I, Nobody

Posted on September 1, 2026 by Dr. Tennyson

Vampire Owl: A vampire has always preferred to remain as anonymous nobody.

Vampire Bat: There are no anonymous people among centuries-old immortals.

Vampire Owl: There is a certain anonymous infinity about us.

Vampire Bat: Infinity is not always equal to immortality.

Vampire Owl: Life which continues in an infinite manner is always immortality.

Vampire Bat: There cannot be a nobody here as there are centuries to discover any identity.

Vampire Owl: Nobody can identify a camouflaged vampire in his spirit form.

Vampire Bat: Uncle Dracula can see through everyone and everything.

Vampire Owl: So did Dr. Frankenstein, once upon a time.

Vampire Bat: Mr. Frankenstein has seen no real truth in his entire life. We are forced to sing that “Frank doesn’t know” every time.

[Gets a chocolate donut and three cups of Yorkshire tea].

What is the movie about? :: Rajeevan (Prithviraj Sukumaran) is a middle-class man with a regular daily job in the Secretariat married to Meera (Parvathy Thiruvothu) and they have two young children – this seems like a very happy family for the people looking from outside. But Meera regularly cheats in their marriage with an unknown man (Rony David) identified only as the Branch Manager of ISFC Bank at its Vanchiyoor Branch. Rajeevan who is fed up with Meera’s attitude with him and his children, as well as her recently discovered secret sexual affair and decides to go the bank and talk to him with a gun during the busy hours. But there, while waiting for a meeting with the man, Rajeevan ends up facing three masked bank robbers who enter the bank with weapons, Peter (Sanju Sivram), Alex (Sudhi Koppa) and Koshy (Khalid Rahman) who also finds the gun with him as it falls down in shock. They feel that he is part of a rival gang or someone sent by someone who got a clue about their plans.

So, what happens with the events here as we just keep looking? :: They decide to take him hostage with a plastic cover over his head as he seems like someone who can harm their cause, and they go on a ride in the van. But on the way, due to Rajeevan creating a ruckus, the car crashes while trying to run him down. CPO Anas Rahman (Hakim Shahjahan) who is also involved in the crime fails to find the stolen money, and everyone else in the police department who looks for the same are also not able to find the same. SP Ajith IPS (Shankar Ramakrishnan) who doubts Rajeevan fails to believe him, while CI Jomon (Madhupal) who has to listen to his superiors, decide not to help him as he is followed by the police and attacked by random goons and people who wish to steal from him after media calls him a suspect. Seeing the crisis that Rajeevan is going through and with her lover also disowning her due to police being involved, she decides to move away to a distant town after getting a divorce from him. Now the question remains if he can go on like this forever.

The defence of I, Nobody :: The movie talks about an almost middle or little above person, and the status of a common man in the food chain is questioned in a brutal manner, even for a man with a government job which had placed him in a safe-future zone. The final moments get the movie into action thriller mode really well, and we also remember that the beginning was so good. The emotional side is pretty much working around here for most of the times. A real-picture of dysfunctional small families of cities is also reflected here, as communication breaks down with not hope, with ego taking over. The final moments with the large amount of cash also proves that money is everything, and it is something that builds broken relations – the reality of humanity is exposed during so many occasions. Then there is the clear reflection of new generation online social media and media as a whole which streams and makes things worse. The movie is a reflection of a hopeless, absurd world of meaningless nihilism which still ends with a happily ever after.

The claws of flaw :: The supporting characters are not dealt with that well. This is too long a work, and it can be seen that the movie suffers from a certain drag, stretching scenes longer than needed, even having some slow motion and repetition in between. One can safely say that this never looked like a movie intended to go above two hours, but we see a very long journey around here. The individual character drama takes over so early that the main elements which we were expecting are always in the backseat. The heist elements die too early, and being an action thriller with this content is rather strange. It also seems to have a climax that lacks the punch for which we waited with so much expectations. The ending seems to be achieved as a deus ex machina or an easy resolution because there were not many ways left to end with such a build-up. There were so many moments in between which did not seem like suiting its world. The side characters also seem to go on a struggle in between, and some of them seem to be pushed right in there. The movie could have been so much more with the common man idea.

The performers of the soul :: Prithviraj Sukumaran comes up with a strong, but still a restrained portrayal of an ordinary as well as vulnerable everyman caught in extraordinary circumstances – due to his permanent government job nature, one might feel otherwise, but the same feeling is evoked as personal situations involving family also comes into picture, and there is always a food chain however safe one feels to be. Parvathy Thiruvothu has a role with subtle, layered emotional depth which is handled quite well. It is always good to see her in some work that requires a little bit of extra skill. The next one who catches our attention is Ashokan who has done a commendable job even though he gets more to do only later. Hakim Shahjahan’s policeman will also stay with us, while Shankar Ramakrishnan, Irshad Ali and Madhupal do well with lesser police roles. Nishanth Sagar also creates and impression, while Vijayaraghavan brings his fine veteran experience to light in the final few moments.

How it finishes :: The movie just serves the purpose, and that much is sure when we have a close look at it. There is the attempt to blend the genres, which seems to leave parts of the movie with a certain confusion about the possible directions. The inability to maintain its initial strength holds it back from reaching its full potential. A long runtime and the repetition followed by the inability to wrap up things well has it in peril by the end, but still manages to be fair enough. The needed dramatic weight never really comes in here either. It remains an interesting effort with makes the initial impact and brings the divergence, but struggles with the inconsistencies. The case of ordinary citizens struggling due to circumstances having no help from systemic corruption and feeling to activate the unexpected survival instincts was that engaging hook which sets it apart from the usual journeys, but what happens after that might be worth some questioning. Yet, this was enjoyable and thought-provoking for most of its run, especially in the first half. Jio Hotstar had this one releasing for Onam which serves the audience with more options.

Release date: 9 July 2026
Running time: 168 minutes
Directed by: Nissam Basheer
Starring: Prithviraj Sukumaran, Parvathy Thiruvothu, Hakkim Shahjahan, Ashokan, Vijayaraghavan, Shankar Ramakrishnan, Madhupal, Nakshatra, Ayra Izra, Nishanth Sagar, Nandu, Ishad Ali, Manoj K U, Jijoy Rajagopal, Sudhi Koppa, Sanju Sivram, Khalid Rahman, Rony David, Beena R Chandran, Sana Althaf, Krishnan Balakrishnan, Dinesh Alappuzha, Noushad Ali, Sudhi Kozhikode, Albin Alex, Jithin Madanan, Lenna Paul, Mahendran

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@ Cemetery Watch
✠ The Vampire Bat.

Gundala

Posted on August 1, 2020 by Dr. Tennyson

What is the movie about? :: In a world of corruption, poverty, exploitation and income inequality, people struggle to keep their lives going forward despite working so hard throughout the day. None of the hardworking people earns enough to provide to their family members. A number of factories in the city make their workers continue their jobs under terrible conditions without paying them much. A boy watches as his father leads his co-workers in protests against the low wages of the factory where they are working, leading to violence beginning between the people and the security guards employed by the corporates. But the workers bribed by their bosses kill the leader, much to the dismay of the son who witnesses the sequence of events. The worst is that the boy is also struck by lightning and develops a fear for the dark clouds and rain – along with the same, his mother who had left for the city also doesn’t come back, leaving him to live in the streets with no hope to pay the rent for the house. There, he is regularly attacked by other street children.

So, what happens with the events here? :: The boy who is consistently beaten up for trying to help others, finds a helper who teaches him how to defend against others, an advices him to stay out of others’ business, and in a world like this, not minding one’s own business can get the person into big trouble. Even though they decide to catch a train and leave the place, the boy is not able to get to his teacher who boarded the train as he can’t run fast enough to reach the train’s door. Many years later, Sancaka (Abimana Aryasatya) works as a security guard as well as a part-time mechanic in a printing factory, while trying to keep away from trouble as much as possible, due to his experiences during the childhood. But when the girl living next door, Sedhah Esti Wulan (Tara Basro) and her little brother are threatened by a group of thugs, he interferes and throws them away from the apartment. Later, the thugs retaliate as a group, and after beating him up, throws him down from the top of a tall building.

And what more is to follow in this superhero world? :: But Sancaka is hit by lightning on that rainy day, and he awakens, even healing himself completely with the power of the lightning which had struck him. As he saves the helpless Wulan and her friends in a market from the same thugs, she asks him to join her as well as the many poor people who are under threat from the thugs. But things are not that direct as it would seem there. A legislator and crime lord named Pengkor (Bront Palarae) has everything under his control in the lower level of the city, with a gang of orphans under his command. He knows each and every crime which has happened in the city, and is planning to come up with something huge to create chaos and destruction in the city. With a scar and a limp which he had from his childhood, he would stop at nothing to hurt anyone who stand against him. Sooner or later, Sancaka will have to become Gundala, while his friends including Wulan who is falling in love with him are also under threat. Can he live up to the expectation and be the symbol of hope for everyone?

The defence of Gundala :: We have always been in need of superheroes, especially those who are not from Hollywood, especially not from Marvel or DC. We have always loved Shaktimaan from our childhood, and so the need has always been there. With Avengers finishing the job, and the biggest superheroes Iron Man and Captain America out of he equation, we are always looking for possible alternatives. We can gladly say that this is indeed one, and this time, we have a realistic one in a believable world, with less use of powers and more of martial arts. The action is all done in very well, and there is enough of it, especially when we consider this as an origin story. The dystopian setting is also really well done, and we get to be with the people who undergo the struggle against those people who forces them to stay at the lowest level. In one way or the other, these people are having their own Batman, but with some superpowers – maybe he is a little bit of Captain America with the ideology he later develops, but these are all nicely evolved, and developed to fit our interests here.

Positives and negatives :: This is not to be checked out like you do for those big CGI filled movies like Avengers and the others, because of its existence closer to realism. It has to be noted that Gundala Putra Petir was also the first comic book adaptation in the nation, and it dealt with the same superhero in 1981. Indonesia is supposed to have a superhero movie franchise like Marvel Cinematic Universe (MCU) called the BumiLangit Cinematic Universe (BCU), from what we read about them, and with one more superhero introduced with our main hero, we can be sure that there will be more to come in the next few years, even though the Corona Virus delay could still be there. We haven’t really been aware of the same, but there are some fine superheroes who could come to be big screen, and it would be nice to watch them all, just like we had supported the heroes of Marvel and DC. If they are to be like our hero here, we can be sure that all of them can feel close to our lives than the extra dose of metahuman-alien stuff that Hollywood has been providing with the CGI. Here, the nicely created world works with minimum CGI, and connects so well.

Performers of the soul :: Tara Basro played the protagonist in Impetigore, and she is here too, as the actress who has just turned thirty and also got married this year, brings another fine performance to her credit. As we look at it, we know that she is also supposed to play a superhero which she is to become in another movie in the franchise. She has already done enough to prove here as the Hollywood style scream queen, and here, her existence in the action movies seems to be able to provide the same wonderful effect – we would need to see her as the superhero soon enough, along with other popular names who are to be part of the upcoming projects of this franchise’s universe. Abimana Aryasatya is a solid superhero here, and he makes the Indonesian Batman in Jakarta City instead of Gotham City, taking on crime and saving innocent citizens. He makes us go through his emotions and ideology as we wealk his path. We also have some strong villain with Bront Palarae being very much menacing, along with assassins including Kelly Tandiono, Asmara Abigail, Hannah Al Rashid and others. Ario Bayu whom we had seen in Impetigore is also here, making an impact.

How it finishes :: This movie comes from Joko Anwar, who is the same director that brought us, the high quality horror thriller named Impetigore. Even though this movie belongs to a completely different genre, we can see the director’s skills at work yet again. We have known many superheroes already, and this one is based on the Indonesian comics character Gundala created by Harya Suraminata in 1969 – it is nice to know that we do have more of superheroes with variety in store. It is always great to have some home-grown superheroes, but not like that ridiculous thing called Krrish which doesn’t feel Indian, original or really heroic in any way, but Shaktimaan type are always welcome. Indonesia has achieved that so well, and this movie is also fine work, not just as an entertainer, but also in many other ways, as this is more than your usual superhero movie. After my last visit to Bali, this is the closest that I have managed to get to loving Indonesia, and we are to fall in love with Indonesian movies if there are more films like this one. After all, this one stays closer to the values of the common man that even the Dark Knight could ever do.

Release date: 28th August 2019
Running time: 123 minutes
Directed by: Joko Anwar
Starring: Abimana Aryasatya, Tara Basro, Bront Palarae, Ario Bayu, Rio Dewanto, Lukman Sardi, Fariz Fadjar, Aqi Singgih, Marissa Anita, Hannah Al Rashid, Asmara Abigail, Daniel Adnan, Cornelio Sunny, Kelly Tandiono