Sambhavam

Posted on June 9, 2026 by Dr. Tennyson

Vampire Owl: I have heard a lot of positive about this movie on the way back from silent hill.

Vampire Bat: This feels like a very divergent movie in comparison to others.

Vampire Owl: Yes, one of its kind, as what we understand from the opinions.

Vampire Bat: There seems to be something mysterious about this movie too.

Vampire Owl: I can feel the supernatural and science fiction at the same time.

Vampire Bat: I wonder if they will need science if the supernatural already works.

Vampire Owl: This would be one of its kind in Malayalam, I guess.

Vampire Bat: Every kind of a movie needs to begin somewhere.

Vampire Owl: So, the experimentation has started now.

Vampire Bat: And it seems like it is going the right way this time.

[Gets a red velvet cake and three cups of Ceylon tea].

What is the movie about? :: Anand (Askar Ali) is a civil police officer who had go through his early life as an orphan due to his father’s disappearance during his childhood. Many years later, he is taking charge in an area which is located close to the forest, and it is a punishment transfer to the middle of nowhere as he fell asleep on duty and did not salute a senior police officer. As he takes charge, his wife Neethu (Neethu Krishna) is pregnant, but she assures him that he can go without second thoughts as the full family is around there for her help and support. There he meets the other policemen in the station, the senior officer Ashokan (Assim Jamal) and the other officers Reji (Vineeth Kumar) and Rajamani (Senthil Krishna). Reji is an angry middle-aged man who gets upset about even small things during his duty, while Ashokan who only has a few years to retirement shows the best of maturity, with Rajamani living through some happy moments in his police life. The situation seems to be peaceful, and there seems to be no feeling of danger or crisis anywhere near the forest and village area.

So, what happens with the events here as we just keep looking? :: The joining day seems to be an uneventful one, and as Anand comes to know that Neethu had given birth to a girl child, Ashokan asks him to go home and come back later as there is nothing much to do. Everything seems to go in a usual manner until they realize that Reji has caused a problem with a group of Tamil youth from the other side of border. This is followed by them finding an injured police officer on the way, whom they take to the hospital. From the walkie-talkie used by the officer, they find out that there is another police officer who is injured and lost in the forest. With these calls from the same person keeping on asking for help, they decide to search for the missing man. They make a call to the police station on the other side of the state, but the people on the other side denies having anyone in the forests at the same time. Despite Reji not being in favour of it, they decide to go into the forest and quickly have a look. As they step in and go deep into wilderness, there seems to be too many things that they do not understand. Who all can escape from these complications?

The defence of Sambhavam Adhyayam Onnu :: Despite dealing with a difficult topic, the makers of the movie seem to have a fine idea about what it needs to achieve, and therefore the whole thing is provided to the audience without much of a complication. From the beginning itself, we are given the idea that there is something coming, and danger is always around the corner with something strange awaiting to drop in. The time-bending elements are always ready to add more too. The twists are nicely worked with, and the suspense is well-maintained and unleashed at the right moment. They mystery makes us think early enough and there is more to it than what meets the eye, revealed with enough being held for the big revelation later. The setting of forest has been used to the advantage, and the choice of statue and backstory works well to add to the overall mood. Cinematography, background score and editing, all contribute well to the overall quality of the movie. With a bigger budget, one can only wonder what can be made if there is a second movie in this particular series.

Positives and negatives :: Despite how well this has been presented, there will always be some people who do not understand the whole thing, and will remain confused forever. The emotional depth, despite being strong with the father-son bond, losses its power with the repeated idea of seeing the newborn child. There might be similarities with other movies felt at times, but with the setting and background, this serves right in its own way. There is a little bit of stretching as the same thing is repeated in the name of showing different timelines, and incidents happening multiple times, often in the same way or with differences keep us wondering. For those who do not like the basic idea, this will hurt them more. The absence of the big names seems to have hurt the movie, and some more hype during its release would have helped to make this a big name in the theatres too – the experience is something which would work really nice for the big screen with a special feeling that never ceases to leave us. Still, you see how well this is presented, and can always have some time to enjoy the same.

The performers of the soul :: Known the best for Kamuki, Askar Ali comes up with an interesting performance here in a movie which requires some work from the cast due to its shift between timelines and the weird nature of the proceedings would make it even more difficult. The emotional side of the movie is mostly associated with him more than anyone else. Assim Jamal plays a fine police officer, someone who seems to be more responsible than others, and is committed to his duty with a humane touch. From the first introduction itself, we feel that he is indeed a likable character, and maybe he deserved a full run in the movie. Vineeth Kumar plays a serious police character, but we do not see much of him and the character is easily lost in the proceedings as we do not get a character development around there. Senthil Krishna’s small role remains notable, and keeps us feeling that there would be more to him, but he does not get that much of a screen-time to work with. Sidharth Bharathan’s small role should get developed further in the next possible sequel, as it becomes very relevant and well-played with a touch of mystery. As the only relevant female character, Neethu Krishna manages a fine job with the small screen-time.

How it finishes :: Sambhavam Adhyayam Onnu comes up with an idea which is not thought about in Malayalam cinema, and this lack of thought might be more about how people would take it rather than that botheration about the budget. The combination of loops with local myths and legends works really well around here, as the cinematic experience becomes something splendid as much as new, with everything working so well, and even leaves scope for something more to come in a possible sequel – there has been some good appreciation from the audience for this movie, even though early reaction was not much; another movie should be coming around. If you enjoy time-loop mysteries, this one is worth watching for its ambition, atmosphere and that unusual premise which is added to our world in a believable manner. The combination of multiple ideas to a believable mode works really well. This is certainly a step forward for Malayalam cinema and we need to appreciate the same, for Thamma–Munjya–Stree-like folklore developement should happen more.

Release date: 6th March 2026
Running time: 129 minutes
Directed by: Jithu Satheesan Mangalathu
Starring: Askar Ali, Vineeth Kumar, Assim Jamal, Sidharth Bharatan, Senthil Krishna

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@ Cemetery Watch
✠ The Vampire Bat.

Moana 2

Posted on December 7, 2025 by Dr. Tennyson

Vampire Owl: Do you remember the last time we watched a Moana movie?

Vampire Bat: That was surely an eternity ago.

Vampire Owl: I wonder why it took so much time to release the second one.

Vampire Bat: Maybe they were thinking about how to make this one have an even heavier environmental message.

Vampire Owl: Do you think that there can ever be a message that will work in real life?

Vampire Bat: The environmentalists these days are basically against the nature themselves.

Vampire Owl: Well, the pretenders to the love for environment, aren’t they?

Vampire Bat: They can still act really well as environment lovers.

Vampire Owl: This is a world of actors, who become leaders?

Vampire Bat: The human world rarely has any person who is honest.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: Three years have passed since Moana (Auliʻi Cravalho) and demigod Maui (Dwayne Johnson had their last adventure together and achieved the impossible, which involved life-threatening situations. With the demigod nowhere to be found, Moana has been on a solo adventure, even though her followers in the form of a pig and chicken continues to be around wherever she wanders to. She has been searching for people living near her home island of Motunui connected to the ocean. On her partially successful return from one of similar explorations, Moana is provided the title of tautai, the master pathfinder – this is a title which has not been bestowed upon anyone from the island in a thousand years. It is then that she has a vision of Tautai Vasa (Gerald Ramsey) who had travelled and discovered the paths of the oceans. He talks to her about the legend of Nalo (Tofiga Fepulea’i).

So, what happens with the events here as we just keep looking? :: He tells her that Nalo, a god that controlled the storms of the oceans had sunk a grand, legendary island called Motufetu, which connected all of the islands, right down to the depths of the ocean. This action had made the people of the islands disconnected, and if the connection is not made in time, her people would not survive to see a future. The choice was now simple, to find a way to raise Motufetu from the depths of the ocean, or face extinction, not just for their people, but also of whoever might exist in other parts of the world. In response to this vision, Moana assembles a crew of people from the island of Motunui — craftswoman Loto (Rose Matafeo), historian Moni (Hualālai Chung) and an expert elderly farmer Kele (David Fane). With the pig and the rooster added to the list as usual, this does not seem like a strong team, but is expected to be the best for the situation.

And what more is to follow in another ocean adventures with an angry god and clueless humans that go all around? :: At the same time, Maui is on his own adventure against the same god, as he moves forward only to be captured by Matangi (Awhimai Fraser), an enforcer of Nalo who controls bats and can even transform into one if needed. Maui had decided to go on this mission alone without asking Moana as it was thought to be a very dangerous one. At the same time, Moana and her team are captured by the Kakamora, a group of savage coconut-like pirates who also wishes for the island to be raised from the depths of ocean, as they are also disconnected from their island. One of the pirates also volunteers to fight with them. Meanwhile, Matangi is not really happy with her dealings with Nalo and Maui has almost escaped. Between them and their mission, stands a giant monster and a long path ahead with terrible creatures controlled by a hateful god. Can they go past all these troubles and save the world?

The defence of Moana 2 :: The visuals of the movie remain stunning, just like the previous ones, and the main characters continue to be solid. We never stop feeling the need to see The Rock around, whether in animated form giving voice, or with that full power as in Hercules, Black Adam, Red Notice, Jumanji, Jungle Cruise, Journey to the Mysterious Island or those never-ending franchises like The Fast and the Furious and spin-offs. Auliʻi Cravalho stays strong as the leading voice yet again. There are also more interesting characters around here, and the danger that they face are more real than ever, as the opponent here is a god that wishes to bring terror upon on humans and stop them from uniting and progressing. The emotional side also seems to be getting stronger and so are the entertaining sides with humour as much as action. One cannot deny the strength of whatever is seen on the screen, as we keep looking, and we keep being entertained.

Positives and negatives :: Comparison to the first movie, the freshness is still not felt and the big villain never really makes a straight attack. Some new characters are also lost, especially the young sister seems to be just a random addition to get more emotional support. I do not remember any mention of her having any younger sister, and with this addition, the movie seems to go a step backward with its ability to go for content and instead makes it feel the Bollywood drama effect for a change. But we know that it was something created for a purpose and not required at all. The first movie’s innovation seems to have disappeared. Family theme remains strong, and the environmental message stays somewhat there, but we know how much Avatar itself came down from the classic first movie. The beauty of the world, even when animated feels so good here, and as long as the sequels hold on to the basics, this one is surely here to stay.

How it finishes :: Among the animated movies that have stayed with us for a long time, this one will stand tall as a sequel. We remember the earlier movie releasing close to another interesting animated flick, Zootopia. Also, among the movies on the seas, with an environmental message, this one holds a fine place. So, while this movie dazzles with its design and continues the titular character’s tale with more emotional layers, it doesn’t quite match the original. It remains enjoyable with all the fun, and maintains its quality. After watching this movie, and seeing the scope for sequel, we know that something big might be coming. We also wonder if such a movie with an environmental message can be made in the God’s Own Country, as nature is all that matters in this part of the world too. One would keep wondering if such a fine myth can be created with focus most on the ancient green past. For now, we will enjoy this world.

Release date: 27th November 2024
Running time: 100 minutes
Directed by: David Derrick Jr
Starring: Auliʻi Cravalho, Dwayne Johnson, Rose Matafeo, David Fane, Rachel House, Alan Tudyk, Gerald Ramsey, Remuera Morrison, Awhimai Fraser

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Baba Yaga

Posted on March 28, 2021 by Dr. Tennyson

Vampire Owl: So, we are having a new monster list.

Vampire Bat: I don’t feel that any more creatures from legends need to be added to the castle’s list.

Vampire Owl: So, you think that this monster won’t make its way into the castle?

Vampire Bat: I am sure that Doctor Frankenstein has enough monsters locked in there in his lab for experiments and there is no room for any more.

Vampire Owl: Well, they don’t seem to have a castle of their own.

Vampire Bat: These are creatures of the forest. They don’t need castles.

Vampire Owl: Everyone can use a castle, or rather two of them.

Vampire Bat: What can a monster do with two castles?

Vampire Owl: Well, you can always rent one of the two.

Vampire Bat: Do not give such ideas to Uncle Dracula.

[Gets a paneer samosa and three cups of cardamom tea].

What is the movie about? :: Egor (Oleg Chugunov) has moved to their new home with his father Alexey (Aleksey Rozin) and stepmother Yuliya (Maryana Spivak), as well as the newly born stepsister. It is quite a strange place, with a highly advanced township with modern buildings very close to a very thick forest, separated with the help of walls. This new apartment in the outskirts don’t really have people mingling much with each other, as they keep away, not really thinking about visiting the neighbours. Egor also finds it difficult to make friends in the strange new place, except for Dania a.k.a. Dasha (Glafira Golubeva) who is also an outcast. But their relationship also goes a strange path due to the influence of a sinister force, and their parents also never cease to be hostile to them, most of the time, for no reason at all. Things are just not normal about the new township and the forests surrounding the same.

So, what happens with the events here? :: Soon, the newly moved family has a new nanny, Tatyana (Svetlana Ustinova), whom Egor doesn’t trust at all, and within no time, the baby goes missing. But it turns out that Alexey and Yuliya don’t remember ever having a child. The baby also disappears from the photos, which makes it extremely difficult to make them believe about the existence of their child. In the forest, the kid meets a man who is supposed to have lost his daughter, but somehow remember about his loss. They understand that it is a Slavic demon who lives at the border between the living and the dead, often known by the name, Baba Yaga. They feel that the real presence of the demon is somewhere near an abandoned power station. But finding the lost babies won’t be that easy, as there is more than what the legends have told them from the internet. They do find strange things in the forest, and having another boy, as Anton (Artyom Zhigulin) with them doesn’t help at all. Back home, things have managed to be worse.

And what more happens here as things go out of control for humanity? :: The demon which has taken the shape of different people has control over people in their world, and they won’t find peace back there either. They have many visions, thanks to the demon’s influence, and now their survival should concern them more than that of the babies. As they wander around the place, they soon realize that may be they are not really at home, and is stuck within a world of chaos. Alexey has already been made to make sure that his son is dead as soon as he arrive. Soon, they will have to fight their own minds to get out of what seems to be a prison created by the demon. But there are other creatures which they have to deal with. Now the question remains if they are matured enough to lead an assault into the lair of this demon, or the witch as some people call her. The fate all the babies of the future depends on their success.

The defence of Baba Yaga: Terror of the Dark Forest :: The best part of the film is the visual beauty itself, as we get to see the modernity on one side, well maintained, and on the other side, we have the natural beauty of the forests, and the use of lighting and darkness is very effective in the movie. There is a lot of divergence in how the lights are used to bring a certain mood to the setting. The use of the legend works well, and leaves scope for a possible sequel in the future, which can bring a more interesting work. There seems to be some nice similarities with Stephen King’s It too, but surely has that divergent side. The Slavic legends do have something special about them. We have already heard about Russian movies bringing these tales out there, and may be it is the Slavic vampire that we are all waiting for – after all, we do read a lot about vampires of the past before they became rather too fashionable.

The claws of flaw :: The movie should have used its ideas better, because there was so much that could have achieved here. Well, not everyone can establish a setting like this, and begin to work on the same so early. It could have left some of those confusing moments behind, and kept things straight, staying close to what should be strength here too – the fear generation. When the film seems that it is going to achieve something, it just comes down, and when it gets a lot interesting, it just losses focus – it is certainly a movie of ups and downs, and also without enough background to the tale which it is dealing with. The heroic deeds of the kids are also half baked in nature. The movie is surely not performance oriented, and the cast just has to play along with the horror here. It could have surely been more captivating, but is not that bad as some of the ratings have been worked out in different websites.

How it finishes :: Baba Yaga: Terror of the Dark Forest could have been something bigger and smarter in scope, even though it is not without its entertainment. The atmosphere makes the whole thing more interesting, and it does seem like a variant among similar flicks. It is always good to take ideas some different myths and legends, and this is something which we are surely not familiar with. Well, not everything can be that global as the Corona virus epidemic. The theatre itself has been a place of horror during the times of the virus though, as almost everyone wanted to not go into the theatres and watch the movie, instead choosing those OTT platforms. Well, let us watch all those movies as we can, and hope for a later surge in the theatres. Until then, we have the lesser known movies like this one that can make a different kind of impact in comparison with other horror films.

Release date: 27th February 2020
Running time: 97 minutes
Directed by: Svyatoslav Podgaevsky
Starring: Oleg Chugunov, Glafira Golubeva, Artyom Zhigulin, Svetlana Ustinova, Maryana Spivak, Aleksey Rozin, Ilya Ludin, Olga Makeeva, Evgeniya Evstigneeva, Marta Timofeeva, Igor Khripunov