Possessor

Vampire Owl: We do feel that we are possessed very often.

Vampire Bat: Yes, but they are gentle spirits of the forest.

Vampire Owl: There are gentle possessors. Possessing another person’s body is evil.

Vampire Bat: The gentle spirits of the forests have the right to possess.

Vampire Owl: It is not that gentle a possession. I know that.

Vampire Bat: There is a deal between Vampire Elders and the Spirits. You have to honour that as part of our allegiance.

Vampire Owl: There is no honour among non-vampire entities.

Vampire Bat: Honour is just a word. The definition goes by our actions.

Vampire Owl: Possession of another person’s body is not an act of honour.

Vampire Bat: Well, honour depends a lot on the opinions anyway.

[Gets some potato chips and three glasses of Spanish delight shake].

What is the movie about? :: In a certain alternate reality, Tasya Vos (Andrea Riseborough) is living as an assassin, but that requires her to take control of others’s bodies to carry out the murders which have become part of her life. The agency of the assassins use an implany installed in the captured host’s brain to control the person, and Vos’ consciousness is inserted in there. Vos decides how to go through the murder using the new body. After the job is completed, she forces the host to commit suicide, or get shot by people, which is the basically the only way for her to get back to her own body. She is considered to be one of the best assassins the group ever had, but as she spends too much of time in the bodies of others, imitating them, she struggles with her identity, and often fails to understand who she really is. She has to practice in her real life to speak normally, just like she has to practice before taking the identity of others. The memories of the murders which she had committed continues to haunt her at all time, spoiling her limited time with her family.

So, what happens with the events here as we just keep looking? :: Girder (Jennifer Jason Leigh) who is in control of the agency, is confident about Vos, but hopes that she is detached from her family, which would make her an even better assassin, as attachments are holding her back. She also holds on to lot of her memories from the past. She is forced to take the next assignment too early despite not being that stable – this time, she has to take the body of Colin Tate (Christopher Abbott) and murder the host’s lover Ava Parse (Tuppence Middleton) and his future father-in-law John Parse (Sean Bean), who is a wealthy CEO – the large amount of money and the properties are the target here. In the end, the CEO’s stepson would be taking over the company, and this would also bring the agency a lot of money. But the mission is only a partial success, as Ava is dead, but not the main target, John Parse survives. Vos is not able to escape from the body either, as she cannot make him commit suicide. She understands that she cannot leave this body due to a damaged implant, and she is now strong enough to overpower his will. Now, an inside crisis begins.

The defence of Possessor :: Possessor does have some fine ideas behind it, and we feel them to be strong in the first half of the film. The initial scene is quite a strong one, and it is what makes us very much interested in seeing what is to be followed. There is the courage to go divergent, which is seen here, even though the same losses the strength after showing so much strength in the beginning. The question is indeed asked about identity here, and the problems when one person tries to becomes someone else. It tells the viewers that the basic nature always wins, and you just cannot try to be another person like acting a role. The movie does remain dark throughout its run, and there is nothing like hope of positivity being thrown here, even though we feel that there is a family with a child involved, and there would be a “happily ever after” coming up soon. Well, we know that reality is a dark, tragic space where people are only interested in selfish deeds, and therefore, this movie more or less reflects the same. After all, humanity is not of hope in the present, past or the future.

The claws of flaw :: The movie doesn’t really have the strength to go through this idea with the visuals, which could have been better, and the action could have been stronger too. The science fiction elements could have also been used with clarity around here. Some more clarity would have only helped the movie, and as it moves towards the end, the focus seems to be somewhat lost, even though the beginning stages were making us wishing for the better. Too many images come and go here, but without them coming together well enough, this cannot be considered as the best of use of the available resources. You can always have a Hitman, John Wick, Gemini Man or Anna doing their job, but not without some fine visualizations. The early death of Tuppence Middleton is also disappointing, considering the fact that she was one nice addition to the film. In the end, one does wonder if all these were for this one thing, as you were expecting that grand finish, and not something like this.

Performers of the soul :: Andrea Riseborough’s performance is the one to remember, and there is no doubt about the same. Her work is limited due to some strange visions and the lack of clarity which the movie has. Christopher Abbott does a pretty good job, but having the mind-controlled, confused character not leaving out the complication at any moment, leaves him limited too. Tuppence Middleton is the actress whom we had seen in a supporting role in Jupiter Ascending, and she has the skill to come up with something notable out of nowhere – it is no exception here. She is lovely, but we don’t get to see her for more, as her character is killed, and we see another work from her vanish too early for our liking. Sean Bean is very good yet again, and when he is there, we love how things proceed. Jennifer Jason Leigh plays another complicated character who has a few moments to remember. Rossif Sutherland’s role is rather limited here, and when we begin to feel that Kaniehtiio Horn was going to show promise, her character is also killed.

How it finishes :: Possessor seems to be the one movie which is more critically acclaimed and award-winning at the film festivals. The movie is interesting, and does have its moments, but one might not find it as that grand as those critical appreciations suggest. As I had written in the earlier paragraphs, the idea is very good and so are the messages, but they could have shown in a better way, and some of the characters could have also been used in better ways rather than just killing them. Yet, we are interested in the divergent idea and the path less taken, as we look forward to seeing such risks being taken further. If you like the difference in ideas being taken into consideration without holding back, this would appeal to you. Other than that, this one goes on a slow journey which begins strong, and gets weaker by the end, not strengthening its possibilities. So, it is a personal decision to be made on watching this film, and as these are the times of Corona virus pandemic, most decisions are indeed personal in nature, as solitude comes with different pandemics of the world, and the quarantine that follows the same.

Release date: 2nd October 2020
Running time: 104 minutes
Directed by: Brandon Cronenberg
Starring: Andrea Riseborough, Tuppence Middleton, Kaniehtiio Horn, Jennifer Jason Leigh, Christopher Abbott, Rossif Sutherland, Sean Bean, Raoul Bhaneja, Gabrielle Graham, Gage Graham-Arbuthnot

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✠ The Vampire Bat.

The Martian

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Vampire Owl: I have always wanted to have a pact with the Martians. The Earthlings are too evil for our taste.

Vampire Bat: Well, Dejah Thoris has been a fine Martian.

Vampire Owl: I hope that the presence of an Earthling on Mars will mean that he is free of the ambitions of Earth.

Vampire Bat: It shall be so, as there is no real need for money and power on Mars as of now.

[Gets the tickets and cheese popcorn].

✠ This was recently posted by me at Kiagia.com: http://www.kiagia.com/index.php/current-film-releases-movie/1115-the-martian-movie-review

Based on Andy Weir’s novel of the same name from 2011, The Martian is a much awaited movie which has already received a lot of positive opinions. The stories of survival outside the planet Earth has had the attention of the audience with Gravity and Interstellar, and The Martian tries to make further impact in the same area during this weekend. Directed by Ridley Scott and having Matt Damon in the lead, the movie is sure to attract the audience of all types, as the trailer did manage to catch the attention, bringing it to a large number of screens on this October 2nd.

A human mission to Mars goes terribly wrong and the astronaut Mark Watney (Matt Damon) is presumed to be dead and left on the planet as commander Melissa Lewis (Jessica Chastain) has to make the choice not to risk the return of the whole crew for searching for him. But he is alive and has become the first lone man on a planet seemingly without life. The first and the best option for the astronaut would be to wait for death considering how difficult or rather near impossible it should be to survive in Mars without any contact with Earth and possessing not enough supplies until the next mission can arrive. But Mark decides to try, and make that attempt not to die.

As Mark is a botanist, he finds a way to grow some potatoes inside, after creating a favourable atmosphere for the plants. The chances of survival still remain too low, until NASA engineers Vincent Kapoor (Chiwetel Ejiofor) and Mindy Park (Mackenzie Davis) find out from the photos of the Mars station taken, that he is alive. They communicate using a Mars Pathfinder which Mark finds on the planet, and NASA begins the programs to send him supplies and get him home. But it is not that easy, as the probe which they sends explode and Mark himself has his own disasters at his place decreasing his chances of survival by many days.

Matt Damon is the man to look out for. He was also there in the last year’s space movie Interstellar, in a role which included being rescued from a planet too. But it never really had much there, and the planet sequence itself was more like a need to have a human character that is somewhat closer to the villainy. But here, there are no heroes and villains, and there is just the need for survival, that too in a fair way. The movie focuses on him, and so do the viewers, and he delivers an outstanding performance as the lone man who fights to survive where a normal person would have lost all hope. He has the most screen time, and makes a very fine use of the same.

The Martian remains ahead of both Interstellar and Gravity in many ways, making things more entertaining for the audience. The 3D of this movie might not be that heavy, but with the other aspects, The Martian clearly rises high. The environment is also a joy to watch. There is a perfect blend of emotional, intellectual and funny side here, the final side which was completely absent in Interstellar. The Martian is also straight to the point, but it never really fails to touch the audience. The movie knows where to stop being too much scientific and weird. It is the strength of the movie that the main character of the movie always remains someone whom the audience can connect with, instead of being someone special.

There is a strong, inspirational message in The Martian, and it is something which never lets go. It is the adventure that inspires the viewers never to lose hope, and it is also the kind of path which Interstellar could have followed. Another interesting thing about the protagonist of this movie is that he finds a lot more than just hope – he takes the opportunity to take the optimism to another level and even have some fun with his situation. The Martian has laughter, and that too when facing the possibility of death in a world far away from Earth. It is an adventure without any trace of pessimism, and almost everyone associated with it believes in their optimism, and this is a strange fact as the present world clearly lacks it, with so much of evil prevailing around the wars, terrorism, racial and religious hatred along with the other terrible things.

The Martian clearly has what it takes to be the big winner, and this is a good weekend to score among the viewers. This battle for escape from Mars is something that the fans of science fiction and survivor movies shouldn’t dare to miss. This has enough entertainment; some nice intelligent ideas and philosophy, along with making sure that the common man can easily understand the science here, as well as avoid whatever scientific term which they needn’t follow. The Martian is that kind of a movie, and by being the same, it will be a better, smooth experience for the brain and the heart than Interstellar, and easily overtakes the previous movie from Ridley Scott, Exodus: Gods and Kings.

Release date: 2nd October 2015
Running time: 141 minutes
Directed by: Ridley Scott
Starring: Matt Damon, Jessica Chastain, Kate Mara, Sean Bean, Mackenzie Davis, Kristen Wiig, Jeff Daniels, Michael Peña, Sebastian Stan, Aksel Hennie, Chiwetel Ejiofor, Donald Glover, Benedict Wong, Naomi Scott, Lili Bordán, Nick Mohammed

themartian

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✠ The Vampire Bat.

Jupiter Ascending

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Vampire Owl :: So we are going to Jupiter. I have heard that Uncle Dracula has accelerated his teleportation abilities to find a method to travel to other planet. Is the procedure already popular?

Vampire Bat :: He is such a vampire mutant. No, we are not going to Jupiter yet.

Vampire Owl :: So, we are going to meet the god himself. Isn’t he still more popular as Zeus?

Vampire Bat :: No, we shall meet no god. We are going to watch the movie in which Mila Kunis is Jupiter, a janitor.

Vampire Owl :: Why would we watch it on a Friday when I have my undead policies to work on?

Vampire Bat :: Because it comes from the makers of The Matrix and the trailer gives the feeling of a spectacle?

Vampire Owl :: Yes, now I remember. This is the movie that made you wait so much that you became one year older.

Vampire Bat :: Yes, I became an year older because it was delayed for about an year.

Vampire Owl :: Then, we should surely watch it.

Vampire Bat :: Let Jupiter ascend then.

[Gets the tickets].

What is it about? :: Jupiter Jones (Mila Kunis) calls herself as an alien as she is an illegal immigrant to the United States. She spends her life a janitor and keeps hating her world until one day, she meets with some real aliens, except for the fact that this time they are after her and won’t stop until she is dead. But Caine Wise (Channing Tatum), a hunter comes out of nowhere to save her and make her known that her genetic structure makes her alien royalty and the one to inherit Earth. The three siblings of the same royal house, Balem (Eddie Redmayne), Titus (Douglas Booth) and Kalique (Tuppence Middleton) do have different plans for her. There are also mercenaries after her, with some of them planning to capture her alive. But the question remains about who wants her alive and who wants her to be dead; if to be alive, for how long and what is the purpose for a huge challenge to the throne like her being left to live? Jupiter knows not much, and Caine can’t guess that much as he is a figher and not a thinker.

The defence of Jupiter Ascending :: Welcome to the new world, and this is a vast collection of planets among which Earth is just a part of, and therefore the scope was present for a lot of visual splendour, and there, we are not disappointed at all. You have to be stunned at the looks of different cities of this fictional universe and be amazed, and there are nicely designed spaceships, and those gadgets, plus those aliens, humanoids and the alien humanoids who never cease coming to the screen. There is a good idea here too, on which the world has been created, and the special effects are efficiently utilized to the needs of the movie. There is the abundance of themes and also some very good acting from the major members of the cast. The action sequences are really good and they are available in plenty. The costumes are impressive, and the idea is laid there for more movies, and a trilogy would be a nice option with this one as the origins story – there is a big universe out there and a story of mystery and deception has just started.

Positives and Negatives :: There are many movies which this one can remind you about, the last one being Guardians of the Galaxy, even as the plot stays different with its core elements. I would consider this superior to that movie though, and you can understand it by just looking at the artistic style that has been used with the detail. You might have been missing Star Wars or have been a fan of Mass Effect, this could work nicely with your ideas. The movie also takes too much time to get to the point, and almost an hour passes by when things get interesting – it is a sad miss there, as there was the scope to begin nicely right from the beginning with pace. There are some minor moments of dumbness, here and any fault that you can find with this movie is coated by the entertainer side, as the visual splendour, action and some humour keeps taking over. Among those space adventures, Jupiter Ascending has a major place, and no matter what the box-office results are, it shall be remembered.

Performers of the soul :: Mila Kunis takes the lead here playing the possible leader and the new queen of the universe, and undoubtedly the one to own Earth – she plays her character with all the possible features that are expected from someone like Jupiter Jones of Earth. You have to love how she says “I love dogs, I’ve always loved dogs”, and “I hate my life” again and again. Channing Tatum is the hero, and the one who saves the day, but there is almost nothing that revolves around him as Mila remains the key. From cleaning toilets, her character rises to the highest point, making the title perfectly relevant, as her ascension to the throne as well as that rise from being a nobody are concerned. Among the other royalty, the big antagonist Eddie Redmayne comes up with the worst performance, and it doesn’t matter what the Academy Awards are going to say. Douglas Booth is moslty good, but Tuppence Middleton is the most charming and the most interesting among them all with her character still remaining a mystery – she is also the prettiest on the screen. Do look out for Sean Bean too.

Soul exploration 1: The Other Side of the Coin :: Jupiter Rising is in many ways, the other side of the coin whose one side is Interstellar. If you liked Interstellar, and doesn’t find this interesting, I don’t see why. This one also entertains the existence of a certain other kind of human beings belonging to other dimensions, whose existence is further more than those of an ordinary human. Yes, such maker creatures were already there in Prometheus, and they continue to make appearances in the movies. The best thing about Jupiter Ascending is that it has no pseudo-intellectual nonsense. I have known rather too many people who thought that Interstellar was pure nonsense, and so if critics feel that this movie is bad, I would add them to the list made for this other side of the coin. Jupiter Rising is Interstellar‘s side of entertainment, and also having better visual splendour, world settings and thrills. So, I see no reason why I should rate this one lower than Interstellar. I also saw no reason why Guaridans of the Galaxy had too many positive reviews compared to this one either. After all, our movie here has a message and works so well on its theme.

Soul exploration 2: The Take on Human Desire :: The movie takes on the human desire to have those insignificant things, and their “wants” which takes over the “needs” of the rest of human beings, using them to their advantage. The rich only gets richer and feeds on the poor, completely denying their needs. Are the rulers that we see in the movie satisfied after inheriting so much? Absolutely not. The “want” only becomes more, and for the same, it is the common human population that suffers. The higher level of people only thrives by “harvesting” the labours of the common man, which related to the “harvesting of Earth” in the movie. The rich and powerful ones always need more, and for the same, they desire to exploit the poor further, and this is what is seen in the movie – sometimes, a champion can rise from among the oppressed, but the question if he or she will turn as another oppressor remains. Earth is refered to as “underdeveloped” – take that point. Nobody here even knows or cares about The SpongeBob Movie: Sponge Out of Water which might never release, and Seventh Son has completely disappeared – Jupiter Ascending should do okay for the same reason, and a possible failure at this part of the world should be only because of the “A” certificate.

Release date: 6th February 2015
Running time: 127 minutes
Directed by: The Wachowskis
Starring: Channing Tatum, Mila Kunis, Tuppence Middleton, Eddie Redmayne, Douglas Booth, Sean Bean, Nikki Amuka-Bird, Charlotte Beaumont, David Ajala, Doona Bae, Terry Gilliam, Vanessa Kirby, Kick Gurry, Jeremy Swift, Tim Pigott-Smith, Maria Doyle Kennedy, James D’Arcy, Christina Cole, Frog Stone

jupiterrising

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✠ The Vampire Bat.

Silent Hill II

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This is the time for flashback, to a few months ago. This is the time when the thirst for horror has reached its zenith. This movie series itself is a legend in quenching this thirst, as it comes up with that horror which is so difficult to fathom as a simple horror fan. The movie is not just an enigma, for it gives everything away; but the problem is about what we take in. I have to admit that I am at loss; for none of the horror movies came here this year; guess they can’t take the terror from Hollywood, and it must be so beyond them. Did the good horror die a painful death? The answer would be no, as I would try to resurrect this one out of my mind and have that vision of horror which the critics never liked, but I enjoyed without that sceptical mind. There will be no bones scattered and no blood spilled in the review; there would be the horror of returning to the Silent Hill that will be horrifying enough. There will be pain and suffering, for this dimension is not for the faint-hearted. Well, one just doesn’t go to Silent Hill on vacation and come back refreshed with a heart full of immense happiness and pleasure, so as if there was the chance to dance with the daffodils. They can still flash upon that inward eye and fill the world with fear; for nightmares of the night are outdated and those of the day take over.

Welcome to Silent Hill. Welcome to the fictional foggy American town of Silent Hill far beyond the reach of the electronic equipments, and its dark alternate dimension. There is the original world and the Otherworld, both separated by nothing but time. The Silent Hill has a cult, “The Order” which does ritual human sacrifices and awaits the rise of their diety, something which could be equated with the anti-christ. But the concepts of good and evil are inversed in this Otherworld of Silent Hill, and they would stop at nothing to bring the goodness that is pure evil upon Earth. They have their priestess and the good amount of blind followers. Their attempt to create the pseudo-paradise on Earth will unleash the inferno, or the original hell on the planet. It shall be the beginning of the end. Considering such a background which is firmly based on a highly successful video game, people tend to expect more, which would lead to disappointment. But as long as this one is considered, what it does is performing its duty to its genre and scare as much as possible; its scary elements remain strong, and may be it works even better than its predecessor. Everything else will slowly come into terms as the base is still strong, even as the influence is less.

Continuing from where the first part had left off, Rose Da Silva (Radha Mitchell) has managed to save her daughter from Silent Hill, even though she gets caught in that dimension. She made the choice so that the girl as well as her world would be safe from whatever evil lurks inside the foggy dimension of the abandoned town. But the horrors of the alternate dimension hasn’t left Sharon Da Silva (Adelaide Clemens) who is currently living as Heather Mason with her adoptive father Christopher Da Silva (Sean Bean) in another town, as they go on changing places every now and then making sure that the people from the cult of Silent Hill won’t find her. But she is plagued by consistent hallucinations and nightmares, and she even feels the shift from this world to the other. She still believes that they are on the move because her father killed a man in self-defense and the police are seeking him. She is also made to believe that her adoptive mother Rose had died in a car crash. Now, as time has passed and she has grown older, the cult has increased the frequency of their search for her.

Heather fails to belong to the class or the school where she studies, and successfully becomes a complete outsider right from the beginning itself with a speech warning the other students against befriending her. She is approached by a private investigator named Douglas Cartland (Martin Donovan) who explains to her that he was hired by the Order to find Heather, but has decided to help her as he come to know some disturbing information about his clients. He also tells her that she is not what she thinks she is, and the life she is living is more of a lie than anything else. Heather is curious, but before he tells more about it, a fierce demon from the other world, the Missionary, kills Douglas, and Heather becomes a suspect to his murder as all the clues point to her. She finds that her father is missing, and at home, she finds a message instructing her to go to Silent Hill. She learns the truth about the place by reading a letter from her father, and decides to go to Silent Hill to rescue him even as the letter prohibited her from going anywhere near the foggy town.

Her classmate Vincent (Kit Harington) who helps her throughout reveals that he is the son of the cult’s leader Claudia Wolf (Carrie-Anne Moss), and was there to convince her to willingly come to Silent Hill, as it would really work if she is forced to be there. But he changes his mind and wants her to survive and therefore he tries to stop her in her attempts to rescue her father. He further tells her that Heather is actually a part of Alessa Gillespie, a girl who was burnt thirty eight years ago by the same cult but never died, leading her to create the town’s shifting dimensions. Heather is the manifestation of Alessa’s remaining innocence and goodness, as the other side knows only pain and suffering inflicted upon herself as well as the others of the town. A quick shift to the Otherworld occurs unexpectedly, and Vincent is dragged away by the same demon, Missionary. Heather enters the other dimension to find her dad as well as Leonard along with knowing more about herself. This is where the next level of horror begins.

I have believed in Silent Hill as much as I had in Resident Evil, as a computer game. The latter had been with me till Resident Evil 4 and has been my favourite video game adaptation so far along with Hitman and Tomb Raider, and the former is more of memories, mostly of Silent Hill 3 which was similar enough to this movie title. For me, this genre of fear was mostly about Undying, the first graphically good enough horror game which I had played. Well, these three games together make such an impact which nothing else can; the horror is possibly better than most of the horror movies around. The world of gaming has almost ended for me, even as there is a little dose of Age of Empires, Age of Wonders and Unreal Tournament at times – who can forget the classics, right? I would wait for the release of the games based on Need For Speed, Deus Ex, Warcraft and Assassin’s Creed though, for they have memories of the other dimension, that reality where I spent a good amount of my life. There is another parallel world, that of computer games, and some games like Silent Hill got another reality inside its reality; sounds complicated enough. But the question would be about which reality being the most evil of them all, and the present human world qualifies for a race to that position.

For a movie made more for maximum horror than anything else, this one has done a very good job. If you are looking for ambiguities, come with a big truck as there might be a huge load of them. Well, it works on parallel universe or alternative reality. When a video game based horror movie deals with the self-contained separate reality which co-exists, there is always going to be loose-ends. Even the first half had its own collection of ambiguities, some which has carried over to this sequel. We can still consider the Silent Hill as that alternate reality which always co-exists, as a place for those belonging to the evil, for they are there even without themselves knowing. For them, it should be the original place and where they live should be their Silent Hill where they do not belong; a place which scares them with the goodness. But considering where the world is going, there is going to be the same reality here and there. There will be two Silent Hills and the choice would create more ambiguities. Still, this alternate reality helps one to live another life, something different, but all the online world which creates a second life can turn into another Silent Hill all of a sudden. It is always about faith which keeps the Silent Hills away, or without evil.

Release date: 26th October 2012
Running time: 94 minutes
Directed by: Michael J. Bassett
Starring: Adelaide Clemens, Sean Bean, Carrie-Anne Moss, Kit Harington, Deborah Kara Unger, Martin Donovan, Malcolm McDowell, Radha Mitchell

silenthill copy

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✠The Vampire Bat.