Pinocchio

Vampire Owl: I know this person very well from childhood itself.

Vampire Bat: It is a fictional character from the children’s novel The Adventures of written by the Italian writer Carlo Collodi of Florence.

Vampire Owl: Okay, so it is from the land of Renaissance indeed,

Vampire Bat: Yes, most people don’t really know that this tale is not really English.

Vampire Owl: But it went on to become so popular all around the world.

Vampire Bat: Yes, it is that kind of a story that appeals to everyone.

Vampire Owl: And it is a fine story to read for the children of all ages.

Vampire Bat: We also add an Italian movie dealing with the same story to our list on this day.

Vampire Owl: I am sure that this one will become a fine deviation from our usual path.

Vampire Bat: Yes, and takes us back to childhood too, at least in parts.

[Gets a green apple cake and three glasses of blackcurrant shake].

What is the movie about? :: Geppetto (Roberto Benigni), a poor Italian carpenter has a hard time making his living, as he rarely gets any work, and nobody appreciates him for the quality products which he come up with. But one day, he sees a puppet theatre in the town, and becomes a lot interested in creating a puppet all by himself. He feels that he could create something special which would be appreciated all around the world for its beauty on wood. He manages to get a log of wood which its owner wanted to leave behind because it seemed to have some kind of magic associated with it. Geppetto spends all his time creating the perfect puppet, and in the end, when he finishes the same, he finds out that it can talk. After naming the puppet Pinocchio (Federico Ielapi), he decides to take him as his son. But the newfound son out of the log isn’t really an obedient one, as he keeps exercising his freedom against the wishes of his father.

So, what happens with the events here? :: Pinocchio does get into trouble due to his actions, and Geppetto decides to send him to school, so that he would study well and also mingle with the other children of the town. Geppetto sells his inherited jacket to buy Pinocchio an ABC book which is necessary to accepted into the school. Pinocchio does go for his first day at school, but notices a puppet theater, and he ends up selling the book to buy the ticket. In the theater, the other puppets notice Pinocchio among the viewers and calls him up the stage, thus messing up the show. A furious puppeteer Mangiafuoco (Gigi Proietti) catches Pinocchio and locks him in his caravan with the others puppets, and leaves the town. Mangiafuoco who has been very angry about what had happened, plans to use Pinocchio as firewood to help cooking his dinner. Pinocchio begs him to release him in order to return home from his father, who would be very much worried by then.

And what else is to follow around here with the puppet? :: Mangiafuoco decides to let him go, and seeing his compassion towards the other puppets who he saves from being burned, he gives him five gold coins to give to the poor carpenter whom he calls father. Pinocchio is really happy about it, and tries to get home as soon as possible, but is lost in his way, not sure where he is heading. As he tries to find the right directions, he meets Fox (Massimo Ceccherini) and Cat (Rocco Papaleo) who discovers that the puppet has some gold coins with him which they can use during their jobless ways. They tell him a tale about the Field of Miracles, a special place where they can bury the coins, and a tree full of money will grow rapidly. But they intend to murder the puppet and take the money. They make some fine plans for the same, and takes a room in the nearby tavern. Pinocchio is not aware of such sinister plans, and despite being warned by Talking Cricket (Davide Marotta). Can the puppet keep the money and finally get to his father who is looking for him?

The defence of Pinocchio :: The movie, as expected is a journey to a special world, and those who have known the tale before, will relate to the same very well. There is a beautiful world that provides a certain amount of enchantment close to the original version, and we have one puppet who is not familiar with the ways of humans going through. Roberto Benigni whom we know from the movie Life is Beautiful is here again playing the father figure, and that is indeed beautiful, as we remember how he managed to be a great father there – here, he is not far behind either. The one who used his imagination to shield his son from the terror within a Nazi concentration camp is not to be forgotten that easily. Marine Vacth who plays the fairy and many others also catch our attention, being out of the usual world, getting close to fantasy. With the cat, fox, snail, cricket, characters, the movie is as child-friendly as anything can get, and therefore makes itself a fine watch for the families. Well, a journey through rural Italy of those times never really gets to be less interesting for the eyes.

The claws of flaw :: Pinocchio might be different in looks from what many people might have imagined him earlier. The movie could have had a certain amount of visible magic in there too, not as being regular part of the proceedings, but as something completely out of the world. For the same, more special effects could have been used to create a visual extravaganza, because even lesser films these days seem to display the grandeur – after all, this is a children’s classic of a higher level on print. The fact that the puppet keeps falling into trouble due to not listening to the good advice makes it feel repetitive, especially for the adults who would be a long way past this tale by now – even I don’t remember most of what I read during my childhood. It could have also had more focus on the father-son relationship because the puppet as the adventurer is not of that much interest as a person, and we have to look forward to the fairy to find the next lovable character, followed by the snail. The growing nose could have also been used better.

How it finishes :: As far as the idea of Pinocchio from The Adventures of Pinocchio by the Italian author Carlo Collodi is concerned, this one manages the same well, and it is to be noted that usually the adaptations are supposed to come in the form of cartoons. Making a live-action movie with this type of characters is indeed difficult, but we can see that they have managed everything pretty well here. The Adventures of Pinocchio has been the world’s most translated book excluding religious works and had such a great impact on different cultures, also being a children’s favourite. But we see that it also explores the human condition, about what it means to be human, right here. We do have that usual child who doesn’t like to go to the school, and is not interested in obeying parents, with a certain love for entertainment and adventure over the rest, and is naive when facing the dangers of the outside world. Yes, this version is a successful one too, and you can choose to watch it, without expecting anything too special or highly innovative.

Release date: 19th December 2019
Running time: 125 minutes
Directed by: Matteo Garrone
Starring: Roberto Benigni, Federico Ielapi, Rocco Papaleo, Massimo Ceccherini, Marine Vacth, Gigi Proietti, Paolo Graziosi, Massimiliano Gallo, Maria Pia Timo, Davide Marotta, Alessio Di Domenicantonio

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@ Cemetery Watch
✠ The Vampire Bat.

June

What is the movie about? :: June Sarah Joy (Rajisha Vijayan) considers herself to be an ordinary girl with no special talents, which is the reason why she is upset that most of the other students who join her class are able to do so much more. Her parents (Joju George and Aswathi Menon) care very much about her as she is their only child. Noel (Sarjano Khalid) is her newfound best friend who is elevated to the level of her boyfriend. They get to connect well with each other as they are both considered to be lagging with their talents. As time progresses, she is able to make new friends, and her Plus Two batch of 2007 is finally able to become a batch to remember not just for the students, but also to the teachers. But at the same time, when her parents find out about Noel, she decided to end their relationship. She joins a nearby college while he travels to Mumbai to stay with his parents and to continue his studies.

So, what happens with the events to follow? :: The best friends go in their own ways, and June is left with the memories of Noel. She goes through her college days without much of an enthusiasm as she is still caught in her life in Plus Two. After completing her degree, she decides to go for an interview in Mumbai and meet Noel at the same time. She stays with her Plus Two classmate Abhirami a.k.a. Mottachi (Vaishnavi Venugopal) who is also working there, and finds Noel to begin the next phase of their relationship. But things are not that easy as she thought they would be. She has to deal with his family as well as hers, and at the same time, maintain her own independence. About their life, what Noel thinks might not be the same either. So, the question remains about what awaits her in the rest of her life.

The defence of June :: The strength of June lies not just in the performances lead by the female lead, but also in the memories that it creates. It takes us back to the school days, and even though it is not an exact reflection of the memories as it was recreated in Om Shanti Oshana, this one is surely an effective one, thanks to a better performance from the female lead in comparison to that older version. The movie is also a clean entertainer for the family audience, with nothing that makes them doubt about their plan to watch the movie – keeping it so, and at the same time, funny would have been a difficult job, but is done with skill. The climax and the final scenes are beautifully done too, and it talks not just of love, but of nostalgia and friendship that comes back after a long time. The music is nice, and suits the mood of the movie. The songs come too often, but they are nice to hear.

The claws of flaw :: The movie’s idea to skip the college days completely is one strong negative point on this movie – the second half could have used some of that too, and in that case, being a coming-of-age story in the lines of Premam and Om Shanti Oshana, this one has a little missing part. There is no life that serves as a coming-of-age story without the college days, because it doesn’t matter who denies the same, there is something about those moments all the time. It is where bildungsroman struggles. The movie is also a little bit too long, which is why one can feel certain drag with the romance. There was surely more scope to make this one better. It has to be noted that not everything in the movie brings the memories of school days, and not all jokes serve to be that effective. But as the industry is once again becoming hesitant to experiment, June is surely one another welcome move.

The performers of the soul :: Rajisha Vijayan who won the Kerala State Film Award for Best Actress for her performance in her debut film Anuraga Karikkin Vellam, which was also her first movie, once again makes an impression, as we had expected from the trailer. Georgettan’s Pooram and Oru Cinemakkaran never really gave her any challenge as movies which kept at a certain level, never trying to rise or give its female protagonists opportunity to do much. She takes over the protagonist, and has the sixteen year old going through to the next ten years of her life, even though three years at college are absent. The moments during the Plus Two time period are done with amazing skill, and the latter moments are not far behind, and they seemed to come naturally to her. With the whole movie completely dependent on her performance, she makes sure that she comes up with only the best.

Further performers of the soul :: Along with Rajisha, there are others to add to this one very well. Joju George gets another fine role after Joseph, unlike the insignificant one he had to do in Lonappante Mamodeesa. He nicely gets into the father role here, and has some funny as well as touching moments to go with it. Aswathi Menon who is best known for Sathyam Sivam Sundaram and its highly popular song “Walking in the moonlight” has the mother role here, and she makes it a good one. Sarjano Khalid, the debutante who plays a male lead does well, as if he’s been there before. Arjun Ashokan has also done a good job, especially in the second half. Among the actors and actresses who plays the protagonist’s friends, it is Vaishnavi Venugopal who shines the most. That should be among the most natural performances not by a main or secondary heroine, in a long time. The other newcomers are also good talents, as we can see here.

How it finishes :: Releasing at the same time as Oru Adaar Love released, this one uses less hype and more quality to be assured of a more solid run. After Aadu 2, Vijay Babu becomes the producer again here, and we expected a performance to remember from Rajisha Vijayan – it is the same that we get here. This one stays close to life and memories, along with being another feel-good movie which touches our hearts after Vijay Superum Pournamiyum, Njan Prakashan and Ente Ummante Peru. June is also one movie which does so much justice to the trailer, as it is more or less the same thing that we watched earlier and expected. Even though Kumbalangi Nights and 9 are there, this movie should take over some of the presence of the latter, and keep going, because the movie is many different things to different people.

Release date: 15th February 2019
Running time: 141 minutes
Directed by: Ahammed Kabir
Starring: Rajisha Vijayan, Joju George, Sarjano Khalid, Aswathi Menon, Vaishnavi Venugopal, Nayana Eliza, Arjun Ashokan, Sanju KS, Akhil Manoj, Harisankar, Sruthy Suresh, Margret Antony, Raveena Nair, Aju Varghese (cameo), Sunny Wayne (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Stoker

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The legend of Stoker :: The first idea image that comes to one’s mind with the name “Stoker” is that of a vampire, if not exactly that of the primary antagonist of a 1897 Gothic horror novel. Thanks to Bram Stoker, the legend of Dracula has been something that continues to be synonymous with vampirism itself. But, there is nothing directly related to Bram Stoker here, and lets not make any guesses about it being something about the life of the creator of the world’s most well-known vampire (one of the few English writers whose name I have known since childhood). Stoker gives you no blood sucker, and even when there are murders, there is no such behaviour of not wasting the blood. The Vampire Bat has been historically against wastage of blood, and is certain to have been sad about his own idea about this movie being wrong, but that feeling never stood strong till the end of the movie. Stoker was never supposed to be about vampires, and it was not meant to be the usual horror movie; it had to be different.

What is it about? :: India Stoker (Mia Wasikowska) is not going through a good period of time after her father Richard (Dermot Mulroney) dies in a car accident. Her mentally unstable mother Evelyn (Nicole Kidman) and India doesn’t seem to get along well. Richard’s brother Charlie (Matthew Goode) comes to the scene at that time, and keeps talking about his life which was mostly spent traveling all around the world. His stay at the house turns out to be longer than expected, and even as Evelyn likes that, India is mostly indifferent to his presence and on some occasions, rather not happy with his existence. She continues to keep away from him despite the fact that he seems to be trying quite hard to be very friendly with her. But as almost everyone who has an argument with Charlie disappears, India begins to feel that there is more to him than what meets the eye. Later, she even finds one of the dead bodies in the freezer. But she won’t be able to tell that to her mother who seems to have developed some intense feelings for his charms.

The defence of Stoker :: The movie successfully brings that creepy environment into play, with a huge house and its surrounding which seem to have more secrets than any normal person can endure, but that would eventually be proved wrong by the two characters, the introvert niece and her uncle whose existence was never known as his presence is more mysterious than the absence. The association of big houses with horror comes as no surprise, as everybody needs room to store some horrible secrets; the movies in most of the languages has the same, and Stoker has used that very well. There are lots of surprises in store too, especially related to the new member of the family, and the youngest member of the same who always had it in her to bring that shock element for which we are made to wait. Is that all about horror? No, it is mostly about horror and rest is about fantasy which follows horror in such a way that both becomes beautifully intertwined. The visuals are so nicely done so that the strange, creepy atmosphere is never out of our mind, even with nothing vicious being tried.

The claws of flaw :: Stoker can disappoint the usual horror lover depending on what he or she is looking for. It doesn’t have anything supernatural or serial killers who comes out of nowhere to create a pool of blood, even as this one does have enough blood and gruesome murders. There are no weird faces coming out of the dark making strange noises and trying to take advantage of that shocking side. This doesn’t go through that path set by Insidious and Sinister, the former needing no introduction and the latter having the most read horror movie review on my blog even as it was written almost an year after it was released, in the honorary movies list. The movie has that uniqueness which might make some audience disinterested. There is also some part of the movie where it might seem that nothing really happens, but that is not really that usual drag. The movie could have still used a little more of the direct horror, and there it might have lost a few fans too. It is also so much mixed in its genre that it can trouble fans of many genres. The grief and feelings in this movie can be highly subjective for the viewers too.

Performers of the soul :: This one comes from the South Korean director of the much admired Oldboy which was voted as one of the best Asian movies, and also Thirst which seems to have also got a similar reception – so that expectations were going to be high and I would say that this one delivers nicely, at least for me. Matthew Goode’s performance comes as real stunner in this one, as he exhibits both sides of being terrifying as well as charming with so much brilliance. Nicole Kidman also does nice with what might be the best someone can give for such a character. The best part of the movie should be Mia Wasikowska though. I mostly remember her from Alice in Wonderland in which she was so good, and she was the best Jane Eyre that most of us had ever known. Here, she takes that into another level as she is presented with a character who might be one of the strangest girls ever. She plays no Carrie, but even this character is so gifted in many ways along with being disturbed that she keeps us with her even as not completely on her side, and there comes the subjectivity of the viewers into play.

Soul exploration :: This is the first time that I have noticed Mia Wasikowska with black hair, and as that seems to suit her so well, it adds to the soul too. Eighteen year old girl and never really smiling in the movie – now that is more than just interesting for a Vampire Bat’s soul. Caught between her innocence and awareness, India doesn’t become like the others; she chooses to be different. But what is to follow when she decides to follow her instincts rather than her innocence? She is a lot like her uncle, and that is something that is proved again and again in the movie. They both have a lot in common, and India always has that invitation into that dark world which she can resist only with her best attempts. But her world has already shattered, and any resistance that she can produce would rather become an illusion which won’t help her a bit. She has always had the dark side with all its strength, and it is only herself that keeps her back, and there will always be a revelation which can turn the whole world upside down.

How it finishes :: Stoker successfully keeps the audience in the movie and doesn’t throw away its logic, even when it slows down in pace, an achievement which not many horror movies can boast about. You can say that with most of the shots of the movie. Stoker has style and it has substance; to add to it, this is a thriller and horror movie with the elements of drama, not something which is easy to achieve. “Don’t disturb the family” is a nice tagline for the movie too, as we do come to know what happens when even the youngest member of the family is disturbed – not a good sign for anyone planning to do the same. You got to love the way they look in the poster too, especially Mia Wasikowska; Barnabas Collins of Dark Shadows shall approve it with an A+. Watch this one as a horror movie, a thriller, a coming-of-age story, a slasher flick, a tale of revenge and even as a strange romantic tragedy. Stoker might be strange to a number of people belonging to the normal audience category, but it has so much in it which makes it a force to be reckoned with.

Release date: 1st March 2013
Running time: 99 minutes
Directed by: Park Chan-wook
Starring: Mia Wasikowska, Matthew Goode, Nicole Kidman, Dermot Mulroney, Jacki Weaver, Lucas Till, Alden Ehrenreich, Phyllis Somerville, Ralph Brown, Judith Godrèche

stoker copy

@ Cemetery Watch
✠The Vampire Bat.

Dredd

dredd (6)

It was in 1995 that Sylvester Stallone had impressed us as Judge Dredd, even as most of us watched it much later. That was a movie which was fine, but was a commercial and critical failure; here the story of the same Dredd has been remade, even as the plot is entirely different and so is the style – but the result in the box-office was the same. The critical success it received was well deserved though. The British comics of 2000AD has surely done us a favour with this character, as proved by this movie. Its financial disappointment is quite depressing, to be honest. Knowing that it was released in the year when The Avengers grossed so much, leads to further despair. It is due to the same reason that I chose to like the page for its sequel (https://www.facebook.com/MakeADreddSequel) and also signed the official 2000AD petition (http://2000adonline.us5.list-manage.com/subscribe?u=a6e40236aa24d482cfff600d2&id=62906ebdcc) as we never really had enough of Dredd in the one and half hours of mayhem which this movie provided us with. There had to be the demand for more, and there is; if you see the number of likes and the number of petitions – the movie has risen, but as it didn’t rise when it was in the theatres, the effect will be so much less. This realization about the awesomeness of the movie has made people know what they have missed.

We have to bring back Dredd, and watch Dredd 2 in the theatres first show. It is a hope, considering the box-office failure that it was. But why should we cheer for that sequel? The reasons are supplied unlimited. When the judge, jury, police and executioner are all the same, during a distant future when America is an irradiated wasteland, with one city surrounded by deserts beyond its walls; the cursed Earth supporting a cursed city stretching from Boston to Washington DC, an unbroken concrete landscape, 800 million people living in the ruins of the old world and the mega structures of the newer world, it is Mega City One – The place where the judges are everything when it comes to the law. These men from the Hall of Justice are the only group fighting for order among the chaos and destruction as the crime rates go up. They serve justice hot, at the right place at the right time, with no remorse or regret – like the man said in the 1995 movie, “It’s impossible! I never broke the law, I AM THE LAW!” Dredd is a legend, and he is a Robocop in many ways, still human enough to be liked and loved. The movie didn’t get that love from the audience, but there is a lot more than just the viewers that define this movie. Living in an uninhabitable wasteland with huge Mega-Cities in the middle, taking his awesomeness to the world of evil, Dredd needs all the attention!

Along with so many crimes reported daily there is also a new drug in the market called Slo-Mo has been introduced, and it slows the user’s perception of time to one percent of the normal one. These drugs are slowly becoming more and more viral. The Chief Judge has given Judge Dredd (Karl Urban) the job of evaluating a new recruit Cassandra Anderson (Olivia Thirlby), a powerful psychic who had just failed the aptitude tests to become a Judge, and she asserts that her failure was only marginal. Among the large number of crimes, Dredd lets Anderson choose one scene, which had the drug lord Madeline Madrigal (Lena Headey), a.k.a Ma-Ma’s men throwing three rogue drug dealers down from the top floor of a 200 storey residential building, after having them skinned and infused with the Slo-Mo drug. They arrest a man named Kay (Wood Harris) whom Anderson finds out to be the murderer who had tortured and thrown the people down. But the drug lord seals the building down and stops all communications, leading to Dredd and Anderson being caught among the criminals who are asked to take them down by the drug lord. They manages to call for some help, but the help is unable to get in, and what they would get are in the form of a group of corrupt judges paid to take them down, and to add to it, Anderson is captured, leaving Dredd in a situation against all odds.

The movie’s strength is clearly Karl Urban. He fights through his duties as the masked keeper of justice with so much power. Even after covering most of his face with that mask, he still displays a lot of his acting skills. When he is done, one has to agree that he is the law and there is no other law. He has been provided an ideal world here, and without doubt, it has been utilized. His performance in Pathfinder had gone unnoticed, and Doom and And Soon the Darkness didn’t add that much. There is a lot of bad luck involved with Dredd too, as the movie had to share the screen with many other movies when it was released. But that wouldn’t make him as Dredd, an unnoticed hero – for he is indeed brilliant as the provider of infinite justice. He has made Dredd the hero which one had expected. Sylvester Stallone’s Dredd had his own style, and this one has another, and I have to say that I am able to consider this one as the more suitable Judge, even as the one from the 1995 movie was also strong enough to make the needed impact. As that movie failed in what it wished to achieve, it was necessary that this leading actor do a splendid job, and thanks to Karl Urban, that problem is solved. One has to respect the fact that he has kept the helmet on throughout the movie, unlike the previous Dredd. The only scene where he is without it is in the beginning, and then too, there is no face, as the shot is from the back. Still, he has been that good that we can now recognize a masked Karl Urban.

Olivia Thirlby’s Judge Cassandra Anderson is exceptional. There is the need for a warm applause as this performance is considered. The Darkest Hour‘s Natalie has come a long way to become a character who needed not the damsel in distress tag nor the punisher lady tag, but a huge amount of dynamic transformation opposed to a more static character of Judge Dredd. Being beautiful is just one of those exceptional things, and the beauty with the gun goes through a world of bildungsroman throughout this battle. As Dredd has conquered his remorse and regret to become the one true upholder of law with all his experience, the young lady, the rookie has to deal with all the emotional sides in this movie. Anderson is a lovable character from the beginning itself, as even when she is said to be a psychic, the look in her eyes show how much of struggling character she is, and there is no wonder she couldn’t keep up with the other cadets in the tests. The presence of psychic abilities might have made her more of the same. Each and every time, she is forced into the minds of others, and has to live with it, a pain which she has to endure and keep with her as a souvenir. One has to wonder what the pain of being a psychic is, and Anderson is its beautiful personification.

She is there to help in the battle of good v/s evil, but has to suffer as she has to live with the memories, and has to go through alien worlds which has secrets which she doesn’t want to reveal, and the horror which she doesn’t want to face. In the battle with Kay’s mind, she has to come out victorious fighting his erotic imaginations of violent sexual liaisons with her; fighting her own naked and helpless images in his own homeland of mind; his own self-proclaimed messed up head which scores in the beginning by makes her undress. But she fights and succeeds, thus proving her superiority as a psychic, and throws away the thoughts about her as the weak link, in the first step of her move towards being a judge. The second step is achieved when she escapes from her captors and the third when she arrives at the right moment when the corrupt judge is about to shoot Dredd. By that time, she has evolved, and Dredd himself realizes that she is ready. She is no longer that person who hesitated to shoot, and failed to use her psychic powers to the maximum advantage. She had become the most extreme of the dynamic characters, and the true Judge Cassandra Anderson, the upholder of justice. Olivia Thirlby has gone through that transformation in such a way that makes one feel the need to watch her in the same role in a sequel – another reason to get Dredd 2.

Meanwhile, Lena Headey’s Madeline Madrigal is a charming evil villain who has a devilish beauty associated with her even with the scars on her face. She is a villain one would love to watch on the screen. The use of 3D is efficient, and the presence of slow motion sequences with the help of the Slo-Mo drug further helps the movie. These are still not the usual pathetic slow motion stunts, as they are designed to work with the drug in such a way that both the action sequences and the plot involving drugs benefit. The action scenes without the drugs are also equally good. The villain’s introduction throwing the drops of water from a bath-tub shows how well the slow motion sequences can be used and how much it can add rather than take away. In simple words, this is how a Dredd movie should be, and this is how a superhero of truth should be depicted. There should be more to follow, even as there is only some hope left of a sequel. There should be Karl Urban and Olivia Thirlby in that sequel, as they have made themselves that part of this movie that cannot be avoided. They have given this movie life, and this work already had so much life which means that it is more alive than most of the movies out there. We are being bombarded with those superhero movies, but actually what we need is this story of Dredd. Just remember that he is the law, and he needs his time.

Release date: 21st September 2012
Running time: 95 minutes
Directed by: Pete Travis
Starring: Karl Urban, Olivia Thirlby, Lena Headey, Wood Harris, Domhnall Gleeson, Warrick Grier, Deobia Oparei, Langley Kirkwood, Edwin Perry, Karl Thaning, Michele Levin, Francis Chouler, Daniel Hadebe, Rakie Ayola

dredd copy

@ Cemetery Watch
✠ The Vampire Bat.