many others which get too much of positive opinions.

Release date: 27th May 2016
Running time: 144 minutes
Directed by: Bryan Singer
Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, Lucas Till, Ben Hardy, Josh Helman, Lana Condor, Tómas Lemarquis, Warren Scherer, Rochelle Okoye, Monique Ganderton, Fraser Aitcheson, Zehra Leverman, Željko Ivanek, Anthony Konechny, Hugh Jackman (Cameo), Bryan Singer (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Mad Max: Fury Road

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Vampire Owl :: Do you know that this director’s last movies were Happy Feet and Happy Feet Two?

Vampire Bat :: Yes, the Vampire Penguin did inform us about the same.

Vampire Owl :: And we are going to watch this one.

Vampire Bat :: Ninety Nine percent at Rotten Tomatoes and nine out of ten at IMDb for an action movie – then why not watching it?

Vampire Owl :: Well, I have my doubts. They rate random violent action movies as awesome. Quentin Tarantino knows that for sure.

Vampire Bat :: Quentin Tarantino has nothing to do with this one. And the trailer was awesome. It called for a quick 3D watch!

Vampire Owl :: It could be also because we love Charlize Theron.

Vampire Bat :: Rosie Huntington-Whiteley is also there, if you want another reason. Remember Transformers: Dark of the Moon.

Vampire Owl :: Let’s go for this then.

Vampire Bat :: It is exactly what I am talking about. I also have to write my two hundredth review with this one.

[Gets the tickets].

What is it about? :: In a distant post-apocalyptic future where the resources are scarce and there is rarely the trace of civilization, Max (Tom Hardy) is captured and is imprisoned to be used as a blood bag for the sick boy Nux (Nicholas Hoult) in a part of the world which is ruled by a tyrant called Immortan Joe (Hugh Keays-Byrne). Meanwhile, Imperator Furiosa (Charlize Theron) who was sent by Joe to collect fuel drives away, and the tyrant realizes that she had also taken his five beautiful wives whom he had selected to bear his children without the deformities of the normal people around him. As Nux makes an attempt to make an impression with the captive attached as the blood bag, Max escapes, and joins forces with Furiosa and the wives Angharad (Rosie Huntington-Whiteley), Capable (Riley Keough), Cheedo (Courtney Eaton), Toast (Zoë Kravitz), and Dag (Abbey Lee), as they hope to reach a location called “Green Place”.

The defence of Mad Max: Fury Road :: This one goes directly into the action, and we know what is expected here. We have something like the ultimate action movie which is so quick in its action and thinks not much about bringing up the rules. There are modified vehicles battling in the middle of nowhere – a lot like warships fighting on the sea, and here the four-wheeled monsters fight on the sea of sand. There are sandstorms instead of the storms in the sea, and there is a lot of work in the design of those vehicles, that is for sure. There are gunshots, melee combats, racing and people falling dead all the time. The pace is so good that you don’t wish to take your eyes off the screen. The dialogues also turn interesting soon enough. The background score is also impressive. There is also that display of humanity when it is left with no law and order, as we see the chaos which the lack of civilization brings to the humans. There is madness, and there is fury!

The claws of flaw :: Never does this movie venture too much without the action which seems to be imprinted throughout its run. There is the scope for more and more of story, but the focus remains on the action sequences which keep coming. This leaves the option to say that this is another mindless action movie – but that is still disputed, and depends on how you take it. The ending also doesn’t come up with that big surprise or climax, as the action just continues to lead to the end. There are things left unexplained about the situation, and there is not much smartness displayed by the characters in this movie as the actions are rather reckless. Yes, there is the need for willing suspension of disbelief, but it is easy in this case as the situation is of a post-apocalyptic future.

Performers of the soul :: The performances, especially from the leading cast remains the strength of this movie. The first name that needs attention here is Charlize Theron. This is not the kind of avatar in which you would expect to see her, but this is a role in which she excels. She plays the character who becomes the reason for this movie as well as all the action that we get to witness. She plays an amputee, but is still one of most powerful female action heroines of all time. Tom Hardy also makes it out strong as the titular character, and he surely has the best moments. You might not recognize Nicholas Hoult in the first look, but he steals a few moments nicely. The ladies play the wives well, and another person you need to look out for is the former WWE wrestler Nathan Jones who had teamed with the legendary Undertaker himself, as the strong Rictus.

Soul exploration :: The movie ventures in the post-apocalyptic future when the world has plunged into chaos. It comes up with that situation when almost all the resources have finished, and also when humanity finds chaos again in the absence of civilization. Without order, there will be only people fighting each other, and it is a possible state of the world in the future in the presence of its never-ending wars. As no surprise, the future will still have its weapons, even if the resources are to be so scarce. The final stages mean that someone will try to have them all without thinking about sharing. An experience close to the end of the world won’t make people any better, but will make them worse, trying to make “the survival of the fittest” happen in every case. Then there is the need for redemption as often spoken about by the main lady, and for the same, there is need for courage, sacrifice and revolution.

How it finishes :: Mad Max: Fury Road might not do that well at this part of the world as it is not the usual viewers’ choice action movie with the users’ choice kind of things. This is mostly action, but things remain too grim for the general audience who would surely prefer to see Avengers: Age of Ultron or Fast and Furious 7 instead of this one. But you need to watch this one in the theatre more than any other, as you seek chaos in the sands past the apocalypse – the world is so good that it might even make you satisfied only with the 3D. Mad Max: Fury Road becomes the movie of the week; not so sure about the box-office collections, but it is a certainty with the critics and action lovers. This is actually the fourth film in the director’s Mad Max franchise, and may be we should watch the others too – I haven’t done it yet. This brutality in brilliance gives an order!

And that was the 200th review! 😀

Release date: 15th May 2015
Running time: 120 minutes
Directed by: George Miller
Starring: Charlize Theron, Tom Hardy, Rosie Huntington-Whiteley, Zoë Kravitz, Nicholas Hoult, Hugh Keays-Byrne, Abbey Lee, Riley Keough, Courtney Eaton, Nathan Jones, Megan Gale, Josh Helman, Melissa Jaffer, John Howard, Richard Carter, Jennifer Hagan, Gillian Jones, Angus Sampson, iOTA, Joy Smithers

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@ Cemetery Watch
✠ The Vampire Bat.

Days of Future Past

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The X-Men Legend :: The legend of X-Men starts in the theatre with the 2000 movie X-Men, made better by X2: X-Men United later, and undoubtedly ruined by X-Men Last Stand with whatever they managed to do with just one mutant character, Jean Grey. That was supposed to be the ending of X-Men watching for me, and there the director had changed, but the one who director the first two X-Men movies are now back with X-Men: Days of the Future Past. X-Men Origins: Wolverine and X-Men: First Class were really good and the latter was rather an impressive flashback to the origin of the first mutants with a nice background of the Cold War, while The Wolverine was a little bit of let down even as it can still be considered okay enough under most of the circumstances. With this franchise from Marvel, we get a movie which has been around with more than nine out of ten rating in imdb and ninety four percent critical rating in rotten tomatoes, something which not many superhero movies could achieve. So this was indeed a movie not to be missed, and a even my delay of one day was depressing for me.

What is it about? :: The story goes quite some way into the future, as there are non-metallic robots which are hunting the mutants as a result of years of human research to find a solution to the mutant existence. At the same time, the robots have also managed to go beyond its instructions oppressing the humans as they are the source of mutants coming into existence later. As Kitty Pryde (Ellen Page) has the ability to project a person’s consciousness back to the past and warn others, a group of mutants surivive, including Professor X (Patrick Stewart), Ian McKellen (Magneto), Wolverine (Hugh Jackman), Storm (Halle Berry), Iceman (Shawn Ashmore), Colossus (Daniel Cudmore), Blink (Fan Bingbing), Warpath (Booboo Stewart), Bishop (Omar Sy) and Kitty herself. As they are pretty sure that they will be caught soon, they decide to use Kitty’s ability to send Wolverine back to 1973 to stop Mystique (Jennifer Lawrence) from murdering Bolivar Trask (Peter Dinklage) who invents the robot assassins whose idea and a captured Mystique’s DNA will be used to create the killing machines in the future as the dead man becomes a sort of martyr. So, can Wolverine do well enough?

The defence of X-Men: Days of the Future Past :: The beauty of this movie is how it has managed to work on its story with its powerful connection to the other X-Men movies, and as this is set in the future, this has a little bit to relate to every other movie of the franchise, especially X2: X-Men United, X-Men: Last Stand and X-Men: First Class. The whole thing is nicely managed here without causing any disruption to all that have already been established in those previous movies. Even with the lesser amount of action sequences, they have done what all were there very nicely, with the robots fighting the mutants, a battle which could have used a little more smartness, but they are visual treats even if one-sided for the most part. The presence of the character Quicksilver is a boost too even when limited to one fight. The movie gets on with its world quite fast too, making sure that the boredom that can cause by explaining about the characters is not there, and if there is the need to know more, the viewers can watch the other X-Men movies. Now, with the time space continuum altered, may be some of the incidents of the movie never happened or might not happen, may be that can give scope for a difference sequence of events in upcoming X-Men movies.

The claws of flaw :: The 3D makes an attempt to prove itself unnecessary as the movie progresses; the positive side was only in the beginning with the credits. The movie also drags in the middle, with a lot of dialogues rather wasted. The thrills that is supposed to be there from the beginning works at a weaker level through the movie, as there is not enough action in between to support it. Except for the action in the beginning and the end related to the robots where the mutants lose in all cases, there is no real impressive battle except for a little Magneto trick and Quicksilver show. The special effects should have been used better and there should have been lots of action, but they have sacrificed those elements just to add some drama. Still, it is not different from most of the usual superhero movies, especially the X-Men related ones. The characters don’t seem to get into the situation much, and there is rather too much confusion between them. This one should tried to bring more thrills and action from the material that they had, and in the case of mutants, they should have put their powers to use more frequently and efficiently, but that is not there. Then they decided to get rid of Quicksilver who scored so well, and that is a shame.

Performers of the soul :: If someone has to be applauded from his first appearance to the last, it has to be Michael Fassbender, as he is the one who stands out in this movie, making his character the one to look out for. James McAvoy has his moments, but this younger version of Professor is rather impressive only in moments. Jennifer Lawrence shines as the unique mutant Mystique and it was great to watch whenever she was there, but the question would remain if there could have been more in a movie which is based on her and the whole thing is dependent on her actions. Hugh Jackman is once again the Wolverine with style, but this version is rather passive, without that recklessness and anger that we identify the character with, and that was disappointing. Seriously, why would the Wolverine be not aggressive? It is a shame that Anna Paquin’s Rogue was just a cameo, she was one of my favourites with Nightcrawler who is again missing. Evan Peters’ Quicksilver might impress more than many other mutants in just the few minutes that he is present while Nicholas Hoult’s Beast becomes less significant. Meanwhile, Ellen Page and the rest of the mutants of the future present has limited presence compared to those of the past.

Soul exploration :: The movie continues to deal with the basic mutant problem with the human fear for the unknown and the alienation of the other that follows. The end-point of all of these is holocaust, by exaggeration of things which might seem to project the possible extinction with more power than ever. Once again Trask Industries becomes what Stark Industries wasn’t in The Avengers and related movies, being the dark force of science and technology against the one that powered Iron Man. Just with words re-arranged, this industry once again asks the familiar question for those essays at school – “technology: boon or bane?” I thought they were finished with that, but this question might always remain with the technology being an advantage only for the rich and the need to go to space rather than saving Earth. The questions that should be evoked might be about the results of changing the past. It is impossible to change it, but even if it is changed, how will the future respond? Are some things always supposed to happen, no matter how hard we try to change it? Yes, everything seemed to work well by the end of the movie, but how can we be sure about that until a sequel comes to light?

How it finishes :: This franchise might have finished with X-Men 3: The Last Stand, but it didn’t, and came up with two successful origin movies for its most popular character and also created another success without him in the form of X-Men: First Class. The movie also leaves the franchise with endless possibilities to go towards many directions. The destruction of a timeline or rather the disruption of the same can effectively trigger a reboot or many other movies in between. It might seem like a risk, but there are lots of things that it can achieve for a superhero franchise. You might wish to finish watching the other movies of the franchise before watching this one. Then there is always the presence of someone like Jennifer Lawrence who transforms not just like Mystique, but also like Katniss Everdeen becoming Raven – now the question remains, will this change of the past which makes her not an assassin land her somewhere else than not with Magneto? May be with X-Men or as a neutral? How surprising can it be if she is also part of that same school of Professor X? There is a lot to expect from another X-Men movie, that is for sure.

Release date: 23rd May 2014
Running time: 131 minutes
Directed by: Bryan Singer
Starring: Hugh Jackman, Jennifer Lawrence, James McAvoy, Michael Fassbender, Anna Paquin, Halle Berry, Ellen Page, Nicholas Hoult, Peter Dinklage, Ian McKellen, Patrick Stewart, Shawn Ashmore, Omar Sy, Daniel Cudmore, Evan Peters, Fan Bingbing, Adam Canto, Lucas Till, Booboo Stewart, Josh Helman, Mark Camacho, Evan Jonigkeit, Gregg Lowe

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@ Cemetery Watch
✠ The Vampire Bat.

Warm Bodies

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Welcome to Zombieland – not as the name of the movie, but as a world with is not only a “zomcom” like Go Goa Gone, or “romcom” like all those pathetic movies which have eaten the brains of Bollywood and still continues to do so; for this one from Hollywood is everything at once, “zomcom”, “romcom”, “zomrom”, or even “zomromcom”.  This movie is a pleasant surprise, in a world where teenagers wish to lose their humanity and be the Twilight vampires, this one comes up with something different. It is the story of a zombie who reclaims his humanity, and leads to a transformation among his own zombie people. The first question that should come to one’s mind is about how much it would work in a world of movies and literature where the vampires are glorified, and the werewolves are also given their due with the cross-connections (thanks Underworld and Twilight), and zombies are still shot on the heads with no hesitation. As the question remains about this prejudice, this movie comes with a pleasant surprise which reverses both the zombie situation as well as the supernatural glorification giving the world back to humans. There might still be no zombie wishing for a human to bite them and turn them human, but as we have seen in Daybreakers, there is always the scope to try the reverse transformation.

There is the direct, secure packing and sending of the viewers into a post-apocalyptic world instead of any explanation of what caused the same, which is actually a good movie, as there are always the logic-seekers who would find something wrong in turning these zombies into human. The human survivors who keeps getting lesser in numbers have retreated and have barricaded themselves inside a walled area surrounded by our dear little protagonist zombie and his friends. Most of them are still in comparatively human phase compared to the horrid skeletal structures called Boneys attacking anything that lives, which they become after they lose all hopes (another moment of reminder about Daybreakers, where vampires degenerate into subsiders, the psychotic bat-like creatures). So when the zombies increase in population to infect most of the world and the human supplies get low; Julie Grigio (Teresa Palmer) and her trained friends go out to the zombie world to get something from the abandoned buildings. They are attacked by a group of zombies, but she is saved by R (Nicholas Hoult), a zombie who narrates to us, and from whose angle we see the world (not before he eats her boyfriend’s brain though).

So, this R who has been trying quite hard to seem more and more human, has now a girl with brain for company; a brain he doesn’t want to chew on. He keeps her safe in a permanently grounded airplane and the bond makes him move even further towards humanity. Affected by the fact that R killed her boyfriend, the girl of brain leaves the brain eater and manages to reach home safely. But the problem remains that the whole thing has caused such a chain reaction in the zombie society that more of them seem to show the signs of humanity including R’s best zombie friend M. But the Boneys seem to detect this life and is all set to attack both the remaining zombies with their superior strength, agility and the lack of humanity. It is up-to R to get to the human world and find the girl, along with using all the memories from that brain of her boyfriend which he has been chewing on for quite a while. As vampires and zombies are practically the same, and there has been quite a lot of popularity for Twilight, this should have been received better, but these coffin-less, fang-less poor corpses haven’t got the attention they deserved in this part of the world, and it is our supernatural duty to give it to them. I would believe that there are many different ways to read this movie. [Preachy-philosophical stuff ahead: Uninterested people are expected to skip to the third-last line of the last paragraph after the next].

✠ As the reversal of situation: It is the reversal of the vampire addiction and the overdose of humanity in vampire fiction. As the zombies have been portrayed as the most mindless attackers even in the recent World War Z as well as in the collection of Resident Evil movies and games, this could inject an amount of thoughts which might make people value their human existence. Daybreakers couldn’t achieve this and there was no attempt either, as the vampires were more powerful, intelligent and also always winning. Teresa Palmer has looked more like a blonde Kristen Stewart throughout the movie and there are times when she sounded similar enough, but this is undoubtedly better characterization and a better performance in a well created movie. This character is surely one of brains, and not Bella, and can thus create a good replacement for her, and surely there are expressions – the character doesn’t fall for the supernatural like Bella did, as she is clever enough to value her humanity, and neither does she asks him to turn her into a zombie; may be she realizes how gorgeous she is too. Nicholas Hoult’s R is a more hardworking type of undead, even as this one also worries incredibly about keeping his girlfriend safe. When blood-drinking is replaced with brain-eating, there is another psychological impact which brings people back to their human nature.

✠ The old Shakespare and the Fairy Tale: The R should surely stand for Romeo and Julie for the one Juliet, with forbidden love set in motion. R just remembers the first letter of his name, and the lady can surely use a “T” if needed. They do see each other by the balcony, and trust me, there is no sad ending this time. In one way, it is the drama of the dead and in another way, this is the fairy tale of the dead/undead. There has been so much the need for the superman and the knight in shining armour that here, the need to be alive takes that place, and the need to have a beautiful girl with brains. This tale involves the brain used for thinking instead of satisfying the hunger, and the drams taking over the void initiated by one huge nightmare. It is up-to the zombies to connect with the human world, as the humans would do about the Supreme Being, and the ones who give up the hope and belief would be left with their skeletal structures, with no faith and no real life. There is always the hope for a better place, and for the zombies, humanity is one of them, and one man-zombie gets connected to that world by chance.

✠ When most of us are zombies: The middle group represents most of us, when we move on through life doing what the others, the zombie friends do; when we join the course they join, and when we study what we don’t want to study, and live a life of survival which everybody does. But when we choose to be different, we are the zombies for the others, and in our own point of view, we are the chosen ones to be alive. We are not them, and what they feel important can’t be of any significance to us, and vice versa. R became alive when he chose to be different, and one has to wonder if he is one of those people who had chosen to pursue arts instead of the professional courses, and made him realize how important it is to be different, and how much is there to know and understand instead of feeding on those brains symbolizing logic. He understood what creativity is, and its pure awesomeness above logic. It is choosing that good path to be different that matters, and for all the others who take that different evil path, there is the world of the walking skeletons. The advantage of this gained humanity is that one would know its value and it won’t be wasted on anything silly. It is our choice, and out of the knowledge of the Supreme Being, and the world would become more of truth and wisdom. The opportunity to reclaim the lost humanity is to be embraced.

✠ The value of humanity and faith: By the end of the movie, it is the human contact and never ending faith that saves the day. There is always the need to take that leap of faith at some point of life, and the strong belief in God and being humane are all that matters. If a zombie could go beyond his needs and prevent himself from devouring what he needed for diets, where does the humanity lie? Does the zombie’s need to feed strike lower than the human need for war and destruction? When an undead creature could come up with so much faith, why is it that humans fail miserably? This is where the questions begin and answers hide behind the bushes. The movie might not interest those who are looking for quick undead action, but this clever twist to the old myth of undead is a must watch for all those who feel like a zombie, or has the desire to see humanity in action at its base level in the most humane way. After watching this movie, some of you might surely hesitate a second before shooting an undead during the next zombie apocalypse. From what this movie has achieved, that much I am sure about; the rest is for you to decide.

Release date: 1st February 2013
Running time: 97 minutes
Directed by: Jonathan Levine
Starring: Nicholas Hoult, Teresa Palmer, Analeigh Tipton, Rob Corddry, Dave Franco, Cory Hardrict, John Malkovich

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@ Cemetery Watch
✠ The Vampire Bat.

Jack the Giant Slayer

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Back in the childhood, there was a story which featured in a lot of books, a fairy tale “Jack and the Beanstalk”. But the adventure had not met its end at that time; now, after the return of Red Riding Hood, Snow White and Hansel & Gretel to the new movie world, another fairy tale comes back to life in a different manner – our legend this time goes like this “Fee Fi Fo Fum, ask not whence the thunder come; For between heaven and earth it’s a perilous place, home to a fearsome giant race; Who hunger to conquer the mortals below, waiting for the seeds of revenge to grow”. The original one was “Fee-fi-fo-fum, I smell the blood of an Englishman, Be he live, or be he dead, I’ll grind his bones to make my bread”. The difference between the fairy tale and the movie doesn’t end there, for Jack is not someone who steals anything, but a hero and the defender of his realm. He never even takes anything to or from this world to the other. But he is still a boy from the farm and he kills some giants (two to be exact), just in defence though.

“Fie, foh, and fum, I smell the blood of a British man” would be the words of Edgar in William Shakespeare’s King Lear, but it might be better suited to the giants. Did those giants bother you in your childhood dreams and convert them into horrible nightmares? Where they your nightmare creatures? If they were, this is the time to redeem them. The giants haven’t really got their evil image running, as gentle giants tend to become more popular. But with giants, you never know and here it is proven; with gentle Jack and not-so-gentle giants who love to eat humans more than anything. Jack is just a simple farm boy; he is no Jack Sparrow and surely no Jack McClane. But what he does would change his life forever. From his fear of heights, or the fear of falling as he himself would call it, the man without any noble blood would rise to save the kingdom and the world of the humans from an invasion of the man-eating giants and also marry the beautiful princess to become the next ruler. If there is something like destiny, Jack has the best experience of it; if there is fate, it belongs to Jack; and as this fairy tale itself belongs to him as his own story, this is a fact which would be easily known.

Jack, the son of a farmer and Isabelle, the daughter of the king are shown to listen to the same bedtime story about giants and their invasion of human realm as the result of the creation of a gateway with magical beans in the form of a huge tree as part of an attempt of a few monks to reach heaven by the use of sorcery. The battle was clearly in the favour of giants an mankind could have faced extinction before a group of monks could create a crown which could let the wearer control the giants and force them to go back to their world. The connection was severed and everything went back to normal. Most of the people believed the story to be just a random legend, but both the kids believed in it. Ten years later, Jack has lost his parents and Isabelle is a wandering princess. The king’s right-hand man and adviser wishes to own that crown and re-link the two worlds unleashing an army of giants which he could control. His attempt to steal the remaining beans lead to a monk giving them to Jack before being captured and killed.

Meanwhile, the princess keeps wandering away in search of adventure and ends up in Jack’s house looking for shelter from the heavy rain. Their conversation is cut short as one of the beans get wet, it starts working and sprouts into a huge tree taking Jack’s house and the princess with it. Jack is thrown out of the house and is later found by the king and his soldiers. So our orphaned farm boy Jack has to set off on a quest to rescue a princess by climbing the huge tree to the middle world between the land of man and the land of God. But he would not be alone, as he is accompanied by the king’s best soldiers as well as the treacherous adviser who is looking for a chance to be in the world of giants and also the king’s most loyal leader of the royal knights. They would be in not just unfamiliar territory, but also a land infested by the world’s largest cannibals. An addition to this trouble would be the fact that the adviser has taken the crown with him to prepare the giants for the invasion of man’s world. The crown has its own power, as it is made out of the heart of a fallen giant of the former invasion.

The movie resembles Hansel and Gretel: Witch Hunters in many ways and it has a richer story, but too predictable and longer than need; it also has lesser 3D effects an weaker CGI compared to the witch-hunting action-horror fantasy. The horror element is als quite weak and there was the need for the darker elements in such a story. Instead this one is chosen to be watched by almost everyone, instead of giving it the power of horror and terror which it deserved. In the end, it continues to be a fairy tale with a happy ending; for they lived happily ever after and the tales of the giants continued to spread, creating new versions. Still, it scores over the lesser fairy tale re-builder which was Snow White and the Huntsman and is on level with Red Riding Hood in many ways. But then too, the effect created by the giants fails to grow like that seed; it could have reached the top with wings, but it decided to crawl underground and keeping itself safe. One has to wonder if the Twilight effect has completely destroyed the power of awesomeness in fantasy.

There is Nicholas Hoult, the Beast a.k.a Hank McCoy of X-Men: First Class who has blended into the character with no mutant-effect provided to the character, and Eleanor Tomlinson as the beautiful princess Isabelle never creating a question about a better cast; the same is the case of Stanley Tucci as Lord Roderick – the villain; not really the scariest one around, but still perfect for the way in which the movie has progressed. Ewan McGregor’s Elmont, the leader of the royal guard, makes that right character for a fairy tale adventure filled with action. As a whole, it is a perfect situation, but still the movie doesn’t rise as is should have; it is as if change was much less suited to this movie than the rest. But, with slight improvements, this could have made this genre, something spectacular, but such a thing was not to happen. The need to be on the safe side has locked this one – it has prevented the movie from going average or below average, but the same thing has prevented it from rising above the horizons from its own genre.

So this is where the Vampire Bat has started off for the month – one Jack, a princess and a large number of giants. The choices were many, especially among Malayalam and Hindi movies, but the decision to go for the classic fairy tale resurrection was not a bad idea. It has delivered; not completely in the way the Vampire Bat had expected it to, but surely in a way which didn’t disappoint him at all. He could just escape into it from a world which had much less for him. The vampire bats getting eaten by giants with bad teeth and foul breath might not make such great news, but still it would be an honour for him. The expectations are still there, if not for giants, it should be for awesome movies; and there is no rest for the Vampire Bat, nothing this world is aware of. There is still the need to be there for the right movie, something as good as Celluloid; that would make this a significant year if such an experience would happen in the first half of the year.

Release date: 1st March 2013
Running time: 114 minutes
Directed by: Bryan Singer
Starring: Nicholas Hoult, Eleanor Tomlinson, Stanley Tucci, Ian McShane, Bill Nighy, Ewan McGregor

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@ Cemetery Watch
✠The Vampire Bat.