Project Hail Mary

Vampire Owl: I feel that this movie is a little bit too complicated for my liking.

Vampire Bat: It surely has some extra amount of science added to it.

Vampire Owl: I was wondering if I should connect Dr. Frankenstein to understand it.

Vampire Bat: Mr. Frankenstein has understood no real science so far.

Vampire Owl: Frankenstein was also nominated for Best Undead Scientist Award.

Vampire Bat: He used a fake recommendation letter from Uncle Dracula.

Vampire Owl: You are just jealous because he found the presence of aliens in your room.

Vampire Bat: I am pretty much confident that it was a cockroach from the human world.

Vampire Owl: Do you think that cockroaches can scare our vampire friends?

Vampire Bat: Well, it has been centuries since they saw one, and so they can feel a certain amount of scared confusion.

[Gets a gobi paratha and three cups of Yercaud tea].

What is the movie about? :: Ryland Grace (Ryan Gosling) wakes up from a temporary coma status in an interstellar spacecraft named Hail Mary, and suffers from memory loss, only slowly realizing that the year is 2032. Soon, Grace realizes that he is the only survivor of a three-person team of newly trained astronauts that was traveling towards a constellation known as the Tau Ceti system, about twelve light-years from Earth. This keeps him confused about what is next for him as memories come back to him slowly and steadily. As it goes on, he keeps enjoying his solitude while going back into flashbacks and he gets close to the destination. But soon, he is surprised to find an alien spacecraft docking with the Hail Mary despite him trying to evade it after disengaging autopilot. The spacecraft is made of a solid form of xenon, which Grace considers to be xenonite. The ship has only one occupant, and is revealed to be a rock-like, five-legged alien from what is known as Erid, a planet in the 40 Eridani A system that goes a long way further from their location.

So, what happens with the events here as we just keep looking? :: Grace recalls that scientists had discovered a line of infrared light stretching from the Sun to Venus and a substance running through the line, called astrophage which was getting on the Sun’s surface, dimming the Sun at a rate that could cause so much cooling within thirty years that human life would cease to exist. The head of the Petrova Taskforce, Eva Stratt (Sandra Hüller) had recruited Grace who was a middle school science teacher and a former molecular biologist to study the astrophage as she has seen his works and could understand his ability to think beyond the usual limitations. After a few days of work, Grace discovered that astrophage was full of certain unicellular organisms which absorb electromagnetic radiation from the Sun and expel it at great strength for propulsion, and he also figured out how to breed these organisms and create more of the same kind. Grace further remembers that he had joined Project Hail Mary, an international near-impossible mission to send a crewed spacecraft to Tau Ceti, the only star in Earth’s solar neighborhood not affected by astrophage, and is shining brighter than ever.

And what more happens here and complications are sure to come in space? :: Grace who was able to breed astrophage a lot, which was to serve as fuel for the ship, also helped the crew in learning to deal with the same. The flight to Tau Ceti was to be a suicide mission, as the ship could only carry enough astrophage for a one-way trip, and all findings were to be sent back inside smaller space probes. With most of his memory back, Grace names the alien as Rocky, and manages to communicate with it using a machine translation system which is able to convert Rocky’s strange noises into English. It is revealed that Rocky is a mechanical engineer, and the only survivor of the Eridians’ mission to save their world from astrophage infection. Grace understands that others from that spacecraft had died from radiation poisoning, while Rocky was unaffected due to being shielded by their astrophage supply, which was kept around Rocky’s workshop. Both starts working together towards that common aim of saving their stars and planets. But can they find what is different with this particular star and can the same be applied to their respective planets?

The defence of Project Hail Mary :: The movie’s best part, without doubt is the interaction between the human and the alien – the contact feels like happening in a more realistic manner than what we usually see in any movie with an alien around. The relationship between the two are beautifully depicted, and this is the kind of connection which humans would hesitate to have in our world of chaos and hopelessness. Then there are the stunning visuals, with a nicely detailed interior of the ship and the vastness of space giving a spectacle for us. The visuals of the Eridian homeland at the very end of the movie feels like a perfect example of creating something to remember just with the view itself. The final moments are not just visually satisfying, but also leaving us with a feel-good effect. Well, there are not many alien movies which can bring that effect, and not many space movies can be this kind of effective in multiple levels. Ryan Gosling’s performance makes sure that that the emotional side works with so much efficiency, and in a world which is almost all about him, he manages to come with that performance we would not forget with ease.

Positive and negatives :: The movie can feel a little bit too long, and the beginning itself is a little bit slow – the moments back on Earth feels like dragging, and one cannot stop oneself from feeling that there should have been less flashbacks, with everything happening at exactly the one place where the big action takes place. The science also goes a little too much forward for the common audience, but the movie cannot do without the same. Any more complication would have left the audience not interested in the movie, as most of us do not go for this kind of science anymore, and our knowledge about such things could mean a deep struggle, as evident from our visits to the different science cities and museums of natural science. But these are the kind of movies which will create fine science enthusiasts out of interested children who improve themselves at school. The fact that the movie also has some fine humour in there makes it more interesting for the young and keeps the light mood at a time when the world as we know could come to an end sooner or later.

How it finishes :: The movie becomes a classic on the lines of some big space movies, Gravity, The Martian and Interstellar, and this one proves that we do need all kinds of films set in space. As an adaptation of a book, the faithfulness to the original can only be spoken about by the fans of the original work. The emotional core and the visual splendour never really leave the movie, and this journey’s grandeur is not limited to one side. For the common audience, this is indeed a space triumph that one has been waiting for with great expectations. As it goes through that successful exercise of sci-fi world-building, there is no point that makes the viewer doubt its process. One would have loved to watch this movie on the big screen with all that we have as a spectacle, but we are so much past those days when we frequent the theatres – Amazon Prime Video has enough of this movie of us, and that should do. After all, we have come to that stage when no multiplex can raise our chances of watching anything on the big screen, but if there was a movie or two to be watched like that, this is one of them.

Release date: 20th March 2026
Running time: 156 minutes
Directed by: Phil Lord, Christopher Miller
Starring: Ryan Gosling, Sandra Hüller, James Ortiz, Lionel Boyce, Ken Leung, Milana Vayntrub

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✠ The Vampire Bat.

Proxima

Vampire Owl: Have you heard about the vampire team planning to travel to Proxima Centauri?

Vampire Bat: No, such a plan was discarded after Doctor Frankenstein created a portal and ended up being crazy for three weeks.

Vampire Owl: It is depressing, because vampire space travel was only beginning to get popular.

Vampire Bat: You could have some temporary relief by watching a movie on space travel.

Vampire Owl: This one seems to be drama and not really science fiction.

Vampire Bat: Drama is more close to life than science fiction as far as humans are concerned.

Vampire Owl: I wouldn’t disagree with that statement. They always create some drama.

Vampire Bat: It is also the one reason why humans stopped evolving.

Vampire Owl: I do feel that they can still evolve like some of the alien species which we had met while traveling through one of those portals.

Vampire Bat: Well, lets see how far they can go and fight their own upcoming extinction.

[Gets a carrot cake and three cups of masala tea].

What is the movie about? :: Sarah Loreau (Eva Green) is preparing herself for a one-year mission aboard the International Space Station, after different stages of training on Earth, and a final quarantine which would follow. She is very excited about it, as she finally had the chance which she was waiting for, throughout these years. She had kept so many things away just for this special opportunity which rarely comes to her field. But her daughter Stella Akerman Loreau (Zelie Boulant-Lemesle) is certainly not even close to being happy about it. She does like the idea that her mother is going to the stars, but hates the fact that she has to leave her for such a long period of time, first out of the nation and then far away from Earth itself. This would mean that Stella and her cat would have to stay in a new house in a new neighbourhood in a distant city, with her father Thomas Akerman (Lars Eidinger) as the parents had separated, despite falling in love while working at the same space agency.

So, what happens with the events here? :: But things have to go as planned, and they have to follow the procedure, as she has qualified with great difficulty, and now there will be no replacement in her place. Sarah leaves for further training, much to the dismay of Stella who is left to adjust with the new home and the new school were she keeps struggling with Mathematics and also in making new friends, being a new loner. At the same time, Sarah has some initial struggles with keeping up, and her colleague from the United States, Mike Shannon (Matt Dillon) considers her to be more of a space tourist, as he is a war veteran who has served in Irag and Afghanistan. But he does appreciate her hard work as time progresses, but as she develops an infection in a new wound, Sarah has further struggles to go with. At the same time, the bond between the mother and daughter which was very strong and special seems to be having some cracks here and there. Now, Sarah has to keep up both her lives going, and it is a question whether she can do the same.

The defence of Proxima :: As one would expect, the movie thrives in the work of Eva Green, who excels as the astronaut mother who struggles to keep the two sides of her life going. The movie serves as a reflection of anyone who is trying to seek new heights, but cannot let go of the old world to which the person belongs to. The training sequences are nice, and the emotional moments are all in control, with everything safely handled by Eva herself, for this is her movie. As the movie was shot in different original training facilities of the European Space Agency, everything feels more real, just like the feelings. The movie’s progress is also steady, even though we are given the idea of what to expect in the beginning stages itself. As the movie chooses to go realistic over everything else, we do have the interesting family drama which depicts the mother-daughter relationship without much of a trouble. In the same, there is quality guaranteed.

The claws of flaw :: Proxima had scope to be something more, with both its dramatic side and it could have been an action thriller of a lesser level too, with more twists being added to the training sessions and time of quarantine. People who are looking for some science fiction are going to be disappointed, because the same is not there, and we can say the same about the action and thriller side too. It could have also had more of emotional moments together, and there could have been more of bonding scenes between the astronauts in the facility. The fact that it keeps changing the language in between is a little bit strange, as it remaining a French movie with English subtitles would have been fair enough. It could have also used some flashback to add to the tale, because our protagonist here does seem to have had a long interesting past. If it had used all the elements perfectly, there was chance for a flawless film here, but Proxima does come somewhat close.

Performers of the soul :: With birthday on the 6th of July, it is a good time to give Eva Green some lovely birthday wishes, as she is one actress who has been special throughout her career, reminding us of some fine roles which she had played so well – this movie is not that much of an exception in that case too. The lovely actress has that kind of movies in her list which I have loved to watch, with the last few being my personal favourite Dark Shadows, the grand sequel 300: Rise of an Empire, the much different Sin City: A Dame to Kill For and Miss Peregrine’s Home for Peculiar Children to be added to the list. She is fantastic in this movie, and we see the emotions running wild on one side, and the determination of the character on the other – Eva is delightful to watch in this film too, and she carries the movie on her shoulders with so much of ease. Zelie Boulant who plays the daughter also comes up with a fine performance. Matt Dillon does a fine job in the supporting role too. The rest just working along, as this one is indeed the Eva Green show from the first moment to the time when the credits starts rolling.

How it finishes :: It is no surprise that Proxima‘s biggest asset is Eva Green, and the same is reflected throughout the flick, with the focus never really shifting from her, as she brings the magnificent performance to elevate this movie to where it would have been, with another actress in her place. But those who watch this movie should note that it is not science fiction unlike some idea being given here. As the movie stays as close to a realistic world as possible even with an upcoming space travel, Proxima does deliver a strong drama which works with the mother-daughter relationship very well. It is the kind of movie that one can choose to watch during Eva Green’s birthday week, and the French actress’ work is reason enough to go for it. If you are going for science fiction in space or other planets, we do have those other titles, and expecting a Gravity, Interstellar or The Martian in this case will be wrong, as the tendency will be there as people see the lady wearing the spacesuit on the poster, but that is just one side of the tale.

Release date: 27th November 2019
Running time: 107 minutes
Directed by: Alice Winocour
Starring: Eva Green, Matt Dillon, Zelie Boulant, Lars Eidinger, Sandra Huller, Aleksey Fateev, Nancy Tate, Svetlana Nekhoroshikh, Anna Sherbinina, Vitaly Jay, Lionel Ferra, Manuela Aguzzi, Gregoire Colin, Trond-Erik Vassal

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@ Cemetery Watch
✠ The Vampire Bat.

Sibyl

Vampire Owl: I have heard that name before, and not just once.

Vampire Bat: Yes, if you go back in history, sibyls were oracles in Ancient Greece.

Vampire Owl: They had prophesied at holy sites of Greece, right?

Vampire Bat: Yes, and their prophecies were supposed to be influenced by the gods.

Vampire Owl: I guess that they also lead to the foundation of many great cities.

Vampire Bat: Yes, because they go a long way back, with Heraclitus mentioning them in the 5th century BC itself.

Vampire Owl: Well, when gods speak through these women, you are forced to accept that it is the truth.

Vampire Bat: What they spoke were also collected in Sibylline Books. The Romans had them.

Vampire Owl: I have seen them at other places too, I am sure about it.

Vampire Bat: Michelangelo shows five sibyls in the Sistine Chapel ceiling. There are other similar art works, and has references in the works of Shakespeare. It is to be seen how this relates the movie here or if it is just a name used for the sake of it.

[Gets an marble cake and three cups of cardamom tea].

What is the movie about? :: A popular psychotherapist Sibyl (Virginie Efira) decides to quit her job and become a famous writer as she always wanted to. Her job no longer interested her, and work satisfaction gets to zero despite her patients feeling otherwise, not being able to continue without her expertise in their lives. As Sibyl begins to turn away patients, she has a lot of time, but no inspiration, reaching the writer’s block earlier than she had expected. It is why when she gets a call from Margot (Adele Exarchopoulos), a young new actress caught in a dramatic affair with a popular actor, Igor (Gaspard Ulliel) in the same movie, who is living with the film’s director Mikaela Sanders (Sandra Huller). This seems to be a complicated enough tale for a story as far as Sibyl is concerned, just like the newspapers finding entertainment from the lives of these celebrities who make news from the dress they wear, places they visit, food they eat and the people they meet.

So, what happens with the events here? :: The celebrity life becomes something special for the new writer, as far as entertainment is concerned, as she asks Margot about the minute details of their life, and records them using her mobile phone’s sound recorder to listen to the same later. Becoming further interested and immersed in Margot’s life, Sibyl begins to use Margot’s life as the main source material for her novel, finally seeming to get the inspiration and ideas that she always wanted, and at times, it also reflects moments from her own life. But where will that lead her, Igor and Margot, as Sibyl also has a one night stand with Igor while trying to help them to focus on the film instead of being uncomfortable with each other? None of them are really happy as they try to move to the end of shooting schedule because the film has already been delayed enough for different reasons. Now one has to wonder if it is the movie or the novel that completes first, whether it is the releasing or publishing that will bring the people earlier – Sibyl and Mikaela would definitely want things to speed up.

The defence of Sibyl :: Here we have a complex movie which has elements that go deep into a person’s eventful mind. The main character, even though specialized in dealing with such minds, is not a strong enough person in herself. As the complicated psychologist, the confused writer, the lustful lover and the struggling mother, all of these going safe with the leading lady who plays the main character, the only thing that the movie and the rest of the characters need to do is to follow her. She has easily risen above the level of the whole movie itself, as she is as much natural as she is a complex personality. There are questions about relationships and professional life, as well as love and career, as people struggle to keep both going in the same pace. There are a few dramatic, emotional and romantic moments which stand apart, and we have other moments which come as a mixture of different feelings. The visuals of France are very good as expected.

The claws of flaw :: There is no doubt about the fact that Sibyl does drag right from the beginning. The slow pace comes on to pull it back a little bit, but we can go past it eventually. The beginning itself was not that great, and the interesting moments takes a little bit extra time to come on the screen. Adele Exarchopoulos who was part of Blue Is the Warmest Colour is also not used well enough in this movie, and she deserved a role close enough to having a similar interest as the main character here. The twenty six year old actress earned such international attention and critical appreciation for that role, that being in a drama movie like this one, she could achieve even more. Adele is indeed that kind of a performer, and she is forced into the shadow of the main character here. The film could have also had some more action in between, and we are left with needing even more.

Performers of the soul :: It is Virginie Efira’s performance that elevates this movie to another level, and we can be only glad that we could witness he same, as it has many sides to it – she plays a character having so many sides, and all of them are indeed interesting. The forty three year old actress brings both experience and style into this movie, and it has to be noted that she looks at least ten years younger in this movie, as there is a certain amount of youthful vivacity in her, and this enthusiasm catches our attention more than anything else. Playing a complicated character like this required quite some skills. Adele Exarchopoulos is more or less known for Blue Is the Warmest Colour, a movie which has been known for its controversy, but was appreciated more – yet, it has to be noted that she doesn’t have that much of a work to do here while Virginie scores highly with each and every moment she is on the screen. But she remains close to her character, and so does Gaspard Ulliel. The rest are just smaller parts of the movie’s proceedings.

How it finishes :: Unlike the other French movies which I have reviewed on this page, this is one film which provides us with the feeling that it is clearly not American or British – maybe, the French feeling is there throughout it, somewhat the same being already there in Portrait of a Lady on Fire which made us feel the same less because it was more or less historical drama. Sibyl is not the kind of movie that everyone would love to watch with a psychotherapist with a complicated past trying to write a novel in which the characters who are from real-life, and they also have some similar problems. There is also the question about the meaning of life being asked, as many events happen with hope not being the strongest thing. The movie makes an interesting slow journey through the lives of these people, who become more or less like the common people rather than the big complex personalities which they seem to be in the beginning, and the movie comes to a simple end.

Release date: 24th May 2019
Running time: 100 minutes
Directed by: Justine Triet
Starring: Virginie Efira, Adele Exarchopoulos, Sandra Huller, Laure Calamy, Gaspard Ulliel, Niels Schneider, Paul Hamy, Arthur Harari

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✠ The Vampire Bat.