Aadhi

What is the movie about? :: Aadhitya Mohan a.k.a. Aadhi (Pranav Mohanlal) is the only son of Mohan Varma (Siddique) and Rosakutty Mohan (Lena) who eloped from home, going for that intercaste marriage which nobody supported. As their only son, he manages to gain all the support that he can get from the parents, as he has taken two years break from studies and work to pursue his dream of becoming a music director. A case of infatuation for the girl next door Aneetta (Krittika Pradeep) and trained in the obstacle course training of parkour, there are so many other options for him in life, and yet he wishes for just one thing in life. But it doesn’t go on well, as his efforts in music go unnoticed. Because of the same reason, he decides to go to Bangalore as adviced by his best friend Nadhir (Krishna Shankar). There, he is supposed to perform in Fox Club, where will get the attention of prominent personalities from cinema industry.

So, what happens with the events to follow? :: Even though almost everything seems to work according to the plans, things get complicated when he meets his old friend from school, Anjana (Aditi Ravi), and ends up having a confrontation with Jayashankar (Siju Wilson) who is the bodyguard of the city’s most respected and feared businessman Narayana Reddy (Jagapati Babu). In between all of this which occurs at the top of the multi-storeyed building, the son of Narayana Reddy ends up being thrown all the way down, thanks to one heated approach by Jayashankar – Anjana is the only witness out there. Now, it turns out that Jayashankar has to hide all of these, and for the same, there is only one option left for him – finish off Aadhi, and for the same, there is full force of an angry Narayana Reddy as well as the police and politicians who are on the corporate payroll.

And what follows next in the adventure? :: With Narayana Reddy stopping at nothing to finish off the young man who killed his only son, and along with Jayakrishnan, Reddy’s right hand Siddharthan (Tony Luke) also joins the party – Aadhi can do nothing, but keep running. The goons sent by Reddy also reaches Aadhi’s home, and every route out of Bangalore is blocked by the police and his teams of goons. With five lakhs on his head, there is the need to run until he meets Sarath (Sharafudheen), Mani (Meghanathan) and Jaya (Anusree). The three also got their own problems with Narayana Reddy and his people, which makes them think about giving him a chance to escape. With the help of the technical expert Ebin (Tony Luke), they think about changing the equation, but is there really a chance to at least get close to escaping? Is there a weakness which they can exploit?

The defence of Aadhi :: There is the use of parkour, the activity in which you move around quickly in an area, getting through obstacles by running fast, jumping, climbing, rolling, swinging, sliding, and all ways possible – most of us have seen it in Paul Walker’s penultimate movie, Brick Mansions as well as the 2004 French film District 13 on which it was based. These scenes are very nicely executed by Pranav, and the same is never exaggerated. There is certain smartness related to how the action sequences are executed in this one, a quality which was missing in a good number of superstar movies in the last few months, most notable one being last Decemeber’s Masterpiece. There are many thrilling moments in this one, and the emotional side makes an excellent impact too. We also have some twists to come up in the final few moments, as there is more to Aadhi by the end. There are also some funny moments which come in between, which work, even though lesser in number.

The claws of flaw :: There is nothing special in the premise and the tale here though, as we can see that there is the protagonist who accidentally kills the son or brother of an influential person who will not stop until he finds the person responsible dead – this would seem familiar, from decades ago. The same actor played the father who had his son killed in Pulimurugan, and here he losses his son yet again. One can be sure that Jeethu Joseph is capable of more, as the director who brought three different thriller experiences in the form of Detective, Memories and Drishyam. The movie also takes some time to get going, and the family sequences are just ordinary. The cameo scenes seemed to be rather unwanted, with purpose only to get those claps from hardcore fans. The length of the movie could have been lessened to make the whole thing closer to the point. Some of those longer action sequences could have been shortened to make way for separate moments.

The performers of the soul :: Pranav Mohanlal, without doubt, steals the show in this movie, from the first moments of appearance itself, beginning with those expressions and a certain simplicity that runs through. In the second half, with those action sequences to go with it, he takes the whole thing to another level, trumpeting his arrival in a grand fashion. The wait hasn’t been for no reason, as we get the culmination wonderfully. Aditi Ravi and Anusree plays the female leads, but the former has lesser time on screen, and latter has more of the comic side which also has nothing that much to do for her. It is actually surprising that we don’t see that much of the Alamara actress in movies as we would want to have. Lena and Siddique makes good parents, and are in full control of their work with strong emotional side. Sharafudheen has a funny side here too, even though things are more serious this time. Siju Wilson, Sijoy Varghese and Jagapati Babu make the villainous side here, and they remain strong throughout. Siju’s divergence is a smart move. Meghanathan and Tony Luke provide good support.

How it finishes :: The one thing about the Jeethu Joseph movies after Memories, is something which has been common in Drishyam, Oozham and Aadhi – the battle of the middle class against the rich and the influential who are after the blood of the common man. Even Life of Josutty had the middle class struggle in the core. The three could show the middle class struggling and winning against all odds in the form of thrillers. Well, everyone knows Drishyam, and Aadhi actually shows what Oozham could have been, with better execution. With no shortage of thrills, and bringing the needed variety in action sequences in Malayalam, the twists also drop-in to make this better. Well, fans have been waiting for a day this day for a long time, and one can say that their beloeved Lalettan’s son has scored high on his debut, and this is certainly another flick from Jeethu Joseph that you can admire without second thoughts.

Release date: 26th January 2018
Running time: 158 minutes
Directed by: Jeethu Joseph
Starring: Pranav Mohanlal, Lena, Siddique, Siju Wilson, Sharafudheen, Aditi Ravi, Anusree, Tony Luke, Sijoy Varghese, Krittika Pradeep, Meghanathan, Jagapati Babu, Krishna Shankar, Mohanlal (cameo), Antony Perumbavoor (cameo)

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Kadam Katha

What is the movie about? :: Giri (Vinay Forrt) is running a textile shop in the city of Cochin without making much of a profit – he has lots of loans to repay, and even his last business venture was a failure, and has been making his life more and more difficult. The worst thing is that he had left a good job to begin a business, a decision which he keeps regretting. With no salary to pay his employees, and not enough cash to take more stock, he decides to close it down. But that was not to solve the problem, as everyone would end up believing that now he has absolutely no way to pay anyone anything. His wife Chandini (Srinda Ashab) is staying at her home, and he is staying in a small house for rent, and he is unable to pay the houseowner too. With the loan shark Sreekanth (Saiju Kurup) after him, he decides to attend an inspirational course which promises to change lives and make it a lot better.

So, what happens next? :: Cleetus (Joju George) is a mechanic who runs a car repair shop with two workers Josemon (Sinoj Varghese) and Thampi (Manikandan Pattambi), the three being more of a family than just friends working together. Cleetus also has to pay back his loans, as his repair shop keeps running into loss; the property is also going to be sold by its owner, ending the rent agreement. Therefore, he also goes to an inspirational course, and after the programme, they meet at a local beer and wine parlour. They become friends, and after Giri is thrown out of his house for not paying rent, Cleetus lets him stay with the three at the repair shop. Meanwhile, Cleetus meets a man named Sreekumar (Renji Panicker), whom he saves after being caught in a car accident. This new friend is among the richest men in the city, who has just returned from the Middle East. Sreekumar decides to give Cleetus an offer that he can’t refuse, and Giri also becomes part of it.

And, what is to follow next in this tale? :: Sreekumar who understands the two men’s need for money, promises them wealth beyond their imagination, and they will just have to do one job, and it is concerning his only daughter who is studying for MBBS as a reputed institution. This girl, Jeena (Veena Nandakumar) is in love with Maneesh (Roshan Mathew), a popular radio jockey at one of those prominent radio stations in the city of Cochin. It is with their relationship that he is most concerned about. Jeena has clearly told him that she is ready to marry nobody else, and they keep wandering all around the city together despite him warning her not to do so. Even Giri and Cleetus keeps seeing the two, or at least Maneesh at times in the city – it is as if they are everywhere and everyone knows about that relationship. Sreekumar is fed up with the same, and asks them to do just one thing. What is that? Can the two do the job?

The defence of Kadam Katha :: With some funny moments here and there, and having a good cast, Kadam Katha manages to go on and on with its two hours and a few seconds on run-time. The movie also depends on simple moments and simple people, and the complication only comes with a new generation and more money as the flick suggests. The message is still about retaining one’s goodness, as long as there has been something at some point – no matter what happens, always get to the bottom of things to know the ultimate truth. The visuals are good without doubt, even though not that much of the city’s beauty is not there on the big screen. The humour is present here and there, but we miss it at a lot of occasions when things seem to drag. Kadam Katha surely has the material inside it, and when we look there, we end up seeing more with a bigger potential – the lesser crowd at the theatre was a sign of movies not meeting up to the standard these days, and movie stars only making reasons the wrong way.

The claws of flaw :: Kadam Katha, for some reason, refuses to use most of its humour, and never extends its funny side to make it memorable. The theme has also been repeated for quite some time, and we keep seeing people who need to do something which their lives, and also those who are in need of money. The movie also doesn’t make best use of the talent, and the big list of characters to whom we are introduced. The songs are just not that interesting – they seem to drag the whole thing rather than do anything else. One has to wonder what has been happening with the Malayalam movie industry for some time, for there has been so many movies, but not many which have left the mark. With so many movies including Oru Cinemakkaran, Role Models, Avarude Raavukal, Sunday Holiday and others note able to go more than just above average, one can see the lack of trying the big variety except for a few like Tiyaan and Thondimuthalum Driksakshiyum.

Performers of the soul :: With Action Hero Biju being his most recognized role among the masses, Joju George remains one actor who never really disappoints us, and it is reflected here too. It is him who makes us feel like the hero in this one. Seen last in Role Models, Oru Cinemakkaran and Godha, Renji Panicker remains the one who keeps us interested, and he does his work in the usual style. Vinay Forrt whose last movies were Role Models, Avarude Raavukal and Georgettan’s Pooram, gets back to doing a fine job here. There is something about his performance every time. Veena Nandakumar who is known for the short-film Moonnamathe Vazhi makes her big screen debut in this one – it is a short movie that provides a beautiful feeling, and you need to watch it if you haven’t yet. She has less to do in this one, and is good with the romantic side; more to be tested in her next works. Malayalam movie industry keeps getting more and more heroines, I guess.

More and the bottomline :: Roshan Mathew is credited in Adi Kapyare Kootamani and was also there in Puthiya Niyamam, but it is with his role in Aanandam which made him a favourite and a popular actor – his next flick Viswasapoorvam Mansoor‘s short stay at the theatres didn’t help, but he has made a strong come back in this one – he plays the new generation lover character with ease. Hareesh Perumanna is wasted in his small role here though, and this might be one rare instance that his character doesn’t bring the laughter. Sinoj Varghese – Manikandan duo is the one that bring some of the fun instead. Srinda Ashab is another one who gets not much to do in this movie except for making phone calls – there is not even a big flashback to support her cause. Kadam Katha is certainly a story which could have done more, with better situations, comedy, and lasting romance as well as emotional side; but this one touches only a few and plays on the safe side. This one is worth the watch, but won’t bring anything huge.

Release date: 28th July 2017
Running time: 121 minutes
Directed by: Senthil Rajan
Starring: Roshan Mathew, Joju George, Vinay Forrt, Veena Nandakumar, Renji Panicker, Sinoj Varghese, Srinda Ashab, Manikandan Pattambi, Hareesh Perumanna, Alexander Prashanth

@ Cemetery Watch
✠ The Vampire Bat.