Tag Archives: crime

Identity

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Vampire Owl: I have been thinking about changing my identity.

Vampire Bat: The vampire one or the owl one?

Vampire Owl: The undead one to be exact.

Vampire Bat: You are already dead and returned. That cannot change.

Vampire Owl: Dr. Frankenstein has changed his identity multiple times.

Vampire Bat: He never had any real identity.

Vampire Owl: Yes, Frankenstein, the genius scientist.

Vampire Bat: The pseudo-scientist, to be exact.

Vampire Owl: He is more, for he has invented vampire mechanics.

Vampire Bat: The only thing he has invented is pure nonsense.

[Gets a chilli chicken pizza and three cups of Darjeeling tea].

What is the movie about? :: A recently engaged young woman Emy John (Nilja K Baby) finds herself blackmailed by a man named Amar Felix (Arjun Radhakrishnan) with the help of a techie and occasional hacker Nakul Sachdev (Vishak Nair), as he had recorded her half-naked through a mobile phone kept in a changing room. He threatens to spread her nude videos all over internet unless she gives him three lakhs to which she agrees, but after many blackmails of random people, this time he finds himself facing a mysterious individual who kills him in his own warehouse which looks abandoned from outside. Alisha Abdul Salam (Trisha Krishnan) is the only witness to the murder as she had seen the person coming out of the warehouse after burning it, as she was passing through. CI Allen Jacob (Vinay Rai) is assigned the case, and decides to keep the witness in his home for protection, as advised by DYSP Dinesh Chandran (Aju Varghese). They feel the immediate need to get a sketch of the killer done as Alisha says that she has seen the face clearly, but protecting her is the top priority.

So, what happens with the events here as we just keep looking? :: Allen is helped by his highly influential friend Supriya Gopal (Mandira Bedi) who provide him with much needed information. Meanwhile, Haran Shankar (Tovino Thomas) is a part-time karate instructor and a genius in multiple subjects who suffers from OCD, and lives with his sister Devika Shankar (Archana Jose Kavi) and half-sister Neerja Sudip (Gopika Ramesh). Allen, after seeing a sketch made by Haran, decides that he should be the one to bring the identity of the killer to light. As Allen asks Haran to make a sketch, and as he does so with the help of the description given by Alisha, a few more things come to light, including the fact that Alisha can no longer identify human faces after an accident which followed the murder. This makes things further complicated, as finding the killer seems almost impossible, and Amar’s past also seems to catch up to the situation. It seems that things are just getting more and more complicated, but for how long?

The defence of Identity :: There is a certain amount of style related to how this movie looks, and the visuals remain stunning throughout its run. The technical strength is visible right there. We have not seen such over-reachers among the movies of this industry, unless it is Lucifer and its Empuraan, but this one has managed that extra load quite well. The movie nicely builds the tension, which keeps us interested. The twists are always present, and some of them are rather too nice. The action sequences are maintained well and kept under control without being overdone. The beginning of the movie was so good that we are attached to the proceedings so early. We wonder where the connections would be made, and that happens nicely too. The final fights are also well-executed, maybe qualifying as among the best-done moments. The performances remain of top quality, not really holding back even because of character complications. There is a certain amount of polishing that is visible there, moving further ahead of the usual movies. The background music also remains something of interest.

The claws of flaw :: The movie just seems to have taken so much for granted. After starting so well, and ending with a deviation, but in an interesting way, the middle part seems to have lost in the process. There are so many moments which seems over-stretched, and we feel that there was no need for that much of a detail in between, and the explanations which go long, just gets longer as we see and experience less twists in real-time than what we hear and find in flashbacks. The big reveal about the main character feels like a rather forced addition. The characters are not given the importance that they need, and the hero is just given that push. Many characters just come of nowhere and become part of that world of twists, making us not that interested in them. Even the leading lady is not given that strength and feels misplaced as a character. The other female characters are also not given that much of a background. The emotional depth is not that much there, and the pace is also uneven, often also struggling with the pace. Then the antagonist is also pushed out of nowhere right after a twist.

The performers of the soul :: Tovino Thomas leads the way here in style. When thinking about that one action hero of the industry, he comes first to the mind. We have seen that even with superheroes of Minnal Murali and Lokah Chapter 1: Chandra. Tovino handles this role in a way that we will remember, and gets into the genre really well as expected. Vinay Rai becomes a fine addition around here as he shines in the form of a strong antagonist, someone who aligns with the overall mood of the movie and the twists. Aju Varghese’s serious police role is a joy to watch, and it is to be noted that this time, the character do not follow the stereotypes. Trisha Krishnan comes back to Malayalam after Hey Jude with Nivin Pauly, and here she plays a main character and has just enough to do as the leading actress. Shammi Thilakan and Vishak Nair have some interesting things to do here. Archana Jose Kavi and Gopika Ramesh shine in their comparatively smaller roles, and Nilja K Baby contributes well in a small role too. It was good to see Mandira Bedi around too while Giju John and Sujith Shankar gets the due in the final minutes.

How it finishes :: This one was that opportunity with scope for big heights to become one memorable thriller above many more. Known as The Sketch Artist in Hindi on Jio Hotstar, this one would work better with that particular audience. If you like such stylish thrillers having action, twists, and a lot of ambition behind, this will feel a lot grand, as you remember from movies like Christopher. But that big a plot and well-developed characters would not be there that much for your attention here. Creating characters our of nowhere and using them here and there with twists that sometimes work like boomerang might not be for everyone’s love. But seeing the cast of this movie, you know that the movie will always be capable enough. It is available in Hindi on Amazon Prime Video going by the name, The Sketch Artist, even though one would be wondering why that name even came into picture. Unlike some other movies, this Hindi version is very well-created, and you might wish to have a look at that one.

Release date: 31st December 2024
Running time: 158 minutes
Directed by: Akhil Paul, Anas Khan
Starring: Tovino Thomas, Trisha Krishnan, Vinay Rai, Aju Varghese, Archana Jose Kavi, Sujith Shankar, Nilja K Baby, Giju John, Gopika Ramesh, Shammi Thilakan, Vishak Nair, Major Ravi, Asha Madathil, Mandira Bedi, Arjun Radhakrishnan, Mahima Radhakrishnan, Shinu Shyamalan, Litty Thomas, Vriddhi Vishal, Mohan Thankam, Sethu Lekshmi, Adam Sadiq, Akhil Paul, Anas Khan

<<< Click here to go to the previous review.

<<< Click here to go to the previous South Indian film review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Eleven

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Vampire Owl: Do you know that there are not even eleven vampires in our team?

Vampire Bat: Well, we do not need that many vampires around here.

Vampire Owl: So, we are not building an army?

Vampire Bat: Why do we need an army right now?

Vampire Owl: To defeat an army of serial killer humans?

Vampire Bat: This movie only has one serial killer.

Vampire Owl: But humans are basically trained to be serial killers.

Vampire Bat: We do not see an army of serial killers in one movie.

Vampire Owl: There are many, but they show only a few of them.

Vampire Bat: Well, humans are meant to be born killers with inherent evil, and only one small push will do for even children.

[Gets a chicken cutlet and three cups of Wayanad tea].

What is the movie about? :: ACP Aravindan IPS (Naveen Chandra) is a police officer who has a near-perfect record of solving even the most impossible cases, and had recently caught a finance bank robbery group which had never failed in their crimes before with perfect calculations. This success is celebrated well on media, but a darker case was evolving in the background. ACP Ranjith IPS (Shashank) who is in charge of this new case involving serial killings almost dies in an accident after the body count reaches six, Aravindan is asked to investigate. Ranjith who barely survived, and is in the hospital promises to support him in any way possible, even though left out of service due to injury. For his support, SI Manohar (Dileepan) is given the duty, and both find themselves in a confused state as there was never any real clue found by previous investigatory and Ranjith. Aravindan discovers an interesting piece of evidence, an ankle-surgery plate in one of the victims, which helps them shortlist seven individuals based on age.

So, what happens with the events here as we just keep looking? :: At the same time, Sanjana (Reyaa Hari) who comes to a restaurant to meet her possible groom who was selected by her parents sees Aravindan who is wearing the same identification in the form of a grey shirt, and falling in love with him as he beats up multiple goons. She tells him about her desire, but he immediately rejects her and asks her to marry the person whom her parents had found for her. Aravindan reaches Sudhakar (Kireeti Damaraju) while tracing the ankle-surgery plate and Meera (Riythvika) while hearing about a beggar talking about a girl being abducted. The police also find a common group photo in both houses, finally finding a connection. Aravindan understands that the only connection between the twins is their school, Twin Birds Matriculation School, which no longer exists as it was burned down in a fire, followed by the death of its owner Ravi (Ravi Varma). This feels like a very strange connection with a past that they wish to forget from their childhood, which had a secret which was buried. Now, the question remains about who all will be targeted from that past.

The defence of Eleven :: This might be one of the most interesting versions of serial killer related murder investigations as it focuses on twins. At the same time, the visuals are nothing less than stunning, and the colours here especially at night seems to bring the best of Chennai. This is the kind of movie which quickly has us interested, and gets us through the journey with guesses, but brings those kinds of twists which come out of nowhere. But there is no overdose of the same like we had seen in Mirage, as things just went out of control. There are the twists over twists which works so well, and the suspense only gets stronger, while red herrings add on well. The shots of cemetery and the styling lacks in nothing. As the cinematography, background score and production values deserve praise, they keep us deeper in the movie here. The flashback tale is also very much interesting which reminds us that one has to pay for the heartless mistakes one makes, whether it is as a child or as an adult because humanity is not learned in old age, but part of human character rather early.

Positives and negatives :: The movie’s romantic side is a mess, and it is saved by the fact that the same is not given that much of a focus. There is something that makes us feel that it was not needed at all. There might also be the feeling that we have rather too many serial killers around, but in our world, one has to say that it is not a surprise to have such people hiding behind different faces. For some people, there might be points where there are missing connections, but it is seen that everything comes together at the end. It is always nice to see the inherent evil of man at work, like in William Golding’s Lord of the Flies – taking children as innocent is not the way to go; the actions of the kids could feel even more evil in nature than that of the adults as they are not forced into situations, but use them right out of their hearts. There are always the little demons in this world of chaos, and here we see that element coming back to haunt them as adults. This makes sure that there is always something different and divergent even in the nature of the movie, and revenge remains justified.

The performers of the soul :: The movie is guided by a solid performance from Naveen Chandra, who becomes a perfect police officer with that determination on his face that never seems to leave the character. The intensity that he shows in a quiet and determined manner, never going overboard, sets a fine example here, without also overdoing any action sequence. The different shades of his character work so well that we do not think about having any other perfect police officer during this time period. Reyaa Hari, the producer who is the leading lady is under-utilized, and in the role, does quite less – cannot blame her though, as the romantic side lags behind in almost everything and this approach does not suit her; yet she does fine in the final moments of the movie. Dileepan also remains solid as the supporting police officer, as his character also contributes to the twists well. Shashank plays the third important police man, and that also works nicely. Abhirami’s role is also an interesting one here. Riythvika also adds on to the proceedings here with memorable moments. The same can also be said about Kireeti Damaraju’s work.

How it finishes :: Eleven is one of the best investigation thrillers featuring a serial killer and twists remain very much effective with suspense all around. For the fans of investigative thrillers who wish to see murders coming out of a buried past, this one is surely worth a watch, as there is a good score to be taken for its strong lead, technical polishing and the satisfying second half which comes to an ending which it deserved. The ability to remain engaging from the beginning to the end is a skill that not many movies possess. There is nothing much that it misses, and we are familiar with some classic thrillers with serial killers from Memories to Abraham Ozler, Forensic, Anjaam Pathiraa, John Luther, Antakshari, Paappan and others which have kept Malayalam movie industry going strong. This movie could have surely used more hype and much more screens here, as we are the kind of people who like the twists and thrills with a serial killer around and a mystery which is soaked in revenge and best served cold. For now, this one serves the same well in Amazon Prime Video in multiple languages.

Release date: 16th May 2025
Running time: 135 minutes
Directed by: Lokkesh Ajls
Starring: Naveen Chandra, Reyaa Hari, Abhirami, Ravi Varma, Riythvika, Shashank, Dileepan, Arjai, Aadukalam Naren, Kireeti Damaraju

<<< Click here to go to the previous movie review.

<<< Click here to go to the previous Indian movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Killer Book Club

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Vampire Owl: This would be an interesting book club.

Vampire Bat: You mean to say that there are new book clubs in the castle.

Vampire Owl: Who reads that many books these days?

Vampire Bat: Well, I do read many of them.

Vampire Owl: I am sure that you do not count as an external reader.

Vampire Bat: I do take external book club cards.

Vampire Owl: You can read all the best horror books in the castle.

Vampire Bat: I would read these books like a non-vampire would do.

Vampire Owl: So, it is a fine method to be scared of vampires too.

Vampire Bat: I do not see why we should not be scared of ourselves.

[Gets a butterscotch cake and three cups of tea with kulfi].

What is the movie about? :: Angela (Veki Velilla) is a college student who wishes to be a critically acclaimed and popular writer, now trying to write her second work. Her professor Antonio Cruzado (Daniel Grao) who used to help her with writing seems to have an infatuation with her, and makes advances to her. As Angela’s friends come to know about it, they suggest that they get back to him, and for the same, they choose a killer clown prank which would leave him scared enough for the rest of his life. The group which includes Sebas (Alvaro Mel), Nando (Ivan Pellicer), Sara (Ane Rot), Rai (Carlos Alcaide), Virginia (Priscilla Delgado), Eva (Maria Cerezuela) and Koldo (Hamza Zaidi), plans the whole thing perfectly after sending a fake e-mail to Antonio. But the prank goes terribly wrong, as they end up causing him to fall down from the top of the building and get impaled on the spear held by a statue of Don Quixote below, leading to his instant death.

So, what happens with the events here as we just keep looking? :: Even though their instant reaction is to blame Angela for what has happened, they decide to keep all of these a secret and make a promise that they would never talk about this to anybody. The very next day, as everyone comes to know about his death, the popular opinion is that he committed suicide as his wife had left him, and the police also goes with the same conclusion, leading them to believe that things will get back to normal. But soon, they find out that a masked killer clown is stalking them, and wishes to take them down one after the other as the person wears the same mask as they were wearing. After murdering each person, the clown would write a chapter about the brutal death and post it online, and the readers also have a chance to vote on who will be murdered next. The readers do not have any idea what this is really about, as the original names are provided. The group decides to stop this madness from continuing, but has no idea about whom to suspect. Is this a silent stalker or someone among them?

The defence of Killer Book Club :: Slasher horror movies are welcome to bring new serial killers into a world of chaos in which humans have never hesitated to kill one another. There have been more classic slashers being produced in almost every language these days, even though Hollywood have come up with less interesting ones in the last few years. This one is based on a book, which means that it has promises to keep for the readers. The visuals are really good, and the setting feels like the right one, including the dark corners inciting horror and the architectural beauty that stays alive. The statue of Don Quixote comes as a fine reminder for the connection between the movie and literature, as the horror itself comes from writings here, and the publication of books and online content remains a priority throughout the film’s run-time. This also remains a short movie, as the run-time works to its advantage. The final twist over the twist remains interesting, and the power of mystery has run through this quite well without giving away the chance at predictability.

The claws of flaw :: Killer Book Club might feel like too similar with many other titles, and following the formula, but not well enough to elevate the same. There are enough murders happening here, but none of them creates a terrifying or divergent impact which could have made the environment better. The scares are not that much present as we would have wanted. A killer in a clown mask can achieve wonders – you know what the clowns do, whether in It and its sequel or in Terrifier; the horror in such cases is of a different level, with blood and gore assured. But this one seems to take the safer route, and the need to take the less travelled path among the diverging roads is not taken into consideration here. You are left with the feeling that there could be more, from the early stages itself. You keep looking for more, but that extra ingredient never really arrives. With the scope for a sequel still there, we can hope that this will arrive later.

The performers of the soul :: Veki Velilla leads the proceedings in the movie, and makes the scream queen who is intended to survive till the end, but has the realization that this has been caused due to her for some other reason, which makes the character more determined. She blends into this situation really well, from the author who has a certain amount of writing block to the girl who wishes to survive in a world of chaos created by an unknown killer. Priscilla Delgado remains a notable presence here too, and contributes to the whole thing even when least expected. Ane Rot and Maria Cerezuela also add to the interesting scream queen list here, and one would love to see them in more of similar flicks. Alvaro Mel and Ivan Pellicer become the main male performers here, and they remain important from the beginning to the end. Daniel Grao, even though present for only a few minutes, also leaves an impact. Carlos Alcaide and Hamza Zaidi also comes in as required. For most of us audience, these new names will be staying.

How it finishes :: Killer Book Club seems to be derived from other slasher horror movies that we have known for a long time, with Scream and The Cabin in the Woods being a few of them. The non-English movies were not far away from such inspiration either, as Poland’s Nobody Sleeps in the Woods Tonight and A Classic Horror Story in Italian along with the Indonesian Ivanna are some of the examples. Here, in Spanish, we have a similar work of slasher horror. The group of friends from a college being murdered one after the other, especially after doing something they were not supposed to do, comes as nothing new. But this one also maintains the entertaining and thrilling side well enough with the final twists to keep things interesting. You are always looking for more addition to slasher horror, as they have not been that easy to create effectively during this time period. Based on the Spanish novel El Club de Los Lectores Criminales by Carlos García Miranda, the films becomes another interesting adaptation which brings us back to watching Spanish movies again on Netflix.

Release date: 25th August 2023 (Netflix)
Running time: 90 minutes
Directed by: Carlos Alonso
Starring: Veki Velilla, Alvaro Mel, Ivan Pellicer, Hamza Zaidi, Ane Rot, Priscilla Delgado, María Cerezuela, Carlos Alcaide

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Anveshippin Kandethum

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What is the movie about? :: S.I. Anand Narayanan (Tovino Thomas) and his team of police officers (Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad) faces two cases in two time periods. The first one is related to the disappearance and murder of Lovely (Anagha Maya Ravi) and the second one is a cold case related to the murder of Sridevi (Arthana Binu) whose death could not be solved by even the best of police officers assigned to the case. Regarding the first case, he faces problems from his seniors who do not wish to see him doing better than them, and neither can they stand him going against a priest Fr. Thomas (Madhupal) who becomes a suspect, but is revered by the locals. When his seniors find another suspect from the available clues, Anand decides the take matters into his own hands unofficially, and even creates situations which would help him to find Lovely, who was returning home from college after receiving her hall ticket. This would lead to a few twists, but can Anand finally catch the real killer?

So, what happens with the events here as we just keep looking? :: The second case which deals with the murder of Sreedevi would seem more twisted and placed at a higher difficulty level, as it occurred much earlier, and the police department is ready to stop the whole investigation. The locals are also very much tired of the investigation due to the earlier police officers pestering them and even resorting to torturing some of them ruthlessly. The panchayath president Philo (Baburaj) and the local landlord Sadanandhan (Shammi Thilakan) are hostile to the presence of any police officer for the purpose of finding anything related to Sreedevi, who is a lost cause for them. In this case, there is no restriction imposed by the seniors, but the unsupportive locals and lack of clues bother them. Yet, the team decides to go on with what they have, and extends their stay in the small village where the incident took place by a few days. But with time running out, can they do it without just randomly writing anything on the report to close the case?

The defence of Anveshippin Kandethum :: There is a certain amount of interest gained from the title of the film itself, as we are reminded of the Bible quote – “Ask, and it will be given you; search, and you will find; knock, and the door will be opened for you. For everyone who asks receives, and everyone who searches finds, and for everyone who knocks, the door will be opened”. We are once again introduced to a world that our audience has embraced really well, that of murder investigations; the search is on for the police officers led by Tovino’s character, and we look forward to finding. This has indeed been the favourite genre of our people, and this one will only reassert the idea that we are more into thrillers and murder mysteries than anything else. The confidence which has been shown by the makers of this movie to keep things realistic enough, and in keeping the protagonist a character without those usual heroic abilities makes sure that this is one of those movies which will not be remembered for the nonsense moments.

Positives and negatives :: If the material like this was put before any of those overrated superstars or directors of Bollywood, the movie would have been unbearable, and except for the kind of audience who likes the terrible exaggeration, this movie will work like a dream. The blending of twists into a world staying so close to realism is not an easy job, but has been accomplished well. The music in the movie works pretty well while the visuals effectively add to the overall quality here. The journey to an earlier time period is nicely arranged without adding too much to make the world become more important than the other elements. The second investigation is more interesting than the first, as the twist is more effective there, even though the flashbacks are very well done – the characters in the first case should have been introduced earlier than we had first noticed them. The supporting police officers should have also been given more to do rather than keeping the focus on the main cop.

The performers of the soul :: Tovino Thomas continues to come up with at least one big movie every year, like 2018 last year, Thallumaala before that, and Minnal Murali in the year before that. He has been continuously impressing us with his variety, and even though we have seen him as an investigator of murders in films like Forensic, this one is indeed special. The way in which he moves through different roles of divergence has been setting an example for all the newcomers in the industry in the last few years. Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad who plays his supporting do not get that much to do in comparison to what we had seen in Kannur Squad where almost everyone has something special to do. It does not happen here, even with Azees Nedumangad who was present in that movie here again – he would have blended into a team better than anyone else. Among the veterans, there is the certainty of strength. Baburaj handles the role very well with a touch of humour, while Indrans goes through a completely serious path, while Harisree Ashokan has a certain amount of sadness associated with his character.

Further performers of the soul :: Siddique plays a role with which he is not that much of a stranger. Shammi Thilakan is a fine addition to a world which needs his work to keep things going. The two main girls Arthana Binu and Anagha Maya Ravi who are murdered in different time periods, come up with some fine work, blending into their entirely different roles. One would remember Anagha from another thriller Eighteen Hours, and here the role seems to be so different, and she handles it with perfection. Aadya Prasad also comes up with a nice contribution here even though the role does not last that long, yet plays so well towards the twist. We would have still wanted more female presence among the police officers going through the investigation. Among the better known names, Alencier Ley Lopez only has very less to do too. Nandhu does some fine job from the beginning stages, while the roles of Sreejith Ravi, Prem Prakash and Madhupal are smaller, even though the last two contribute to bringing the twists leading to the conclusion quite well.

How it finishes :: We have not been strangers to thrillers of quality during the last few months, with Kannur Squad coming up as the one classic investigative thriller and Neru making a huge profit and Abraham Ozler following a serial killer with all the thrills that it can provide. The thrillers of the industry have only been gaining in strength during the last few years, a trend which seemed to be triggered by Anjaam Paathira, even though weakened by the corona virus pandemic for a small amount of time – the trend is back now, and the signs are stronger than ever. This particular movie here keeps it realistic and at the same time, has the thrills moving forward stronger than ever. This one is sure to make it to the list of some of the most interesting thrillers in the recent past, while never trying to overdo things to catch the attention of the audience. The same would be the reason why the movie has managed to rise so well in this week of multiple releases.

Release date: 9th February 2024
Running time: 142 minutes
Directed by: Darwin Kuriakose
Starring: Tovino Thomas, Arthana Binu, Anagha Maya Ravi, Baburaj, Indrans, Siddique, Aadya Prasad, Vineeth Thattil David, Alencier Ley Lopez, Harisree Ashokan, Shammi Thilakan, Pramod Velliyanad, Saranya, Nandhu, Sreejith Ravi, Prem Prakash, Madhupal, Rahul Rajagopal, Azees Nedumangad

@ Cemetery Watch
✠ The Vampire Bat.

Vela

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Vampire Owl: Are we going for another investigative thriller?

Vampire Bat: I am sure that this will not be the usual murder investigation.

Vampire Owl: There have been some interesting investigations in a short period of time.

Vampire Bat: Yet, this movie came out with less hype.

Vampire Owl: The trailer was pretty much interesting.

Vampire Bat: We would not have a serial killer here though.

Vampire Owl: I miss those serial killers a lot.

Vampire Bat: Humans can have millions of serial killers among them.

Vampire Owl: I would expect that with the evilest species ever created.

Vampire Bat: The devil has too many similarities with them.

[Gets an oreo shake and three cups of Bagdogra tea].

What is the movie about? :: Ullas Augustin (Shane Nigam) is a newly appointed civil police officer appointed at the control room, and he is someone who is determined to do his job very well, as his father was also a police officer who died only a few months before the end of his service. One day, he receives a call about a minor and his friends consuming drugs in his room – the information is passed on to the nearest police unit doing patrol. It is the boy’s father who made the call, and Ullas understands that this case might ruin the minor’s life – he asks them to escape, but the police officer in pursuit, Mallikarjun Mannar (Sunny Wayne) has already reached the place and started chasing the boy. Mallikarjun abuses Ullas through the transmitter and from the very next day, it is heard that they boy has gone missing. Ullas finds himself on the receiving end of a suspension order. But that does not stop Ullas from searching for the boy, whom he feels that Mallikarjun kidnapped or murdered to help his partners in crime who deals with the drugs.

So, what happens with the events here as we just keep looking? :: The only police officer who seems to care about him is SI Ashok Kumar (Sidharth Bharathan), and he asks him to get back to the control room, as he is the only person who is serious about the work. He decides to get back to work, but ends up with strained relations with Smitha Varadarajan (Namritha MV), who hopes that they can get married soon. Ullas is only concerned with providing justice to the missing boy, and finally decides to get back to the control room with all the evidences that he managed. But he would not be able to get an audience with higher ranking officers. At the same time, Manapullikavu Vela is the annual festival of the area is all set to take place. The festivities have the whole area of police officers distracted, and Mallikarjun, despite being part of the Vela, decides to teach Ullas a lesson with the help of his goons and police officers who are under his control. Can Ullas go beyond all these problems and help the boy’s father receive justice at some point of time?

The defence of Vela :: Here, we can see an attempt to move beyond the usual plot, and the narrative is really effective. The movie is not the usual police action masala and neither is it the police procedural stuff. The unpredictability is maintained at all times, and the stylish side is kept to an optimum level, never overdoing the same. There is never the overdose of elements to exaggerate the presence of the protagonist and the antagonist. The initial scenes have us interested in the film, and the interval is shown at the right point. The aesthetic side guides us well, as we see the beauty of the place with night making it even better with the shades of darkness with some fine colours added. The emotional side of the movie remains effective, and the helplessness against the system is shown with full strength. It shows how the common man, even with a police uniform is not able to make an impact to bring the truth to light. There is also a certain amount of casteist and racist angle being shown around here, as the antagonist attempts to thrive on his roots from many years ago. The dialogues are as much effective as the other elements.

The claws of flaw :: The movie is too long, stretching beyond the two and half hour border when we add those advertisements to the time we spent at the theatre. The length negatively affects the film in totality more than expected. There is some struggle to reach that end, and we feel that some parts should not have been extended too much. Some parts of the movie just seem to have been added to be present there as an extra addition, yet does nothing much. There could have also been more exciting moments here. There could have more control room calls and solutions to be shown here, and some cases where the unexpected happens, with better touch of humour or elements of possible terror that could only be stopped with that particular call. The romantic side remains very less explored too. The ending should not have been this quick either, as something more should have been told about what happens after that finish. The possibility of continuity that is seen in the end could have got a better touch. The music remains somewhat effective.

The performers of the soul :: Shane Nigam who had the biggest hit of Kerala’s grand festival in the form of RDX: Robert Dony Xavier, makes his mark again, and seems to be perfectly suited in the role of the youngster hopelessly trying to bring out the truth. His helplessness and angst while facing the supreme political and other faces of extreme power can be clearly seen here. His shades of excellence are often repeated through interesting moments. Sunny Wayne is a very admirable antagonist here, as he is one villain who has many shades of villainy. His dialogues remain very memorable, and he is clearly seen as the menace that we do not want to face. Sidharth Bharathan plays the third most important character in the film, and he has a much different avatar than we had seen him in, and he will also remain with us in the form of this character. Namritha MV, the new face leaves a lovely mark, and we expect to see her in more roles in future. We would have wanted to see her as part of the romantic side further, but the film remains focused on two main characters for most of its time. Aditi Balan’s small role will also be remembered for the timing itself.

How it finishes :: Vela seems to get less response at the theatres, but it is rather a strange thing because this is a classic story of unauthorized investigation with twists and turns having suspense maintained well at all times. The female characters in the movie could have had more screentime, at least the main heroine, and it could have been shorter with a smarter ending, but we know that this is one classic and mostly realistic tale about two sides of law and justice that never ceases to make us wonder what is going to happen next. The movie came without much hype, but has gained enough positive reviews to keep it going and gain the pace. After all, we have had our love for investigations before corona virus through Anjaam Paathira and Forensic, and the same effect has continued during these days too, as we have hoped for the police to do the right thing every time.

Release date: 10th November 2023
Running time: 148 minutes
Directed by: Syam Sasi
Starring: Shane Nigam, Sunny Wayne, Sidharth Bharathan, Aditi Balan, Namritha MV, Bipin Perumbilli, M Sajas

<<< Click here to go to the previous review.

<<< Click here to go to the previous non-Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Furies

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Vampire Owl: We get to watch a Vietnamese film after a long time.

Vampire Bat: Well, this is the prequel of the other Vietnamese movie which we watched.

Vampire Owl: That should remind us to watch more of the same kind.

Vampire Bat: Do you think that we will have time?

Vampire Owl: We are immortals. We have all the time in the end.

Vampire Bat: But the world is everything except immortal.

Vampire Owl: Immortality is subjective as long as we remain vampires.

Vampire Bat: The werewolves and zombies would call us quasi-immortal.

Vampire Owl: Immortality can vary according to situations.

Vampire Bat: All kinds of immortality should serve the purpose.

[Gets a chicken samosa and three cups of Vagamon tea].

What is the movie about? :: Bi (Đồng Ánh Quỳnh) is forced to leave her home in the countryside after her mother is murdered, and she kills the man who is responsible for the plight and had also assaulted her. She is forced to leave her home for Ho Chi Minh City as it is also burned to ashes. She lives in the new city doing some small jobs and also through a little pickpocketing which she masters. She meets Jacqueline (Veronica Ngo) who saves her from being assaulted by her usual opponents in the streets. She decides to go with her instead of continuing to wander around the streets. She finds out that there are many other homeless children in Jacqueline’s place. But there is more the lady she just met than what meets the eye for the first time. She meets Thanh (Tóc Tiên) and Hong (Rima Thanh Vy), who seem to have been taken under the care of Jacqueline just like her. The two girls don’t seem to like the newcomer that much, as she seems to be incapable of blending in, with less skills including the social ones. These girls also feel like well-trained in the unexpected.

So, what happens with the events here as we just keep looking? :: The girls have formed a vigilante group to protect women from the gangs of the city which have been involved in trafficking young women and girls for brothels. As of now, Bi seems to be the weakling among all of them. But she manages to prove her point there, with not being ready to back down. This group known as the Wild Daisies targets the city’s major gang leader Hai a.k.a. Mad Dog (Thuận Nguyễn), who manages trafficking of young women to serve in his brothels with a casino as the front office for all the illegal activities. His dominance is assured by his trusted lieutenants, Long bồ đà (Song Luân), Sơn Lai (Gi A Nguyễn) and Tèo mặt sẹo (Phan Thanh Hiền). But Hai is not without enemies, as there is a continuous gang war going on. Jacqueline also seeks vengeance on him for the atrocities he committed on her family. But the requirement for revenge might not be enough to progress in her mission. There is a long way to go, and she goes through a difficult path with the new girls.

The defence of Furies :: There need to be time spent for the appreciation of the action that we see on the screen here. It is not dependent on heroism or overdose of effects or properties, but seemingly dependent on what actually can be done. The training sessions that we see here are almost as good as the fighting scenes outside. The fighting basically never really has a long pause after the procedure begins. The Vietnamese style of Martial arts never really cease to catch our attention either. The colours that we see around here add to overall beauty of the action that we have around here. It is not just limited to the inside environments, as the streets also add to that colourful side. The feeling of being in a world of crime which moves on towards terror is always there, and the villainy is something that works like a dream. The characters do remain interesting at all times, and we have the tales of bonding against all odds, adding a certain emotional side. The ending also nicely sets the world to go to the previous movie whose incidents happen later.

The claws of flaw :: Furies had to fit into the shoes of Furie, which was then selected as the Vietnamese choice for the Best International Feature Film at the 92nd Academy Awards, and it can be safely said that the effort is very good. The beginning might have the viewers in a little bit of doubt, but those questions never really survive for that long. But the film never gets to the quality of the previous one, as there are moments which seems to be rather forced. Some moments lose the realistic touch, and the emotions here are not able to match the feelings which were so strong in Furie. This film could have surely been much more with some twists and turns along with a more satisfying ending. The adrenaline rush could have also been more. At times, you are reminded of movies like Charlie’s Angels, but without the comic side and having a much darker angle to it. One can be sure that if this movie was produced by Hollywood or Bollywood, it would have looked a lot different, even if most of the violent side is maintained without second thoughts.

The performers of the soul :: Veronica Ngo who played the leading role in the earlier movie also leads the way here. She continues the good form, and the fighting skills go on to exhibit the same strength as the previous flick, even though not for that long – she doesn’t remain the focus of attention here for quite a long period of time as there is the team of three that takes the spotlight. Among the girls, it is Rima Thanh Vy who adds a certain lighter side to the proceedings. There fun whenever she is around, and that stands apart from the rest. Tóc Tiên has the stronger presence among them all, and can be considered as the action star above the rest. Đồng Ánh Quỳnh plays the emotions and trauma of her character really well. Thuận Nguyễn makes a nice villain in the process. Vovinam, the Vietnamese way of martial arts seems to have been effectively used by all the performers well, while elements of Chinese and Japanese systems of fighting can also be seen. The release in Netflix means that the movie will have better viewership than its predecessor.

How it finishes :: Furies serves as a prequel to Furie which released earlier, does that particular job which was given to it really well. A highly stylized martial arts film with female protagonists leading the way is found here with fully powered action sequences. It is only some time back that we had John Wick once again bringing the never-ending action to the big screens, but this kind of a martial arts mixture has been missing for long enough, whether we had Hitman, Transporter, Kate, Mechanic, Accountant or any such character in between. This world with the stylish lighting of Ho Chi Minh City and what lies beneath makes an environment which stays distant from the usual Hollywood-style setting, and yet maintains quality within its divergence. If you are looking for a classic martial arts movie which does not overdo anything and still manages to have so much of action, you have it here. There were opportunities to be lost in the available options, but the movie has risen above them to provide us with an experience which is to be remembered with many other action films.

Release date: 23rd December 2022 (Vietnam); 23rd March 2023 (Netflix)
Running time: 109 minutes
Directed by: Veronica Ngo
Starring: Veronica Ngo, Đồng Ánh Quỳnh, Tóc Tiên, Rima Thanh, Vy Thuận Nguyễn, Song Luân, Gi A Nguyễn, Phan Thanh Hiền

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

John Wick 4

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Vampire Owl: So, this man is still alive.

Vampire Bat: It seems to be so in the movie.

Vampire Owl: I was beginning to wonder if he is immortal like us.

Vampire Bat: He is just like the Hitman, but killing more people without stealth infinitely.

Vampire Owl: He might be using the stealth machine invented by Doctor Frankenstein.

Vampire Bat: He cannot really invent anything of use.

Vampire Owl: You are blaming the great scientist for no reason, once again.

Vampire Bat: Mr Fankenstein has never really been a true doctor of scientist.

Vampire Owl: Even the witches have approved his status.

Vampire Bat: They know nothing about science either.

[Gets a vegetable cutlet and three cups of Munnar tea].

What is the movie about? :: The world’s most reputed assassin John Wick (Keanu Reeves) continues to be on the run after a series of events leading to committing murder at The Continental Hotel, violating the basic rule that there would be no blood spilled on its grounds. He has the support of Bowery King (Laurence Fishburne), a former underworld crime boss who has a score to settle with the High Table, the powerful council of crime lords. As a part of this, he murders the Elder (George Georgiou), the only person who is above the High Table, and this leads to further actions against him. Marquis Vincent de Gramont (Bill Skarsgard), a senior member of the High Table takes over the course of actions against John Wick, and decides to finish this forever, with a certain amount of arrogance over his power. As the first step towards this, Winston Scott (Ian McShane) has his privileges taken away from him and his hotel destroyed. At the same time, Charon (Lance Reddick) losses his life, as the Marquis decides to have things working his way for a change, as the man in charge. He is determined to achieve only one thing in his life, something which others of his status failed to achieve, to have John Wick dead and buried for the betterment of all other assassins.

So, what happens with the events here as we just keep looking? :: John Wick is someone who is not ready to die, as he is determined to live on with the memories of his dead wife. To end him, Marquis appoints Caine (Donnie Yen), a blind assassin whom he threatens with the life of his daughter and in the name of the obligation that he has for the High Table. Caine agrees despite being an old friend of John to ensure his daughter’s survival. John takes refuge in the Continental hotel at Osaka in Japan where another old friend Shimazu Koji (Hiroyuki Sanada) is the manager, assisted by his daughter Akira (Rina Sawayama). There, a group of highly armoured assassins sent by Marquis attacks them, along with Caine who accompanies them. Almost everyone under Koji’s command is killed, while John barely makes it out alive as a tracker Mr Nobody (Shamier Anderson) who had been trying to collect the bounty on his head decides to keep him alive until the price on his head gets higher. John murders a full wave of assassins until finally getting to the safe house.

And what more is to follow for the former assassin on the run? :: Caine murders an already wounder Koji, while Akira is left to tend to her own wounds. Both John and Winston are in requirement of vengeance, but the end of Marquis and winning their lives back is no easy task. John would require the help of his family which has lost its head and is now led by his adopted sister Katia (Natalia Tena) who is determined to avenge the death of her father. He has to do the job for her and murder the German High Table crime lord who was responsible for that death. But at the same time, he is followed by Caine and Mr Nobody, both determined that they would not let the other person kill John. Both of them hate Marquis and would love to see him dead too, but are left with no option to move on with their respective futures. The Marquis has his assassins everywhere to prevent John from having any of his plans working against him. John Wick seems to be the man whom nobody can get rid of, as he keeps coming back for more, but for how long and against what all forces which have been arranged to fight him seemingly for eternity?

The defence of John Wick 4 :: The movie is a clear improvement from the first two films, and is almost as good as the previous film which had the perfect style and the right length which works for a movie like this one. The sequences of action are once again done very well with artistic beauty supported by charming visuals, and the fight in Japan is indeed a classic one, even though it came too early. The final fight in the streets is a long and memorable one, often getting longer than the longest battle that we can imagine, and the duel in front of the sunrise Sacre-Coeur church building in Paris is a sight to remember. The beauty in the fights and the artistic spilling of blood have their own merits. John Wick is someone whom we will remember for longer after this movie, and as the Hitman who has lasted so long, he defines Keanu Reeves as much as The Matrix and Constantine, the two other classic films that we shall never forget. It is Keanu Reeves who once again keeps the franchise strong. Donnie Yen makes a fine addition while Bill Skarsgard plays the usual rich villain who has so much money and power to control everything in sight. We also have Hiroyuki Sanada and Laurence Fishburne contributing well even though they could have been present for more time on screen. Rina Sawayama as Akira and Natalia Tena as Katia are fine additions who could make in a spin-off or sequel – the latter is someone whom we remember so well for their performance in Game of Thrones series. Ian McShane does the usual in style.

The claws of flaw :: This version of John Wick is too long, whichever way we look at it, as it touches three hour mark with a total run-time of 171 minutes with the interval, trailers, advertisement and national anthem added to the list, even though the censor board seems to have helped in keeping it at three hours and nothing more. With every movie, there has been an increase in run-time. This length is surely a disadvantage as there are moments when this one seems to drag, especially with the dialogues. The action does get repetitive, and we see so many things happening again and again. The movie could have used France’s monuments like Notre Dame Cathedral, Pantheon and Louvre Museum as much as the others, as Paris looks like a dream in this movie. The end of the movie could have also been much bigger, as there have been three films contributing so much towards coming to this grand finish which also seems uncertain if there could be a sequel or spin-off as vengeance continues to be the main thing on the list. John Wick also does not seem to be that stylish with his work anymore, even though we were always expecting him to bring more with the progression in films. There is also the lack of a good female character with presence throughout the movie, as they just come and go with some contributions here and there.

How it finishes :: There are not many Hollywood movies which have made an impact here like John Wick, if we leave the superhero films behind. There are so many kills, and we have people appreciating the action which is very unlike the dumb action in Bollywood movies and some of those overrated mass masala films from South India which earns so much with some nauseating performances, often with the products of nepotism at the helm. The total run-time of this movie might scare some people, but we can stand this as there is artistic beauty and creativity associated with, and not the dumb skill to make hundred enemies fly away as the so-called hero makes a move. The movies like this one are not easy to make as plot never has that much of focus, but this is another movie in the franchise that gets things right, especially with the action, and the choice of actors for the particular roles. There will always be something special about John Wick, even when he would not be of the strength that he used to be, and Keanu Reeves power further strengthens it.

Release date: 24th March 2023
Running time: 171 minutes
Directed by: Chad Stahelski
Starring: Keanu Reeves, Donnie Yen, Bill Skarsgard, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, Ian McShane

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Red Notice

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Vampire Owl: I am also sending a bloody notice.

Vampire Bat: A red notice doesn’t really mean that it is bloody.

Vampire Owl: A thing of red colour can always have blood added to it.

Vampire Bat: It is supposed to be an international alert circulated by Interpol.

Vampire Owl: I am talking about any notice, which is red in colour.

Vampire Bat: It is still with information about crimes, criminals and threats.

Vampire Owl: The vampire blood moon event also has a red notice.

Vampire Bat: It is not a red notice. It is pasted with red colour directed on it.

Vampire Owl: That still makes it a notice in red.

Vampire Bat: Now, you are clearly talking like a zombie without brain.

[Gets a vegetable puffs and three cups of ginger tea].

What is the movie about? :: The tale of the Roman general Mark Antony, who fell in love with the enchanting Egyptian queen, Cleopatra is well known, as the two had taken their own lives instead of being defeated and captured, thus forced to live without each other and their world. gifts He had gifted Cleopatra three jeweled eggs as a wedding gift symbolizing their love. The eggs are lost until two are found by a farmer near Cairo in 1907, but there is still no information about the last egg. In the present, Special Agent John Hartley (Dwayne Johnson), is working as a criminal profiler for the FBI. He is assigned to help Interpol agent Urvashi Das (Ritu Arya) in investigating the possible theft of one of the eggs at Museo Nazionale di Castel Sant’Angelo in Rome. The head of the security in the museum feels that the concern is useless, as the security there is too heavy for anyone to make an impact. But John proves the egg there is not real, and it has been forged. The security seals all doors, but Nolan Booth (Ryan Reynolds) manages to get out of the room.

So, what happens with the events here as we just keep looking? :: Despite all the chasing which follows, Nolan is finally captured by John in Bali, with clues from another art thief. But soon, it turns out that the other thief had other plans – the original egg has been replaced once again, and has John presented as the one who is behind all of these, with an eight million transferred to his account, and disguising as FBI office. Urvashi who considers herself to be too smart, is easily fooled by this, and has him taken to the Russian prison where Nolan was already imprisoned. In the prison, the other art thief Sarah Black, known to most people as The Bishop (Gal Gadot) meets them, and her offer to steal the second egg and find the third egg is declined by Nolan. The two becomes determined to get to the second egg before she does, and plans an escape, which is successful, more due to luck than anything else. When the two of them reach the location of the second egg, which is the home of an arms dealer, they also find Sarah there. Now how will the race to the eggs of Cleopatra go, and who will have the final laugh?

The defence of Red Notice :: If looked close, Red Notice is the kind of fun-packed entertainer that you watch on the big screen without thinking much about it. The film does maintain the whole thing where it should be, and mostly manages not to overdo the same. It focuses on the major things, and doesn’t make things complicated at any point, making sure that anyone can watch this film at any point of time, without the stress, and without having to think too much. The straight-forward action remains strong at all times. You get to see some big fights on many occasions, and the Gal Gadot action sequences are among the best of them. Everyone seems to get an equal dose of action scenes to perform too. The heist scene is also interesting, even though there could have been more of similar moments. The visuals of different places at different parts of the world are also stunning. We get to see different cities of different countries with all the charm that they have, and the visual beauty has been maintained until the very last scene of the movie.

The claws of flaw :: Red Notice is surely not a movie which tries hard enough to go out of the usual, and nothing innovative or special can be seen here. We have the usual action going on as the main character go on the heist. The major characters could have also been established better – maybe except for the Ryan Reynolds’ character, which seems to be there for one purpose, and the backstory is also somewhat rightly told. It could have also had more heist sequences with some smarter moments added to it, as well as more outdoor fighting sequences to get better pictures of the cities where the protagonist go. The humour is only somewhat working, and it is unlike the usual works featuring the main characters. It seems that Hollywood is also somewhat running out of ideas as far as innovation is concerned, and holding itself very high over the highly talentless and brainless list in Bollywood is not really an achievement. There is surely the need to try harder, get rid of the silly jokes and fights, to keep the good ones, and add better creative imagination.

The performers of the soul :: Dwayne Johnson a.k.a. The Rock gets things going strong and entertaining as usual. There is almost no movie where you don’t expect him to do what he has been doing the best in style – we remember what he has been doing with WWE too, and he never lags with entertaining the viewers. Whether it is Jumanji, Hercules, Journey to the Mysterious Island, Central Intelligence, Hobbs and Shaw or the whole of the later Fast and Furious franchise, we know what he is capable of, and how well he has been doing the same. There is no doubt about him achieving the same here too. Yet, one has the feeling that this had to be more focused on him rather than dividing this between all of them. Ryan Reynolds do a similar thing like he has been doing in Deadpool and its sequel – even though the humour is not that dark here, there is nothing that divergent in this character either, which he seems to have no problem playing. Gal Gadot is once again the wonder woman here, and she has a spear in one battle here too. She does a great job in a character which required more of a backstory. Then there is Ritu Arya who plays the cop who always losses, but she does that really well.

How it finishes :: The fact that Red Notice works with its entertainment is something to be happy about, but at the same time, one has to remember that Hollywood cannot go on with movies like these, without using more cerebral activity with innovative ideas. The regional movie industries are thinking more these days, and Red Notice is not of that much power to be standing tall against some original ideas which are not short of entertainment either. When you are looking for this kind of fun which takes over everything else, this is the movie for you – it doesn’t come up with the overdose of the same at any point, and hesitates to go the completely mindless Bollywood way. Red Notice is the kind of movie which will keep you interested and engaged, even without having that much of a new story to provide. You can watch it, be entertained, and then leave it behind. After all, you know that whenever the Rock is around, you cannot be disappointed – ask the WWE fans, and they will tell you the rest, whether your favourite wrestler is the Undertaker, Randy Orton, John Cena, Brock Lesnar, or anyone around.

Release date: 5th November 2021 (Netflix)
Running time: 118 minutes
Directed by: Rawson Marshall Thurber
Starring: Dwayne Johnson, Gal Gadot, Ryan Reynolds, Ritu Arya, Chris Diamantopoulos, Ivan Mbakop, Vincenzo Amato, Rafael Petardi, Daniel Bernhardt

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Sweet Girl

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Vampire Owl: I remember having met a sweet witch.

Vampire Bat: I do not remember any witch being sweet at all.

Vampire Owl: He had some of the sweetest magic potions.

Vampire Bat: You shouldn’t buy potions without approval of Vampire Senate.

Vampire Owl: I have paid all the taxes along with the price.

Vampire Bat: You will still have to pay the import duty.

Vampire Owl: But we belong to the same realm.

Vampire Bat: Yes, but not the same territory.

Vampire Owl: Now, we are having taxes like humans?

Vampire Bat: It is still very much less in comparison to some of the nations in the world of evil humans.

[Gets a raspberry cake and three cups of orange tea].

What is the movie about? :: Ray Cooper (Jason Momoa) jumps off the top of a building while being chased by the police, and it is followed by a flashback. His wife Amanda Cooper (Adria Arjona) gets really ill with a rare form of cancer. The survival expert, Ray hopes that he can do all that is possible to save her. But it is soon revealed that the life-saving drug called Infirmam was taken off the market due to Bio Prime CEO Simon Keeley (Justin Bartha) paying the manufacturers to delay the production. This also means that there was going to be an indefinite delay, and Amanda doesn’t have that much time. He watches congress woman Diana Morgan (Amy Brenneman) going through a live devate with Simon, and there he seems to be talking about much their company is dedicated to saving lives at less cost, and on how much they have sacrificed in the form of money and time. He makes a call to the live debate, and as Simon doesn’t seem to care that much about bringing the drug back to the market, Ray threatens to kill him if his wife dies because of this negligence.

So, what happens with the events here as we just keep looking? :: Soon enough, Amanda dies, and Ray is left with his daughter Rachel Cooper (Isabela Merced) to go on with the pain and grief. A few months later, Ray gets a call from a journalist Martin Bennett (Nelson Franklin) who claims that he possesses evidence related to the unethical practices and criminal activities on the side of Bio Prime. They meet on a moving train, but a hitman Amo Santos (Manuel Garcia-Rulfo) attacks them, killing the journalist and stabbing Ray. Rachel who had followed them also gets knocked out in the process. Even though further investigations reveal nothing about what had happened with Bio Prime or in the train, and with no information about the hitman who attacked them, Ray still continues to track Simon and his company. He manages to sneak into a charity programme and interrogate Simon, only to be attached by the bodyguards whom he manages to kill along with his gaurds. The only other responsible name that he gets is that of the chairman of the same company, Vinod Shah (Raza Jaffrey). FBI Agent Sarah Meeker (Lex Scott Davis) is in charge of the case.

And how far can this go as we keep moving forward? :: Ray and Rachel go on a long ride through less taken roads, trying to get away before the police officers or the assassins get to them. Rachel tries calling Sarah, hoping that she will look into Bio Prime before her father comes up with something terrible again. Sarah is able to get the trust of Rachel like a mother figure. Meanwhile, they are attacked by mercenaries who seems to have found them much to their surprise. Ray fights them and after a small fight, ends up killing them too. At the same time, the same hitman who had attacked them on the train is after them too. Their only option here seems to be to find Vinod and hope that it ends with them. But Santos has other ideas about it, and Vinod knowing anything more than what Simon knew seems not possible at all. How far does all these secrets go? Who might be the last link behind all of these? Will the father and daughter duo survive against what they seem to be completely incapable of handling? Is there a thing like hope for them?

The defence of Sweet Girl :: Jason Momoa is here doing what he does the best, without the superpowers of Aquaman and outside the team of Justice League. Isabela Merced has a point as the daughter figure. She plays a character who is more matured than anyone else of her age, and has her own ideology. This is also one strong character that she can happy that she played. The twist also works like a dream for her, and she rises above everyone else with ease here. She does remind one of Chloe Grace Moretz, like someone who could rise above the senior stars when provided with an opportunity. Then there is Manuel Garcia-Rulfo as the hitman and Amy Brenneman as the congress woman who are all doing what they do the best. The action sequences are all good, and both the father and daughter do their job well. The twist basically comes a shock, even though there were some red herrings here and there – that should work for most people. The movie, just like it begins well, ends without overdoing it, but being mostly satisfactory.

The claws of flaw :: The movie could have been quicker here, as there is a lot action to be done. The twist in question here doesn’t seem to be that effective for everyone, as the willing suspension of disbelief might have its problems with how the action sequences have been going on here. It does take a little too much time to get to the twist, which should have been revealed earlier for the audience to adjust to the whole new situation it had created. The loopholes are surely there, especially in the second half of the movie. The movie does seem to be confused about how to respect the genre, and the world it had built earlier. The feeling of half-bakedness does bring some trouble. There was the chance to come up with better dialogues and better emotional moments too – the emotions are there, but with the twist, some emotions feel as if they didn’t exist at all. With that particular twist, it also feels that some of the length of this movie was for no reason, as a number of things didn’t happen as it was shown.

How it finishes :: Sweet Girl is more of less the movie that can go in the path of Hitman, Transporter, John Wick, Mechanic, Accountant, Equalizer, Kate and others while having its main lead going through the impossible to reach the other end. It would require a sequel for that, as it had that twist which changed things a little too much. There will be opinions against this one for sure, as the twist would take away something which the fans would have wanted in the climax, but the film did require something divergent to set a path different from the usual movies dealing with this kind of thing – you can’t just complain for taking the risk and bringing more to ponder about. With lots of action around, a few things can be forgotten, and others can be appreciated – what is to loved and hated might still be different for different types of people. I would be asking people to watch this one without looking at the spoilers and come with your opinion. We are never really less in need of action thriller with a huge mission in hand, right?

Release date: 20th August 2021 (Netflix)
Running time: 110 minutes
Directed by: Brian Andrew Mendoza
Starring: Jason Momoa, Isabela Merced, Adria Arjona, Manuel Garcia-Rulfo, Amy Brenneman, Raza Jaffrey, Justin Bartha, Lex Scott Davis, Michael Raymond-James

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@ Cemetery Watch
✠ The Vampire Bat.

Heaven

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Vampire Owl: Do you think that Uncle Dracula is going to heaven?

Vampire Bat: I am sure that vampires have a different afterlife.

Vampire Owl: You mean beyond heaven and hell?

Vampire Bat: Somewhere in between, to be exact.

Vampire Owl: Are you talking about the purgatory?

Vampire Bat: I wouldn’t know before death, but there would surely be blood.

Vampire Owl: Well, as long as there is blood, I am okay with it.

Vampire Bat: You don’t really take the blood substitute anymore?

Vampire Owl: Until Doctor Frankenstein invents the perfect substitute, I won’t.

Vampire Bat: Then, be assured that it will a long wait, because that pseudo-doctor and scientist with fake degree is involved.

[Gets a paneer puffs and three cups of iced tea].

What is the movie about? :: A group of NCC cadets discover a dead body in the forest area where they were camping for the holidays from their school. The first police officer to the scene is Bijoy Kuruvilla (Sudev Nair), and the dead person is identified to be Fabian John (Deepak Parambol), with the help of the forensic experts who are led by Narayana Swami (Joy Mathew). According to the descriptions from the witnesses and circumstancial evidences, the police discover the murderer to be none other than Peter Kurishingal (Suraj Venjaramoodu), another police officer. Then, the movie gets a flashback when Peter is in charge of a police station in a village. He had only recently lost his wife, and has a number of cases for investigation, which he takes very seriously so that he can use them to forget the grief of loss. His mother Mariyam Kurisingal (Vinaya Prasad) takes care of his only son, as he remains mostly busy as a strict police officer. But things get worse as he comes up against a case which would prove to be personal for him, as a family is murdered, and along with them, he also find his son’s dead body, much to his shock.

So, what happens with the events here as we just keep looking? :: Peter’s subordinate Sukumara Pillai (Alencier Ley Lopez) is posted in the case with the new officer in charge of the investigation, Inspector Kishore (Padmaraj Ratheesh) who seems to be solving the case rather quickly, and a man named Stephen (Jaffar Idukki) confesses to have committed the crime with an immigrant labourer from West Bengal, as part of an attempted robbery. Peter has his doubts, but as one of the victims is his son, his superior officer Revathi Subramaniam (Abhija Sivakala) declines him an opportunity to be part of the investigation team, but lets him have a look at it as part of a parallel investigation for which he would be solely responsible. Soon, he discovers that the man who is accused of murder, Stephen actually had nothing to do with it. This home named Heaven, where the murders took place, seem to have more than one secrets to be discovered. His discoveries soon lead to him taking over the case after joining back on duty. But it remains to be seen if he will like what he would discover.

The defence of Heaven :: Here is one more addition to the smart thrillers of our times with some fine red herrings. The investigation shown in the movie feels solid, and so does the emotional side. The movie achieves its motives without exaggerating anything at any moment. There are twists till the end of the movie, and we see that it has nicely solved the puzzles to come strong in the end with enough strength. The realistic mode is maintained while bringing up the thrills and twists, and it surely feels like something which could happen during these days when different crimes are part of the news more than ever. Even the police procedures seem to be much accurate, and it doesn’t seem to venture into those areas where the smartness of the audience is questioned; maybe it is because the film chooses to have no such superstars who have so many fans wishing for their favourite actor to destroy evil like a fallen angel. Well, this movie is also something with fallen angels, but it knows how to keep it realistic. This is the kind of film that can teach valuable lessons for Bollywood which has its non-performers coming out of nepotism, not able to emote.

The positives and negatives :: The visuals are really good, and the camera is particularly good in capturing the emotions of Suraj Venjaramoodu, with all the grief which is part of the character’s life. The moments after the son’s death is as emotional as it can get, and it is only matched by the determination in his face that comes up later. There are the inner and outer battle shown here are with their own relevance. Heaven does not hesitate in going through the emotional path of the police officer and his investigation, just like it was seen in the movie Memories which had that abiding sadness in it which would return to haunt the viewer. The movie could have actually focused on the darker side even more. The return to the initial moments come rather too late, and due to the same, people might have actually forgotten the events which had happened earlier. The movie does slow down after the deaths and following emotional troubles, and it could have used a serial killer instead of the usual vengeance ideas being repeated. The music doesn’t feel as that great in comparison to some of the other thrillers which dealt with similar themes.

The performers of the soul :: Suraj Venjaramoodu handles the regretful cop role really well, and it reminds us of his earlier movie Pathaam Valavu, where he had also lost his child. The helpless and lack of hope can be seen on one side, while there is smartness on the other. He is the police officer and father to remember. The emotional struggle which was best displayed in Kaanekkaane, and added with mass in Jana Gana Mana and Driving License works really well here too, as he is indeed one of the best actors to go through a strong emotional side. The biggest support to him is provided by Alencier Ley Lopez who makes a fine cop in a supporting role; I had felt that John Luther could have really used him as a police officer too. The actors like Sudheesh and Jaffer Idukki add more of an emotional side to the film with their shorter presence. Vinaya Prasad also has the emotional grandmother role. Padmaraj Ratheesh and Sudev Nair also makes some fine police officers. Abhija Sivakala as the superior police officer is also solid. Deepak Parambol’s as well Nimisha Sajayan’s smaller roles are effective too. The collection of performers here makes sure that there is something interesting about all of them.

How it finishes :: Heaven gets into the list of interesting thrillers including the recently released Twenty One Grams and Solamante Theneechakal, as well as many others which came earlier. After all, the thrillers of this world mean more than just Drishyam. The movie working a lot better than the heavily hyped movies like CBI 5: The Brain is a reminder that we have some new names who can do the same thing better. Well, this is the kind of film which can never work for Bollywood as the sons and daughters of superstars would not agree to act in movies which cannot progress without throwing hundreds of villains around. Movies like this should open their eyes to the idea that there is the need for more thinking differently, or the drought in Bollywood of blockbusters is going to continue forever. Bollywood’s fight with its own incompetence might be forever, but during those times, Malayalam movie industry, just like the other South Indian film industries, is coming up with some fine works of quality which are to be remembered.

Release date: 19th August 2022 (Hotstar); 17th June 2022 (Theatre)
Running time: 130 minutes
Directed by: Unni Govindraj
Starring: Suraj Venjaramoodu, Sudev Nair, Sminu Sijo, Sudheesh, Joy Mathew, Alencier Ley Lopez, Jaffer Idukki, Vinaya Prasad, Abhija Sivakala, Deepak Parambol

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@ Cemetery Watch
✠ The Vampire Bat.

Solamante Theneechakal

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Vampire Owl: Do you think that there could be honeybees in this movie?

Vampire Bat: I am sure that the bees are different in this case.

Vampire Owl: I was looking forward to see a vampire bee.

Vampire Bat: There has been no bee which has been turned into a vampire.

Vampire Owl: Doctor Frankenstein has transformed a few.

Vampire Bat: They are pseudo vampires. They won’t count.

Vampire Owl: You continue to show your prejudice against Doctor Frankenstein.

Vampire Bat: I have never shown love for dumb experiments.

Vampire Owl: You will surely love the vampire bee though.

Vampire Bat: You should see how the human bees turn out here in this movie which is noted as a romantic thriller.

[Gets a vegetable samosa and three cups of cardamom tea].

What is the movie about? :: Glyna Thomas (Vincy Aloshious) and Suja S (Darshana S. Nair) are police constables who are also best friends – they have also rented a place together in Cochin. While Suja is posted in traffic duty, Glyna is assigned the duties at the police station itself. CI Binu Alex (Addis Antony Akkara) is in the charge of the station, and Suja hopes to get rid of the traffic duty and somehow be part of the station duties. For the same, Suja tries to portray Sharath Balakrishnan (Shambhu Menon) as a nuisance for women, but fails miserably. She even falls in love with him later. Sharath works for Nikhil Davis (Sunil Sukhada) who runs a rent-a-car business, but also has other motives. Their love story continues well until one day Binu and Sharath comes across each other, leading to a fight. Binu vows to make Sharath suffer for laying his hands on a police officer, but it is then that a criminal named Arumughan (Manikandan Achari) makes an entry with a grudge against Binu. Then, on an eventful night, things go out of control, and Suja might be the one to suffer for it. Will at least Glyna stand with her during the crisis?

The defence of Solamante Theneechakal :: It is to be noted that Solamante Theneechakal is a movie that has been much awaited by people who had watched at least one episode of the talent hunt show from where the leading actors of the movie where selected. But considering the performances which we come across here, this is more than that – none of the leading performers show any signs of acting in their first movie. They cast indeed is the biggest strength of the movie, as the newcomers score so well with the elder stars like Joju George and Johny Antony. The thrills remain strong, right after the defining incident. The twists are also there to be taken, and the red herrings are very much effective, to make us wonder about them. The early scenes also remain cute, and the friendship is effectively portrayed, with romance almost having a role to be added. There is also a certain amount of realism in the way the life of the leading ladies are portrayed, as both Vincy and Darshana make everything feel so real. Until the life turns around, everything that they do is so natural and without hesitations – the audience falls in love with such portrayal without exaggerations or pretensions.

The claws of flaw :: The absence of the big stars might make this movie’s collections and early appreciation struggle a bit – most people are still slaves to the superstars, and there are other three already established success stories in the form of crowd favourite movies already running in the theatres, which could make this particular movie take a hit. The dark side that the movie adds, do not get that much of a strength as it was expected, and there is some predictability about a few things, even though not with the grand scheme of things. The songs are not that great, and none of them provides the feeling of romance or terror, two elements which seemed to rise above the others – one or two still provide the feel-good feeling though. The first fight scene might be the only exaggerated moment, but there is no following it up well enough. The investigating officer does seem to deviate from the main concerns in the case, but it is justified in the end. Some of the supporting cast members don’t seem to have been used with the effectiveness that they might have deserved – it is still understandable, as the focus is on establishing the new talent which did such a fantastic job on television and deserves to be in the focus throughout the film. Yet, at times it chooses to defy logic by a little bit

The performers of the soul :: It was news then that the main performers for Lal Jose’s new movie were to be selected through a talent hunt show called Nayika Nayakan which aired on Mazhavil Manorama. Darshana S Nair and Shambhu Menon were the winners of the show, and they play the lead with the romantic side in this movie. Vincy Aloshious and Addis Antony Akkara who were the runner-ups in the show also play the next important roles in the movie as expected. They were selected from sixteen contestants going through multiple rounds, and it was one of the high quality shows from which these people were selected, and they have shown the same set of skills reflected around here too. Along with Vincy, some other participants like Meenakshi Raveendran, Ann Jameela Saleem, Venkitesh VP, Amina Nijam and Malavika Krishnadas were already seen in small roles in movies. Thattumpurath Achuthan had served as a vehicle for most of them to make some relatively small appearances which would not be memorized, and this one was to become the bigger space for these four to perform in a memorable way.

Further performers of the soul :: The movie is supposed to be the next big platform for these performers to show their skills, even though their talent hunt show was something which was a memorable experience for the audience. Even the participants in that show who were eliminated earlier, like Ann Paul were enormously skilled – that left no doubt about what these people could achieve. To support them, as the centre of everything, there is also Joju George, who had his best performance in Madhuram last year along with that memorable journey through Pada this year. He feels very natural as the police officer whose portrait never gets exaggerated – we know what he can do with this from Joseph itself. The performers from the talent show makes us feel the professionalism and not the reluctance of the newcomers. Among them, Vincy Aloshious stands out as the star performer, and her moments with Addis are too good. Darshana gets into make things even better – her moments with Vincy are among the best, whether with a funny side or the emotional one, and the two make things work so well. Addis’ villainous side is a strong one, and a lot realistic, but could have used better voice. Shambhu feels perfectly suitable for this role.

How it finishes :: This seems to be a movie which should have released much earlier, if it was not for the corona virus spreading through the world. As it was intended, the movie serves as the fine platform to show the abilities of the performers selected from the talent hunt show, which would reach the bigger audience. I was still surprised to see the less number of audience for this movie, and I would hope for the numbers to increase as it has the quality – we are all admirers of good movies, as far as I know. The other successful movies at the theatre might be a reason, but this need to pick up the pace, and with some good opinions, it should surely do that – this would be one of the first such opinions. The movie has to depend on the content more than anything else with the big names being absent, and it does exactly that, with the thrilling moments and the twists that are added to the tale. With no exaggeration of action or life itself, the movie is something that has the special ingredient, which is the new young cast itself. Seeing them would make us believe that Lal Jose has indeed made the right decision once more.

Release date: 18th August 2022
Running time: 139 minutes
Directed by: Lal Jose
Starring: Joju George, Darshana S Nair, Vincy Aloshious, Addis Antony Akkara, Shambhu Menon, Shiva Parvathy, Johny Antony, Manikandan Achari, Shaju Sreedhar, Binu Pappu, Sunil Sukhada, Sivaji Guruvayoor, Abhinav Manikantan, Aurora Adya

<<< Click here to go to the previous film review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Midnight

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Vampire Owl: There are not many mediums that vampires can use at midnight.

Vampire Bat: I am sure that we can use an Ouija board at midnight instead.

Vampire Owl: That board is a fake medium invented by humans.

Vampire Bat: So, you think that there is no hope with the board.

Vampire Owl: Yes, we need to look forward to finding an undead conductor.

Vampire Bat: You cannot have any of the undead allow something from the other side to pass through it.

Vampire Owl: The undead is greater than any spirit.

Vampire Bat: Getting possessed by a spirit is not a great experience.

Vampire Owl: So, you think that there can be possessions.

Vampire Bat: Well, you know the thing about demonic possessions.

[Gets a green apple cake and three cups of Munnar tea].

What is the movie about? :: Kim Kyung-mi (Jin Ki-joo), is a mute and deaf woman who works as a sign language customer service executive at a sign language call center. Her mother Kyung-mi’s mother (Gil Hae-yeon) is also dumb and deaf. As some of the employees have to go for a dinner with the clients, she chooses to go with her employers and return late at midnight. Jung-eun’s (Kim Hye-yoon) goes out on a date at night, and her brother Jong-tak (Park Hoon) who works as a security guard after serving in the army, is worried because she would arrive late, almost at midnight, especially as a man and woman were found dead during an earlier night. Coming back home late after dinner and visiting her mother, Kim witnesses the sister bleeding after being stabbed by an unknown man and becomes the new target for this particular serial killer Do-sik (Wi Ha-joon) who had been hunting women, and sometimes unsuspecting men some time around midnight. She runs further away from the area when her mother is standing and tries to hide, but the killer is someone who knows the area really well.

So, what happens with the events here as we just keep looking? :: The killer needs to find the young woman to make sure that there are no trails that lead to her. At the same time, Jong-tak is in the streets, searching for his sister who has not returned home yet. As Kim reaches her car and enters it, she is shocked to find him inside the vehicle, and after being forced to drive at knifepoint, she jumps out the car, once again chased by the killer, only to connect to the cops, but as she cannot sleep, it does not work at all. When the police finally arrive, it seems that the killer had already manipulated all the evidence, and there are no suitable clues in the CCTV cameras either. The killer had also joined them in making things more confusing for the mother and daughter duo. As the brother also arrives in the police station with the photo of his sister, Kim identifies her as the woman who was abducted, stabbed and kept in the vehicle by the stranger. But the killer is someone who knows when to manipulate and when to kill with all the brutality – does this mean that the killer will go on with the murders and the sister and the witness would also have to die?

The defence of Midnight :: In the beginning, this movie might seem to be just another serial killer movie with its antagonists targeting random people on the streets, but it becomes much more than that, as it uses almost everything at its disposal to the best effect. The night itself has been used to its best advantage, and this is also not the kind of movie when there is a long investigation going on, and the police has to go for clues which they acquire over days, and the result is that there would be more victims. Instead, this movie has so many thrilling moments set in a night, which has the serial killer’s smartness displayed in an interesting manner, but we are not bothered with the flashbacks or the motive that would have been there in other movies – this becomes more of a survival movie where there is the need to make sure that a missing woman survives, and at the same time, the leading lady further struggles to survive. As things unfold with a night that progresses, there is the idea that two of the main characters cannot speak and hear, which drives this movie to bringing things to light in a different manner. There is no shortage of thrills around here, and silence is nicely used with sound effects in a visual treat of terror.

Positives and negatives :: There are moments when one would feel that the movie could have elevated the status a little bit. But the final moments are just too good, as finally the serial killer understands that more than one person can play his game. The movie is a survival thriller for the main protagonist, and Jin Ki-joo, with her performance, has us backing her to survive against all odds. The characters do no get to be that smart as they should be though, as they create opportunities for the killer to come back and get them, multiple times. There are many co-incidences in here too, and those are used a little more than needed. But there is no shortage of the feeling of danger around here, as night seems to be used as a medium for the serial killer terror to spread – it always seems that he is in control, even when he gets beaten up. We did not know about this movie when it released, but we know it now, and we have that serial killer whom we have been waiting. The movie is also a reminder that in a busy world, nobody has time to check on others, and a serial killer could always be hiding among us, undetected until captured.

The performers of the soul :: Jin Ki-joo is leading lady and the protagonist of this movie, and she comes up with a performance to remember as the woman who cannot speak or hear, but has to rise above her limitations as she faces one of smartest and most brutal serial killer who is good at hiding his motives. She has presented the character so well that the audience keep believing that she has no hope, but continues to see that slight ray of hope that she could stay alive despite the odds being very much against her. She seems to be better known for the South Korean television series and the drama, but the way in which she displays the hopelessness and fear to replace it with courage, is something that will catch our eyes – the ending with her character gaining the advantage is too good. Wi Ha-joon makes a fantastic serial killer, and I won’t be surprised if someone would try to copy this character, as the killer works so well. Park Hoon also join in very well. Then there is Gil Hae-yeon who comes up with the mother figure really well. At the same time, Kim Hye-yoon is lovely addition, and becomes the reason for the events of the movie to start moving forward.

How it finishes :: Midnight is a reminder that Korean films still possess the top quality with horror thrillers featuring serial killers. It will be a good idea to watch the movie on Amazon Prime Video before someone from Bollywood copies the film and shows it as a much lesser version with the brother of the victim and the girl who witnesses the crime dancing to songs at a party while the serial killer kills the abducted girl, and we would also have to listen to some very sad songs with the brother grieving for the sister. The quality of this movie will always be higher as it does have all the emotions, but never does it overdo them, or come up with irrelevant subplots or exaggerating the villain. We directly enter this world which is all about that particular night, and the audience is also as much part of the events that happen during midnight, and everyone goes on this journey with the main characters. You are also reminded that you need to go back to these kind of movies, and even though we do have our own serial killers with films like Forensic, Anjaam Pathiraa, Memories and Antakshari, but none so classically determined in the form of a stranger as this one.

Release date: 30th June 2021
Running time: 103 minutes
Directed by: Kwon Oh-seung
Starring: Jin Ki-joo, Wi Ha-joon, Kim Hye-yoon, Gil Hae-yeon, Park Hoon, Kang In-seo, Noh Su-min, Na Eun-saem, Lee Jae-seok, Park Ji-hoon, Song Yoo-hyun, Bae Eun-woo, Kwon Young-min, Jung Wo Chang

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<<< Click here to go to the previous Korean film review.

<<< Click here to go to the previous Korean horror film review.

@ Cemetery Watch
✠ The Vampire Bat.

The Soul

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Vampire Owl: Do you think that vampires can have an extra soul?

Vampire Bat: I don’t understand why one would require one as extra.

Vampire Owl: What if a soul is lost? We can use the other one.

Vampire Bat: The souls are not lost as long as we are living dead.

Vampire Owl: When did we start referring to the undead as living dead?

Vampire Bat: I am sure that we have always been the living dead.

Vampire Owl: Well, I wouldn’t argue as death is only the beginning.

Vampire Bat: There is no undead without the appropriate kind of death.

Vampire Owl: Maybe humans will also understand that death is the true solution.

Vampire Bat: They are less afraid to kill than to die, which is strange.

[Gets a mango cake and three cups of Munnar tea].

What is the movie about? :: Wang Shi-Cong (Samuel Ku), a very rich man and the founder of a medical firm developing cancer treatment based on ultra-modern technology is found murdered. His wife who has also remained a respectable figure, Li Yan (Sun Anke) is discovered to be holding the weapon used for the brutal murder, quite a strange knife-like blunt thing indeed. There are also some strange writings on the door and all over the walls. At the same time, Ah-Bao (Janine Chang), a detective is expecting a child very soon. Liang Wen-Chao (Chang Chen), her husband is having an advanced stage of cancer, and it doesn’t seem to get any better. His cancer seems to be spreading and resisting the existing modes of treatment, and the doctor gives them the advice to consider doing a RNA restoration technology. Liang, who has been working as a prosecutor, decides to join back, as a lot of money is required for his treatment – he had asked her to let him skip that costly treatment, but she has been very adamant in keeping him alive.

So, what happens with the events here as we just keep looking? :: Ah-Bao is assigned the case of Wang’s murder, and Liang goes on to become the prosecutor once again, much to the surprise of his wife who was expecting him to take rest. Li Yang tells them that it was their son, Wang Tian-You (Erek Lin) who committed some strange rituals in the same room and murdered his father who had earlier disinherited him because of his strange and unacceptable behaviour. They remember that he only comes back home rarely, and has the same symbol which was seen in the room, tattooed on his body. He has a lot of magical symbols tattooed on his body, and talks about some particular gods and spirits which are not that well-known. He was heartbroken after his mother, the first wife of Wang died, and has been talking about vengeance since then. It seems that other than his wife, the dead man had left another inheritance as the next in line. The detective also understands that the dead man used to have different affairs with many women, which had ruined their world. The first wife also had enough information about hier husband’s life.

What lies beneath the secrets which are unveiled around here? :: There is also the talk about the first wife placing a curse on Wang before death, and about the second wife coming out of an orphanage, with no roots. But they do understand that this particular woman had changed a lot after coming to the mansion. In the beginning, she was very nice to everyone around, and very careful in her behaviour. It felt as if she wanted to be good to make an impression. But that seems to change soon, as they look through the CCTV cameras for some old footages. She wasn’t the person whom she used to be, as she even started talking to nothingness, which she understood as ghosts. They wonder if it was a case of possession or the result of some drugs which were introduced by the medical firm. A bigger surprise is that she who was a right-hander is now a left-hander. Is it science or some dark curse which is behind all of these? After all, isn’t science the modern necromancy? How many secrets can this particular world hold? There seems to be something really strange going on around here, and is anyone good enough to find the truth?

The defence of The Soul a.k.a. Ji Hun :: The movie never stops keeping us interested in the mystery of science or magic, whichever seems to surround a grand investigation. It does keep us guessing through its run, and is very much effective in doing the same. The twists are very much unpredictable, and with so many red herrings around, one only keeps wondering about how good are the characters who have figured it out inside the tale. At a specific point, you make a guess about the characters, and then you have to think differently about them. At one point, you feel that there is the talk about soul in its original form, but then all you see is science. You wonder about psychological problems and demonic possession at the same time. In the end, it is not anywhere close to what you were thinking in the early stages, and there is so much going on around there. Any more revealing would annihilate the beauty of the surprise and twists in here. The movie moves forward beautifully, as if it is poetry in motion, and the level of immersion of the audience that it provides is simply magnificent. The emotional side does help further in its movement forward – you do feel them running strong. The visuals and the music also remains extraordinary and contributes well to the dark beauty.

Positives and negatives :: The movie’s slowness also has a certain amount of beauty related to it, and we watch it move as if part of an elegy written in memory. Well, there is no doubt that it could have traveled somewhat a quicker path as it seems to be in need of being called a thriller rather than anything else – yet, it can be said that The Soul keeps us immersed around here, even without picking up the pace that much when it could have done the same. The details in each moment will still make sure that you are always attentive around here, and there are some top performers to support the same. Chang Chen gets into this character so well that we become attached to the same – there is a lot of immersion into the plight of the character taking place here, and that feels unbelievably realistic. In the beginning, one feels that Janine Chang is the one playing the protagonist, and even though she is not the one doing that, blends in perfectly, and excels in the emotional moments. Then there is Sun Anke who plays the woman in identity crisis with a lot of perfection – it is a role which requires a lot of dedication, and her different expressions are so much of the reflection of her calibre.

How it finishes :: The movie has one of the most complicated plots than any film has had in a long time, and it makes sure that we are always guessing. There has not been many movies which had our guesses going wrong by such a long way. By the end of the film, you are standing on a lot different ground than where you found yourself in the beginning. Well, the world of science and spiritual beliefs can both be strange enough, and this one makes use of both, while placing them in a corporate world where the only thing that reigns supreme is selfishness and a display of a fake “normal” image. I would consider this to be the best movie of the year and also the best film which I have found on Netflix among the last few years’ releases. Then, there is also those final questions which the movie leaves for all of us – what makes one a person? Is it the soul? In that case, where does the soul lie? In the memories of the brain or the emotions of the heart? Or is it something which has no real shape or size to be seen? Well, we will never know, that seems to be a surety. Until then, there are some fine Chinese movies to watch.

Release date: 29th January 2021 (China); 14th April 2021 (Netflix)
Running time: 130 minutes
Directed by: Cheng Wei-hao
Starring: Chang Chen, Janine Chang, Sun Anke, Christopher Lee, Baijia Zhang, Erek Lin, Samuel Ku, Daniel Chang, Lu Hsueh-feng

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@ Cemetery Watch
✠ The Vampire Bat.

Kimi

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Vampire Owl: I know a witch by this name.

Vampire Bat: Witches don’t have such names – it should be nickname.

Vampire Owl: Northern Witches are now known by some special names.

Vampire Bat: Are you trying to say that they are going to modernize soon?

Vampire Owl: Yes, their covens are all with electricity now.

Vampire Bat: The witches no longer use magic to light their covens?

Vampire Owl: No, they are now deviating the power taken from the nodes elsewhere.

Vampire Bat: So, they are now deriving cent percent of power from their chaos node.

Vampire Owl: Yes, they are now more powerful than ever. Two of them now serve as sources of unlimited chaos energy.

Vampire Bat: You have to warn the vampire border fortresses. Nobody can stop a fully chaos charged witch, not even a full werewolf army with armour on a full moon.

[Gets an onion vada and three cups of black tea].

What is the movie about? :: Bradley Hasling (Derek DelGaudio) is the CEO of a technological firm known as Amygdala, and the newest product in their list is Kimi, a smart speaker which makes use of human monitoring to improve its search algorithm. They are planning to have a stock launch which will help them to earn a good fortune. Sharon (India de Beaufort), a journalist is suspicious about the same, and considers it to be a case of controversy. Angela Childs (Zoe Kravitz) is an employee who works for the same company as part of the Seattle division’s work from home policy. She is supposed to monitor incoming data streams from Kimi devices and make the needed corrections to the code, so that the software can be upgraded and improved. But she continues to stay at home at all times, as she has agoraphobia, and due to the anxiety disorder reaching new heights, things only get worse for her. COVID-19 pandemic did make it almost impossible for her already. Her mother’s advice doesn’t really help either.

So, what happens with the events here as we just keep looking? :: She does stalk people living the apartments and Terry Hughes (Byron Bowers) is her man of interest, whom she end up calling into her apartment as she also feels sex starved. Yet, she is not able to start a romantic relationship with him, as it is no longer her point of concern, living all by herself and not caring about anybody else. One day, as she is working, she goes through a recording that she feels is a sexual assault. As her co-workder Darius (Alex Dobrenko) who is initially suspicious that it is just an argument helps her, she is able to find information about the account holder, a lady named Samantha Gerrity (Erika Christensen). She later finds out that the lady was also killed, and there is a hitman associated with it. She intends to talk about this to Natalie Chowdhury (Rita Wilson), a high ranked executive who is in charge of the operations there, but she doesn’t want to go out. But considering her state of mind, will they be ready to listen to her? Is there something sinister about this particular company? Should she be worried about all of these?

The defence of Kimi :: There is something about Kimi that will keep us going. The protagonist and his struggles are quite close to what the introverts might come across, and in the current world, it is only appropriate not to trust another human being. There are some fine camera angles which make things better too – how her situation inside the house and also when she ventures outside are all nicely taken. The first exit out of the place after a shower and brushing is to be appreciated further. The talk in the bedroom had nicely served to let us understand her character already. They have also served a happy ending here, and there is never a situation of too much of danger around – it seems like she can handle them all by herself even though she does get unexpected help. Even with so many complex happening in between, what we see on the screen is kept simple and things get solved also with a certain amount of luck here. As the movie is on Amazon Prime Video, more people will watch this lesser known interesting thing.

The claws of flaw :: There seems to be a dark side to the main character’s past, but it is not shown well enough for anyone to believe if that really happened or if she was hallucinating, having mental problems for a long time. The use of flashbacks doesn’t seem to be something of importance around here. We also have times when the main character is just an irritating person rather than anything else. After all, the movie itself focuses on her all the time, and the other characters seem like people with no identities for most of the time. Well, humans have the right to be irritating and evil, and therefore we go through that. There were many moments when some action could have been added – fight scenes can serve fine around here. This would have also been a big thriller with a few moments given better focus. This could have been the girl on the run, and throughout the process, there could have been a big adventure, with some funny moments to add to it – the humour could have been used more effectively here.

The performers of the soul :: You will not be able to take your eyes off Zoe Kravitz in this film which is all about her – it is clear that she is so good, as she adapts so well into this character, evolved a lot from Divergent, Insurgent and Allegiant. This wouldn’t be a role that can be easy to play for the usual celebrities who are so much used to being part of the public fame. This is the same reason why almost nobody from this part of the world will find it easy to play this kind of a role, except what you had seen in North 24 Kaatham. The moments of her going out for the first time after a long time is among the best scenes – from a shower and electric toothpaste to how she goes on unnoticed by the the public is something worth noting for sure. For all celebrities, this kind of roles would require more work, and she has has surely nailed it. The other performances are of so much less significance in comparison here. Byron Bowers has a few dialogues and some moments to add. At the same time, Jaime Camil makes an interesting killer, and it would have been nice if there was more of the action with him around – some fight scenes could have been added here and there with him and the gang around.

How it finishes :: Kimi seems to remind one of Amazon Alexa, and the movie also serves as a cautionary tale about the possibilities of secrets being leaked through some of the newer technologies, which seems to offer more, but is also doing something else in the process. It also gives a nice picture of anxiety and agoraphobia, both being blended in here. It is also something which most of the introverts would love, and being at home all the time is not considered strange anymore with the Corona virus pandemic and work from home establishment changing things. Well, one wouldn’t be able to live a life like the protagonist of this movie though, as the person would considered mentally unstable and forced to an institution, or will be forced by the family, friends and locals to go out and talk with people. Being at those so called developed countries does have more advantages. Then you remember that this is the least of the advantages that you can have there.

Release date: 10th February 2022 (Amazon Prime Video)
Running time: 89 minutes
Directed by: Steven Soderbergh
Starring: Zoe Kravitz, Betsy Brantley, Rita Wilson, India de Beaufort, Emily Kuroda, Byron Bowers, Alex Dobrenko, Jaime Camil, Jacob Vargas, Derek DelGaudio, Erika Christensen, Devin Ratray, Andy Daly, Robin Givens, Charles Halford, David Wain

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@ Cemetery Watch
✠ The Vampire Bat.

Kate

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Vampire Owl: I don’t know many Kates from around here.

Vampire Bat: You do know Kate Winslet and Kate Beckinsale.

Vampire Owl: They are certainly not from around here.

Vampire Bat: They are still part of our large film universe.

Vampire Owl: Universe is never that large, as we look at it.

Vampire Bat: Well, this movie and its performers can be part of it.

Vampire Owl: Mary Elizabeth Winstead has always been part of it.

Vampire Bat: Okay, you do remember her movies which suited us vampires’ tastes.

Vampire Owl: Living through so many centuries, tastes do change.

Vampire Bat: The world does change, but do we? In this realm, can we?

[Gets a ghee roast and three cups of ginger tea].

What is the movie about? :: Kate (Mary Elizabeth Winstead) is an experienced assassin who has Varrick (Woody Harrelson) as her handler. She is also an expert sniper who has never missed a target in her long career which has focused mostly on the use of sniper gun and long distance shots. Varrick was also the one who trained her, right from childhood itself. Kate has to come to Osaka in Japan to kill a leader within a powerful yakuza mob, but only just manages to hit the target, after a child comes in the way. Even though this hit was also a success, having to kill someone in front of a child bothers here, leading to an emotional turmoil. She intends to go for one final mission, and then begin a new life, as a commoner. But before the final mission, she comes up against Stephen (Michiel Huisman) in bar. They have sex in the room, and she follows up with a sniper shot, and it is the first time that she misses one, that too, with the chance for clear shot.

So, what happens with the events here as we just keep looking? :: She understands that she was poisoned by Stephen under the instructions of the members of a crime family which is headed by Kijima (Jun Kunimura), whom she was planning to assassinate, after having already killed his brother in front of his niece, Ani (Miku Martineau). Having only a day left to live before poison gets her, she decides to kidnap Ani, and bargain with Kijima. Despite using her as a bait in the beginning, she decides to keep her safe during the mission, as the gangsters are also targeting her. Ani is the last in the line of the family, and her death would help an internal power struggle. For getting to the top, she has to get through Renji (Tadanobu Asano) and Jojima (Miyavi), and there is a long way ahead after that too. There are many complications that she has to face on the way too, as many other secrets are revealed, with the unexpected happenings that occur related to the person whom she was trying to assassinate.

The defence of Kate :: Led by Mary Elizabeth Winstead, we have female assassin for a change, instead of the usual, and with her performance in the action scenes, we feel that she makes the exact person who was needed here. The film has so many delightful action sequences, and the one at the top floor of a penthouse, and the final combat are of top quality – the style and the music are nothing less than charming. The world that this movie has created in Japan feels like a classic one, and with all the beautiful violence, you only wants to go there. The fights that we have here, are also never overdone, and would make both John Wick and Hitman: Codename 47 proud. There are also enough emotional sequences to go with it. The lighting, darkness and colours have a different feeling about them, and the we also feel a lot of Japan. After the first few minutes, almost all of the city is set in one city in Japan, and with the main character having less than twenty four hours to live, this one keeps close to the unity of time and place, as well as unity of action, one of the rare action movies to keep it close to the Classical unities of Aristotle.

Positives and negatives :: With its quick action, the movie never drags, even when adding the emotions to it – the emotional side also deserves some applause, even though it could have dealt with the same in different ways which could have appealed more, for options were surely there to be taken. Reminder of other films will also be there, but we can actually see this one as superior in action at times. The violence is there for most of the time, and it has taken with a certain amount of beauty related to it. Some parts of it can feel predictable, but it is with multiple guesses taken – many options were there and therefore one cannot correctly guess the same at all times. Some dialogues are actually there to remembered, and a few of them are like providing some messages about life, revenge and forgiveness. There is strength in the frames, and the way in which this one is taken, will need applause too. Even as you are not part of anything like this, and has never been to the city or been part of any action that comes close, you feel what is happening around, and you are engaged at all times with the assassin’s work.

Performers of the soul :: Mary Elizabeth Winstead is fantastic as the assassin, and it is the one thing that stands apart like no other. We have seen her from Final Destination 3 itself, and after slashers like Black Christmas were there, we saw her 10 Cloverfield Lane and Gemini Man, two others full of action and mystery. Birds of Prey had her as an assassin too, as the Huntress who was supporting Harley Quinn. Action, horror and mystery seems to suit her really well, and thriller seems to be her perfect genre. From 2000s itself, she has held a higher position among the scream queens, a position which Amber Heard also shared during a similar time period. Unfortunately, there is no scope for a sequel to have her back as the assassin, with this being the dead end, but one has to say that she deserved more movies like Hitman, John Wick or The Transporter. You can have her as part of these bloody genres at any moment of time, and she is sure to deliver. Miku Martineau as Ani plays a child in trauma that you are to remember. Woody Harrelson has a solid role to play here too.

How it finishes :: Kate is a strong action film which reminds one mostly of John Wick, and at times of The Equalizer, but also develops a life of its own. With Mary Elizabeth Winstead at the top, you can also feel some shots of Anna, even though the premise and the world itself is very much different. You can watch this particular movie just for the action itself, and she is more or less like a female Keanu Reeves – one would wonder if she could have actually played Matrix‘s Trinity in another parallel universe, because there is the feeling that in those clothes, and in that world, she would look almost the same. Clearly an engaging ride, Kate takes you through a fun-filled action journey which is to be remembered not just for all the melee combat, sword fights and gun shots, but also for the story with its twists, as well as the beautiful world that we see around there in between the combat. It is indeed an all-round action package, and not a movie that depends on mindless action all the time. Choose this one for full-time entertainment.

Release date: 10th September 2021 (Netflix)
Running time: 106 minutes
Directed by: Cedric Nicolas-Troyan
Starring: Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Tadanobu Asano, Miyavi, Michiel Huisman

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@ Cemetery Watch
✠ The Vampire Bat.