Author Archives: Dr. Tennyson

Madhura Naranga

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madhuranarangaa

Vampire Owl :: Do you know that there are three other Malayalam movies to watch as interesting choices are there?

Vampire Bat :: Yes, it is why we are standing here in the queue from the morning itself.

Vampire Owl :: Tough times, isn’t it? Malayalam movies haven’t been doing well enough since that big Premam and Ivide weekend.

Vampire Bat :: Yes, non-Malayalam movies are taking away all the glory. But this might be the weekend on which we fight back.

Vampire Owl :: But are you sure about this choice?

Vampire Bat :: Yes, even if this movie is not good enough, we will watch another movie after this and make sure that we leave for home as happy vampires.

Vampire Owl :: If the second movie is not goo too, then what will we do?

Vampire Bat :: We will watch another one. Actually there are four shows at the theatres here; 11:30, 2:30, 6:15, 9:15. We can always try four different movies today. If you are ready to go to a mall with multiplex, we can do even better.

Vampire Owl :: You are seriously trying to feed me brain damage in the form of too many movies on a day.

Vampire Bat :: I have come very close so far, haven’t I?

[Gets the tickets].

What is it about? :: After a few early minutes in Sri Lanka, the movie takes a flashback to Sharjah. Jeevan (Kunchako Boban), Salim (Biju Menon) and Kumar (Neeraj Madhav) are just three among the large number of Malayalis working in the UAE and are sharing a house. One day, as Jeevan driving his cab, he finds a girl in trouble and brings her home. The girl is Thamara (Parvathy Ratheesh), a Sri Lankan Tamil who has escaped after being trafficked from her home country. Even though she has almost killed someone while trying to escape, Jeevan is attracted to her, and decides not to let her go in spite of being aware of the consequences. They hope to arrange a fake passport and get her back to Sri Lanka, but things were only going to get further complicated.

The defence of Madhura Naranga :: There is an interesting mix of comedy, romance and drama in this one without having any overdose. The fun mostly rests with the middle part of the movie. The presence of a humane touch in the movie is interesting. The ending scenes are touching and performances are of good quality. The beauty of UAE and also Sri Lanka up-to an extent are nicely captured – I would have wished for more shots in the island country. It is also fair not to have an India-Pakistan love story here because it has been used to death in Bollywood and was also used before in Malayalam movie industry to not that much effect. There were a few claps in the end; it asserts that the ending was effective.

The claws of flaw :: This might not be exactly the kind of movie which most of the audience would be expecting. There is no full comedy movie for which our heroes here are specialized in. There are just too many songs too than needed, and there is no improvement in quality over that quantity. The basic plot could have been better developed if it had gone on among the migrant workers, and if the focus was more on the problems which they faced. Instead, they have taken the easy way out in introducing the girl. There is also no real cinematic beauty in the romance; it progresses okay, but it begins in a weak manner. May be some thrills could have been added here and there too; it is too predictable in the current form. The medium could have been better used to bring a message.

Performers of the soul :: Kunchako Boban once again plays a role which is not new to him, and his team with Biju Menon does show signs of former glory even as it is not completely there. It is not fair to expect something like Ordinary which had a full half of comedy or Seniors which was just a complete comedy movie. Biju Menon has some nice comic dialogues, and Neeraj Madhav has a few interesting ones even though not many. Parvathy Ratheesh is a good addition to the Malayalam movie industry. Even as she doesn’t have to speak even one Malayalam word in this movie, she is right there with the emotions and expressions. It will be nice to see her in roles with more variety. Suraj Venjaramoodu has a smaller, but funny character which he manages with ease. There is no struggle there.

How it finishes :: The movie which deviates from a usual Kunchako Boban-Biju Menon comedy entertainer has its biggest enemy as the rain. It has been heavy downpour throughout the day, and the audience presence was quite low. Even though they might feel strange about not getting exactly what they wanted, they can be satisfied with how the movie ends and how it manages to be emotionally strong with some fine performances, even from Parvathy Ratheesh who doesn’t really show the signs of a newcomer. The performance of this movie should depend on how the other flicks work. They could have sacrificed the overall clean stuff and the songs here for some twists and some extra comedy. They have said that this is based on a true story, but little liberties would have only made this one more engaging.

Theatre situation :: There are three other Malayalam movies challenging this one – Dileep’s Love 24X7 seems to have the crowd favourite star in a different role, and Acha Din will have Mammootty trying to work in a movie which has its own difference. KL.10 Pathu has Unni Mukundan in his own new style, and he also has a new face accompanying him as the leading actress just like the other movies. All four of these movies have female faces new to Malayalam movie industry, and even though the promotions have been less, the competition is going to be very high. Baahubali stays and so does Premam. It will be a big task to battle these two movies, and the continuing presence of Minions in the multiplexes will take a portion of the family audience with them and the new Salman Khan starrer also got the high capability to attract.

Release date: 17th July 2015
Running time: 144 minutes
Directed by: Sugeeth
Starring: Kunchacko Boban, Parvathy Ratheesh, Biju Menon, Neeraj Madhav, Aparna Nair, Suraj Venjaramoodu, Niyaz Becker, Saddique

madhuranaranga!

@ Cemetery Watch
✠ The Vampire Bat.

I, Frankenstein

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I, Frankenstein)

Vampire Owl :: This movie was approved by Doctor Victor Frankenstein and his monster.

Vampire Bat :: It is still a risk. Just like his experiments. Last time, when he came up with such an experiment, I got teleported to different planets one hundred and twenty seven times. You know what happened with the monster.

Vampire Owl :: Still, I thought that there would be enough reasons to watch this movie. You keep coming up with something.

Vampire Bat :: Yes, the Frakenstein monster gets a special treatment, even though it is based on the graphic novel by Kevin Grevioux. Mary Shelley’s Frankenstein gets a twist.

Vampire Owl :: What about the fact that the trailer had looked very good?

Vampire Bat :: I watched the trailer more than an year ago. So, can’t remember.

Vampire Owl :: It still looks good.

Vampire Bat :: Do you know that the chances of good trailers leading to good movies are rare?

Vampire Owl :: Yes, but so are the chances of Uncle Dracula reclaiming his vampire throne as the ruler of all vampires.

Vampire Bat :: Okay, just don’t tell him.

[Waits at the bus station].

What is it about? :: It has been a long time after Doctor Victor Frankenstein (Aden Young) created a monster (Aaron Eckhart) from the dead. This story takes over from the finishing of Mary Shelley’s Frankenstein and has the monster wandering through the world of men unnoticed. During an attack by demons, he is helped by Ophir (Mahesh Jadu) and Keziah (Caitlin Stasey) of the Gargoyle Order. He is named Adam after the first man on Earth, as he is also the first and the only one of his kind, and is informed that there is a battle between good and evil going on, and it is only the Gargoyle Order created by Archangel Michael that stands between the demons and them taking over the world of men. Meanwhile, a demon Naberius (Bill Nighy) exists on Earth in the form of a billionaire and an influencial business man; he hopes to find Adam and use the secret of Frankenstein to bring back corpses to life.

The defence of I, Frankenstein :: You know what kind of a story this movie is telling. I have always loved to know what happened to the monster after the Gothic novel had ended. So, this continuation should be a welcome thing for most of the fans of the work. There is a certain amount of mysterious beauty with this movie which is carried forward regularly. The movie is full of action, and the battles are very well taken. It has quite an interesting idea and how the story develops grabs the attention of the viewers with ease. The CGI and special effects are very good, and the transformation of stone gargoyles between what is seen on the cathedrals and into various make another thing of interest. The cathedral and the mythical world detail are really nice. There is a battle that take place around the building which is nothing less than a visual action treat. If you liked Underworld, liking this should come naturally.

The claws of flaw :: They could have established the universe better, and not just telling that there has been a war going on for centuries, along with putting our protagonist right between the factions. This has almost no horror at all; the demons are there, but they are not scary enough to make that much of an impact as the creatures from the depths of hell. This could have even worked as another story without our monster in between as demons fighting angels and some human with special power being the difference maker. They should have added something special for the monster, and his emotional and spiritual conflicts could have been displayed in connection with the choices that he has to keep making. But this one manages not to take many risks and goes on to make this the action movie that it manages to be; there is very less characterization, and the attempt to establish a mythology is only partially there.

Performers of the soul :: Aaron Eckhart comes up with quite a controlled and yet powerful performance as the creature without a soul. You can feel the effort that has been put there, even though further development of the character could have made it even better. Still, this might be the best which could have been done with all are available. The monster’s situation is actually made clear with one quote from the movie: “You’re only a monster if you behave like one”, and the depiction keeps us close to the character. Yvonne Strahovski looks very good in the role, and she does her job very well, despite having much lesser to do than expected considering the significance of her character. Bill Nighy manages to bring the villainy nicely, and very much working. Miranda Otto fits her role too, even though it is a strange character at times. Jai Courtney could have been better used.

Soul exploration :: The centre of all action is a creature who has no soul, as he is an animated corpse. This itself is his absence or imperfection, similar to what people lack; in this case, it is the soul itself, as he is not a combination of body and soul like a normal human being. As a creation of the dead, he is more a zombie, but with a working brain. [***Spoilers ahead] – The interesting point that this movie manages to make is that the creature does finally manage to grow a soul. Here, a monster who was close to the dead than the living manages to develop a soul with his deeds, but as we read the newspaper every day, some humans really doesn’t have at least part of the same and don’t strive for the same. The question remains if the people of our world who lives without heart and soul can finally manage to grown something, but as we see in the movie, it is easier for a corpse to grown one rather than the humanity driver by hate.

How it finishes :: I have seen many kinds of reviews, but nothing like this 3% on Rotten Tomatoes which told me why I shouldn’t trust these critics. I have known movies which are so unbearable getting better appreciation. The difference between these and those at Metacritic is almost 30% though, which surely makes me feel where I should be checking more; it has not just been the case of this movie! Well, this movie doesn’t bring anything huge that was going to change the movie world forever, but it did exactly what it was supposed to do, and I am surprised that some people couldn’t really have the sight to see that. Well, even all movies of Underworld franchise which moves on in a similar manner got better reviews along with those terrible movies which got positive reviews – critics would prefer to see Kate Beckinsale with her vampires and werewolves rather than being caught with a monster between demons and gargoyles, it seems.

Release date: 24th January 2014
Running time: 92 minutes
Directed by: Stuart Beattie
Starring: Aaron Eckhart, Bill Nighy, Yvonne Strahovski, Miranda Otto, Jai Courtney, Socratis Otto, Nicholas Bell, Kevin Grevioux, Steve Mouzakis, Caitlin Stasey, Aden Young, Chris Pang, Deniz Akdeniz, Goran D. Kleut, Mahesh Jadu, Penny Higgs

i,frankenstein

@ Cemetery Watch
✠ The Vampire Bat.

Papanasam

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papanasam()

Vampire Owl :: We have missed two remakes of Drishyam and might miss another one after watching this movie.

Vampire Bat :: Yes, if and only if there are no more remakes of the same movie.

Vampire Owl :: I don’t think that there will be another remake as the Bollywood version is coming this month-end.

Vampire Bat :: Yes, Bollywood is the finishing line for all copies and remakes, I guess.

Vampire Owl :: Absolutely. Wait! What is the notice that you are carrying?

Vampire Bat :: It is a mandatory statement which I recreated for this movie. It says that as we have watched the original so many times and as it is the one more related to our lifestyle, it is possible that the rating which we give here might not be suitable to be compared to the oiriginal, or with any other movie which is not a remake.

Vampire Owl :: I like that statement. With this warning, we can be sure that the brainless fan-boys won’t go psycho.

Vampire Bat :: Not just the fan-boys, but also the pseudo-intellectuals.

Vampire Owl :: Yes, the judges on the other side of the river of blood who think that they are the only intelligent people on the surface of Earth. I understand.

Vampire Bat :: The statement will work as long as they read at least the beginning and the end of this review.

[Waits in the queue].

The defence of Papanasam :: Even though I had watched all these before multiple times, I felt very good, and it is the success of Papanasam. Jeethu Jospeph once again has things running well, and we can see shots of his other movie Memories when the protagonist is thinking about saving his family – another shot is from the movie Anwar. I could actually go through that wonderful feeling that I had while watching the original without losing strength at any moment. The suspense and the thrills are abundant, and there are some beautiful shots of nature too. The story of the man who tries to save his family from breaking down after an unintentional murder committed by a member out of hopelessness, goes on to work wonders once again. I am not going to go through the story again; you can read it from my review of the original at Drishyam Movie Review. Outside the review which I wrote at that time, I don’t need to say much in defence here because the story is the biggest hero and you know that plot.

Positives and Negatives :: Papanasam happens to be a remake which had a tough task to meet the quality of that amazing original. So, what we have here is a nice achievement, but unless the remake manages to come up with something special which was not there in the original, I wouldn’t consider it as good as the original. The original felt more original to me, with no bones broken during the beatings and slightly better for me as it was less brutal, less emotional and still having the same intensity. But still, if I say that one of them is better than the other, it might not do justice, which is why I am using “me” a lot. Drishyam was better for me, and I am sure that a lot of people who have watched the original and about ninety five percent of the Malayalis will think so. But from a neutral point of view, they might be the same. I did feel that the songs were just bad though. The first half was too stretchy too. I am also personally against the title change.

Soul of the movie :: Kamal Haasan was the right choice to do the role which Mohanlal did to perfection in the original. I do wonder why there was a doubt about the same – if someone had asked me, I would have told the same much earlier, despite an initial doubt about the same. But in that case, if you ask for the same about the Bollywood version, I would have chosen Aamir Khan. But that was never to happen, and Ajay Devgan and Akshay Kumar were to be my next best choices considering the need to cater to the audience. I haven’t watched many Kamal Haasan movies in the last few years, and I am glad that this is the movie which I had chosen to spend my money for. I loved his performance the most in the last few minutes, and if someone else was chosen instead of him, that would have left me not just disappointed, but angry – I can feel that.

Performers of the soul :: There is no comparison between Mohanlal and Kamal Haasan in their roles, because they have managed things in their own ways, in such a way that fault finding is not there as a property to be taken. You know when you see class, and you know the same in both these movies. Even though Gauthami was good, Meena has a slight edge over her, when we look at it without second thoughts. Niveda Thomas is undoubtedly a step ahead of Ansiba Hassan; there was a lot of emotion and power in her portrayal of the character. It is nice to see her doing this role; this should help her a lot in the future. I haven’t found such a fine performance from a very young supporting actress for a very long time. Winner of the Kerala State Film Award for Best Child Artist in Veruthe Oru Bharya has now reached this stage.

More Performers of the soul :: Esther Anil plays the younger daughter in three out of the five versions of the movie, and here also, she is so good. Bollywood should have had her in the cast too, but I guess that they were not looking for a fine proven supporting cast, but to make use of the power of the script which is always there as the winner. Esther might be the best available child actress at this time, and it has been made clear again and again. It is time to give her even more chances. Asha Sarath maintains the same intensity, just with more emotions this time, and Anant Mahadevan also becomes more emotional character compared to the sensible and stable one played by Siddique in the original. I loved Kalabhavan Shajon’s character in the original for it was balanced, but Kalabhavan Mani is rather ruthless here and it also works. Roshan Basheer also reprises his role as the bad boy.

[After the show].

Vampire Owl :: Why were those people sitting behind us comparing Mohanlal and Kamal Haasan?

Vampire Bat :: They are just clueless. They don’t know anything. Just think about how can we compare Lord Ruthven and Lord Dracula?

Vampire Owl :: Yes, both are legendary vampires with great skills, even though we are closer to Uncle Dracula – it won’t affect the quality of the performance.

Vampire Bat :: I hope that the fans won’t find our vampire comparisons offensive though.

Vampire Owl :: I am sure that those with even a small part of the brain active won’t. This is the best comparison that we can come up with because we are vampires with root-canaled fangs.

Vampire Bat :: You can never predict the living humans. If you want to predict behaviours, go and predict that of a dead human.

Vampire Owl :: I like that idea. May be we will watch the Bollywood version too.

Vampire Bat :: We have come so far. I don’t see why not.

Vampire Owl :: I shall call the whole team for that.

Vampire Bat :: Well, do that if it is even remotely possible.

Release date: 3rd July 2015
Running time: 181 minutes
Directed by: Jeethu Joseph
Starring: Kamal Haasan, Gauthami, Niveda Thomas, Esther Anil, Kalabhavan Mani, Asha Sarath, Anant Mahadevan, M. S. Bhaskar, Roshan Basheer, Charle, Delhi Ganesh, Ilavarasu, Arul Dass, Sree Raam

papanasam

@ Cemetery Watch
✠ The Vampire Bat.

Terminator: Genisys

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Vampire Owl: I feel the nostalgia already. Do you?

Vampire Bat: Yes, I do. It has powered today’s movie journey. There is also our favourite Dragon Lady here. This a must watch!

Vampire Owl: Let’s just watch it then!

Vampire Bat: With no hesitation. He has to be back for real this time.

[Gets the tickets with extra popcorn and Mango flavoured ice cream].

✠ This was recently posted by me at Kiagia.com where I handle the Hollywood movie reviews division: http://kiagia.com/index.php/current-film-releases-movie/890-terminator-genisys-movie-review.html

There are many types of nostalgia, but there might be nothing like The Terminator for the movie fans of the 1990s. Arnold Schwarzenegger had become a lot bigger name with the movie and its sequel, Terminator 2: Judgment Day. The success meant that there were five movies in the franchise which has now reached Terminator Genisys despite the lesser impact that its predecessor Terminator Salvation had created. Due to the never ceasing power of the franchise, Arnold Schwarzenegger had to come back and give it another push, hoping to bring back some of the lost glory, and Terminator Genisys is the product of a need and a desire.

Years after the Judgment Day and machines taking over the planet, John Connor (Jason Clarke), leader of the Human Resistance against Skynet hopes to end the threat from the machines with two big assaults. The first one is to attack Skynet’s main core base, and the second to destroy a time machine located hidden and away from the main base. But despite what seemed to be a defeat for the machines at the main base, a T-800 killing machine was sent back to 1984 though the time-machine to kill John’s mother, Sarah Connor (Emilia Clarke) so that he or the Resistance wouldn’t be born. Kyle Reese (Jai Courtney) volunteers to go after the terminator and defend the lady.

This much is more like the expected side, as most the audience is familiar with the franchise so far, or at least until the second movie. The twist happens as the terminator as well as Kyle reaches the past. Now, in this timeline, it seems that Sarah is not someone who needs to be defended. She is already skilled with the guns and is protected by another T-800 machine called Guardian (Arnold Schwarzenegger) who has protected her right from her childhood and prepared her for what was to come. They easily get rid of the T-800 and finish off T-1000 with a trap much to the surprise of Kyle. But with this change to the past, what is it that the future has in store for them?

There are many twists in store in this movie along with the altered timeline. It is regarding Skynet and Genisys, John Connor, the working of the machines and our old T-800 model. It is more like a desperate effort to make the most out of all that is available, and the positive thing is that it is mostly successful in doing that. The problem is that it might seem repetitive, and this problem called Skynet and time travel has such big relationship that it can tire the viewers at times. The same also means that this is not simple action movie anymore and things are only prepared to get even more complicated. It is better for the intellect, but not that much for the regular fan.

Arnold Schwarzenegger still has a big fan-base even in this part of the world, and it was clear with those claps which were heard inside the theatre. Even after these many years, people still wish to watch him on the big screen, doing action roles – he has been a symbol of the genre for the common man, a lot more than Sylvester Stallone could ever be. Time has passed, and new action heroes have emerged, but as far as Hollywood is concerned, people like to stick to this man. It is the same which the movie has utilized, for Arnold and Terminator is a combination that works better than anything else, and as he does what he has always done the best, this sequel stays powered.

Game of Thrones’ own Khaleesi, the Mother of Dragons, Emilia Clarke joins him on this battle against the machines, calling him Pops and making him her own personal Guardian Angel. You have to love her in this role too; the fans certainly will. With the rest of them also contributing very well, the cast is a fine reason why you can watch this one. The movie’s biggest strength is still nostalgia, and the action sequences are nice; the plot related to the timelines also leaves us something to ponder about. There are some moments of laughter too, most of them related to Arnold himself. Yes, it is visually very good too.

The alternate timeline meant that there was more freedom here, and the advantage of having things reset is that you don’t need a real reboot or remake to continue a franchise, and a sequel will always attract more people because it is supposed to recreate a lot more rather than remake or somewhat recreate the content. Still, just like Jurassic World, this one also doesn’t manage to become the grand remake which could use all the resources to make things better than how it was with the original. It is not that we were expecting such a thing to happen, but there are people who have waited so eagerly for this movie. This is still the best you have had since Terminator 2: Judgment Day.

Release date: 3rd July 2015 (India); 1st July 2015 (USA)
Running time: 126 minutes
Directed by: Alan Taylor
Starring: Emilia Clarke, Arnold Schwarzenegger, Jason Clarke, Jai Courtney, J. K. Simmons, Lee Byung-hun, Wayne Bastrup, Matt Smith, Courtney B. Vance, Dayo Okeniyi, Gregory Alan Williams, Sandrine Holt, Michael Gladis, Griff Furst, Teri Wyble, Nolan Gross

terminatorV

@ Cemetery Watch
✠ The Vampire Bat.

Insidious III

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Vampire Owl: Uncle Dracula was asking about this movie. The Vampire Oracle had told him that Count Dracula III will be only as good as Insidious III.

Vampire Bat: You can’t really expect anything to be as good as the original. There can be only be one original Dracula. It has been proven by characters in the works like Twilight.

Vampire Owl: Lets test the movie then and let him know.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com where I handle the Hollywood movie reviews division: http://kiagia.com/index.php/current-film-releases-movie/885-insidious-chapter-3-movie-review.html

Even though The Conjuring has been considered as the most exciting horror movie of the recent times by the common audience, there has always been something about Insidious. The journey through the astral dimension and the demons of that world which they called The Further, has worked very well with the viewers. Insidious: Chapter 3 is actually not a sequel to the incidents of the previous chapter, as it does the job of being a prequel to the first movie. It goes a few years behind the Lambert haunting which was shown in the first movie. It is clear that it never intends to go that far back to become an origin story, but Insidious: Chapter 3 does come close to being one.

Quinn Brenner (Stefanie Scott), a teenage girl finds it difficult to cope with the loss of her mother. She has been trying to contact her dead mother Lillith (Ele Keats) and believes that her mother wants to communicate with her from the other world. When she contacts Elise Rainier (Lin Shaye) with the same desire, the lady tries, but stops the procedure telling the girl that it is dangerous and she shouldn’t call out to any of the dead, as the other spirits will also be able to hear her. As days pass, Quinn sees a dark figure waving at her multiple times, and when she tries to check it when on road, she is hit by a car which leaves her on a wheel chair with fracture on both her legs.

The paranormal activities only increase as she sees visions, and a demon continues to cross over from the other world and torment her, most of the incidents leaving her on the floor with further injuries. A collar on the neck is just one of those extra additions that the demons give her as things continue to get worse. Despite her father keeping a close look at things, nothing positive comes out of it, and he is forced to seek help from those who deal with the supernatural. Elise is not confident enough to go back to the other dimension as she is afraid of being murdered by a demon who threatens her. Will she be able to face her fears and save the girl before the youngster’s soul is gone forever?

The scares in the movie are very much working through these incidents. The new demon is a very good addition to the creatures of the other world. It scares whenever there is an opportunity, and the creepiness of the movie continues to impress. The setting only helps with the same, as there is this nice little apartment which has an abandoned room above it. The world of spirits also continues to make the desired horror impact. Some of them include the demon’s first close appearance, the girl’s possession and the scene at the abandoned room – actually, there are many scenes which make the horror work, and it succeeds where Annabelle was confused.

The ending also leaves something more to desire for the fans, as a movie between this one and the first flick can be expected. People can still feel that this doesn’t bring enough innovation, but by staying close to the material, Insidious: Chapter 3 has managed fine. There is not much of blood and gore, but just the scares in the old style. Darkness has been nicely used as the movie’s best friend, and so are the doors, windows and walls. If you are not happy enough after watching it, you might have been expecting much more. There is no touching the level of The Conjuring, but this is surely the best horror movie which has had a wide release after that one.

Lin Shaye is once again plays the expert in all these spirit-related things, and she is the soul of this movie as she handles things with ease. Along with the three movies of the franchise, she was also there for Ouija, and this is a familiar territory for her. Stefanie Scott gives a high quality performance too, as she plays the teenager troubled by her mother’s death, the one with hope to provide wings for her ambitions and also the person tormented and possessed by the demon. She is impressive throughout the movie. Dermot Mulroney just got a simpler thing to do as the father. Angus Sampson and Leigh Whannell brings the humour as Tucker and Specs.

As you have reached the third movie of the franchise, you can notice that the director has changed, and there is no more James Wan at the helm and the writer for the franchise, Leigh Whannell has taken over. But the movie hasn’t lost its best qualities, unlike X-Men, Species and Alien franchises which had their least interesting movies as the third entries. Instead, this movie improves from the second entry and becomes almost as good as the first film, and in a world of mostly lesser quality sequels, it is an achievement. There might be no huge innovation here, but if you want to be scared this weekend, Insidious: Chapter 3 is the right movie for you.

Release date: 26th June 2015 (India); 5th June 2015 (USA)
Running time: 97 minutes
Directed by: Leigh Whannell
Starring: Dermot Mulroney, Stefanie Scott, Angus Sampson, Leigh Whannell, Lin Shaye, Hayley Kiyoko, Michael Reid MacKay, Tate Berney, Tom Gallop, Phyllis Applegate, Ashton Moio, Ele Keats, Adrian, Tom Fitzpatrick, Phil Abrams, Ruben Garfias, Samantha Ramraj, James Wan, Amaris Davidson, Anna Ross, Joseph Bishara

insidious3

@ Cemetery Watch
✠ The Vampire Bat.

See No Evil 2

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Vampire Owl :: I feel that we shouldn’t watch this movie.

Vampire Bat :: Why? You didn’t like the first movie?

Vampire Owl :: No, not that; even if we tell others that we see See No Evil, we actually see the evil which is committed on the screen, but it should be about seeing no evil. So, it implies that we are lying. You will be writing about this movie. So, if you write that you saw See No Evil, that means that you saw all the evil deeds on the screen and in the end, it means that you saw evil instead of not seeing the evil. That is a lie. Vampires don’t lie.

Vampire Bat :: I don’t get this see-saw evil. What are you talking about?

Vampire Owl :: I am saying that this movie asks us not to watch it, and it is a fact.

Vampire Bat :: I don’t really think that you should create a complicated issue out of a horror slasher movie and its title.

Vampire Owl :: How can you say that? I demand the right to use my owlish brain.

Vampire Bat :: Why does it never work when needed?

Vampire Owl :: I can’t help it. I am an evil genius and my needs are different.

Vampire Bat :: So, it is true that the branch of a tree fell on your head?

[A few minutes of silence].

What is it about? :: Amy (Danielle Harris), Seth (Kaj-Erik Eriksen) and Holden (Michael Eklund) are working at a morgue late night. As it is Amy’s birthday and with her getting ready to leave, they get to know that the bodies of nine victims of a murderer are being brought, along with that of the killer, Jacob Goodnight (Kane); and she decides to stay and help them instead of going for a party. Due to her absence, her friends Tamara (Katharine Isabelle), Kayla (Chelan Simmons) and Carter (Lee Majdoub) sneak in to celebrate her birthday along with her brother Will (Greyston Holt) as they begin a party in the morgue. But what will they do when they find out that the killer is alive and is killing one after the other?

The defence of See No Evil 2 :: Coming from the Soska sisters Jen Soska and Sylvia Soska who came up with the movie American Mary in 2012, this is a sure improvement from there – that movie itself had some nice elements, but none that effective. They have also starred in the nice beginning credit scenes as corpses. There is nice treatment of this regular slasher movie which makes it rise above the ordinary. See No Evil 2 is surely going to be something of interest for the WWE fans. There is Kane doing what he has done in WWE for a long time; there is total devastation as he used to do with his opponenets. Jacob Goodnight is sure to become a character to be remembered for a long time, and the setting and the style only adds to the overall terror quality of the movie. The elements of fear nicely focuses on the killer and the environment. It is good fun with thrills.

The claws of flaw :: There are things that go on without reaching anywhere, with the attraction between the co-workers and the brother-sister relationship being just two of them. The return of the villain doesn’t have any explanations, as we can’t stop feeling that it is just an attempt to make things work once again with the same character and the actor. There is a certain supernatural feeling about the character with surely damages things. The flashbacks which go back to the first movie only makes things too strange and less interesting to follow as they break the continuity of the story. The horror elements never really go above a certain limit which has been set by the inability to do anything special. The killings are nothing beyond the ordinary, and the ending is just something which could have been better planned.

Performers of the soul :: Glenn Thomas Jacobs whom we know as the WWE wrestler Kane remains the biggest asset of this movie, and it surely was a good idea to bring the character back for him, as he seems to do this role with certain ease. Working as the brother of The Undertaker and being part of The Brothers of Destruction was a job too good with the mask, and this one has him returning with another mask. Danielle Harris is one of those scream queens who has been there in horror movies doing similar roles for a very long time, mostly related to two movies of Hatchet series and four belonging to the Halloween franchise, and the list doesn’t end there. She is right there with the role, but it is Katharine Isabelle, the other queen of horror who steals the show – the one from Ginger Snaps franchise and American Mary, not easily recognizable in this new style, but this is a different character for her as she adds humour and fun to this movie.

How it finishes :: With some fun and scares here and there, this one is a sure improvement from the first movie. The environment, the leading character and the two leading ladies are those factors which make sure that this works better than the previous movie. We have had some interesing killers including Jason Voorhees, Freddy Krueger, Michael Myers and Victor Crowley; so Jacob Goodnight will only add nicely to that list which has the stranger names like Rusty Nail and Chrome Skull. There is one certain thing about this franchise, and it is that the whole thing has managed to move away from the weaknesses of the first movie. See No Evil 2 works, and how much it works is dependent on the taste.

[After watching the movie].

Vampire Owl :: I think that we should follow the pattern.

Vampire Bat :: What pattern?

Vampire Owl :: This one tells us how to establish a base at the morgue. Why didn’t we ever thing about it?

Vampire Bat :: I am currently thinking that this is better than the predecessor.

Vampire Owl :: Yes, that is established already. What about the pattern?

Vampire Bat :: I don’t think that we should establish new vampire bases without permission from Uncle Dracula.

Vampire Owl :: Yes, the permission has to be taken, but this is one place where we can establish the base without further trouble.

Vampire Bat :: You don’t think that the current cemetery bases will be enough?

Vampire Owl :: No, there is something big coming. I can feel it. We need the morgue.

Vampire Bat :: It is Insidious: Chapter 3. Just make sure that you watch it.

Release date: 21st October 2014
Running time: 90 minutes
Directed by: Jen Soska, Sylvia Soska
Starring: Kane, Danielle Harris, Katharine Isabelle, Chelan Simmons, Michael Eklund, Kaj-Erik Eriksen, Greyston Holt, Lee Majdoub, Sylvia Soska, Jen Soska

seenoevilii

@ Cemetery Watch
✠ The Vampire Bat.

The Purge: Anarchy

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Background to the franchise :: Most of you might have watched the first movie of this franchise, and other might have surely heard about it here or there. It is basically about the United States of America of another reality. Unemployment has been successfully brought to a new low. As the number of people below poverty line decreases every year, crime becomes something which is rather not known. All thanks to the Purge, which has made all crime legal with all police, fire and rescue, and hospital emergency services closed down for one night a year, for twelve hours, from seven pm to seven am – anything goes at that time period. This idea by a totalitarian party called The New Founding Fathers of America makes sure that there is catharsis, and also that there is a certain amount of population control of the poor, as the wealthy rarely become victims of the twelve hours of crime.

What is it about? :: We know from the last movie of the franchise that the most successful Purge happened in the year 2022. Here, we are in the very next year, as 2023 gets ready for the year’s big festival of brutality and chaos. It is March 21, 2023, and as the time comes closer, everyone wishes the other “Stay safe”. There are only two things to do for people, to go on a murder spree or hide themselves somewhere indoors with enough security added. At the same time, there is the anti-Purge revolutionaries hoping to strike back in defence of the poor. There is one armed police officer looking for revenge on the streets as he was denied justice by the law that he trusted, a husband and wife are left on the road with car trouble and a mother and a daughter are trying to escape from a group that captures them. The rest of the movie is what follows on the day of the Purge.

The defence of The Purge: Anarchy :: There is a lot more to this sequel than the predecessor. There is a certain expansion on what was there in the first movie, especially with the idea. The bloody images that the movie shows are extremely powerful, and this is also the first time that we get the clear view of what happens outside in the streets during the Purge instead of how it turns out to be inside one house and maximum, a neighbourhood. There is an even clearer picture what happens outside the rich neighbourhood and how the poor or even the middle class are treated during the Purge. and it moves out of the possibility of being caught in the stereotype. You can say that it better expresses what the first movie had in mind. The ending is really good too, and it is a real positive whichever way you look at it.

Positives and Negatives :: The true nature of people that The Purge: Anarchy brings is not going to be nice for all kinds of viewers. There is the loss of humanity, and the cruelty that is sponsored by the government as well as the corporates, as the wealthy also hopes to have their right to purge without risking that much. The right to life has been replaced by the right to kill – new fundamental right. So, one needs to prepare to be shocked. As things get further revealed, it is not just what is on the screen that brings the shock, but also what hides behind which is even more. It is how the whole thing is designed that has more power than what stays on the screen for the viewers to watch. It is about what might happen in many forms, and its brings that realization that all violence has a few bigger master plan that hides behind a mask. But the premise could have had even further development!

Performers of the soul :: The second part has more characterization involved, and the limitations of the first one are overcome as the Purge goes wider and with more opportunities for terror. Frank Grillo is the one who leads the way with the performance just like he did with the Purge in the movie. He played Brock Rumlow (comic book character Crossbones) in Captain America: The Winter Soldier and will make the grand return in Captain America: Civil War. He reminds one of Eric Bana. Zoë Soul and Carmen Ejogo nicely plays the next significant characters in the movie. The rest of the cast including Kiele Sanchez and Zach Gilford also does fine in their respective roles, but the hero still remains the theme – with the support there in the performances.

Soul exploration :: The Purge: Anarchy has a dark soul. Even without the blood and gore as some other movies, it isjust brutality in store. It has a government which allows the same, and a media which celebrates it. The wishes are for the success of the Purge as if it is a need. There are also government officials granted immunity from the horror of the pledge. It doesn’t give humanity a place. There is class divide, and it is on the blood of the lesser privileged human that the Purge thrives. It is also a reflection of the truth that basically nobody likes the other. So the basic idea is to save oneself from the other or kill the other. In case of a communal riot, it is not so different in the present world too, isn’t it? There are occasions when people descend into so much of chaos, and Purge is just an example of the same. Things only get worse when people in power need this to happen.

How it finishes :: The Purge: Anarchy is more thriller with a message rather than the horror-slasher. It nicely explores the human nature and its tendency for violence even against their own people. It shows how government joins in to take advantage of the same, and use it to their political advantage and the ease of administration. Then there are the corporate rich who hopes to take advantage of the poor, making sure that their deaths happen to the rich Purge satisfaction, as it is also an opportunity for them to become richer through selling arms and ammunitions as well as the security systems to those who can afford them. When seeing wars, terrorists attacks and communal riots, there is question of who is to blame, and there are many answers in this movie, and no, you can’t blame religion, things are much bigger than that.

Release date: 18th July 2014
Running time: 103 minutes
Directed by: James DeMonaco
Starring: Frank Grillo, Zoë Soul, Carmen Ejogo, Kiele Sanchez, Zach Gilford, Michael K. Williams, Justina Machado, John Beasley, Jack Conley, Noel Gugliemi, Castulo Guerra, Edwin Hodge, Keith Stanfield, Roberta Valderrama, Brandon Keener

thepurge2

@ Cemetery Watch
✠ The Vampire Bat.

ABCD 2

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Vampire Owl :: I still don’t understand one thing.

Vampire Bat :: I know. This rush is not so natural considering the fact that this is day time on a Monday with no Khan presence or even Akshay Kumar, Hritik Roshan and those popular stars whom our audience has been appreciating so much.

Vampire Owl :: No, I am thinking about how American Born Confused Desi became Any Body Can Dance. Shouldn’t it actually be Anybody Can Dance and so called ACD?

Vampire Bat :: I think that they are talking about “any body” in which the word “body” stands for their dance team as a group. And it is also the body which moves.

Vampire Owl :: Do you know that missing a letter is still awesome? Like ABD of South Africa?

Vampire Bat :: I don’t really think that this movie will perform like AB DeVilliers.

Vampire Owl :: I don’t demand that much. We are only paying one hundred rupees here.

Vampire Bat :: Do you know that this queue is very large and the theatre is quite small?

Vampire Owl :: Yes, but I have counted the number of seats in this theatre, and according to my calculations, we will get through with around twenty seven seats to spare.

Vampire Bat :: You know, that sounds really weird.

[Waits in the queue].

What is it about? :: Suresh (Varun Dhawan) wishes to make it huge in dance competitions and prove his worth as his mother (Prachi Shah) herself was a famous dancer. His childhood friend Vinnie (Shraddha Kapoor) also has a similar wish, but their group is disbanded as they are branded as cheaters in a reality programme accused of copying steps from a famous dance team. Suresh wishes to go to Las Vegas for a big dance competition, and for the same, he and his friends hope to have Vishnu (Prabhudeva) as their choreographer, to which the man agrees. Despite an initial problem with the crowd and the organizers over their cheater tag, the team manages to win the competition at Bangalore to qualify for the big competition in the United States. But Vishnu does have more than one reason to go to Las Vegas, and the team has to battle their role-models to win – can they do that?

The defence of Any Body Can Dance 2 :: The movie achieves what is mostly expected of it, to provide those nice moves, some of them which are really amazing, and 3D makes a lot of it better. 3D actually takes over from the beginning title sequences itself. There is also a lot of style involved not only with those dance steps, but the way the surroundings are captured. The Bangalore dance sequence remains the best one in the movie followed by the one which they do against the team which they idolize. We have an Indian dance movie in 3D, and that too with two wonderful young stars and the master of dance, and it automatically becomes something we can be happy about, despite the flaws which can be found. 3D and dance – you know what to expect from this movie, and it is certain that most of the viewers have already watched or have known about its predecessor and they know what is coming. The ending is also fair.

The claws of flaw :: There are not many innovations or surprises with Any Body Can Dance 2. There is also not much with the story which goes on through the predictable lines. You can find too many things which comes quite natural to the movies as things start with the late mother’s wishes, goes on through difficulties in finding a teacher and team along with the financial difficulties to finally overcome them all to reach Las Vegas. Then there are also the extra additions which were rather expected, including injury to a member and some disease for another. There are also too many unnecessary problems created with the strange love triangle, one member’s tendency to run away and a number of off-stage fights with another team. Some of these things were seriously not needed. Also, the best dance sequence ends with the first half and it is not really the best thing to happen for the audience.

Performers of the soul :: Unlike the first movie, this one has a well-known cast. ABCD didn’t have that big a release here, and those bigger theatres didn’t have the movie in them even though the Tamil dubbed version did make an appearance here and there. But it is not the case with ABCD 2 as it was widely released and crowd has flocked to the theatres. Varun Dhawan does an okay job as the protagonist here. There is nothing special here but he is indeed good with the moves which he proves in this movie. Shraddha Kapoor is a joy to watch in the movie too, as she does some of those memorable movements – she has given it a lot, as it seems. We know how good Prabhu Deva can be in a movie like this, and it is once again proven. The supporting dancers are excellent as expected, and even the foreign actors do fine work.

Soul exploration :: The movie’s basic idea remains what one expects it to be – to have the lesser known or rather notorious dancers who work at random places for wages come together to make a big impact on a stage which is so huge that it would remain near impossible in the beginning, but so close by the end. The second half actually runs through things after adding some unnecessary sequences and in the end, there is no exceptional performance, and muscle show is the best that can be managed. After watching the trailer, what I was looking for was that dance sequence which was already over in the first half. A rise in the level isn’t there from the concluded half, and that hurts. A great finale was needed, even though “the stumble element” about which further talk would be a spoiler, could still prevail.

How it finishes :: We have just finished watched the Kannada and Malayalam versions of Mythri which told the story of another underdog, and here they go Step Up 3D with the underdogs of dancing. We are so much attached to such stories that even if someone tells us a story which is not real, we might fall for it. There are many motivational classes which find time to talk about one of them, even though there will be options to get them written from their lack of existence rather than reproduced from the presence. ABCD 2 is sure to work with most of the audience who are looking for entertainment, as even with its length and all the melodrama, the movie manages to make sure that there is not much drag. Whatever your favourite genre is, you have to appreciate the dance sequences and the effort which is put in here.

Release date: 19th June 2015
Running time: 147 minutes
Directed by: Remo D’Souza
Starring: Prabhu Deva, Varun Dhawan, Shraddha Kapoor, Lauren Gottlieb, Dharmesh Yelande, Punit Pathak, Raghav Juyal, Pooja Batra, Prachi Shah, Jack Samuel Gill, Tisca Chopra, Kapil Sharma, Ganesh Acharya, Navjot Singh Sidhu, Remo D’Souza, Jineet Rath, Pooja Batra, Terence Lewis, Sushant Pujari, Pravin Bhosale

abcd2

@ Cemetery Watch
✠ The Vampire Bat.

Chapter 32 Verse 23

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***Full title in Malayalam: 32aam Adhyayam 23aam Vaakyam. Translated into English for convenience because of the length.

Vampire Owl :: I thought that you were going to watch something else.

Vampire Bat :: Yes, but I decided to promote Malayalam movies which are getting caught in the web of the movies in other languages. It is the responsibility of each and every Keralite to make sure that the Malayalam movies are saved.

Vampire Owl :: That sounds so awesome. What were you going to watch otherwise?

Vampire Bat :: It is what comes after ABCD.

Vampire Owl :: Okay, you mean EFGH.

Vampire Bat :: What? No, not all.

Vampire Owl :: Then is it IJKL or MNOP?

Vampire Bat :: No. What is wrong with you? It was ABCD 2!

Vampire Owl :: Well, in that case, I feel that this is an interesting decision.

Vampire Bat :: Yes, lets see.

[Starts the car].

What is it about? :: Ann (Mia George) is a journalist at Cochin and her husband Freddy (Govind Padmasoorya) who is working at the United States returns home only for a few days with a small break from work and expecting a promotion. They are celebrating their first wedding anniversary and gets a book as a present from a friend. As Freddy is having a lot of free time while Ann is at work, he starts reading that book and instantly begins to have a certain liking towards the work. He begins to imagine the life of the protagonist as his own, and it affects his personal life. Ann and their family friend Ravi (Lal) feels that he is somewhat losing his mind. But as he gets more interested in the incidents of the book and its number twenty three, he finds a few things from his past and will also uncover another mystery which has been unsolved for years.

The defence of 32aam Adhyayam 23aam Vaakyam :: The visuals are very good with this one. The movie explores the 23 enigma for the first time in Indian movies as far as most of us know, but there is still doubt it. As everything gets connected to the belief, this becomes one of those movies which tries to be different, and also choose to make an attempt on things which are not common in the Malayalam movie industry. The plot is good, and has scope. Still, it is an obvious risk, but a fair step in the right direction, and even if this might not work as much as expected, there is the hope for more of similar attempts. Also, you have to like how everything comes together as the movie gets near the end. The suspense is successfully maintained, and coming from a new team, this needs to be applauded. The songs are also pretty much okay and background score is nice.

The claws of flaw :: The movie doesn’t focus that much on the 23 enigma which was supposed to be the main point. Even the title of the movie itself is revealed to be relevant only in the end with the Holy Bible. The sequences which show the fiction from the book are quite bad. It was quite unnecessary, and one can guess what such things can be to audience if there is a chance to check how Natholi Oru Cheriya Meenalla turned out to be. It was like just adding to the drama in a ridiculous way instead of boosting the thriller side. There are moments when the movie also seems to struggle to make the point. There are no scares using the big number enigma and the first half struggles to get to the point. There could have been some horror elements added related the “number”. I haven’t watched the movie The Number 23, and so I won’t be the one talking to you about similarities and differences between the two flicks.

Performers of the soul :: Govind Padmasoorya manages to do his role well enough, except for those moments inside fiction where the same can’t be said. It was a world of disaster inside that imaginary world anyway. There is the need to expect nothing exceptional though. Mia George is very good here even though the focus was almost completely on the protagonist. The journalist role is something which seems to automatically suit her right from Memories despite the fact that there has been no movie based on media for her yet. Lal has a smaller role which he manages to do well in his usual style. The movie is basically around the leading actors, and so the contributions from the rest was always going to be less. But there is not much lost in the acting department.

Soul exploration :: The movie’s plot can be seen as an attempt for the protagonist to go through a novel and at the same time find his own past, with the support of incidents helped by fate. In the end, not only will the man have known the truth, but also would have become a better person. There is murder, but that which happened very long ago, and this movie would have worked even without that, because what matters more is a secret and also a belief which are searched and brought to light. This not about romance, and neither is it about a murder mystery. The story is about the mind rather than a sequence of thrilling events. It is sad that the same point is not really brought on the screen with its full energy, and it doesn’t make full connection with the audience as it was clear in the theatre. But the idea is the right one.

How it finishes :: 32aam Adhyayam 23aam Vaakyam could have been big if the idea was better transformed on the screen, but it isn’t. Still, the movie has enough to go on till the end as an okay thriller. The Malayalam movie industry has been regularly coming up with average or above average thrillers for quite a good amount of time, and it is time to move back up to the level of Drishyam and Memories. This year is struggling to have better Malayalam movies as a while despite the big success of Premam and the nice little wonder which was Mili. I would like to hear about something the Hollywood movie The Number 23 from anyone who has watched it. May be the makers could have chosen the number thirteen because it was a more accepted one. But for now, lets try and watch the variety with this movie and see what they have tried differently, can’t we?

Release date: 19th June 2015
Running time: 116 minutes
Directed by: Arjun Prabhakar, Gokul Ramakrishnan
Starring: Govind Padmasoorya, Miya George, Lal, Arjun Nandakumar, Sunil Sukhada, Sasi Kalinga, P.Balachandran, Balachandran Chullikkad, Rahul Karthik, Sreejith Pokkan, Gowry, Sasha Gopinath, Sharan

32-23

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✠ The Vampire Bat.

Specials: Remake Saga

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*With two of the four remakes of Drishyam still pending and scheduled to release next month, I take this opportunity to remember a few of the Hindi movies which were remakes from Malayalam, with most of the better known ones from Priyadarshan. So, as we wait for the release of the much awaited movie remakes starring Kamal Haasan and Ajay Devgan, let us have a look at one of those remakes. Even though a good number of them worked in both languages, here I choose a movie which still remains a much loved title in Malayalam, but the same can’t be said about its Hindi remake. Sanmanassullavarkku Samadhanam and Yeh Teraa Ghar Yeh Meraa Ghar are the two movies I am writing about.

Even though the setting look different, they are the same with the situations in both movies. Actually, the protagonist enters the scene earlier in the case of the Hindi version. The sequences do look exactly the same though, beginning with the eviction notice and going on with talks about the problems of the house, related to the marriage of the female family members and the other financial problems which have been created and the chances of any of the troubles getting over. These things actually do remain the same everywhere even though the cultural differences and changes in the tones of characters according to the language can also be seen.

The Malayalam version has better known actors playing the supporting roles, and as the scene shifts to the city, the changes are more easily visible – both cities are nowhere close to being similar in the soul as each has its own identity. You can see that from the way characters interact and even from the looks of the building which the protagonist owns. There is a gap of fifteen years between the movies and the changes are clearly seen; so are the differences in language and culture. This raises the question if this remake would have worked better if done a few years ago and with even less similarities with the original. The good thing about the remakes of Drishyam is that the gap between the original and the last released remake won’t be more than two years.

The Malayalam version also had Mohanlal who is a big difference between the two versions – it would have been easier to guess though. Even with some dialogues which seems to be exactly translated with such clarity like using a good translating software, there is no match for that time period which was like the golden age of Malayalam cinema. The version is also longer at the beginning stages; if you check at 35 minutes of the Malayalam version, the Hindi version has only reached 29 minutes or slightly shorter with the story reaching the same point. But you won’t feel that so much time has passed, and it is the skill of the legendary actor to keep the audience interested, and things are closer to the life of the 1980s. Then in the end, the Hindi version gets longer by around 40 minutes.

The slight changes occur when the run-time gets to half an hour with new characters included as they lead to some more situations; those having no place in the original. The Malayalam original also has fun right through it, even though the Hindi remake has more ups and down with its progress, and makes less sense. Sreenivasan was that big boost to the original that the remake misses despite the presence of Paresh Rawal. He comes with that hilarious performance in a song which can never be matched. The jokes become less effective as the original was so simple and right out of the heart. The veteran actor Thilakan was another big positive along with the songs.

The extra sequences that the Hindi version adds nothing good to the movie, as some of them actually remind the viewers of older Malayalam movies like Shubhayathra, Minnaram, Chandralekha and Vandanam, which might have been added to bring some extra humour. Chandralekha-inspired money lending sequence is rather too ineffective in this movie unlike it was in the Malayalam movie. This actually means that the Malayalam version gets ahead and now the remake from Bollywood is lagging. Releasing too late, the remake had to do something special, and not add things from other movies. There was also the social satire element of the Malayalam version which doesn’t become that effective here.

Hera Pheri was actually that remake of Ramji Rao Speaking which did some justice to the original. I liked how it worked with Garam Masala (Boeing Boeing), Hungama (Poochakkoru Mookkuthi), Dhol (In Harihar Nagar) and Hulchul (Godfather) even though, in almost every case, the original scores better. But here, even with the jokes, the effect is less, as Yeh Teraa Ghar Yeh Meraa Ghar doesn’t do the same for Sanmanassullavarkku Samadhanam even though it should still be okay for those who haven’t watched the original or the scenes from other Malayalam movies. I don’t have much of a positive opinion about Bodyguard and its remakes though. About the nonsense movie Pokkiri Raja and its remake Boss, there is no need for any opinion. The ratings are very low for our movie here, but this remake isn’t that terrible as it shows, when we think about those movies and compare. But with Drishyam, there seems to be some very nice effort put in there made, and you will know if you have watched the trailers. I will be watching both the remakes, and I really hope that they do justice to the original – if they do, it is going to be awesome!

@ Cemetery Watch
✠ The Vampire Bat.

Mythri

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mythri!

Vampire Owl :: I thought that you were not going to watch this movie.

Vampire Bat :: Yes, all the masala was doing bad for my health. So I decided to go masala free, and I guess this movie achieves that status with ease.

Vampire Owl :: This is a new idea. I wonder how this one came up.

Vampire Bat :: Well, it is because more people have watched a lot of masala movies and let the movies with good themes die. It is up-to us to make amends.

Vampire Owl :: Yes, they have to learn from Lady Death. She uses no masala at all. She just takes those souls and sends the order to hell to cook them without masala.

Vampire Bat :: You still holds on to that one? Yes, but be aware than Mohanlal has only a smaller role in this one rather than being there on all posters around Kerala.

Vampire Owl :: I can relate to that. I have seen that so much among these vampires too. Everything got a poster of Uncle Dracula and there are even those programs about which he has no idea about.

Vampire Bat :: Yes, I remember a few of those.

Vampire Owl :: We will still give this a try because the Kannada version of the movie got great reviews.

Vampire Bat :: That might not define much in Kerala, but lets see.

[Gets the tickets].

What is it about? :: Siddharth (Master Aditya) spends his time playing pranks, but is a bright student. His mother (Anu Joseph) is working at a factory while a criminal and politician called Kalaprathapan (Kalabhavan Mani) has his eyes on her after saving the boy from the police station. But situations land Siddharth in a juvenile home. He is a big fan of Puneeth Rajkumar (Himself) who is conducting a Kodipathi program on television and is looking for kids to participate in a junior version of the game. With the help of his fellow in-mates, he manages to somehow send the messages and get selected. As the strict warden is finally impressed by the boy whom he had considered the scum of the Earth, Siddharth gets permission to go to Chennai for the show accompanied by him. Meanwhile, his enemies at the juvenile home returns and a DRDO scientist called Mahadevan (Mohanlal) also comes to the scene.

The defence of Mythri :: You have to call this one a sincere effort without doubts. This surely will have a nice impact on the audience and one has to appreciate the intentions behind it. The movie tells the tale of the rise of an underdog from the middle of nowhere to the helm. The social message is powerful with relevance throughout the nation, and even though this is not a full entertainer, there is still a little bit of the same, and there is that intensity and the strength of emotions which drive a good number of those scenes. The way in which the story is told also makes a positive impact. It has the power to touch the soul, but the impact could have been heavy if it was completely remade for the Malayali audience. Yes, changes are there, with more Malayalam actors added, but a few more could have done better, and the title could have been just Mythri with no extra additions.

The claws of flaw :: The question is about the path used by this movie, for it is the Slumdog Millionaire model that has been used here, and the ending also reminds one of the Malayalam movie, One Man Show just a bit. There is also the Malayalam touch missing in this movie, and it might have hurt the chances to be more successful among the Malayali audience. This is more like something which is not ground-breaking for the Malayalam movie industry which has had so many movies with social messages. The feeling of dubbing doesn’t help the cause too. There is also a movie scene shooting which is done mostly in slow motion and with the heroism even though it is still a film within a film. The songs also come out of nowhere for no reason, and there are those dance steps which are also overused for the Keralite viewer preferences. And yes, you won’t see that much of Mohanlal in this one as in the posters.

Performers of the soul :: Puneeth Rajkumar is not really a name much known among the Keralite audience, but he surely has a left a mark here, enough to be remembered by the viewers. He is also the one who does the Kannada version of Who Wants to Be a Millionaire?, and so the right person to do this role. But no Malayali can watch this without thinking about Suresh Gopi in Ningalkum Aakaam Kodeeswaran because he has become that name related to this programme’s real Malayalam version as well as the philanthropy. What would have happened if Suresh Gopi was there with Mohanlal doing what he has been doing the best? One has to wonder – it would have surely brought the crowd in for this one. But be assured, for this wonderful actor whom we have here is very good in this. There are no clues given when questions are wrong in this case, but questions are easier for this competition!

More Performers of the soul :: We will remember Puneeth Rajkumar for quite a long time for sure. Mohanlal has an appearance which lasts not more than half an hour, and his extended cameo is something which makes an excellent impact. The kid, Aditya manages to do a fantastic job, and it is nice to see him go on to do even better as movie progresses, along with the actor who did his best friend and a brother-like figure called Johnson, the actor named Jagadish giving fine support to the boy. Kalabhavan Mani is pretty good as the villain. Atul Kulkarni leaves a mark as the warden too. It was also good to see Anu Joseph with Oridathoridathu fame who has done a memorable job here, and along with her, Archana also does a good job; one is present on in the beginning and the other just at the end. Bhavana makes an even shorter appearance, and so does Sajitha Betti.

How it finishes :: There wasn’t enough hype surrounding this movie and not much promotions took place, which has surely worked against it; if you consider the rush for Jurassic Park, Premam and then look at this one, there will be a clear picture. It had gone on to become a wonderful success in Kannada, but the same can’t be said about its status here. But it still remains the duty of the movie fans to give a chance to this movie with a social message along with those mass entertainers and full superstar flicks. The movie makes a point against judging people by where they stand as of now, and on the basis of which class they belong to. Mythri is a reason for you to watch a movie in the theatres with full family, and take a message home despite its inability to connect completely with the Keralite audience.

Release date: 12th June 2015
Running time: 137 minutes
Directed by: B.M Giriraj
Starring: Mohanlal, Puneeth Rajkumar, Master Aditya, Anu Joseph, Archana, Kalabhavan Mani, Atul Kulkarni, Bhavana, Sajitha Betti, Jagadish

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✠ The Vampire Bat.

Jurassic World

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Vampire Owl: Are you sure that the dinosaurs haven’t ever allied with werewolves and were not the enemies of the Old Vampire World?

Vampire Bat: Yes. It says right here in the Grand Vampire History and Encyclopedia. Dinosaurs were a neutral group of creatures who preceded the Draconian Reptile Order, but has no direct relation with any of the magical species of the present world.

Vampire Owl: Lets watch the movie then.

[Gets the tickets].

✠ This was recently posted by me at Kiagia.com where I handle the Hollywood movie reviews division: http://www.kiagia.com/index.php/current-film-releases-movie/867-jurassic-world-movie-review.html

A long time has passed since our last adventures in a park of dinosaurs. It took the makers quite a long time after that 1993 movie which had a big place in our childhood and also spawned two sequels which made a much lesser impact even when taken together. The aim for this third sequel seems to be simple – as they understand that sequels and remakes are doing wonderful work these days at the box-office. It is not easy to match up to a movie which had become the highest grossing movie, breaking all records, until Titanic came up to claim the status of the highest grosser of all time – but Jurassic World was going to give it a try.

A new dinosaur theme park is open with live dinosaurs, twenty two years after the incidents which were featured in the first Jurassic Park. Claire Dearing (Bryce Dallas Howard) is the park operations manager, and her nephews, Zach Mitchell (Nick Robinson) and Gray Mitchell (Ty Simpkins) arrives at the park for having some family time together along with enjoying the special features of the place. The park had become a favourite destination for the tourists and had grown a lot with its environment and the new varieties of dinosaurs. Owen Grady (Chris Pratt) is a trainer of Velociraptors, who is asked by Simon Masrani (Irrfan Khan), the owner of the Jurassic World to check for safety at the enclosure set for a new genetically modified dinosaur which they call the Indominus Rex.

The dinosaur turns out to be smarter than they thought, as the creature manages to get out of the enclosure while pretending to have already escaped, and Owen just manages to get away at the last minute. The rest of the movie is about the destruction that the creature causes and how the team at the Jurassic World led by Owen and Claire manages to finish it off, as the hybrid dinosaur unleashes chaos, taking out the tracking implant from its own body and asserting its supremacy over all other creatures. At the same time, they also have to find the missing brothers who were on a ride which was cancelled with the declaration of emergency throughout the park.

As most of the fans might have expected, Jurassic World is nowhere near the original Jurassic Park. But among the sequels of the original movie, this one manages to be the best so far. The movie is full of entertainment even with those occasional moments of slight drag. There are some nice attractions and good design of dinosaurs with fine use of the CGI and the special effects. The new park which has its last name replaced is a joy to watch with its design and visuals. The creatures look better as you would expect, and the battles have also gone bigger with those better dinosaurs and people armed with better weapons. But there was the need to show and explain more of the new park, establishing it as a genuine wonder for the tourists.

Chris Pratt doesn’t go on like in Guardians of the Galaxy – he is not even the central character here despite the fact that he might be the one who goes through the maximum action sequences. It is a different kind of character from that space action movie, and he manages it very well. The scene with him riding on a bike surrounded by the raptors is a very nice one, and he is the one real action hero of this movie. The main character is played by Bryce Dallas Howard, and she is like the least interested character who manages to get forced into the action and she works that out very well. There is also more humour when she is around, and she contributes to saving the day as much as Chris Pratt and sometimes even more.

Irrfan Khan is a fine reason for the Indian audience to watch the movie. If you remember seeing him in The Amazing Spider-Man, this is a similar role, but lasts longer and actually he does more in this movie – another millionaire, ambitious, but not really villainous this time. But there is surely limited scope for performances in a movie ruled by dinosaurs who remain the true performers just like they have been throughout the franchise. This is the same reason why the smartness of the dinosaur should have been better used instead of its size and strength – may be it could have been shown to hunt more by using its intelligence causing the humans to come up with stranger ideas to bring it down. That would have meant scope for more stylish, and yet intelligent action.

Jurassic World is a movie that brings you some dinosaur nostalgia as the memories of your childhood’s most awesome movies come back to life. There are moments which remind us of the first movie of the franchise. There is no other creature which sells like the dinosaur in a movie, and it was evident with the rush at the theatre. The specialty of this one is that the whole thing connects better even to people with a wide variety of preferences. This could have used more wonder and tension, but this still manages to be your fine entertainer with scope of becoming a nice blockbuster, and may be even go on to become the third highest grossing movie of the year with half of 2015 gone, after Fast and Furious 7 and Avengers: Age of Ultron.

Release date: 11th June 2015 (India); 12th June 2015 (USA)
Running time: 130 minutes
Directed by: Colin Trevorrow
Starring: Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Omar Sy, B. D. Wong, Irrfan Khan, Jake Johnson, Brian Tee, Lauren Lapkus, Katie McGrath, Judy Greer, Andy Buckley, James DuMont, Jimmy Fallon

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✠ The Vampire Bat.

Premam

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Vampire Bat: My dear vampire brethren, and the zombies who have decided to joined us by free-will. We have fought many battles together. We have fought side by side in the War of the Four Nations, the Tactical Warfare against the Werewolf Intrusion, the Conquest of the New Vampire World, The Battles against the never-ending Zombie Hordes and even the Magical Attacks of the Dark Elves. Zombies, please erase the zombie horde part from your memories instead of beginning to get offended, and do not return to your graves. But this is nothing like that. This will be the biggest battle that we have ever faced, and a task which is near impossible. It is called getting a ticket for the movie Premam.

Vampire Hamster: This is actually very scary. I need to go home and recharge my courage. I have heard that humans provide courage recharge centres at some religious places. Is it true? We could have also reserved the tickets, right? The ticket reservation is quite common these days.

Vampire Alligator: Can you just shut up and listen to the full speech? This is not even being recorded and you might not score well for the vampire apprentice exams if you miss parts of this which can come as annotation.

Vampire Owl: We don’t do reservations because we won’t support them – don’t you know that vampires are against all kinds of reservations? We are suffering because of this thing which gives nothing for the General Category to which the vampires belong. And you will be banned if you speak between grand, emotional speeches. The Vampire Crow and the Vampire Raven were banned once. Just listen to the speech.

Vampire Bat: We face the monsters here, and they are not like the ones we have faced before. We face the legendary warriors of the other world with human masks. We face those furious humans standing in queue for the movie Premam. We might not make it out of this queue in one piece, but lets fight for our righteous chance to watch this movie. We demand the rights to be equal and watch this movie which almost everybody except us has watched. Yes, even Werewolf Anger has watched it – can you believe that? The Lich Queen has watched it twice. It is the right to the movie ticket that we demand here, and it is clearly written in the vampire constitution, Article 007. Without watching this, we can’t even look at the face of Uncle Dracula, as you know what he is going to ask us when we return to the castle. The Vampire Penguin and the Vampire Panda have tried for this alone and failed, but we will win as this time we attack together after issuing the fake notice that we are not going to attack.

Vampire Panda: This is going to be awesome because I know part-time Kung-fu. You should all watch me and learn.

Vampire Penguin: I told you all that he is Kung-fu Panda in disguise.

Vampire Owl: Most probably, we won’t get tickets this time too, but in the name of Uncle Dracula and all the vampire elders, charge!

Vampire Crocodile: On this day, the night will be day and the day will be night. Attack!

Vampire Bat: What? No! I am the only one authorized to say that! So attack!!!

[Runs to the long queue and stands at the back end in silence].

What is it about? :: George David (Nivin Pauly) who lives in the town of Aluva and studies for pre-degree has completely fallen in love with Mary George (Anupama Parameshwaran) whom he usually sees on the way. She is the local beauty whom a lot of people are after. He has no interest in studies as he moves towards a possible failure in the course, and his only aim seems to be this girl’s love. Helped by his best friends Koya (Krishna Shankar) and Shambu (Shabareesh Varma), he attempts to make her fall in love with her, but that doesn’t go as planned. The movie also tells the story of his two other love interests, a Tamil girl called Malar (Sai Pallavi) with whom he falls in love at the first sight itself, and a girl named Celine (Madonna Sebastian) whom he meets much later as time moves forward through his love stories. His life related to these three ladies and his feelings towards them are depicted in the movie.

The defence of Premam :: By claiming to be the second film in the history of world cinema with nothing new in it, the movie seems to make a psychological move, but the truth is that the move is new if we look at how it is presented on the screen. I would give full credits to Alphonse Puthren for this one. He surely knows what the youth wants, and how to make the best use of Aluva as an Aluvaite. It is is his magic that Premam is such a delight on the big screen. I traveled to Aluva to watch this, and it was clear that there was no Aluvaite left without love and appreciation for this movie. Its nostalgia is powerful, and the central theme of love connects the three paramount pages of the protagonist’s tome of life – only three pages which connects directly to the title of the movie is taken and the word itself is used to make the much needed connection, and it is done in a beautiful way. There is infatuation, but there is no lust, and it is a sure positive thing. The second love story is a forbidden one, and clearly wrong for the standards of our civilized society, and we see poetic justice being served there as it ends in a much deserved tragedy – love fails there for the right reasons only. The comedy is working for most of the run.

The claws of flaw :: Yes, there is nothing new in the story – the liberty which was taken before the release of this movie arrives to make the impact here, and also reminds us that this is what they were talking about. There are some sequences which were aviodable, including the problems between the groups of friends at college and the missing dancer. The first of the three parts also has some exaggeration. The movie could have been shorter too – it would have surely helped the theatres to add another show in the morning to control the big crowd, and the very slight drag could have disappeared too. There is a little too much of drinking and smoking too, but I guess that they have only given the new generation’s normal audience what they wanted – crowd should get what the desired, for the good of the industry. The writings on the screen could have also been avoided, and it should have been left to the audience to come up with such ideas.

Performers of the soul :: Alphonse Puthren, with his brilliance, has given us some memorable characters along with those incidents, and he has also chosen the perfect cast as it seems from the look of it. When we look the performers here, this is “the Nivin Pauly movie” from the beginning to the end, and the way in which he goes through the three stages of his life is simply amazing. Here is another Aluvaite giving us the performance that we will always remember, and his transformations through the movie becomes the big boost. Among the heroines, I would choose Madonna Sebastian as the one making the best impact, with what seems to be her inherent cuteness and the way of dialogue delivery, and above all, as being the “right lady”, she steals the final moments. Sai Pallavi has what might be the best moment though, with the dance steps – she surely has an amazing screen presence. Anupama Parameshwaran is the charming simple beauty who disappears too early. Do look out for Vinay Forrt’s best comic moments too. All young actors deserve some applause here! Also look out for two awesome cameos from Renji Panikker and Jude Anthany Joseph.

How it finishes :: I would consider this movie as the journey of a man from love powered by infatuation to love strengthened by admiration, and then to the love based on commitment here, with those three heroines. Premam is undoubtedly the result of the hardwork of Alphonse Puthren who also comes in a role which he manages very well. All credits to him more making such a simple thing work so well. It is already taking the theatres by storm, and I had to go to the theatre and come back only to try again – these repeated for so many times to watch this movie. I was impressed even when this was not my genre at all, and I can guess how much effect this is having on the normal people. For those who are around Cochin, I would suggest watching this at Aluva and having a walk on the sides of the river and on the aqueduct which are shown in the movie. This movie also has another big personal effect on me – and it is to see the Union Christian College Aluva, on the big screen; I miss the place, and the most shown location in this movie, the college canteen 😀

Release date: 29th May 2015
Running time: 164 minutes
Directed by: Alphonse Puthren
Starring: Nivin Pauly, Madonna Sebastian, Sai Pallavi, Anupama Parameshwaran, Shabareesh Varma, Krishna Shankar, Vinay Forrt, Eva Prakash, Alphonse Puthren, Maniyanpilla Raju, Soubin Shahir, Wilson Joseph, Renji Paniker, Justin John, Hormis Paulachan, Althaf Salim, Anju Kurian, Jude Anthany Joseph, Sharafudeen, Maju Mathew, Rinsa Jacob, Vivek Vinod, Mahadev Ramakrishnan, Faisal, Manek Jose, Sandeep Varma, Viswajith Odukkathil, Vimal Pillai, Aishwarya R. Nair, Zuhair Sait, Deepak Nathan (I have put the whole list from wherever I could dig the names out, because they have all contributed so well)

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✠ The Vampire Bat.

Nirnaayakam

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Vampire Owl :: Do you know that I am still officially missing?

Vampire Bat :: Yes, it is actually the only thing that everyone clearly knows about you right now. Some people still say that you are dead. But I haven’t really believed it yet.

Vampire Owl :: Forget it; people are just crazy, especially the Vampire Crocodile and his long lost Ramesh-Suresh 5 Star brother, the Vampire Alligator. I have connected to you through telepathy to let you know that I can’t be here for this movie.

Vampire Bat :: Yes, everybody knows that already. When was the last time you were there for a Malayalam movie for first day first show? Seriously, you will only go for Bollywood and Hollywood these days?

Vampire Owl :: But I was planning to be there for this movie called Nirnaayakam which is supposed to be something special with a certain amount of social relevance.

Vampire Bat :: I thought you were looking forward to watch Premam instead.

Vampire Owl :: What did you just say? I don’t like such words. I declare them banned. No love stories for me in this life until further notification.

Vampire Bat :: Well, I thought so. And we can’ t watch Lukka Chuppi because it has too much of drinks, as it seems in the trailer. No romance, no drinks, no smoke – it is being recommended to be the next vampire policy against watching these sybaritic movies from humans.

Vampire Owl :: Humans will still watch them, but let’s go for those movies with social relevance then. You should go and watch this and movie and let me know more about it when I establish the next telepathic connection.

Vampire Bat :: Or may be you can use a mobile phone.

[Cuts the connection].

What is it about? :: Ajay (Asif Ali) is a young man who always wanted to be a soldier, even though he was never a person known for his courage. In the end, when he is going through the training at National Defence Academy, he decides to quit as he feels that it is not his purpose and can’t do it. As he returns to his home at Mysore, his father who had left the family long ago, calls and asks him to visit him as his health is pretty much bad. So he returns to Kerala for meeting his father, as he also feels that the change will only do him good. There he understands that his father is suffering from cancer and needs a bone marrow transplant from him. Another thing that he understands is that his father who is a lawyer has been working on a case which would do big changes to the life of the common man.

The defence of Nirnaayakam :: There was a definite opportunity to make this one a megalith among the stones even though it is not really taken. The social drama and the commentary do the work of the paladins of this collection of elements. They are the conquistadors of the heart and mind of the audience in the battle meant for vanquishing the rest of the material in the journey. The moments in the court remains the highlight of the movie, and there was the need for more of the same. When we realize where we are heading to, things get more interesting. The climax is nice, and the arguments are well done. May be the focus could have shifted to the social side rather than keeping it personal for too long – the movie’s genre should have been social drama or social thriller, and it was to be the cornerstone all the time instead of its late arrival here.

The claws of flaw :: Nirnaayakam‘s social message comes very late; we keep waiting and waiting, and by the time it arrives, a quarter of the second half of the movie had finished. The family drama is some real pain, and completely fails to connect with the audience. The romance is lost in the eternal abyss of hopelessness. A complete dose of social commentary which can keep running through full movie could have done the flick a lot of good. The socially relevant content should have been right there at the front rather than taking the backseat throughout a first half which fails to impress. It is a tiresome journey, and the end results might not be enough for some people. These are the reasons why the audience can question this movie, but they surely cannot doubt its intentions.

Performers of the soul :: Asif Ali remains strong throughout the movie, and he does make one feel those emotional moments closer and with depth. His direct influence on the strong point of the movie, the court-room drama is rather less though, and that denies him any gargantuan moment in the core of the movie, which is rather unfair. But the paramount skills of the veteran actor Nedumudi Venu comes to rescue there as he steals the climax, and Sudheer Karamana gets his chance with some nicely written lines. I would also like to add that Malavika Mohanan has improved from her disaster which was Pattam Pole; even in a smaller role, she leaves a mark as the heroine even though romance is dead in this movie – the Vampire Bat acknowledges that she is very pretty. Prem Prakash gets a fine role which he manages with efficiency. Rizabawa, Saiju Kurup, Ashokan, Sanusha Santhosh, Lena Abhilash, Hemanth Menon, Shanker Ramakrishnan and a lot of others can be seen in smaller roles.

Soul exploration :: It is the early reluctance in treatment of this subject of relevance that makes the soul go weaker in this movie. Even when this movie gets lost in the meaningless family drama, there is the hope for that social drama which is expected to come at any moment. We are given a chance to look at what happen with our lives due to the politicians getting the special treatment, and the police as well as the administrative service allowing the same. When the rich and those in power gets special treatment, the common man has less value. The story of the movie focuses on the incdient when a girl dies because she couldn’t get medical care when needed, as a political leader’s procession block the city and causes a heavy traffic congestion. The core of the movie which comes around in the second half deals with how the common people get the verdict in their favour.

How it finishes :: Nirnaayakam‘s trailer was interesting, and it gave the feeling of a thriller coming up with something of high social relevance and leaving behind a message, but in a number of sites, it is mentioned as a family drama or even romance which twists its case. There is a lot of court-room drama promised in the trailer, but the action there is also limited, and the romantic side is like now you see it, and then you won’t. Caught between its confusion of the genres, Nirnaayakam does fail to focus on what was its strength of Brobdingnagian proportions, the social commentary – the perfect opportunity to gain the support of the normal audience who were to give this movie all the needed support on the very first day is not really used. But still, if you are judging a movie by its intentions, this one has the heart and soul at the right place.

Release date: 5th June 2015
Running time: 112 minutes
Directed by: VK Prakash
Starring: Asif Ali, Malavika Mohanan, Tisca Chopra, Nedumudi Venu, Adil Ibrahim, Prem Prakash, Sanusha Santhosh, Lena Abhilash, Sudheer Karamana, Hemanth Menon, Saiju Kurup, Ashokan, Anoop Chandran, Krishna Prabha, Shankar Ramakrishnan, Rizabawa

nirnaayakam

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✠ The Vampire Bat.

Ivide

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What is it about? :: Varun Blake (Prithviraj Sukumaran) is a police officer in the Atlanta Police Department, with the Indian origins as he was adopted by an American couple from a church-run orphanage at Kottayam. Roshni Mathew (Bhavana) is his ex-wife who had decided to separate from him due to his violent behaviour and never-ending insecurities. Krish Hebbar (Nivin Pauly) is her new boss at the new job, and he is someone who used to be her classmate. He is also her newly found love interest at the time of crisis. At the same time, there are murders happening in the city, and the murdered people are all immigrants of Indian origin. As Varun goes after the case and discovers a link, but he might be presented with a choice in the end, which will define his quality as a person and a police officer.

What is it really about? :: We are introduced into the story and are provided with narration when needed in the voice of Prithvraj who himself talks in Malayalam, a language his character is not able to speak. It makes things clear, that it is his subconscious speaking in the only language which he knew during his childhood, and the movie is all about how he finally manages to let go and becomes a better person. He is a man of bad temper and insecurities, but as the movie reaches the end, he becomes a changed man, and all the other characters and incidents are just reasons to bring him to that end. Yes, it is all about Varun Blake, the Indian child adopted into an American family, as he moves towards that change which is rather too radical for him – everything else including the murders are reasons.

The defence of Ivide :: Ivide has the touch of the highly skilled director, Shyamaprasad who refuses to let this go as an investigative thriller, and rather takes it into the minds of the characters who are just simple human beings caught in the web of life. There are reasons for each and every action which defines the lives of the main characters and everyone around, as things come together and there is one touch of integrity, vanity or brutal ambition which creates that butterfly effect exhibiting a ferocious core. Ivide is not really that thriller that you were looking for, but powerful drama of the modern world which makes one question the past, the present and the future. This is set in a beautiful world which has been well transformed on to the screen by the camera – love those skyline shots and the natural beauty on screen; the songs are pretty good too.

The claws of flaw :: The movie is slow; surely a lot faster than movies like Annayum Rasoolum which asks you to go and have Chicken Biriyani and come back only to know that nothing has happened and then you need to go for tea and see if anything good occurs on the screen. In contrast to that, Ivide‘s lack of pace is beautiful, and it adds to the mood of the movie, but still it is drag for the common man. The thriller element is completely lost while the movie deviates to other territories, and thus it does give the fans of the genre certain disappointment if they were just looking for that, and nothing else. Ivide also has other minor struggles here and there with its progress, but if you can get into the rhythm, you might be able to forgive most of them. Even with mixing of genres, the focus on murders is rather lazy. The entertainment factor rather misses out for the regular audience too.

Performers of the soul :: This had to be Prithviraj Sukumaran’s movie, and it surely is. It is all about his character as he moves through that life in which there was always the need to let go, but it is only realized much later. The identity crisis and the confusion about love and care are portrayed very nicely with all the complexities as Prithviraj becomes the true show stealer. He also gets the most memorable lines, and once again establishes himself as the right one to play the cop. Nivin Pauly’s character becomes a major reason for all these to happen, but he is left with less to do, and in a not so challenging role, he does fine. Bhavana is also nice, but once again she and Nivin just do the support in the game lead by Prithviraj. Prakash Bare makes a good appearance too. The foreign actors and actresses also create the needed impact.

Soul exploration :: The movie takes a ride through roots and the absence of knowledge about it, love and the search for it, hope and the desire to believe in it, and love and the search for it in a modernized world in which we can’t go through by looking though just one perspective. There are many things which are dealt with in this movie, and it starts with the racial alienation, and it goes on to explore the insecurities felt by different people because of a wide variety of reasons. There is inability to belong somewhere or with someone, and there is consistent feeling of not being what someone is. There is the corporate evil also in display. Well, even in the end, the fact remains that there is absolutely no reconciliation with his girlfriend and adoptive mother for the main character, and it is a let down for the movie which explores themes like these.

How it finishes :: If you are looking for an investigative thriller in the model of Memories or Mumbai Police, you might need to look for another options, as this is not that kind of Prithviraj movie meant to keep you guessing about the murderer. It is not intense by that order, but surely is intense by the feelings, if and only if you can relate to the character Varun Blake played by Prithviraj. You need to get that emotional connection here, and unless you try early enough and realize the need, you might not get there, and might miss out experiencing the hidden beauty of this movie. It might make you believe that a thriller is in store in the beginning, but do not fall into that trap, and instead fall for the emotions and begin having that emotional connection with the characters right from the start, and then the ride will take that twist of fate and go the right way. Be warned though, about so much of English in this one – still, there are enough subtitles in Malayalam.

Release date: 29th May 2015
Running time: 159 minutes
Directed by: Shyamaprasad
Starring: Nivin Pauly, Prithviraj Sukumaran, Bhavana, Alexandra Bartee, Prakash Bare, Jia Patel, Dhanish Karthik, Deepti Nair, Sathi Premji, Haridev, Sunil Veettil, Shaun Xavier, Tim Naddy, Juan Alexander, Kirstein Gilbert, Robin Cole

ivide

@ Cemetery Watch
✠ The Vampire Bat.