The Calendar Killer

Posted on August 20, 2026 by Dr. Tennyson

Vampire Owl: I was once called the Calendar Vampire.

Vampire Bat: It is quite an absurd name for a vampire.

Vampire Owl: I am an owl who has a calendar collection. So, that works.

Vampire Bat: What does a centuries-old vampire who lost track of time do with a calendar?

Vampire Owl: I am aware of the passage of time and dates.

Vampire Bat: I would always doubt your awareness.

Vampire Owl: Is it because I admire the work of Dr. Frankenstein?

Vampire Bat: What Mr. Frankenstein is doing is more like the lack of work.

Vampire Owl: I would appreciate Frankenstein the scientist all the time.

Vampire Bat: As someone who keeps killing dead people through experiments.

[Gets a sweet samosa and three cups of Darjeeling tea].

What is the movie about? :: Jules Tannenberg (Sabin Tambrea) works at a telephone helpline service which has the limited duty of talking to people walking home alone, especially women, and help them to go on and make sure that they reach home or their immediate destination safely. He is someone who was only recently widowed, after his wife committed suicide and had also lost two of his three children at the same wretched hour. He has successfully completely a good number of walks through phone with possible victims, saving many from harassment. One day, he gets distressed call from Klara Vernet (Luise Heyer) who seems to be in a lot of panic. Klara tells him that she was targeted by a psychotic murderer known only by the media-provided pseudonym, Calendar Killer. This particular killer who had risen to a celebrity status through social media and new channels is known to mark his victims’ death dates in advance on the walls of their homes with a horrifying ultimatum, “Him or You” which means that one among the husband and wife will be murdered, unless one partner kills the other.

So, what happens with the events here as we just keep looking? :: As Jules attempts to keep her calm and guide her through phone, he suspects that there is domestic violence involved, and more details about her is revealed. She tells him that her husband Martin Vernet (Friedrich Mücke), a high-ranking state official has been subjecting her to years of domestic violence, some of them psychological in nature, which has led her already struggling mental health to get worse. Klara was running away from him as Martin had tied her up in the middle of a secret club and punished her in front of everyone else on the day of their wedding anniversary. She had left her six-year-old daughter Amelie (Romy Miesner) with a young babysitter named Vigo (Shadi Eck) and was afraid that she would loss custody of her daughter as her declining mental health had led to her being admitted to psychiatric institutions. Now with a killer also on her back and with her husband refusing to believe that there is a psychopath, she has no hope – but can this hope be revived through that phone call or will the killer take a life?

The defence of The Calendar Killer :: The run-time of a little above one and half hours is very much favourable to the movie which keeps the pace going. The cold and wintery aesthetic paired with the midnight deadline facing murder or death, creates some genuine suspense in the first half, as there is uncertainty, haunting and some surprise waiting to arrive for the viewer. The camera work by Christian Huck plays a big role in making the whole thing captivating – the settings and darkness had become allies of the movie from the early stages itself, and we are aware that there is something unexpected and sinister not just with the psychopathic killer, but also about other people. The scenes in the club comes as big revealing moments about the characters and that becomes the first surprise delivered. The final twist related to the murder is quite a big surprise for the audience who might not have guessed that multiple shocks were coming that way as people seem to be someone else in unexpected masks. The strong emotional performance of the leading lady adds to the overall quality of the movie and keeps us further interested in the proceedings.

The claws of flaw :: The movie does seem to lose its way at times, seemingly deviating from its most important elements. The focus which should have been on the psycho killer often wanders here and there as if never sure about which direction it should be heading. We can see a number of far-fetched coincidences which seems to be forced into the proceedings and then there are those illogical character choices which keeps the movie further confused. The exaggerations are also there, and we wonder if the leading protagonist is really crazy due to some of her choices and actions. Then there is the attempt to balance a usual serial killer with a psychopath on the hunt with a serious domestic abuse trauma narrative, which gives both sides some struggle. The exaggeration of domestic struggle flashback into the intentionally weakened psycho killer tale will have the audience in peril on many occasions in between, and if it was not for the performance of the lady in the lead, would have never connected well like we have here. Then there are also some characters that never gets the due.

The performers of the soul :: Luise Heyer clearly leads the way and plays the victim to a state of near-perfection. The excels in those moments of sadness and pain, and shows the pain of being under a dominant and influential partner who takes advantage of her. At the same time, she shows the determination that such a character gains when facing even bigger trouble, and fights herself to keep her soul instead of having her revenge. The emotional weight of the terrified, exhausted mother stays at full strength with her – we can feel her anguish at her present and the past as flashback works even better. At the same time, Sabin Tambrea comes up with a dual-layered performance which shows a higher level of calibre. There is a certain emotional side to him and the journey through multiple layers has our attention. Martin Vernet’s work also brings a certain impact as we never see the performance getting any weaker. Rainer Bock also remains solid throughout the run-time. Andreas Döhler also has a memorable quick role here.

How it finishes :: The movie in based on a German novel, Sebastian Fitzek’s Der Heimweg, and any comparison to the same can only be done by those who have actually read it. This psychological thriller makes the most of its small runtime and claustrophobic premise even while maintaining a little too many flaws than one would want it to have. The message about domestic violence keeps struggling and often pulls the psychopath down with, but in the end, it manages to come out strong enough to make the whole thing better. The final surprise saves the movie despite the ending just happening with ease. Anchored by Luise Heyer’s memorable vulnerability and emotional side as well as Sabin Tambrea’s surprise strength that takes a divergent path, the film nicely uses the real-time tension against a bleak and wintery setting. The usual phone-helpline narrative with a twist keeps this unsettling world interesting for us. The struggles in between can be often forgotten as the world holds together. The movie is available on Amazon Prime Video to take your free time.

Release date: 16 January 2025
Running time: 97 minutes
Directed by: Adolfo J Kolmerer
Starring: Luise Heyer, Sabin Tambrea, Friedrich Mücke, Rainer Bock, Andreas Döhler, and Romy Miesner

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@ Cemetery Watch
✠ The Vampire Bat.

Maranamass

Posted on April 17, 2025 by Dr. Tennyson

Vampire Owl: There seems to be something sinister about this particular movie.

Vampire Bat: You mean like there is more than what meets the eye.

Vampire Owl: Yes, with a fine dose of evil.

Vampire Bat: You feel that there is more evil here than what seems to exist?

Vampire Owl: Evil does come in many different forms.

Vampire Bat: You mean the dark humour in use here.

Vampire Owl: You see that darkness in humour which makes the film beautiful.

Vampire Bat: There was always going to be evil with a serial killer around.

Vampire Owl: Well, evil always finds a way, doesn’t it?

Vampire Bat: Especially with bigger movies not doing the job well enough.

[Gets a vegetable puffs and three cups of elaichi tea].

What is the movie about? :: Sreekumar (Rajesh Madhavan) lives a seemingly sweet and cute life as he teaches little kids in a kindergarten, and helps them in different possible ways. He seems like the typical kid-lover who cannot keep himself away from them. He takes them for rallies, tells them stories, and gets them support from the government. But in between doing all of these, he is the one serial killer whom the state is searching for. The serial killer has been known for brutally murdering elder people and also making a mockery of their corpses without any remorse and the state has been failing to capture him even with the police force in full alert. At the same time, the people of the same village are trying to send Luke (Basil Joseph) to Czechoslovakia because he has become a nuisance to everyone around him. Due to his strange behaviour, he also becomes a suspect in the serial killings, but is not arrested as police did not consider him to be smart enough to be a murderer with perfect plans.

So, what happens with the events here as we just keep looking? :: Luke is not happy because his girlfriend Jessy (Anishma Anilkumar) wishes to breakup with him as he is suspected to be a serial killer by too many people and because he is going to Czechoslovakia. He tries to win her interest back, but keeps failing miserably. At the same time, Jikku (Suresh Krishna) is looking forward to his wedding day, after a big number of rejections that have happened in the last few years due to random people spreading rumours about him. He drives the bus named “Veena Poovu” with Aruvi (Siju Sunny) as the conductor. At the same time, the case about serial killings is passed on to DYSP Ajay Ramachandran (Babu Antony), a remorseless police officer who is being remorseful about his missing dog that forms his only family. It is then that Keshavakurup (Puliyanam Poulose), an old man and womanizer who has been dumped into an old age home escapes and gets into the “Veena Poovu” bus which also has Sreekumar and Jessy as late-night passengers. As the old man tries to misbehave with her, Jessy uses pepper spray on him, leading to his death.

And what complicates things further within chaos? :: Sreekumar is disappointed as he was planning to have the old man as his victim but hopes that he can have the body and make the media feel like it was his victim. But he is not able to take the body away, as Luke comes in for Jessy. The team decides to bury the body, but are not able to do so, with Aruvi feeling that the man is his long-lost father due to the mark on his body. They decide to take the body elsewhere to provide the final rites, but there are so many obstacles that they have to face. This would include people trying to get into the bus, the need to use the bus for the Communist Party purposes and the remaining doubt about Luke being the serial killer. At the same time, the serial killer manages to have some different plans, but none of them would favour Luke and Jessy’s love, Jikku’s upcoming marriage or Aruvi’s love for his father. Can the unexpected team of confused people manage to get out of trouble with none of them dead and buried?

The defence of Maranamass :: The movie uses the dark humour to a fine level, as a serial killer and his attempts at murder gets the funny side to explore. The tale of Tom and Jerry being told in a serial killer’s perspective feels funny because what they do in the cartoon itself is nothing less than attempt at murder if this was in real life. The humour works at all times, and the use of real-life situations is very effective as the movie’s satire stays strong. Basil Joseph handles the whole situation really well as the leading actor, and there is always some fun around he is there. Rajesh Madhavan does a wonderful job as the serial killer, and he adds something special to the movie. Suresh Krishna invokes the funny side very well and is well-supported by Siju Sunny. Anishma Anil Kumar makes a fine presence as the leading actress, and maintains the humorous side very well, as we hope to see more of her work in the coming days. Babu Antony with the humorous side also catches our attention. Puliyanam Poulose adds further humour here.

The claws of flaw :: The movie could have had some focus on the story too, as it seems to be woven around humorous situations to make sure that it exists for namesake. Some of the characters seem to be present for the sake of being there. We do not see an attempt to introduce or develop most of them, and some of them just come and go. Some depictions might feel too silly for anyone’s standard, and could have used a little bit more of thoughts. There is no doubt about the fact that there was scope to make the film even better with added content. Maranamass is surely not the movie for everyone, as not all people might get some of the references here, as most of them do point somewhere, and not all viewers can appreciate some dark humour without being offended. People might be more interested in those mass masala and repeated family stuff for Vishu as they would most probably be watching together.

How it finishes :: Maranamass is that kind of a movie which can be watched for the funny side, and not for the tale, because it follows situations which are created to bring laughter and not to take the story forward. This was actually the only Vishu release which had us interested in watching, and that comes as no surprise considering the other releases which felt like no fun. The other releases can be found anywhere at any time, but it is to be noted that movies like this one are not that easy to create with effectiveness. We remember that movies like Aadu became cult classics, but this one is surely better than that, and we see that films like Adi Kapyare Kootamani and Kunjiramayanam had similar silly characters and succeeded in creating a laugh riot – this one is of the same level if we consider the characters that we see around. This is that kind of a film with serial killer which will not leave us in fear, but with a lot to laugh about.

Release date: 10th April 2025
Running time: 141 minutes
Directed by: Sivaprasad
Starring: Basil Joseph, Rajesh Madhavan, Siju Sunny, Babu Antony, Anishma Anilkumar, Suresh Krishna, Pooja Mohanraj, Joemon Jyothir, Puliyanam Poulose, Dheeraj Denny, Prashant Alexander, Tovino Thomas (cameo), Guru Somasundaram (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

The Battle of Jangsari

Posted on May 25, 2020 by Dr. Tennyson

Vampire Owl: I hope that it would be like the battle we had with the zombies.

Vampire Bat: We had a battle with the zombies last year?

Vampire Owl: Yes, the one which was fought near the meeting point of two rivers.

Vampire Bat: Wan’t that a battle with the werewolves?

Vampire Owl: Yes, they looked like wolves, but technically, they were zombies.

Vampire Bat: I do not understand the idea which you are talking about.

Vampire Owl: See, these werewolves were bitten by zombies. Therefore, the are former werewolves who are now zombies.

Vampire Bat: So, you are taking out the werewolf qualities out of them, and saying that the zombie characteristics will takeover.

Vampire Owl: Yes, if you are bitten by an undead, you are no longer alive. The werewolves will acquire the qualities of the undead which bit them.

Vampire Bat: Okay, I guess the only problem will be if a werewolf is bitten by a zombie and a vampire. One has to wonder which characteristics will be taken by the wolf.

[Gets a chocolate cake and three cups of masala tea].

What is the movie’s background about? :: As the Second World War ended, the Allies lead by the Soviet Union and the United States of America liberated Korea from Japanese control, days after the dropping of atom bombs at Hiroshima and Nagasaki. With two major powers set to on a Cold War for many years after the defeat of Germany and Italy as well as the weakening of Great Britain and France due to war, Korea was divided into two zones of occupation, as the Soviets were in control of the northern half while the Americans administered the southern half. As different governments having exactly opposite ideologies were established on both sides, there was continuous tension, and each group proclaimed ownership of the whole of Korean peninsula, but didn’t launch a full-scale attack until then. But on the 25th of June, 1950 when North Korea invaded South Korea, it had marked the beginning of the Korean War, fought completely in the Korean peninsula.

So, what happens with the events here? :: North Korea, had the support of the major Communist nations of China and the Soviet Union while South Korea, had the support of the United States of America and its allies. The United Nations Security Council itself had approved the sending troops in support of South Korea against what was a full scale military invasion without provocation. A total of twenty one nations are supposed to have provided support to the United Nations defence of South Korea, but United States of America was the leader with ninety percent of the troops provided for the purpose. After the first two months of war, South Korean Army and the United States forces Korea were almost defeated. But in September 1950, an sea-based United Nations counter-offensive was to be launched at Incheon, to cut off many North Korean troops in South Korea. A group of seven hundred and seventy two student soldiers has the task of staging a diversionary mission at Jangsari Beach in South Korea.

And, what is to follow here, as this is war, and a case of final defence for the South Koreans :: This particular attempt at landing would trick the the North Korean forces into thinking that the opposition forces would be soon launching a decisive invasion there would distract the North Koreans from Incheon. But the waves are very high and there is a shortage of landing boats. The student soldiers have no idea what they are doing, and the only thing they has done since getting into the ship, is vomitting. This seems to be a strange and impossible mission on the beach for the students who are trained at nothing except a little boot camp time, while highly trained North Korean defence await on the shores. Can they succeed in this, or will they at least dare to try, as North Korea is very close to making its dreams of one Korean peninsula under them? How long can the South’s resistance at the Nakdong River in the southernmost region stand, and how good is the United Nations in stopping this?

The defence of The Battle of Jangsari :: As you might have expected, there is war written on it right from the beginning, as far as The Battle of Jangsari is concerned. With a thunderstorm seemingly around, we know that there will be no smooth sailing in the movie for the troops, and it is certainly a kind of foreshadowing. The movie is full of some nicely worked out scenes of war, with battle tanks, guns and landmines never ceasing to come up on the screen, as one battle follows the other. There are also those emotional sequences, as some of the soldiers even have a tale to tell, and we also come to know that this is a hopeless situation, from where an escape seems to be too distant. The area where the battles are fought is perfect to provide those nice visuals too. The performances are all good, especially considering the fact that we have a young cast here. Lee Ho-Jung plays the only female among the soldiers, and she does a fine job too.

The claws of flaw :: With a premise and an idea like this, the movie could have achieved a lot more for sure. As it gets near the end, things begin to get more and more predictable, even though there is no certainty about who all will be the ones to survive. The battles could have been more, and we needed to see more of the battles happening in other parts of Korea, at least as a quick reminder. Megan Fox’s character is underused, and there is not much being done to create a change there. The movie also suffers from the absence of female characters, both on the battlefield, and also outside. With Megan around, there could have been more, maybe even with the help of a flashback that goes far behind before the North Korean invasion started. For someone who is coming from outside countries like Korea, Russia, United States of America, Japan, United Kingdom and China, maybe people could use a little bit more of information on this war which hasn’t been known much at this part of the world.

How it finishes :: As far as The Battle of Jangsari as a war movie is concerned, there was lot more to be taken, but it doesn’t do that. It is still a fine film with a forgotten episode of war, which will always be something of interest. As we are not that familiar with this particular war in comparison to the World Wars and the Cold War, this could a fine new experience for us, as the Korean perspective only becomes more interesting. The war with some extraordinary deeds of courage, and an emotional touch which keeps getting stronger towards the end, makes The Battle of Jangsari a movie which needs to be watched. As we take a look at a movie on Korean War which might be the first film most us around here watch based on a war from that side, this might be a war movie you will recommend to many others. After all, there is some history around here, and most of the war movies teach you that, mostly from one side of the battling nations. They have surely kept this one simple and enjoyable.

Release date: 25th September 2019
Running time: 103 minutes
Directed by: Kwak Kyung-taek, Kim Tae-hoon
Starring: Kim Myung-min, Megan Fox, Choi Min-ho, Kim Sung-cheol, Kim In-kwon, Kwak Si-yang, Jang Ji-Gun, Lee Ho-Jung, Lee Jae-wook, Dong Bang-Woo, George Eads, Jeong Jong-Jun, Kim Min-Kyu