Night Teeth

Vampire Owl: And finally, we have another vampire movie.

Vampire Bat: I don’t think that this is about our kind of vampires.

Vampire Owl: They seem to drink blood really well.

Vampire Bat: Yet, they seem to be like a new group of vampires.

Vampire Owl: There is no new or old groups among true vampires.

Vampire Bat: You were the one leading the protest against the new batch of sparkling teenage romantic vampires.

Vampire Owl: Well, I have now become a more inclusive vampire.

Vampire Bat: You are acting like the Vampire Chameleon.

Vampire Owl: That guy has been dead for years now.

Vampire Bat: Yet, you are trying to replace him.

[Gets a chocolate cake and three cups of tea-coffee mix].

What is the movie about? :: Vampires and humans have co-existed through the years, and the former has fed from the latter only through a mutual agreement, which means that there was no chance of a battle between the two races. The living and the undead has kept on going without any problems coming in between. There was also a truce, and as vampires continued to get better, humans continued to make themselves believe that the creatures of the night didn’t exist. Vampire continued to try and hide their existence, not feeding on the unwilling and never entering the human area without permission. Benny (Jorge Lendeborg Jr) is a college student who is working part-time as a as a chauffeur, temporarily replacing his brother Jay (Raul Castillo), who was going to apologize and make up with his girlfriend. Jay has also realized that the vampires have broken the pact and entered the human area, also feeding from a lot of them, as well as committing murders. His girlfriend Maria (Ash Santos) is also among the latest ones taken by the vampires as many encounters happen.

So, what happens with the events here as we just keep looking? :: Benny, a Spanish speaking immigrant, is the usual local college student who is not aware of all of these, and was going on with his happy and carefree life until then. He was the one who forced to Jay to let him be the driver for a change. As he goes to the rather rich area to pick up the riders, he meets Blaire (Debby Ryan), who seems to be really friendly. The other girl Zoe (Lucy Fry) doesn’t seem to be that friendly, but does seem to be talkative enough, in a strange manner. They even talk about the possibility of this being his last day on Earth. They do arrive at grand location where the party is taking place, and he hears a woman screaming from inside. At the same time, a war between vampires and humans are coming, because a very rich and influential vampire lord Victor (Alfie Allen) is the person who has intentionally broken the truce for no reason. Jay is actually part of a human group which is charged with maintaining the peace between the two races. As Jay and his friends start hunting down the vampires, Victor plans to finish off his fellow lords and gain all the power. So, what role does Benny play among all these around here?

The defence of Night Teeth :: There are some very interesting scenes in this movie which once again brings the vampires to the human world without pretensions. One has the feeling that this could go the Twilight way and make a mess of the whole thing with full teenage vampire romance, but such a thing doesn’t happen at all. The visuals are nothing less than stunning, as we go through this vampire-infested world in the nights with classic style buildings and lights – the blood also runs strong here, adding to the overall creepy beauty of the atmosphere. The pace is always good around here, and the vampire situation that we see here has been nicely arranged. The vampire-human clash in the city is basically like something that we have seen before, but being much better, like a battle between gangs or races nicely set in a better environment with a divergence. There is a continuous flow of a beautifully stylish world that is going on here, with a touch of horror, as blood runs through. Even without that much of backstory being told, the tale goes on really well.

Positives and negatives :: The movie does succumb to the usual tendency of such vampire stories to go through the predictable path, and that which appeal only to a certain amount of audience. Yet, it manages to come back up in the path whenever it seems to be a little lost, with the style and some nice humour that seems to come as a welcome addition. The humour comes in to join the horror and the thrills, and makes them more entertaining. It is a reminder that the funny side can compliment a horror movie really well, and it was what the film, Black as Night had missed while trying to add some dumb humour and some nonsensical history in between. The cast has also been perfectly chosen, even though there might still be some names which one would also like to have around here. There are some fine action scenes in here, that is for sure, and the vampire girls lead in that quite well. The movie also sets a fine ending which has scope for a future sequel. The music is really good, and set things up nicely for the happenings of the world. The movie does have some good fangs at the needed areas.

The performers of the soul :: Jorge Lendeborg Jr plays the protagonist caught between vampires really well – he seems to suit the situation nicely. He has the confusion being dealt with nicely, but even has enough to be a vampire himself. Yet, there is nobody who suits the nice vampire role better than Debby Ryan, who also has her moments of vampire intensity. One another day, she could be part of a horror slasher movie as a scream queen too, with blood seemingly doing well with her. Lucy Fry had played a vampire about seven years ago, and she is doing it again – this time, she is part of a much better movie, and has a lot better role to perform, as she becomes the perfect nocturnal creature in need of blood and enjoys all the violence that she inflicts. She has the kind of look here that one wouldn’t doubt if she is not really a vampire, even from a distance. I would love to have her as a major antagonist in more than one horror movie. Raul Castillo and Alfie Allen are the strong ones belonging to two sides. One would also love The Voyeurs‘ own lovely Sydney Sweeney and the always charming Megan Fox playing two superior vampires, but we could have actually had more of them here, especially the former who makes a very interesting character in a short time.

How it finishes :: We are never short of the need of the vampire movies to entertain us, for vampirism shall never leave the audience, being an idea of quality since Lord Byron’s physician, William John Polidori published the first vampire novel, The Vampyre. After all, vampires are as immortal in literature and cinema as the vampire characters happen to be in fiction, their immortality in their ability to entertain the viewers rarely questioned. This one, with a touch of the modern age, doesn’t fall behind, even though I did have my doubts after watching the trailer. Well, this is one of those movies which manages to do a lot better than what the trailer had brought us – the movie seems to realize that its strengths are best shown as a whole rather than in parts. You are going to remember the humour in this movie as much you remember those moments of action with blood having a say. In the end, you will remember that the vampires are forever, and they will keep coming back in different forms in different movies like the certainty of Corona virus taking different forms and coming back for more of infections.

Release date: 20th October 2021 (Netflix)
Running time: 108 minutes
Directed by: Adam Randall
Starring: Jorge Lendeborg Jr, Debby Ryan, Lucy Fry, Raul Castillo, Megan Fox, Alfie Allen, Ash Santos, Marlene Forte, Bryan Batt

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Blood Red Sky

Vampire Owl: Now, this is the type of title that I would prefer for a movie.

Vampire Bat: You are planning to make a movie too?

Vampire Owl: Yes, Doctor Frankenstein will be directing it.

Vampire Bat: Well, not the best director for our kind of a movie.

Vampire Owl: He has assured us that this movie will be the highest grossing vampire movie in the history of our realm.

Vampire Bat: I assume that it would be science fiction then?

Vampire Owl: You know that Doctor Frankenstein doesn’t talk science outside the laboratory anymore.

Vampire Bat: His type of science is the best when not talked about.

Vampire Owl: You are talking ill about an award winning scientist.

Vampire Bat: I am sure that he paid a million for that particular award.

[Gets a strawberry cake and three cups of white tea].

What is the movie about? :: An airplane which was supposed to have been hijacked, lands at an RAF base in Scotland. As the soldiers try to get the people out, Elias (Carl Anton Koch), a little boy is the first person to come out, and he is taken into a room, where he recollects the happenings during the flight, seemingly in terror. Back to the past, Nadja (Peri Baumeister), a widow from Germany, is taking a flight to the United States, where she could be treated for blood cancer better, and Elias, her son, joins her at the airport. They come up against Farid al Adwa (Kais Setti), a physicist, who helps them with their luggage. Nadja continues to look really ill, and taking her medicines doesn’t seem to help at all. As the passengers begin to sleep, a group of men supported by the co-pilot Bastian Buchner (Kai Ivo Baulitz), find and attack the three air marshalls in the flight, murdering them. Soon, the gang take over the flight, after getting rid of the pilot.

So, what happens with the events here as we just keep looking? :: The team tells the passengers that their requirement is monetary, and if nobody tries to do anything nasty, it will remain safe for everyone. They also re-programme the black box, after which they deviate the flight towards another path. As Elias tries to run away to a hiding place in the plane, one of the attackers shoots Nadja, and leaves her behind, considering her as dead. But it seems that Nadja has secrets of her own. Nadja, even though weakened, manages to access the cargo hold, and removes the contact lenses and dentures that conceal her mutated eyes and fangs before managing to kill and feed on a dog. It is revealed that she was bitten by a vampire which also killed her husband on a winter night when their car broke down. She regains her strength, and attacks one of the hijackers who come that way, killing him. She realizes that her vampirism is coming back to her, as she also feeds from the hijacker. Now, the hijackers have an adversary that they don’t want. But is she good enough?

The defence of Blood Red Sky :: The idea is good, as there is a vampire on the airplane, and we don’t usually get that – there is a certain amount of creativity in bringing a different vampire world unlike what we usually have. It brings a dangerous situation, and then makes it even more dangerous from multiple sides. Each minute, there is no real relief, as the situation only gets worse for the living characters. The movie has no real heroes, and it doesn’t claim to have some supernatural being saving the day, for the bloodbath won’t leave many people behind if it was a real thing. There are some moments which stand out, including different transformations, and quick as well as gory attacks. The mother-son bonding is also good, especially in the beginning stages. There might not be many other movies which connect motherhood and vampirism, and here, the vampire has its own divergence, even though not by that much of a distance. You are never short of blood and gore with vampirism around.

The claws of flaw :: This premise could have developed into something bigger, and there could have been some fine action sequences as well as moments of horror which would bring the shock and stay for long, but that chance is not taken here. You have a vampire on a flight, and also a few hijackers – things really need to get bigger. While holding on to many elements, it sometimes losses grip on its most valuable asset, the vampire mother who has just unleashed the creature in her. Sometimes, the action doesn’t get the attention that it deserves, and during some moments, horror just takes the backseat, leading to the movie losing the advantage. The hijackers here could have also had better motives, and some of them could have actually had specific characteristics as well as a background tale – here, only one of them seems to have the same. Turning more people into vampires is not always the best option to make a movie better – this film seems to like the idea of having a vampire full-house airplane though.

Performers of the soul :: Peri Baumeister leads the way in this movie here, and she does that in a way that catches our attention a lot in more than one mode. She is strong as the motherly figure, and as a vampire, she takes the creature’s features with ease. It is a performance that many others playing vampire characters can note. She goes through the motherly love and vampire thirst for blood at the same time, or interchangeably. Among the villains, it is Alexander Scheer who gets the most of the villainy, even though the vampire-thing doesn’t work well for him. Dominic Purcell who plays the leader doesn’t get his due at all, as death comes early for him. Roland Moller also has his own different moments, and he could have made one smart villain – leaves a mark as he does now though. Carl Anton Koch who plays the son has his moments, but there are a few which doesn’t suit. Kais Setti is there from the beginning to the end, and he also has some fine job to do. Another one to be noted is Kai Ivo Baulitz.

How it finishes :: Like Train to Busan, this one is Flight to New York, and with vampirism spreading quicker than ever, one could actually replace the vampire here with a zombie, and still have the film working – with a little concern about the slower pace of zombies. Placing vampires on the airplane is an idea that can hold on strong, better than placing them in ships or trains. This film seems to have finished the idea though, without scope for a sequel, but we know that sequels can come out of nowhere. We are never really short of vampires, for we have placed them with werewolves in Underworld series, as mother-daughter duo wandering around the world in Byzantium and at many other places. Anne Rice, the author of The Vampire Chronicles who recently died, had brought some fine works which could be made into movies, taking some fine form in the form of Interview with the Vampire starring Tom Cruise, Brad Pitt and Antonio Banderas. We have had so many vampire novels, films, series and others in quick succession – this one also adds on. Netflix surely has the better vampire flick, as what Amazon Prime could get was Black as Night.

Release date: 23rd July 2021 (Netflix)
Running time: 121 minutes
Directed by: Peter Thorwarth
Starring: Roland Moller, Peri Baumeister, Chidi Ajufo, Alexander Scheer, Dominic Purcell, Rebecca Dyson-Smith, Graham McTavish, Kai Ivo Baulitz, David Hurten, Kais Setti, Nader Ben-Abdallah, Jan Loukota, Florian Schmidtke, Jacqueline Macaulay, Holger Hage

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Black as Night

Vampire Owl: I thought this would be dark as night.

Vampire Bat: I am sure that they meant the exact same thing.

Vampire Owl: Yet, night is not black. It is just dark due to the absence of light.

Vampire Bat: I didn’t know that you were that interested in being exact.

Vampire Owl: Well, the are going to deal with the vampires. So they better be.

Vampire Bat: These are not really our type of vampires.

Vampire Owl: When they talk about real vampires, it has to be about us.

Vampire Bat: They are preferring variations these days.

Vampire Owl: Such a ridiculous human world. No wonder they have the virus.

Vampire Bat: Maybe they did create the virus. We cannot be sure.

[Gets a chicken puffs and three cups of iced tea].

What is the movie about? :: In the beginning, it is seen that a homeless man who is searching for cans is attacked by a group of three vampires who show no mercy. At the same time, in the same city of New Orleans, Shawna (Asjha Cooper), a teenage girl lives with her father Steven (Derek Roberts) and her big brother Jamal (Frankie Smith) as the mother Denise (Kenneisha Thompson) is living apart after becoming a drug addict. At the same time, there are many things going on the streets, including protests, with the distant possibility of riots too. Pedro (Frabizio Guido) who is her best friend forces her to be close to Chris (Mason Beauchamp) on whom she has a big crush, but that doesn’t seem to be a good idea, with her not being of his interest, and she also coming up against vampires who attacks her, but leaves when a car comes to the area. That leaves her scared as she feels that she would turn into a bat or a vampire. Along with the disappointment of not getting the attention of Chris after a talk, she is not afraid of noy being human anymore.

So, what happens with the events here as we just keep looking? :: In the morning, she sees that she is not affected by sunlight, unlike what she had read about. She feels that there is something vampiric about the place where her mother was staying, and when she reaches there with a doubting Pedro, they find out that Denise was bitten too. But unlike her, Denise is quick to transform into a vampire, leading to the curtains being taken off, only to have her burnt till death. As New Orleans is full of strange beliefs, and a lot of spiritual and magical stuff, she decides to get the help of some people who have some expertise in the same – the police have no idea about what has happened. Instead of going to the usual voodoo and hoodoo practitioners, they go to Granya (Abbie Gayle) who is supposed to be the great vampire expert. They still base their assumptions on vampire fiction, but they do feel that there is some idea about the same, and a sympathetic Chris also joins the team. But are they enough?

The defence of Black as Night :: We do have another addition to the vampire tales, and this does add up when we look at it that way. The first scene does add some power, and that adds the scary feeling that something interesting is surely going to happen soon enough – the film’s strength seems to be the beginning rather than the rest. The setting of New Orleans is all very good, and it keeps us interested enough, with the feeling that something could happen at any particular point. It could be suitable for the teenage audience more, like Twilight was largely successful with them, even though not with those who have traditionally liked the vampires through great works of fiction brought to us as classics from history. The ending provides us with a chance to have another sequel, and the same can keep us hoping for a better film to come later, without the extra nonsense social commentary added in between. If you are looking for one more vampire film in a world which seems to have moved away from the earlier vampire interest, this one will be a reminder.

The claws of flaw :: The emotional side is rather too weak, and we often have nothing to care about here, not just the protagonist, but also the remaining ones. There is also a lot more to care about when you are making a vampire movie – it is not like coming up with a creature movie with demons or aliens. It doesn’t have that vampire power which a movie like this should have possessed. When vampire terror should have been effectively, it does struggle to do the same, and often holds back without any particular reason. The opportunity to make this a horror comedy is not used well enough either. The movie is indeed a master in making the opportunities go missing. The chance to add some message about inequality and race in there also goes missing, and the usual good use of history in vampire works also falls flat. You cannot use social commentary where it doesn’t fit, and this one keeps pouring that at all places without success. It is also very quick to have us tired of all these things repeating, and has no big action happen unlike expectations.

Performers of the soul :: Asjha Cooper leads the way here as the leading lady, and happens to be okay in her work. Then there is also Mason Beauchamp and Frabizio Guido who seems to be leading the film together. But the one who seems to be more suitable to this situation is Abbie Gayle, with a character who is very much into the vampires. The others do have more screen time, but she seems to play the role of more relevance in comparison. The one face which seems to be somewhat familiar might be that of Keith David, who plays one of the major character really well, and so does Craig Tate, both of them being memorable people of darkness in the film. Sammy Nagi Njuguna and Tunde Laleye also have some notable roles around here, even though they are of significance only in the last moments of the film. Frankie Smith and Derek Roberts adds on with some less utilized characters, all of them seemingly reduced as the movie lasts less than one and half hours, rather too less for a film which seems to try to look back into some turbulent history – it is a shame.

How it finishes :: Here we have another vampire tale, even though the focus here is not that strong, and it is not the regular vampire thing as we usually know it. If there was better innovation, this could have been one fine vampire movie. Throughout the film, you know that vampires deserve better – films like Interview with the Vampire and Byzantium has already gone through the vampire world with class, and the Underworld series had the right vampire action. This one never really gets strong enough. Black as Night, despite seemingly having something in store, doesn’t really have the same. As we are going through the Corona virus pandemic which never seems to end, and all the natural disasters which never seems to move way, we do need some movies to fill up, and this one might do just fine for some people. After all, theatres have not opened in this part of the world yet, and you know that all the things that we are to fear will stay long enough, we have the intuition.

Release date: 1st October 2021 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Maritte Lee Go
Starring: Mason Beauchamp, Asjha Cooper, Theodus Crane, Keith David, Abbie Gayle, Frabizio Guido, Tunde Laleye, Al Mitchell, Sammy Nagi Njuguna, Andrew Penrow, Nicole Barre, Derek Roberts, Joseph Singletary, Frankie Smith, Tim J Smith, Craig Tate, Kenneisha Thompson

<— Click here to go to the previous review.

<— Click here to go to the previous English film review.

<— Click here to go to the previous Amazon Prime horror release.

@ Cemetery Watch
✠ The Vampire Bat.

Underworld: Blood Wars

Vampire Owl: This movie has been going on and on, and we, the vampires have spent so much money or trying to attain copies of the same.

Vampire Bat: I have heard that even Werewolf Anger has a copy of the first three movies of the franchise.

Vampire Owl: Why would he have those copies? He is angry at all movies.

Vampire Bat: He is angry at everything, and so this anger is actually a reflection of his less angry side.

Vampire Owl: But it is still Werewolf Anger, the angriest werewolf of all-time.

Vampire Bat: There is some competition regarding the same, from Werewolf Hunger.

Vampire Owl: Well, hunger is a strong emotion, and he is named after that; so I would expect some tough competition.

Vampire Bat: I hope that watching Blood Wars won’t make them more interested in wars.

Vampire Owl: Watching Underworld: Awakening awakened nobody though.

Vampire Bat: Well, all the movies in this franchise will be better tales than Twilight for sure.

[Gets three cups of cardamom tea with Little Hearts biscuits].

What is the movie about? :: The war between the two species goes on, and vampires are in trouble with the advanced werewolves, the stronger and the sharper versions of Lycans going through them, with only two strongholds left for the formerly high class species of undead, the Eastern Coven and the Nordic Coven. Semira (Lara Pulver), a beautiful and ambitious council member of the vampires, sees Selene (Kate Beckinsale) as the only hope for saving their coven as well as preserving their world as it has been for many years. With Lycans only getting stronger under their ruthless and fearsome leader Marius (Tobias Menzies), Semira gets the support of Thomas (Charles Dance), a Vampire Elder who is the father of David (Theo James), whose life was saved by Selene herself. They are successful in getting the support of the council which declares Semira fully responsible for whatever actions Selene comes up with when inside the coven.

So, what happens next in the movie? :: The vampires have been searching for Selene already, seeking justice for the deaths of Viktor (Bill Nighy) and Marcus (Tony Curran), and this becomes her opportunity to return to the coven, forgiven, even though not forgotten as a murderer of her own kind. David pleads her to return to the coven, as she could join her kind and defend everyone against Marius who also wishes to capture Selene for information about her daughter Eve (India Eisley) whose blood could prove vital to the werewolves in attaining ultimate supremacy over vampires. Alexia (Daisy Head) arrives with her team and the order from the coven and takes Selene home just in time before the Lycans arrive at the scene. There they are given a warm welcome, but Varga (Bradley James), the leading Death Dealer of the coven isn’t happy that Selene has returned to train his team of Death Dealers, and with his intimate relationship with Semira, a twist seems to be coming up.

The defence of Underworld: Blood Wars :: There is the usual style of the Underworld franchise that we see here, and it is reflected not just on the visuals and the action sequences, but also in the overall dark mood. Vampires facing werewolves is the kind of idea that never gets old, and will remain interesting as long as you don’t put too much drama in there by the way of Twilight an its evil twin sisters. The tale continues with all those elements that are to satisfy the fans of the franchise. The movie also finishes off smartly, with having an option to end the tale there, as well as to continue it – the scope for a new dawn in this movie will be an entirely different one too. Still, whatever they do it will be eternally impossible to have the pre-determined critics to rate a movie like this any higher; if this was a Bollywood movie with a heavy dose of nonsense, maybe the reviewers here would have rated it a lot high; add a big superstar to it, and you know what happened with dumb movies like Krrish and its sequels.

Claws of flaw :: People are certain to think that there is too less added to this movie as another significant movie in the franchise – for there was the scope for deviation while retaining the basic elements, which is not taken. The journey here is just the easy way, with no special ingredient. I would also consider to be the second least interesting movie of the franchise following the one movie that was the prequel without Kate Beckinsale in it. Even though the critical opinions are without doubt biased and prejudiced as it was with almost every Underworld movie, this is surely a step down from the previous movie, Underworld: Awakening. Without a proper understanding of the background used in this movie, the weaklings will also find it difficult to go through this movie, and some reviewers need to be shown all movies of this franchise, without which they seem to struggle to find out which movie is this particular flick which they watched.

Performers of the soul :: Kate Beckinsale is also at her best as usual, and she becomes Selene and shines through this movie too – she looks almost the same as when the first movie released fourteen years ago, something that the Resident Evil series and Milla Jovovich will have in common. There is not much that separates her, all the action, and the style of this movie. We had also seen the same in the remake of Total Recall as well as Van Helsing. Selene is a character whom we have identified as one of the most recognizable vampires in live-action movies, and with her being played by the same person, and having the same looks throughout the franchise has helped the cause further. Giving her company as the other gorgeous vampire is Lara Pulver, whom we will all remember as the special Irene Adler from the Sherlock television series, with that introduction scene and what followed from A Scandal in Belgravia. Clementine Nicholson is another actress who will be a big asset to the franchise without doubt. We are also glad to see the Divergent franchise‘s own Theo James here again.

How it finishes :: Anna Foerster’s first movie has the fans of the franchise interested for sure, with the vampire-werewolf tale never running out of opportunities make more and more movies. This is also one of those movies which release first in India and then in the United States – something which happens at a few occasions mostly with those superhero movies and not with anything that has a vampire or a werewolf. This tale can surely bring more sequels, prequels and even spin-offs, and with some divine intervention, maybe there will be a movie which will be loved by the critics – but the chance of the same is very little. But it is up-to us to enjoy movies like these, instead of overrating those local superhero movies which has nothing inside them other than some so called superstars who come down to such a terrible level to act in such nonsense – we will have anyone without intellectual poverty will have trouble watching such flicks, but both the common viewers and the reviewers will claim that the movies are of epic level.

Release date: 6th January 2017 (USA); 2nd December 2016 (India)
Running time: 91 minutes
Directed by: Anna Foerster
Starring: Kate Beckinsale, Lara Pulver, Theo James, James Faulkner, Daisy Head, Clementine Nicholson, Tobias Menzies, Charles Dance, Oliver Stark, Peter Andersson, Bradley James

@ Cemetery Watch
✠ The Vampire Bat.

Daylight’s End

daylightsend-2

Vampire Owl: I know what comes after daylight’s end.

Vampire Bat: You mean to say that you already watched the end of the movie?

Vampire Owl: I am talking about us coming after the daylight’s end.

Vampire Bat: I am pretty sure that this is not a vampire movie, like the way we want it.

Vampire Owl: Still, daylight’s end is interesting for us too.

Vampire Bat: That doesn’t really make your point have a better meaning.

Vampire Owl: I am talking about what comes from the inner voice of my soul.

Vampire Bat: You mean to say that you have an outer voice for your soul.

Vampire Owl: Yes, I have developed all these through years of meditation.

Vampire Bat: I am going to pretend that you are talking while sleeping and watch this movie.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: Years have passed after a strange and mysterious plague outbreak had turned most of the people on the planet to cannibalistic, blood sucking creatures. As the daylight ends, the time of these creatures begin. They hunt through the remaining humans, whoever is left without shelter. But a person called Thomas Rourke (Johnny Strong) is determined to battle through this situation, and goes on killing these creatures one after the other in an armoured car. On the way, she sees Samantha Sheridan (Chelsea Edmundson) who is attacked by a group of criminals, and saves her. As he is about to leave, she offers him more guns and ammunition if he gets her to their secret hideout before sunset. Despite the initial doubts, he decides to go with them as he needs all that he can get in his never-ending battle with the creatures.

So, what happens next? :: Even as they drive very quickly, they are unable to reach their destination before sunset, but they get very close to the place. The creatures attack them, but they are saved by the survivors from the hideout, and they all manage to get in. Thomas identifies an alpha creature who leads the rest, as the one who was responsible for the death of his wife. The leaders of the gang of survivors include the old and experienced fighter Frank (Lance Henriksen), his son Ethan (Louis Mandylor) and the former police officer Chris (Hakeem Kae-Kazim). Even as they are suspicious of the intentions of Thomas, they let him in to honour the promise made by Samantha. They still keeps him locked in the cell and promises to provide him the weapons and let him leave after the sunrise on the very next day.

What is to follow in this world of chaos and death? :: As the survivors fall asleep, there are strong noises being heard everywhere. Some of them tries to look around, but are killed by some of the creatures who had managed to get in; but the group successfully kills the creatures and survive the night. In the morning, they find out that the door to the outside has been jammed by the creatures who pushed cars over it. It would take them a long time to move them, and without moving those cars, they can’t take their own vehicles outside. Their plan is to escape to an airfield where there is an airplane. With all of them trapped inside the building and the creatures all prepared to come back again next night, Thomas convinces some of the survivors to accompany him to the building which serves as the hive of the creatures, and kill the alpha creature that leads them. But it won’t be that easy.

The defence of Daylight’s End :: For a low budget movie, this one is a nice achievement, as there are lots of action in store, and that too in style. The whole thing is nicely shot, and we have a lot of shooting going on here, which has our attention, and the same is the case of the creatures who seem to be part-vampire, part-zombie, even though it is more on the vampire side. It is not easy to come up with a good movie in this genre, with too many movies of the same kind being there to be seen, but Daylight’s End manages to survive there. Making a low budget post-apocalyptic movie and having it work so well is too good a thing. The pace is very quick, and we don’t ever feel the need to look away. There is intensity in the happenings, and we get to feel the terror in the situations we have here. If you are looking for post-apocalyptic movies, or to see vampires or zombies coming right at you, take this one and join the ride.

The claws of flaw :: One would think that we had too much of the movies like this, with a situation post-apocalyptic, and the creatures roaming around looking for flesh or blood or both. Resident Evil is the biggest name among them with a new sequel currently running in the theatres, and there are flicks like I am Legend, World War Z and 28 Days Later; there is even Zombieland. Well, people who are tired of the same should go for this one – please choose to say nevermore, and get away. This surely does give that feeling that we have all seen this before. A lot more could have been done with the creatures though, especially with their origins, and also with some special scares added in between. With a setting and creatures like we have here, the possibilities are actually endless. There could have also been a big memorable collection of final moments, with some shocks added to make this a terrifying experience.

How it finishes :: Lead by Johnny Strong and supported well by a cast which has Chelsea Edmundson as the best noticeable female lead, Daylight’s End is the kind of movie that will keep your interest in the post-apocalyptic stuff going. It is not going to bring anything that will change the genre, but it is surely something that can keep you entertained till the end. In humanity’s fight to stay alive, it is us who get to see how things happen in style. It could have scored better with something bigger in its script, and some shock along with bigger scares, but as it is now, there is enough strength to be the action thriller with horror elements. It is surely a better choice than some of those overrated high budget movies, as this one manages to be one of the best of its kind made with such low budget. You can choose to travel to the end of daylight with this one. Just like Fender Bender and Shut In, this is too less known a movie, but it needs to be known by more people!

Release date: 1st November 2016
Running time: 105 minutes
Directed by: William Kaufman
Starring: Johnny Strong, Chelsea Edmundson, Lance Henriksen, Heather Kafka, Farah White, Louis Mandylor, Hakeem Kae-Kazim, Krzysztof Soszynski, Chris Kerson, Gary Cairns, Mark Hanson, Sonny Puzikas, Matt Beckam, Susana Gibb, Ed Spila

daylightsend

@ Cemetery Watch
✠ The Vampire Bat.