Lucy

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Vampire Owl :: Cruel people here. How can they delay a Scarlett Johansson movie so much?

Vampire Bat :: May be the Indian censor board was busy. They have been concentrating on chopping things off from Finding Fanny. Even the dialogue that one is a virgin is to be cut off.

Vampire Owl :: So they were having a tough time with Lucy? But it is still given that “A” certificate.

Vampire Bat :: The censor board is making sure that we end up watching adult movies which have children’s content, so that we realize that we have grown up so much.

Vampire Owl :: But people will still think that we watch only adult movies.

Vampire Bat :: I would think that even Home Alone and Baby’s Day Out will be rated “A” if released these days.

Vampire Owl :: They are violent movies. The poor adult robbers and kidnappers are mistreated by kids. It sets a bad example for the new generation. They will not just give an “A”, they will just ban them.

Vampire Bat :: There is a conservative world coming up. I thought they would have at least found “being virgin” as a good thing.

Vampire Owl :: This is why I drop ice buckets at people.

Vampire Bat :: Can we just proceed for that adult movie?

[Goes to the ticket counter].

What is it about? :: Lucy (Scarlett Johansson) is studying and enjoying her life in Chinese Taipei, but she is tricked into working as a drug smuggler by her new boyfriend. But she is captured and a bag of drugs is put in her her abdomen so that she can carry them back home for the drug mafia. But while in captivity, a lot of drugs are released into her system as she is kicked again and again by her captors. As a result, she has improved mental abilities including mind reading, brain control, telepathy, telekinesis and many others, but the indirect result of the same being a possible death in hours. She gets the bag removed from inside her, and contacts the expert Professor Norman (Morgan Freeman) to know what is there for herself and the future of mankind. As time passes, she gets more and more powerful, and easily go through the drug mafia and gets their drug carriers captured. The mafia as well as the police are too weak in front of her, and the question remains for whom she is going to be beneficial and to whom she will turn out to be catastrophic.

The defence of Lucy :: Along with Scarlett Johansson’s wonderful performance as the protagonist, the movie can boast about taking that idea which is more of a myth and developing into something big. It has nice special effects and good, controlled action sequences which are taking in a more stylish manner – the whole thing is visually very good, and one has to admit that if the willing suspension of disbelief is rightly implemented and considered as a whole, there is not just a lot of fun, but there is also something for the intellect as it does keep the audience thinking within its own universe. It is difficult not to like Lucy, and no matter how hard you try, that option just isn’t there, unless you are short of the capacity to understand and follow – now that will make you not so human, right? There will always be people who fails to understand, and it is mostly with the bloody audience coming in groups and talking rubbish throughout the movie. It is surprising that they would go on to talk through the slide which tells them not to talk and disturb the movie experience for others.

The claws of flaw :: There is no huge action sequence which has our heroine transforming into the Black Widow and go Avenger on everyone. Except for some gunshots between the mafia and the police, the rest of the action remains of the mind. The movie’s idea of the ten percent of the human brain being used is rather weak in the circumstances, as without it and the supporting clips, the movie could have gone on losing nothing in the process. It is also too short, lasting almost one and half hours and nothing more than that unless you include the advertisements (look out for the awesome Dracula Untold trailer that comes before this if it does). There could have been more time taken here for the finish, and the possibilites of such immense mind power should have been further explored – but this one chooses to be short, but due to the same, drags nowhere. The violence is there, not much, but can be considered unnecessary by a few. The movie also needs the viewers who can use some part of brain when needed, and even in the multiplexes, it is difficult to find such people – they all want mindless action making no sense, right?

Performers of the soul :: Lucy is pure Scarlett Johansson show of the highest quality in a character which brings no challenge to her, and due to the same, she seems to blend effortlessly into that character which reminds the viewer of two others, Carrie White and Jean Grey who possessed similar powers. But Lucy is different because her powers are not part of her, and is causing her own destruction – Scarlett Johansson scores there, as you see her transformation from the victim to the all-powerful entity and also with those emotional elements. Known more for being the gorgeous one and among the sexier women alive, she comes up with an all-round performance here along with looking good. There was Natasha Romanoff a.k.a Black Widow, but this one is all-round all powerful. Morgan Freeman also comes in with an avatar that we can easily identify him with – a man of great knowledge and wisdom, who can be a guide as well as the one who deals with the explanations nicely. Choi Min-sik as Mr. Jang is a nice villain, and Amr Waked is good.

Soul exploration :: Scarlett Johansson needs a movie on Black Widow, and it is crystal clear that she can handle it, as she proves the same with Lucy. Yes, the movie is highly dependant on her, and what Angelina Jolie did for Maleficent, she is doing here. She takes full control of things, and one has to admit that this is a lot better than what Jolie came up with in that twisted fairy tale there. With the only other well known actor being Morgan Freeman, the movie was totally dependant on our superstar lady. It reminds us of Transcendence with its idea about that all powerful person who turns into something beyond human comprehension, and Morgan Freeman was the scientist Joseph Tagger there too. Then the movie is also a bit Carrie, with the central character, the lady getting immense mental capabilities beyond anyone’s comprehension. But this one is a lot faster and smarter than the former, and also quicker and with more happenings than the latter. Our heroine is also Jean Grey, but not being the mutant who is blessed wth powers.

How it finishes :: Lucy comes late to India, but it was never as much a much awaited movie as Teenage Mutant Ninja Turtles which might release on this Friday here, but knowing what delayed Hercules, we can’t be sure yet. Lucy has a much silent sojourn here as not many people knows that it is present in the theatres with less number of shows. It should still enjoy limited success, as it doesn’t go on the Transcendence path and bore us beyond the limits of all kinds of boredom, and at the same time, it has Scarlett Johansson. It is still caught in a competition with The Expendables 3, and the shadows of Guardians of the Galaxy and Hercules, as it runs through the course. For those who wishes to watch a nice Hollywood movie which has its own identity, and even in its comparisons with many other movies, could stay different, there is always Lucy. There was always Carrie, and now there is Lucy, coming up with some improved mental capabilities, being another version of that mutated Jean Grey without the X-Men or any superpowered creature around.

Release date: 22nd August 2014 (India); 25th July 2014 (US)
Running time: 89 minutes
Directed by: Luc Besson
Starring: Scarlett Johansson, Morgan Freeman, Amr Waked, Choi Min-sik, Julian Rhind-Tutt, Pilou Asbæk, Analeigh Tipton, Nicolas Phongpheth

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@ Cemetery Watch
✠ The Vampire Bat.

Carrie

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You will know her name :: Yes, the movie did finally release here this week, and the name is Chloë Grace Moretz, but the name you might want to remember should be Carrietta N White, or rather the young, strange but gifted girl whom most of the horror fans will know simply as Carrie. Now, that should go back to Stephen King’s first published novel of the same name, and also to the first adaptation of the same belonging to 1976. It was my next favourite novel from the man after Salem’s Lot, The Shining and The Running Man. The early adaptation also make it to the list of my favourite horror movies of all time, even as I would consider it more of a thriller. But talking about this movie, there was just limited hope, as the original was too brilliant. Another thing is that the incidents of the movie belongs to another time, and taking the plot and dragging it by its tail to this era was not going to work that well despite the fact that they got Chloë Grace Moretz and Julianne Moore at their best. So the question would be about how much they can make out of this limited scope.

What is it about? :: Margaret White (Julianne Moore) is a mentally unstable woman who tries to murder her child at birth, but decides to raise her as she is too fanatically religious in a strange and ridiculous manner. Later, her daughter Carrie White (Chloe Grace Moretz), grows up to become a shy, under-confident, introvert girl despite having some strange power over things around her. She is regularly teased by her schoolmates, especially Chris Hargensen (Portia Doubleday) who even uploads the video on youtube. Their gym teacher Miss Desjardin (Judy Greer) comforts Carrie and punishes the girls who trouble her, but Chris refuses to accept the punishment believing that Carrie has always been asking for it, and is banned from the prom. As she seeks revenge, Margaret continues to try to discipline Carrie in a ridiculous manner. Carrie learns about her power of telekenesis and tries to learn to control it. Another mate, Sue Snell (Gabriella Wilde) regrets teasing Carrie and tries to make amends by asking her boyfriend, Tommy Ross (Ansel Elgort), to take Carrie to the prom which she accepts – but it will change the lives of many people, forever.

The defence of Carrie :: The story of Carrie has been brought into a new world with camera phones and the internet. But the essence of the story remains the same. It would have been difficult to keep up with the original which was so much loved, and a story which was so much read and admired, and this movie had to struggle to keep up. The movie scores with more pace and also by creating a creepy atmosphere. The thrills does work and it is successful in throwing surprises to keep it interesting. The best scene of the movie is indeed the climax, with a bloody Carrie standing on the stage with her arms stretched and the blood leaving her body upwards, and later in the middle of the road splitting the path. The final scene of destruction by telekinesis is the only real scene of gore, and it has been well created yet again. The scenes of Carrie being teased, and the moment of realizing her power are also well portrayed. The movie doesn’t try to stay with the original in speed, and it tries to rush, and there lies both the positives and negatives of it.

The claws of flaw :: The movie tries to rush through its plot as if to extend no more than one hundred minutes of length. The movie starts with Carrie being born, and she rushes to be the shy adult girl and quickly goes on to discover her powers and speeds up to the prom. There is not much characterization going on right there, as most of the characters remain predictable and one-dimensional. Everyone except Gabriella Wilde’s Sue Snell remains the same, and remains doing what they have been doing from the beginning. Carrie learns, but that doesn’t really change her either. She is also too X-Men type, and she is that Jean Grey which most of us might have been missing since she was turned into some strange creature in X-Men 3: The Last Stand. The movie is also somewhat outdated to be set in the present background, of belonging to 2013 – yes, there are the new gadgets added, and Carrie is humiliated with the help of a smartphone and youtube. But all the incidents seem to tell us that a setting much older would have been more suitable. To add to it, an ending which has Carrie rising is rather stupid, and she should have remained dead, to be awesome.

Performers of the soul :: Chloë Grace Moretz steals the show with a performance that makes this movie rise above where it is. It should be of no surprise as she did the same, at a much younger age in Kick-Ass, and in a much smaller role in Dark Shadows. With an acting career at the age of seven, she continues to strike gold, this time at the age of sixteen. Julianne Moore also makes a fine mentally troubled mother, but there could have been ever more dimensions to the character – this one is approached in a rather lazy manner by the writers. Portia Doubleday and Gabriella Wilde could have switched characters though, as the latter could have been a better nemesis to the lady in trouble, like Sara Paxton did as Rachel Witchburn in Sydney White, and what we had seen in Mean Girls with Rachel McAdams as Regina George. Meanwhile, the former tries to come up with pure evil, but ends up being just another bad girl trying to be so evil, and succeeds in the same only with her actions, and to be frank, she doesn’t have that evil aura. Gabriella could have nailed that role, but here she had to be the bad girl turned good due to conscience attacks.

Soul exploration :: The movie is a story of a girl who is bullied throughout her life, and in that manner, takes on a social cause. In another scenario, we could have thought about the Bollywood movie Table No.21 which had taken itself as a story against ragging. Carrie is nothing less, as for such a character who is rather nice and God-fearing, the whole world becomes a challenge. She becomes a misfit and a medium for the disgusting new generation to make fun of. The new generation has been moving further and further away from conscience and goodness, and Carrie is indeed a martyr of a new society which finds fun in being rude and evil. To add to it, she has a mentally unstable mother who pretends to be some kind of pure believer, something which is nothing less than a case deserving to be in mental asylum. She did become an alien for many, who could have done so well if they could have just left her alone rather than being bothered. Carrie tells its viewers to respect people for what they are, and sends a message against bullying and ragging.

How it finishes :: If one has not watched the original or read the books, this should be a very interesting Carrie White, and Chloë Grace Moretz might be the only Carrie they know, as well as their favourite one. Sissy Spacek is not going to be forgotten though, that is for sure. Carrie is going to be a more interesting source of telekinetic powers than the other superheroes who possess something similar. Being locked up under the stairs, Carrie becomes no Harry Potter, but gets something better than being invited to Hogwarts, something which doesn’t spawn sequels and a guy without nose. Moving things around is no magic, and our girl is no mutant – there is no background story about her or her mother, and that should make some people unhappy and the rest rather more joyful about the mystery. Even if we leave the superpower side behind, Carrie is the story of many students who have been bullied, and as long as ragging and all such stuff exist somewhere, Carrie’s tale of revenge is of extreme relevance.

Release date: 17th January 2014 (India); 18th October 2013 (USA)
Running time: 99 minutes
Directed by: Kimberly Peirce
Starring: Chloë Grace Moretz, Gabriella Wilde, Julianne Moore, Judy Greer, Portia Doubleday, Alex Russell, Ansel Elgort, Zoe Belkin, Karissa Strain, Katie Strain, Samantha Weinstein, Cynthia Preston

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@ Cemetery Watch
✠The Vampire Bat.