bar – Movies of the Soul

Vampire Owl: You think that hell can be loaded into paradise?

Vampire Bat: Maybe a little bit of space can be reserved for the same.

Vampire Owl: Yes, even Dracula Castle has space for a portal to hell.

Vampire Bat: You are talking about that strange experiment by Mr. Frankenstein.

Vampire Owl: Dr. Frankenstein comes up with the perfect experiments every time.

Vampire Bat: Yes, the frank man always makes a mess of things.

Vampire Owl: You know that he is a man of science with divergence.

Vampire Bat: The only divergence he has is from the path of science.

Vampire Owl: It is possible as he is also a man of history.

Vampire Bat: The only history he knows is about himself.

[Gets a poori masala and three cups of Yercaud tea].

What is the movie about? :: Nina (Nora Arnezeder) is a young single woman living in Marseille of France, struggling to make the ends meet as she also has to support her separated mother, Sam (Maria Bello). She becomes aware that she cannot go on like this forever, and while looking for financial stability and a new beginning at a new place, Nina accepts the position of a receptionist at a grand five-star luxury island resort in the Maldives which seemingly own one side of the sea. The place is considered to be one of the prestigious luxury destinations of the local owners who are part of a royal family and they control a lot of assets of the nation through different business ventures. When she arrives, the resort appears to be a beautiful sanctuary of turquoise lagoons and extravagant villas, with just tranquility all around. Nina quickly integrates into the daily routine, interacting with the wealthy international clients with ease due to her mother being American and she having a good accent and expertise in English.

So, what happens with the events here as we just keep looking? :: She becomes good friends with her roommate Valeria (Joséphine de La Baume) who is from another Asian country as well as the resort’s general manager – a local man, Azaan (Alyy Khan) who appreciates her work. Tariq (Shubham Saraf) who takes care of the boats of the resort and also manages some cooking in the background also becomes good friends with her as he understands her confusions being in a kind of nation to which she has no familiarity with. As the nation blend the common law with Sharia law with all citizens required to be Muslim, she had to be careful as a foreigner who does not believe much in religion. As only the resort islands serve alcohol and pork as well as allow her to wear bikini or even the usual clothing she used to wear in France, she stays there for almost all his life in Maldives, and is surprised to see people using drugs inside the resort even though it is not legal and if possessed in huge quantities, can even lead to death penalty.

And how well can she earn well and remain happy while away from home? :: The divide between the ultra-rich guests and the invisible migrant workforce that keeps the resort working is noted by her, but they are all happy as they are paid well, and the tourism of the nation remains its strong and most valued side. Her happy moments take a twist when Nina is asked by resort management to step outside her receptionist duties and keep a watchful eye on three young children whose mother does not want to care for them and creation a situation there in front of her helpless husband who calls for the family to stay together and enjoy their time. Nina tells everyone that she has no experience with children and is not trained for any similar kind of job, but is forced to take the job as four staff members had taken the day off. The children are unruly and justifies why their mother wanted to get rid of them, and a girl child manages to move away when Nina was taking care of the smaller kid and she drowns in a pool. This leads to her being targeted as the only person responsible for the death, and as the country’s laws are not favourable to single women who do not wish to marry and have children, she finds herself taken advantage of, and facing prison – can she survive?

The defence of Hell in Pradise :: Nora Arnezeder holds this character right on her shoulders, and she delivers a grounded performance which has us supporting her and hoping for her to escape this torture which feels continuous. Her journey from a hopeful expatriate to a desperate fugitive as she suffers the psychological toll of isolation and anxiety makes her the one person whom we keep supporting from till the end. After some of the sweeter moments which come in the beginning, the tension just rises above them all. As the movie progresses, we feel her anxiety and we know that there is something going on to trap the protagonist with all the blame on her, as her doubts never feel like outside reason. With the moments of further danger, we keep more immersed in the tension. The beauty of the world keeps us interested, and there is a certain need to travel to the island that arises early. The display of parents who cannot look after their own children is a reminder to all of us not to trust such fathers and mothers are to be looked at with contempt with the need for random people to look after their kids.

The claws of flaw :: The movie is slow to get going, and in the end, it seems to bring a very quick end out of nowhere, as the protagonist seems to find a way all of a sudden, and the ending moments also lack some clarity – the character change is a little too quick as she manages to be someone so smart and capable when she is at her lowest point. This makes one feel it is a strange mixture which never really mixes everything in the right quantity and one can also wonder about the balance. The film also forgets its strengths and deviates at times, making one wonder if it is every going to reach anywhere as repetitions are there and we keep seeing similar things again and again. A wrongfully accused protagonist trying to save herself is a common cinematic formula and there is not much of an innovation at work here. A number of characters also feel one-dimensional and there is a certain amount of predictability about them. The useless moronic parents are also not given the hatred that they deserve, and such people always deserve to be shown as the true evil representations, much above those who try to save their names.

How it finishes :: Hell in Paradise is an interesting movie not just with its tale of being caught in a nation one is not familiar with, but also with some incredibly beautiful visuals which will make us fall in love with Maldives, and also has us feeling exactly like the protagonist in trouble, with the film’s situations making us wonder what we would do in such a situation. We feel what the protagonist feels facing the unknown laws of unfamiliar lands, as being in a nation with severe restrictions except for as a tourist will have us tensed. The movie’s service as a high-tension thriller that takes a nightmare scenario works for most of the time. It successfully taps into the primal fear of being trapped in a foreign justice system with no friends or influence, completely at the mercy of wealthy and corrupt institutions which discriminate you and make you a criminal for gender and foreign nationality. On another day, this could be even worse, but this protagonist does have some hope in the end against all odds, even though that seems more manufactured than anything else – to add to it, you have Nora Arnezeder who delivers this as one of us.

Release date: 26 November 2025
Running time: 102 minutes
Directed by: Leïla Sy
Starring: Nora Arnezeder, Maria Bello, Alyy Khan, Joséphine de La Baume, Shubham Saraf, Ranjit Krishnama

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@ Cemetery Watch
✠ The Vampire Bat.

Vampire Owl: We get to watch a Vietnamese film after a long time.

Vampire Bat: Well, this is the prequel of the other Vietnamese movie which we watched.

Vampire Owl: That should remind us to watch more of the same kind.

Vampire Bat: Do you think that we will have time?

Vampire Owl: We are immortals. We have all the time in the end.

Vampire Bat: But the world is everything except immortal.

Vampire Owl: Immortality is subjective as long as we remain vampires.

Vampire Bat: The werewolves and zombies would call us quasi-immortal.

Vampire Owl: Immortality can vary according to situations.

Vampire Bat: All kinds of immortality should serve the purpose.

[Gets a chicken samosa and three cups of Vagamon tea].

What is the movie about? :: Bi (Đồng Ánh Quỳnh) is forced to leave her home in the countryside after her mother is murdered, and she kills the man who is responsible for the plight and had also assaulted her. She is forced to leave her home for Ho Chi Minh City as it is also burned to ashes. She lives in the new city doing some small jobs and also through a little pickpocketing which she masters. She meets Jacqueline (Veronica Ngo) who saves her from being assaulted by her usual opponents in the streets. She decides to go with her instead of continuing to wander around the streets. She finds out that there are many other homeless children in Jacqueline’s place. But there is more the lady she just met than what meets the eye for the first time. She meets Thanh (Tóc Tiên) and Hong (Rima Thanh Vy), who seem to have been taken under the care of Jacqueline just like her. The two girls don’t seem to like the newcomer that much, as she seems to be incapable of blending in, with less skills including the social ones. These girls also feel like well-trained in the unexpected.

So, what happens with the events here as we just keep looking? :: The girls have formed a vigilante group to protect women from the gangs of the city which have been involved in trafficking young women and girls for brothels. As of now, Bi seems to be the weakling among all of them. But she manages to prove her point there, with not being ready to back down. This group known as the Wild Daisies targets the city’s major gang leader Hai a.k.a. Mad Dog (Thuận Nguyễn), who manages trafficking of young women to serve in his brothels with a casino as the front office for all the illegal activities. His dominance is assured by his trusted lieutenants, Long bồ đà (Song Luân), Sơn Lai (Gi A Nguyễn) and Tèo mặt sẹo (Phan Thanh Hiền). But Hai is not without enemies, as there is a continuous gang war going on. Jacqueline also seeks vengeance on him for the atrocities he committed on her family. But the requirement for revenge might not be enough to progress in her mission. There is a long way to go, and she goes through a difficult path with the new girls.

The defence of Furies :: There need to be time spent for the appreciation of the action that we see on the screen here. It is not dependent on heroism or overdose of effects or properties, but seemingly dependent on what actually can be done. The training sessions that we see here are almost as good as the fighting scenes outside. The fighting basically never really has a long pause after the procedure begins. The Vietnamese style of Martial arts never really cease to catch our attention either. The colours that we see around here add to overall beauty of the action that we have around here. It is not just limited to the inside environments, as the streets also add to that colourful side. The feeling of being in a world of crime which moves on towards terror is always there, and the villainy is something that works like a dream. The characters do remain interesting at all times, and we have the tales of bonding against all odds, adding a certain emotional side. The ending also nicely sets the world to go to the previous movie whose incidents happen later.

The claws of flaw :: Furies had to fit into the shoes of Furie, which was then selected as the Vietnamese choice for the Best International Feature Film at the 92nd Academy Awards, and it can be safely said that the effort is very good. The beginning might have the viewers in a little bit of doubt, but those questions never really survive for that long. But the film never gets to the quality of the previous one, as there are moments which seems to be rather forced. Some moments lose the realistic touch, and the emotions here are not able to match the feelings which were so strong in Furie. This film could have surely been much more with some twists and turns along with a more satisfying ending. The adrenaline rush could have also been more. At times, you are reminded of movies like Charlie’s Angels, but without the comic side and having a much darker angle to it. One can be sure that if this movie was produced by Hollywood or Bollywood, it would have looked a lot different, even if most of the violent side is maintained without second thoughts.

The performers of the soul :: Veronica Ngo who played the leading role in the earlier movie also leads the way here. She continues the good form, and the fighting skills go on to exhibit the same strength as the previous flick, even though not for that long – she doesn’t remain the focus of attention here for quite a long period of time as there is the team of three that takes the spotlight. Among the girls, it is Rima Thanh Vy who adds a certain lighter side to the proceedings. There fun whenever she is around, and that stands apart from the rest. Tóc Tiên has the stronger presence among them all, and can be considered as the action star above the rest. Đồng Ánh Quỳnh plays the emotions and trauma of her character really well. Thuận Nguyễn makes a nice villain in the process. Vovinam, the Vietnamese way of martial arts seems to have been effectively used by all the performers well, while elements of Chinese and Japanese systems of fighting can also be seen. The release in Netflix means that the movie will have better viewership than its predecessor.

How it finishes :: Furies serves as a prequel to Furie which released earlier, does that particular job which was given to it really well. A highly stylized martial arts film with female protagonists leading the way is found here with fully powered action sequences. It is only some time back that we had John Wick once again bringing the never-ending action to the big screens, but this kind of a martial arts mixture has been missing for long enough, whether we had Hitman, Transporter, Kate, Mechanic, Accountant or any such character in between. This world with the stylish lighting of Ho Chi Minh City and what lies beneath makes an environment which stays distant from the usual Hollywood-style setting, and yet maintains quality within its divergence. If you are looking for a classic martial arts movie which does not overdo anything and still manages to have so much of action, you have it here. There were opportunities to be lost in the available options, but the movie has risen above them to provide us with an experience which is to be remembered with many other action films.

Release date: 23rd December 2022 (Vietnam); 23rd March 2023 (Netflix)
Running time: 109 minutes
Directed by: Veronica Ngo
Starring: Veronica Ngo, Đồng Ánh Quỳnh, Tóc Tiên, Rima Thanh, Vy Thuận Nguyễn, Song Luân, Gi A Nguyễn, Phan Thanh Hiền