Enemy

Posted on December 10, 2014 by Tennyson

*The Soul Exploration paragraphs can have spoilers and therefore read wisely.

Vampire Owl :: I haven’t even heard about this movie.

Vampire Bat :: It is quite natural. It never came to our theatres.

Vampire Owl :: Then I need a DVD of this one. A movie that doesn’t come to our theatres is always worth a watch.

Vampire Bat :: I was going to recommend it to you, anyway.

Vampire Owl :: Everyone is creating one protest after the other. May be we should protest against the wrong movies being shown on the theatres.

Vampire Bat :: We shall call it the Hug of Movies.

Vampire Owl :: No Kiss of Movies? Okay, we will hug the movie DVDs of those movies which never had the chance to release here, and are so awesome.

Vampire Bat :: The change should start by not releasing some of those dumb movies just for the simple reason that they are too stupid for the human brain.

Vampire Owl :: I think you watched a Bollywood action movie in the last few days and is waiting to write a review on it.

Vampire Bat :: No, but I will leave you with a review of Enemy.

[Switches on the laptop].

What is it about? :: The movie tells the story of Adam Bell and Anthony Saint Claire (both played by Jake Gyllenhaal), the first one being a history professor and the other being a small time actor, both looking exactly the same despite having no real connection or relation with each other. The former’s girlfriend Mary (Melanie Laurent) is troubled and worried as Adam finds this man who looks like him in a movie and is determined to discover more about him. He even searches and finds the man’s number to call him and talk to him about the same, and hopes to meet him one day as curiosity keeps building inside him. Anthony’s pregnant wife Helen (Sarah Gadon) is also worried as a stranger who sounds like her husband calls home, and she is surprised as well as shocked by the similarities between the two, or the lack of any difference as she visits the university to see this man who looks the same. The men will one day meet in a hotel room only to bring further deviations in their lives.

Positives and Negatives :: The movie deals with the conflicts of the mind and leaves with a powerful message against adultery. It checks the extra-marital affairs and asserts that it is never too late to come back and be truthful to one’s partner. Here, it is shown as a situation of the mind which should be overcome within oneself rather than asking help from someone else, as long as one can. The atmosphere that the movie uses is perfect and how it shows everything is very powerful, even as not that effective for everyone as some might find is strange and not easily understandable, even coming up with too obvious explanations not doing justice to this movie’s twisted power. Even its slow progress, this is never the slowing down or the loss of power here, and I haven’t seem it happening like this so efficiently on so many occasions. There is a lot to think about in this case, that is for sure, and for the same, watching this movie becomes more necessary. I would recommend this to anybody who wishes to watch and give it a long, deep thought.

Performers of the soul :: Jake Gyllenhaal comes up with a stunning performance as two characters who look so much the same, but are yet different as themselves. He has to portray this doubleness which is less easier to do that most of the other roles that he has been doing, and one has to wonder if most people could have accomplished this with so much power. Even with his amazing work in the movie, what strikes the most though, is the extreme sadness and a terrible pain of the soul in the eyes of Sarah Gadon as she plays the character of the pregnant wife; an image that we cannot get out of our heads, especially because the movie never comes with a perfect explanation of things and our idea about all these is just what we can make out of it. But the tears on her face tells things and make everything more clear. Compared to them, Melanie Laurent does less, and mostly graces us with her beautiful presence.

Soul exploration 1: The choice of curiosity :: It is the curiosity that works both ways. Mark the words in the movie; “chaos is order yet undeciphered”. This curiosity had once made him to cheat on his wife, and has now forced him to think about himself. The transition from his wife to his girlfriend and then back to his wedding woes is because of the choice that he made – the curiosity that makes the protagonist search for the other person who looks like him is actually a search into his own mind which has to spots, one for his wife and the other for his girfriend, one with his desire to be an actor and the other with the reality of being a History professor – and he adjusts with the latter in the end, the thing that is actually him rather than what he wants to be just because of some obsession – something that can be equalled with his girlfriend too, all because of a second phase of curiosity.

Soul exploration 2: The fear of oneself :: The movie has two people who are basically one single person, and this manifestation of the other is just the one person that we see. Our potagonist is scared of himself, his other side which he wants to control, but is not within his power. Along with his fear of commitment, this fear about his other face troubles him throughout the movie, the result of which is reflected in him knowing about another person who looks and sounds like him and when he meets him, he is too scared. He knows that one of his faces is a mistake, and it is only in the end that he realizes that the right thing is to be with the wife rather than anybody else. This act of leaving his girlfriend – the extra-marital affair is portrayed as the death, both of his other side and the lover outside the marriage. Who is a man’s biggest enemy? He himself is, and it is the fear of that enemy that he conquers.

Soul exploration 3: The web of life :: The movie is about people caught in the webs of busy city life and hoping for a relief. There is repetition after repetition, and the images of giant spiders show this, especially the tarantulas which feed on the protagonist’s mind, and each big decision that he makes seems to have a spider, a negative thing. Even watching a movie is a first in his monotonous life. The web is actually as complicated as the life itself, and adultery becomes part of such a life. If another spider of adultery weaves a web in the life of the protagonist, it is up-to the wife and her love for the man that can crash it destroy those webs, saving him from the capture and the predator can no longer feed on him. The power of the webs created by the giant things need time to destroy, and the effort taken is also supposed to be enormous.

Release date: 8th September 2013
Running time: 95 minutes
Directed by: Denis Villeneuve
Starring: Jake Gyllenhaal, Melanie Laurent, Sarah Gadon, Isabella Rossellini, Kedar Brown, Darryl Dinn, Stephen R. Hart, Jane Moffat, Joshua Peace, Tim Post, Misha Highstead, Megan Mane, Alexis Uiga

@ Cemetery Watch
✠ The Vampire Bat.

Seconds

Posted on December 8, 2014 by Tennyson

Vampire Owl :: I can’t spare seconds. No, I am owlifying right now. Don’t you realize that?

Vampire Bat :: Seconds? What about seconds? I am talking about sparing hours for the movie called Seconds.

Vampire Owl :: I doubt if I am available. I am at work. I have already prepared the giant globe of domination to owlify the world. I just need a suitable power source. I can’t risk losing my focus due to a movie now.

Vampire Bat :: I see this as your evil plot to blame me after I watch this movie alone.

Vampire Owl :: I don’t understand why I would do that. You are the movie watcher and I am the side-kick for now. But after owlification, all of you will be my side-kicks.

Vampire Bat :: I don’t see how your plan is going to work. Lets watch the movie instead. This will make four Jayasurya movies in a month in the theatre. Isn’t it something new?

Vampire Owl :: Four? That is shocking – even I can’t play four roles in my life.

Vampire Bat :: Yes, Iyobinte Pusthakam, Lal Bhadur Shastri, Mathai Kuzhappakkaranalla and now Seconds.

Vampire Owl :: I see the level of movie coming down with each of them. This is why you should place your head on the rails for that movie train too.

Vampire Bat :: Even the boogeyman has been more generous with movies.

[Starts the car].

The people of the story :: An insurance agent, Veeramani (Jayasurya) lives in an agraharam with his wife (Anusree Nair) and is troubled by the lack of confidence and due to a certain amount of fear that he seems to have, he struggles to sell and achieve his target. He gets an appointment with a psychatrist and hopes to solve his problems. Meanwhile, a sales manager named Teena (Aparna Nair) is hoping to pay off her family’s debts which has risen up to a sum of twenty five lakh rupees which is clearly beyong her abilities. At the same time, a wedding photographer called Feroze (Vinay Fort) is trying to reach somewhere high in his profession with good contacts and is also hoping to buy a building for a new shop. A goon who spends most of his time in jail, Thampi (Vinayakan) is the next person on the list, and he wanders around having drugs. There is the point of view of each of these characters taken into consideration, and they are brought together in a lift.

What is it about? :: The movie is about the above mentioned people coming together in a lift of a big apartment building in the city of Cochin, and three of the four people are murdered on the location. We are only shown that Teena murders Thampi, as the other killings occur when lift gets stuck in the middle with no power. The prime suspect is Teena as expected, but the question remains if it was Thampi who murdered the rest and tried to kill Teena as he is the typical bad guy and criminal. Out of the two other people, it seems that only Veeramani has a chance for survival. As the investigations progress, the answer to all the question lie somwhere in the flashback. But there seems to be no link between these people, and the question remains about the motive as it doesn’t seem to be there at all. Four strangers in a lift, and three dead; not the best case to solve for any police team – how will it go this time?

The defence of Seconds :: The movie starts with a full power sequence, a death and the murder which happens; from there, it goes on to the usual stuff which gets the power back in the second half, and ends nicely with a twist. The struggling middle manages to connect the beginning and the end to create the desired effect, even as the theatre response still seemed pretty bad. Its non-linear pattern of narration is actually nicely woven to create the desired suspense, even as the frequency of the same could have been reduced along with the repetitions that we notice. The reason why we avoid some of the faults is due to the hope that the mistakes are corrected by the next movie. Malayalam movies still have a lot to explore in the thriller territory, and let this movie be another step in the same direction – a very small one. The cast performances are also a plus for sure. Lets categorize this one as an action-drama-thriller; should work better that way.

Claws of flaw :: Seconds struggles to keep the audience interested, as it doesn’t have that much of a powerful characterization, and neither does it gives us the characters to cheer for. It also works on the drama side too much, and its thriller side is virtually absent throughout the half sans the first few minutes. There is a lot of drag between the first nice sequence and the final ones, as what comes between is just ordinary drama that we see too many times at different occasions. In that case, we can consider the movie to be too long, as without a better characterization, this show of the life of characters is rather dull. We could have gone from the first sequence to the second half without bothering much about the life of these characters, but that certainly wouldn’t have been possible considering the already short length of the movie – there comes the need for a longer investigation and more thrills. It is a problem with the plot as a whole, but it is good as parts. There is also too much of the breaking of narrative and the re-telling of the same scenes which affect the flow.

Performers of the soul :: Making us wonder if there was clumsiness or laziness in characterization as well as the script, the four protagonists emerge here, and among them, Aparna Nair needs the most applause as she does her job with a fine touch. It is nice to see her in a major role after some time. In a role that is no challenge to him Jayasurya also excels. Vinay Fort is very good, but is often undone by the character’s lack of stability. Vinayakan also goes through his role with ease like nobody else. Salim Kumar just has a cameo in which nothing much is to be done, and Indrans and Sasi Kalinga are also limited to a few minutes on the screen. Anusree also has less dialogues and presence. Shankar Ramakrishnan is okay. May be the actors had a better chance with a better characterization and a better idea about what the makers were trying to achieve with the mixture of things.

How it finishes :: The movie leaves one with a strange feeling, like it seems that the movie is okay, but there is so much of incompleteness about it, and it did contribute with some boring moments to add to the already monotonous life. The movie should have been more clear in what it tries to achieve. Its power is the suspense and the twist about the murder mystery, which should have been further explored – here, the investigative side is too weak. The message here is still about the looks though, on how it can be deceiving, and how each second affects the life of a person according to one decision that he or she makes during the same. This could have been better than Angels, and still it isn’t – but the fate for both movies seems to be the same, especially with Lingaa and The Hobbit: The Battle of the Five Armies coming next weekend, and the former is expected to take a lot of audience away as it focuses on a similar audience. But lets hope for the best.

Release date: 5th December 2014
Running time: 105 minutes
Directed by: Aneesh Upasana
Starring: Jayasurya, Vinay Fort, Aparna Nair, Anusree Nair, Ambika Mohan, Vinayakan, Indrans, Salim Kumar, Riyaz Khan, Shankar Ramakrishnan, Sasi Kalinga, Narayanan Kutty

@ Cemetery Watch
✠ The Vampire Bat.

Exodus

Posted on December 7, 2014 by Tennyson

Vampire Owl :: No, I have suffered too much with that earlier movie called Noah. No more!

Vampire Bat :: But, I would say that Noah has set such a terrible standard that it will be almost impossible for any other Biblical movie to come under it.

Vampire Owl :: I doubt that. The worst movie in any category is yet to come. There is always disaster in waiting. It is like a werewolf waiting for a full-moon when getting the release date.

Vampire Bat :: I see that your negativity about movies is increasing like your zombie minions’ doubts about your inability to owlify the world.

Vampire Owl :: I don’t understand why you doubt about categorizing Noah as the worst movie of the year. Along with bringing an aversion to Darren Aronofsky, I don’t see any other movie which put Christians, Athiests, Hindus and Muslims in the theatre to sleep with no discrimination. It has done India some favour with reflecting the unity in diversity, but in the end, it is just boredom for everyone, even for the categories with reservation.

Vampire Bat :: Yes, I did see the reaction in the theatre, but as you said, the worst movie list is still open.

Vampire Owl :: I think that you should close the yearly list right now. Now we know what movies to watch each weekend, and I don’t see any other movie coming close to as ridiculous as Noah.

Vampire Bat :: But we are not sure about it yet. There are some differing opinions…

Vampire Owl :: I shall hear nothing of Exodus anymore. I am going to some place peaceful; like a cemetery, I guess.

Vampire Bat :: I think that it is a pretty good idea.

[Starts the car].

What is it about? :: Ancient Egypt had grown vast and wide beyond the banks of the river Nile, and was going through its best times, but mostly based on the blood and sweat of its Hebrew slaves. As much as the great Egyptian Empire spreads and developed, so much more pressure came on its slaves who continue to suffer more. Under the rule of the Pharaoh Seti I, the empire continues to thrive. There seems to be glorious days which goes on and on. Moses (Christian Bale) and Ramses (Joel Edgerton) grow up like brothers in the palace even as it is certain the latter shall go on to become the Pharaoh. It is like they do have each other’s back until that realization come upon them one day. The truth that was hidden for long will come to light, and being considered a Hebrew spy won’t do Moses much good. He would soon be banished from his world, but that wouldn’t be the end of him, as God has plans for him and his people as he will liberate them from the yoke of slavery and lead them to the promised land. But what does the Pharaoh say about this?

The defence of Exodus: Gods and Kings :: It is our duty to support the big epic stories on the screen, and in that case, we have an automatic self-defence here. We need our faith, the beliefs of the past to keep us going, and I am sure that Exodus: Gods and Kings will only be a positive factor in the same unlike Noah which came up with so much negativity about the same. This is also a visually stunning movie, unlike any Biblical movie that has come so far, and the splendour and awesomeness of the Ancient Egypt is shown with full strength like never before. The cities, the statues and monuments, the troops, the Pyramids and the location near the Nile – they are all breath-taking. There is a good amount of detail put into all of that. The plagues are also nicely shown on the screen with the visual effectiveness, especially the river of blood and the thunderstorms. The cast also works nicely. There is an effort taken to add some imagination and more realism too, even as not all of it have worked. Still a spectacle is guaranteed on the screen, and God is clearly shown to be on the side of the poor and the powerless.

Claws of flaw :: The inaccuracies are there; yes, there are too many liberties being taken, especially with the portrayal of God (somehow reminding me of Waiting for Godot) and the way in which the plagues appear, rather like intending to connect them in one way or the other to various other factors. There are many moments which got the differences seeming easy to detect here, and the certainty is there about criticizing the same – but nothing really in a bad way (Noah had brought new “bad” or the “terrible”). I won’t list them here as I would continue this one as more secular than religious in nature. I am not an Old Testament expert anyway. The biggest problem after the God depiction is the Red Sea scene which had a lot more scope as a direct miracle with the special effects. The characterization is also incomplete; there is no real effort put into concentrating on Moses as a person, and that affects most of the other characters too – but they are not strangers to the audience, are they? The ending is also not where it should have stopped. The ending was to be after the sea-scene, and this one goes on to stop in the middle of nowhere. There was no point in rushing through things here either.

Performers of the soul :: You know that this is supposed to be depending heavily on Christian Bale who has to keep it going, and it does. He doesn’t fail to deliver yet again, and even when the characterization seems to bring things down, he continues to strengthen things. A special mention is needed for María Valverde who looked lovely and too good for her character, even though having a comparatively minor role which she did to perfection and remains memorable. Joel Edgerton does a commendable job the pharaoh, and he has his moments as much as the protagonist has, plus when they are together, there is even more power on the screen. Sigourney Weaver is limited here in another small role. The rest of the actors playing Hebrew characters pale in comparison to the power of Christian Bale’s Moses, even as Ben Kingsley does seem to have the opportunity to be the next most noticed person there, and Aaron Paul comes after that. But this movie is more Moses’ movie than Noah belongs to its titular character, and so we can understand the limitations of the rest of the cast, except for the antagonist.

How it finishes :: Coming from the disappointment of watching Noah, I wondered about the possibility of this being a good one, but I had more expectations about this movie. Noah had hit the bottom of the movie ocean with its terrible attempts to make something ridiculous out of the void of nonsense created by itself. Despite this movie being better, I do wonder why this couldn’t have been even better, coming from a director like Ridley Scott whose Prometheus had me incredibly interested like Alien and there is no need to talk about Gladiator which is there in almost every poster of this movie with the lines “from the director of Gladiator” becoming its biggest promotion. There was going to be believers and non-believers coming to watch this movie, and it had to use its epic elements to better use to make sure that both were nicely satisfied, and this one just makes the touch instead of grabbing and using its available elements. One has to admit that it is still with enough strength to survive though, and when it gets weak, we remember the pathetic and boring experience which was Noah, and we get happier. This time, the one whom I ask to accompany me won’t feel the need to shoot me on the head.

A look into the status :: Exodus: Gods and Kings releases in India a week before it does in the United States – well, you know that it is usually the other way around; with rare exceptions like The Amazing Spider-Man 2. You know about the recent ones The Equalizer and John Wick coming late here too. Now that is a twist of events, and it is a good thing as it won’t collide with The Hobbit: The Battle of the Five Armies next week, followed by Night at the Museum: Secret of the Tomb, and then Into the Woods on the Christmas weekend, even as I am doubtful about the last movie’s fate here. Now you know the schedule for every weekend of December – these are the four movies which we have this month, and with one gone, there are three more to go, among which I hope that The Hobbit: The Battle of the Five Armies will go on to become the second highest grosser of the year if not the first, as far as it doesn’t go The Hunger Games: Mockingjay Part 1 way and doesn’t make that much of an impact. For now, Exodus: Gods and Kings has fertile grounds in the theatre, with not much of a challenge, and hope it makes good use of this advantage.

Release date: 5th December 2014 (India); 12th December 2014 (USA)
Running time: 150 minutes
Directed by: Ridley Scott
Starring: Christian Bale, Joel Edgerton, María Valverde, Sigourney Weaver, Ben Kingsley, Aaron Paul, Indira Varma, John Turturro, Hiam Abbass, Kevork Malikyan, Anton Alexander, Golshifteh Farahani, Tara Fitzgerald, Ben Mendelsohn, Dar Salim

@ Cemetery Watch
✠ The Vampire Bat.

Penguins of Madagascar

Posted on December 2, 2014 by Tennyson

Vampire Owl :: I have received a letter from the vampire penguin.

Vampire Bat :: What does it say?

Vampire Owl :: It says that he is happy to announce the release of Penguins of Madagascar, a movie that make all the undead penguins proud, and he wants us to watch it in the name of the Universal Vampire Brotherhood.

Vampire Bat :: But I have already watched it.

Vampire Owl :: What? Then why did I see no opinion?

Vampire Bat :: Because I delayed it so that there would be gap between the posts.

Vampire Owl :: It is totally unfair. Now as the Vampire Penguin has demanded it, I have to watch it alone. What happened to watching The Hunger Games: Mockingjay Part 1?

Vampire Bat :: Skipped it. Waiting for some inspiration for me watch it. Nobody has that much of an opinion and I have already read that book and has less hopes about this one.

Vampire Owl :: And then you watched the Penguins alone. A cruel move against me there.

Vampire Bat :: You can watch it with your zombie minions. It has some good ideas for owlification.

[Leaves for the bus stop].

The background :: Do you remember those penguins of the Central Park Zoo? Skipper, Kowalski, Rico and Private proved to be the smartest creatures around. They have been helping our heroes of the Madagascar series, Alex the lion, Marty the Zebra, Melman the Giraffe and Gloria the hippopotamus. We have had no option, but to love the penguins throughout the series. They have been too good, and it is clear that they always deserved a spin-off movie for themselves. Well, this is not just that spin-off, but also the sequel to Madagascar 3: Europe’s Most Wanted as the action continues from the circus itself as they go on to celebrate Private’s birthday. It is not really the continuation though, as Madagascar 4 is scheduled to be released on May 18th 2018, but as that date is too far away, lets be happy with this arrangement of the penguin characters for now.

What is it about? :: In a flashback, we see that somewhere in Antarctica, three little penguins, Skipper (Tom McGrath), Kowalski (Chris Miller), and Rico (Conrad Vernon), save an egg from seals and end up floating far away on an iceberg. The egg hatches and becomes Private (Christopher Knights). Back to the present, as they go to steal from the United Sates treasury to enjoy Private’s birthday after the events of Madagascar 3: Europe’s Most Wanted, the get caught by Dave (John Malkovich), an octopus who lives in the human costume of Dr. Octavius Brine after having to be transported from zoo to zoo due to new cute penguins coming. He is now looking for revenge on all penguin kind. As they try to escape, the Penguins are saved by a special force known as the North Wind, lead by, a wolf named Classified (Benedict Cumberbatch), a seal named Short Fuse (Ken Jeong), a polar bear named Corporal (Peter Stormare), and an owl named Eva (Annet Mahendru). Due to some differences, the two teams decide to chase the villain through their own paths; will they succeed?

The defence of Penguins of Madagascar :: Once again, just like the other movies of the Madagascar series, this is lots of fun. There are some genuinely funny moments in this one, and they are just meant for evoking the laughter, making this one a big fun ride, and people are certain to be entertained. The penguins as well as the special animal forces are admirable characters, and this is an opportunity for us to know those characters whom we liked a lot in the franchise in a much better way. The family audiences with kids are going to love this one, that is for sure, and might not want to miss this one. The moments which involve the meeting of the two groups as well as the same with the villain along with that moment when all three groups meet are hilarious. The message is also nicely given, about the appearance not being that much of a factor. Even as the movie doesn’t go on to be one of the top three animated movies of the year as expected, it is really a powered entertainer.

The Claws of flaw :: It is pretty much sillier even considering the fact that it is an animated movie, and the predictability factor is once again big. There is nothing like the final extravaganza that the last movie in the franchise had offered, and even in 3D, this one offers much less compared to what was expected. There are ordinary moments in the movie too, and there are scenes which are extremely dumb, and the presence of those moments which fail to click are also present here and there, but they can still be avoided. This one is also weaker than the three other Madagascar movies, all of which are worth an eighty five and above in the score. This movie actually feeds on that impact that those three movies had created, and ends up extending the fanbase of the franchise. There are moments which are just created for the sake of being there, and the plot never really shows much scope, ever. There is repetition, no doubt about it. There is a chance that this will make the penguins less interesting with too much attention given here.

Soul exploration :: The movie’s first attention is on brotherhood for sure. But it is not the major theme here, as it focuses more on appearances as we can see right from the beginning. The penguin named Private is actually considered to be too cute, and the others feel that the only thing that he can do is to distract the opponent for the rest to take the appropriate action. The same is the case of all four penguins as far as the other animals and birds are concerned – they think that the penguins are too cute to do anything strong and significant. Most of the people here base their assumptions based on the looks and nobody really cares to give these people a try. But everything would change in the end, and it is to this finish which says that appearance doesn’t define the quality or brilliance of a person that the movie strives to reach. It is the appearance itself that creates the villain here, and the movie focuses so much on the same. Penguins of Madagascar never retreats from that aim as we see the traits everywhere.

How it finishes :: The big surprise here was that this movie had shows at more multiplexes than The Hunger Games: Mockingjay Part 1. That was surprising because it was clear that it really is the movie that everyone want to watch, its popularity only matched by just another sequel which would be the last part of The Hobbit which is also coming up. I would guess that the multiplexes decided to go completely with the family audiences this time instead of choosing the movie which the youth have been waiting for so long to watch. It is the same reason why the movie has evaded me so far, and another reason is that I know the story and don’t find the first part of the book interesting; even the last book as whole is the least interesting of the series. Yes, I wanted to watch it, but as the time came, I ended up choosing another movie again. Well, there is still time, but I do feel that many others have also done the same, which is why Penguins of Madagascar is doing well here.

Release date: 28th November 2014 (India), 26th November 2014 (USA)
Running time: 92 minutes
Directed by: Simon J. Smith, Eric Darnell
Starring (voice): Tom McGrath, Chris Miller, Conrad Vernon, Christopher Knights, Benedict Cumberbatch, John Malkovich, Ken Jeong, Annet Mahendru, Peter Stormare, Werner Herzog

@ Cemetery Watch
✠ The Vampire Bat.

Mathai Kuzhappakkaranalla

Posted on December 1, 2014 by Tennyson

Vampire Owl :: This sounds like Lal Bhahadur Shatri’s continuation. I am not coming.

Vampire Bat :: There is just Jayasurya playing a very good guy, otherwise this should be different. Anyway, you didn’t watch even that movie yet. There is also a shot of Jayasurya and Bhama having tea together. Remember the word “tea”.

Vampire Owl :: So what? I don’t need to watch feel-good. I can sense them. They are all going to be the same.

Vampire Bat :: Do you know that you are prejudiced?

Vampire Owl :: Yes, and it has saved me from watching bad movies. But I see that it is not working for you, and the same is spreading for you and affecting me.

Vampire Bat :: Then what are you going to do now as you are free?

Vampire Owl :: I am going to visit the Thommankuthu Waterfalls and think about more ideas on owlifying the world. The tea there is good; it helps one to think.

Vampire Bat :: What about your zombie minions?

Vampire Owl :: They have been called for some work at the Dracula Castle. We can’t deny the services when Uncle Dracula asks, can we?

Vampire Bat :: He gets all the movies at the castle. He is one lucky guy, isn’t he?

[Starts the car].

What is it about? :: The story is that of an auto-driver in Thrissur called Mathai (Jayasurya) who is too good a man at heart and wants to solve all the problems in the world in whichever way possible. He spends his time trying his best and often gets into trouble for the same, never really giving him a positive effect, but he keeps trying again and again as if his life depends on him; he hopes that one day, everything will be awesome. His fiancee Anna (Bhama) is an assistant to a leading advocate in Kottayam, and as he comes to bring her back to Thrissur on a harthal day, it seems that he has lots of time in hand and wanders around in the area. At the same time, Nandakumar (Mukesh) is a heart surgeon who lives with his wife and child and is always having problems in his life due to his mother-in-law creating troubles. When Mathai comes to visit the doctor whom he had once helped when in trouble, the wife and child were no longer with him due to an issue concerning a wedding anniversary, and he decides that he should solve this problem for the doctor. But is a simple man like Mathai good enough to solve the rich woman’s ego?

The defence of Mathai Kuzhappakkaranalla :: The movie is both a preacher and a family counselor as it keeps trying to bring up all the problems in the family life and solve it from the beginning to the end. This is kind of a pre-marital course, and one has to say that it will be very of nice of the church to cancel the pre-marital course and use this movie instead, or it can directly give approval to anyone who has watched this movie – may be they can show the movie tickets to get approval. Yes, it is that kind of a movie, and not like Lal Bahadur Shastri as one might have expected. There is the good attempt to make things work and make it connected to the family audience. It starts off well, with our protagonist involving in the problems of one of his acquaintances and try to solve things only to make it worse. It is actually more funny in the first half. The cast has managed things well, and there is some humour lurking around all the time. Note that there is no romance in this one despite having the pair of Ivar Vivahitharayal, Janapriyan and Oru Black and White Kudumbam.

Claws of flaw :: The preachy nature of the movie often works against it, as people can get irritated at times, especially when the emotions fail to work and the humour almost disappears. Then it gets weaker, and makes so much of a lesser impact, and ends the movie in a predictable manner, with not much to cheer about – it is kind of a forced end, as if the classes are dispersed after all those lessons taught, and now it is time to go home and try the same. There is nothing that we haven’t seen before; remember the Mohanlal-Meera Jasmine starrer Innathe Chinthavishayam in which the hero and heroine attempted to save the marriages of three women? Yes, it is the same thing here, as our hero and heroine tries to unite a doctor and his wife. But this is not that good as the Mohanlal starrer, and is also restricted to two houses in action. Yes, there is the Aristotlean Unities at work here, of time, place (somewhat) and action. If you liked Innathe Chinthavishayam, there is a chance that you will like this one, otherwise, it is questionable – with no innovation and no good script.

Performers of the soul :: Jayasurya is the character we are talking about in the title, and he once again shines as the simple character full of goodness – check Lal Bahadur Shastri and Apothecary models, and he once again uses the Thrissur slang like in Punyalan Agarbathis and it works like a dream for him. Mathai is another character in the comfort zone for him, and it is him who handles things here in the movie with the best quality. The feeling of the common man or the guy next door might be something that comes naturally to him. Bhama doesn’t lag behind in that, and even as she comes into the picture in a big way only in the second half, she joins the preaching and does fine. She also seems comfortable in this simple role. Mukesh is fine and has no challenge here at any moment; this is something that a versatile actor like him could do with ease. Lakshmi Gopalaswami is fine with her predictable character. Sreejith Ravi was very good in another avatar here, and he handles a lot of humour in this one and never falters – his character could have had a better handling though.

Soul exploration :: Mathai Kuzhappakkaranalla has its own value in the contemporary society. People can question the product, but not the intentions, and scope for giving a good lesson, and this is where Akku Akbar gets the applause. The Dolphins did do the same, but it came too late to make that movie better. But our movie here shows how the world is changing in favour of ego and selfishness in a relationship, which in turns destroys it as the unconditional love itself is taken out and the whole thing remains as nothing more than a contract for mutual satisfaction. The movie has a husband who is a very busy surgeon having no time for family and a wife who want her husband to prefer her lavish parties over saving a human life. The advice that the wife gets from her mother contributes in the worst possible manner. There is also the idea of having a high status in a society and developing hatred for the common man. In the name of status and money, people tend to become less human, not just towards the outsiders, but also to one’s own people. Well, what is this “maintaining status” than showing off?

How it finishes :: Akku Akbar has to be appreciated for taking this topic which never losses the charm and the value in a society which keeps going further down with its family values in an age of ego leading to divorce. It is something which should be saved from the attack of the new generation movies which often ends up working in the exact opposite manner. But one can only wish that this was told in a better way rather than being too preachy. Our audience don’t accept such things, because it is like being told what to do. There is too much of it. If it was told in another way, things would have worked so much better, there is no doubt about it. Coming from a director who has been doing movies with family themes so well, let’s hope that he will come up with something a lot better next time. Until then, Angels seems to be the winner, even as there will be the question about how much it can score at the box-office seeing the status at the theatres. Penguins of Madagascar will take some family audience away from this one too, that is for sure.

Release date: 28th November 2014
Running time: 110 minutes (estimate)
Directed by: Akku Akbar
Starring: Jayasurya, Bhama, Mukesh, Lakshmi Gopalaswamy, Sreejith Ravi, Thesni Khan, Sasi Kallinga, Jayaraj Warrier

@ Cemetery Watch
✠ The Vampire Bat.

Angels

Posted on November 28, 2014 by Tennyson

*Avoiding the “Soul Exploration” paragraphs will be a nice idea if you wish to avoid spoilers. Deeper spoiler in the third soul exploration.

Vampire Owl :: No, absolutely no chance.

Vampire Bat :: But you promised to be back for the weekend.

Vampire Owl :: My weekend starts tomorrow. And why would I watch a movie named Angels? It is totally against my evil mastermind, evil plans and evil cupcake. Did I mention the evil icecream? No, because it would sound like “I scream”.

Vampire Bat :: But the movie still seems dark, worthy of evil.

Vampire Owl :: Even funny movies are too dark these days. I am not falling for that.

Vampire Bat :: You are still looking for an opportunity not to watch a Malayalam movie.

Vampire Owl :: Yes, if I come to watch this movie with you, I will have to watch two Hollywood movies with you this weekend along with this. There is no control. You should have some rest. You are watching movies like Uncle Dracula going to the Theatre of Blood.

Vampire Bat :: Why wouldn’t a vampire go to the Theatre of Blood every hour is beyond me. Uncle Dracula is actually setting a fine example.

Vampire Owl :: This is what I am talking about. You are addicted. It is like a deadly virus and you are spreading it to me too.

Vampire Bat :: You should be more bothered about what all diseases your zombie team is spreading.

[Starts the car].

What is it about? :: Hameem Haider (Indrajith Sukumaran) is investigating a case called “the cemetery murders” which involves the corpses of the victims being disposed on a random grave of cemeteries. He comes very close to catching the murderer, but is shot on the leg and it takes time for him to recover, only to lose the case to Ashok Kumar (Baiju) who continues the investigation reaching nowhere in the process. Meanwhile, a reporter for the ruling party’s television, Haritha Menon (Asha Sarath) who is looking for some crime scenario for her show in the channel meets Father Varghese Punnyalan (Joy Mathew) who promises her some shocking revelations about the lost murder case as he publishes his book, for which he asks for Haider. But at the show, he says that he himself is the killer, but Haider disagrees and tells him that as the investigating officer, he knows better. From there, the next group of attempts to solve this case begins again.

The defence of Angels :: Angels manages to hold the suspense strong from the beginning to the end. The climax is brilliant, and overtakes the build-up in style. The final moments gives us a lot more to cheer for. It is shot in a stylish manner, and the background score is nice. The investigation progresses nicely, and the characterization of the three main characters is splendid. Among them, Indrajith continues to give power-packed performances. This is what comes for him between Memories and 7th Day – a hybrid for this elder brother this time. Asha Sarath comes with another strong work, but among them all, the pick should be Joy Mathew who has the best lines in the movie, and takes over the whole thing by storm with his portrayal of the priest. Lakshmi Priyaa Chandramouli who play’s the protagonist’s wife also comes up with a fair job. The message that it leaves us with, also gives us something to think about. This is something that the debutante director Jean Markose can be proud of.

Claws of flaw :: The movie needed a lot more of the right promotion, giving more idea about what it is about. I was actually disappointed about the number of people in the theatre, which was too low for a first day show – hope it changes with the word of mouth. The story does seem to get a little stretched in the middle, but that is solved soon. It follows the style of Memories and 7th Day, and might be repetitive for some, and for those who didn’t like those movies by much can think twice about this one. There might be a few questions unanswered, especially with the connections between the murders and the strength of the motive, but still by not affecting the story by much. The villain also deserved a better scope in the climax instead of just being pointed out. There are a few points in the movie which can be guessed, but I could find out things about 7th Day in a much easier way, and so it is no big deal.

Soul exploration 1: A case against infanticide of all kinds (possible indirect spoilers here) :: The movie comes up with a message against aborting. No, it doesn’t say that it should be avoided at any cost, but it makes the stand that there is no reason why a child with a chance to live should not be given the opportunity to see the world. They have the right not to be killed, more than the right to life. It is also extremely powerful in how it comes up with the same, and one has to admit that it has more than enough to get the attention of people. It has the strength to make people realize how bad that act is, and how worse it can be when someone is forced to do the same. We know how prevalent is female infanticide in the developing countries, and India also needs to deal with that situation in a lot of backward areas. Here, it deals with how profitable an enterprise it could become, and how heartless the common man could be when they think about the unborn babies as “human waste”. It is a shame, and the lack of humanity; this movie takes over the message and brings it to the viewers.

Soul exploration 2: The depiction of “different” angels on Earth (possible indirect spoilers here) :: The idea of angels also go with the aborted babies in this movie. They are considered as the cherubs who go to a special and beautiful condition after death, as they are denied this situation and are given something else. The symbolism of the angels also work nicely here, and so does the comparison. The question about their choice to live in this world or directly become the angels that they deserve to be, which are not directly given to them, but are often decided by some people of this world. The movie’s title is justified only in the second half, and comes strong there. It is that powerful punch that they come up with here, that makes such a great impact. It is actually an innovative step taken considering that this is supposed to be an investigative thriller in full strength. Well, the three main characters are actually angels in another way, aren’t they?

Soul exploration 3: The crucifixion of the self and resurrection (possible direct spoilers here) :: The priest’s conviction of himself is a case of crucifixion, which will bring the truth to the light as he takes the punishment for the sinner, but the interesting part is that he is resurrected to his former self in a few days as the criminal is found. Well, the resurrection was near impossible if the truth was not to come to light, but in this case, it works, and his suffering for the sins of the others is short-lived. Fr Varghese Punnyalan not just becomes a symbol of a medium to find truth, but also the only reason why there is truth and justice. Do notice that there are crucifix and cross symbols at a lot of places in the movie, and the character of the priest itself says that he is different from the others, and hence more prone to the problem of being in trouble due to even simple misunderstandings than the others. Do watch this movie, and there might be something you need to add.

Release date: 28th November 2014
Running time: 110 minutes (estimate)
Directed by: Jean Markose
Starring: Indrajith Sukumaran, Joy Mathew, Asha Sharath, Lakshmi Priyaa Chandramouli, Baiju, Dinesh Panicker, Vijayakumar, Tharakalyan, Parvathy Menon, Baby Annie, Prem Prakash, Aneesh G Menon, Jinto K Thomas

@ Cemetery Watch
✠ The Vampire Bat.

Lal Bahadur Shastri

Posted on November 27, 2014 by Tennyson

Vampire Owl :: You are going to watch another historical movie?

Vampire Bat :: No, this isn’t about India’s second Prime Minister.

Vampire Owl :: So, there is not even a Chief Minister in this one?

Vampire Bat :: No, not even an MLA. Its like Bal Gangadhar Tilak consists of Balan, Gangadharan and Thilakan; remember that old joke? So, this one should have Lal, Bahadhur and Shastri.

Vampire Owl :: Disrespectful indeed. I am not watching this.

Vampire Bat :: You have always been looking for an opportunity not to watch a Malayalam movie. So, that is a lame excuse.

Vampire Owl :: Yes, I need this excuse. You sit in there to study, and with the points noted down in the mind, you write them down as reviews. May be someone will valuate it someday and give you a job. Then, I can try not to be distracted and spend the rest of my life not watching movies and always planning to owlify the world.

Vampire Bat :: You don’t need more feel-good?

Vampire Owl :: No, such movies are too cute, plus I need feel-bad or feel-evil. I quit – may be until weekend.

Vampire Bat :: Take the route through the cemetery. Your zombie team is resting there counting the bones. You never really pay them for the work.

[Gets the ticket].

What is it about? :: The movie tells the story of three strangers, whose paths cross on an eventful day in the city of Cochin. All of them are from around Aleppey and meeting each other at Cochin. Lal (Jayasurya) is a simple man with a good heart, still looking for a job at the age around thirty, and travels to the city for the same reason. He is the one who acts as the narrator at times too. Bahadhur (Nedumudi Venu), a former panchayat president, is an alcohol addict with a weakness for women, but spends his time without bothering others. He goes to the city to visit his fellow alcoholic friend who is in the hospital. Shastri (Aju Varghese) is a young man in the farming field who has his own problems in life. He is in the city to get some of his papers passed from the agricultural office. The next significant character who arrives at the same city is Thaara (Sandra Simon) who works as a nurse at a hospital there. A lot of incidents happen following an accident, and by the interval, things get to revolve around a lottery ticket which becomes the major factor in solving all the problems.

The defence of Lal Bahadur Shastri :: Lal Bahadur Shastri makes its entrance into the feel-good genre and make it work. With its simple characters who are like those among the audience, the movie progresses in an interesting way, and keeps the audience interested. Never losing its flow, there is no boring moment here, even as this movie is more of a drama than anything else. The joints of the stories all also nicely done, and the characters fit in there quite nicely, with situations well managed. There are also some heart-touching moments, as the movie successfully manages its emotional side with the needed ingredients, and this achievement also has its cast to thank. The humour is also good, even as more could have been included. There is only hundred percent decent comedy in this one making it an even better choice for the family audience. There is also a light tone running throughout the movie, never letting things go out of control into the darker shades.

Claws of flaw :: Lal Bahadur Shastri follows a predictable path, even as there are little twists here and there. This idea of having different characters crossing their paths on one big day on a big city has been tried on a lot of occasions, including the critically acclaimed Traffic, its successor Friday, and even in Money Rathnam up-to an extent. The beginning is also kind of unnecessary showing Jayasurya’s character grow up – there was never a need, and is of no value to the story. The plot is not thick, as it depends too much on the creation of confusions, and the “just missed” moments which are recreated to bring the needed effects on the story-line. The scope for humour is not fully utilized, especially with Aju Varghese there (his character even talks about having twins nicely reflecting his real self to bring some nice humour). Those who don’t want to watch another feel-good movie with nice morality elements can skip this movie too.

Performers of the soul :: Jayasurya comes up with a controlled show here, as a character which has worked so well for him, like in Janapriyan and Apothecary; the good and simple man from the village has never been a role which was supposed to challenge someone like him who has been proving his versatility for sometime. Nedumudi Venu has a role similar to what he did in North 24 Kaatham, but here it is a character with more flaws. Aju Varghese is once again doing his job, but this one has less comic scenes for him. Sandra Simon has a very good presence in this movie, even as there is not much here to test her – but does well and lets welcome her to the Malayalam movie industry, wishing her best of luck for the future in this field. One would wonder if there is a show stealer in this movie, and it is Master Minon, who won the National and State film awards for the best child artist with his performance in 101 Chodyangal – when we think that the movie is going to be about the three main characters, this kid comes up in the second half, taking his simple first half presence to a new level. Kavitha Nair’s small role is very much notable too. We can also see Noby, Mala and Lakshmipriya in shorter, but memorable comedy roles.

Soul exploration :: The movie focuses on good people and how they are rewarded, despite going through troubles. It has the message that goodness will rarely go unnoticed, and this movie has so many things which seem to work against the reward, but it finally finds the way. There is also an assertion on the need to do the right thing when the time comes, not thinking about the benefits. If the divine will is on your favour, or may be if destiny is awaitings, good things tend to happen. It is a reassuring message given into a world of chaos, in a society where people rarely care about the other, and there are doubts about any divine intervention and the value for karma. This is why Lal Bahadur Shastri is a good effort, and at at time it is cool to be evil, when being good is not considered the fashion, this movie tells the viewers that it is to be done because it is the right thing. Well, how many people think about the same? The only thing people and media care about are things like people who want to kiss, people who want to watch kiss and people who want to stop kiss – when focus should be on something good or productive.

How it finishes :: Lal Bahadur Shastri is strong in the theatres due to the presence of Jayasurya and Aju Varghese. It is actually present in more theatres than one might have expected it to. A major problem should be with its name though, as it is almost impossible to feel that a movie with such a name would be interesting – no creativity in there; otherwise why would someone choose the name of a former Prime Minister of India, and there is the joke which is years old, taking Lal, Bahadhur and Shastri as three names which seems to have influenced the title. Are we short of good titles, and does it seem that each and everyone of them are used? I wouldn’t think so. Nevertheless, Lal Bahadur Shastri has enough power to impress the family audience, and anybody who wishes to have some feel-good experience will surely try to give this one a chance. That should be where this movie should be targetting and winning its battle in the process.

Release date: 21st November 2014
Running time: 110 minutes (estimate)
Directed by: Rejishh Midhila
Starring: Jayasurya, Nedumudi Venu, Aju Varghese, Sandra Simon, Kavitha Nair, Adwaith Jayasurya, Lakshmipriya, Aiswarya Nath, Nandhu, Mala Aravindan, Master Minon, Noby Marcose

@ Cemetery Watch
✠ The Vampire Bat.

The Equalizer

Posted on November 23, 2014 by Tennyson

Vampire Owl :: So much violence in the human world. Can’t we watch something else rather than this movie with a gun on the poster?

Vampire Bat :: But I thought you liked violence.

Vampire Owl :: I like a violent me, but not people shooting each other. In the end, we will fail to know who shot who and I have to hit my head on the wall hoping for some vampire enlightenment to pour into my brain lighting it up.

Vampire Bat :: Then, there is Bollywood with this weekend’s movie Happy Ending.

Vampire Owl :: No! Shoot me, thats better. Get the tickets! Get the tickets!

Vampire Bat :: But you don’t like the violent stuff.

Vampire Owl :: I don’t want to die a slow, painful death with some Hindi romantic movie showing for nth time whatever they have doing for years.

Vampire Bat :: But we are not sure about it yet. There are some bad opinions…

Vampire Owl :: I shall hear nothing of Bollywood anymore. If you talk about it again, I am deaf. If you talk about it twice, I am dumb too.

Vampire Bat :: I think that it is a pretty good idea.

[Gets the tickets].

What is it about? :: Robert McCall (Denzel Washington) has retired from his busy job as a secret government agent and is living his life in peace after the death of his wife. He spends his time working in a hardware store and giving no clue to anyone about who he has been. He becomes friends with Ralphie (Johnny Skourtis) a trainee whom he helps to become a security guard, and then there is this teenage girl whom she regularly sees at a tea shop he visits. The girl is Teri (Chloë Grace Moretz), a teenage prostitue who reveals her real name as Aleena, is mistreated and beaten up by her pimp ending up in the ICU – Robert decides to take things into his hands, and to give the girl who loves music and books, a better chance at life. He goes to the pimp Slavi (David Meunier), and offers him 9800 dollars to leave her alone. But as he refuses and uses more foul language about her, Robert kills him and his goons. But the leader of this Russian mafia group, Vladimir Pushkin (Vladimir Kulich) sends his right-hand man Teddy (Marton Csokas) to find and eliminate the killer, and here starts another game.

The defence of The Equalizer :: This movie seems to be trying more to be an origin story, and therefore a few problems of the same can be avoided with ease. There is the perfect setup for the sequel which seems to be everywhere on the news. The movie has some nice dialogues, and the action is not overdone – our protagonist doesn’t try anything too much. He just does what he does the best, and continues to excel at it. There are some nice, beautiful shots from the skyline, and the cinematography keeps catching our attention – there is the stylish sequences which are used too; they are all so good, and makes things interesting when things cool down. There is also that dark and gloomy atmosphere that runs through the movie – check out for our protagonist’s attack at the pimp’s room and the warehouse, both of them done with so much of stylish violence and innovation, even as the latter might be a bit too long for some people. The cast also contributes nicely, and the message to do the right thing is strong in here.

Claws of flaw :: There is that drag in between, and makes one wonder why it was so. There are empty slots where something could be used for fill the space. The story is also rather predictable with the hero going on for having revenge due to something bad done to his younger friend, and being awesome as he is, becomes successful in the same – just like John Wick; that was a revenge seeking former assassin for the dark side, while this one being a similar person who was working for the government. It is something we have seen a lot of times in a different manner. There is a lot of violence out here, and some of it might seem unnecessary for a few people. Even then, there are lots of things which seem to be missing, but I would blame the censor board here for that – they should have got rid of some violence. Well, on television, I have seen the scary parts removed from horror movies and bikini scenes removed from James Bond movies. So, I am not surprised even though I understand the difference.

Performers of the soul :: Denzel Washington – sometimes just that name is enough; there are not many people who can doubt that. He goes through The Equalizer with so much power, as if it could be another vigilante movie franchise starting from now. It is once again impressive how he works – this man with a gun, do people need a lot more? Well, there were two in 2 Guns, but one will do here. He is going to turn sixty this year, not something that we can discover without wikipedia. From the first movie I watched with him being part, The Bone Collector; through my favourite movie, The Book of Eli and now standing in The Equalizer; nothing much has changed. It is always great to see Chloë Grace Moretz – she brings such charm to the screen like nobody else. Unfortunately, even as she is undoubtedly the heroine of the movie, our girl is there only for a few minutes in the beginning, and for an even shorter time in the end – it is a case of sadness which we are left with, along with her smile in the end. Marton Csokas is an interesting villain too, just not getting enough of it.

Soul exploration :: The movie’s opening has these lines from Mark Twain – “The two most important days in your life are the day you are born and the day you find out why”. It is the same thing that the protagonist is trying to achieve in this movie – to use his skills to use for the common man. Even in the beginning, we can see that he is trying to help people as much as he can, without going the violent way. For the same, he later transforms, just like the books that he reads – from the retired old man who reads The Old Man and the Sea, through the hopeless knight in Don Quixote and in the end to The Invisible Man who goes through the city unnoticed, and helping the innocents – a Ghost Rider kind of figure who gets rid of the evil souls without any superpowers, but with the skills reminding one of Liam Neeson of Taken. Somewhat Bryan Mills, John Wick and Jack Reacher, this is another guy who has too many skills.

How it finishes :: The end result is that unexpectedly The Equalizer turns out to be better than John Wick, and it is not something that I had expected. Both had their own problem with a certain amount of drag, and the problem of not evolving for the century enough. But even in the troubles, The Equalizer is the superior one; even as there is no doubt about the fact that John Wick will win the box-office battle here, and the credit would go to Keanu Reeves who is more accepted that the big action protagonist more than Denzel Washington, thanks to The Matrix, Constantine and Speed. Gone Girl and Interstellar still stays in our theatres, the latter with so many shows. Dumb and Dumber To won’t pose that much of a challenge though, with lesser opinions and a lot lesser screens. Do give this movie a chance, and as far as you want an action movie without too much of mindless and dumb action, but still doing justice to the genre, this will be the right choice.

Release date: 21st November 2014 (India); 26th September 2014 (USA)
Running time: 131 minutes
Directed by: Antoine Fuqua
Starring: Denzel Washington, Chloë Grace Moretz, Melissa Leo, Marton Csokas, David Harbour, Bill Pullman, Haley Bennett, Vladimir Kulich, David Meunier, Alex Veadov, James Wilcox, Mike O’Dea, Anastasia Mousis

@ Cemetery Watch
✠ The Vampire Bat.

Ormayundo Ee Mukham

Posted on November 18, 2014 by Tennyson

Vampire Owl :: Did you say the word soul?

Vampire Bat :: Yes, I said that this movie talks about soul-mates.

Vampire Owl :: Dude, that is totally so evil. Like the souls in The Conjuring?

Vampire Bat :: Not that soul, the one that they say related to romance, like in Romeo and Juliet, Uncle Dracula and Mina Harker in the undead form or even like cardamom and tea.

Vampire Owl :: How disappointing. You should go for it alone then. It doesn’t fit my plans at all. I won’t recommend that for you either, as you are a cynic.

Vampire Bat :: But I can take that. I can have even tea, lime juice and milkshake together. I can take them all together.

Vampire Owl :: Yes, you are the one who watched three movies of entirely different genres at two different malls on one day and survived to tell the tale. Yes, I know that.

Vampire Bat :: Yes, and I repeated that performance.

Vampire Owl :: You have even transformed me into a movie watcher. You are a bad influence. I should go back to my intelligent evil plans to conquer the world.

Vampire Bat :: Yes, do take the shovel to dig up your buried plans.

[Starts the car].

What is it about? :: Gautham (Vineeth Sreenivasan) is a young businessman with an MBA from the United Kingdom, but is struggling with handling his father’s business at home due to his tension, lack of confidence and inability to memorize significant things related to business. His mother Vasundhara Devi (Rohini) struggles to keep the business going all by himself, and helping them in all that, is Gautham’s best friend Apoorva (Aju Varghese). Nithya (Namitha Pramod) enters their world as Gautham is forced to marry the daughter of a family friend as is attempting to make an escape. She is a sand artist and an orphan, with only the support of her sister Neethu (Soumya Sadanandan) and a family friend Dr. John Kuruvila (Mukesh) who is treating Nithya for her short term memory loss. Even as Nithya and Gautham gets really close, she doesn’t remember who he is, when they meet on the next day. Even as his well-wishers warn him against falling with love with her, he is adamant on making her remember him and stay in her mind forever.

The defence of Ormayundo Ee Mukham :: The move is cute, and there is no need for summoning an oracle from Delphi to tell you that, as it was evident from the trailer itself. The songs are good and nicely complimenting the movie, even if not that much to remember when standing alone. There is the feel-good factor and it also exists with the power to strike the hearts. The funny side is strong, with Aju Varghese handling things so well, and there are some really memorable moments with him and Soumya Sadanandan, and some more when Facebook, Whatsapp and some of the big movies and its dialogues or even songs are made fun of. Coming from the debutante Anvar Sadik, this is a great start for him, especially when experienced ones struggle a lot – no don’t look at Bollywood, that should be a shocking scene. The cinematography is excellent too. There is also the beauty of love, even as it is overdone with some dialogues, work nicely against the world of dumb new generation pseudo-love which we have to suffer from on many occasions. This one is extremely sweet and successfully delivers the feel-good factor.

Claws of flaw :: The movie seems to have been inspired by the 2004 movie 50 First Dates, but the director here has given the fact that he is influenced by Hollywood romantic movies just before the beginning of this flick. There is also the mentioning of a number of movies in the middle of this, and may be that will keep those who are complaining happy. Well, romance and comedy are two things that can be taken and changed to suit a different world and culture, and therefore, that trouble should be forgiven. This is also quite predictable with not much in the story and struggling to make things happen, especially for those who have watched a lot of romantic comedies from English, especially the Adam Sandler starrer. The end is just what we expect, and there is the extended final moment which shouldn’t have been there. They could have tried harder with this one, as there are moments which seems to be at a loss. There is the weakness of the central portion that this movie has, compared to what happens in the beginning and right after the middle. Yes, there is the stupidity in love too, but that is expected.

Performers of the soul :: Vineeth Sreenivasan wins the show, mostly with his funny side rather than anything else, and his presence in this cute movie is rather like the need for fire inside a fire-breathing dragon, and it is by his presence and his usual style that he has controlled things here, without trying anything different or special. But, if the movie is going to work for a certain extended period which becomes an infinite period of a slice of eternity, the credit for the same should go to Namitha Pramod, and the way in which she has handled her character. There is nothing big as if to slay Smaug the stupendous being demanded there, but she has done the job with so much neatness. Supporting her is Soumya Sadanandan who has done an unbelievably good job, making one wonder if she is a veteran. It felt so natural with her performance, and I hope to see her a lot more on the big screen, as she seems to handle every department so well. Aju Varghese handles the entertainment, and once again comes with a big score.

Soul exploration :: Ormayundo Ee Mukham once again get itself into the true love theme, which is surely something that has been exaggerated again and again, and it similarities to 50 First Dates doesn’t help the cause at all. But it has the nice moments which deals with the same in a better manner than most of the other movies. Well, what was Thattathin Marayathu other than a veil-obsessed young man wandering around after falling in love with a random girl for almost no reason at all? Did Om Santhi Oshana have anything other than a strange infatuation? Well, those two movies were undoubtedly better than this, but we can’t let this one go just because it has inspiration from a Hollywood movie. It takes some brains to adapt something from there to here, especially in the case of romantic comedy, as the definition of the same are different here. It is not really easy to group movies like No Strings Attached, Love and Other Drugs, Friends with Benefits and A Lot Like Love into romance, which would be rather absurd looking from here. We always had the worst of such nonsense in the form of things like Banglore Days.

How it finishes :: Ormayundo Ee Mukham needs an applause for the transformation it has done with the material, and all that the cast has put into it. There is no emotional nonsense which gets into this one either, even when the emotions are on the high – and there is no other dumb fake romance related thing added to it. The movie surely works as an entertainer, and its skill in the use of its resources can be clearly seen. But don’t expect a Thattathin Marayathu at all, and if you have watched 50 First Dates and liked it a lot, may be you won’t like this that much. I am not that much of an admirer of Hollywood’s romantic comedies, as I don’t think it has that much of any real romance at all, almost completely dishonoring what defined the same, and keeping it for Disney and the children’s movies. May be if that wasn’t the case, I would have liked this less; but I am sticking to the old generation romance, and I say that this one strikes one good shot towards the boundary and it is up-to the commentators and the crowd to talk about it.

Release date: 14th November 2014
Running time: 140 minutes
Directed by: Anvar Sadik
Starring: Vineeth Sreenivasan, Namitha Pramod, Aju Varghese, Soumya Sadanandan, Mukesh, Rohini, Lakshmi, Idavela Babu, Bhagath Manuel, Raveendran

@ Cemetery Watch
✠ The Vampire Bat.

John Wick

Posted on November 17, 2014 by Tennyson

Vampire Owl :: May be we should watch Beauty and the Beast instead of this.

Vampire Bat :: Now why should you think so after getting the tickets?

Vampire Owl :: Because you can find more than one John everywhere, but a beauty is so rare to find.

Vampire Bat :: You are beauty-blind. You never appreciate any kind of beauty. Do you know that?

Vampire Owl :: That is not true. I find beauty even in a mortuary.

Vampire Bat :: It is exactly what I am talking about. And this is why you will find more beauty or the strange image of beauty in an action movie like John Wick.

Vampire Owl :: What about Jessabelle? I have heard that she is a beauty.

Vampire Bat :: It has been panned by critics, and might not release here soon. The same is the case of Horns.

Vampire Owl :: See, they don’t release the right movie here. You should arrange a mutiny while I am planning to owlify the world.

Vampire Bat :: Still doing better than the censor board.

[Goes into the theatre].

What is it about? :: John Wick (Keanu Reeves) is spending his life in sadness and depression after the death of his wife Helen (Bridget Moynahan) due to cancer. But he receives a puppy which his wife had left for him and decides to love it a lot. One day, a group of gang members ask him to name a price for his car in which they are interested. But John refuses and leaves them very angry. But at night, lead by Iosef Tarasov (Alfie Allen), they get into his home, beat him up, kills his dog and steals the car. Viggo Tarasov (Michael Nyqvist), the leader of the gang and the father of Iosef scolds him and tells him who John actually is. He was his best assassin, who was nicknamed the boogeyman, and this ruthless killer will come to get the one who attacked him, and there is no force that can stop him. He tries to talk to John, which fails, and therefore places a bounty on him – the two major assassins who seem to take the offer seriously are Marcus (Willem Dafoe) and Miss Perkins (Adrianne Palicki). But John Wick has already started his mission – he has been in the best in the business.

The defence of John Wick :: The world of John Wick is nicely created, and it is a nice and gory one full of action and violence which stands apart. It gives a special feeling as we are guided through that strange and lawless world with its own chaos as the right thing to do. It is stylish work, and its style doesn’t go too much and make it complicated – it is simple and nice, with some melee combat and lots of gunshots, never really trying anything spectacular. We do need a good action movie with a lot of action which doesn’t get overdone with flying bodies, people doing insance stunts and all, and here is it. For those who need a bloody revenge story, here it is. It might be the time to imagine all those who were bad to you this week getting shot – yes, it is a lot like a video game and the one that first comes to mind is Max Payne. There is that kind of a feeling going on, and there is even the shot of a man playing a first person shooter getting shot, all of a sudden. Shoot, shoot and save the movie – I would say that it is the motto of John Wick.

Claws of flaw :: There is drag, and there is absolutely no doubt about it. The slowness of the movie is rather awkward and there are also some uninteresting parts of the action sequences which are uncalled for. The movie does seem to offer a lot in the beginning, but that much is not provided – John Wick is this, John Wick is that, but he is not that smart as it turns out to be, but sometimes goes on like a kind of Chuck Norris, getting rid of people who are in his way. But in melee combat, he gets beaten up a lot, and one has to wonder why he was considered that scary. It is all because of his dog getting killed, and that is also strange considering how much of a murderer the protagonist has been. Then there is the ending, and the final scenes as well as the fights are not the better things in the movie, even as they could have been – and that is a let down. We think that it has ended, and it has not, and then there is the hope for another ending, and finally it ends, it is predictable, keeping us looking on our watches – there are boring moments, and the movie is a little too long.

Performers of the soul :: Here is a movie of Keanu Reeves which is all about him as the name itself suggests. He is once again at his best, and in action, he seems supreme. He has blended into this avatar so nicely that this might be his best performance for some time. There is still nothing like seeing him in The Matrix, Constantine and Speed though – sorry, couldn’t live without mentioning them here. Michael Nyqvist is fantastic as the gang lord. The movie does leave one hoping that Adrianne Palicki had more to do – the only thing she does here is to try to kill John Wick, but she is supposed to be a smart lady assassin, and should do more, and could have controlled a lot more in the movie, and her end is also too cold. I thought she was very good in G.I. Joe: Retaliation as Lady Jaye, and here she has a blunt character, but I liked the way she dealt with it. The same is the case of Willem Dafoe who was needed more – there could have been more with him and that sniper rifle. Lance Reddick is nice indeed in his scenes. Ian McShane also leaves a nice mark. I do wish Bridget Moynahan was out of John Wick’s mobile screen for a little more time.

Soul exploration :: This is a story of revenge, and how it goes in a violent manner – there is no chance for regret in this world of chaos and annihilation. There is the assertion of the truth that one’s past can’t be asked to go away, especially if it is violent in nature. There can be many things that a man can be, but being not influenced at least indirectly by his past is rather not possible – the grave where you hide these tend to come back as zombies, and John Wick is no exception for the same. The Malayalam word for “past” is “bhootham” which means ghost, and it keeps haunting us, thus making that name a worthy one. John’s attempt to escape from his past doesn’t prove to be good for his present, and keeps his future uncertain. Yes, worrying about the past is useless, but not when it is a terrible one, and you do have something left in you to take your mind and body back to it – that means that you have not changed. Unless you have not let go in a way in which there is no return, there is no escape, because ghosts will successfully feed on them some day. There are not many twisted things in this movie, as the plot is direct – find, kill, have your revenge, leave in one piece if possible.

How it finishes :: This weekend’s challengers for John Wick are from Nightcrawler and Beauty and the Beast. The remains from the past include Gone Girl which is still going strong, along with Interstellar, Big Hero 6 and Fury which should be of no challenge for this one. Among this week’s releases too, this one should have the advantage, with Keanu Reeves being back at what he has been doing the best and can accomplish with that certain amount of awesomeness – there will be a lot of Matrix fans who have been hoping for the same. It is also the only hundred percent action movie among all the releases. The releases in other languages also has none that belongs to full action. Lets hope that John Wick will bring a change in the action genre as it hasn’t been doing that well as the situation used to be, unless being mixed with science fiction or some random adventure into the unknown or fantasy. Do give John Wick a chance if you are a strong action fan, otherwise may be you can doubt.

Release date: 14th November 2014 (India); 24th October 2014 (USA)
Running time: 101 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Adrianne Palicki, Bridget Moynahan, Michael Nyqvist, Alfie Allen, Dean Winters, Ian McShane, John Leguizamo, Willem Dafoe, Lance Reddick, Daniel Bernhardt, Omer Barnea, Toby Leonard Moore, Bridget Regan, Keith Jardine, Thomas Sadoski, David Patrick Kelly, Clarke Peters, Kevin Nash, Randall Duk Kim, Scott Tixier

@ Cemetery Watch
✠ The Vampire Bat.

Big Hero 6

Posted on November 13, 2014 by Tennyson

Vampire Owl :: I am still suffering from a certain amount of brain damage after watching Interstellar.

Vampire Bat :: Nolan added Physics into that movie because he know that we have all hated our Physics teachers and it is almost everybody’s least favourite subject along with Mathematics. I do feel that the movie has added Physics to my list of degrees without telling me.

Vampire Owl :: Free degree, that is cool. Actually, do you even remember any of our Physics teachers?

Vampire Bat :: No, I don’t, and I shall never remember. Even after I tried harder for the same, I was always let down by it. But Chemistry has worked the other way around for me. I was so shocked by my scores for the subject that I wanted to faint and prove it.

Vampire Owl :: Do you think that this movie will have Physics?

Vampire Bat :: Not as much as Interstellar, I am sure. They will at least speak in English rather than in a nerd language this time.

Vampire Owl :: Thank God that we are partial nerds then.

Vampire Bat :: That should be why we enjoyed Interstellar, especially when our imaginations go to space as well as the other dimensions every day.

Vampire Owl :: Is it just an illusion or does it actually seem like a How to Train your Dragon: Robot Version?

Vampire Bat :: I think we should watch this and check. It has managed to gain so much of critical appreciation.

[Starts the car].

The background :: Big Hero 6 comes from a group of superheroes which were part of Marvel Comics. But the differences are there, no doubt about that. This becomes the first movie to feature characters from Marvel comics and builds hype as from the makers of Frozen and Wreck it Ralph! – something which will draw in plenty of comparisons. This is also the sixth big animated movie released in this year at this part of the world after Mr. Peabody and Sherman, The Lego Movie, How to Train your Dragon, Rio 2 and Planes: Fire and Rescue – I have watched all except the last. People might think that this is not the right weekend to release an animated movie as it has to face the powerful Interstellar in a battle of David and Goliath, especially when in the modern world, David has very less chance to win. But it is not always about one thing or two when it comes to movies, isn’t it? Which is why Big Hero 6 could keep itself working well enough when facing such a big nemesis.

What is it about? :: Set in the fictional world of San Fransokyo (kind of like San Francisco and Tokyo in a combo), Hiro Hamada (Ryan Potter) spends his time attempting to participate in illegal robot fights. He is an expert in robotics, and his brother Tadashi Hamada (Daniel Tenney) feels that he is wasting his potential by doing such worthless things outside law. So, he shows his little brother his university and the robotics laboratory where he and his friends are achieving marvellous things under the experienced Professor Callaghan (James Cromwell). Hiro is highly impressed and is desperate to the get into the university, for which he invents something called microbots which can transform into anything, and can be controlled using telepathy. He is accepted into the university, but a fire breaks out and his brother is killed, which leaves him in permanent grief. But soon, with the help of his brother’s robot Baymax (Scott Adsit), he attempts to find the man who might be responsible for the death of his brother.

The defence of Big Hero 6 :: Here is what you expect from an animated movies in the right quantities, nothing too much and not really missing out anywhere. The comedy works most of the time, but is more limited to the main robot and less to the rest. The movie is all fun and entertainment too, visually looking very good and having some very nice action sequences which are overtaken by the emotional ones which are even better. The world is nicely detailed with different architectural combinations, and the characters are also nice and pretty much likable, with one extremely lovable robot at the centre of everything. The superheroes are nicely created and the supervillain also looks impressive. Well, this one is light, easy to follow and connect, as well as lovely to watch on the big screen, and what more would you need in an animated movie? Big Hero 6 surely scores here, and deserves the whole family in the theatre. Well, it isn’t accompanied by the hype such as Interstellar got, so it can only be a clear winner. I would expect a sequel to hit the theatres soon, as this origin story is now established.

The Claws of flaw :: It follows the usual animated movie policy and doesn’t try to innovate too much, may be due to the fear that it will repel the family audience which is supposed to be its strength. There is too much of a predictable plot, very unlike Mr. Peabody and Sherman which had its nice additions to bring twists to the story. Even the small suspense about the identity of the villain is also predictable up-to an extent, and we almost know most of the things that are going to happen before they do. May be the kids, and those who are new to the genre might not guess that well, but it is so. The usual things that happen include the loss of a loved one, revenge, team of superheroes and a big villain which is the setup too many movies that we have known in this genre. The humour is also not as good as some other animated movies in comparison, and the 3D not that much up-to the mark. Too many movies with similar factors have happened, and our hero with his robot is a lot like another hero with his dragon, and that also happened this year for the second time. May be the villain also could have taken up a better characterization and backstory?

Soul exploration :: Big Hero 6 is not better than Frozen, and it is a clear fact, expect for some irritating fan-boys and girls saying that it is so without any particular reason. It is not better than Mr. Peabody and Sherman which is the best animated movie of 2014 as it stands now, and stands below many other animated titles. But we cannot deny the emotional power of this movie, and its message of friendship and brotherhood, and the call to use one’s skills and abilities for others. The fact remains that the one non-human character in the movie, the robot is the one who spreads all these messages and by influencing the humans around it to heal and not to hurt, that brings out the truth that humans always need someone else to tell them what is right and what is wrong, as they are too much affected by the bad emotions and not that much by the right ones. Yes, this robot is one positive role-model for everyone, and the other movie at the theatres now, Interstellar has none even as it is superior in many ways. May be it is time to get a Baymax robot action figure for a change – we have had too many transforming robots already!

How it finishes :: Big Hero 6 has been the surprise package of the weekend while Interstellar is just doing as it was expected to perform, and there are even some who had expected a lot more from that movie – Christpher Nolan is that kind of person. But our movie is the silent assassin here, coming up our of nowhere and making the impact, overtaking the expectations associated with it. What works against Interstellar is that none of the common man group has gone to space and there is no real idea about how it is, or if anybody has actually gone there or if it is just a conspiracy theory. So when in a science fiction, if science completely devours fiction, there will be a problem for people. If it had dealt with what actually happens with human lives, things would have been direct, but otherwise there was the need to make it less complicated. It is not bad to have things complicated, but it has alienated the family audience here, and that section has been taken over by Big Hero 6 which has one robot with better emotional connection than the whole cast of Interstellar combined, including that of the third rate ghost-contacting father-hating daughter.

Release date: 7th November 2014
Running time: 105 minutes
Directed by: Don Hall, Chris Williams
Starring (voice): Scott Adsit, Ryan Potter, Daniel Henney, T. J. Miller, Jamie Chung, Génesis Rodríguez, Damon Wayans Jr, Maya Rudolph, Stan Lee, James Cromwell

@ Cemetery Watch
✠ The Vampire Bat.

Iyobinte Pusthakam

Posted on November 10, 2014 by Tennyson

What is it about? :: The movie tells the story of Iyob (Lal) and his three sons, Dimitri (Chemban Vinod Jose), Ivan (Jinu Joseph) and Aloshy (Fahadh Faasil). Iyob was a young local boy who became the right-hand of Harrison (Sal Yusuf), one of the British people who established homes in Munnar, but he managed to rise after his death and had become the most powerful and the influential man in the area. Due to the commanding nature of his father and the atrocities of his brothers which are covered up with money, Aloshy leaves home and joins the Royal Navy from where he is dismissed as a result of a mutiny, which leads him back home. There, his troubles with his brothers begin, and Iyob is infuriated by his lack of obedience and also lack of display of admiration for his father, for which he disinherits him, and his brothers attack him and leaves him for dead. But Iyob doesn’t really know his other sons yet, and an enemy called Angoor Rawther (Jayasurya) shall soon come up.

The defence of Iyobinte Pusthakam :: Iyobinte Pusthakam is brilliant, and amazing beyond words in its visual splendour – it is something that we might have never seen before in Indian cinema, and one can get a peek at the same by just looking at the trailer – the complete stuff is a lot bigger and highly extravagant in its visuals. What you see in the posters are made a lot better in this movie, and not the other way around. The movie’s use of history and the variety in settings are also something to cheer about. We rarely have such good period thrillers in Malayalam, and even in Bollywood. The only things related to history that we have these days are related to killing white people – are we so much out of ideas that we have to talk about one thing again and again? No, not all, says Amal Neerad who has come up with his magnum opus here, which tells the story of the people of the land during the British rule and after, combining history and fiction. You can appreciate this one as long as you have the ability for the same.

Positives and negatives :: The movie might still be slow for a few, but I will say that there is absolutely no drag, and it is achieved by the beauty of the visuals – it is no bloody useless drag like Annayum Rasoolum, I can assure you that; this is more of a Left Right Left of this year. As you enter the world of unparalleled visual beauty, what you want might not be the story. The plot might look ordinary, but it is never about the story. Do watch and get taken into this amazing world, and the first movie from Amal Neerad that I liked – and this is one big like for him! Yes, I have never liked Big B, Sagar Alias Jacky, Anwar and Bachelor’s Party, and you fan-boys and girls can dislike me for the same. Interstellar was just a story that could never happen, but this one is a story of humanity in real, and it is up-to you to choose the one that you wish for this weekend, as both are for entirely different set of minds! Our Malayalam critics will never rate a movie from Kerala high, so just the “very good” rating for this movie would mean “out of this world”.

Performances of the soul :: Fahadh Faasil is nothing less than brilliant here, as he has another feather in the cap here. It is amazing how he has managed to thrive under almost every circumstance that has been put before him. How good can he be? We can never know the limits of his abilities as it seems. Lal is also nothing less than the powerful and later the helpless figure that he is supposed to be – there is nobody other who can be this character. Chemban Vinod Jose and Jinu Joseph are also good and the former is extremely efficient at times Isha Sharvani is extremely beautiful and suited for the role with her looks alone, otherwise she has much less to do; but that has still worked well for the character. Jayasurya is one impressive villain too, as he becomes the smiling assassin here. Padmapriya as Rahel also scores, coming out nowhere. Vinayakn is also nice. The characterization is so powerful and they nicely blend into the strength of visual beauty and that nice background score. I shall leave with some more thoughts below.

Soul exploration 1 :: Iyobinte Pusthakam as King Lear :: Iyobinte Pusthakam is a lot like King Lear or a loose adaptation from the same – it is as much of Shakespeare as Haider is Hamlet, and it has nicely used the setting to support the same. Iyob is King Lear who divides his kingdom among two sons, disinheriting the third, and in the end, it turns out that he was always the righteous and the loving one who comes out to help the father. Goneril, Regan and Cordelia are all here, and there is the Earl of Kent who is joins with the villains this time as Lazar. Rahel does the job of Edmund here, standing between the two sons and making one kill the other. Meanwhile, going outside the play, Martha becomes the lady love that every movie needs, and Angoor Rawther is just the villain that every story should have. There are also those moments when Iyob seems to be descending into madness, and Oswald is also there, as the man who tries to kill our hero and gets himself killed. Also check for the The Brothers Karamazov kind of characters with the same names.

Soul exploration 2 :: Iyobinte Pusthakam as the Parable of the Prodigal Son :: Iyob himself mentions Aloshy as prodigal son when he returns from the navy, and the church priest mentions that he is to be given a warm welcome if it is so, just like in the Holy Bible. But here, Aloshy is not the prodigal son, but rather the lost son, who returns after gaining wisdom rather than losing money, and this illusion of the gone son being the prodigal son is directly reversed in this movie without any complication. But considering a few other cases, he is indeed unemployed and without money compared to what he has at his own home which was left behind. The money that he extravagantly spent are the years of his life, and the time which he should have spent with his family. The father does accept his son, but once again, the elder brothers don’t. The movie’s use of the dialogues about the parable gives us this idea.

Soul exploration 3 :: Iyobinte Pusthakam as the Biblical story of Job :: The main character of the movie is Iyob or Job even as the hero is Aloshy. Even as our character here doesn’t have the qualities of a righteous man, he is also someone who losses almost everything that he holds dear, and it includes his own children, his property, and up-to an extent, his health. But the answer to his problems is achieved sooner here, in the form of his earlier lost son Aloshy. During his last moments, he holds onto the cross and gives it to his son, something which he already had, but rarely mentions as his baptism was nothing that he or his people wanted. It is his faith in God that is replenished in his final moments, and even as there is no redemption like that of the Biblical Job here, he does manage to die a good person rather than the evil feudal lord that he had been.

*This is the finest movie of the year from India, among all those which I have watched. Don’t miss this one! It is out of the usual league. It also leaves us with thoughts about the oppressed becoming the oppressor when opportunity arises, and also with a message on equality among the masses.

Release date: 7th November 2014
Running time: 160 minutes
Directed by: Amal Neerad
Starring: Fahadh Faasil, Isha Sharvani, Lal, Jayasurya, Padmapriya, Chemban Vinod Jose, Reenu Mathews, Jinu Joseph, Vinayakan, Lena Abhilash, T. G. Ravi, Sreejith Ravi, Shebin Benson, Saritha Kuku, Nebish Benson, Sal Yusuf, Aashiq Abu (cameo), Amala Paul (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Interstellar

Posted on November 9, 2014 by Tennyson

Vampire Owl :: What if we don’t get the tickets?

Vampire Bat :: Most probably, we won’t get tickets.

Vampire Owl :: Really? Then why are we going?

Vampire Bat :: Because the movie has a wormhole through which may be getting a ticket is possible. It is called Big Hero 6 which should attract all the family audience and spare Interstellar.

Vampire Owl :: If we don’t book the tickets, the only thing that we are going to find should be a black hole. This is the movie of the weekend. Most of the shows at a good number of places are already booked a lot earlier in advance.

Vampire Bat :: Do you know that Big Hero 6 has better reviews than Interstellar?

Vampire Owl :: Yes, but I am allergic to animated movies these days. So, going to the multiplex and watching any available movie won’t work.

Vampire Bat :: Okay, then take out that card and book the tickets. Wait, is that a tattoo on the side of your head?

Vampire Owl :: Yes. I am the owl with the dragon tattoo. Soon, I shall play with fire and then kick a hornet’s nest. It will improve my confidence with owlifier a lot.

Vampire Bat :: Impressive nonsense. Now, can we just book the tickets?

[Goes to bookmyshow website].

What is it about? :: The movie takes into a far future when the world no longer needs engineers or scientists, but farmers as the world has been facing a severe shortage of food as crops are always affected by blight and huge dust storms become a frequent occurence. Cooper (Matthew McConaughey), a former astronaut lives the life of a farmer in the countryside with his father, son and daughter. His daughter Murphy (Mackenzie Foy) seems to have found some presence in her room which she feels is a ghost, and there are messages being sent, which after being decoded, gets them to a secret NASA building which is planning something huge. It is then revealed that the scientists are attempting to find another planet instead of Earth to colonize, by travelling beyond the known solar system, through a wormhole formed near the planet of Saturn. As nobody else has undertaken a space journey outside simulator, Cooper is assigned the job. But the daughter is not happy about it, and as he decides to save humanity, what will happen to Earth as well as his relationship with his daughter?

The defence of Interstellar :: We have to admit that the movie is something of brutal strength. Christopher Nolan has got the balance here between the emotions and intellect as he keeps them together. The movie is heavy in its drama and at the same time, powerful in its action and special effects, and there lies the beauty of making a mixture which can taste good for more than one kind of viewer. The visual beauty remain stunning, and it is a shame that it didn’t release in 3D in this part of the world. We get a nice look at the heavenly objects and realize that they are indeed belonging to heaven. The two planets as well as the wormhole and the black hole catches our attention. The thrills are powerful, and there are enough twists to keep one guessing. There is no dull moment even when the movie is so long, and it keeps us immersed in the flow, not allowing us to drift away. Interstellar becomes an experience here, and not just a movie that we can watch in an objective manner. The sadness of watching something like Transcendence is drained away by this one too.

Claws of flaw :: The movie’s ending is rather less interesting, and especially with such a great setting and happenings, it needed a better finish; there is some lack of imagination there compared to the movie as a whole. There is also too much Physics being explained, and there we can see the failure to realize that we are not attending a science class but a science fiction; and none of those things are related to what we studied or applicable to real life – they could have just gone on with using “English” rather than scientific terms, and for everything else, there is our willing suspension of disbelief. There are times when visuals struggle too, especially with the looks of the spacecraft. Some dialogues are too overdome too, especially concerning the emotions, as the melodrama gets more powerful. The journey to other planets is not completely utilized, and there are lots of ambiguities that can be guessed, and the lack of the right explanations to be found; there is nothing like getting to point – here it is missing.

Performers of the soul :: Matthew McConaughey is brilliant here – no surprises or twists there as he handles the whole thing without even one flaw there. From the beginning itself, he seems to be clearly attached to the character and doing his best every moment. Anne Hathaway also plays her role to beauty, even as there are some dialogues from her which are rather awkward. But the emotional as well as the intellectual moments are nice whenever she is involved. She shares some of the best moments with the protagonist. Jessica Chastain is also good, and that can be said so because she plays a character which should have no love from the audience and she is successful in the same; being smart and educated doesn’t mean good and caring daughters as we can see in this movie – Mackenzie Foy did the role of the younger her very nicely too. David Gyasi was good there, no doubt. Michael Caine adds to it too. The acting department clearly wins those areas.

Soul exploration :: Interstellar shows us how minute we humans are, in a universe that is stretched beyond all imaginations, like the sand on a beach or like the drops of water that make an ocean. There are a few other movies which this one reminds me of, one of them is Event Horizon and the other is Pandorum. The former dealt with creating an aritificial black hole which used the power of gravity to bring together two points in the space to reduce time taken for space travel, the result being the ability to go beyond the known world into a dimension of evil. The latter had a spaceship going on a hundred and twenty three year journey with sixty thousand people to establish a colony on an Eath-like planet during which there are problems between the crew leading to strange turn of events. Interstellar has elements of these two movies, and I would say that I like those two better. But those movies won’t be that much known in comparison to this, thanks to the hype and the fan-boys. There is also the reminder of 2001: A Space Odyssey and Prometheus.

How it finishes :: Interstellar was one of the most anticipated movie for many, and undoubtedly among the most awaited movies in my list, and there is the huge expectation there which has made sure that the shows are full a lot earlier than they usually are. Even the two Malayalam movies released this weekend don’t seem to have that much rush, but there is that case of the presence in local theatres – still, how well Interstellar is doing is nothing less than a surprise considering the fact that this is the kind of response that only superhero movies and superstar stuff gets, but there is that effect that Gravity had created, still running in the minds. Christopher Nolan is also a name that catches the attention, and even people who haven’t understood Inception after watching for the “n”th time should be willing to take the risk. The collection should be big from this part of the world, and may be this can break the record of Transformers: Age of Extinction, the highest grossing movie of the year – who knows?

Release date: 7th November 2014
Running time: 169 minutes
Directed by: Christopher Nolan
Starring: Matthew McConaughey, Anne Hathaway, Jessica Chastain, Michael Caine, Bill Irwin, Ellen Burstyn, David Gyasi, Wes Bentley, Josh Stewart, Mackenzie Foy, Ellen Burstyn, Casey Affleck, Timothée Chalamet, John Lithgow, Topher Grace, David Oyelowo, Matt Damon, William Devane

@ Cemetery Watch
✠ The Vampire Bat.

Gone Girl

Posted on November 3, 2014 by Tennyson

Vampire Owl :: Which girl is gone?

Vampire Bat :: No, it is the name of the movie.

Vampire Owl :: Really? But you are going to a theatre which almost froze us to death last time.

Vampire Bat :: Yes, but it happened only once.

Vampire Owl :: Dude, only a Vampire Penguin can stand such cold. I think they are trying to start a new mortuary freezer at the theatre in collabration with the nearby hospital.

Vampire Bat :: Have you ever been to a mortuary?

Vampire Owl :: Yes, once when I was looking for a zombie to provide assistance to my owlification. Couldn’t find one though. I was freezing to death; no wonder there are no zombies in this part of the world. Even the undead dies in that cold.

Vampire Bat :: But people usually want this cold.

Vampire Owl :: It is already raining outside. Why would they want more cold? See, this is why I should not watch this movie and go back to owlification. Watching a movie here would be like watching Frozen without the visual effects.

Vampire Bat :: Be the Gone Owl then. Best of luck.

[Goes into the multiplex].

What is it about? :: Nick Dunne (Ben Affleck) returns home on the day of his fifth anniversary to find his wife missing. The situation does manage to find a lot of media coverage as she is daughter of the parents who wrote a very popular series of books with Amy Elliott-Dunne (Rosamund Pike) at the centre of it, called Amazing Amy. Soon, the media comes to the conclusion as he is the one who is responsible for the same and has murdered his wife, thanks to the revelations of Noelle Hawthorne (Casey Wilson) who says that he was not a good husband and she was pregnant. Nick acts strange and also sounds weird during the investigations making the cops suspect him, and there are also more evidences that point to him. Then there is his sexual relationship with Andie Fitzgerald (Emily Ratajkowski). Finding Amy’s diary and what seems to be the situation of their marriage, it becomes clear that he is in big trouble, despite the sincere efforts of his twin sister Margo Dunne (Carrie Coon) and attorney Tanner Bolt (Tyler Perry).

The defence of Gone Girl :: The movie has two sides, and the first half is entirely different from what is to follow in the second, and the PVR intermission is nicely created. The two halves are rather like two parts, with first one being an investigation of the mystery of the disappearance of a man’s wife, and the second being how it has been working for the wife, and how it goes on as everything comes together in the end. I found the second half clearly superior to the first, and there is a lot of truth as well as entertainment in the latter division. The first half’s mystery as well as the second half’s black comedy nicely compliments each other. This is comparable to the movies like The Girl with the Dragon Tattoo, Enemy and Prisoners with its content. It brings the questions about modern marriage to light and talks about how it has changed in the recent years – the narrative is as good as it can get, and the plot is nicely managed. There is also that power of the performances.

Positives and negatives :: I have heard some people say that the novel is better than the movie, and I do ponder about it, but I don’t think I am going to read the book any time soon. For now, I can say that the movie is excellent. Some people might find the movie’s going forward and backward in time irritating, but I find it nice. It does have a strange twist in the end, and even as it has a certain beauty about it, some viewers might find it ridiculous – yes, some other usual kind of ending could have been the one for normal audience, but we are always equipped to take something different, aren’t we? Then there is the slow start which can take the interest off you, and the extreme length of the movie which has two and half hours taken away from us, making it a total three hours long with those advertisements – too many commercials and trailers, and I was frozen in the theatre by then. Thank God for the intermission we have here, for a long English movie is not what our audience ask for.

Performers of the soul :: Ben Affleck is playing a usual unsuspecting man, and it seems to work for him a lot. There is not much to do there for him to do other than being clueless and making at attempt at being better, but he does that nicely to convince us about his character. It is undoubtedly a good role for him as we wait for him to come back to us as the new Batman. I loved how Rosamund Pike played her amazing Amy, as there is as much mystery about it as well as the awesomeness in the portrayal. There is that moment when she reveals her thoughts, and it is one bloody awesome moment, and there is that thing that he does with the climax, and she is simply perfect right there. Neil Patrick Harris is pretty much wasted in his role which is pretty much a dumb one, and does nothing much. Emily Ratajkowski is there as the most gorgeous person around, nothing more about her character, but she is indeed lovely to watch. I did think that Carrie Coon was very impressive there. Tyler Perry was nice, I liked how he did his job. Lola Kirke and Casey Wilson also do their jobs nicely.

Soul exploration :: Gone Girl is a mixture of many genres, as it has its mystery and twist along with humour and crime investigation. There is romance, but one might not want to see that genre at the centre. The movie takes more of a satirical view on the marriages of the modern age, and during the same, black humour is implemented a lot. It also shows how easy it is for the media to manipulate the public opinion and devastate a man in the most disgusting and ridiculous manner, and that it is indeed easy for the woman to put the blame on the man and frame him for her troubles, because the society will always favour a woman as long as she can keep the mask of being in trouble. There will always be at least one stupid person whom a smart one can manipulate. It gives its viewers one more reason why one shouldn’t cheat in a relationship, and your wife might be a psychopath, but you will never know. Both the protagonists are liars, and there lies the strange beauty in the narrative. May be we can put this one into the psychological thriller genre.

How it finishes :: For one second, I thought that this had released here before it did in the United States, and then on the next second, I realized that this month is not October – the time does fly so quickly, and we are indeed coming to the close of this year’s movie watching adventures in less than two months with Christopher Nolan’s already much critically acclaimed Interstellar so close to getting released. Yes, Gone Girl becomes the movie which made a difference in the closing stages, unlike those other movies which were the more awaited ones. Even as I once again almost got frozen to death in the multiplex theatre, it was worth it. Yes, this is one question that I ponder over – why is it too cold in some theatres? What is the need for the same especially when it rains almost every day here? It is a wastage – they should surely keep it low and save some energy rather than creating the mortuary freezer effect which is rather a punishment.

Release date: 31st October 2014 (India); 3rd October 2014 (USA)
Running time: 149 minutes
Directed by: David Fincher
Starring: Ben Affleck, Rosamund Pike, Tyler Perry, Carrie Coon, Kim Dickens, Emily Ratajkowski, Neil Patrick Harris, Patrick Fugit, Casey Wilson, Missi Pyle, Sela Ward, Kathleen Rose Perkins, Lisa Banes, David Clennon, Scoot McNairy, Boyd Holbrook, Lola Kirke, Cyd Strittmatter, Leonard Kelly-Young

@ Cemetery Watch
✠ The Vampire Bat.

Ouija

Posted on November 1, 2014 by Tennyson

Vampire Owl :: Halloween and no horror. Never thought that such a day will come in this century.

Vampire Bat :: There is horror. We can watch Ouija.

Vampire Owl :: Really? The Vampire Panda told me that it was a bad movie and critics gave bloody low ratings to it.

Vampire Bat :: Lets not trust the critics on a horror movie. Besides, that panda is not a vampire. He is just the Kungfu Panda on disguise attempting to sell his noodles and action figures among vampires.

Vampire Owl :: I shall deal with him later. For now, I can surely use a summoned spirit. According to the latest version of the Book of the Dead, the Undead and the Brain dead, they are very useful creatures. We need to get an Ouija Board.

Vampire Bat :: Do you realize that you already create enough problems for yourself?

Vampire Owl :: Absolutely yes. See, I am an evil entity. I am supposed to create problems for the world which includes myself.

Vampire Bat :: You should have a dosa. You turn evil when you need it.

Vampire Owl :: No. I am a dangerous owl. I need to keep it that way.

Vampire Bat :: Yes, dangerous to yourself.

[Gets the tickets].

What is it about? :: The protagonist Laine Morris (Olivia Cooke) is searching for answers as she hopes that she could have done something for her best friend Debbie Galardi (Shelley Hennig) who had committed suicide, and she laments the fact that she was the last one to talk to her and yet couldn’t stop her from doing such an act. As she finds an Ouija board in her house, along with her sister Sarah (Ana Coto) and other friends of Debbie, Pete (Douglas Smith), Trevor (Daren Kagasoff), and Isabelle (Bianca A. Santos) decides to try and contact their recently deceased friend. Soon, they contact a spirit which addresses them as friends, but what they are not aware of is that Debbie already had made a connection to the other world which lead to her death, and they understands that more than one entity is now free. The friends realize that they will just be killed one after the other and there will be no stopping the terror. A relative to the dead people returning as spirits, Paulina (Lin Shaye) who resides in a mental asylum seems to be the key to stopping the evil, but will it work?

The defence of Ouija :: The name would be enough to draw people to the movie, and the Ouija board has always been the centre of curiosity for a lot of people for a good amount of time. We have a lot of curious cats among us, don’t we? This movie banks in the same with the board at the centre, throws the usual stuff at us again and again, and there are some scares as one would expect from it. The sewn mouths are not something new, but they surely work here especially according to the circumstance, and the twist, even if small is a working one. There are possessions, suicides, murders, sewn mouths, blank eyes, with some scares here and there, and a creepy environment of the house. The sound effects are very good and the visual horror has its moments. It is quite a success as a haunted house movie, with the board being found from the home where evil has happened sometime ago. Some moments near the end are good, even as their failure to end the movie with the same surprises me.

The claws of flaw :: The movie doesn’t try anything new at all. Its biggest asset is that one board, but the flick fails to capitalize on the same. There is not much about that one big thing that it could have used to its effectiveness, and instead the same becomes only the means to what is to come next. It only does the job of any other possessed item which could gain the attention of the spirits. The movie should have stuck to its title, explaining more about the board and how things come to this dimension in relation to the same. But it tries to make the movie go on in the usual pattern often forgetting that the movie is about the board, with the existence of a house where something terrible did happen a long time ago and there is a spirit waiting to possess or murder people. Even a good number of scares are not that effective, but there are a few which work nicely. The plot and the narrative could have had some more attention to make the whole thing better.

Performers of the soul :: The movie has a rather cute lead at the top, and the performances are overall decent. Olivia Cooke plays the protagonist here, the lady who is hopelessly trying to connect to her dead best friend, and she has indeed played this role with such expressions of fear and uncertainty which makes this character so much believable here. Her cuteness helps the cause a lot, and she is a perfect one for this role which has more hopelessness and desperation which she could nicely reflect on her face. You will instantly like her, that is for sure. The next one is Shelley Hennig, and even as she dies early, has her moments too, and is not done even with that separation of the soul. She adds to the beauty of the cast and does enough, while the rest of the cast manages to hold on, but not with anything special. Meanwhile, Lin Shaye is here too, and she is once again impressive in another horror movie – catches our attention.

Soul exploration :: In its search for the spirits within the Ouija board and also outside it, the movie losses its soul. It can’t realize what it has in its soul, whether it is to focus on the board or the haunted house and its scary past. When we finally decide that it is on the latter, then comes the board again as if it is Count Dracula who wants to be part of everything vampiric. The spirit also works a lot like the Final Desination series, planning to just kill them all in freaky ways, even as it is not that heartless to make things too violent. Then you realize that Ouija is a mixture which is created to make it a safe bet, and it adds so many things to itself and makes those factors work in parts even as in totality, there is some mess. There is the lack of soul to hold it together, and it is the same reason why we are unable to bring much of it back home – even Annabelle living in the shadows of The Conjuring had more for us. Ouija boards can inspire better horror movies, and this one has the spirits not that powerful.

How it finishes :: The conclusion is still that even with its list of flaws, Ouija is your movie of the Halloween, even as Annabelle does exist at selected theatres with less number of shows. It will be the choice of the Halloween enthusiasts as Ouija board is not something that is not tried that much, and there are not other big Hollywood entertainers released this weekend. I have successfully kept my distance from Bollywood since Diwali as I had sensed certain danger. Meanwhile, I wish all the followers of this blog and the readers of this post a very Happy Halloween, and the November first is also the birthday of the Indian state of Kerala, the occasion known as Kerala Piravi, so I wish all my fellow Keralites a Happy Kerala Piravi too. For more details about the same, visit: http://en.wikipedia.org/wiki/Kerala_Piravi and http://en.wikipedia.org/wiki/Kerala. Happy Birthday, Kerala 🙂

Release date: 31st October 2014 (India); 24th October 2014 (USA)
Running time: 89 minutes
Directed by: Stiles White
Starring: Olivia Cooke, Shelley Hennig, Daren Kagasoff, Douglas Smith, Bianca A. Santos, Ana Coto, Matthew Settle, Lin Shaye, Vivis Colombetti, Robyn Lively, Bill Watterson, Sierra Heuermann