Tag Archives: Sreejith Ravi

Anveshippin Kandethum

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What is the movie about? :: S.I. Anand Narayanan (Tovino Thomas) and his team of police officers (Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad) faces two cases in two time periods. The first one is related to the disappearance and murder of Lovely (Anagha Maya Ravi) and the second one is a cold case related to the murder of Sridevi (Arthana Binu) whose death could not be solved by even the best of police officers assigned to the case. Regarding the first case, he faces problems from his seniors who do not wish to see him doing better than them, and neither can they stand him going against a priest Fr. Thomas (Madhupal) who becomes a suspect, but is revered by the locals. When his seniors find another suspect from the available clues, Anand decides the take matters into his own hands unofficially, and even creates situations which would help him to find Lovely, who was returning home from college after receiving her hall ticket. This would lead to a few twists, but can Anand finally catch the real killer?

So, what happens with the events here as we just keep looking? :: The second case which deals with the murder of Sreedevi would seem more twisted and placed at a higher difficulty level, as it occurred much earlier, and the police department is ready to stop the whole investigation. The locals are also very much tired of the investigation due to the earlier police officers pestering them and even resorting to torturing some of them ruthlessly. The panchayath president Philo (Baburaj) and the local landlord Sadanandhan (Shammi Thilakan) are hostile to the presence of any police officer for the purpose of finding anything related to Sreedevi, who is a lost cause for them. In this case, there is no restriction imposed by the seniors, but the unsupportive locals and lack of clues bother them. Yet, the team decides to go on with what they have, and extends their stay in the small village where the incident took place by a few days. But with time running out, can they do it without just randomly writing anything on the report to close the case?

The defence of Anveshippin Kandethum :: There is a certain amount of interest gained from the title of the film itself, as we are reminded of the Bible quote – “Ask, and it will be given you; search, and you will find; knock, and the door will be opened for you. For everyone who asks receives, and everyone who searches finds, and for everyone who knocks, the door will be opened”. We are once again introduced to a world that our audience has embraced really well, that of murder investigations; the search is on for the police officers led by Tovino’s character, and we look forward to finding. This has indeed been the favourite genre of our people, and this one will only reassert the idea that we are more into thrillers and murder mysteries than anything else. The confidence which has been shown by the makers of this movie to keep things realistic enough, and in keeping the protagonist a character without those usual heroic abilities makes sure that this is one of those movies which will not be remembered for the nonsense moments.

Positives and negatives :: If the material like this was put before any of those overrated superstars or directors of Bollywood, the movie would have been unbearable, and except for the kind of audience who likes the terrible exaggeration, this movie will work like a dream. The blending of twists into a world staying so close to realism is not an easy job, but has been accomplished well. The music in the movie works pretty well while the visuals effectively add to the overall quality here. The journey to an earlier time period is nicely arranged without adding too much to make the world become more important than the other elements. The second investigation is more interesting than the first, as the twist is more effective there, even though the flashbacks are very well done – the characters in the first case should have been introduced earlier than we had first noticed them. The supporting police officers should have also been given more to do rather than keeping the focus on the main cop.

The performers of the soul :: Tovino Thomas continues to come up with at least one big movie every year, like 2018 last year, Thallumaala before that, and Minnal Murali in the year before that. He has been continuously impressing us with his variety, and even though we have seen him as an investigator of murders in films like Forensic, this one is indeed special. The way in which he moves through different roles of divergence has been setting an example for all the newcomers in the industry in the last few years. Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad who plays his supporting do not get that much to do in comparison to what we had seen in Kannur Squad where almost everyone has something special to do. It does not happen here, even with Azees Nedumangad who was present in that movie here again – he would have blended into a team better than anyone else. Among the veterans, there is the certainty of strength. Baburaj handles the role very well with a touch of humour, while Indrans goes through a completely serious path, while Harisree Ashokan has a certain amount of sadness associated with his character.

Further performers of the soul :: Siddique plays a role with which he is not that much of a stranger. Shammi Thilakan is a fine addition to a world which needs his work to keep things going. The two main girls Arthana Binu and Anagha Maya Ravi who are murdered in different time periods, come up with some fine work, blending into their entirely different roles. One would remember Anagha from another thriller Eighteen Hours, and here the role seems to be so different, and she handles it with perfection. Aadya Prasad also comes up with a nice contribution here even though the role does not last that long, yet plays so well towards the twist. We would have still wanted more female presence among the police officers going through the investigation. Among the better known names, Alencier Ley Lopez only has very less to do too. Nandhu does some fine job from the beginning stages, while the roles of Sreejith Ravi, Prem Prakash and Madhupal are smaller, even though the last two contribute to bringing the twists leading to the conclusion quite well.

How it finishes :: We have not been strangers to thrillers of quality during the last few months, with Kannur Squad coming up as the one classic investigative thriller and Neru making a huge profit and Abraham Ozler following a serial killer with all the thrills that it can provide. The thrillers of the industry have only been gaining in strength during the last few years, a trend which seemed to be triggered by Anjaam Paathira, even though weakened by the corona virus pandemic for a small amount of time – the trend is back now, and the signs are stronger than ever. This particular movie here keeps it realistic and at the same time, has the thrills moving forward stronger than ever. This one is sure to make it to the list of some of the most interesting thrillers in the recent past, while never trying to overdo things to catch the attention of the audience. The same would be the reason why the movie has managed to rise so well in this week of multiple releases.

Release date: 9th February 2024
Running time: 142 minutes
Directed by: Darwin Kuriakose
Starring: Tovino Thomas, Arthana Binu, Anagha Maya Ravi, Baburaj, Indrans, Siddique, Aadya Prasad, Vineeth Thattil David, Alencier Ley Lopez, Harisree Ashokan, Shammi Thilakan, Pramod Velliyanad, Saranya, Nandhu, Sreejith Ravi, Prem Prakash, Madhupal, Rahul Rajagopal, Azees Nedumangad

@ Cemetery Watch
✠ The Vampire Bat.

2018

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What is the movie about? :: In the village of Aruvikkulam, things seem to go on as usual, with the usual incidents and small problems which comes naturally to such an area which is close to the highlands. Anoop (Tovino Thomas) is a former solider who left the army as he was frightening by two deaths at the India-Pakistan border. He had arranged a fake medical certificate for the purpose and tries to go to Middle East to get a job. He has always been afraid that someone would come from Delhi to collect information about him and take him back to the one of the army camps. This leaves him suspicious about Manju (Tanvi Ram) who is appointed at the nearby school after living in the Indian capital for a very long time. The fear is reinforced by his friends who come with a similar idea about the new teacher. But the complicated relationship soon leads to their marriage getting fixed. After leaving the army, Anoop has remained a favourite young man in the village, and this leads to the wedding function being arranged as a grand ceremony.

So, what happens with the events here as we just keep looking? :: Nixon (Asif Ali) has always wanted to be a popular model, as he performs in small roles in films and advertisements. He detests the fishing job which is followed by elder brother Winston (Narain) and father Mathachan (Lal). He feels that he does not have anything to do with sea and that catching fish is not his cup of tea. As Nixon falls in love with the daughter of the rich businessman Chandy (Joy Mathew), the future father-in-love makes fun of his modelling job and family background related to fishing, which leads to further conflict between him and his family. Only Chandy’s son Alex (Hari Krishnan), who is also Anoop’s friend shows some interest in the marriage alliance. Meanwhile, the reporter Noora (Aparna Balamurali) is covering news about rivers, floods and droughts on both sides of Western Ghats, and feels that the rain which has caused floods in some areas of Kerala will mean much more in the coming days. She had only previously reported about increasing droughts on the other side of Mullaperiyar.

And what more is to follow with water coming out of everywhere? :: Home Secretary Shaji Punnoose (Kunchacko Boban) also feels that they needs to be prepared. He had only recently built a new house, and has fear for the safety of his own lands too. Rameshan (Vineeth Sreenivasan) who is working in Abu Dhabi is arranging a job for Anoop there, and is returning home due to his mother landing in the hospital, but the airplane is diverted from Cochin to Coimbatore because of the bad weather. His problems with his wife Anupama (Gauthami Nair) have reached the peak, closing in on divorce. Koshy (Aju Varghese) is struggling to make a trip happen with the two Polish tourists whom he wished to take to Cherai, Fort Cochin, Aleppey and Munnar, but the plans get foiled due to one problem or the other caused by the continuous rain. There is news about multiple low-pressure areas formed in the Arabian Sea which could turn into cyclones. The dams in the state are almost completely filled and needs to be opened. There seems to be something terrible awaiting most of the areas of Kerala, and it is worse than what they had imagined.

The defence of 2018 :: The movie, along with finding the right members of the cast for even supporting roles, thrives with the moments which it had recreated from the 2018 Kerala Floods, which formed the most devastating series of disasters in the state’s history. The scenes like fishermen coming to the rescue as a selfless act and the helicopter rescue are some of the most memorable moments which we take back from our memories. For some people, these calamities might have been just random news, but for those who were most affected by it would feel this differently and strongly. What Jude Anthany Joseph has managed is to come up with the struggles during the flood not as someone who views from outside, but as a person who has been part of it. The visual effects look nice on the screen, and is a fine step which can be followed while making disaster movies. The emotional side of the movie remains really strong, as the humanity and hopelessness displayed here feels so real, and this could be the tale of flood not only in Kerala, but also somewhere else, as natural disasters limit the division between people and brings them together in hope for a better world.

Positives and negatives :: The movie’s first half might feel too calm for the viewers, and it is also a short time period before the interval, after which the movie gains in length and comes up with the scenes of interest. It could feel like a little bit too much of time taken for people’s liking. There are surely those moments which could have been explored more, but while creating a world which incorporates so many elements, we just cannot ask to bring the focus to everything. There is the feeling that keeps this close to Virus, another film which showed how Kerala fought against the epidemic of Nipah. Virus was quick to get into action and keep the focus on the core at all times, even though both movies are of almost same length. There are also a number of main actors like Tovino Thomas and Kunchacko Boban who are common to both movies, and there is the realistic touch that remains in both cases. During these days when there is too much of heat, and with similar rain feeling too far away, one might have the feeling of safety again, but one has to remember that this can repeat, and the same heroes, including the selfless fishermen who keep losing everything will come back to save us. The movie’s dedication to them is indeed splendid, as we keep the saviours in our prayers.

The performers of the soul :: Tovino Thomas plays the one true heroic figure in this movie, as he evolves into the saviour without the superhero powers of Minnal Murali. This would be his new highest grosser, going past last year’s Thallumaala. In his hundredth movie, Kunchacko Boban also gets to the hundred crore club after Nna Thaan Case Kodu success, and his role, even though smaller in magnitude, remains of strength. Asif Ali plays the one character that has undergone the most transformation in this film, and he does that without any problem. Lal remains a strong presence as the fatherly figure and fisherman who cares for his children as well as the people around him. Narain’s presence in Malayalam has been too less in the recent years, but his another notable return can be seen here, and he performs really well in this particular role. Sudheesh and Indras come up with emotional performances and shines as the veterans as they have always been. Tanvi Ram is the most notable among lady leads, while we feel that Aparna Balamurali who appeared in the beginning with so much potential was wasted. The sub-plot with Kalaiyarasan-Vineeth Sreenivasan-Gauthami Nair feels forced, even with good performances. Gilu Joseph and Hari Krishnan provides good support too.

How it finishes :: The movie works well as a homage to the many heroes who became part of the rescue operations during the devastating flood in Kerala, and brings the memories of those days right back to us. It would be the most effective for anyone who was in Kerala during this period of time. Good disaster movies have been rare in Indian cinema, and we have had to look towards Hollywood to bring some classic natural disaster on the big screen. But this movie makes sure that there is a better chance for success here. As the highest grossing Malayalam movie of the year, the film has made sure that the industry has managed to gain its life back, as it was Romancham which made the most money during this year – it would have been a surprise for the superstars. Well, a movie which had everyone uniting and becoming heroes to save their world is something that would be supported by everyone, and that explains the fine collections in the theatre. If any of the survivors who came directly out near-death situations watched this movie, they will know how this is a movie which should be cherished for long against the tides of time. Considering its run with audience still very much present for the shows, it is capable of overtaking the collections of Lucifer and Pulimurugan.

Release date: 5th May 2023
Running time: 154 minutes
Directed by: Jude Anthany Joseph
Starring: Kunchacko Boban, Tovino Thomas, Asif Ali, Vineeth Sreenivasan, Lal, Narain, Tanvi Ram, Vinitha Koshy, Joy Mathew, Indrans, Renji Panicker, Hari Krishnan, Sudheesh, Aju Varghese, Kaliyarasan, Gauthami Nair. Sshivada, Aparna Balamurali, Siddique, Janardhanan, Jaffar Idukki, Gilu Joseph, Sreejith Ravi, Rony David, Kalabhavan Haneef, Karunan Pauly Valsan, Shebin Benson, Shobha Mohan, Sreeja Ravi, Boban Samuel, Santhakumari

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@ Cemetery Watch
✠ The Vampire Bat.

Paappan

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Vampire Owl: So, we are going to see Suresh Gopi’s true return.

Vampire Bat: Well, this is indeed the return which we have been waiting for.

Vampire Owl: So, the earlier return won’t count at all?

Vampire Bat: Some returns are more important than others.

Vampire Owl: In some cases, there are too many returns which make it insignificant.

Vampire Bat: Well, this should be the one grand return.

Vampire Owl: We are no strangers to grand returns.

Vampire Bat: Uncle Dracula’s returns would not count.

Vampire Owl: A vampire return is of fine significance too.

Vampire Bat: Not for a vampire that comes alive many times.

[Gets an onion vada and three cups of elaichi tea].

What is the movie about? :: A dead body is discovered in a forest by some youngsters, and it is rumoured to be that of super star Ravi Varman (Rahul Madhav), but turns out to be that of his driver Rajan (Sreejith Ravi) who was the initial suspect for this particular murder. ASI Raghavan (Nandhu), SI Sabu (Abhishek Raveendran) and SI Soman (Tini Tom) are the first two police officers on the scene, and the case is transferred to be handled by ASP Vincy Abraham IPS (Neeta Pillai) under the order of SP Bhaskar Shenoy IPS (Vijayaraghavan). The murder seems to have been committed with much brutality. The evidences including the mode of operation and use of weapon seem to point to a former serial killer Iruttan Chacko (Shammi Thilakan) who is known to choose lone male victims at night randomly. CI Abraham Mathew Mathan (Suresh Gopi) who is affectionately called Pappan is asked to assist in the case as he was the one who caught Chacko earlier after a series of incidents which led to the death of his wife, Nancy (Nyla Usha).

So, what happens with the events here as we just keep looking? :: These incidents which followed her mother’s death made Vincy move away from Abraham, who had taken Michael (Gokul Suresh) and his mother Sussan (Kaniha) under his wing, which complicated things further. Abraham is sure that it is not Chacko who committed these murders, but someone who might be inspired by it. Vincy is married to a thatre artist named Sidharth (Chandunath), and the news that she is pregnant makes things only a little better between them. A retired forensic expert Dr Pattabhiraman (Janardhanan) provides further evidence to Abraham related to Chacko’s case. Things get further complicated when another forensic surgeon Dr Sherly Somasundaram (Asha Sharath) seems to be attacked, and that is completely beyond the facts which the police had figured out. Sidharth is worried about Vincy taking too much of worries when pregnant. Can Abraham, Vincy or anyone find the truth behind these murders? Who would copy Chacko and become a similar murderer just because there is some grudge which has stayed for long?

The defence of Paappan :: The quality which has been associated with the movie needs to be appreciated. It is also a feature of the main characters of the film who maintains a higher level. The movie maintains the thrills and the suspense is present till the end. There is the presence of some fine red herrings around here, and the viewers are kept guessing without exaggerating the elements of strength. The procedure of investigation is portrayed well along with a certain emotional side associated here and there. Some spirit of a few older movies is maintained here. The film is also quick to get going as the murder happens rather too early, and the flashbacks just fit into the forward movement. The visuals are really good, and the area as well as the moments of terror are well-captured. There are no exaggerated dialogues or action being overdone. There is also the importance of maintaining balance between one’s family and duty being asserted, and the reminder that past could always manage to return to haunt all humans. There is the journey away from stereotypes during multiple occasions.

Positives and negatives :: The inability of Paappan to keep the last few minutes effective is rather disappointing, and the revelation of the secondary villain also lacks the same effectiveness in a movie which was going in a classic mode until then. There is the feeling that there are not enough actors to play some of the important roles even with so many big names out there. The fight scenes in the end seem to keep repeating as if in a loop, and we are made to keep wondering if it would ever end – the length of the movie is felt to be long in the last few moments than the longer periods of time when investigation goes on. For a movie like this, the usual ending was not supposed to be the right one. The flashback tale is too weak as we have a look at it. But one could still think about this movie without paying too much attention to the unnecessary details. After all, this is all about the murders, killers and the police officers set to solve the riddle – the basic thing remains to hold on to the strengths without fail.

The performers of the soul :: Suresh Gopi and Gokul Suresh have come together for the first time in a movie here. The return of the former is a grand one this time, and it has the troubles of the previous Kaaval return removed well. He is once again the police officer that we continue to love. The one person who catches our attention more than the others is Neeta Pillai, who does such a fantastic job as the leading investigator of a series of murders. Years after her first work in Poomaram, this is one work which makes her a solid performer above many other actresses who debuted in the last few years. In comparison, the role of Gokul Suresh is smaller, but maintains a fine presence in a role which also makes a difference. Shammi Thilakan’s role is a very much impressive one, and he maintains a realistic side to it. It is always nice to see Dayyana Hameed of Star Magic fame and Yuvam in the small, but notable roles too, but we would hope for more of her. Sadhika Venugopal of Star Magic is also notable here. Nyla Usha’s role in flashback is pretty much okay. Asha Sharath has her moments, while Ajmal Ameer’s role feels forced. Kaniha does the predictable role well.

How it finishes :: We never have enough of investigation thrillers which make an impact with the smartness factor effectively used. The thrillers like John Luther and Twenty One Grams successfully became the murder investigations of quality rising above the more hyped films with murder investigations, like CBI 5: The Brain. This movie also gets to that better level rather than going for the superstar exaggeration which often becomes the biggest flaw of thrillers leading with murder mysteries. There are no shortage of psycho killers who can become part of such movies, as we have had films like Forensic with the murderers who had no true motive, like revenge or hatred. A little bit more of attention could have made sure that this movie could become one of the best of its kind. Well, there are more movies which can come up with similar investigations, and after corona virus pandemic having its say, thrillers have surely done better.

Release date: 7th September 2022 (ZEE 5), 29th July 2022 (Theatre)
Running time: 170 minutes
Directed by: Joshiy
Starring: Suresh Gopi, Neeta Pillai, Gokul Suresh, Asha Sharath, Nyla Usha, Kaniha, Vijayaraghavan, Chandunath, Janardhanan, Nandhu, Ajmal Ameer, Abhishek Raveendran, Tini Tom, Shammi Thilakan, Dayyana Hameed, Sadhika Venugopal, Baiju Jose, Sreejith Ravi, Rahul Madhav, Jewel Mary, Manasa Radhakrishnan, Malavika Menon, Rosin Jolly, Preetha Pradeep, Chali Pala, Nirmal Palazhi, Sajitha Madathil, Srikanth Murali, Madan Mohan, Benzi Mathews, Nandhu Pothuval, Kottayam Ramesh, Sinoj Varghese, Savithri Sreedharan, Sanuja Somanath, Parvathi T, Saniya Babu, Baby Kanmani, Jordi Poonjar, Sundarapandiyan, George Abraham

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<<< Click here to go to the previous investigative thriller review.

@ Cemetery Watch
✠ The Vampire Bat.

Prakashan Parakkatte

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Vampire Owl: I think that they are trying to make the light spread.

Vampire Bat: You are misunderstanding the title.

Vampire Owl: So, humans are no longer spreading the light.

Vampire Bat: They had stopped living in the light a long time ago.

Vampire Owl: You mean living in goodness.

Vampire Bat: Goodness has not graced humans for such a long time.

Vampire Owl: Well, I have always known that humans fall easily.

Vampire Bat: When they fall, they end up very deep.

Vampire Owl: I would say they would go as deep as hellfire.

Vampire Bat: There is no fire that could burn a fried evil human.

[Gets a Little Hearts biscuit and three cups of ginger tea].

What is the movie about? :: Das (Mathew Thomas) is a plus two student who is not interested in studies, and spends time in other activities, leading to him missing classes regularly. He lives with his parents Prakashan (Dileesh Pothan) and Latha (Nisha Sarang) as well as his younger brother Akhil (Ritunjay Sreejith). Das’ best friend is Anwar (Govid Pai) who joins him in bunking class, a process which is repeated on almost all days. They often go to the local town of Mukkom and the city of Calicut without anyone noticing. Nobody believes that any of the two friends will pass the plus two exam, and even the headmaster is not bothered about them leaving the class too early, and encourages them to leave without bothering other students. Das also falls in love with another plus two student, Neethu (Malavika Manoj), but the problem seems that she belongs to a rich family which owns the bus which travels in the same route. She also studies in a private girls’ school, which bothers him. To get close to her, he also joins the tuition centre of Suni (Dhyan Sreenivasan) where Neethu also studies.

So, what happens with the events here as we just keep looking? :: Prakashan owns a grocery shop in the village which is not that much of a profitable enterprise, but as there are not many similar shops nearby, things don’t get that bad for them. His brother-in-law Kuttan (Saiju Kurup) spends his time wasting all the money which is earned from the shop. He is also a youtuber who has a group of people who calls themselves vloggers, but are nuisance to the locals. It is then that things get more difficult, as according to the local leader Raghavan (Sreejith Ravi) warned him earlier, Musthafa (Aju Varghese) starts Madheena supermarket near the grocery shop. Kuttan also supports Musthafa, who is his childhood friend, and the supermarket becomes a grand success. It is then that Akhil meets with an accident, and Das is blamed for the same for his reckless behaviour, especially by Latha who had always preferred her younger son over the elder one. As Akhil requires a surgery and further care, Latha is further angry at Das. Prakshan is forced to take loans from different people as there is the emergency. This turns their lives upside down, with an uncertain future.

The defence of Prakashan Parakkatte :: The movie is set up nicely to bring a tale of the common people who have their own struggles within the family. It never ceases to make one feel like it is a realistic world of simple things. The setting is really good, and there are the usual kind of people which we see around. The movie’s emotional side remains relatable and the struggles feel very much real. The truth about the youtubers who do no constructive things in life is also brought to life here in opposition to people who work hard and still can’t have enough to keep their family going. People who are looking for easy money and their spreading the curse through videos can be seen here. The visuals of this particular world nicely contributes to the overall movie, as the highlands have never really ceased being beautiful in Malayalam movies which explores the common man’s lives and struggles. The songs are good, and the one depicting plus two romance stands stronger. The cast is a really good one, and we can only love these performers going through the realistic mode.

The claws of flaw :: There is nothing new that the movie tries to bring around here. The formula has already been tested and approved, and there is no special ingredient to elevate the level of the film. Sometimes, the movie just seems to move forward without an idea about where it is heading – the direction should have been better planned here. Some of the emotional sides also feel overdone, and predictability is rather high. The ending doesn’t end the movie, but brings a continuation which seems to reflect the usual world. It could have chosen many different paths to reach the final destination, but here we see the safe path being taken instead. Taking risk doesn’t seem to be this movie’s cup of tea. The trailer and the choice of actors and actresses seemed to point to something bigger, but that much is not achieved here. There was the chance for bringing more humour here too, but without enough focus, it is not achieved. Sometimes, one does wonder what exactly the plan is. It could have added more feel-good elements, which had many opportunities to come to the scene – after all plus two life in school also becomes reflection of more opportunities.

The performers of the soul :: Mathew Thomas who had some fantastic performances in Kumbalangi Nights, Thanneer Mathan Dinangal and Jo and Jo has another work to remember here. He has always stood one step ahead of the other actors of his age. Govind V Pai of Parava fame is the one who supports him this time instead of Naslen K Gafoor who has aged a little too much to get back to his plus two avatar, and should be looking for the college roles or the elder brother roles to Mathew and Govind. Dhyan Sreenivasan plays the kind of role which Vineeth Sreenivasan had played with Mathew years ago, and this time, it is a cameo. Dileesh Pothan shines in the father role here, and the director turned actor is indeed the best choice for a role like this. Nisha Sarang of Uppum Mulakum fame joins and suits the role really well. Malavika Manoj is good addition to the role here, and she surely has a fine future ahead – she can join the new group of actresses like Mamitha Baiju and Anaswara Rajan who have had some strong presence early enough. Saiju Kurup nicely plays the typical new generation youtuber who tries the easy path without any hard work.

How it finishes :: Prakashan Parakkatte works just like those nice little feel-good movies following the trend which started with new life in Maheshinte Prathikaaram. The movie also serves as a coming-of-age story, the bildungsroman which works with the first half of life if we consider Premam as the one typical story in Malayalam film industry. The final message about money not being that important in life comes a little bit too late, and it is the kind of revelation which won’t work with people of this age where how much one earns and has in the bank account is considered to be the most significant thing, without which there is no life. One would wonder if the message of being a good person considered more important than money will work in this particular age when society depends on what lies in the bank account. But the movie attempts to provide that message and hope that thing will come together well. In the process, this becomes the usual movie with the common family problems, while being in control of the emotional side.

Release date: 29th July 2022 (ZEE 5); 17th June 2022 (Theatre)
Running time: 124 minutes
Directed by: Shahad Nilambur
Starring: Mathew Thomas, Dileesh Pothan, Malavika Manoj, Nisha Sarang, Govid Pai, Saiju Kurup, Aju Varghese, Dhyan Sreenivasan, Sreejith Ravi, Ritunjay Sreejith, Nithin Sabu, Stevin Bijum

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@ Cemetery Watch
✠ The Vampire Bat.

Meppadiyan

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Vampire Owl: So, this is officially the third Malayalam movie that we watch this year.

Vampire Bat: Yes, Bheemante Vazhi was watched last year, and review posted this year.

Vampire Owl: Well, it was not really that good an adventure.

Vampire Bat: That was indeed a path which shouldn’t have been travelled.

Vampire Owl: I am sure that this one is a better path in comparison.

Vampire Bat: I have travelled through too many paths of similar quality.

Vampire Owl: You only travel through the clouds these days.

Vampire Bat: I make my own path through the clouds.

Vampire Owl: I hope that this movie shows enough of human evil.

Vampire Bat: I have read that this film has enough of that.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Xavier (Aju Varghese), Democratic Malayora Congress Youth Wing President burns down a small hotel namely Ammini tea shop. Even though he is blamed for this, there is no proof for his involvement in the act. At the same time, Jayakrishnan (Unni Mukundan) continues as an expert autombile mechanic who has a high reputation for his skills in the village. One of his best friends is Varkey (Saiju Kurup) is someone who spends his time with alcohol and cigarattes, and also tries all the business activities which don’t work. Still, his wife Annie (Arya) supports him all the time. He also gets into regular fights in bars, and wants to make some easy money. He also runs a small business venture known as Varkey Stores without any responsibility. People say that he has destroyed all the reputation that his father had created, and lost most of the money and property which belonged to his family. But he continues to think big, and hopes to make quick profits. Jayakrishnan is in love with Renuka (Anju Kurian), who is a temporary school teacher.

So, what happens with the events here as we just keep looking? :: Renuka wants him to get a government job and get settled in life, but he is not so sure about it, as he is confident about his abilities. She is also featured in the rank list of the last examination which she wrote. But he feels that by doing what he does the best, he could be successful in life, and getting a government job or going to the Middle East is totally unnecessary. It is then that Varkey and Satheesan (Jordi Poonjar) comes up with a plan to buy the land where the Ammini tea shop was standing, belonging to Yacob (Kundara Johny) and Stella (Nisha Sarang), and Jayakrishnan who requires ten cents of land also becomes part of it. As they decide to buy the land and gives an advance, they are forced to get money for half of the plot immediately as Yacob’s daughter is going to get married soon, and they have made arrangements having this in mind. But Jayakrishnan will only get the required money after a few months, and Varkey’s home and lands are going to be taken away by the bank. Now, they have to find some quick money, but the path which they choose will lead to many complications.

The defence of Meppadiyan :: The movie is a reflection of the common man’s suffering as he is the one who lands in trouble due to all these problems, and the terrible complications which government offices and the government itself brings on. Then there is the reflection of the inherent evil in humans which has gotten bigger in scope due to the greed for money that has cast a pure evil shadow on everyone. It is so close to truth that most probably, after watching this movie, you will no longer trust most of the people around you, as an understanding of evil humanity is provided without a chance to doubt it. I desire to call this the warning movie for everyone, and if you are going to sell or buy something that costs a lot, maximum care is to be taken. The film captures the essence of a village really well, and there are some nice twists which are added here and there, mostly related to problems being added one after the other to trouble the common man. It was only a few days ago that we read about a man who committed suicide due to problems related to his land, and this is also a grand reminder.

The claws of flaw :: The movie’s beginning stages seems to be stretched with a certain amount of predictability, and some parts of the movie can be guessed. Some of the websites about this movie also provided the spoilers without that much of a warning, and there was also an unnecessary controversy created related to that, even though I wouldn’t see any such problem related to that. The emotional side is also a little bit more stretched than how it should have existed here. The female characters could have also had something to do here, instead of being worried for most of the time and depending on the main characters for help. Also, much earlier, the movie was expected to be a thriller, but those elements are very much limited. Even though we do understand the evil which is present in this movie, we should have been able to see its reflection as pure evil, like how we associate them with goblins and orcs – well, even though they belong to fantasy, some of the humans are exactly like them, not that much with appearance, but with what goes on inside. Trust a human, goblin or orc too much, you might be gone forever. The ending could have been better, and not quickly forced like seen here.

The performers of the soul :: Unni Mukundan who plays the main character, just lives as the man, as this seems to be one role which suits him so well. He plays the one man who is determined to get things right for everyone, and we are left to support him above everyone else as he seems to be the only one who doesn’t have any negative shades – those other positive people are all more helpless than him. His character serves as a mortal instrument to understand the evil humanity around us, and this understanding which will prevent us from trusting people again will be helpful to us in future, and considering the same, Unni Mukundan’s performance is a blessing in a fake world of chaos. Aju Varghese plays a good friend who also takes commission, and so not so good – interesting performance there. Anju Kurian’s role is good, but limited in presence. Saiju Kurup plays the usual dumb and lazy person who hopes to get rich by one good deal, but doesn’t have the ability to do that, and once again he is good. Indrans is very much notable in his role. Kottayam Ramesh also contributes nicely, while Kundara Johny and Nisha Sarang also got their moments.

How it finishes :: Meppadiyan‘s basic idea is that most of the people, as well as the government and politics remain evil at all times. It is a perfect understanding of the world that surrounds us. One should understand that in this money-oriented world, there is no hope for good common man, unless he has a huge amount of luck or gets a favour from the heavens. Everyone around you is looking for monetary benefits, and it will be nice if everyone takes the warning out of this movie and be careful with dealing with people all around. Living in this world and trusting humans will be more difficult than ever after watching the film – what we can do is to take the best precautions, for you cannot trust any person, not your friend, government official or the government itself. Everyone is after your money, and these are the kind of people who will beg for cash out of a beggar’s bowl. Along with being an interesting emotional thriller, Meppadiyan works as a warning against the devils that are around you. The movie leaves a doubtful, but really careful person, which will help for your future dealing with those who live around you, as this seems to be inspired from things heard and seen in our world – stay awake to possible evil, and make sure you take no wrong turn.

Release date: 18th February 2022 (Amazon Prime Video); 14th January 2022 (Theatres)
Running time: 122 minutes
Directed by: Vishnu Mohan
Starring: Unni Mukundan, Aju Varghese, Anju Kurian, Arya, Kottayam Ramesh, Saiju Kurup, Indrans, Nisha Sarang, Shankar Ramakrishnan, Kundara Johny, Pauly Valsan, Jordi Poonjar, Manohari Joy, Kalabhavan Shajohn, Major Ravi, Krishna Prasad, Sreejith Ravi, Aparna Janardhanan, Naveen Illath

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Kaaval

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What is the movie about? :: Thamban Maathan (Suresh Gopi) and Antony Joseph (Renji Panikkar) used to be close friends for a long time, but now Antony is left alone at his home with his two children, Rachel Antony (Rachel David) and Alex Antony (Evan Anil). Antony’s health has been failing for a long time, and is troubled by those who had loaned them money, as well as some former adversaries. He wishes to get Rachel married as soon as possible, but it seems like an impossible task, as those who had provided them with money won’t allow that. The local SI Madhu K (Kichu Tellus) doesn’t care about what happens to Antony, as police has always held a grudge against him due to a few incidents which happened many years ago. They are only happy about Antony being at the receiving end of all these troublesome incidents. Head Constable Aravindakshan (Sadiq) is the only person who thinks otherwise, but is helpless. It is evident that the locals will also haunt their family in the name of their past.

So, what happens happens around here? :: Things would seem to go on as usual, but is only a matter of time until Thamban dies and the situation gets worse for Alex and Rachel. During their troublesome past, Thamban and Antony had been fighting against the local bigshot Kuzhiyil Chandy (Suresh Krishna), as well as the police officers SI Muralidharan (Sreejith Ravi) and PC KP Varghese (Shanker Ramakrishnan). Situation continues to go out of hand further, as the whole thing intensifies with retaliations happening all the time. Soon enough, Varghese is found dead, and it becomes a matter of self-respect for Muralidharan and the entire police force. But the cops won’t depend on themselves for the act, as there are many others who are looking to get back to the two. As the intensity of the rivalry increases, Antony is beaten up and has his leg amputated, while Thampan somehow manages to survive the attempt to murder him. Antony’s wife asks Thampan to go away and cause no further problems there, to which he agrees. But now, he will need to make the much needed comeback.

The defence of Kaaval :: When we talk about the movie, it is clear that it is dependent on Suresh Gopi to keep it going. The strength here is all focused on that core on which the structure is built. The movie seems to be made for him to play this character, one which is supposed to make a comeback as he himself is doing here. There are some moments to remember, and those are all related to him making that grand return. The movie also has most of its characters as evil, and it is basically the reality about our world – humanity’s degeneration has been shown to catch our attention, for these are the times when you just cannot trust people who choose to live on hatred towards their fellow creatures. There is also some fine twists to go in the end, and as the mystery is revealed, it is not something you have predicted, even though the same could have been revealed in a more interesting manner instead of just talking about it. The visuals are all beautiful, and one can only love this setting with greenery all around.

The claws of flaw :: The movie follows somewhat the usual pattern that was chosen a few years ago, and such a repetition can be seen as being followed here too. It also does drag, and this much of a length should have actually been avoided. The flashback here is also too weak and pretty much predictable, with a few weaknesses coming in there, as the same also ends rather quickly to let in the newer world. If the movie had released much earlier, its flaws would have been mostly forgiven. We are also predicting too much of the things around here, and that goes for even the dialogues. The strength of the movies like Ekalavyan, Commissioner, Lelam and Vazhunnor cannot be emulated even in a much smaller dose. The film also seems to have been in a hurry to end, as the final moments don’t do justice to all the build-up, for there were so many ways in which the movie could have ended, and none of them are taken. The quick end can now only be justified by a sequel, but one can have doubts about the same. Then there is also the burden of expectations.

The performers of the soul :: Kaaval is the film that marks the return of Suresh Gopi after the much awaited earlier return in Varane Avashyamund – that was not a comeback to his comfort zone though, but we did see the spark returning there. The film here has him returning to his usual style instead of the comic side which was prevailing in that movie which released last year. He has two other similar films coming up in the form of Ottakkomban and Paappan which seems to share the feeling which is not so far away – the two also seems to have more grandeur related to its scope. As we look around here, it is more or less the Suresh Gopi that we have loved to watch in the past – the years haven’t changed him related to what he has been doing doing for sure. Renji Panicker comes up with some fine combination with Suresh Gopi, and the two would have made a fine team if the film was released many years earlier, for the movie itself has elements which could link it to many years ago.

Further performers of the soul :: Rachel David plays the role of the daughter figure, and she has done the same in a convincing manner, with a much better role than what she had on her debut as the leading actress. Evan Anil, the brother of Drishyam‘s Esther Anil also plays one significant role here, which stays as notable. The two youngsters do show some promise, and it is not really that much of a surprise. Among the villains, Kichu Tellus does stay strong in comparison with the others, while Suresh Krishna’s character is dead too early. The film also has its own dose of surprise villains, as the twists related to them are there to be taken, and bring the surprise in the end. There are lots of known names around here, and they all play their parts well enough. You see Shanker Ramakrishnan, Sreejith Ravi, Santhosh Keezhattoor, Padmaraj Ratheesh, Rajesh Sharma and others, all playing fine roles as part of the tale. This never goes short with actors and actresses.

How it finishes :: Kaaval doesn’t bring anything new, but does come up with some additions the memories of the past. It is an entertaining movie, even with some stretching in between. But some advancement according to a new world was surely required, for some innovation in the usual thing can always be taken. With a shorter run-time, and moving somewhat away from the older formula, this could have surely been much better. Even without the same, we can be happy with the grand return that Suresh Gopi has received, and be glad that we are reminded of those movies of the 1990s which we have cherished for so long. With the release on Netflix, we are also able to watch that at a time when the new variant of COVID-19 is threatening to close the theatres again and has us worried. During these troubling times, we are reminded of those Suresh Gopi movies which have entertained us with big action and heavy dialogues. Kaaval is a reminder, and something of that nostalgia that will live forever.

Release date: 27th December 2021 (Netflix), 25th November 2021 (India)
Running time: 148 minutes
Directed by: Nithin Renji Panicker
Starring: Suresh Gopi, Rachel David, Renji Panicker, Evan Anil, Kichu Tellus, Kannan Rajan P Dev, Padmaraj Ratheesh, Muthumani, Sadiq, Sreejith Ravi, Suresh Krishna, Shanker Ramakrishnan, Rajesh Sharma, Pauly Valsan, Chali Pala, Baby Parvathy, Anjali Nair, Santhosh Keezhattoor, Santhakumari, Gilu Joseph, Aristo Suresh, Anitha Nair, Ambika Mohan, Aman Panicker, Jaise Jose, Ajmal

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Pretham 2

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What is the movie about? :: Famous mentalist John Don Bosco (Jayasurya) is spending his time in peace at Varikkasseri Mana a.k.a. Varikkumanchery Mana, one of the traditional Brahmin houses located at Manissery, a village in Ottapalam, Palakkad. Situated in an area of natural beauty in a plot of about four acres, John feels that there is something strange and mysterious about the place. With a history of popular movies being shot there including Devasuram, Aaraam Thampuran, Raappakal, Drona, Simhasanam, Sufi Paranja Katha, Thooval Kottaram, Valliettan and Manthrikan, a group of youngsters decide to come there to shoot a short-film. They are from a Facebook group known as “Cinema Pranthanmar”, which is known to be a perfect place for movie lovers from all around Kerala. This particular adventure could feed the movie lover in them more than anything else.

So, what happens with the events to follow? :: The team is lead by Tapas (Amith Chakkalakal) who comes up with this idea of having a short film. He plans to create this film, and run a premiere after inviting all the members of the group which goes into thousands. Joining him are those members whom he had never met, and used the group with their fake names; the first one to join him is the man known in the group by his fake id Mangalassery Neelakandan, Ramanandan (Sidhartha Siva) who is into hotel business in the Middle East and is a big Mohanlal fan. They are joined by Karuthamma, originally Anu (Durga Krishna) who is a nurse and Shahrukh Khan, originally Niranjana (Saniya Iyappan) who is a professional dancer. The last person to join them in Joffin (Dain Davis) who has run away from home due to personal problems with his father.

So, how does the ghost come into picture this time? :: The problem at the resort of Denny Kokken (Aju Varghese), Priyalal (Sharafudheen), Shibu Majeed (Govind Padmasoorya) and Yeshu (Dharmajan Bolgatty) was one which haunted John for a long time, and here, with the youngsters making the short-film, more trouble arrives, and the supernatural only gets stronger. The youngsters are attacked by some strange forces and nobody seems to know what is happening. Their first guess is that it is the spirit of the person who owned and lived in the mansion, but it turns out that there is more than what meets eye at the first place. There is a connection which is making the spirit act there, and John has to begin with it and reach the end soon, before it is too late and someone gets into serious trouble. But it is not that easy, as the clues are less, and the answer to their questions are somewhere else.

The defence of Pretham 2 :: Pretham 2 is indeed a better movie than its predecessor which had too many terrible jokes, even though the final moments were nice for that one too. Pretham 2 has the advantage in almost every field including its setting and cast. The idea is also smarter here with the social media, internet, fake identity and online frauds at the centre. The messages about the possible dangers of being friends with fake ids and trusting strangers without names are all shown in this particular flick. The mystery is nicely solved here, and there is no exaggeration here with the elements of the other world – the first image of the spirit that we see is in the form of a shadow, and the creature from the other world doesn’t overdo things as the happenings would be in a usual horror movie. The thrills are strong, and there are also some nice jokes – we are left guessing with the suspense factor being very high till the end.

The claws of flaw :: Pretham 2 never really rises above most of the problems of its predecessor, as it follows too similar a path, and the spirit also follows the same pattern, as we see no attempt to deviate much. We would wonder if so many spirits are looking forward to have the mystery behind their deaths investigated. There seems to be no other plan for the people on the other side. Some jokes are just repetitive, especially the talks regarding those old Mohanlal movies. The movie could have also used more scares, as the film itself is marketed as a horror flick, and the name itself suggests the same. The movie could have surely used darkness better, and the ghostly presence itself could have done more, at least when the youngsters were alone. Pretham 2 doesn’t try to frighten people much, and that is not acceptable at a time when Hollywood is running movies like The Conjuring, The Nun, Annabelle, Insidious, Sinister and others.

The performers of the soul :: Jayasurya is back with an avatar to remember, unlike Punyalan Agarbattis 2 and Aadu 2 which struggled to live up to its predecessors with all its characters. His mentalist is a rock solid character, and this time, he is better than last time too. Saniya Iyappan, with her flexible dance moves, is a joy to watch here, and has a clear improvement in acting from her previous movie Queen, which was one of the worst collection of elements deserving not to be called a movie at all. She can certainly bring variety to the Malayalam cinema, as her skills are yet to be used in the best possible ways. Durga Krishna after Vimaanam, gets one nice role to perform, and she does that well. Dain Davis and Sidhartha Siva gets to bring the elements of fun well, even though the latter gets too much of Mohanlal dialogues from those old movies, which become too repetitive. Amith Chakalakkal is very good with his character which is rather solid.

How it finishes :: Pretham 2 holds the advantage over Thattumpurath Achuthan, Ente Ummante Peru and Odiyan for this Christmas, and by being a smart horror-mystery-comedy-thriller, it is many things in one movie. With Jayasurya at the centre as one character who has a certain iconic status, and the new faces like Saniya Iyappan who has become another name for dance, Durga Krishna in her second movie, the crowd favourite Dain Davis and others, Pretham 2 makes the Pretham franchise much better than what it was in the first movie. It also leaves a few messages about the problems due to uncontrolled use of social media by teenagers, the dangers that lie behind the fake ids in Facebook, possibilities of different kinds of frauds by online groups looking for easy money etc among others. Pretham 2 makes Christmas a lot of fun, and I wish you all a very Happy Christmas. Enjoy the holidays!

Release date: 21st December 2018
Running time: 133 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Saniya Iyappan, Durga Krishna, Dain Davis, Amith Chakalakkal, Sidhartha Siva, Sreejith Ravi, Jayaraj Warrier, Aju Varghese (cameo), Sharafudheen (cameo), Govind Padmasoorya (cameo)

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Mohanlal

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What is the movie about? :: Meenakshi (Manju Warrier) a.k.a. Meenukkutty is a die-hard fan of Mohanlal who was born on the same day on which the actor’s first movie, Manjil Virinja Pookkal released. Right from childhood, she used to be that huge a fan of the actor that she couldn’t stand anything said against him – she could only be pleased by things related to Mohanlal. After growing up, nothing changed for her, and she is finally married to Sethumadhavan (Indrajith Sukumaran) who has been in love with her since their childhood times at the same classes in the same school. As Meenakshi just goes on watching Mohanlal movies on the first day first show, and fighting with people who speaks against the actor, the marriage itself seems secondary to her. Sethumadhavan who couldn’t even think about not loving her, decides to keep her happy by allowing this strange addiction which goes over everything else.

So, what happens with the events to follow? :: But things only get worse, and Sethumadhavan decides to end his life by jumping in front of a train. There he meets a stranger (Soubin Shahir) who is sitting in the railway station with his dog. Sethumadhavan tells his story to the new friend who seems to be a little crazy himself. The story begins from their childhood when he develops certain interest for Meenakshi, and to their marriage and beyond. Meenakshi’s interests only get stranger, and it gets to the worst situation with her getting pregnant after a long wait, and them losing their child because of her need to watch another Mohanlal movie on the first day first show. But that wouldn’t change her, and after moving to a new place, there would me more to affect their family life in a terrible manner. How can they fight through this struggle which keeps repeating itself?

The defence of Mohanlal :: There is nostalgia being awakened in this movie, as Mohanlal movies had been defining our childhood. We see a fine beginning to this movie, with reference to Manjil Virinja Pookkal in which Mohanlal made the entry as a villain. The song in the beginning is the best of them all, and sets a fine mood for everything. The scenes involving the children are too good, as they grow up watching Mohanlal in his movies, and the youth also has a few moments during its short existence. It is the first half maintaining a certain level that makes sure that people are very much interested in knowing what is to follow. The movie is also a clear improvement from the director’s earlier movie, IDI: Inspector Dawood Ibrahim. The comedy is also better than the earlier fan stuff movie, Pokkiri Simon, even though there is no twist or suspense to this one.

The claws of flaw :: There seems to be not much care given for the story here, as it is rather too ordinary, with nothing innovative happening, even though there was surely the chance for something special. The reflection of fan stuff is also done in a strange manner. The fan thing is more or less irritating at times, and the length of the movie is also a little too much for such a story which never tries to raise its level. The justification provided for extreme fan worship is even stranger, and never does it seem to bring things together – its ending is rather forced to become a happy one, and the reality, as one would expect, can only be much worse. There was the chance to lighten up the nostalgia with each moment of life, but such a plan is never there. This never seems to have the plan to show a normal fan who has controlled love for the favourite superstar. The first half is some fun, while the second half drags on.

The performers of the soul :: Even though we can say that Manju Warrier is perfectly suited for this role, there will be opinions that the character has been overdone, and is more or less irritating for anyone’s taste. Some of the actions of the character just can’t be justified, and providing justification here would do more harm than good. Coming out of C/O Saira Banu, Udaharanam Sujatha and Villain last year followed by Aami, this character has no strength, no matter into which genre we put this one. Yes, there are moments which stay, and the comic side is handled better in the early stages, while the latter moments never even come close. Indrajith had two thrilling adventures last year in the form of Tiyaan and Lakshyam, both taking different paths, and here we have a change again. He seems comfortable in this role, and he plays the helpless husband facing fan nonsense with no problems.

Further performers of the soul :: Meenakshi, known the best for Amar Akbar Anthony and Oppam, makes the childhood moments memorable, with Vishal Krishna of Maalgudi Days and Annmaria Kalippilaanu fame. Shebin Benson and Krittika Pradeep also have some shorter moments of glory, with latter earlier being seem in Aadhi as the girl who admires the leading character. Soubin Shahir provides some fun, but the character never really suits this movie. The same can be said about Salim Kumar who has too short a role, which makes no contribution to the overall story. Even Aju Varghese who plays a major character has the role being given less attention, with ineffective jokes – Hareesh Perumanna is also wasted in a small presence. There are many characters, with faces that can be recognized easily, but most of them seem to be present for the sake of being there.

How it finishes :: This is the movie that needs Mohanlal to fuel it, but it doesn’t deserve the star due to the ordinary stuff that it provides in the name of an extraordinary actor. When you name a movie Mohanlal, there is a certain expectation about keeping a level, but we see that it is the only thing this one tries to focus to bring the fans. We do feel those movies with which we grew up with, and at the same time, we keep wondering if this is the best tribute that was there to be watched. After all, this is Vishu, and we Keralites deserve more. This year had many movies, but as of now, it has been struggling to catch up with the flicks which released last year during the same months. Is this the loss of creativity around here, or because the big ones are yet to come? We will see that, and until then, Mohanlal might be the movie that families can enjoy up to an extent along with some Mohanlal fans, depending upon what you are looking for.

Release date: 14th April 2018
Running time: 140 minutes
Directed by: Sajid Yahiya
Starring: Manju Warrier, Indrajith Sukumaran, Aju Varghese, Krittika Pradeep, Baby Meenakshi, Shebin Benson, Master Vishal, Unni Krishnan, Salim Kumar, Soubin Shahir, KPAC Lalitha, Hareesh Perumanna, Sreejith Ravi, Anjali Aneesh, Siddique, Balachandran Chullikkadu, Pradeep Kottayam, Riyas Doha, Sudhi Koppa, Sunil Sukhada, Manoj Guinness, Sajan Palluruthy, Kottayam Nazeer, Anjana Appukuttan, Praseetha Menon, Sethu Lakshmi, Asha Aravind, Unni Rajan P Dev, Sreya Remesh, Molly Kannamaly, Prithviraj Sukumaran (voice)

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Punyalan Pvt Ltd

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What is the movie about? :: Joy Thakkolkkaran (Jayasurya) was going through a good run with his business of Punyalan Agarbathis, until a series of misfortunes strikes his life, beginning with the death of his wife Anu Joy (Nyla Usha) due to complications related to delivery. It is soon followed by the bank sequestrating his business due to his inability to repay the loan taken. This leaves his best friend and right hand Greenu sharma (Aju Varghese) on a journey to the Middle East in search of a job. Abhayakumar (Sreejith Ravi) is still left there as his driver, and Advocate Peerthanesh (Dharmajan Bolgatty) is his lawyer and the new best friend. They plan to create a new venture, and this would be Punyalan Water, a substitute for the usual mineral water in Kerala, made in an innovative style. But his problems are only beginning, against the system, including the road transport corporation and the city corporation itself.

And what is to follow in this particular adventure? :: As the system seems to stop himself from becoming the businessman that he has always wanted to be, a bankrupt state awaits him. But he decides to fight against it. This would bring him face to face against Shakthan Rajashekharan (Vijayaraghavan), the Chief Minister of the state whose fate is to be decided by the upcoming by-elections, as one seat at Thrissur is all that matters in a close call with the total number of MLAs. With Joy’s challenges going viral in Facebook, and his ideas becoming popular with the common man, the Chief Minister is forced to come live on Facebook, and make a declaration, that would lead to the sequence of events, which have the strength to change the path in the elections. But the question remains if Joy’s new adventure in the business field can be successful in one way or the other!

The defence of Punyalan Private Limited :: There is some motivation to be taken from this movie, regarding the need for the public to be aware of certain things in a democracy, including their own power. At these times when there is so much of debate on so many things both in the state and the centre, this movie becomes very much relevant. There is some humour which has been powered by sarcasm, even though some jokes just go around aimlessly reaching nowhere. At the same time, the movie keeps coming up with more and more ideas, and uses its cast to make things better. You see that the idea here is a much needed one for these times, even though not that strong with how it is executed, with the courtroom scenes also not being strong or funny not going on a path like Jolly LLB. If you liked Punyalan Agarbathis, I don’t see why you shouldn’t watch Punyalan Private Limited here. There is the feel-good factor, and some nice visuals of Thrissur too.

The claws of flaw :: One will notice that there is more dialogues and less action in this movie, and you will also notice that most of the things here might not happen at all, under any circumstance – the common man’s chance is rather too far away. There is also the lack of strength with many arguments around here, and a smart twist doesn’t happen with the protagonist – even when there was the chance to bring the big surprises, they are not there to be seen. The much needed depth is missing here with the tale, something which a political satire could claim to have, in order to reach better heights. The idea was rather limitless, but what comes on the screen is not. We also see the lack of any memorable female character in this movie, as only one who comes close to being the female lead is Arya herself during her short presence as a reporter. Nyla Usha’s character is dead, and Rachana Narayanankutty is replaced by Dharmajan as the lawyer.

Performers of the soul :: Jayasurya is once again the one who leads the way, and he has this character played with ease. No matter how the movie fares at the box-office, this character is certain to remain with that strength which it has always had, for that much is clarified with this performance. Sreejith Ravi and Dharmajan are the ones we are supposed to look out for here, as far as the comedy is concerned, and they do deliver, but the same level is not managed until the end. Aju Varghese is sadly limited to a few video calls here, as he arrives and leaves through video chatting. Meanwhile, Vijayaraghavan shines on the other side, as the politician who is interested in nothing other than playing political games to stay glued to his Chief Minister seat – it is something which he has played before with success as we all know, but it suits him very well this time too. As I have already made it clear, there is no female character worth mentioning other than the one Arya plays.

Soul exploration :: There are so many things that the movie criticises, including the terrible condition of the roads, lack of safety for women, irritating situation brought by demonetisation, troubles in beginning a new business venture, pathetic attitude of politicians and the influential towards the common man, compulsory national anthems in cinemas, dumb social media trending, misuse of public funds, inability to eat or drink what one wishes to, hypocritical approach towards public cleanliness, exploitation in the name of taxes and tolls, laziness of the government authorities in doing their jobs and many more. The idea seems to be to criticise almost all parties, the politicians as villains who don’t care about the public at all, and it doesn’t begin or end with one person or one party, in one state, or at the national level. The movie takes on almost everyone, from one end of politics to the other.

How it finishes :: Punyalan Private Limited has been the movie that so many people have been waiting for, after the success of Punyalan Agarbathis, and while the sequel to Aadu Oru Bheekara Jeeviyanu has been a much awaited one for the new generation, this movie is something which everyone, especially the family audience have waited for. It is also surely a waiting long above an over-hyped, over-slow-motion, copied flick’s sequel which has all style and zero substance, recently being talked about rather too much that needed, in those troll pages. This has actually been a little too long a wait, and Punyalan Private Limited has surely delivered something even when the void stared at it, but not that much as one would have wanted to, after this long period of waiting. But, when we look at the two movies separately, this one surely is close enough to the first one, and it gets there without that much of a trouble.

Release date: 17th November 2017
Running time: 129 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Aju Varghese, Dharmajan Bolgatty, Vijayaraghavan, Guinness Pakru, Sreejith Ravi, Prem Prakash, Ponnamma Babu, Sunil Sukhada, Vinod Kovoor, Guinness Pakru, Vishnu Govind, Jayaraj Warrier, Arya Rohit, Sathi Premji

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thrissivaperoor Kliptham

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What is the movie about? :: David Pauly (Chemban Vinod Jose) and Joy Chembadan (Baburaj) have been enemies since childhood. There was a certain incident over a girl in their school which had turned the two against each other on an eventful rainy day. The two have fought each other for so long that the city of Thrissur knows their rivalry very well, and knows what would happen if the two were to come face to face. With Joy being accused of messing up David’s betrothal ceremony, the latter decides that it is time to settle the scores by dealing the final blow which will be fatal for his opponent from school days. For the same, he calls up his friends, but ends up being in a fight with Joy’s hired goons. It is during that time that Girija Vallabhan (Asif Ali) enters the situation. He is a young man who lives in the outskirts of Thrissur city, and is in a struggle with his uncle Chandu Menon (Sunil Sukhada) who doesn’t allow him to take the profit from their family property, or sell it.

So, what happens with the events to follow? :: Bhageerathy (Aparna Balamurali), a bold and angry young lady and auto rickshaw driver also become part of their lives, as she is seen almost everywhere in the city. Vallabhan who visits the city, also ends up meeting her, as well as David, as part of some not so pleasant events. He decides to join the gang of David, and after being hit by a flying stick during a fight between David and Joy’s team, gets the chance, and he has never been happier. But it is short-lived, as they are caught by OK Sehladhan (Sreejith Ravi), who is a friend of Joy, and had studied in the same school. After getting out of the police station, the gang decides to have revenge on Joy by messing up his jewellery shop inauguration, for which he has invited a famous movie star from North India, Nilina Mehndi (Shilpi Sharma). With no chance to match up with Joy who deals with gold, David’s team tries to use both brain and brawn to mess up the enemy. But are they good enough for that?

The defence of Thrissivaperoor Kliptham :: There is some nice humour in between here, which brought the theatre alive on a number of occasions. We see a lot of interesting moments in the early rivalry between the characters, and the first few minutes are among the best, and this one surely knows how to begin nicely, and catch the interest of the audience early enough. You will find even a few messages in this one, which come at the end. There is the need to forgive, and the realization that what you are luckier than you think you are, in life, and those who are deprived of what you have, are so many – a few things which we wanted were just trivial; the movie asserts. The first half is superior to the second by a long way, and the expectations are high at the interval. An effort at feel-good elements is also there by the end, when you look closer. The visuals of the city are really good, as the essence is nicely captured here. The songs are just okay, and there is not that much to gain there.

The claws of flaw :: There is the curse of the second half which troubles this movie, and the problems begin right when the latter half starts. It seems to be everywhere, not certain about which direction it is heading to. Even in the climax, except for coming up with that message for not just the audience, but also for the characters in the movie which undergo change, there is not that much to talk about. There is also the presence of some irritating sequences, and also those which could have been just avoided – that way, the movie could have gone with a run-time less than two hours, making this a little, funny movie with a message in the end. One also has to wonder where this movie would have reached if it had maintained that funny side it had displayed in the first few minutes – but Thrissivaperoor Kliptham had chosen to be cursed in the second half, and it had to come down; which sorcerer or witch had cursed a movie which had so much potential? Well, it might be a wizard that we don’t know.

Performers of the soul :: Aparna Balamurali is surely having a nice run, with fine performances in Sarvopari Palakkaran and Sunday Holiday already in the theatres with a fine feel-good run, extending from her work in Oru Muthassi Gada and Maheshinte Prathikaaram. Here, once again, she is good, playing a strong character, and she successfully rises above the flaws in making of the character – she also has rather less presence here with the focus being on the gangs. Asif Ali’s adventure goes back to Adventures of Omanakuttan and that smaller role in Take Off, and Avarude Raavukal. Both Asif and Aparna had their combination working in Sunday Holiday. The point to be noted here is that despite him being claimed as the hero, he is not really one, and as the hero who is not really the hero, he has nicely managed his work in the movie. Shilpi Sharma has less presence here, with a few scenes and one song, and looks very good throughout, in her first Malayalam movie.

Further performers of the soul :: Chemban Vinod Jose continues his journey through Thrissur which was going great in the satirical fun movie Varnyathil Aashanka. One can say that he is the one hero that this movie has, more heroic in character than anyone else. It is him who deserves the best applause in this particular flick, whether it is about the serious scenes or those funny moments – these days, whatever be the character, we love to have his presence. Unlike a few years ago, we see very less of Baburaj in movies these days, and it is very good to see him back, and for some reason, he is also given lesser of the funny side. You will also find Vineeth Mohan of Adi Kapyare Kootamani fame here in a good, smaller role. Rony David and Irshad provides some good company to the protagonist, while Vijayakumar and a few others nicely work on the other team. Rachana Narayanankutty and Zarina Wahab are in one scene each, and if you miss those scenes, you miss them.

How it finishes :: Movies based on Thrissur has been many more this year, with Georgettan’s Pooram and Varnyathil Aashanka there with this particular movie, and even Sarvopari Palakkaran was set mostly in Thrissur despite beginning from the Kottayam side; Jomonte Suvisheshangal was also based there. Among all these movies, this is surely the movie which has captured Thrissur in the best way. After drawing some good audience even further away from the city in which it is based, there is something about this movie that has attracted the audience to watch it. Thrissivaperoor Kliptham is surely a movie which could have improved itself in the second half on its journey towards the climax, but beginning so well, and with help of humour, this one manages to keep itself as a movie which provides some entertainment, and the performances from the cast support the whole thing very well.

Release date: 11th August 2017
Running time: 139 minutes
Directed by: Ratheish Kumar
Starring: Asif Ali, Aparna Balamurali, Chemban Vinod Jose, Shilpi Sharma, Vineeth Mohan, Baburaj, Vijayakumar, Rachana Narayanankutty, Rony David, Zarina Wahab, Sunil Sukhada, Jayaraj Warrier, Sreejith Ravi, Sudheesh, Meghanadhan, Nandhu, Irshad, Neeraja Rajendran, TG Ravi, Sneha Sreekumar, Manju Sunichen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Basheerinte Premalekhanam

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What is the movie about? :: Somewhere around the city of Calicut, at some point during the 1980s, there is a village which uses its only radio, that is owned by Hussain Haji (Joy Mathew) who is also the Panchayath President, for entertainment. Everyone from the village , without any discrimination according to their social status, religion or caste, usually goes to his house to listen to the drama performance which is a usual thing in the radio during the later evening. They all sit on the verandah with the radio in the centre, listening to the performances. One day, Usman (Manikandan Achari), Hamid’s sister’s son who is in Dubai, sends them a black and white television. He is also supposed to marry Suhra (Sana Althaf), Hamid’s only daughter who is studying in the second year of BA English Language and Literature at the nearby college. The arrival for the television changes things at their home as well as the whole village which has its first television.

So, what happens with the events to follow? :: Now, everyone is at Hussain’s house again, but this time to watch television. But nobody knows how to make it work, and for the same, they call for Basheer (Farhaan Faasil) to connect and begin the show for the whole village. There are still people who oppose the same, as it makes everyone sit in front of it for such a long time – but there is a change in the situation of the village, something which nobody can deny. Hussain is proud of being only house in the village to have a radio and a television. Meanwhile, Basheer falls in love with Suhra, but it is clear that Hussain will only marry her off to Usman when he returns from Dubai. Basheer who is from a simple family, seems to have no scope in getting the girl. With only her grandmother (Sheela) in support of the relationship, Suhra will have trouble in making her relationship with Basheer go on. Who will support them and who will support the most influential man in the village? What effect will Basheer’s love letter to Suhra bring?

The defence of Basheerinte Premalekhanam :: There is something about the romantic movies set in the eighties and before – it has a lot of nostalgia with simple humour related to the life style of the people of the time; kids up to those till the nineties would relate the best to it. There would also be those emotional moments concerning people who are more of common men than anything else. It is on the emotions and the humour that this movie seems to rely on, and it keeps working nicely, here and there. There is the simple romance of those times getting the strength here, unlike movies like Ennu Ninte Moideen which made things complicated, Anarkali which made it the visual stunner and Annayum Rasoolum which made it a terrible drag that never ended. The simple people and everything simple about them, remains the strength of this movie. There are also some nice songs to go with it, and the romantic saga is established between the two youngsters – thus, the love letter is ready with some good visuals of the village, but has nothing new.

The claws of flaw :: The strength of the romance depicted in this movie is something which is disputed, because the scope for more is missed out. The secondary tale of romance is actually more striking, and that is a surprise because it is there only in the end for a few minutes only. For a romantic movie which tries to use the name of Vaikom Mohammed Basheer’s Premalekhanam not just in the title but also inside the movie could have done more during this age. It is the title itself which leads to the higher expectations, which would clearly work against this movie in more than one way – not enough for the older generation inside the movie, and not much for the younger audience even in the title itself, except for the Malayalam literature lovers who are a group which are decreasing in number. The theatre didn’t seem to have called that many people either. A better tale of romance, with more depth in the story would have helped this one for sure. Some characters are also less developed.

Performers of the soul :: Farhan Faasil and Sana Althaf are two people who haven’t really got enough with the Malayalam movie industry – they never really had enough of those movies to show their calibre. Rajeev Ravi’s Njan Steve Lopez, the debut movie and the only other movie of him had the former as a famous name, and this happens to be only his second film – here he is in a look that resembles Kunchako Boban; got confused myself when I saw him in the first song which was released long ago, he does okay here, and the role is still not that interesting as his earlier movie. Sana Althaf’s Mariyam Mukku was quite the disaster that nobody would want with the first leading role, and she was seen only in a small role in Rani Padmini after that. She is the cute presence here, and manages to do her role with the necessary elements for the character, not more or not less. She is someone capable of repeating the cute Nazriya act of Om Shanthi Oshana and Bangalore Days in her absence. They look good together, no doubt about that.

Further performers of the soul :: The one person who leaves the biggest effect on us, is Manikandan Achari, known for the power-packed performance in Kammattipaadam and the strong comic side displayed in Alamaara. Here, he once again shows how good he is, with the emotional sequences as well as the funny side – when the protagonists’ love story gets less from the emotional side, his tale of love gets all, and elevates this movie. Sheela also comes up with a performance which will remind us of her Kochu Tresia in Manasinakkare, but it is not that much when you look at both movies. Madhu’s presence good, but could have been in some other way as real part of the tale – same is the case of Indrans. Joy Mathew scores big time in the movie too as the father. Hareesh Perumanna and Noby Marcose gets some nice humoruous lines, along with the others including Shivaji Guruvayoor and Sreejith Ravi who make it a combined effort. The other two actresses, Renjini Jose and Asha Aravind also make their presence felt. Aju Varghese also makes a cameo which feels rather unnecessary.

How it finishes :: Basheerinte Premalekhanam is a movie which had a lot more possible with its content, but is a fair thing as it is. It is to be noted that the three other Malayalam movies, Tiyaan, Sunday Holiday and Thondimuthalum Driksakshiyum haven’t really stopped the hunt, and are still in the game. There are also the other new releases, including Minnaminungu – The Firefly which won Surabhi Lakshmi the National Award for Best Actress, Team 5 starring Sreesanth who gets into another area other than cricket and music, Pulimurugan getting its much awaited 3D release, Theeram which already has its name among the superhit songs and a lesser known horror movie known as Mythily Veendum Varunnu. The point to be noted is that none of these movies got any superstar from the Malayalam movie industry – maybe with the recent incidents related to actors’ real life, they are all waiting. Until then, this one brings the feel-good factor.

Release date: 21st July 2017
Running time: 130 minutes
Directed by: Aneesh Anwar
Starring: Farhaan Faasil, Sana Althaf, Renjini Jose, Sheela, Madhu, Manikandan Achari, Noby Marcose, Joy Mathew, Sooraj Harris, Shanavas, Sunil Sugatha, Sasi Kalinga, Hareesh Perumanna, Sreejith Ravi, Sivaji Guruvayoor, Indrans, Asha Aravind, Ponnamma Babu, Aju Varghese (cameo)

PS: You might also want to check out a cute Chinese romantic short-film, The Story of 90 Coins.

@ Cemetery Watch
✠ The Vampire Bat.

Godha

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What is the movie about? :: Anjaneyan Das (Tovino Thomas) is an engineering graduate who spends most of his time playing cricket at the local ground as part of a cricket team lead by the local party leader Vijayan (Sreejith Ravi). Supported by the local youth including his own cousin brother Balan (Aju Varghese), they try to play the game on the ground with a lot of cricket craze even though they keep losing the matches. But the same is not possible during presence of the man they call Captain (Renji Panicker), a former wrestler who lives in the memories of those wrestling matches, and doesn’t let anyone play any other game on the ground. He is also the father of Anjaneyan who had dreams of making his son a wrestler too, but that didn’t go on well too. There is a certain fight going on between a new generation of cricket fans and the old generation of wrestling fans who wish to see their favourite sport brought back from the ashes.

So, what happens next? :: Captain who had enough of all this nonsense from his son that he forces Anjaneyan to go and pursue engineering post graduation at Punjab University, something which his reluctant son finally decide to agree to, and travel to the north. He does find things rather strange there, and just survives without getting beaten up due to his desire to have porotta and beef roast. But what catches his attention more than the rest of the things there is Aditi Singh (Wamiqa Gabbi), a girl who beats up almost everyone there. They become good friends until there is an incident involving Aditi and her brother who is a police officer there, and Anjaneyan comes back home much to the dismay of his parents. He gets back to his usual life until he gets a call from Aditi who had reached the railway station near his place.

And what follows the events? :: Aditi is also full of an intense desire to wrestle, for which her family doesn’t allow. Her brother had decided to marry her off to someone so that this craze for wrestling could be taken out of her, which is the reason why she has left Punjab and reached Kerala. Initially, Captain doesn’t want her presence in the place, but things change as he understands her passion for wrestling, and decides to help her to achieve her dream. Aditi starts training under Captain, and despite the initial problems, manages to get to a major tournament and win it, expanding the horizons of the dreams. But it is not just the Captain who is inspired by her dreams, as Anjaneyan also has his own memories of wrestling brought back to him due to the same. But will she finally be able to get the best out of her dreams for herself as well as the people around her?

The defence of Godha :: One quality that Godha has retained from the same director’s Kunjiramayanam is its quality in simplicity; as we look through these two movies, we see simple things made beautiful or memorable. The latter was all about making its comic side more and more effective while the former here works on delivering the inspiration on the big screen. In a world which is being swallowed by those sporting events which has more money and bigger heroes, there are the sports other than cricket which struggles to find a path towards attention, and Godha has certainly caught your eyes and brought it to something which is more than just WWE which at least has fans of entertainment. This movie lasting just two hours is nothing short of a full-length entertainer, as there is something to laugh or something to make you smile throughout its run. The same makes this movie a cent percent steady flick from the first scene itself.

Positives and negatives :: The humour is really good with this one, and those scenes providing goosebumps as well as the emotional side – all remain strong right there. The mixture of things is certain to attract all kinds of audience, as we have something for everyone in this quality mixture. The songs as well as the background music are really good, and the same can be said about the visuals, all keeping the level of this movie high. There might not be anything that huge with the tale here, which once again has its protagonists getting inspired to achieve their dreams, but in the end, it is all about dreams, isn’t it? Maybe people will need more seriousness concerning this kind of a topic, and the predictability is present for this movie too. There were cynics who thought that such a theme couldn’t be developed that well in Malayalam – but this one should make them take back their words. There was also the scope to make this one rather longer, as the audience did seem to want more. In a nation which avoids too many sports in favour of cricket, we just need more of such movies, even if the inspiration might feel repetitive later.

Performers of the soul :: The spirited cast of this movie is lead by Wamiqa Gabbi who, without doubt, brings unparalled charm here. There is something about the way she elevates the movie as the determined heroine – she has certainly made a huge impact with the audience as it was clear in the theatres. The determination in her eyes, and her performance within and outside the sport will be in your minds for long. Those who follow Bollywood will remember her for the work in the movie Sixteen, an underrated movie which deserves to be watched by more. Meanwhile, Tovino Thomas gets even stronger than Oru Mexican Aparatha with a role that brings more than one shade of him, and there is some nice skill in how he plays the second fiddle to Wamiqa when needed, and even to Renji Panicker’s powerful character when there is the need – it is the neat, and the right performance that he brings here, after the smaller role in Ezra and Guppy which deserved more. He also shines in the comic sequences mainly with Aju Varghese, and also with that long line of actors from Hareesh Perumanna and Dharmajan Bolgatty to Bijukuttan and Kottayam Pradeep.

How it finishes :: Godha has been in the news for some time with some wonderful music released, an interesting trailer, and having both Tovino Thomas and Wamiqa Gabbi as guests at Badai Bungalow programme on Asianet in one of its most entertaining episodes of all-time. So, the expectations were there, and the movie delivers. Basil Joseph’s last movie Kunjiramayanam, his debut flick was a huge laugh riot, and this one goes on to become more than one thing. Godha is your inspirational fun-filled entertainer which is also a sports drama. It required some special skill to keep all the elements working for this flick, which is a wonderful mixture – but everything is taken of with precision, and we have the final product as something which seems to have a fine invitation to make us go through and watch again at least once, a quality which was there in very few entertainers of this decade, most notably, Maheshinte Prathikaram.

Release date: 19th May 2017
Running time: 120 minutes
Directed by: Basil Joseph
Starring: Tovino Thomas, Wamiqa Gabbi, Aju Varghese, Renji Panicker, Bijukuttan, Mamukoya, Pradeep Kottayam, Hareesh Peradi, Hareesh Perumanna, Sreejith Ravi, Dharmajan Bolgatty

@ Cemetery Watch
✠ The Vampire Bat.

My God

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What is it about? :: Sam Thottumkal (Master Adarsh) is a kid with many problems in his life. When we are introduced to him in detail after a song, we understand that he is taken by the police into the juvenile home for murdering his own father Thomas Thottumkal (Joy Mathew). The parish priest Father Vadakkan (Sreenivasan) desperately tries to get him out of trouble, but his own family members don’t want him as they feel that he stabbed his own father. Meanwhile, Aarathy (Honey Rose), a social worker who spends time with children decides to take the boy’s case seriously. When her husband, a successful businessman from the United States, Aadhi (Suresh Gopi) arrives in Kerala after a long time, it turns out that he knows the boy very well. The husband and wife team decides to influence the boy’s life in a good way.

What is it actually about? :: The flashback is about Sam’s troubled childhood. He is a late arrival as the third child of his parents who wanted to have no more than two children, and he grows up listening to the stories that his own mother (Rekha) wanted to murder him before he was born. His father has absolutely no opinion about him as he scores less in examinations and does well in the other activities like painting, elocution, writing and some more creative work. His mother doesn’t really care about him as he is the unwanted child. His brother and sister are engineers working in reputed IT companies outside Kerala and are earning high salary; the former thinks that he is a good for nothing idiot who deserves no love and the latter is only sympathetic to him because he is of no good. His only hope is an aunty Alphonsa (Lena Abhilash) and Father Vadakkan.

The defence of My God :: Here is another movie to make you think, and you can keep the thoughts and the received messages for long. The emotional side of the movie is strong and it will undoubtedly touch your heart. There are dialogues which you can take home from here, and even if you leave them behind, at some point of life they will surely return to you. The movie is going to be effective for all kinds of audience too, not just the family, and not just the children, youth or parents – it has a much wider scope. It is a story of people and their dreams right from their childhood – no, not ambition, but dreams as something with wings and not that random thing which students answer when teachers ask about it. The movie inspires you to be better, for some people to be better humans with respect for the dreams of others and the rest to be better dreamers.

Claws of flaw :: The beginning of the movie seems to be a struggle, as a start like Philips and the Monkey Pen is not achieved here. In comparison, this one might be mostly behind, but with the emotional strength, My God is powerful. Too many brands shown in the movie rather than incorporating it to it, will make the audience feel strange. There are also some weak moments here and there, and the songs also don’t provide the desired effect; the film does overreach and often forgets its limitations and the area of strength – but what you gain in the end is a lot bigger, and the ending with Suresh Gopi and Sreenivasan is something that elevates this movie to a higher level. In the end, the movie’s strength is not its story and it is not the totality of things, but in the idea and how emotionally powerful the core happens to be, and how it is brought to the viewers. It also depends upon how you are able to take the inspirational movies and the flicks with messages because it is what this movie is about.

Performers of the soul :: Master Adarsh who plays the central character, the kid in trouble, does a good job, and the other children also support very well – it is a very nice thing to witness. The movie’s strength undoubtedly improves with the entry of Suresh Gopi, especially after the interval. The first half has only a smaller screen presence for him, but in the second half, he becomes the big man who brings the change. There are some striking dialogues from him which will stay in our minds for a very long time. There is no doubt that he raises the level of this movie after he arrives and makes sure that the second half outshines the first, and also finishes well. I can recommend nobody better for this type of a role, as Suresh Gopi has our attention and captures our emotions with this performance.

Further performers of the soul :: Sreenivasan in the priest role adds some extra feel-good factor to this movie, as he reflects a guardian angel here. We don’t usually see Sreenivasan in this kind of a role, but this one has suited him very well. He isn’t a person who comes to our mind when we think about the priest roles, but from now on, he might be. Joy Mathew is really good as the father character who doesn’t like his son’s choices; he leaves a very tough impression. Honey Rose does her job well. Lena Abhilash plays the one symbol of hope in this movie really well. The roles of the rest of the actors are limited, and only a few leaves any impact on the audience, as the focus is so much on three, Suresh Gopi, Sreenivasan and Master Adarsh, who manages their side really well.

Soul exploration :: There has been a good number of inspirational movies this year with Mili and Rani Padmini gaining positive reviews with the female-centric stories while the story of a man who rises above his disability, Su Su Sudhi Vathmeekam is still running successfully in the theatres. We have always accepted movies with messages and Philips and the Monkey Pen with a child as the central character had gone on to become a big success in the year 2013. My God follows the path of these movies and tries to bring a message and a lesson along with being inspirational in nature. The best thing about this type of movies is that they will make an impact one way or the other, and will bring some change in the minds of some people now or later when the viewers watch it again. So, are you going to watch this movie on the weekend? Do you accept the dreams of your child, and allow them to follow the same?

Release date: 4th December 2015
Running time: 129 minutes
Directed by: M Mohanan
Starring: Suresh Gopi, Honey Rose, Joy Mathew, Sreenivasan, Master Adarsh, Lena Abhilash, Rekha, Sreejith Ravi, Indrans, Devan, Praveen Prem

mygod

@ Cemetery Watch
✠ The Vampire Bat.

Urumbukal Urangarilla

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urumbukalurangarilla.

Vampire Owl :: I see the title about ants not sleeping. I have to say that just like them, neither do we sleep at night.

Vampire Bat :: But I do sleep most of the night.

Vampire Owl :: What? Why do you sleep that much? We, vampires are not supposed to sleep that much at night.

Vampire Bat :: You should actually think about it. Lady Death and her evil twin sister have stopped walking around at night after someone said that it is against our great tradition. After we made a pact with them related to the blood and souls of the dead people, it is useless for us to walk around at night because anything we do could be a violation of that agreement.

Vampire Owl :: Oh! That is very sad. I don’t really read newspapers and listen to news because they are so depressing. I was hoping to go on a blood dinner with Lady Death some time.

Vampire Bat :: You can go for a dinner with her in the morning. Choose to follow the time zone of some other country which has night at that time, and call it a dinner.

Vampire Owl :: This is so complicated! I hope that there are exemptions at the graveyards!

Vampire Bat :: Zombies there got no brains. We should contact a yakshi so that more information can be obtained.

Vampire Owl :: But what bothers me a lot is if the ants really sleep?

Vampire Bat :: We shall send a message to their world to confirm.

[Gets the tickets for the movie].

What is it about? :: A man called Manoj (Vinay Forrt) meets a retired thief and master of the art, Kelu (Sudheer Karamana) who decides to help him in becoming the awesome thief that he could be. As Kelu has retired from the profession, he asks his former disciple and another experienced player in the field, Benny (Chemban Vinod Jose) to guide the new thief on his way to becoming the pride among the thieves. Benny is a man who keeps certain principles related to stealing. On his way to finding the new tricks, Manoj will know more than what he needs to, but it will prove necessary, as there more than one thing to accomplish for him. They will meet other thieves like Rajappan (Sreejith Ravi) specializing in robberies during the rainy season and Karlose (Kalabhavan Shajon) who will do anything for the riches. Sheela (Ananya) will also have an interesting role to play in these situations.

The defence of Urumbukal Urangarilla :: The interest of the audience in this movie should begin with the name of this movie itself, and there is a certain skill in how ants are made related to the main protagonists; I can’t dare to say that the process is complete, but there is a good finish to the “ant world” in the end. The story nicely begins and ends with most of the things that come in between justified. The climax sequence is the strongest point of the movie, and the flick also successfully leaves the audience with some interesting messages about being good as well as how evil gets punished in the end; the cast nicely supports the same with their dialogues. There are moments which give the audience more hope, for sure. The thrills, even though not there through most of its run-time, makes a fine return by the end.

Claws of flaw :: With such a talented cast around, one has to surprised that a lot of comic moments and opportunities to create such situations go missing. The movie is also too long and comes up with many uninteresting sequences which can’t be enjoyed by people who regularly watches movies. There are so many half-baked moments in this movie, which makes it struggle, and even drag. This movie which lasts just a little less than two hours and twenty minutes should have been limited to about one and half hours after removing some of the unnecessary sequences. The songs are not at all interesting, and just elongates this movie further. It is certain that this movie wanted to be Sapthamashree Thaskaraha, but couldn’t be there because of the clueless feeling here and there. The situations to create fun just disappear too quickly!

Performers of the soul :: Even with not that many opportunities to make the audience laugh as in Sapthamashree Thaskaraha, Chemban Vinod Jose manages to do so all by himself; he makes the wonderful thief yet again – still one ends up wishing that the character was used a lot better to evoke laughter as the chance was there. Vinay Forrt comes up in a different role here, and manages things with ease. Aju Varghese has a smaller role even though bigger than what he had in Jamna Pyari, and he does that well. Ananya remains strong even though her presence is limited to the beginning and the end. Innocent has a smaller presence and so does Sreejith Ravi. Kalabhavan Shajon makes a late entry into the movie, but leaves a very nice mark. Sudheer Karamana’s character evokes mixed response. Janaki Krishnan has a small role which she manages with a certain amount of inherent cuteness.

Soul exploration :: Even though the revenge factor does have the biggest role to play in the end, what comes here as the message is that poetic justice will be served in the end. There has to be honour in whatever we do, even if it is not the most appreciated job. The crimes of war seems to say the same thing. The truth is that some people who do lesser jobs and earning less usually has more honour than the rest; at least they are not slaves to the vanity which comes with money and fame. We all listen to those vain men and women as well as their parents who provide us classes on how good they are and how pathetic we are. They should also suffer for their sins, may be a little more because they are surely worse than the people who do something wrong because there is no other choice. We hear about corruption in crores, and the question this movie asks is about who the real thieves are.

How it finishes :: Those who steal our lives are the worst criminals, aren’t they? Those who don’t allow us to do anything with our lives and lock us in a cage of meaninglessness – they are a lot like those involved in corruptions; it is just that they corrupt our lives instead. So, it is not really hard to love the characters in this movie. They required a little more polishing and won’t be like those in Sapthamashree Thaskaraha or Meesa Madhavan, but they can have some appreciation for trying things differently. One thing I am very happy about is that this doesn’t go the way of the Malayalam movie of 2013, called Bicycle Thieves. It was one of the most terrible movies as almost all of my friends have confirmed, and Urumbukal Urangarilla rises to the occasion as it decides to win with the climax and make up for its other troubles. There is Kunjiramayanam still running in full power and the new release Ennu Ninte Moideen to bring the tough competition.

Release date: 19th September 2015
Running time: 139 minutes
Directed by: Jiju Asokan
Starring: Chemban Vinod Jose, Kalabhavan Shajon, Vinay Forrt, Aju Varghese, Innocent, Janaki Krishnan, Ananya, Sudheer Karamana, Sreejith Ravi, Vettukili Prakash, Santhosh Keezhattoor, Vanitha Krishnachandran, Thesni Khan

urumbukalurangarilla

@ Cemetery Watch
✠ The Vampire Bat.

Mumbai Taxi

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mumbaitaxi (2)

Vampire Owl :: You have brought me to this theatre because you are a bloody regionalist.

Vampire Bat :: What? Not at all. I am a global citizen. My namesakes are there in English novels and Hollywood movies.

Vampire Owl :: I don’t believe that. You have taken me to this theatre at Alwaye because you are an Aluvaite and it says Always Alwaye’s on the poster. I doubt your secret intentions to promote your town.

Vampire Bat :: But I don’t even live at Alwaye anymore.

Vampire Owl :: Yes, but you have lived at Alwaye enough to be psychologically attached to it, and I understood that with your expression while watching Premam.

Vampire Bat :: But that expression was related to the UC College.

Vampire Owl :: I doubt that because UC College is at Alwaye, and you haven’t been to that college for more than a year, but you do visit the town very often.

Vampire Bat :: Well, my favourite restaurants are at Alwaye. There is the Surya, Mahnami, Indian Coffee House, Anna Gowri, Shenoy’s, Anna Lakshmi, Al Falah, Aaryas…

Vampire Owl :: No. I visited Shenoy’s last week and they told me that they haven’t seen you for an year. Why do you come to Alwaye to watch movies when there are theatres closer to your current location? Is it an automatic procedure?

Vampire Bat :: What? Can you just get the ticket please? You can analyze my decision to watch this movie at this theatre later. I am planning a detailed review on Mumbai Taxi!

[Gets the tickets].

What is it about? :: It is just another normal day in the city when a stranger reaches the town with plans to plant bombs at different parts of Mumbai. The Anti Terrorist Squad manages to get information on the same because of an anonymous caller, and even though they are not sure if it is real or hoax, they take no risks and prepare for the day as if the information is quite clear. The anonymous person even sends them a photo of the suspect, and they prepare to catch the person without leaking the information and causing panic among the public. For the same, they make a special plan. Meanwhile, a Malayali taxi driver is going on his daily duty, and hopes to find the perfect trip which can make his day better. But the day is not like any other day with the dark clouds of terror getting even darker, and whatever be the fate of the city, it will be known on that one day.

The defence of Mumbai Taxi :: A very interesting story unfolds well in this movie, and the biggest advantage of the movie is the skill in maintaining the suspense – there are many things here that you know, but there are things that are going to deviate from that knowledge. By the end, there is the enthralling introduction of that unexpected final twist which works very nicely. Well, it is not the only twist there, but when someone can bring the climax to a good effect a time when a number of other bigger movies have been tumbling down from the final stairs, that procurement deserves the most noteworthy applause. There are a number of things in this movie that comes together very nicely by the end, and what you think of as a cliche, might not be that! Well, you can guess about your own twists, but this one might have a different one in most cases. The shots are also very good, and even when there is chance, this movie doesn’t sink into a romantic song – applause for that!

Claws of flaw :: The jokes come as a big disappointment and they could have been avoided to make the movie more interesting, and flow would have also been better. It works as a slough of despond in this journey with all the unnecessary weight. The absence of the same would have made it a very engaging thriller finishing at almost one and half hours. The final slow motion sequences also come against the original flow of the movie which was supposed to be going fine without any of such extra ornaments. I won’t say for the others, but I personally wouldn’t prefer a one-man show for a movie which was more about going through a smart combined operation by a team of policemen, especially when the heroism of the particular person is not established beforehand with a sequence of events or at least stories. An interesting flashback for the villains, organization and their motives would have also been nice – at least for the main antagonist.

Performers of the soul :: Badhshah Mohammed is a new face with fine potential, and the audience will remember the kid in Pappayude Swantham Appoos who has returned right here as the hero. That was a smart move to include the much remembered song “Olathumbathu” in the movie, which he himself sings on more than one occasion – and talking about his return, makes a very nice point. The second attempt at the same didn’t work that well, but the first dialogue about being back was like the punch dialogue, even better than those bigger dialogues at the end of the movie. He has done well here, and he is sure to do better as time passes, with bigger opportunities. I would like to take this occasion to wish him best of luck with his next movies. We will never forget that kid, that movie or that song; I am sure that all Keralites know him from long ago – child actors making a good return is like a double success story, isn’t it?

More performers of the soul :: I also felt that Riyaz Fazzan who played the police officer was solid – you can feel the determination there. The one thing I would like to add more than the others is about how good Mareena Michael Kurisingal performed in this movie. I haven’t known anything about her before I checked the releases for the weekend and saw the main cast. I had my doubts, but she has been a gargantuan surprise here. From the beginning to the end, she has kept things under control; there is the tough look and wicked smile – she makes a fine addition to our list of actresses. There are a few well known actors who have smaller roles mostly related to comedy. I apologize for not knowing more of the performers who have all done very good except for those smaller stumbles here and there. I wish they had listed the names somewhere, but there are only two at BookMyShow and there are the usual names which I know. For the rest, I had to keep searching only to find very little.

How it finishes :: I have often wondered if I should watch the movies from the debutantes because I doubted if I don’t like it, and they won’t be able to take criticism positively. But I am glad that I made the decision to watch this movie because it was one of the best movies ever with lesser known faces. I feel that it doesn’t matter what anybody thinks, but it is our duty to watch the movies without the hype and the big superstars and promote them if they are good. Mumbai Taxi is such a movie, and with a group of newer faces, it has done a very good job. We can thank Fazil Basheer for not going after the stereotypes which were surely the safer bets. At a time when the Malayalam movie is moving beyond the star value to bring quality, it is the need of the times to support the good beginnings by youngsters. I have done my job by watching this movie and giving it the positive support which it deserved. So, what will you do? I have watched most of the Malayalam movies which released after Premam, and among them, I rate this the highest. #MumbaiTaxi definitely works!

Release date: 7th August 2015
Running time: 103 minutes
Directed by: Fazil Basheer
Starring: Mareena Michael Kurisingal, Badhshah Mohammed, Riyaz Fazzan, Sreejith Ravi, Shivaji Guruvayoor, Sunil Sukhada, Tini Tom
***I would appreciate an expansion of this list to make this review on Mumbai Taxi better 🙂

mumbaitaxi

@ Cemetery Watch
✠ The Vampire Bat.