feeding – Movies of the Soul

Vampire Owl: The vampire elders have always been control freaks.

Vampire Bat: The vampire elders shall not be questioned under any circumstance.

Vampire Owl: We are not questioning them, but appreciating their control.

Vampire Bat: They need not be appreciated, but respected and honoured.

Vampire Owl: I would say that they are not bigger than Uncle Dracula.

Vampire Bat: Forefathers are always more significant than the father of modern vampirism.

Vampire Owl: I do not think that they are that old and that much older compared to Dracula.

Vampire Bat: You have seen them, and they definitely look old.

Vampire Owl: They just live a nonsensical life. I still say not old.

Vampire Bat: They have seen the fall of Byzantium, Troy, Babylon and more. Uncle Dracula in comparison, is too young.

[Gets a gobi masala dosa and three cups of Ooty tea].

What is the movie about? :: Valerie Nguye (Kelly Marie Tran) who was born to Vietnamese immigrant parents in the United States of America has turned into a successful motivational speaker with a huge number of fans. But she secretly has a struggle as she always has the urge to scratch the back of her head. This urge has been going on since she lost her mother by drowning after their boat went down the river. As Valerie prepares for an international tour, she finds out that she needs her birth certificate to travel to China, bringing the need for her to get back with her estranged family. Her aunt Thuy (Kieu Chinh) directs her to her father, Sang (Toan Lee), who was a former soldier who fought in the Vietnam War. She sees that he had now turned into a monk, and it is only he who has the necessary documents for her. The relationship between the two has been strained due to their shared traumas, including her mother’s death and Sang’s long history of addiction which followed his time spent in the war.

So, what happens with the events here as we just keep looking? :: Sang tells her about a Vietnamese folk tale about a parasitic ghost that feeds on human hosts, leading to the fall and end of the infected human. She does not believe the story at all, but finds something strange from their family photos which points to supernatural elements. Her husband Robbie (Miles Robbins) becomes more and more worried about her as she ends up injuring her head by scratching. She confronts Sang, and he reveals that he had summoned the parasite during the Vietnam War. He further adds that it was also passed to his wife, and she had tried to kill Valerie to stop it from spreading further in her bloodlines, leading to her death by drowning due to Sang’s intervention. As she still hesitates to believe him thinking that he might still be under the influence of the drugs, there is a breakdown for him during a grand motivational speaking programme. The doctors find out that she has scratched a hole right into her skull, and now she would have to go to the most extreme levels to find a solution. Can she do that?

The defence of Control Freak :: The movie’s use of Vietnamese folklore and the ghosts that feed on the hosts works not only with the horror, but also with the themes of immigrant assimilation, generational trauma and the pressure for living up to the expectations, and when the same happens to a motivational speaker, things seem to go nicely towards not just physical, but also psychological terror, which is nicely shown around here. The horror feels very much real, and will be reflected in life for a possible connection when there is a scratch on the head, and the creature outside also brings some more scares. The idea often hits us in more than one way, as we look at it. The best moments of the movie might be when it gets close to the end, even though we would have hoped for everything to happen a little differently. The idea of motivational speakers going to pretentions for fake inspiration will make us remember that we ourselves should have the strength and not listen to others. We have to remember that the very few successful examples are not to be taken as there are more unsuccessful people and there is more chance that we will be unsuccessful if we take that risk with life – the movie reminds us not to take motivation into hearts for we might also be fall into the traps of parasites.

The claws of flaw :: The movie surely has its own pacing problems, as it seems to slow down on too many occasions, and at times fails to pick up pace when there was clear chance of elevation. There is also a certain amount of repetition related to the same with panic coming with repeated itches, but then denying if anything is wrong even after hearing from others and hiding the world, then panicking after sometime, and going through the same thing again. The movie seems to be stretched out due to the same and even a one and three quarter hours feels so much as the protagonist keeps going through the same thing multiple times almost in the same order. From the moment when the parasite becomes an assurance of eating the host, the rest of the elements disappear, and it seems like they come one after the other and not together. The supporting characters could have been given more to do. The final moments seem to be forced and the audience feel like they walked into an ending because there needed to be one, and this kind of an ending seems to be just brought about as a mandatory one.

The performers of the soul :: Kelly Marie Tran has a lot on his shoulders, and she manage to hold them strongly. Considering her real-life parentage to be also from Vietnam, the choice seems to be a near-perfect one for the makers of the movie. As she carries the movie with some intense, vulnerable and physically demanding performance, the movie gets its due. There are moments when things seem to deviate and go slower, but she elevates the whole thing well enough, as she seems to become part of the folk-mystery. Miles Robbins plays Val’s supportive partner, and it is for this character that we feel the most – we feel his character to be loving and with genuine concerns and feelings for her character, and it is one person who remains righteous throughout the movie. He does not become the usual horror film boyfriend at all, and stay with her till the end, and also alive. The Vietnamese family members also have some role to play, but despite the Vietnamese side having so much importance, they are not given enough screen time.

How it finishes :: The movie often feels like something which had a grand potential, especially with body horror involved – this one just focuses on the head and a bug-like parasite when the scope was much more. More of body horror with the parasite spreading through the body would have been nice to have. When we look closer, this is more or less an impressive vehicle for Kelly Marie Tran whose leading performance breathes more energy and keeps the level of the movie higher. The Vietnamese folklore keeps us more and more interested. The only two Vietnamese movies which I have watched are both action thrillers, Furie and Furies, and more reviews which deals with similar topics will have our interest after this one. Indonesian movies like Impetigore or Korean Salmokji and India’s own Stree, Munjya, Thamma and friends had the folklore horror moving well, and we would surely need more of them. For now, this one movie with Vietnamese roots has us interested, and it is indeed available on Jio Hotstar. But as long as body horror is concerned, we would have needed more. Enjoy this one among the new releases of the OTT of Reliance.

Release date: 13 March 2025
Running time: 104 minutes
Directed by: Shal Ngo
Starring: Kelly Marie Tran, Miles Robbins, Kieu Chinh, Scott Takeda, Toan Lee

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: It has been a dangerous thing throughout the ages.

Vampire Bat: What are you talking about?

Vampire Owl: The one thing which is mentioned by the name “It”.

Vampire Bat: Are you referring to a certain clown like in this movie?

Vampire Owl: Only the humans are afraid of clowns. We have no clowns here; nobody has ever heard about a Vampire Clown.

Vampire Bat: Well, with this movie based on the 1986 novel of the same name by Stephen King, the horror has shifted to the clowns.

Vampire Owl: You mean no more vampires, zombies, ghosts, demons and others?

Vampire Bat: I am afraid that humans keep moving from one supernatural creature to the other.

Vampire Owl: We need our own clowns then, and we can refer them by the name “It”.

Vampire Bat: Can you adjust with some fan boys and girls instead?

[Gets three cups of iced tea with Arrowroot biscuits].

What is the movie about? :: In the 1980s, we see a little boy being gifted with a paper boat, which he tries to sail through the water on the road, on a day of heavy rain and possibility of storm arriving. As the boats speeds up and goes down a sewer, the boy, George Denbrough a.k.a. Georgie (Jackson Robert Scott) looks down only to find a clown that introduces himself as Pennywise the Dancing Clown (Bill Skarsgard) from the circus which closed down due to the storm. As the boy gets closer, the clown wastes no time in biting his arms and dragging him right down inside. Later, William Denbrough a.k.a. Bill (Jaeden Lieberher), his elder brother can’t just stop looking for Georgie. He along with his friends, Richard Tozier a.k.a. Richie (Finn Wolfhard), Edward Kaspbrak a.k.a. Eddie (Jack Dylan Grazer), and Stanley Uris a.k.a. Stan (Wyatt Oleff) keeps getting bullied by Henry Bowers (Nicholas Hamilton) and his gang.

So, what happens next in the movie? :: They are joined by two other outsiders, Beverly Marsh a.k.a. Bev (Sophia Lillis) who is considered immoral by the students, and Benjamin Hanscom a.k.a. Ben (Jeremy Ray Taylor) who is the new kid around spending most of his time in the library with the less interesting books. As the town has had a history of disappearing children for a long time, the team decides to find the secret behind the same. They figure out that something strange has occured in every twenty seven years, and this is the year that the same is to happen again. They remember that they have all been frightened by one thing or the other, and a clown was the common thing in their visions – a headless person, a fountain of blood, a zombie-like man, a painting coming to life, and the ghost of Georgie are just more of their worst fear coming true.

And what is to follow next in this adventure? :: They come across another outsider, Michael Hanlon a.k.a. Mike (Chosen Jacobs) who also had visions of a clown and burnt people. They figure out that the creature is using sewer lines to move around, as they check where all the children went missing – all these sewers seem to lead to a well currently under the creepy, partially ruined, abandoned house at 29 Neibolt Street. Now, with the elders not ready to believe in the supernatural, the kids decide that it is their turn to do something about this menace of the clown. But the creature will only be happy to have the children visit his lair, and even they don’t, he is ready to come for them. So, what fate awaits the children as the clown has decided to open the circus again, to feed on enough children before he is ready to go back to sleep for twenty seven years?

The defence of It :: We were waiting for this for long, as the 2014 movie, Clown brought some idea about what we can expect with a movie which has a clown from circus and a kids in there. The scares are abundant with the clown around, and the first appearance of the creature might be the best of them all, as it is not just terrifying, but also disturbing with the attack on the little kid from beneath the sewers. Then there are many moments which contribute to the scares, one after the other, making a series of moments of terror, most of which are to be appreciated for being different from what was shown before. The child actors are too good too, especially Sophia Lillis who is a level above everyone else. Jaeden Lieberher is surely the right choice to play the lead character too, while the support never fails to do what they were to do. Coulrophobia, the fear of clowns can be a nice thing to have with this particular flick.

The claws of flaw :: It could have surely been scarier with the depth of its clown character though, as there could have far more terrifying illusions and hallucinations to go with him, and we could have also had something to take home as scares for the every day life – some interesting horror movies do come up with the same or a rather huge divergent idea. This one won’t claim that, as Lights Out would with each and every moment of darkness. This won’t be that big as Don’t Breathe and The Autopsy of Jane Doe became, redefining horror last year. The bullying also takes a little bit of too much time away from this movie which is already too long with its not that scary moments, going further than two hours. Well, they call it Chapter One, and so there could be more. Let the clown be more next time, with tricks that we can never imagine, raising the sequel to another level.

How it finishes :: We have always loved to watch a Stephen King novel on the screen, and it has been something which gives us assurance about horror, as well as the quality. The movies The Shining, The Mist, The Running Man and 1408 keep coming to my mind more often than the rest. This one here is no exception, and it will be there to satisfy our need for a wonderful movie experience, as long as the expectations are not at the top of the peak. You are not going to regret your choice to go for this particular horror movie, as the clown is no usual ghost or demon that you come up against in most of those movies. You will also feel that a sequel will do so much more that, a better equipped, returning clown is all that a horror fan can dream about, or rather have some wonderful nightmares about. So, watch It, and get ready for more in a sequel.

Release date: 8th September 2017
Running time: 135 minutes
Directed by: Andy Muschietti
Starring: Jaeden Lieberher, Sophia Lillis, Bill Skarsgard, Jeremy Ray Taylor, Wyatt Oleff, Finn Wolfhard, Jack Dylan Grazer, Nicholas Hamilton, Chosen Jacobs, Jackson Robert Scott, Stephen Bogaert, Molly Atkinson, Geoffrey Pounsett, Pip Dwyer, Stuart Hughes, Steven Williams, Ari Cohen, Joe Bostick, Megan Charpentier