Tag Archives: conservation

Ice Road: Vengeance

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Vampire Owl: I have always thought about creating an ice road in the realm.

Vampire Bat: An ice road would not be that smooth a path for vehicles.

Vampire Owl: We just hover over the ice with our vampire levitating skills.

Vampire Bat: In that case, you can ask the vampire sorcerers to create a magical path.

Vampire Owl: No, too many magical witches on the way who could devastate the path.

Vampire Bat: Well, all the magic does not belong to one particular group.

Vampire Owl: Yes, like Dr. Frankenstein uses that magic of science.

Vampire Bat: Mr. Frankenstein will never know true science.

Vampire Owl: Frankenstein’s science is beyond all vampire limits.

Vampire Bat: We will know more about the same when Uncle Dracula addresses one of the great vampire gatherings again and make declarations.

[Gets a fortune cookie and three cups of taro tea].

What is the movie about? :: Mike McCann (Liam Neeson) a seasoned ice-road trucker, is going through a certain amount of survivor’s guilt after the death of his younger brother, Gurty McCann who (Marcus Thomas). Despite the best efforts of his psychologist, he is not able to find anything positive in life. After some days, to honour Gurty’s last wish, Mike decides to travel to Nepal so that he can scatter his ashes on the top of Mount Everest. As he reaches there, there is something going in a village further away from Kathmandu, in Kodari. There, local people keep opposing the construction of a huge hydroelectric dam that would affect the access of water supply from the river, which is the biggest dream and grand project of the nation’s leading industrialist Rudra Yash (Mahesh Jadu). Rudra is determined to make this happen one way or the other, and decides to kill the members of the family who refused to send the lands to them – Vijay Rai (Saksham Sharma), the youngest member of the family is chased by goons through the town.

So, what happens with the events here as we just keep looking? :: While standing in front of protests, Vijay understands that his grandfather was murdered by Rudra’s henchmen by pushing his bus off the huge cliff using a truck killing so many other passengers, thus making it look like an accident, as nobody else was around. Mikes finds his guide to travel to the top of Everest as some guy named Dani, but later realizes that it is Dhani Yangchen (Fan Bingbing), half-Nepali and half-Malaysian who had reached the top of the mountain many times. They join a group of passengers aboard a bus known as Kiwi Express which goes through the Road to the Sky, a narrow, high-altitude mountain pass. An American professor who had recently delivered a talk in the nearby university, Evan Myers (Bernard Curry), and his daughter Starr Myers (Grace O’Sullivan) also get into the bus along with a few others. But soon, Vijay is attacked by two strangers with guns and they knock out the boy while hijacking the bus, asking the driver to go through another route so that they can take him to a location according to their plan. Now, can the bus be saved?

The defence of Ice Road: Vengeance :: All the action at Kathmandu around the Himalayas makes sure that a visually unique and stunning background is achieved, and there are moments with this landscape which makes the situation even better. The visuals keep us hoping for such a journey through Himalayas or any other snow-covered mountains, especially as we rarely see any snow around. The quick pace of the movie makes sure that we are always in an action thriller, even those dialogues seem to support the same. Almost everyone among the cast seems to be fully powered for action, and there is something about their fight for survival which keeps us wishing them the best against all odds. Different types of people coming together to save themselves and defeat the villains never gets less interesting. There is a certain amount of humour and the emotional side is also there up to an extent. The nostalgic, old-school formula which reminds us of those 1980s and 1990s action flicks working so well here keeps us more interested. In the end, it is all about saving a village, and that matters here.

Positives and negatives :: The movie nicely makes use of the available elements from its cast to the visual world that surrounds everyone. It might not become the perfect action thriller without those huge action sequences, but we always have enough. Even with a message about nature and conservation of environment ready to come to the front, it never does the same, and leaving with the same does not happen at all. There are also moments when the movie feels like going the silly way, but with some willing suspension of disbelief, the same is handled well. Even though this one remains visually stunning, the Computer Generated Imagery is not used to the best advantage. The journey through ice road is rather less in this one too. The ending scene is lovely, but it seems a little bit forced. The action just before that was grand, but could have been quicker in execution, and the danger in the end should have given a riskier feeling, especially with a group with rich and powerful people with control over police chasing the people in the bus. Yet, the thrills remain there and the fights continue to be effective.

The performers of the soul :: Liam Neeson once again does the job, and like in Taken, A Walk Among the Tombstones, The Grey and Non-stop, goes through the difficult times to make it better. Nobody does it better than him when playing an aged hero with a past which has more tales to tell than people can think about. Fan Bingbing as the mountain guide Dhani Yangchen is a strong lady lead who can hold her own side in the narrative, and there are some fine fight scenes for her to excel. Amelia Bishop also plays a mercenary villain who gets a lot of action for herself. Grace O’Sullivan’s character is also played well as the significance of this one is also there at all times. Bernard Curry’s work is short-lived as the character is the first one to be killed. Marcus Thomas as Gurty McCann makes some presence through the flashbacks which come to the screen at times. Mahesh Jadu plays an antagonist who is menacing enough, Monish Anand’s supportive villain also has his moments. Geoff Morrell’s character adds some initial fun too. Saksham Sharma as Vijay Rai manages the role just as expected.

How it finishes :: Ice Road: Vengeance is one of those fine entertaining action thrillers which never losses its strength during its journey with a run-time just a little bit less than two hours. This is that kind of a movie which leaves us the feeling of a natural thriller, as it feels close to life due to never overdoing it and the situation related to dam construction and destruction of home and nature remaining even closer to life. There is no extra effort, but we are glad about what we see around. The 70-plus-year-old Liam Neeson trying to climb the Himalayas and also beating up people with a certain amount of struggle still makes it believable while staying on to be a highly entertaining watch which has shots which we will remember. As the movie also has everyone fighting for lives, there is a certain amount of balance here too. As most of us have not watched the previous movie, we cannot really compare this to the first movie, but this is surely that kind of a movie which should have released in the theatres here in style as there is a specific touch that could attract the audience around here.

Release date: June 27, 2025
Running time: 114 minutes
Directed by: Jonathan Hensleigh
Starring: Liam Neeson, Fan Bingbing, Marcus Thomas, Bernard Curry, Geoff Morrell, Mahesh Jadu, Amelia Bishop, Salim Fayad, Saksham Sharma, Grace O’Sullivan, Monish Anand, Shivantha Wijesinha, Rosie Traynor, Seth Kannof, CJ. Bloomfield, Luke Clayson, Sahil Saluja, Anna-Mai Hoek

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@ Cemetery Watch
✠ The Vampire Bat.

Io

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Vampire Owl: We are watching another movie quick enough.

Vampire Bat: Yes, it is surely a plan of Vampire Fate.

Vampire Owl: So, you mean to say that Fate is a vampire too.

Vampire Bat: I don’t see why not. Fate meets all requirements for the same.

Vampire Owl: For something to become a vampire, first it needs to exist.

Vampire Bat: Fate’s existence has been proven over the centuries.

Vampire Owl: But has Fate ever lived in a physical form?

Vampire Bat: Yes, Fate is already part of the air we breathe.

Vampire Owl: That sounds like the Corona Virus.

Vampire Bat: After all, this Corona Virus pandemic itself is a work of fate itself.

[Gets a marble cake and three cups of ginger tea].

What is the movie about? :: When the Earth was going to be destroyed mostly due to pollution resulting from human activities, many scientists had started working on a power station that could be sent to space to harvest geothermal energy from other planets. But it would be too late, as people were dying in their sleep, while some others were suffocating in the streets, with the blood in their veins turning black due to a higher level of pollution. The change in atmospheric composition due to the same led to many spaceships with people flying into the sky and then into space as an act of Exodus turning the power station into a colony, like a lifeboat floating about another celestial body. For the same, they had chosen the fourth largest celestial body among the moons in the solar system which has the highest density among them, and has the lowest amount of water around. Discovered in 1610 by the Italian astronomer Galileo Galilei and named after the mythological character Io, a priestess of Hera, Jupiter’s volcanic moon, Io now has a higher significance for humans.

So, what happens with the events here? :: Most of the people on Earth had already fled, but a very few still try to survive on its surface. Sam Walden (Margaret Qualley) is one of those very few humans who have some hope left about Earth, and she chooses a high altitude area where the air is somewhat breathable, even though she does make some visit to the highly polluted areas with masks to collect some samples. She is also raising bees, hoping that they can help clean the air, but is asked by her boyfriend who lives on the Io station to join him, as they are planning to live at a newer, greater place, with no hope left for Earth which has fallen to human greed. Sam’s hopes are ruined when her bees are killed by a terrible storm which also destroys some of her equipment and sources of power. But she does maintain some hope, as she continues to be in contact with her long distance boyfriend from Io, and tries to carry on with her objective, even though without that much of a plan this time.

And what more do we see here in a wold without hope for future? :: At the same time, a man named Micah (Anthony Mackie) arrives there on a balloon, and asks for her father and scientist, Dr Harry Walden (Danny Huston) – but he is not there, and she assures him that he will be back soon, maybe the very next day, after some field work. He decides to wait, as Harry was someone who believed that there was hope for humanity on Earth, and he needed to meet the man. But the problem here is that Harry has been dead for a long time, and she has been lying all the time. Micah was brought here by the message from Harry which had further brought him hope – the message was sent by Sam, and this would lead to a crisis, as both of them will have a few things to realize, and the same is to be done together. Is there hope left for Earth, or can they make another choice? Where will they end up in the end, dead or alive while fighting for survival in a dying planet?

The defence of Io :: Here is another post-apocalyptic movie which has the expected stuff, even though not with the action-filled adventure of a science fiction. The emotional moments are serene, and effective, and the cast is perfect for the same. Margaret Qualley’s face has that kind of melancholy going through her, which brings the feeling effectively, whether it is about loneliness or the loss of hope – yet, there is some hesitation, something which Eva Green didn’t have even for a bit in the science fiction drama, Proxima. Anthony Mackie provides the support well enough, even though Margaret eclipses everything around with a certain beauty of hopeless sadness that always surrounds her. The visuals of post-apocalyptic world is done just in the right way, and there are areas where it does have some fine work in store. The references to the mythology are good, but can feel overdone to a number of people who are not familiar with the same. The feeling of failure of faith, belief and hope feels natural too.

The claws of flaw :: Io is indeed a slow movie, and never does it pick up the pace, even though there were many opportunities to do so, especially considering the fact that this is a post-apocalyptic world that we have in store here. For such a world, there is so much potential, even in isolation, as we have seen in many other movies which have setting after the destruction of Earth due to one reason or the other. The best of science fiction had a chance to come in on many occasions. This definitely depends on what you are expecting from a movie like this, as this is not your usual stuff with the same idea at all. The romantic is also not that good, and the film could have easily gone on without it – after all, this is not that kind of a flick. The movie also deserved a better ending, considering how it had built up slowly towards that finish. It could have also had some fine visuals of space with Io out there, along with some moments at the space station, as they have come this much already, when you look at it.

How it finishes :: Io is the post-apocalyptic science fiction drama which deviates from the usual path, and seems to be proud of it all the way. After all, it shows what could happen at some stage later, and therefore being realistic is an understatement. The fall of humanity and Earth has been predicted for a long time, and this Corona Virus has asserted the weakness of science in front of most of the enemies whom humans are going to face, and clearly none of the advancements of science can save them. Considering the same, Io is indeed a realization, of the weakness and hopelessness of mankind. You have to move with slow and abiding sadness of the movie to like this version of post-apocalyptic science fiction – otherwise, you might not find this particular version to be interesting. During this time of COVID-19, you know that we might not be that powerful to even delay our extinction for a limited period of time and we are certainly not the saviors of our planet, but the ruthless destroyers.

Release date: 18th January 2019
Running time: 96 minutes
Directed by: Jonathan Helpert
Starring: Margaret Qualley, Anthony Mackie, Danny Huston, Tom Payne

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@ Cemetery Watch
✠ The Vampire Bat.

The Mermaid

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Vampire Owl: Do you know how much I love the mermaids?

Vampire Bat: I am pretty sure that you don’t love them as much as you love Lady Death.

Vampire Owl: Lady Death is more like a final destination. So do not try to bring her into this conversation, and neither should you talk about Doctor Frankenstein.

Vampire Bat: Frankenstein? Okay, so tell me more about your love for those mermaids who don’t love you back.

Vampire Owl: Mr. Vampire Bat, they don’t love me because they don’t know me.

Vampire Bat: Actually, the truth is that they don’t even realize that you exist, and there is no such requirement for them either.

Vampire Owl: No, I am the most popular vampire apprentice in this realm.

Vampire Bat: Dude, the word ‘vampire’ don’t go well with owls. Your kind works well with demons, spirits and the similar creatures from the other dimension.

Vampire Owl: What nonsense! I am as vampire as Kung Fu Panda is Kung Fu.

Vampire Bat: I see the food being a common factor linking you two.

[Gets three cups of Kumily tea with a piece of marble cake].

What is the movie about? :: A young and energetic business tycoon Liu Xuan (Deng Chao) is one of those newer faces in the elite class, looking forward to making it big. It is because of the same reason that he buys the area known as the Green Gulf, planning for a sea reclamation project. He uses the sonar technology to get rid of the oceanic creatures there, especially the dolphins which are supposed to live there in large number. With the technology which proves brutal, they are very much successful in driving the dolphins away, as there was not much of a sighting of them for a long time. Along with his long line of supporters, and the newly found special business partner Ruolan (Zhang Yuqi), he decides to take it to the next level – Ruolan, not only being attracted to him for his success and quick money-making, but also sexually, decides to keep him with her throughout for the deals, despite him not having that huge a family background.

So, what happens next? :: But unknown to Liu, Ruolan or any other, the Green Gulf is the home of merpeople, the aquatic creatures with the head and upper body of a humans and the tail of fish, or other sea creatures. It turns out that after Liu had bought the area, overall pollution had increased, and the sonar devices placed in the sea has been producing a devastating effect on their kind. A lot of them had died, and some of them unwell, with not much of a future left, awaiting the end of their lives. With their people being lost to sickness and even worse fate, the merpeople decide not to co-exist in peace and suffer for the damage that humans have been doing to them as well as the environment. They decide to react, and by the same, they feel that things should begin with the one man who has caused all the trouble, Liu Xuan, the millionaire – they all want him dead, and that too, as soon as possible, before he cause any further damage to their world.

And what is to follow in this adventure in water and land? :: The half-human, half-fish creatures of the ocean join under Octopus (Show Luo) who is half-man half-octopus, who calls for a hitman, or rather a femme fatale to murder the evil human target. They train a beautiful young mermaid named Shan (Lin Yun) to walk on her fins, and adapt to human life, hiding among humans, and find an opportunity to meet Liu. When she gets to find him and have a meeting, she is supposed to seduce him, and send him to his doom. The plan seems to be quite a smart one for everyone, as they send Shan to the land, and after setting up her place on an abandoned house which has the sea underneath it, she goes on to find Liu with Ruolan and other girls – she leaves her phone number for him and asks him to call her, and they all wait for the man to call the mermaid. So, will Liu fall for the trap and call the mermaid, inviting his own doom, or will he just continue with his work? Will Shan be good enough for the job, and can the Green Gulf and the merpeople be saved?

The defence of The Mermaid :: When we look at The Mermaid, we see that it works at two levels, one at the simplest level of comedy, and another level, at the more serious concern, on the need for conservation of nature from all which contributes in polluting it. There are a number of funny moments which you will get to watch and can’t control laughter, which includes, but is not limited to the mermaid’s attempt at assassination, the octopus trying to sneak in for no use and the millionaire remembering his father when getting to eat a chicken. There is cuteness present, which makes sure that no matter how dumb some comic scenes happen to go, you will find that the simple characters and simple incidents make sure that the fun is something that will keep on going. It is certainly divergent from the usual mermaid tale that you will see anywhere, and it is also different in talking about protecting the environment. You call this a package which takes them all in.

The claws of flaw :: I am sure that a lot of people will find some of the comedy scenes to be rather childish, and for a movie with ninety three percent score on Rotten Tomatoes, you tend to expect more than that. There is also that certainty of confusion with the genre, which can be seen, as we look at how things proceed, with focus being shifted from one genre to the other, and its inability to take a few things seriously is rather confusing – after all, there are some elements which have to be dealt with leaving the comedy behind if they are present, but The Mermaid never tries to put down what it has in its lap, but stands straight up to take something else. It can be said so more concerning the final scenes, and it makes us wonder why it couldn’t maintain the strength that it had earlier. Maybe it could have maintained the comic side, without going rather violent and yet without seriousness. The modern take of the folktale mermaid story could have surely been better. The romantic side is rather strange too.

How it finishes :: As the four people playing the most noticable characters, Deng Chao, Lin Yun, Show Luo and Zhang Yuqi make their moments count so well, The Mermaid becomes a movie that you need to give a try for the elements it possesses, and the divergence that it brings here with its not-so-little mermaid. The combination should feel strange, but if you take each of them separately, you will know that there is some interesting effort at almost everything here. Without that much of a violence in the end, and with more comedy as it had in the beginning supported by better visual effects, The Mermaid could have done more justice to its world. But as of now, with a short run-time, and some moments to remember, this one could be that comedy movie with the environmental message which has the strength to be remembered for a longer period of time than a documentary or a serious movie taking on the same issue. No wonder it is the highest-grossing Chinese movie of all time, even after releasing with The Monkey King 2 – the movie has to be enjoyed for the funny side without thinking too much about the story, but do remember the environmental message.

Release date: 8th February 2016
Running time: 94 minutes
Directed by: Stephen Chow
Starring: Deng Chao, Lin Yun, Show Luo, Zhang Yuqi, Kris Wu, Ivan Kotik, Lu Zhengyu, Fan Shuzhen, Li Shangzheng, Bo Xiaolong, Pierre Bourdaud, Kong Lianshun, Chiu Chi Ling, Bai Ke, Tsui Hark, Tin Kai-man, Wen Zhang, Lam Chi-chung, Yang Neng, Zhang Mei’e

@ Cemetery Watch
✠ The Vampire Bat.