Tag Archives: darkness

Amelia’s Children

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Vampire Owl: We have not been reviewing many Portuguese movies.

Vampire Bat: We have only managed one, and it was not out of Portugal either.

Vampire Owl: I am sure that Bacurau will still count as Portuguese.

Vampire Bat: Yes, Brazilian movies are in Portuguese, so it counted.

Vampire Owl: So, this is the first Portuguese film from Portugal we are reviewing.

Vampire Bat: Yes, this is indeed a milestone too.

Vampire Owl: Yet we have so many Spanish movies here.

Vampire Bat: Some of these Spanish movies were true classics.

Vampire Owl: I hope that this one will inspire us to watch more Portuguese films.

Vampire Bat: Well, we are immortal and can watch them all.

[Gets a paneer masala dosa and three cups of Wayanad tea].

What is the movie about? :: Edward (Carloto Cotta) has been looking to find his family as he has always felt without roots. One day, his girlfriend Riley (Jack Haven) provides him with a DNA test kit. The results reveal more about his birth, and that he has a twin brother, Manuel (Carloto Cotta) and also their mother named Amelia (Anabela Moreira) who live in a small village in Portugal. Edward and Riley travel to the huge villa in the middle of the woods so that he can finally feel like having a family. This is a strange, but an emotional reunion. But Riley feels that there is something wrong, as the locals are hostile to them, and both the twin brother and the mother seem to be hiding something. There seems to be not much of interest being talked about, and Amelia looks and acts strange. She even hears something weird from outside the room where Manuel and Amelia are found sleeping together in a bed, making her question the kind of family which seems to exist in that seemingly perfect building.

So, what happens with the events here as we just keep looking? :: Riley notices a strange bonding between the brothers that feels unnatural, even though they are seeing each other for the first time, and Edward was once not really sure about the meeting. Riley tries to uncover the secrets that seems to plague the villa, and feels that Amelia has some supernatural powers and is part of a ritualistic system of which Manuel is also a member. The mother-son relationship is not what seems to be from a distance. Riley’s growing realization is also supported by nightmares which seem to come to her at regular intervals. The question remains if she knows this particular world within the woods well enough and whether she can escape from it. Edward seems to be ready to remain there as part of the family, but he is also having his own dose of hallucinations. The people of the village seem to hope that they will leave soon, as if it is the right things to do. Will there be escape or will there be death?

The defence of Amelia’s Children a.k.a. A Semente do Mal :: The world has been nicely built here, and finding the roots itself was a starting which seemed to mean much more than what met the eye. This idea of discovering a long-lost family through DNA testing, only to find something supernatural associated with it, makes the whole thing interesting. The mixture of psychological with the supernatural elements gives it much more depth. Then there is the setting, the atmosphere that does a fine job. The building itself has something like we ha in Crimson Peak to add to the structural fear, even though this is not that much of a scary architecture, and never is an attempt to made to elevate the level to such a world of fear. The creepiness is always present, even they do not really come to the front. The premise has already done most of the work here. The presence of a witch provides the much-needed boost to a world which has started off well. The ending, even though not that deep into the situation, leaves us with a scope for a sequel to expand this better.

The claws of flaw :: The struggle of long run-time seems to plague this movie even though it is not long at all. There might be a little bit too much revealed early, and that might have plagued the later run and might have kept it running without much happening to create an impact. The twist should have been kept better hidden with red herrings or at least by deviating to something less important. It seems to stretch due to not trying to do well enough with the content and let everything unfold – even the leading performers seem to be left on their own rather than their characters undergoing anything. The mood seems to be mixed here, as the strongest element of supernatural horror often losses the way. The main lady character should have been the central point, and the one who should stay scared and attacked, but she seems to have a run without that big sense of danger. She does not become that big a scream queen as the usual elements of horror, and even that of slasher remains largely forgotten when dealing with her character.

The performers of the soul :: The performances are pretty good, but not much when we consider the possibilities of the horror. This is a world of scares, and the usual do not satisfy the environment that much – The Well had realized the same in Italy, but in Portugal, that blending is paused due to the lack of pace which seems to plague the characters as if it is an old award movie where not enough happens to provide the performers with scope. Carloto Cotta does quite well in the two roles, even though it is nothing out of the box, and not much expands. Anabela Moreira does well to manage the strangeness present there, while Alba Baptista who portrays her younger version does the same perfectly – she has the looks and expression to bring the strangeness of a mortal immortal. Jack Haven does a fine job, but does not seem to try that hard. There is a certain amount of predictability in the work and the journey is just accordingly, nothing more or less. The same is also applicable to the final moments when there is nothing grand in the performances, but just enough, as if playing by the safe side.

How it finishes :: Amelia’s Children could have been a classic, but it chooses not use that many scares even though it is in a village with woods and a strange villa in the middle of all – this could have been horror unleashing itself, but the movie holds itself back. The same is also done in the last moments when this could have come with a shock, but chooses to go for the unexpected. The titular character wanders in the old form too much, and the young form would have been nice if appeared at least in hallucinations often. There are moments when the mother could have been young, and there are situations when fear could have had many different faces, and even darkness could have been used better. Yet, the movie keeps us interested, thanks to the mystery that prevails throughout its run. There is always the feeling that something bigger is to come and that it is going to be a shocker, and it is that feeling and the existence of terror ready to be unleashed keeps us going. It was never going to be The Conjuring, The Nun, Annabelle, Insidious or Sinister, but manages to do enough.

Release date: 18th January 2024
Running time: 91 minutes
Directed by: Gabriel Abrantes
Starring: Jack Haven, Carloto Cotta, Anabela Moreira, Alba Baptista, Rita Blanco

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@ Cemetery Watch
✠ The Vampire Bat.

The Well

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Vampire Owl: Wells are some fine containers for the supernatural.

Vampire Bat: We, vampires are not people of the wells.

Vampire Owl: The demons can stay in the well though.

Vampire Bat: Even werewolves and zombies do not mind. But we do.

Vampire Owl: Can a well without water serve as a coffin during daytime?

Vampire Bat: A coffin needs to have a lid at all times.

Vampire Owl: I believe that Dr. Frankenstein can arrange that.

Vampire Bat: I knew that it was his idea only.

Vampire Owl: I do not see how great men like Frank bro cannot have such ideas.

Vampire Bat: Such villains always have similar ideas.

[Gets a kadai paneer puffs and three cups of Vagamon tea].

What is the movie about? :: Lisa Gray (Lauren LaVera) is the daughter of a renowned art restorer and they run a famous firm which is known for their expertise in the field and operates in multiple countries. One day, she gets a very significant assignment from a small village in Italy where a wealthy aristocratic family living in a castle-like mansion has a damaged painting which needs to be restored in a very small amount of time. Her father Mr. Gray (Giovanni Lombardo Radice) forces her to take the assignment as he cannot travel that long and their company is in desperate need for funds – a failure there would leave them bankrupt, and at the end of their art restoration journey. The painting is owned by Emma Malvisi (Claudia Gerini) who seems to be too charming and beautiful for her age. On the way, she meets two American biologists Madison (Courage Oviawe) and Tracy (Taylor Zaudtk), along with their guide Toni (Gianluigi Galvani) who are traveling to a nearby campsite located in the woods.

So, what happens with the events here as we just keep looking? :: Lisa is asked to restore a centuries painting that has been damaged in a fire, with almost nothing visible. She begins work on the painting, and is forced to speed up, as the contract signed by her father promised that the job would be finished in two weeks, despite her feeling that it would take more than a month. The painting starts revealing demonic figures which also appears in Lisa’s dreams which turn into nightmares. Emma’s teenage daughter, Giulia (Linda Zampaglione), gives Lisa some warnings about the paintings despite acting unfriendly. Emma assures her that it is just a personality disorder and the girl has too many fantasies due to which she could not stay in the school. Meanwhile, Madison, Tracy, and Toni are attacked by an unknown figure and are held captive in cells surrounding a well. There seems to be something sinister going on in the area, and can Lisa and her newfound friends survive this terrifying reality filled with terror?

The defence of The Well :: The Well is that movie which has come out of nowhere to make the perfect Gothic impact, and open that world of ancient horror taken into the medieval and beyond. The terrifying reality which the Gothic and the Dark Romantics provided in the past with its classic elements comes alive again, and we keep thinking about that world of supernatural chaos yet again. The demon is also nicely done and the painting is something like no other. The curse of the past coming to haunt in a medieval castle with secret passages and traps never gets old, no matter how much the modernity comes upon us. The imagination of our age can work well with the Gothic of the past – hence proven. The darkness with that kind of lighting which inspire further horror is also to be appreciated. This one becomes an inspiration to travel to Italy, becoming the one location that horror fans would prefer in Western Europe like Romania in the eastern side. I would travel to Eastern Europe any day, but Italy and Spain would be in the list if there is an extension; after all, I am also a vlogger now.

Positives and negatives :: There would always be people questioning these types of smooth horror movies, especially as it does not bring that inescapable terror. The castle could have even added more horror, and the well could have been further terrifying, despite us feeling the Gothic strength all the time. The fear elements keep gripping us, and we know what Italian movies can do right from Don’t Kill Me with the zombies, A Classic Horror Story with its gore-fillers, Security with the thrills, among the others. Well, this one requires a sequel like The Conjuring, Annabelle, The Nun and Insidious had, and such a setting is added to the ending, even though forced – the scope is a lot there to be taken. Even though a lot of people might have missed the movie – even I never really heard about it, the release of the movie on Amazon Prime Video with Hindi audio is surely going to help. In the world of modernity where nothing is a sin, let this one remind one of the presence of evil and its ability to take over in an environment which seems perfectly not supernatural.

The performers of the soul :: Lauren LaVera is someone whom we remember from Terrifier 2, and it was one fantastic performance from her in a slasher movie that kept us immersed there – the last fight with the clown was epic. There was the note that she began as a body double for Anya Taylor-Joy and others in that memorable psychological thriller Split – this reminds us that we had the seen the girl somewhere before too. She continues her great work in this particular movie, as from the beginning, we know that this one would make a fine scream queen and can continue the great job to more movies of horror too. She goes through the scares, slasher situations and nightmares in a convincing manner. The next significant candidate for the scream queen role is Taylor Zaudtke, who has also done a fine job with the girl who tries to escape from the evil, and is too terrorized at times. Claudia Gerini’s work is solid and we feel like she is part of that aristocratic world all the time. Linda Zampaglione as Giulia does not fall behind in doing the same either. The rest of the supporting cast also contributes pretty well.

How it finishes :: There might be no better place to shoot a Gothic horror film than Italy, which seems to have the settings that would keep us horror fans enlightened with the older medieval buildings of its past as much as the Renaissance structures. The Gothic never got such close its soul in horror movies like we have here, with a medieval castle, mysterious painting, secret passages, underground dungeon, hidden traps and darkness that shines like the light of the moon with a haunting past. If there is a perfect Gothic world, it should be this one, and the other one would be Guillermo del Toro’s Crimson Peak which kept breathing Gothic till the end. This one remains scary, entertaining, and as mysterious as any such movie should be. We know that there is more than what meets the eye from the beginning itself, and we enjoy the same. When you feel that horror is losing its strength, we get transported to this world, and that is indeed something great – we enjoy our existence in such a world of old model horror awakened again.

Release date: 1st August 2024
Running time: 92 minutes
Directed by: Federico Zampaglione
Starring: Lauren LaVera, Claudia Gerini, Jonathan Dylan King, Yassine Fadel, Gianluigi Galvani, Taylor Zaudtke, Courage Oviawe, Giovanni Lombardo Radice, Linda Zampaglione, Lorenzo Renzi, Melanie Gaydos, Stefano Martinelli, Toni Pandolfo

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@ Cemetery Watch
✠ The Vampire Bat.

Shaitaan

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Vampire Owl: So, is the movie really about the devil?

Vampire Bat: There are many demons who identify as the devil.

Vampire Owl: Is there anyone whom you know?

Vampire Bat: We do not make acquaintances with the shadow world.

Vampire Owl: We are also nocturnal creatures of the shadows.

Vampire Bat: We are the shadow warriors, but we are not shadows.

Vampire Owl: Shadows are still our allies, and they even provide warnings.

Vampire Bat: Allies do not make us. We are better than that.

Vampire Owl: The shadows will keep us safe.

Vampire Bat: Not just the shadows, we shall stay in the dark forever.

[Gets a masala bonda and three cups of mint tea].

What is the movie about? :: Kabir Rishi (Ajay Devgn), a chartered accountant, his wife Jyoti Rishi (Jyothika), daughter Jahnvi Rishi (Janki Bodiwala) and son Dhruv Rishi (Anngad Raaj) decides to take a break from their busy routine, and spend some time at their farmhouse in the outskirts of Dehradun, Uttarakhand. Jahnvi is hoping to end this trip as soon as possible, and go on her on tour with friends, especially her boyfriend. On the way, at a dhaba, they come across a man named Vanraj Kashyap (R Madhavan), who offers them tea when they do not have change. He seems to be a nice person who shows the photo of his daughter and gives friendly advice. He also gives Jahnvi who does not want to have roti and tea, a laddu which she accepts happily. He also leaves her with a few biscuits, much to the dismay of Jyoti. As they reach the farmhouse, they are surprised to find Vanraj following them there. They also find out that Jahnvi had invited him inside the house, and he sits there on the couch as a guest.

So, what happens with the events here as we just keep looking? :: He only asks for a cup of tea and charger for the phone, but soon, Janhvi ends up threatening her brother under his influence, which makes Kabir and Jyoti ask him to leave immediately, to which he disagrees. Before Kabir can push him out, Janhvi under Vanraj’s command stops him. Vanraj says that he has hypnotized Janhvi using black magic, and that she will obey every instruction he gives. To prove his control, he orders her to repeatedly stand and sit, and she does the same robotically. To make them believe in the extremes of his power, he makes her take a tea packet and eat raw tea leaves. He also makes Janhvi slap her father and make her laugh and cry. As she is asked to jump into the swimming pool and stay underwater until he tells her, the parents understand the grave situation. As the frightened family gives him the mobile phones as told, he makes Janhvi destroy all the phones in the house, cutting off their communication with the outside world. Now the question remains about what does he plan to do, and what does he want from the family.

The defence of Shaitaan :: The movie rests on the shoulders of Janki Bodiwala who brings a performance that nobody would ever forget, as she alternates between her character’s own personality and that of a hypnotized mind, as we see her helplessness and determination to commit a task according to an order at the same time, and moving between the two. Madhavan’s alternation between the gentleman and pure evil entity is not that far behind either, as his evolution as an actor is seen again, but we know that he could have also done the father-figure to perfection if given that role. The movie keeps us closer to the situation, because we know that it is indeed a usual family in trouble, even though a little bit too bourgeoisie for many, with the main character driving a Benz Car and owning a huge farmhouse in a hill station besides his original home in the city. The feelings that we have for the family is much more as we can relate to them, at least most of us. The danger is always there, with the younger child closest to death than any other, even though I would consider all lives as equal whether that of children or the elders – I am not a robot to calculate how much more they will live and be useful to society or turn into murderous psychopaths.

Positives and negatives :: The movie might not be appreciated as doing as good as the original, but we know that it is true for all Bollywood adaptations, a case which is best depicted in the works od Priyadarshan, as the original Malayalam movies were all classics which can have no match, certainly none with nepotism factor taking around, like in the case of that remake of Helen. The idea of the original version would always stay strong, and with this one made on a bigger budget and made to suit the spoon-fed and feel-good-seeking audience, some of the soul of a dark movie would be left out – we know what the Bollywood have been involved in making big blockbusters, and so the taste difference would be looked at by the makers who remake works. But the movie has its tension perfectly built and the danger felt from within, with no exaggeration. Each and every moment in the house seems to be perfectly created, and the cast nicely adapts to the same. The satanic touch brings the terror as the movie shifts its world by the end really well.

The performers of the soul :: Janki Bodiwala is the one person who steals the show, long above the veteran stars who surrounds her, and it is no surprise as her character stays at the centre and decides too many outcomes. She had also played the same character in the original movie, and that experience seems to count. This work will establish her as one of the best among the future stars of Bollywood, and maybe could have a hand in another regional cinema too. She has the biggest moments of the film to perform, like the one where sits on the gas cylinder, dancing without end and those smiles and laughs for no reason which are truly spooky. Madhavan might have played the best villain in a horror movie, and let us hope that the ending of Hindi version does not spoil his chance to bring a sequel with him in it. The way in which he gives instructions and talks about his own greatness provides us with the chills. Ajay Devgn and Jyothika plays the helpless parents who still struggle to make things happen and save their family quite well. As the former nicely manages to bring the heroic father to the scene, let’s see what the next sequel of Drishyam brings, as Bollywood is ready take the script from the Malayalam version, and Tamil, Telugu and other versions would be waiting.

How it finishes :: Shaitaan, as a remake of the 2023 Gujarati film Vash, makes a fine impact, even though most of us have not watched the original. But from what has been heard, the original is more of the classic, but as we only have this one around here, and it is very well-made, despite the ending seemingly not that special compared to the original. There is a haunting and satisfying feeling about it, with that strength which is rarely seen in pure horror movies of Bollywood, even though movies like Stree and its sequel had made horror comedy working better. The best horror of pure seriousness was done well by Bollywood quite long ago, and most of the time there were only movies like 3G and Murder which only partially did the job. But this one will surely achieve a legendary status, despite being an adaptation of an older film. Remakes will work very well if done in the right manner, and this one proves it. This is also a proof for the fact that you do not need to keep looking at Hollywood for horror every time, and basic elements for the same working out is right here, with us.

Release date: 8th March 2024
Running time: 132 minutes
Directed by: Vikas Bahl
Starring: Janki Bodiwala, Ajay Devgn, R Madhavan, Jyothika, Anngad Raaj

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Nokturno

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Vampire Owl: This should surely be about us.

Vampire Bat: Why do you keep feeling that so many movies would be about us?

Vampire Owl: Well, because we are the true nocturnal creatures?

Vampire Bat: Even zombies walk around only at night.

Vampire Owl: I have seen a few like a smaller army in daylight though.

Vampire Bat: They are not zombies, but humans without brains.

Vampire Owl: There are many humans like that?

Vampire Bat: Yes, mostly the fans of some celebrities and blind supporters of political ideologies.

Vampire Owl: I did not know that they were not extinct.

Vampire Bat: Well, they are surely rising in power, stronger than ever in the human world which faces many apocalyptic events at the same time.

[Gets a packet of Milk Bikis and three cups of Munnar tea].

What is the movie about? :: Jamie (Nadine Lustre) has been working as an overseas worker in Dubai and has returned to her hometown of San Sebastian following her younger sister Joanna’s (Bea Binene) mysterious death. Her mother Lilet (Eula Valdez) feels that a sinister curse which is part of the Filipino folklore of the kumakatok is haunting them and also took her daughter to the grave. According to the folklore, these are ghostly figures that knock on the doors after midnight, and those who open them are doomed to be die or at least lose a loved one within three days. Jamie does not believe in any of these, and feels that her mother is mentally sick, in need of treatment. Joanna’s boyfriend Manu (Wilbert Ross) feels that the curse is real, as his girlfriend had talked about the same before death and he has also been having some hallucinations after her death. He wishes to stop this, but is too afraid to do anything about it.

So, what happens with the events here as we just keep looking? :: The explanations of the police officers do not seem to satisfy any of them. Most of the locals think that it was a suicide just like those self-proclaimed logical ones. It seems that the curse has bound itself to the family, and escape only gets more and more difficult as time passes, and someone or the other is taken from among their beloved, and their father was just one of them. These kumakatoks need lives and they are not going to stop, as it is told by more than one person who have heard about the folklore. Jamie is still not a person of villages and small towns of the country. She had left this lesser-known simple world a long time ago and would not have come back there under any circumstance. But is this the beginning of the end for them? Can the family stick together and fight against this centuries-old pure evil that takes souls to another world? Is there really some kind of supernatural force or is there some sinister person or mental disorder at work? Is it already late to act and find a solution or can the protagonist return in peace?

The defence of Nokturno :: The Kumakatok myth from the folklore of Philippines has been used well, and it is something that our world is not aware of, and is not seen that much around. The atmospheric horror works really well, and the focus on rural areas makes some moments even more interesting with the mysterious supernatural side. The sound effects also add nicely to the horror, and it seems to be around at all times in the background. The connection between modernity and a largely ignored world of the past can be easily seen. The mystery is present at all times, and we know that the danger awaits, even though there is nothing directly shown around here. The folklores of all nations should be part of a knowledge system based on horror, and it is something that we should keep learning as part of understanding different cultures and traditions. After all, myths based on demons are stronger than any other, as we are all driven by fear and the lack of understanding of the supernatural, which drives this movie too. To add to the same, there is an emotional side around here too.

The claws of flaw :: The movie is still too slow as it moves forward, and the horror is not that much mainstream terrifying, as the common audience look at it. This means that the commercial side will not keep the movie going forward. The smooth transition to horror is not always there, and slowing down seems to come naturally to this movie. There is a little bit of too much talk around here instead of getting the horror wings. We never really get to see a monster with all its glory, and most of the time it is all about finding the knocks at night and being afraid of something which might happen because there is this folklore about which the mother-figure believes so much. There is too much left to the imagination, and the problem with the same is that some people might end up choosing not to imagine at all, and there is lies the true lack of horror, and a curse that could not be fully effective. There are a few things that will always work in the case of horror movies, and this one seems to forget that with a certain amount of convenience.

The performers of the soul :: The movie has an outstanding performance by Nadine Lustr who connects to both the horror and emotions really well. She provides the character with the much-needed emotional depth, as it is that kind of a character who returns home after such a long time, and some grief and regret are to be present. Bea Binene has her moments in the first few minutes, and we would wish to have seen her for a longer period of time. She seems to suit a scream queen situation quite well, and would suit bigger roles in many horror movies which are to come. Eula Valdez adds further emotional depth to the tale, and the tragic side of this story remains close to her performance. Wilbert Ross has also come up with an emotionally memorable performance. JJ Quilantang as the younger brother also has something do around here, and the same is done well. Ku Aquino’s work also remains memorable, as his character creates a certain amount of hope against all odds.

How it finishes :: This only the second movie from Philippines being reviewed here, and the first one was also quite an emotional horror work in the form of Outside, with the presence of zombies and the world almost reaching an end. I had heard a lot about this movie, and I was sure that it had to be watched sometime soon enough – it could have been the first Filippino movie to be reviewed, but missed the same in the first attempt. This one might not be everyone’s cup of demon, but in a world of evil humans, we need all the demons we can take, and taking them from folklore would always be the best option. The movie might not that much be liked for the pace, and people would have wanted to see more scary things on screen, but this remains strong enough, even without the same. The soul of the horror here lies in the certainty of loss and the absolute grief that will haunt them for an eternity, if they survive. Well, horror has always been the true human reality, unlike most of the fantasy that they show with romantic and feel-good movies.

Release date: 31st October 2024
Running time: 99 minutes
Directed by: Mikhail Red
Starring: Nadine Lustre, Eula Valdez, Bea Binene, Wilbert Ross, Ku Aquino, JJ Quilantang

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Tarot

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Vampire Owl: So, vampires can now try these too?

Vampire Bat: Well, vampires are all about beliefs, the myths and legends.

Vampire Owl: We are the demons of humans who come out of their hell.

Vampire Bat: We are surely much more than that when awakened.

Vampire Owl: The question remains about what we are to those humans.

Vampire Bat: Why would you want to know about what they think?

Vampire Owl: I want to know what they feel to be different from what they know, for I shall sacrifice my identity to be better than their thoughts.

Vampire Bat: We will always be what we are, of blood and eternal night.

Vampire Owl: There are no better nocturnal creatures, I know. Ours are classic horror stories of many nights.

Vampire Bat: Go for more of horror then, fellow vampire, stay furious.

[Gets a butterscotch shake and three cups of ginger tea].

What is the movie about? :: A group of friends from the same college, Haley (Harriet Slater), Grant (Adain Bradley), Paxton (Jacob Batalon), Paige (Avantika Vandanapu), Madeline (Humberly González), Lucas (Wolfgang Novogratz) and Elise (Larsen Thompson) rent a mansion in the middle of nowhere to celebrate Elise’s birthday in peace. They have some drinks and try to enjoy their time away from city. Haley and Grant just had a breakup, and to make things feel better, Haley read their fortunes using some very old seemingly hand-painted tarot cards taken from the basement. Elise gets the High Priestess, the first card which seems to be scary enough to feel something sinister; Lucas gets the Hermit; Madeline is attached to the Hanged Man; Paige becomes the Magician; and Paxton finds the Fool. Finally, a reluctant Grant receives the Devil while Haley herself does not find it too surprised as she gets the Death card and remarks that the love will be the death of her. Even though Paxton feels that he saw a shadowy figure outside, things go on without any incident.

So, what happens with the events here as we just keep looking? :: As the group returns to campus, they tend to forget about the tarot readings. But on the very next night, Elise feels that there is something in the attic, and there she is attacked by a strange creature, resembling the High Priestess on her tarot card, and after being pushed down the attic, she is killed using ladder. Haley tries to console her grieving friends as they all wish that one of them was with Elise on that night. The very next night, Lucas is terrorized by the Hermit from his tarot card and chased into the restricted area of a nearby train station. He keeps running away from the chasing monster, but ends up being killed by a speeding train. The group gets together and tries to figure it out as two of their friends are already dead. Haley feels that there is some relation between her readings and how her friends died. She talks about the same to her friends. But it seems that they need an expert on this. But what they come to know would not make them any confident about surviving? Can at least some of them remain alive in the end?

The defence of Tarot :: The movie does offer some genuine scares, and the demons on display here brings the scares really well. These creatures are nicely detailed, and suits the situations really well. The environment nicely moves to horror with ease whenever there is the supernatural coming in to take a soul to the other world. The different deaths make fine impact, and the variety in them needs some appreciation beyond the usual. The fear factor is always present, and in the darkness of the night, gets even better in evil and terror. When one wonders how the next death can happen in a situation, there is that quick appearance, like in the case of that bridge. The flashback remains spooky, and adds to the scary elements with the curse that keeps the creepiness factor high enough. There are many Eastern European myths which could come in here, and a Cabin in the Woods environment with them going back to where it all started would have been nice, but lives are already lost when the chance is there in the movie.

The claws of flaw :: The movie does miss out on some of the chances which it could have easily taken, especially related to the death – the first one could have been the most classic of them all, and the second one could have taken another twist. The supernatural menace could have taken lives in a Final Destination mode or with even better varieties. Some more violence could have also made an entry, as this is that kind of a movie when we look at it from a distance. There is a certain amount of laziness or easy-going mode seen at some parts. There were so many paths which the movie could have taken after those initial moments of unleashing the curse. The darkness of the movie needed to have that special punch, something which Until Dawn could display in a better way. Sometimes, we do feel that all these might not be enough to make the victims think enough, as they often end up looking in the internet instead of anywhere else, even after having an expert out there. Just like those strange horror films, sticking together is not an option here too.

The performers of the soul :: Harriet Slater leads the way as the true protagonist of the movie who tries to the save everyone including herself. With a depressing past and a breakup, the character needed the attention she has provided the same. Her desire to genuinely solve this problem and even take the blame can be seen reflected here. Avantika Vandanapu is the next person who catches our attention, and plays a character that we wish to see survive in the end. She would make a fine scream queen in another horror movie as we witness the signs. The run from the magician is a sign indeed. Jacob Batalon is the one who brings the funny side to the screen, and he does the same well to keep the humour alive in between all the horror and deaths. Humberly González and Larsen Thompson goes through the unexpected deaths well, and the fear factor is well-displayed with them as death stalks all around. Olwen Fouéré scores as the tarot and astrology expert in between all the never-ending curses.

How it finishes :: Tarot makes its horror working with the usual stuff and a little bit of addition to go with the same. Let us not fall into the trap of negative reviews, as we horror fans are better than that, and we know that most of the critics do not rate the films of the genre well enough. But this one thrives on its supernatural side, and keeps the horror moving forward. There is death lurking in the shadows, and the audience is surely aware of the same, as they wait for the evil to pounce upon the youth whose fate was told through the tarot and horoscope. While watching this movie, I had the feeling that this kind of topic would suit a Malayali horror film more, as this deviation from the usual methods of the genre directly aligns with many traditions we see around. After all, there is no shortage of myths and legends for us, and the connection could be more easily established. Let horror come back to us, and we will accept it as a common thing in life, unlike the very rare elements like romance and feel-good.

Release date: 3rd May 2024
Running time: 92 minutes
Directed by: Spenser Cohen, Anna Halberg
Starring: Harriet Slater, Adain Bradley, Avantika Vandanapu, Wolfgang Novogratz, Humberly González, Larsen Thompson, Olwen Fouéré, Jacob Batalon

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Nosferatu

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Vampire Owl: Finally, our Count is coming back to the big screen.

Vampire Bat: This one is not really the true Dracula Uncle.

Vampire Owl: Well, Count Orlok is not lesser than Count Dracula.

Vampire Bat: I have heard from humans that this Orlok is an illegal version.

Vampire Owl: Well, there are no such rules in vampire kingdom, right?

Vampire Bat: Human rules need not apply here, but we should know.

Vampire Owl: We will never really know the humans.

Vampire Bat: We will know everything except their inherent evil.

Vampire Owl: Well, which is why we do not transform humans into vampires anymore.

Vampire Bat: I am sure that they want to; the greed for eternal life and perpetual youth.

[Gets a tea cake and three cups of Ooty tea].

What is the movie about? :: Ellen Hutter (Lily-Rose Depp) is a recently married young woman who has had too many nightmares in her life in the past, and it is revealed that her recent bad dream about being married to death and everyone around her dead. It is revealed that while looking for consolation from her loneliness and depression in life, during her random chants and prayers, she had ended up creating a psychic link with Count Orlok (Bill Skarsgård), or what they villagers of Romania used to call Nosferatu, with Romanian roots. The nocturnal creature of pure evil had marked Ellen from thousands of kilometres away, and this connection often led her into situations of seizures and sleepwalking. She keeps having hallucinations and a feeling of being with death, from which escape seems almost impossible. She has been living in the German town of Wisborg with her husband Thomas Hutter (Nicholas Hoult) and is irreversibly in love with him as it seems, but this connection seems to have journeyed through the unimaginable, the darkest of the woods and deepest of the rivers and lakes.

So, what happens with the events here as we just keep looking? :: It is then that Thomas accepts the offer to sell the partially ruined Grünewald Manor to a reclusive lord named Count Orlok located somewhere in Romania. Ellen talks about her nightmares and pleads Thomas not to leave for those unknown lands where a certain cursed evil lurks, but the offer from his employer is too much for him not to accept this opportunity of a life time. He leaves her in the care of his wealthy friend and famous shipbuilder Friedrich Harding (Aaron Taylor-Johnson) and his wife Anna Harding (Emma Corrin) who lives with their two little daughters. As he arrives at the Carpathians in the Transylvanian area of Romania, Thomas is warned not to wander around during the nights and not to visit Orlok. During the same night, he still wanders around and witnesses a group of gypsies running a ritual with a fully naked woman on a horse which ends with the exhuming and impaling a vampire’s corpse with a wooden stake, ending the undead life with a lot of blood coming out of its mouth. The next morning, he finds no help or support, and leaves for the count’s castle alone and on foot.

And what is to follow as the Count maintains all the control over the world known to him? :: In his castle, Count Orlok welcomed Thomas as the aristocrat that required respect at all times. But soon, his existence as something more than human is revealed to Thomas, who hopes to escape, but the paths of the castle only lead to the crypt where the count is sleeping in his coffin, and he is not able to attack him as the vampire awakens, and so do his demonic hounds. He understands that he will have to remain a prisoner in the castle forever, as the document which the count made him sign might not be the Romanian version of the deal concerning the property, but a document dissolving his marriage to Ellen and the vampire had also taken his locket, containing a lock of her hair. He understands the vampire is going after his wife, and jumps into the river below the castle to escape. But the count has already started his journey and has infested a ship which is on its way to Germany. He will not stop at anything unless he becomes together with Ellen. Can anyone stop this evil from embracing her and also spread through the whole of Western Europe? Or will the blood-seeking demon have a blood feast that will last forever?

The defence of Nosferatu :: The movie achieves atmospheric horror and thrives with the sound effects as much as the visuals. There is fear running through the air, as we rarely see a world thriving on light here. The psychological side very strong here, and the performance of Lily-Rose Depp is truly magical here, with so many moments to remember, and the final few moments of her is out of this world. I cannot stop myself from not being the new admirer of Johnny Depp’s daughter as I have been a fan of him. I can say that I have never seen the main female character of any version of Bram Stoker’s work getting such attention which is supported by a performance of grandeur. The connection to the demonic creature and talk about all of this terror has never been so perfectly detailed and connected to the female lead. Nicholas Hoult and Willem Dafoe works the roles just as expected, while Bill Skarsgård’s demon is something we have not seen before, well divergent in looks and actions to create more terror. Aaron Taylor-Johnson and Emma Corin move through expected paths. These are not just characters, but people who immerse us in their wisely created world with fine performances.

Positives and negatives :: It can be said that there is no movie based on Bram Stoker’s work that has provided an emotional and haunting touch like this one, and a terrifying vampire movie becoming an emotional tale of love and selflessness keeps us rooting for the film even more, like never before. The movie basically like music which strives for a fight against the most terrifying form of evil with love. By the end, here we know that as evil always finds a way, so does goodness and self-sacrifice. Finally, we know that the melancholy of the main character is not hers alone, but of all of us. It is a poetry on what it takes to thrive against the most ancient forms of evil. The sequence in the forest makes a fine reflection which is to come, and there are some classic shots in the castle that elevates this movie to a psychic-psychological mood which is rarely seen in the adaptations. The final image from where the camera zooms out reflects the same, and that too with a melancholic beauty. There is also some work with demonic possession, which is actually shown without any overdose. This is indeed a fine Gothic work that reflects the Victorian Age even when not in Britain. The one thing that we might really be missing is the Brides of Dracula.

How it finishes :: This is the one movie which becomes a fine divergent tribute to both the 1922 version of Nosferatu and the many later versions of Dracula as well as the original book, along with being a different entity in itself. There seems to be so many inspirations, and many creative ideas placed around here. This version is sure to be remembered as a classic in future, no matter problems critics would find, which would be lost in the process. This version might be the one which needs even more attention than what it has managed. This is that version of the vampire that maintains all kinds of feeling which are related to a vampire as a nocturnal creature that feeds from the lifeforce of humans. There are not many movies which can pay homage to so many of its predecessors and still remain something new. This one, with some fantastic performance and an atmosphere which would put even the high-budget movies to shame, manages to rise and seek theatre experience – it is quite depressing that the movie was not really found in theatres when it released.

Release date: 25th December 2024
Running time: 132 minutes
Directed by: Robert Eggers
Starring: Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe, Katerina Bila

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@ Cemetery Watch
✠ The Vampire Bat.

The Red Door

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Vampire Owl: I have always loved the red door.

Vampire Bat: There is no red door in the castle.

Vampire Owl: There are doors in many colours?

Vampire Bat: You were colouring the stone doors all these times?

Vampire Owl: It already had enough colours with them.

Vampire Bat: We only paint everything black.

Vampire Owl: Not everything is black in the castle.

Vampire Bat: Yes, in the Dracula Castle, some are very dark grey.

Vampire Owl: You cannot question Doctor Frankenstein’s choice of colours.

Vampire Bat: So, Mr. Frankenstein is responsible for all of these.

[Gets a blueberry cake and three cups of kadak chai].

What is the movie about? :: Josh Lambert (Patrick Wilson) has lived many years after the earlier incidents of possession and traveling through the Further, a realm full of tortured souls through which the family had projected in an astral mode bringing chaos and destruction to their world. Renai Lambert (Rose Byrne) is now divorced from him, and this separation has not come up with positive things for him or her. His relationship with his son Dalton Lambert (Ty Simpkins) has only managed to worsen over time, and his attempt to make things better by staying closer to him only makes the whole thing even more terrible. As Dalton joins a new course, Chris Winslow (Sinclair Daniel) becomes his new best friend after they are given the same room despite the latter being a girl. He joins the class of Professor Armagan (Hiam Abbass) as he wishes to be an artist, but a painting that he makes when asked to go deep into memory makes things very weird. The painting is of a red door which has served as a portal to the Further and the darkness of evil that awaited.

So, what happens with the events here as we just keep looking? :: This is when both father and son seems to have some hallucinations, and dead people seem to come to meet them. Dalton seems to have travelled to some other world which is connected to this, but he does not remember the Further – both Josh and Dalton had their memories wiped out and seeing the spirits is the first-time experience for them. The demons that haunt them only seem to get worse. Chris shows Dalton YouTube videos about astral projection to help him understand the situation, as he gets into the Further again, which brings into this world an unknown entity that attacks Chris. Despite the repeated warnings by Chris, Dalton decides to go into the Further again and search for answers, which locks him there. Josh who understands that the situation is terrible, meets Renai and after knowing about the painting of the red door, decides to travel to the terrifying dimension once again to save Dalton. Can he do it without being lost there?

The defence of Insidious V: The Red Door :: We are always interested in a world beyond, brought together by astral projection, and having its demons. The reminder about another dimension existing in the dark and waiting to pounce upon us, is something that has immense possibilities. We get the feeling that this brings everything together, and the franchise’s journey focusing on this particular family might end here. The use of picture and some of the moments within the other dimension brings some horror here, and the mystery remains strong. The bonding for family is nicely shown without holding back. The emotional side works for most of the time too. The idea of focusing on the red door through a painting is nicely done. The astral projection’s extension can be seen as effective enough to bring other films focusing on the same idea. The journey through the memories also brings some of the nostalgia back here too. We are looking forward for the red door to open and bring something more through the portal that connects between all of these, for we understand again that death is only the beginning of a torment that never ends.

The claws of flaw :: Insidious V: The Red Door reminds us that the franchise was once very frightening with elements that were to stay in our memories. One can be sure that this one does not live up to that power, as the scares are never focused on. The darkness and the evil that lurks in the Further is not explored well enough, as we look closer. The demons basically could have had a grand tale with deep myths running through, but the same cannot be seen here. There is a certain amount of struggle that this movie goes through, this many years after it made its classic point through another dimension, and that feels too strange. There are moments when we think what went wrong with this world, as there was so much to explore, and instead this movie spends its time to focus on the family and how the members bond together to destroy evil that comes back to haunt them – it also leaves us with the hope of bringing the whole family together yet again; not the best choice for a fifth horror movie in a frightening franchise which should live forever.

The performers of the soul :: Patrick Wilson also becomes the director in this movie, as he goes through the journey both as the main character and the man behind all of these with ease. He has been a clear part of the horror world with works in The Conjuring universe as well as this one, along with the journey through the Aquaman franchise. His journeys seem to have created so many horror enthusiasts in this part of the world, and he leaves us confident about more. The beginning as the director works out well for him too. Rose Byrne has been part of this franchise for long, and contributes well as one would expect in a film which does not focus on her that much. Ty Simpkins’s son character works pretty well, while Sinclair Daniel bring the comic side to the scene, even though a little bit more than it was needed in a movie like this, and not always working that well with the humour. The supporting work just happens, and do not go that much forward with the same strength with which the earlier movies came and conquered without second thoughts.

How it finishes :: Insidious V: The Red Door tries to bring the sequel horror right back here again. The attempts of Annabelle, Sinister, The Conjuring, The Nun, Don’t Breathe and others have already been seen, and this particular movie here is at number five with its sequels. We know that horror is forever, but we also understand that none of these movies had their sequel providing a higher quality than the original flicks which started the series with a certain amount of strength. It leaves a certain amount of chance for another sequel which can explore the demons and the other dimension better. But we know that a sequel might not have that much of a power as we would have expected from an original, and the next one would be the sixth movie in the series which would require more plans to elevate the overall status. Not many movies have managed to come up with a sixth film in the franchise, and for horror movies, it is even more difficult. This movie just manages to live on as a sequel, and we have to see how far can the next entry raise the level.

Release date: 7th July 2023
Running time: 107 minutes
Directed by: Patrick Wilson
Starring: Patrick Wilson, Rose Byrne, Ty Simpkins, Sinclair Daniel, Hiam Abbass

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@ Cemetery Watch
✠ The Vampire Bat.

Killer Book Club

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Vampire Owl: This would be an interesting book club.

Vampire Bat: You mean to say that there are new book clubs in the castle.

Vampire Owl: Who reads that many books these days?

Vampire Bat: Well, I do read many of them.

Vampire Owl: I am sure that you do not count as an external reader.

Vampire Bat: I do take external book club cards.

Vampire Owl: You can read all the best horror books in the castle.

Vampire Bat: I would read these books like a non-vampire would do.

Vampire Owl: So, it is a fine method to be scared of vampires too.

Vampire Bat: I do not see why we should not be scared of ourselves.

[Gets a butterscotch cake and three cups of tea with kulfi].

What is the movie about? :: Angela (Veki Velilla) is a college student who wishes to be a critically acclaimed and popular writer, now trying to write her second work. Her professor Antonio Cruzado (Daniel Grao) who used to help her with writing seems to have an infatuation with her, and makes advances to her. As Angela’s friends come to know about it, they suggest that they get back to him, and for the same, they choose a killer clown prank which would leave him scared enough for the rest of his life. The group which includes Sebas (Alvaro Mel), Nando (Ivan Pellicer), Sara (Ane Rot), Rai (Carlos Alcaide), Virginia (Priscilla Delgado), Eva (Maria Cerezuela) and Koldo (Hamza Zaidi), plans the whole thing perfectly after sending a fake e-mail to Antonio. But the prank goes terribly wrong, as they end up causing him to fall down from the top of the building and get impaled on the spear held by a statue of Don Quixote below, leading to his instant death.

So, what happens with the events here as we just keep looking? :: Even though their instant reaction is to blame Angela for what has happened, they decide to keep all of these a secret and make a promise that they would never talk about this to anybody. The very next day, as everyone comes to know about his death, the popular opinion is that he committed suicide as his wife had left him, and the police also goes with the same conclusion, leading them to believe that things will get back to normal. But soon, they find out that a masked killer clown is stalking them, and wishes to take them down one after the other as the person wears the same mask as they were wearing. After murdering each person, the clown would write a chapter about the brutal death and post it online, and the readers also have a chance to vote on who will be murdered next. The readers do not have any idea what this is really about, as the original names are provided. The group decides to stop this madness from continuing, but has no idea about whom to suspect. Is this a silent stalker or someone among them?

The defence of Killer Book Club :: Slasher horror movies are welcome to bring new serial killers into a world of chaos in which humans have never hesitated to kill one another. There have been more classic slashers being produced in almost every language these days, even though Hollywood have come up with less interesting ones in the last few years. This one is based on a book, which means that it has promises to keep for the readers. The visuals are really good, and the setting feels like the right one, including the dark corners inciting horror and the architectural beauty that stays alive. The statue of Don Quixote comes as a fine reminder for the connection between the movie and literature, as the horror itself comes from writings here, and the publication of books and online content remains a priority throughout the film’s run-time. This also remains a short movie, as the run-time works to its advantage. The final twist over the twist remains interesting, and the power of mystery has run through this quite well without giving away the chance at predictability.

The claws of flaw :: Killer Book Club might feel like too similar with many other titles, and following the formula, but not well enough to elevate the same. There are enough murders happening here, but none of them creates a terrifying or divergent impact which could have made the environment better. The scares are not that much present as we would have wanted. A killer in a clown mask can achieve wonders – you know what the clowns do, whether in It and its sequel or in Terrifier; the horror in such cases is of a different level, with blood and gore assured. But this one seems to take the safer route, and the need to take the less travelled path among the diverging roads is not taken into consideration here. You are left with the feeling that there could be more, from the early stages itself. You keep looking for more, but that extra ingredient never really arrives. With the scope for a sequel still there, we can hope that this will arrive later.

The performers of the soul :: Veki Velilla leads the proceedings in the movie, and makes the scream queen who is intended to survive till the end, but has the realization that this has been caused due to her for some other reason, which makes the character more determined. She blends into this situation really well, from the author who has a certain amount of writing block to the girl who wishes to survive in a world of chaos created by an unknown killer. Priscilla Delgado remains a notable presence here too, and contributes to the whole thing even when least expected. Ane Rot and Maria Cerezuela also add to the interesting scream queen list here, and one would love to see them in more of similar flicks. Alvaro Mel and Ivan Pellicer become the main male performers here, and they remain important from the beginning to the end. Daniel Grao, even though present for only a few minutes, also leaves an impact. Carlos Alcaide and Hamza Zaidi also comes in as required. For most of us audience, these new names will be staying.

How it finishes :: Killer Book Club seems to be derived from other slasher horror movies that we have known for a long time, with Scream and The Cabin in the Woods being a few of them. The non-English movies were not far away from such inspiration either, as Poland’s Nobody Sleeps in the Woods Tonight and A Classic Horror Story in Italian along with the Indonesian Ivanna are some of the examples. Here, in Spanish, we have a similar work of slasher horror. The group of friends from a college being murdered one after the other, especially after doing something they were not supposed to do, comes as nothing new. But this one also maintains the entertaining and thrilling side well enough with the final twists to keep things interesting. You are always looking for more addition to slasher horror, as they have not been that easy to create effectively during this time period. Based on the Spanish novel El Club de Los Lectores Criminales by Carlos García Miranda, the films becomes another interesting adaptation which brings us back to watching Spanish movies again on Netflix.

Release date: 25th August 2023 (Netflix)
Running time: 90 minutes
Directed by: Carlos Alonso
Starring: Veki Velilla, Alvaro Mel, Ivan Pellicer, Hamza Zaidi, Ane Rot, Priscilla Delgado, María Cerezuela, Carlos Alcaide

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@ Cemetery Watch
✠ The Vampire Bat.

Phoenix

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Vampire Owl: I take this as an opportunity to rise from the ashes.

Vampire Bat: Vampires have already risen from the grave.

Vampire Owl: Rising from the ashes like a phoenix is different.

Vampire Bat: There will never be a Vampire Phoenix.

Vampire Owl: An owl is bird enough to be a phoenix.

Vampire Bat: So, you are going to be burned on a stake?

Vampire Owl: I can always hide in the ashes and rise from it.

Vampire Bat: Does this mean that you only need that title and nothing more?

Vampire Owl: Once I become a phoenix, my vampire powers will surely be different.

Vampire Bat: Well, vampires are real, but phoenix birds are not.

[Gets a butterscotch cake and three cups of Darjeeling tea].

What is the movie about? :: Advocate John Williams (Aju Varghese) moves away from his hometown, choosing an abandoned house in the middle of nowhere, after having some problems in the court where he was practicing as a lawyer. This new house has been deserted for too long, and the owners ask for an advance rent payment of six months. John is happy about it as nobody will evict them for six months even if he creates some unnecessary problems. He is accompanied by his wife Daisy John (Nilja K Baby) and three children who are not really that happy to be in this strange place where nobody is present to help them. Ameer (Bhagath Manuel) is John’s only friend as he keeps making enemies out of people he knows. He does not try to meet the parish priest Fr. Geo Kuttikadan (Zhinz Shan), the local shop owners, or the village authorities. He begins practicing at a local court, even though that also does not become a successful adventure for him.

So, what happens with the events here as we just keep looking? :: But the new house becomes a strange place for John and family as they feel that there is somebody else living with them. They ask around and understand that the place where they lived used to be a graveyard where so many people were buried underneath during the time of a cholera outbreak. They discover that the letters come from Anna Rose George (Abhirami Bose), an orphan girl who died during a cholera pandemic in the 1970s, who was in love with Freddy Mathew (Chandhunadh), son of an aristocratic businessman who was proud of his lineage and money power. The alliance is not a widely accepted one, as Margaret Tharakan (Aradhya Ann) is chosen as the right choice, as she is the daughter of a doctor who is studying for MBBS. It turns out that Freddy has to finish his research in marine engineering, for which he leaves to Madras. At the same time, cholera spreads in the village, and Anna is affected. What follows is a twist of events which would separate the two lovers, but for how long? How is this related to the sinister events?

The defence of Phoenix :: From a distance, the movie might look like a horror flick, but it is basically a tale of doomed love having an emotional touch told with the presence of spirits that haunts a family. The requirement for the past to be dug up makes the horror not more terrifying, but more emotionally relevant. The quality of all of these elevates the movie to a new level, as the location as well as the settings of the past never ceases to amaze us. The tale is nicely told with right focus on the necessary elements at all times. The movie never lets us keep away from the proceedings here. The divergent approach towards the genre brings the refreshing feeling here. Despite not focusing that much on special effects, the terrifying feeling never really goes away. The music is really good here, and songs remain touching. The experience of Phoenix would move away from the usual trends, and could bring new life to the genre of horror which has not done the best work during the last year, not just in this part of the world, but also outside.

Positives and negatives :: There is something about the movie that runs the emotional undercurrents so well in this movie, while the side of horror is always ready to move to the backseat to let the emotions rise about the rest. When the people behind the movie are associated with Twenty One Grams, Anjaam Paathira and Garudan, you know that there has to be more than just horror about this particular movie which impressed with the trailer itself. The deviation from horror is still there, and some people might not like the same. We focus on a longing for lost to be more than having vengeance on people, and in that case, horror will have taken the side seat. Vishnu Bharathan who is directing his first film, has made us feel a veteran touch, and for the same, the performances especially from the new face in the industry, Abhirami Bose has the biggest role to play. The ghosts of the past have the roles to play in this movie in a beautiful manner, and with the spirits, we have the blending of multiple genres, and with the same, the movie only gets better as time progresses. The worlds of the living and the dead is connected by the eternal love which stays strong in both.

The performers of the soul :: Aju Varghese in a serious role works like a dream in this movie, as he impresses us in a different way, in the form of a character which would not be loved by many people who watch this. Nilja K Baby plays the character of the wife with a certain amount of sadness always present on her face, and it is more like reflecting the overall mood of the film. Bhagath Manuel’s supporting role also remains a notable one. But the tale that remains the soul of this movie is that of a forgotten past, where Chandhunadh shines as the Shakespearean tragic hero who brings about his own fall out of grace and Abhirami Bose who becomes the lovely Ophelia who is destined to meet the unexpected but awaiting doom. Abhirami’s work as the doomed lover who is stuck in a Waiting for Godot situation even after death which comes to her after being proclaimed death, is one of the most tragic situations which calls for a spirit to return to life. The way in which she blends into this character is remarkable. Anoop Menon’s priest role is smaller, but more relevant to the proceedings of the long-lost past. Zhinz Shan’s priest also makes a point.

How it finishes :: The best thing about Phoenix is that it does not try to limit it to the usual jump scares despite it being known as a horror flick. It is like Crimson Peak, as the words which are told in that movie about the spirits of a particular type – “Others that hold onto an emotion. A drive. Loss. Revenge. Or love. Those, they never go away”. We know that by end of the movie, and we wonder how we can separate love from horror and hope from loss, as they are all interconnected; often one rests on the other to provide the substance. The film creates the bond of eternity which binds and curses people through love, and the emotional side only grows. I would safely say that this one of the most underrated romantic horror movies of all-time in Malayalam movie industry, as this stretches the arms towards the eternity which both romance and horror searches for in a world of modernity. The movie does what Ezra could not, as it found the possibility of multiple dimensions in a tale of horror, characterizing both the living and the dead beautifully.

Release date: 22nd December 2023 (Amazon Prime Video); 17th November 2023 (Theatre)
Running time: 132 minutes
Directed by: Vishnu Bharathan
Starring: Aju Varghese, Bhagath Manuel, Abhirami Bose, Nilja K Baby, Anoop Menon, Chandhunadh, Jess Sweejan, Babi Avani, Abram Ratheesh, Asha Aravind, Aji John, Sini Abraham, Devendranath, Aradhya Ann, Rajan Pootharakkal, Zhinz Shan, Paul D Joseph, Premananandan, Aroop Sivadas, Rahul Nair R

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<<< Click here to go to the review of the last big film watched at the theatre.

@ Cemetery Watch
✠ The Vampire Bat.

Nalla Nilavulla Rathri

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Vampire Owl: So, do we finally get a slasher in Malayalam?

Vampire Bat: I don’t see a reason why we should not.

Vampire Owl: This is the season when slasher horror has been struggling.

Vampire Bat: That is in Hollywood which has gone weaker in content.

Vampire Owl: We have always required the best of all genres.

Vampire Bat: After all, slasher horror is closer to reality than any other genre.

Vampire Owl: Especially the categories like romance which is far away from truth.

Vampire Bat: And we also have the realization that there is no true feel-good.

Vampire Owl: I can suggest a few feel-bad movies.

Vampire Bat: We just have to live among humans to get the feel-bad.

[Gets some paneer momos and three cups of Darjeeling tea].

What is the movie about? :: Rajeev (Nithin George) and Peter (Rony David) are partners in an organic farming business in the hilly terrain of Idukki. The two have been good friends and collegemates, and two more old friends Dominic (Jinu Joseph) and Joshi (Binu Pappu) join, only two begin a rift between them with a certain ideology conflicting with the need to make profit. The four friends remain a group of two within the team. Kurien (Baburaj) is their old friend who used to be a senior at college, and is into real estate business which has left him in need for a lot of money. The moneylender is all prepared to make a move on his property. The old friends meet on an unexpected day, and decides to work together, along with Kurien’s relative, Paul (Sajin Cherukayil), as if to expand the business, for which Kurien will provide the land. Kurien intends to sell them the land in Shivamogga, which he had brought with a small amount, and through the process, he intends to make them believe that he is doing them a favour. He assures them that this land will help them better.

So, what happens with the events here as we just keep looking? :: As the location is deep into Karnataka, and some help with the language and locals is required, they call another old friend Irumban (Chemban Vinod Jose) who is now living in Mysore and has a certain influence in the area. Both Peter and Rajeev are not happy with this deal, as new plot would mean them losing control over the land which was originally under their names. Dominic understands that there is something about Kurien, and this deal will profit him more than anyone else. As Peter’s daughter needs a surgery soon, he is also reluctant to leave his home. But as the tension builds between them, the four partners decide to go with Kurien and Paul and see the area and make a decision. They also call Aneesh (Ganapathi S Poduval) as their driver, and are soon joined by Irumban at the mansion which is located at the centre of the 200 plus acres of land in the middle of nowhere. But soon they understand that they are not alone, and that someone is stalking them, with Rajeev being murdered. Who could be after them? What would anyone have to do in an area where nobody lives?

The defence of Nalla Nilavulla Rathri :: It is always good to see slasher horror getting something to do in the Malayalam film industry. There are some moments of brilliance in relation to genre, and this has worked differently from the Hollywood slashers. The movie still in the Hollywood style, with the possibility of a sequel kept alive with the open ending. The camera angles and the visuals add nicely to the quality of the film. The chosen setting for the adventure is really good in the middle of nowhere, and the darkness nicely adds to the suspense as safety is never guaranteed for the characters here. The evil human nature to get hold of what is desired is shown here from the beginning itself, and the final moments are also reflections of the same. The inherent evil in man comes out during different moments of the film, as for most people, success and money at the cost of others is the key. Most of the characters never really seem to deserve any sympathy, as they are not straight-forward or righteous in any manner.

The claws of flaw :: As a slasher, the movie could have achieved more, and a better backdrop for the sequence of violent events was also possible. The transformation into a slasher in the form of home invasion thriller often feels complicated as the struggle gets more intense. With this case, the script often makes way for too much of swearing words which could have been avoided – it seems to be a fashion to use these during our times. A bigger and better ending could have also been nice, and some of the action sequences have a little more than required. Slashers can actually use different kind of endings rather than the usual horror. There is some dragging effect which can be seen here, and the struggle towards the end does not help. The predictability factor is also present around here. Those who are looking for serial killers like in Forensic, Anjaam Paathira, John Luther, Twenty One Grams and Paappan might be disappointed.

The performers of the soul :: The movie does not focus on any one character or put the spotlight on anyone who plays any role. Baburaj and Chemban Vinod Jose are the biggest names in the movie, and manages to carry the movie on their shoulders. Chemban surely has that menacing strength which adds to the dark side of the movie. Nithin George of Luca fame and Rony David of Aanandam fame plays the two characters with whom we would feel some sympathy. Binu Pappu plays a solid role among the friends, as we have seen him do earlier in Thallumaala with ease. Jinu Joseph’s negative side is something which we have seen since Iyobinte Pusthakam and he continues to do the same. Sai Kumar’s role is something with power as much as a certain amount of mystery about his nameless character that stays. Ganapathi makes a quick, interesting appearance when least expected. Sajin Cherukayil adds a certain amount of humour around here, but it is also not that much. The female characters do not have much to add to this film – they just come, show their faces and leave as fast as they can.

How it finishes :: Nalla Nilavulla Rathri is the first movie from Sandra Thomas Productions which separated from Friday Film House. This has brought some more spark into the horror genre in the form of a slasher inception. At a time when horror struggles to make an impact, the slasher element can nicely support the process. The movie is progress towards the variety which Malayalam movie industry required in a separate field. There should be no question about the industry’s ability to frighten its audience with blood and gore even more than the usual scares right out darkness and the elements of nature. This can be considered as a positive step towards brining back horror with all its possibilities – with or without the presence of the supernatural. We can always have more than one simple horror film with a ghost wandering around. A supernatural slasher addition can always do wonders to a new generation of scary movies.

Release date: 30th August 2023 (Amazon Prime Video); 30th June 2023 (Theatre)
Running time: 126 minutes
Directed by: Murphy Devasy
Starring: Baburaj, Chemban Vinod Jose, Jinu Joseph, Rony David, Binu Pappu, Nithin George, Sai Kumar, Ganapathi S Poduval, Sajin Cherukayil, Shravan Satya

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✠ The Vampire Bat.

The Invitation

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Vampire Owl: You are talking about the invitation to the witches’ lair.

Vampire Bat: No vampire goes to the land of the witches.

Vampire Owl: You are afraid of the curse.

Vampire Bat: There is no witch who can curse a vampire.

Vampire Owl: You mean vampirism itself is a curse.

Vampire Bat: We have the curse that has become a blessing.

Vampire Owl: The vampire curse has been suspected by many.

Vampire Bat: Your favourite doctor called it a bane.

Vampire Owl: Doctor Frankenstein can be wrong once in a year.

Vampire Bat: At least you agree to it now.

[Gets a chocolate brownie and three cups of Munnar tea].

What is the movie about? :: Evelyn (Nathalie Emmanuel) and Grace (Courtney Taylor) are two friends who keeps doing some freelancing for a catering business, and it seems to be working just okay for them. After taking a DNA test, Evelyn discovers that she has a distant cousin in England named Oliver Alexander (Hugh Skinner). They meet each other, and after Oliver tells Evelyn about the great scandal which happened with their grandparents, and also about a wedding of their cousin which is to take place soon. He invites her to the wedding in England, and even though it feels strange, Evelyn accepts the offer, as it is a full-paid trip all the way to another nation in another continent; she doesn’t have anyone else as part of family either. As she arrives at the grand manor of the De Ville family to whom their cousin is going to be married, she finds Walter De Ville (Thomas Doherty), the Lord of the Manor. She finds herself instantly attracted to his good looks and polite manners, even though Grace advices her not to be foolish in her actions, at least in the early stages in the manor.

So, what happens with the events here as we just keep looking? :: Evelyn finds out that there is something strange occurring in the manor, especially at night. She meets the maids of honour Lucy (Alana Boden) and Viktoria (Stephanie Corneliussen), both of them having nothing in common. It is revealed that a lady had committed suicide by hanging, and maids have started disappearing while shadowy figures seem to wander in the darkness of the night. There seems to be a certain secret about her grandmother that would be revealed, and she would feel that there is more to it than what meets the eye. But as she is infatuated with Walter, she avoids negative sides. But soon, the truth about the families would be revealed to her, and when she knows everything, it might be too late for to call for help or escape from this trap. Will Evelyn be able to escape from this family haunting and go back to the New World in the same form as she arrived in England?

The defence of The Invitation :: This is a movie which thrives on the atmosphere, as we have almost the whole of the movie happening in a very old mansion, which seems to be separated from the civilization with a long line of trees which run through the sides of the road which leads there. The reminder of a certain mystery about the family’s dark past is always there. The darkness is used by the movie to the best of effects, and there are enough terrifying effects that make fine additions. The beginning shot itself gives a clue about what is to come, and there is something eerie in the air at all times. This film reminds us that there is always something dangerous lurking in the dark shadows, nothing comes for free, even if it is within the family. The movie has the skill of creating something dangerous out of what seems to be the usual sequences, and the scares often come out of nowhere to make an impact. When we see the evil presence revealing itself, we feel the strength of truth in horror. The cast nicely works on this revelation, and the audience would enjoy it with a touch of fear. For the same, the costumes also work like a dream.

The claws of flaw :: The movie could have had a smarter ending, and the extra edition which comes after the death of the main antagonist is a big disappointment, as this is no superhero or vigilante movie to get a deviation like that. The world seemed to promise more, as we are transported to that dark atmosphere where the building and the clothing of the people around seems to hide more than what is revealed around there. The script does not try to go deep though, as the idea used here would not look that new for most people, and the attempt to end the whole thing goes through a struggle too. An opportunity at the exploration of evil has gone missing. The first half is surely better than the second, as in the end, the movie seems to be only working at going in one direction without the surprises which could have been there and connected well. The director also seems to talk about a few things which are not really connected to this film, and when losing focus just because there is a female protagonist does not do this film any good. There were many directions through which this film could have traveled, and here we only see the easy one.

The performers of the soul :: The cast is led by Nathalie Emmanuel who proves to be another talented scream queen to be added to the list. We have already seen her skills in Army of Thieves and Fast and Furious franchise where she excelled in her own way. The way in which she blends into the atmosphere of this movie leaves us impressed. Her scenes with other main characters feel very much natural and suitable for the situation. With the supporting roles, Stephanie Corneliussen goes through the more interesting and believable path. Alana Boden has a cure presence here, even though there is more about the character; yet she is used less. Thomas Doherty also makes his presence felt, and the transformation that comes across him is memorable. Hugh Skinner plays another character with a mysterious side to him, which threatens to come out. Sean Pertwee also has a strong and memorable presence. Courtney Taylor plays the small good friend role fine enough. Tian Chaudhry and Carol Ann Crawford have those smaller and yet notable roles here.

How it finishes :: We have a tale of terror nicely told here, and the entry of the vampires in a world of darkness only makes things better. The settings in this movie reminds us of the type of horror which was evident in Crimson Peak. Guillermo del Toro’s version of horror, even without vampires was a beautiful piece of horror. The Invitation does go through an unnecessary shift in between, which seems to make it lose the focus, as the mystery is revealed a little too early. But the movie stays strong with its cast and the environment which never ceases to keep us interested. We could always have a sequel to this movie though, as world like that of Byzantium or Night Teeth could be made for the vampires. Good movies with vampires have been more difficult to find these days in comparison to the world of Dracula, Carmilla and Ruthven, and taking that into consideration, this one could develop into something more with a search for blood and bloodlines.

Release date: 26th August 2022
Running time: 104 minutes
Directed by: Jessica M Thompson
Starring: Nathalie Emmanuel, Thomas Doherty, Stephanie Corneliussen, Alana Boden, Hugh Skinner, Sean Pertwee, Courtney Taylor, Tian Chaudhry

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✠ The Vampire Bat.

Speak No Evil

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Vampire Owl: We cannot be ordered to speak no evil.

Vampire Bat: You can surely live without speaking evil for a day.

Vampire Owl: But we are supposed to be the true undead evil.

Vampire Bat: There are no written rules about the nature of evil.

Vampire Owl: So, there is no chance of being pure evil above them all?

Vampire Bat: Well, you have already watched See No Evil.

Vampire Owl: Yet, I find no relation between that movie and this one.

Vampire Bat: Yes, this is a Danish movie and the first of its kind reviewed here.

Vampire Owl: That took some time to find a review.

Vampire Bat: Well, you know the world – as busy as it can get.

[Gets a vegetable pizza and three cups of cardamom tea].

What is the movie about? :: Bjørn (Morten Burian) and Louise (Sidsel Siem Koch) are a couple from Denmark who is having a long vacation in Tuscany, having some fantastic Italian food and becoming part of the culture. Their only child Agnes (Liva Forsberg) is also with them. During one of their explorations of the tourist destinations, they come across another interesting couple Patrick (Fedja van Huêt) and Karin (Karina Smulders) with their child Abel (Marius Damslev) who cannot talk, as he was born without a tongue, seemingly suffering from congenital aglossia. Even though this family is Dutch, they get along with the Danish family quite well. Bjørn and Louise find the new friends to fun-loving and respectful to other cultures as much as people. Later, the Dutch couple also provides them with an invitation to visit their house in the countryside of Netherlands. The two are excited about another foreign trip, and this time, they could drive all the way to the location and would be able to stay at a new place without spending that much, like the best offer ever. It is eight hours of drive, and when they final reach the new destination, the hosts seem to be really polite and understanding.

So, what happens with the events here as we just keep looking? :: The two groups seem to get along, but not for long. The hosts seem to intentionally forget about Louise’s vegetarianism and also seem to be abusive to their own child. One day, they go on a dinner in a restaurant where there are more arguments which also occur on the way back. Back in the house, the couple find the hosts intruding into their privacy again and again, while also making strange decisions for Agnus. They decide to leave and finally does the same, only to return for the doll which had gone missing in the house. The hosts apologize and convince them to stay. But this reconciliation does not stay for long, as the hosts seem to repeat similar if not the same mistakes again and again. Then, Bjørn discovers a cabin just behind the house, and there he finds a secret which he should not have known. Now, as he knows this truth, there would be no more staying at this house. He decides to leave with his family, but it is not so easy. The sinister mysteries of the hosts might have enough backup to keep their secrets hidden from the outside world. Can he save his family in time or will he realize that nobody gets out alive from these things heard and seen?

The defence of Speak No Evil :: The movie is a beautifully evil reminder that humans are inherently evil, and trusting strangers would only land you in terror. The idea that people have a lot of capacity for goodness is proven to be wrong, but you would have already known that if you had a look at the rich keeps earning for, and moves on walking on the bodies of the poor. A charming family with a kid can easily be evil, make no doubts about it, as people point to living with families with children and staying close to them as safer options. The dark visuals add to the same, and it is a fine deviation from the light and colourful visuals of the beginning stages. There are some nice twists and revelations in here, and the moments where we feel that things are going to be better, but then darkness engulfs them all. The script is indeed well-designed with mastery over the proceedings to make sure about it. The fact that this movie explores evil as a natural thing rather going deep into its roots makes us remember to be careful about strangers again – a long time after our parents told us to keep away from them. Well, this is the psychological thriller with class that teaches the same.

Positives and negatives :: The movie can be rather shocking with its revelation, as it uses kids as bait to create an atmosphere of safety – but this is a terrifying reality for kids as much as adults. The feeling that children would be spared is a myth here, as the movie points to a fate that will repeat itself. There is a certain twist related to that, and a clue is left with the kid in the early stages of protagonists’ stay there. It also points to the title of the film itself, as evil shall go unspoken. The next big clue is indeed about the profession, and that also leaves something for the viewers to hold on to. The movie could have been a little bit quicker with the early moments though. But once it opens the box of weirdness, the level is elevated all of a sudden – then we remember that there were moments which pointed to this situation with some shots and music earlier itself. This is the kind of movie which makes one think twice before going on a cheap trip with family just because someone provided a sweet invitation. Well, the wise has always said that cheap cannot mean better, and there are many hidden terrible costs that one would have to pay.

The performers of the soul :: The performances here surely deserves an applause, as only four adults really get the chance to do a lot in this movie. None of these characters go against evil here, as some are part of it and others are too weak to stop the never-ending progress of evil. Among the main characters, it is Sidsel Siem Koch plays the most balanced one – she feels that there is something wrong much earlier, and wants to leave. Here is a character played naturally and realistically without pretensions. Morten Burian plays the main character who makes a little too many mistakes and has his family paying for it in the end – the feelings are well-justified in his case. Fedja van Huêt plays the psychotic character really well, and we feel that there is something more about him early enough. Karina Smulders who plays his partner in crime might feel like a sweet young lady who can be nothing less than a lovely host, but the peaceful side of her enjoying the terror can also been seen. Liva Forsberg and Marius Damslev makes children with scope for some nice roles. Hichem Yacoubi plays the other notable character here, and does that pretty well.

How it finishes :: Speak No Evil is that one film which deserves to be among the creepy horror with a misanthropic side to it that feels very realistic. It could be the reason why it will return in 2024 in the form of an English film starring big names like James McAvoy and Mackenzie Davis. The movie serves as a cautionary tale against going for cheap options instead of the safe ones and trusting strangers in remote location. It reminds us that not all invitations mean that we are welcome, and not all smiles are truly what they seem to be. It also adds that a family with a mother and a kid does not mean anything, and living with families rather than bachelors do not make the situation any safer. The protagonists of the film learn this the hard way, and the movie happens to be an entertaining dark adventure related to the same. This is the first Danish movie reviewed on this website, and I am only glad to have chosen this one instead of the many others. This is the thriller that dares to take the risks and manages to score high due to its ability to go beyond the limitations.

Release date: 17th March 2022 (Theatre); 14th October 2022 (Amazon Prime Video)
Running time: 98 minutes
Directed by: Christian Tafdrup
Starring: Morten Burian, Sidsel Siem Koch, Fedja van Huêt, Karina Smulders, Liva Forsberg, Marius Damslev, Hichem Yacoubi

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✠ The Vampire Bat.

Ivanna

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Vampire Owl: This would make a nice name for a modern vampire.

Vampire Bat: I am sure that I have met vampires with such names before.

Vampire Owl: Well, not in this half of the immortal life.

Vampire Bat: There is only one long immortal life and you have to remember the names.

Vampire Owl: If there was a name exactly like this, I would remember.

Vampire Bat: Your memory has faded in the absence of longer nights.

Vampire Owl: With the abundance of artificial lights, you cannot trust the darkness.

Vampire Bat: We still believe in the absence of light.

Vampire Owl: We believe in Uncle Dracula’s ability to bring a darker world.

Vampire Bat: Darkness has already spread far, without his assistance.

[Gets an onion vada and three cups of Wayanad tea].

What is the movie about? :: Ambar (Caitlin Halderman) and Dika (Jovarel Callum) are siblings who leave their home in the city for the countryside of the island nation after the death of their parents. They are taken to a nursing home owned by their parents’ best friend, with most of the inmates not around there due to Eid coming soon. Even though there are small disagreements, the two are mostly welcome. Agus (Shandy William) takes care of the place with the support of the nurse Rina (Taskya Namya) who is also his girlfriend. The three elders left in the building, Kakek Farid (Yayu Unru), Oma Ida (Rina Hasyim) and Nenek Ani (Yati Surachman) are happy to have the new young ones around there. Ambar’s vision has been failing for some time, and through her faded vision, she feels that she sees things which nobody else can see. She uses a walking stick as the blurred vision often has her struggling to understand the line between reality and imagination. Ambar also has an eerie vision of a past which might have been part of the building where they begin to live.

So, what happens with the events here as we just keep looking? :: Arthur (Junior Roberts) who is the favourite grandson of the elders also makes a visit. He joins Ambar and Dika as they find a headless statue in the basement under one of the rooms. They decide to leave it behind, but soon find that it has reached their drawing room. Each of them feels that one of the others might have brought it inside the home as a prank. Ambar has the vision of a Dutch lady at night, and to her surprise, she is able to see the woman clearly, as she seems to be trying to escape from something. Soon, Nenek Ani goes missing, as she is not found in her room or any of the areas in the main building. They find the diary of the Dutch woman named Ivanna van Dijk (Sonia Alyssa) which tells most of her story which includes their family falling in love with Indonesia and deciding to stay in the nation, but met some terrible fate. So, is this fate going to be repeated once again? Is there a serial killer or a supernatural entity stalking them in the house? How long will it take for the police to come and figure things out on the Eid holiday?

The defence of Ivanna :: This is one movie which is highly atmospheric as far as mysteries and the supernatural are concerned. It uses the darkness very well as a world of mystery and terror should at all times, and the setting is really good. The lighting with the colours of the surroundings adds to the overall style. The background works in its favour, and there are some good sound effects that support the horror. The creepiness never really leaves the movie, as a headless spirit looking to create headless bodies never ceases to create more to inspire the imagination. This world is not that different from a cabin in the woods setting, but the change in setting brings the divergence with ease. The haunted house with a mystery works like the nightmare that we have always wanted. The body without the head has our attention every time it makes an appearance. The fear factor has the support of the unknown to make things further effective. The fine camera work also contributes to the same, as we get the best effects with the angles too. We often see that the simplest thing is often elevated due to some interesting job in the background.

Positives and negatives :: The attempt to create something different from the usual formula of horror needs to be appreciated at all times. It is to be noted that there was also some risk involved with this kind of a topic, but we know that the film did well at the box-office there. We have often looked at Korean, Chinese and Thai movies to lead such paths among Asian flicks, but here we see that Indonesian works have a powerful touch of horror that keeps it interesting even while going through a different journey. There are still repetitions, especially in relation to the headless Dutch lady. It is to be noted that violence is always present, and blood runs through this world with heads being separated from bodies. This film is not that far away from being part of the slasher genre too, as decapacitation of people belonging to any category is the main event of terror happening throughout this movie. Sometimes, we feel that there could be more actions of terrifying murders, but there is one restriction in the way of taking those souls.

The performers of the soul :: The movie has indeed brought some fine performers who suit the genre really well. Caitlin Halderman as Ambar leads the way as the one person makes the difference among the people with clear sight. She plays the struggling youngster really well, and also becomes the scream queen to remember. It can be seen that the fear that she feels is more than what she sees, and it is this image of the faded vision that keeps the film moving in the right direction. Taskya Namya follows a similar path and ends up strong as a supporting scream queen in the movie. We do feel that she could have had even bigger moments in the film. Sonia Alyssa’s work as the titular character is to be remembered too. She would make a fine antagonist in a work not supernatural too. She shines in the flashback scenes too, as we go through the final moments of resistance and death. Shandy William and Junior Roberts plays two usual characters in the horror film, but works really well with the content. The characters from flashback quickly do the job well.

How it finishes :: Indonesia has provided us with some fine horror movies like Impetigore, a movie which feels like a horror classic out of another world. This film here is no different as it makes us feel the supernatural with a vibe that is not usually seen in the usual world of horror. Yet, this particular horror movies makes it feel closer to the horror that could happen in a world that we know well. The power of the need for revenge has been asserted again through the supernatural. The ending seems to make us feel that there could be more of headless supernatural beings. In a world where horror does not get enough accolades, this film gains ground. It is a positive thing for horror fans all around the world. We have always wanted more horror, and we have received too less. It is a necessity to look into more international films right now as the strength of The Conjuring, Annabelle, The Nun trio has also been fading in the last few years. There is not that much that can be expected from Insidious and Sinister series of flicks, which leads us back to the films of Asia.

Release date: 14th July 2022 (Indonesia); 1st December 2022 (Amazon Prime Video)
Running time: 103 minutes
Directed by: Kimo Stamboel
Starring: Caitlin Halderman, Jovarel Callum, Junior Roberts, Shandy William, Sonia Alyssa, Taskya Namya, Yayu Unru, Farid Rina Hasyim, Ida Yati Surachman, Ani Tanta Ginting, Muhammad Khan, Hiroaki Kato, Kenes Andari

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✠ The Vampire Bat.

X

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Vampire Owl: I have always wanted to have the title, Vampire X.

Vampire Bat: You have been identified as Vampire O for a long time.

Vampire Owl: Well, why not X? Everyone has wanted to be Agent X.

Vampire Bat: Agent X has never been real – there was only a hoax related to it.

Vampire Owl: I have heard that most of the mass movies of humans have such agents.

Vampire Bat: They have such things because they run out of ideas.

Vampire Owl: I do feel that the X letter suits this movie better.

Vampire Bat: Well, its better suited for a slasher movie for sure.

Vampire Owl: You know how much we have missed the true slasher films.

Vampire Bat: Well, they should come back now for classic horror stories – the encounter should happen now or never.

[Gets some French fries and three cups of Munnar tea].

What is the movie about? :: Maxine Minx (Mia Goth) has always wanted to become a famous actress, and she does not mind how it comes, as the easy option seems to be to become a pornographic actress. As she wishes to be part of such a film during a time when theatrical pornography market is booming, she goes on a road trip with her friends and crew for an upcoming adult movie. The crew includes her own boyfriend and producer Wayne Gilroy (Martin Henderson), other actors Bobby-Lynne Parker (Brittany Snow) and Jackson Hole (Scott Mescudi), director RJ Nichols and his girlfriend Lorraine Day (Jenna Ortega). While Nichols want it to be a serious piece of cinema, Lorraine is not happy with the work. Bobby-Lynne and Jackson seems to be very much interested in each other as far as the work is concerned, but as they reach the farm where they are supposed to shoot, things do not seem to get any better. The whole place is supposed to have had soldiers staying there during the Civil War, but that might not be the only history that the house would have.

So, what happens with the events here as we just keep looking? :: In the early moments itself, it seems to be clear that there is something strange about the area as well as the old couple who owns the house, but the crew doesn’t seem to mind as they are able to shoot in peace around such a deserted area. The name of their movie is The Farmer’s Daughters, and the setting and the atmosphere seems to suit it very well. The old lady is very much attracted to Maxine, and wishes that she was young like her and friends who seems to enjoy their youth so much. At the same time, Lorraine, who is tired of being considered prude by others, wishes to participate in one of the intimate scenes, much to the dismay of Nichols who finds the change to his script and his lover’s change of heart to be depressing. He decides to leave the place, but finds out that it is not that easy to leave the farm, and others would also discover the same sooner or later. Now the question remains if any of them could manage to leave the place alive.

The defence of X :: The movie provides the feeling that it goes straight to the good old horror slasher roots, without hesitating like the newer additions to the genre which seems to have a few more doubts than required. This would be like sending an e-mail to those older generation of slashers and letting them know that we are still here, even though instant messaging is more of the trend. There are some memorable scenes including the alligator attack which just misses the protagonist, the meeting of two characters played by the leading actress, the elder woman invading the protagonist’s room and the final scenes of gore. The victims here are not that dumb as the characters who run around in horror films either, as the danger here would feel minimal for anyone. The movie is very much atmospheric, and the world here is suitable to be place any terrifying creature. The idea of being in a cabin in the middle of nowhere never really gets old, and never limited to Evil Dead and The Cabin in the Woods which serve as perfect examples.

Positives and negatives :: This movie is an example of something coming out of nowhere all of a sudden and keeping us interested. One might feel that there could have been more strength with its evil presence, but that side is kept rather realistic here. There are no supervillains who keep coming back for more after they seem to be dead, a case which has been repeated so many times, very recently with Halloween. The movie does have the stereotypes, but none of them used for the sake of being there, as there is some fine blending happening around here. This is also the kind of movie which makes you long for those old slashers, and a return to the past is provided with elements of nostalgia. The ideas of beauty and its fading with old age gets a special attention here, as we look at the process leading to disastrous events. The ending could have actually been more powerful, as the use of some elements resemble deus ex machina. What rises above all of these is the certainty that this is a worthy slasher horror that takes us to that childhood which had horror that lasted and eternity.

The performers of the soul :: Mia Goth was part of A Cure for Wellness with a mysterious performance, and it is nice to see her again in a genre which seems to suit her so well – the looks also come as a bonus along with her performance. It would seem that she blends in here so well that we never feels that she is not that any of those characters. Even when nothing happens, there is something about her – the swimming scene of her might be one of the spookiest among them, as danger is on the trail, and so seems many other mysterious elements. Such natural performances have been rare in slasher films. The makeup for the older version is also well done. Jenna Ortega is there as what seems to be another version of the protagonist, but there is the feeling that we do not really see enough of her here. There could have been something eerie about her in the end, but there is the feeling that the character is abandoned. Brittany Snow’s role is rather predictable, but still leaves a mark. The rest only needs to play along according to the needs here.

How it finishes :: We have not had many classic slasher movies around here which could bring us some nostalgia along with quality. This one does the job pretty well though, and in a world where slasher horror is losing power, a movie like this is very much required. There might be many reasons to deny the slasher its due, but we can always have more to accept it as a genre that demands our attention. When we consider the horror movies of the year, X is that film which has managed to grab less attention. But it is also that kind of a movie which deserved more. It would not be the perfect slasher film with that near unstoppable killer on the loose, but does manage to gain the success that it deserved with moments that will stay with us for some time. After all, being in a cabin in the woods or in the middle of nowhere makes all the impact in different forms. There is no better place to be, for any horror fan – we enjoy watching the terror unfold in such a setting, with atmosphere playing a major part in raising the level here.

Release date: 14th April 2022 (Amazon Prime Video); 18th March 2022 (Theatre)
Running time: 106 minutes
Directed by: Ti West
Starring: Mia Goth, Jenna Ortega, Brittany Snow, Martin Henderson, Owen Campbell, Stephen Ure, Scott Mescudi

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@ Cemetery Watch
✠ The Vampire Bat.

Don’t Breathe 2

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Vampire Owl: Do you remember when was the last time we had gone on a trip that had visions that made us forget to breathe?

Vampire Bat: That was to the Lake of Blood, a long time ago.

Vampire Owl: It is actually called the Lake of Death.

Vampire Bat: Yes, but it has so much of blood, and we cannot avoid that name.

Vampire Owl: The trips have been banned for some time.

Vampire Bat: A trip to Munnar always makes things better.

Vampire Owl: You cannot always trust the highlands.

Vampire Bat: What about some lakeside time at Kumbalanghi?

Vampire Owl: Well, the only trip we might be getting is with corona virus.

Vampire Bat: That is more of a visit and not a trip.

[Gets a masala dosa and three cups of black tea].

What is the movie about? :: Eight long years have passed after the incidents of the first film, and things have changed now. Norman Nordstrom (Stephen Lang) the blind Navy SEAL veteran has recovered from his injuries, and now lives with his daughter Phoenix (Madelyn Grace) and a ferocious dog to take care of them and the property. He tells Phoenix that her mother had died in a terrible fire in their old house, after which he has been taking care of her. He keeps training her in the name of surviving. His only contact in the society is Hernandez (Stephanie Arcila), a former US Army Ranger and a good friend of Norman. She is the one who always takes Phoenix outside for some fun. It is the same time when a lot of news about abductions by organ trafficking gangs among others are coming up, and Norman feels that it is not safe at all. She finds Raylan (Brendan Sexton III) in the washroom, but he is scared away by the dog. But it seems that he doesn’t stop following her. Hernandez feels that the girl should be out more, and that Norman should stop thinking about his past wars and be nicer to people.

So, what happens with the events here as we just keep looking? :: Hernandez feels that the man whom he had met earlier was just a weird man, and there is no shortage of such people in the area. But she comes up against the same person much later on the road, and feels that there is more to him than what meets the eye. Soon, she is killed while on the way back home, by the same people. Norman is against her going to school, choosing homeschooling over her meeting more people outside. Soon, a group of led by Raylan reaches their home, and after killing the dog, kidnaps the girl. He tells her that it is not him that she needs to be scare of, but the man next to her. He adds that he is her real father, and that the blind man took her home to replace his own dead daughter. She resists, but is choloroformed, while Norman is left to die after they set fire to the house. He escapes with the help of the dog which the intruders had brought with them. Even though Raylan was looking for his daughter, he does have another motive. What would that be?

The defence of Don’t Breathe 2 :: There are some fine action sequences with interesting use of darkness, as everything is set in two different buildings. The fight scenes have enough to stay in our minds, even though not as much as the first film. Some of the memorable scenes include the blind man’s use of the environment to survive and continue to combat against all odds – it is a much more difficult task for him in comparison to the first movie. The environment has been well-created, and you do feel that presence of evil at all times. Almost everyone in the film is evil, and it is a reminder of inherent human evil itself – you know that people need to be dead to be not evil anymore, as we don’t usually see good people around. The small number of people whom we meet here are reflections of the same evil, with some of them being a little evil, others more evil, and the rest being completely evil. The other characters are not present in the movie, and the girl remains the only hope for a deviation along with the children with whom she play at times.

The claws of flaw :: It is clear that this movie doesn’t maintain the quality of the first film, and it does struggle to live up to the novel idea and quality that it had maintained. The idea of transforming the blind man into saviour might not be interesting for everyone, and he also seems to do a little too much for a man for his situation. He doesn’t seem to have much of a way forward around, as far as the character is concerned – there is no strong motive to support a further character development, with material seemingly less in comparison to the earlier movie. The first film served better as a horror film focusing on survival, but this one moves too much away from that genre which served so well. With a grand change in the character, this is something which struggles to take control of the deviation well enough – maybe it requires another sequel to deal with that, but that would make one wonder what is to be done next. You know that there are better possibilities with horror characters like this one, but the studio seems to think in a different way so as to make the person useful as a protagonist instead.

The performers of the soul :: It is once again the performance of Stephen Lang as the blind man which keeps the movie going – he does seem to play a more tired person here though, as there seems to be a struggle here which is more than the first movie. With a drastic change coming upon the nature of the character, the man does take it with him well enough, even when that often leads to a struggle. He excels in the action scenes, and is good enough to take it to the next level, rising about the others who are part of the fights. Brendan Sexton III makes a pretty good antagonist, even though the idea focuses more on action rather than anything else. Madelyn Grace plays the child well, while Stephanie Arcila’s short presence is memorable enough. Christian Zagia plays a thug with a conscience pretty well. Even then, it is Fiona O’Shaughnessy who seems to be more evil than any other, as she is one mother whom the sons and daughters won’t appreciate for selflessness – there seems to be a certain amount of witch-likeness in her.

How it finishes :: The fans of the first movie will find it difficult to miss this movie, even though it is weaker in comparison the earlier flick. There is no real horror or the surprise element, but the film scores in action. An old and blind man with a special set of skills is someone of interest as he looks forward to save his daughter, and he is also an iconic character. The memories of the earlier movie also keeps us interested well enough. Among the horror movie sequels, this is the one which we have waited for, more than the other usual ones like The Conjuring, Annabelle, Insidious, Sinister etc. After all, Don’t Breathe had the skills to go divergent, and this one takes the path set by that particular movie. It means that you can be assured that this movie has a nice enough background to build on, and cannot go too wrong with this character at the core. Even though it didn’t release here in the theatres at that times, the movie is now available on Netflix, which is a fine relief for us, as we have been waiting for so long.

Release date: 18th December 2021 (Netflix); 13th August 2021 (USA)
Running time: 99 minutes
Directed by: Rodo Sayagues
Starring: Stephen Lang, Madelyn Grace, Brendan Sexton III, Bobby Schofield, Adam Young, Stephanie Arcilla, Fiona O’Shaughnessy, Steffan Rhodri, Diaana Babnicova, Christian Zagia, Rocci Williams

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@ Cemetery Watch
✠ The Vampire Bat.