The Soul

Vampire Owl: Do you think that vampires can have an extra soul?

Vampire Bat: I don’t understand why one would require one as extra.

Vampire Owl: What if a soul is lost? We can use the other one.

Vampire Bat: The souls are not lost as long as we are living dead.

Vampire Owl: When did we start referring to the undead as living dead?

Vampire Bat: I am sure that we have always been the living dead.

Vampire Owl: Well, I wouldn’t argue as death is only the beginning.

Vampire Bat: There is no undead without the appropriate kind of death.

Vampire Owl: Maybe humans will also understand that death is the true solution.

Vampire Bat: They are less afraid to kill than to die, which is strange.

[Gets a mango cake and three cups of Munnar tea].

What is the movie about? :: Wang Shi-Cong (Samuel Ku), a very rich man and the founder of a medical firm developing cancer treatment based on ultra-modern technology is found murdered. His wife who has also remained a respectable figure, Li Yan (Sun Anke) is discovered to be holding the weapon used for the brutal murder, quite a strange knife-like blunt thing indeed. There are also some strange writings on the door and all over the walls. At the same time, Ah-Bao (Janine Chang), a detective is expecting a child very soon. Liang Wen-Chao (Chang Chen), her husband is having an advanced stage of cancer, and it doesn’t seem to get any better. His cancer seems to be spreading and resisting the existing modes of treatment, and the doctor gives them the advice to consider doing a RNA restoration technology. Liang, who has been working as a prosecutor, decides to join back, as a lot of money is required for his treatment – he had asked her to let him skip that costly treatment, but she has been very adamant in keeping him alive.

So, what happens with the events here as we just keep looking? :: Ah-Bao is assigned the case of Wang’s murder, and Liang goes on to become the prosecutor once again, much to the surprise of his wife who was expecting him to take rest. Li Yang tells them that it was their son, Wang Tian-You (Erek Lin) who committed some strange rituals in the same room and murdered his father who had earlier disinherited him because of his strange and unacceptable behaviour. They remember that he only comes back home rarely, and has the same symbol which was seen in the room, tattooed on his body. He has a lot of magical symbols tattooed on his body, and talks about some particular gods and spirits which are not that well-known. He was heartbroken after his mother, the first wife of Wang died, and has been talking about vengeance since then. It seems that other than his wife, the dead man had left another inheritance as the next in line. The detective also understands that the dead man used to have different affairs with many women, which had ruined their world. The first wife also had enough information about hier husband’s life.

What lies beneath the secrets which are unveiled around here? :: There is also the talk about the first wife placing a curse on Wang before death, and about the second wife coming out of an orphanage, with no roots. But they do understand that this particular woman had changed a lot after coming to the mansion. In the beginning, she was very nice to everyone around, and very careful in her behaviour. It felt as if she wanted to be good to make an impression. But that seems to change soon, as they look through the CCTV cameras for some old footages. She wasn’t the person whom she used to be, as she even started talking to nothingness, which she understood as ghosts. They wonder if it was a case of possession or the result of some drugs which were introduced by the medical firm. A bigger surprise is that she who was a right-hander is now a left-hander. Is it science or some dark curse which is behind all of these? After all, isn’t science the modern necromancy? How many secrets can this particular world hold? There seems to be something really strange going on around here, and is anyone good enough to find the truth?

The defence of The Soul a.k.a. Ji Hun :: The movie never stops keeping us interested in the mystery of science or magic, whichever seems to surround a grand investigation. It does keep us guessing through its run, and is very much effective in doing the same. The twists are very much unpredictable, and with so many red herrings around, one only keeps wondering about how good are the characters who have figured it out inside the tale. At a specific point, you make a guess about the characters, and then you have to think differently about them. At one point, you feel that there is the talk about soul in its original form, but then all you see is science. You wonder about psychological problems and demonic possession at the same time. In the end, it is not anywhere close to what you were thinking in the early stages, and there is so much going on around there. Any more revealing would annihilate the beauty of the surprise and twists in here. The movie moves forward beautifully, as if it is poetry in motion, and the level of immersion of the audience that it provides is simply magnificent. The emotional side does help further in its movement forward – you do feel them running strong. The visuals and the music also remains extraordinary and contributes well to the dark beauty.

Positives and negatives :: The movie’s slowness also has a certain amount of beauty related to it, and we watch it move as if part of an elegy written in memory. Well, there is no doubt that it could have traveled somewhat a quicker path as it seems to be in need of being called a thriller rather than anything else – yet, it can be said that The Soul keeps us immersed around here, even without picking up the pace that much when it could have done the same. The details in each moment will still make sure that you are always attentive around here, and there are some top performers to support the same. Chang Chen gets into this character so well that we become attached to the same – there is a lot of immersion into the plight of the character taking place here, and that feels unbelievably realistic. In the beginning, one feels that Janine Chang is the one playing the protagonist, and even though she is not the one doing that, blends in perfectly, and excels in the emotional moments. Then there is Sun Anke who plays the woman in identity crisis with a lot of perfection – it is a role which requires a lot of dedication, and her different expressions are so much of the reflection of her calibre.

How it finishes :: The movie has one of the most complicated plots than any film has had in a long time, and it makes sure that we are always guessing. There has not been many movies which had our guesses going wrong by such a long way. By the end of the film, you are standing on a lot different ground than where you found yourself in the beginning. Well, the world of science and spiritual beliefs can both be strange enough, and this one makes use of both, while placing them in a corporate world where the only thing that reigns supreme is selfishness and a display of a fake “normal” image. I would consider this to be the best movie of the year and also the best film which I have found on Netflix among the last few years’ releases. Then, there is also those final questions which the movie leaves for all of us – what makes one a person? Is it the soul? In that case, where does the soul lie? In the memories of the brain or the emotions of the heart? Or is it something which has no real shape or size to be seen? Well, we will never know, that seems to be a surety. Until then, there are some fine Chinese movies to watch.

Release date: 29th January 2021 (China); 14th April 2021 (Netflix)
Running time: 130 minutes
Directed by: Cheng Wei-hao
Starring: Chang Chen, Janine Chang, Sun Anke, Christopher Lee, Baijia Zhang, Erek Lin, Samuel Ku, Daniel Chang, Lu Hsueh-feng

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@ Cemetery Watch
✠ The Vampire Bat.

Possessor

Vampire Owl: We do feel that we are possessed very often.

Vampire Bat: Yes, but they are gentle spirits of the forest.

Vampire Owl: There are gentle possessors. Possessing another person’s body is evil.

Vampire Bat: The gentle spirits of the forests have the right to possess.

Vampire Owl: It is not that gentle a possession. I know that.

Vampire Bat: There is a deal between Vampire Elders and the Spirits. You have to honour that as part of our allegiance.

Vampire Owl: There is no honour among non-vampire entities.

Vampire Bat: Honour is just a word. The definition goes by our actions.

Vampire Owl: Possession of another person’s body is not an act of honour.

Vampire Bat: Well, honour depends a lot on the opinions anyway.

[Gets some potato chips and three glasses of Spanish delight shake].

What is the movie about? :: In a certain alternate reality, Tasya Vos (Andrea Riseborough) is living as an assassin, but that requires her to take control of others’s bodies to carry out the murders which have become part of her life. The agency of the assassins use an implany installed in the captured host’s brain to control the person, and Vos’ consciousness is inserted in there. Vos decides how to go through the murder using the new body. After the job is completed, she forces the host to commit suicide, or get shot by people, which is the basically the only way for her to get back to her own body. She is considered to be one of the best assassins the group ever had, but as she spends too much of time in the bodies of others, imitating them, she struggles with her identity, and often fails to understand who she really is. She has to practice in her real life to speak normally, just like she has to practice before taking the identity of others. The memories of the murders which she had committed continues to haunt her at all time, spoiling her limited time with her family.

So, what happens with the events here as we just keep looking? :: Girder (Jennifer Jason Leigh) who is in control of the agency, is confident about Vos, but hopes that she is detached from her family, which would make her an even better assassin, as attachments are holding her back. She also holds on to lot of her memories from the past. She is forced to take the next assignment too early despite not being that stable – this time, she has to take the body of Colin Tate (Christopher Abbott) and murder the host’s lover Ava Parse (Tuppence Middleton) and his future father-in-law John Parse (Sean Bean), who is a wealthy CEO – the large amount of money and the properties are the target here. In the end, the CEO’s stepson would be taking over the company, and this would also bring the agency a lot of money. But the mission is only a partial success, as Ava is dead, but not the main target, John Parse survives. Vos is not able to escape from the body either, as she cannot make him commit suicide. She understands that she cannot leave this body due to a damaged implant, and she is now strong enough to overpower his will. Now, an inside crisis begins.

The defence of Possessor :: Possessor does have some fine ideas behind it, and we feel them to be strong in the first half of the film. The initial scene is quite a strong one, and it is what makes us very much interested in seeing what is to be followed. There is the courage to go divergent, which is seen here, even though the same losses the strength after showing so much strength in the beginning. The question is indeed asked about identity here, and the problems when one person tries to becomes someone else. It tells the viewers that the basic nature always wins, and you just cannot try to be another person like acting a role. The movie does remain dark throughout its run, and there is nothing like hope of positivity being thrown here, even though we feel that there is a family with a child involved, and there would be a “happily ever after” coming up soon. Well, we know that reality is a dark, tragic space where people are only interested in selfish deeds, and therefore, this movie more or less reflects the same. After all, humanity is not of hope in the present, past or the future.

The claws of flaw :: The movie doesn’t really have the strength to go through this idea with the visuals, which could have been better, and the action could have been stronger too. The science fiction elements could have also been used with clarity around here. Some more clarity would have only helped the movie, and as it moves towards the end, the focus seems to be somewhat lost, even though the beginning stages were making us wishing for the better. Too many images come and go here, but without them coming together well enough, this cannot be considered as the best of use of the available resources. You can always have a Hitman, John Wick, Gemini Man or Anna doing their job, but not without some fine visualizations. The early death of Tuppence Middleton is also disappointing, considering the fact that she was one nice addition to the film. In the end, one does wonder if all these were for this one thing, as you were expecting that grand finish, and not something like this.

Performers of the soul :: Andrea Riseborough’s performance is the one to remember, and there is no doubt about the same. Her work is limited due to some strange visions and the lack of clarity which the movie has. Christopher Abbott does a pretty good job, but having the mind-controlled, confused character not leaving out the complication at any moment, leaves him limited too. Tuppence Middleton is the actress whom we had seen in a supporting role in Jupiter Ascending, and she has the skill to come up with something notable out of nowhere – it is no exception here. She is lovely, but we don’t get to see her for more, as her character is killed, and we see another work from her vanish too early for our liking. Sean Bean is very good yet again, and when he is there, we love how things proceed. Jennifer Jason Leigh plays another complicated character who has a few moments to remember. Rossif Sutherland’s role is rather limited here, and when we begin to feel that Kaniehtiio Horn was going to show promise, her character is also killed.

How it finishes :: Possessor seems to be the one movie which is more critically acclaimed and award-winning at the film festivals. The movie is interesting, and does have its moments, but one might not find it as that grand as those critical appreciations suggest. As I had written in the earlier paragraphs, the idea is very good and so are the messages, but they could have shown in a better way, and some of the characters could have also been used in better ways rather than just killing them. Yet, we are interested in the divergent idea and the path less taken, as we look forward to seeing such risks being taken further. If you like the difference in ideas being taken into consideration without holding back, this would appeal to you. Other than that, this one goes on a slow journey which begins strong, and gets weaker by the end, not strengthening its possibilities. So, it is a personal decision to be made on watching this film, and as these are the times of Corona virus pandemic, most decisions are indeed personal in nature, as solitude comes with different pandemics of the world, and the quarantine that follows the same.

Release date: 2nd October 2020
Running time: 104 minutes
Directed by: Brandon Cronenberg
Starring: Andrea Riseborough, Tuppence Middleton, Kaniehtiio Horn, Jennifer Jason Leigh, Christopher Abbott, Rossif Sutherland, Sean Bean, Raoul Bhaneja, Gabrielle Graham, Gage Graham-Arbuthnot

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@ Cemetery Watch
✠ The Vampire Bat.

Atlantics

Vampire Owl: Have you tried flying over the Atlantic Ocean?

Vampire Bat: Why would we do that when we have so many portals?

Vampire Owl: Do all these portals serve as gateways now?

Vampire Bat: Not everyone. But the rest are also being repaired by Doctor Frankenstein.

Vampire Owl: I don’t know why you keep calling that inefficient person for repairs.

Vampire Bat: Well, you don’t get many undead doctors with multiple skills.

Vampire Owl: But most of his qualifications are fake, and I am sure about that.

Vampire Bat: I don’t think that all of these will be important related to this movie.

Vampire Owl: There seems to be something strange about this film though.

Vampire Bat: It is not set in France or even Europe, and that does make a difference.

[Gets a strawberry cake and three cups of cardamom tea].

What is the movie about? :: In a popular suburb of Dakar, the capital and largest city of the African nation of Senegal, people are forced to work on the construction site of a futuristic tower, without payment even after long hours of continuous toil. The high-rising ultra-modern tower is exactly the opposite of the rest of the city which is seen around there. The tower keep getting taller, but there is no hope for the people working there, as they go on for days without getting paid the proposed wages. As there is no hope for people like them, the only option remains running away from there and finding a job elsewhere, maybe in another nation. Adding to that, the climate change has led to a consistent decline in rainfall and a certain increase in temperature. The climate change and further environmental concerns also greatly impact the very weak economy and the already struggling population. The city no longer remains an option for the young man Souleiman (Ibrahima Traore) who is in love with the charming young lady, Ada (Mame Bineta Sane) who is from the same neighbourhood.

So, what happens with the events here? :: The workers decide to leave the nation by sea, in search of a brighter future in Spain, and Souleiman accompanies them so that he can come back and try to marry his lady love who is to be married to Omar (Babacar Sylla), a rich man who seems to be the better option for Ada in the eyes of everyone. Ada’s family has almost everything set for the big function, which they hope to arrange in a few days. Spain is quite far away, and it is to be a tiring and risky journey, but that doesn’t hold Souleiman back from making the choice. Ada is highly disappointed about the fact that Souleiman decided to leave without giving her an idea. Her friends like Mariama (Mariama Gassama) does try to console her, and even for her friends, Omar is the right person for her, while Souleiman is just a hindrance in front of her objective of marrying the right man. But would he choose to wait for him for years instead of getting into wedlock? Would that be the right decision, or is it something that would go as far as eternity?

The defence of Atlantics :: There are two sides to this movie, one being the social commentary which is not far away from life, and the other one is something which you wouldn’t expect from a movie like this, a supernatural drama which is rather unpredictable. Unlike what the posters seem to suggest, this is a movie which cannot be restricted to such smaller displays. The problems of poverty, unemployment, class divide, forced migration, lack of hope and many others are shown in the movie, even though they are not always staying in the front. The visuals feel different, and beautiful even in the absence of any spectacular scene being made. We do feel the culture of the area, and there is also that feeling of inherent terror of not being among those who are supposed to be born into the advantage. It also reminds one of the 2013 Tamil movie, Maryan, the Dhanush starrer set in Kanyakumari and parts of Sudan, which had the habit of growing on you, after watching the same, a reminder that the tale of the subaltern remains the same at all places.

The claws of flaw :: You do have so much scope as far as this movie with such a setting is concerned, and the movie doesn’t use its core elements well enough. It is also quite slow, especially in the beginning stages. There was enough with this idea to speed up things, but the movie decides not to take it. The handling of pace would have a much bigger role to play inthe middle stages of the flick. The idea itself could have been clearer, and it might have helped to add some extra polishing here, but the movie doesn’t use the same either – you feel that there could be something bigger at moments, but that is not provided here. They could have also made sure that the story-line made more sense for everyone. The strange feeling of this movie might not be interesting for everyone, and it makes very much a subjective experience leading to polarised opinions among common men despite winning it completely with the critics. It is also quite surprising that their possible destination is Spain, as the location makes it a difficult place to reach by the sea.

Performers of the soul :: The cast is an unknown one, even for us who watch a lot of movies, including English, and those multiple foreign languages. But it is to be noted that they are often better than most of those so called superstars who are sons and daughters of those bigger superstars who bring them into the movie industry just because they can do whatever they please – the terrible plight of Bollywood; but here, we have a skilled cast. Mame Bineta Sane who plays Ada leads the way with ease here. Amadou Mbow also follows the procedure well to make his role memorable enough. The characters played by Aminata Kane and Mariama Gassama are also memorable as you look at them. Babacar Sylla as Omar makes a usual character which you see in the romantic movies with separation as a major theme, and he does his job quite well. In this movie, you feel more or less like the setting itself becomes a character, especially the tower and the sea, which reflects the human situation there in an interesting manner, as you look deep.

How it finishes :: As a movie which was selected as the Senegalese entry earlier for the Best International Feature Film at the 92nd Academy Awards, this movie does make a pretty good impact, as it already did in the Cannes Film Festival. It is also said that the former United States President Barack Obama had named this film among his favorite films and television series of 2019 in Twitter. It would be difficult to bring the supernatural even in the normal situations, and this one tries to do the same against all odds in a situation which is based on multiple real life themes, but manages to come through well enough in the end. You are sure to feel that there is more than what meets the eye, as far as this movie is concerned. It is surely not your usual kind of film, and this divergence definitely sets it apart. This is the time when we celebrate the variety, and for the same, the movie becomes the kind of flick that one should watch and take the ideas back home.

Release date: 29th November 2019
Running time: 106 minutes
Directed by: Mati Diop
Starring: Mame Bineta Sane, Amadou Mbow, Nicole Sougou, Aminata Kane, Traore, Coumba Dieng, Ibrahima Mbaye, Diankou Sembene, Abdou Balde, Babacar Sylla, Arame Fall Faye, Ya Arame Mousse Sene, Babacar Samba, Astou N’Diaye, Khouda Fall

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@ Cemetery Watch
✠ The Vampire Bat.

Pretham 2

What is the movie about? :: Famous mentalist John Don Bosco (Jayasurya) is spending his time in peace at Varikkasseri Mana a.k.a. Varikkumanchery Mana, one of the traditional Brahmin houses located at Manissery, a village in Ottapalam, Palakkad. Situated in an area of natural beauty in a plot of about four acres, John feels that there is something strange and mysterious about the place. With a history of popular movies being shot there including Devasuram, Aaraam Thampuran, Raappakal, Drona, Simhasanam, Sufi Paranja Katha, Thooval Kottaram, Valliettan and Manthrikan, a group of youngsters decide to come there to shoot a short-film. They are from a Facebook group known as “Cinema Pranthanmar”, which is known to be a perfect place for movie lovers from all around Kerala. This particular adventure could feed the movie lover in them more than anything else.

So, what happens with the events to follow? :: The team is lead by Tapas (Amith Chakkalakal) who comes up with this idea of having a short film. He plans to create this film, and run a premiere after inviting all the members of the group which goes into thousands. Joining him are those members whom he had never met, and used the group with their fake names; the first one to join him is the man known in the group by his fake id Mangalassery Neelakandan, Ramanandan (Sidhartha Siva) who is into hotel business in the Middle East and is a big Mohanlal fan. They are joined by Karuthamma, originally Anu (Durga Krishna) who is a nurse and Shahrukh Khan, originally Niranjana (Saniya Iyappan) who is a professional dancer. The last person to join them in Joffin (Dain Davis) who has run away from home due to personal problems with his father.

So, how does the ghost come into picture this time? :: The problem at the resort of Denny Kokken (Aju Varghese), Priyalal (Sharafudheen), Shibu Majeed (Govind Padmasoorya) and Yeshu (Dharmajan Bolgatty) was one which haunted John for a long time, and here, with the youngsters making the short-film, more trouble arrives, and the supernatural only gets stronger. The youngsters are attacked by some strange forces and nobody seems to know what is happening. Their first guess is that it is the spirit of the person who owned and lived in the mansion, but it turns out that there is more than what meets eye at the first place. There is a connection which is making the spirit act there, and John has to begin with it and reach the end soon, before it is too late and someone gets into serious trouble. But it is not that easy, as the clues are less, and the answer to their questions are somewhere else.

The defence of Pretham 2 :: Pretham 2 is indeed a better movie than its predecessor which had too many terrible jokes, even though the final moments were nice for that one too. Pretham 2 has the advantage in almost every field including its setting and cast. The idea is also smarter here with the social media, internet, fake identity and online frauds at the centre. The messages about the possible dangers of being friends with fake ids and trusting strangers without names are all shown in this particular flick. The mystery is nicely solved here, and there is no exaggeration here with the elements of the other world – the first image of the spirit that we see is in the form of a shadow, and the creature from the other world doesn’t overdo things as the happenings would be in a usual horror movie. The thrills are strong, and there are also some nice jokes – we are left guessing with the suspense factor being very high till the end.

The claws of flaw :: Pretham 2 never really rises above most of the problems of its predecessor, as it follows too similar a path, and the spirit also follows the same pattern, as we see no attempt to deviate much. We would wonder if so many spirits are looking forward to have the mystery behind their deaths investigated. There seems to be no other plan for the people on the other side. Some jokes are just repetitive, especially the talks regarding those old Mohanlal movies. The movie could have also used more scares, as the film itself is marketed as a horror flick, and the name itself suggests the same. The movie could have surely used darkness better, and the ghostly presence itself could have done more, at least when the youngsters were alone. Pretham 2 doesn’t try to frighten people much, and that is not acceptable at a time when Hollywood is running movies like The Conjuring, The Nun, Annabelle, Insidious, Sinister and others.

The performers of the soul :: Jayasurya is back with an avatar to remember, unlike Punyalan Agarbattis 2 and Aadu 2 which struggled to live up to its predecessors with all its characters. His mentalist is a rock solid character, and this time, he is better than last time too. Saniya Iyappan, with her flexible dance moves, is a joy to watch here, and has a clear improvement in acting from her previous movie Queen, which was one of the worst collection of elements deserving not to be called a movie at all. She can certainly bring variety to the Malayalam cinema, as her skills are yet to be used in the best possible ways. Durga Krishna after Vimaanam, gets one nice role to perform, and she does that well. Dain Davis and Sidhartha Siva gets to bring the elements of fun well, even though the latter gets too much of Mohanlal dialogues from those old movies, which become too repetitive. Amith Chakalakkal is very good with his character which is rather solid.

How it finishes :: Pretham 2 holds the advantage over Thattumpurath Achuthan, Ente Ummante Peru and Odiyan for this Christmas, and by being a smart horror-mystery-comedy-thriller, it is many things in one movie. With Jayasurya at the centre as one character who has a certain iconic status, and the new faces like Saniya Iyappan who has become another name for dance, Durga Krishna in her second movie, the crowd favourite Dain Davis and others, Pretham 2 makes the Pretham franchise much better than what it was in the first movie. It also leaves a few messages about the problems due to uncontrolled use of social media by teenagers, the dangers that lie behind the fake ids in Facebook, possibilities of different kinds of frauds by online groups looking for easy money etc among others. Pretham 2 makes Christmas a lot of fun, and I wish you all a very Happy Christmas. Enjoy the holidays!

Release date: 21st December 2018
Running time: 133 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Saniya Iyappan, Durga Krishna, Dain Davis, Amith Chakalakkal, Sidhartha Siva, Sreejith Ravi, Jayaraj Warrier, Aju Varghese (cameo), Sharafudheen (cameo), Govind Padmasoorya (cameo)

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✠ The Vampire Bat.

Rani Padmini

ranipadmini (1)

What is it about? :: Rani Padmini tells the story of the journey of two women. Padmini (Manju Warrier) is the wife of Giri (Jinu Joseph) who had settled in North India many years ago. Even though her mother-in-law (Sajitha Madathil) is adamant that she shouldn’t work, her husband tells her to follow her heart, just like he races in mountain rallies against the wishes of his mother. She starts working as a physiotherapist much to the dismay of her mother-in-law who brings up a divorce notice to teach her a lesson when Giri goes for racing. Padmini decides to run away from home and find her husband. Meanwhile, Rani (Rima Kalingal) is facing a financial problem and a gang of criminals is also after her after she revealed their hiding location to the police. She runs away from home with enough problems on her trail.

How it goes on :: Soon, Rani and Padmini will get their roads to converge, as they meet up in a bus, and decide to continue their journey together. Even though they have their differences, they manage to get along well. As her mother-in-law arranges for the police to bring her back, Giri gets into tough competition with a veteran racer who is determined to win it this time. The two ladies get through the problems on the road by using the best of their abilities and also by luck; sometimes being helped by people on the road including journalists, trekkers and even local men and women. With this one interesting journey, there will be the realization of some truths, not only for the two protagonists, but also for the people who are connected to them in one way or the other. A lot of things are sure to change in their lives.

The defence of Rani Padmini :: There is a wonderful working combination in Rani Padmini. It is not just related to the two leading ladies who take this experience to another level, but also about how this movie combines its feel-good factor, messages, funny side and beautiful sceneries together to bring some awesomeness on the screen. The advantage here is that it is applicable to not just a category of people, but for everyone. The humour in this movie is really good, and it makes the presence felt regularly. Unlike what the trailer seemed to suggest, the movie is light-hearted, and there is not much of a dark side to it. The visuals are nothing less than amazing, and it provides the viewer with the desire to travel to those locations far away. The background music adds to the positives, and the songs also have something for the heart and the soul. You will also love the way in which the message takes a path which asserts freedom rather than labels.

Claws of flaw :: Rani Padmini doesn’t bring a lot to the story as the focus is on the idea and what is brought to the viewers on the screen. There could have been many other ways through which this movie had the ability to progress better. Some people might feel slight drag, but it is more dependent on how you see and how you think, that much freedom is provided by Rani Padmini to the viewers. It is also not the usual entertainer, even though it entertains with its moments. The idea could have also been better brought to the audience. It seems that due to the negative opinions from critics and the audience alike for his previous movie that Aashiq Abu decided not to publicize this one like Gangster which almost everyone considers as his worst movie ever. The initial rush might be less for this movie due to the same reason, but it will pick up and is here to stay in the theatres.

Performers of the soul :: The movie is completely dependent on the lady characters who lead the way. The two leading ladies have done an amazing job here, absorbing the soul of the characters into themselves. They are very good together, and makes a perfect team. We have seen Rima Kallingal only once since 2013, with the spoof movie, Chirakodinja Kinavukal this year. This flick is a perfect example of why she needs to be there on screen more. She provides a highly memorable performance as the rebellious young lady who wishes to prove herself to her mother. She excels in the comic side like never before, and got some of the funniest moments in the movie. People can talk about having other actresses in the same role, but not like this, and not in the way Rima has done; for this is special.

Further performers of the soul :: Manju Warrier’s second run is only two movies old, with How Old Are You in 2014 and Ennum Eppozhum in 2015. But here, she has her best performance in her second innings, and this is also the best movie in her second entry. The family audience will love her a lot in this avatar, and others will also love this performance as she has a balanced character providing different levels of experience. She handles both the emotional and comic scenes with fine skill. You should look out for the story which she tells her friend and her interest in a flower and a soap. While Rima excels in showing her anger and frustration in a funny way, she scores with the humour in nostalgia, concerns and affection. Jinu Joseph does a good job even with smaller screen presence, and Sajitha Madathil remains solid as usual.

How it finishes :: Here is a movie which keeps saying that Aashiq Abu is back. He has taken the risk once again, and remembering how the audience reacted to Gangster, this one surely needed the confidence – he scores due to the same, big time. Rani Padmini‘s advantage over other movies is that it doesn’t preach, and what the two leading women characters in the movie manage is to finally become the individuals whom they are and those personalities whom they wish to be. It is a case of embracing the truth and one’s abilities, as they make the others around understand the same. You can ask if Rani Padmini is How Old Are You or Queen, and I will reply that it is better than them both. I actually consider this one Aashiq Abu’s best work ever, the first one which goes directly into the soul rather than towards the brain or the heart.

Release date: 23rd October 2015
Running time: 142 minutes
Directed by: Aashiq Abu
Starring: Manju Warrier, Rima Kallingal, Jinu Joseph, Praveen Jain, Sajitha Madathil, Sreenath Bhasi, Sana Althaf, Srinda Ashab, Soubin Shahir, Kunchan, Ambika Mohan, Dileesh Pothan, Binu Pappu, Rajitha Madhu, Hareesh Khanna

rainpadmini

@ Cemetery Watch
✠ The Vampire Bat.

Ayal Njanalla

ayaalnjanalla (1)

Vampire Owl :: Then who is he?

Vampire Bat :: We have to watch to find out who he is and also about who the others are.

Vampire Owl :: With a title saying “he is not me”, I have to think that he is worried of his own existence. May be he has taken the place of someone else, or another person has taken his place. Otherwise why would he need to say that?

Vampire Bat :: May be he has an evil twin, like Lady Death having an evil twin sister.

Vampire Owl :: Why are we not watching Drishyam this time? We have already watched it in two languages. There is seems to be not much rush for that too.

Vampire Bat :: Well, everyone in the South has watched at least one version of the movie, and most of the Indians have also given one of them a watch. There are not many people left to watch a Drishyam.

Vampire Owl :: Still, we will watch it?

Vampire Bat :: Yes, may be later, depending upon how long that movie stays here.

Vampire Owl :: Well, it has been some time since we saw Fahadh Faasil.

Vampire Bat :: Well, his movies this year have been Mariyam Mukku and Haram. It is not fair for a person of his calibre.

[Gets the tickets].

What is it about? :: Prakashan (Fahadh Faasil) is a young Malayali who migrated to a village near the Rann of Kutch when he failed in the tenth standard, and is living with his uncle (TG Ravi), as they work with tyre repair in a small shop on the side of the road. After the death of his uncle, he is left with a big amount to pay to a moneylender who lock down the shop and gives him just one week to pay the money before he unleashes hell with the help of the police who are in his pocket. Prakashan decides to pay by selling his ancestral property in Kerala which he hasn’t seen for years, and return to Gujarat to go back to Esha (Mrudula Murali) whom he loves. He goes to Bangalore to find his old friend who has offered to help him, and there he will know that he looks a lot like a Malayalam actor.

Performers of the soul :: Fahadh Faasil’s performance once again become the highlight, and he scores the most in the Kutch sequences. His comic side gets the better score in the middle part of the movie though, as he gets misunderstood as someone else. His performance is actually far above the level of this movie, as you have seen with many other flicks. Yes, he is back after Haram and Mariyam Mukku, the two flicks of the year with him in the lead and had failed to leave a mark. Unlike what people think, there is no two of him on the screen, as him acting as the actor who is himself, never really comes to the picture. There are two phases of his life for sure, and he has done both of them very well with the versatility that he has always displayed. Even when put in the worst movie, he does his part so well – you have seen that in Olipporu.

More performers of the soul :: There seems to be a lot of less seen faces in this movie, but the most significant one is Mrudula Murali who plays the role of the Gujarati damsel and the love interest of the protagonist. She looks stunning in that traditional clothing, and she does seem to be suited for comedy as well as romantic roles, from the time for which she is there – could have been there for more. Actually, none of the actresses have much time on the screen. The next heroine Divya Pillai might have a little more screen time, and just looks very good but with no scope in there to make any impact and she doesn’t. Aileena Catherin Amon, who was crowned Miss South India 2015 also comes in a noticeable role which she manages well. There are a lot of good new faces in this movie as the fans of the actor and friends of the leading lady.

Further performers of the soul :: Tini Tom and Noby Marcose provides some interesting funny moments, and it is good to see that the latter is getting a significant role which he plays throughout the Kerala side of the story in this movie. I have always loved his performances more than the others in Vodafone Comedy Stars. Sreekumar is a big bonus to the comic side here, and he has his moments which gets the cheer. We need to see him on the big screen more often. Akshat Singh who is known with his performance in India’s Got Talent makes his film debut here, and also does a small dance performance in the movie – he will be better known to the Malayali audience now, and they will love him if they watch the movie. Ranji Panicker does the predictable here, with the role like Pratap K. Pothen has done in a number of movies.

The defence of Ayaal Njanalla :: The movie has comedy which works well, and all the actors have contributed directly or indirectly to the same. There are moments which are nicely used to get good effect on the audience, and the repetitive story is made interesting by adding the fun and also with the performances. The shots of Kutch are very beautiful, and there is no shortage of good looking people in this movie. This the debut movie of the actor Vineeth Kumar turning director, and he has a nice beginning here – may be he could have asked for a bigger story to work on; still he manages to make this work with the feel-good factor which has been utilized to give the viewers the needed feeling; still more jokes could have been added and the romantic side should have been gone better.

Claws of flaw :: The movie often struggles to keep its level throughout. The situations are those which we have seen before in some way or the other. There is not much of a story here, as everything seems to be just a small work stretched beyond its capabilities, and still it finishes off too fast in the end, without adding an interesting climax – a happy ending is just brought and forced out of nowhere. They were surely in a hurry to finish this one after making too long for the content – wonder why! The visuals outside Gujarat is ordinary, and so are the songs and the background music. At times, it does make the audience where it is actually heading for. The movie never really had much hype even though it has Fahadh Faasil returning in a different avatar, and that could really affect the collections – even Jilebi had better promotions around.

Release date: 31st July 2015
Running time: 148 minutes
Directed by: Vineeth Kumar
Starring: Fahadh Faasil, Mrudula Murali, Diya Pillai, Aileena Catherin Amon, Tini Tom, Noby Marcose, Sreekumar, Ranji Panicker, Akshat Singh, TG Ravi, Dileesh Nair, Jins Baskar, Sreekanth Menon, JK Nair

ayalnjaanalla

@ Cemetery Watch
✠ The Vampire Bat.