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9

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What is the movie about? :: Dr Albert Lewis (Prithviraj Sukumaran) is a very successful astrophysicist who have had a love for science since his childhood. He didn’t have that family life that he wanted though, as his wife Annie (Mamta Mohandas) died with childbirth, and his son Adam (Master Alok) is a known menace in the neighbourhood as well as school, leading to multiple change of educational institutions. As Adam was involved in another incident which left his cousin on a wheel chair, even the relatives are hostile to the boy. With Adam being expelled from his school in the middle of the term for another fight with a student, he gets an assignment from his mentor, a world famous scientist, Dr Inayat Khan (Prakash Raj). The idea is to watch, analyze and record the scene of a huge comet from the Himalayas, where it would bring a different scene altogether. With his team mates and Adam, he reaches the place, and stays at a remote guest house owned by his mentor.

So, what happens with the events to follow? :: It turns out that this comet is not your usual one. It produces an Electro Magnetic Pulse which would disrupt the modern day life – there would be no electricity, internet or mobile phone; modern day vehicles wouldn’t be able to provide transportation. It would be more or less like going back to nature, without having those facilities which people hold dear. There is panic all around, and Albert who reaches the seemingly Victorian-styled huest house makes sure that there are enough candles and lanterns. He also makes some adjustments to an older vehicle and makes sure that it works even though the usual transportation shuts down. As the shut down occurs, the sky turns red. Albert who is watching the amazing sight comes up again a stranger, Ava (Wamiqa Gabbi) who is lost in the woods. He takes her to the guest house, but there seems to be something special about her. She seems to be holding on to some secrets – what would they be?

The defence of 9 :: There are so many things being dealt with, in this movie which is a combination of genres. The horror in this movie is nicely done, and we have the same with a seemingly Victorian Gothic setting which has everything for a horror thriller. The supernatural, death and decay, ancient beliefs, unsolved mysteries, nightmares, hallucinations, large old building with only a few people, darkness, loneliness, fear – they are all there, and at the same time we wonder if some alien terror is going to be unleashed or if the world is going to end. The mystery element is also nicely made up, and it goes right through the movie. The darkness is the most beautiful thing in the movie, and you fall in love with night here. There is quality in how the setting has been used, with the beautiful as well as creepy visuals; the sound effects are also lovely. There are many Hollywood movies that comes to your mind, and also that same quality.

The claws of flaw :: The story here is not that easy to digest for everyman. It just puts too many things in here and also has an ending which is left open as well as unclear. It is also too long and has too many scenes with the apparition of one dead wife appearing, a case of terrible repetition which could have been avoided. The ending could have also been more direct – even though having multiple interpretations is not that bad, the horror feeling that was established earlier should have been allowed to continue to make an impact and leave the theatre with the audience. After all, the audience have gone through all these, and one of those interpretations just nullify the same. It is the supernatural of the movie that rises above everything else here, and the same should have taken full control and came to a conclusion in the end – well, when there is a chance to go full Gothic in a setting like this, I would take it.

The performers of the soul :: Prithviraj takes another divergence and another risk with this movie, but this doesn’t trouble him that much because he has been to such a situation before. He has played the protagonist looking for answers, who would be wandering through mystery and horror in different films. We have seen him in the dark flicks like Memories, Adam Joan, 7th Day and Ezra, making nice impact. The Hollywoodish feeling that he maintained even in last year’s Ranam and Koode are also to be remembered. Prakash Raj is just there for some time, and there is just him going through the long talk and no action. Mamta Mohandas is just there for the song with very short flashbacks and to keep coming back as apparitions in stylish clothing – there could have been more. Mamta is not someone who is to be restricted to that, as we feel that the flashback is more relevant than ever in this movie.

Further performers of the soul :: At the same time, Master Alok brings a fine performance as the child in trouble, and we see something that makes him right for the genre. Back after the much appreciated Godha, Wamiqa Gabbi is fantastic as the mysterious girl who turns out to be more than just a damsel in distress troubled by a piece of comet. There are fine moments which reflects the creepy side is a beautiful way, as she walks through the huge building as lights are turned off, staring outside from a bath-tub and coming up with a mysterious, creepy smile on more than one occasion. She seems to blend into the Gothic horror so well, and I will be glad to see her in a full-horror movie. You look here, and feel that she could be in something like Crimson Peak. Rahul Madhav and Adil Ibrahim are there in smaller roles, and we also see some unknown actors who are there for a short period of time leaving something nice behind.

How it finishes :: It can be seen that 9 goes through different genres at the same time. There is science fiction and the supernatural, as the movie is a psychological horror thriller with a scientific background. It is the first big movie to combine all these well, and one of the first movies to deal with some science fiction of such grand scale. There are questions that go unanswered with the same, and there are moments when we feel that the grip is lost – it could have surely been better, but as it is now, makes an interesting watch. 9 is surely an effort in the right direction, and we can hope to have more movies of the same kind after this. If a combination like this can have everything in the right quantity and quality, there is no limit to how good it can be. Until such a movie is made, we can go to the theatres and enjoy 9 this week.

Release date: 7th February 2019
Running time: 149 minutes
Directed by: Jenuse Mohamed
Starring: Prithviraj Sukumaran, Prakash Raj, Wamiqa Gabbi, Mamta Mohandas, Master Alok, Tony Luke, Vishal Krishna, Rahul Madhav, Adil Ibrahim

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@ Cemetery Watch
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Kumbalangi Nights

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What is the movie about? :: Four brothers Saji (Soubin Shahir), Bonney (Sreenath Bhasi), Bobby (Shane Nigam) and Franky (Matthew Thomas) live in a small house which on an abandoned side of the fishing village of Kumbalangi. Born and brought up in a remote area on the island which came to be connected to mainland Kochi by a bridge only a few years back, they have been living happily, content with what they have. Their small area itself forms a very small island where people abandon their dogs and cats. Saji and Bobby doesn’t have jobs even though the former manages to get something without working. Bonney works with a music and dance troupe while Franky is a student and a football enthusiast. Things seem to be going smoothly even though none of them has any real purpose in life. They fight with each other and also with others, and have some drinks, wasting their time without regret. There are no thoughts about future either.

So, what happens with the events to follow? :: Things have a twist when Bobby falls in love with Babymol (Anna Ben) who has been admiring him for a long time. She works in a resort at Kallenchery side of Kumbalangi as a tourist guide and also runs a home-stay near her home. The two wants to get married, but her sister Simi’s (Grace Antony) husband Shammi (Fahadh Faasil) decides things in the house due to her father’s demise, and he wouldn’t have him as a co-brother. Shammi wants someone who is equal to him, and asks Bobby to get a job and renovate their small house. Bobby finds out that Shammi is not someone who can be reasoned with, and gets to work. But can Bobby get to marry considering the fact that Shammi is considering more than what he says? Also, can the brothers settle their differences and stop fighting each other at regular intervals for different reasons?

The defence of Kumbalangi Nights :: The first thing that strikes you here is the presence of those Chinese nets against the beautiful backwaters and greenery, captured so wonderfully. At night, the sight becomes even more beautiful, becoming the enchanting Kumbalangi – the visuals are too good. Supporting the same, are some excellent performances from each person on the screen – being a movie which gives equal importance to its characters, we see nobody backing down here. The emotions and the funny side stand at two sides of the backwaters, sometimes jumping into water together, and at times, one after the other. As a realistic take on the life of struggling people, we listen to the local slang, and we also see common factors of life. If you have been to Kumbalangi, you will see a few things which will remind you of the village – not just the fishing nets, but also the bridge to Kumbalangi, the path to Kallenchery, the Kallenchery Resort and others. There we love the simplicity that the movie displays.

Positives and negatives :: The nights at Kumbalangi is a tale of the abandoned, who seek redemption within the world which has become a part of them. The lives of the subaltern nicely gets the treatment that it deserves. It is not like those movies which choose “jobless youngsters becoming gangsters” to show the same idea, because Kumbalangi Nights nicely manages to think above that idea. It destroys the stereotype that Angamaly Diaries also created earlier in the name of a realistic tale, and goes for real, common people instead of thugs. Kumbalangi Nights is a welcome metamorphosis from the usual to the unusal, an extension of the movies like Maheshinte Prathikaaram and Thondimuthalum Drikshashiyum. As it touches you deep with its realistic depiction of all things with even more realistic dialogues, from the talk about true love to those related to family and relationships, there is no reason for you not to watch it. You can ask for more from the story, but the tale here is of life itself. It still takes some time to get going, and can be considered to be slow in the beginning by a few.

The performers of the soul :: The four actors who play the four brothers form the core of the movie. Among them, it is Shane Nigam who plays the Romeo character that touches your heart very early. He excels in those romantic sequences too. We remember those early signs in Kismath which were so nicely carried into Parava, and Shane is now here, playing another character so naturally. Soubin Shahir is fantastic with those emotional scenes and the character never fails to bring the funny side alive too, even when things are going very serious. He has those moments that touch hearts so well in the second half. Sreenath Bhasi plays the mute character very well with actions and expressions. Matthew Thomas who plays the school boy is not far behind either. We see how well they combine to make the moments in this flick so much better. In their journey, in their transformation, in their brotherhood, we find our messages of life as they find redemption.

Further performers of the soul :: Two leading ladies add to it in the same way. Grace Antony does her job in a believable manner, becoming the local house wife as one would expect her to be. She also proves that she can handle the funny side really well. At the same time, the debutante who leaves a fantastic mark here is Anna Ben. Among all the dialogues in the movie, it is those that she says that stays with us for long. Those related to “true love” and “knowing Jesus” are among them – we feel those to be so natural that whether they are emotional or funny, they go deep. Then you see Fahadh Faasil who steals the show each and every time he appears on the screen, and by the end, we see him in a performance that we least expect. There is more to his character than what meets the eye, and we have had that feeling before, in Varathan – no we are not going to find such exaggeration here, because this is the life of everyman with struggles rather than someone with the silver-spoon. We have no heroes here – instead, we have people whom we understand, and their myriad of emotions taking roots within us. Heroism is shown to be abnormal, and what the villain wishes to display – others live life.

How it finishes :: This is one movie which surely doesn’t look like the director’s debut film, as one would find it difficult to come up with complaints here. The choice of Kumbalangi is a smart one too, and it makes sure that things get closer to perfection unlike Paippin Chuvattile Pranayam which couldn’t do the same even with backwaters all around. There is poetry in Kumbalangi Nights, with its beautiful backwaters, and the lives of people who face abandonment just like their surroundings, and how they seek redemption. It is a realistic through the common man’s life with all those emotions coming from within, and we see how the setting contributes to making the story even more beautiful. Last year, we had to wait till Joseph to have the best of the year, and this year, this month, with Kumbalangi Nights, the best of the year might have come early. With it lighting up our world, we no longer have the darkness of the nights, as they are replaced with (k)nights in shining armour who reflect the light.

And here is one beautiful song to add to it:

Release date: 7th February 2019
Running time: 135 minutes
Directed by: Madhu C Narayanan
Starring: Shane Nigam, Anna Ben, Grace Antony, Sreenath Bhasi, Soubin Shahir, Fahadh Faasil, Ramesh Thilak, Matthew Thomas, Dileesh Pothen

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@ Cemetery Watch
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Lonappante Mamodeesa

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What is the movie about? :: Lonappan (Jayaram) runs a watch repair shop in the small town of Manjapra near Angamaly, and Shameer (Hareesh Perumanna) is the one who does all the repairing jobs there. Lonappan doesn’t get much of an income from the shop, but he is not able to close it because it is family property. He is unmarried, and also has 3 unmarried sisters (Shanthi Krishna, Nisha Sarang & Eva Pavithran) – as they are not getting married, he is also not thinking about getting married. He is someone who used to be called “Tolstoy” for his story-telling abilities when he was a child. But the situation at home had forced him to stop his studies and take over watch repairing business. He is not satisfied with the same, and doesn’t even try to make things better. The watch repair shop remains exactly in the same shape as it used to be earlier.

So, what happens with the events to follow? :: One day, Lonappan has a get-together with his former classmates from nearby school, and he realizes that he is the only one in their class who couldn’t get settled down. His old friends Kunjootan (Dileesh Pothan) and Neelima (Kaniha) are married, and they have settled down with good jobs in the Middle East, even though Lonappan was supposed to be the smartest of the students in their batch. The confidence given by the two makes him wonder what he can do differently to achieve success. There is frustration in his mind, but that doesn’t stop him from trying a few things differently much to the dismay of his sisters who find his actions to be strange and hopeless. Now the question remains if he can find success in his life. Whether his newly found plans will work or not, will be revealed only in the future.

The defence of Lonappante Mamodeesa :: The protagonist nicely becomes an example of people who couldn’t get to become what they wanted in life because of circumstances, and what was imposed on them by family and relatives. It is a case that is quite common, and it is a situation that too many people have faced in India, especially in Kerala – the rise of engineering was only one of such cases. With the feel-good elements, it is something that we can’t hate, and as a reflection of an everyman character, it is something that we don’t want to avoid. The emotional side is strong at times, and we can stay close to the life of the main character. It is up to the character to go through another baptism to bring the change to his character, and it is baptism by fire that can make sure about it.

The claws of flaw :: The movie is certainly confused about how it is going to bring about the change in the protagonist. The quick ending makes that clear, as we wait for something special to happen, but there is no such thing. The music is not memorable at all, and some of the characters in the film are not even needed. The subplots are not that much there, and some incidents don’t really have purpose. The transformation of the protagonist is not shown in the best way, and the movie is lacking in comedy, even though there were many chances for the same. Even the leading lady is wasted without being given much of a chance to keep staying on the screen. There are so many opportunities being wasted here, as we know that this was meant to be more. Lasting for just more than two hours, this feels longer because of missing the path on different occasions.

The performers of the soul :: Jayaram is the one family favourite actor whom we love to in roles like this. But it is a disappointing truth that except for last year’s Panchavarnathatha, there hasn’t been a movie which could rise above average status since Nadan and Lucky Star in 2013. Daivame Kaithozham K Kumar Akanam, the other movie of 2018 was a big pain, and we can be glad to see that this movie comes close to bringing the glory back up, even though it never really manages to do that in the end. Jayaram surely has returned to form, being at his comfort zone, playing a character which brings him no real challenge. Playing a commoner who has to go through many struggles, something related to family and at other times related to personal life wouldn’t bother him at any moment, and we can see the lovable Jayaram model on a number of occasions, and it brings us hope that things can get only better.

Further performers of the soul :: Anna Rajan with the Angamaly Diaries and Velipadinte Pusthakam fame plays the female lead, even though there is not much there for her to make an impression. Eva Pavithran who was last seen in Rockstar, Nisha Sarang of Uppum Mulakum fame, and Shanthi Krishna who had made a comeback with Njandukalude Nattil Oridavela are there as the three sisters of the protagonist, doing a fine job. Hareesh Kanaran is there to bring the comic side to good effect, but we can see that it is limited – the opportunity for comedy itself is not that much there to be taken, and it is wastage of his skills. Kaniha is there just for the sake of being present. Dileesh Pothen has some nice moments for us to remember, as he does that each and every time he comes on the screen. Alencier Ley Lopez’s priest role is also something that goes limited. Joju George, after the greatness of Joseph, gets a role to be forgotten.

How it finishes :: A return to family track can be seen for Jayaram with Lonappante Mamodeesa, and we know that there is hope for more. The main idea is about dreams and how people are often unable to reach where they wanted to be, or where they deserve to be – the power of the twist of fate is so. This one appeals more to the family audience that anyone else, and goes the predictable way to bring the feel-good factor. The focus on feel-good for success has let something else go missing though – we remember how Njan Prakashan, Ente Ummante Peru, Vijay Superum Pournamiyum, all tried feel-good with fine effect within a gap of one month. Even though this one wouldn’t live up to that level, it also goes on to make it count in the list of movies belonging to the same category, and striving to get into the minds of the family audience.

Release date: 1st February 2019
Running time: 135 minutes
Directed by: Leo Thaddeus
Starring: Jayaram, Anna Rajan, Eva Pavithran, Joju George, Kaniha, Hareesh Perumana, Shanthi Krishna, Alencier Ley Lopez, Dileesh Pothen, Niyas Backer, Nisha Sarang, Innocent, Sneha Sreekumar

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@ Cemetery Watch
✠ The Vampire Bat.

Mikhael

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What is the movie about? :: George Peter (Siddique) is the rich and notorious don of the area who is known to run the family business as well as criminal activities of the city and its surroundings with such energy and enthusiasm that he doesn’t hesistate to kill even police officers according to his will, the latest of them being N Sreenivasan (Kishore) who dared to arrest him in front of the public. When a new investigating officer Easa (JD Chakravarthi) is appointed in his place with Issac (Suraj Venjaramoodu) to assist him, the hunt for the mafia ruling the city gets stronger. It is then that the headless body of George is found along with his right-hand man, brutally murdered. Then the man who mediates between two rival gangs, Patrick (Kalabhavan Shajohn) is also shot by someone. This brings trouble with gang wars ready to break out.

So, what happens with the events to follow? :: With George’s brother Marco Jr (Unni Mukundan) coming to the scene, and Francis Davi (Sudev Nair) from the opposite gang trying to have his own vengeance, the police department is kept on his toes. All these seem to point to one man, doctor of the nearby Starcare hospital called Mikhael John (Nivin Pauly) who seems to have a long story to tell about his family and how it came across George. He is the man who seems to be responsible for the death of George and Patrick, but the question remains about what Marco Jr will do about that, with going to police and assuring law and justice, not being an option for him. Easa and Issac will be happy to see the rival gangs fighting each other, or someone murdering the gangsters, but how long can the police department keep away from the scene? Will there be vengeance and can there be justice?

The defence of Mikhael :: The movie is high on style and action sequences, but one can note that it never really goes too far, as it keeps away from elements like flying villains, hero who knows everything before it happens, and all. The music is mostly good and at times excellent, with very few exceptions that we can notice. There are those mass elements, but they are kept in control unlike The Great Father and Abrahaminte Santhathikal which had the same director’s hands firmly on them in one way or the other, or Masterpiece which had so much of the same – the heroism as well as the whole story itself is far more believable, and has better and smarter twists with this one. The thrills are present all the time, and the emotional side works pretty well. The visual style is very nice, and the same rises above the rest. The dialogues are powerful, and Mikhael is a movie that doesn’t hesitate to come up with some moments which are above a normal movie in the industry.

The claws of flaw :: There are times when style gets over substance in this movie too, as The Great Father and Abrahaminte Santhathikal also did. We also see too many similarities with former, with a school being at the centre of attraction, and one girl who is dear to the protagonist – fighting for her becomes the priority for the protagonist. The slow motion could have been reduced, and the interest in sunglasses for some characters continues to be strange. The first half also takes some time to get into the main idea, and we also see the presence of predictability here, with the protagonist and antagonist coming close to facing each other. The ladies don’t have much to do in this movie either, except for the girl who sets everything moving. You can see that some moments were added just for the sake of adding them, and inspirations from foreign movies are certainly there.

The performers of the soul :: It is up to Nivin Pauly to rise and stay at the top, and he manages to do that well – still, his best moments were when his character was a family man, with vulnerability, but it was surely nice to see him in a different avatar, extending what he showed in Action Hero Biju. He does show that he is good at them all, and in a movie which has substance rising over style will surely have him shining better. There are the two qualities of Michael shown by Christina Rossetti with her poem on the angels – service & strength, as doctor & martial arts expert here. One the other side is Unni Mukundan who plays the main antagonist towards the end, and we remember him playing just the opposite in the movie Style – with Tovino as his villain; here he has to face the same thing, even though stylish as he is, with less space on the screen, and not getting the best of dialogues when there was scope for a lot of the same. He should have been given the opportunity to be a more menacing villain rather than showing the muscles. The Luciferesque qualities are seen better with Siddique’s character as Satan against Michael, the leader of heavenly angels – the one who chooses to reign in hell & go against all norms, establishing his own pandemonium. He is the Satan that Milton would keep in his Paradise Lost.

Further performers of the soul :: At the same, Siddique becomes that villain who anyone could have wanted to be – evil and sadistic, going on to reach a state which is nothing less than mentally sick. His ways of tormenting or even finishing off his opponents, and even his dialogues are with that kind of terror that an antagonist can always dream about, and a protagonist can have nightmares about. The girl who played the main character’s sister, a name which hasn’t been known through the early cast list on internet or posters, Navani Devanand also needs some applause as she gets everything right in this movie – she could be a talent to look out for, in the future. She nails all emotions perfectly, whether its anger, sadness or joy. Shantikrishna, Babu Antony, Kalabhavan Shajohn, Ashokan, Baiju and KPAC Lalitha are left with not much to do here. Manjima Mohan as the heroine doesn’t really have anything to do either, and even Reba Monica John who is there for a few minutes leave better impact. JD Chakravarthi, Sudev Nair and Suraj Venjaramoodu get their nice moments though.

How it finishes :: The whole story of Mikhael here has an allusion to the archangel Michael, the leader of the archangels who lead the battle against Satan, a.k.a. Lucifer and his forces who rebeled against God. As a protector and a fighter against evil, this image is reiterated here by giving the same name to the protagonist, and the images of the angel being shown on multiple spaces – the opposite can be seen through the images displayed in the room of the antagonist. The whole movie is about how the brother becomes the guardian angel for his sister, vanquishing the evil forces – with the same, we have the style, all the action, thrills and twists which keep coming at regular intervals; surprisingly, there is also the presence of some funny side. This one might not be the favourite for the family audience, but is surely one nice entertainer which successfully defends its territory within the genre.

Release date: 18th January 2019
Running time: 150 minutes
Directed by: Haneef Adeni
Starring: Nivin Pauly, Unni Mukundan, Navani Devanand, Manjima Mohan, JD Chakravarthi, Sudev Nair, Babu Antony, Suraj Venjaramoodu, Siddique, Renji Panicker, Shantikrishna, Kalabhavan Shajohn, KPAC Lalitha, Amal Shah, V Jayaprakash, Kishore, Reba Monica John, Baiju

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@ Cemetery Watch
✠ The Vampire Bat.

Vijay Superum Pournamiyum

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What is the movie about? :: Vijay (Asif Ali) represents a generation of young men who were forced to do engineering even as they want to do something else. He struggled hard and finally managed to pass the exams after multiple efforts. But his dream is to become a chef and for the same, he keeps trying. But his father Chandramohan (Siddique) is convinced that he shouldn’t do cooking after studying engineering, and gets him a job in a call centre. He meets Reshma (Viviya Santh) there and falls in love, only to end up realizing that she was cheating on her – his expression of his anger becomes viral on Youtube, and he also losses his job. His parents feel that the only way to make him responsible is to get him married to a rich and educated girl who would also be able to provide him with financial support. Finally, they find such a family and a girl.

So, what happens with the events to follow? :: This leads them to the house of Venugopal (Renji Panicker) who wishes to see his daughter Pournami a.k.a. Pinky (Aishwarya Lekshmi) married as soon as possible. Being an MBA holder and wishing to become a successful entrepreneur, she has the record of failing in every business she tried to begin, and in the process, losing the money her father invested in her ventures. As the two meet and talk, the door of the room which was being repaired, gets closed and is automatically locked. As the two are locked inside with the carpenter being called for, they are left with a few hours to talk about their past, present, future and ambitions. This talk changes the journey of life for both of them. They don’t find them as good match for each other and are not in a mood to marry soon, but destiny has other plans.

The defence of Vijay Superum Pournamiyum :: Remake of a Telugu movie Pelli Choopulu starring Vijay Devarakonda and Ritu Varma which is also known to have a Hindi remake called Mitron, Vijay Superum Pournamiyum does manage to make it completely Keralite with its moments nicely reflecting life easily. The feel-good elements work nicely, and the movie is light-hearted throughout its run, despite having moments which could have driven it through another path. The first half is full of fun, and the second one comes with an emotional touch as expected. With a simple plot, the characters are of interest right from the beginning itself. There are things that you can relate to, and it is a fine watch for the family audience in more than one way. The messages are good, and these also go for all kinds of audience of the present age.

The claws of flaw :: The second half, except for the final moments, doesn’t have the fun as the first half had. The radio talk sequence also could have something better to replace it, as it made things look too easy in the end. There is too much of a journey on the expected path, and the divergence could have been shown in a better way. There is the confusion, inability to talk about one’s love for each other, business deals relating to wedding and more, all of them going in a predictable manner. After the food truck business started, there was actually scope for more too. The songs are okay, and there is a nice one; the background music is good enough to give the feeling – there are those strange and ridiculous dance sequences in one song though, which don’t even come close to being funny. There are times when the movie seems to get into the melodrama mood, which was kind of out of place. Well, this is the first big Malayalam movie of the year, and you can expect more every time.

The performers of the soul :: Asif Ali plays the immature youth unable to do anything positive in life, and lacking confidence – it is something that he does with ease and in a believable way. We remember how he did the confused young man roles in the movies like Thrissivaperoor Kliptham, Avarude Raavukal and Adventures of Omanakkuttan. The irresponsible youth role was safe with him even in the earlier movies like Kavi Uddheshichathu..? and Anuraga Karikkin Vellam. Aishwarya Lekshmi coming out of the Njandukalude Nattil Oridavela, Mayaanadhi, Varathan trio of big hits critically appreciated, does another fantastic job in portraying the lady who is set to leave a mark – she is once again a long way ahead of the rest, getting into her role so well. She has all those moments in control, no matter what is thrown at her.

Further performers of the soul :: Siddique and Renji Panicker handles the father roles here really well, with former going through his familiar territory nicely and latter doing what he has been doing so well since Om Shanti Oshana – the father who is very much caring for his children and supports them in more than one way. Another father figure who is there for a lesser amount of time is Devan who has not a lot to do. Aju Varghese has only a smaller role, but it is significant, and the funny side is strong during his presence. Balu Varghese and Joseph Annamkutty Jose support with enough jokes to add to the fun too. Shantikrishna has another mother role which she continues after the recently released Ente Ummante Peru in which she was there only for a few minutes. Darshana Rajendran also has some friendly, cute support in store for the protagonists. Then there is KPAC Lalitha doing the perfect grandmother yet again.

How it finishes :: As the third movie that united Jis Joy and Asif Ali as director and leading actor, following Bicycle Thieves and Sunday Holiday, this movie was expected to have something special in store. Bicycle Thieves was a dumb movie with foolish twists which were not needed, but Sunday Holiday had nice feel-good factor in store. With Vijay Superum Pournamiyum too, it was the same thing that the audience expected, and it is the same that they received, but in an even better package. Njan Prakashan is still running in the theatres with strong feel-good elements and Ente Ummante Peru had no shortage of the same; Thattumpurath Achuthan despite lagging behind had also tried the same – in this season of feel-good supported by Christmas and New Year, Vijay Superum Pournamiyum has its own high position to be proud of.

Release date: 11th January 2019
Running time: 135 minutes
Directed by: Jis Joy
Starring: Asif Ali, Balu Varghese, Aju Varghese, Aishwarya Lekshmi, Siddique, Darshana Rajendran, Devan, Joseph Annamkutty Jose, KPAC Lalitha, Maya Menon, Renji Panicker, Shantikrishna, Austin Dan, Viviya Santh, Shaheen Siddique, Rajesh Sharma, K. S. Chithra, Harisanth Sharan

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Njan Prakashan

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What is the movie about? :: Prakashan (Fahadh Faasil) is someone who is looking for easy money instead of going for the profession that he is skilled in – the job of a male nurse in one of the hospitals in the state or even the nation doesn’t seem to appeal to him, as he wastes his days doing nothing useful other than complain. His hope for a better job sees some light when he once again meets his former lover Salomi (Nikhila Vimal) who studied in the same nursing college. He was consistently avoiding her as she wasn’t that rich as he expected her to be. But the information that she is leaving for Germany to work at a salary of above three lakhs, his love for her quickly returns to him. He hopes to marry her and go to Germany, only to divorce her and marry someone from a rich and reputed family later. For achieving the same, he begins showing his love towards her and her family in different ways.

So, what happens with the events to follow? :: Now known as PR Akash after changing his original name, he is determined to leave for Germany, whatever happens. He seeks the help of his father’s former student Gopalji (Sreenivasan) who is a labout supplier, and even learns German after shifting to the city. For achieving his German dreams, he even pretends to be an orphan and secretly marry Salomi at the register office. He even tries and succeeds in getting the remaining cash which is needed for her to leave for Germany. Everything seems perfect until her father lands in the hospital. Twist of fate lands him at another place, as a male nurse to a rich child Tina (Devika Sanjay) who has been an eternal pain to her nurses until they left, and he also comes across Shruthi (Anju Kurian) who is struggling to keep her life going after the death of her father. For him, Germany no longer is the option or the dream.

The defence of Njan Prakashan :: There are some wonderful performances to power this movie, and along with the same, it also holds a mirror in front of the society – it is more or less a satire, as we see more than one people you know in the form of Prakashan. Our protagonist is someone who is not willing to work hard thus choosing any chance for easy money, complaining about one thing or the other, being sceptical and jealous about others, and more. We do meet people having these qualities often, which is why the movie becomes a reflection of those around us. The movie as a satire is funny, but not throughout, and it leaves us with some questions, along with invoking the emotional side slightly as well as brutally. As the movie reaches the end, it becomes that morality tale which has the lesson being taught as it finishes. The second half of the movie is top quality, racing ahead of the first, towards glory in the end with the climax and beyond.

The claws of flaw :: Njan Prakashan could have been more natural and it would have been as good as Maheshinte Prathikaaram – instead, this one has been polished, and certain cliches have been added, with the progress being more or less in an old format. The repetitive mode of comedy is rather strange considering the fact that these moments have a lot more to contribute to the overal quality of the movie. The first half of the movie is kind of dull in most parts, with jokes being present at times, and it doesn’t work at some points either. If the first half was reduced in length and more was added to the second, that would have helped the movie further. There is also the absence of some good songs, which should be the selling point of such flicks. We also see no attempt to capture the beauty and tranquility of the villages, as the same could also been positive addition to the movie. The talk about migrant labour population also gets nowhere in the end.

The performers of the soul :: Fahadh Faasil is once again the man to look out for, as there are shades of Maheshinte Prathikaaram in his character, and the same is combined with the other side of his character in Thondimuthalum Driksakshiyum. Fahadh easily manages this role with every ingredient that the character needed, and it comes as no surprise for us, considering the variety he has been bringing until his last movie, Varathan. We see him excelling in the natural fun moments as well as those strong emotional moments. The change that comes within the character is also nicely displayed by him, and is complete by the end. He also gets to show some shades of his character in Oru Indian Pranayakadha, the earlier combination between him and the same veteran director. The role from Carbon should also be coming to one’s mind as part of those different, yet similar faces of the man who has shown us many faces on the big screen.

Further performers of the soul :: The two heroines of the movie are Nikhila Vimal and Anju Kurian. Nikhila who had her first lead role in Love 24×7 was last seen in another wonderful performance in Aravindante Athidhikal. Anju’s lead role in Kavi Uddheshichathu was a memorable one. The former leads the first half while the latter influences the second. Both are perfectly suited for their roles, and we look forward to seeing them in more movies. Devika Sanjay who plays Tina in this movie with her debut, makes her first one grand, without doubt. She is someone for the future of the industry without doubt. The different shades of a lone school girl is nicely portrayed by her. Sreenivasan remains strong throughout the movie, even though one would feel that his character could have been a lot funnier consider the role and the setting.

How it finishes :: Ente Ummante Peru, Thattumpurath Achuthan, Pretham 2 and Njan Prakashan have been the Christmas moves, and all of them have been doing pretty good, with Odiyan also staying there. Well, the best of the year, Joseph is not finished yet, and we know that there are so many options out there. Among these movies, Njan Prakashan surely has an advantage, because of how it ends, and regarding how it can be connected to the common man’s life. As the year comes to an end, there are things that we need to make sure about, before taking those new year resolutions. Njan Prakashan is that kind of a movie which helps one to do that with ease. The change that needs to happen, is clearly shown in this flick, as we look forward to another year, a better one, with better us.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Sathyan Anthikad
Starring: Fahadh Faasil, Nikhila Vimal, Anju Kurian, Sreenivasan, Aparna Das, Aneesh G Menon, Sabitha Anand, KPAC Lalitha, Veena Nair, Manjula, Manjusha, Jayashankar, Munshi Dileep, Devika Sanjay, MG Sasi, Shania D’Souza

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@ Cemetery Watch
✠ The Vampire Bat.

Pretham 2

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What is the movie about? :: Famous mentalist John Don Bosco (Jayasurya) is spending his time in peace at Varikkasseri Mana a.k.a. Varikkumanchery Mana, one of the traditional Brahmin houses located at Manissery, a village in Ottapalam, Palakkad. Situated in an area of natural beauty in a plot of about four acres, John feels that there is something strange and mysterious about the place. With a history of popular movies being shot there including Devasuram, Aaraam Thampuran, Raappakal, Drona, Simhasanam, Sufi Paranja Katha, Thooval Kottaram, Valliettan and Manthrikan, a group of youngsters decide to come there to shoot a short-film. They are from a Facebook group known as “Cinema Pranthanmar”, which is known to be a perfect place for movie lovers from all around Kerala. This particular adventure could feed the movie lover in them more than anything else.

So, what happens with the events to follow? :: The team is lead by Tapas (Amith Chakkalakal) who comes up with this idea of having a short film. He plans to create this film, and run a premiere after inviting all the members of the group which goes into thousands. Joining him are those members whom he had never met, and used the group with their fake names; the first one to join him is the man known in the group by his fake id Mangalassery Neelakandan, Ramanandan (Sidhartha Siva) who is into hotel business in the Middle East and is a big Mohanlal fan. They are joined by Karuthamma, originally Anu (Durga Krishna) who is a nurse and Shahrukh Khan, originally Niranjana (Saniya Iyappan) who is a professional dancer. The last person to join them in Joffin (Dain Davis) who has run away from home due to personal problems with his father.

So, how does the ghost come into picture this time? :: The problem at the resort of Denny Kokken (Aju Varghese), Priyalal (Sharafudheen), Shibu Majeed (Govind Padmasoorya) and Yeshu (Dharmajan Bolgatty) was one which haunted John for a long time, and here, with the youngsters making the short-film, more trouble arrives, and the supernatural only gets stronger. The youngsters are attacked by some strange forces and nobody seems to know what is happening. Their first guess is that it is the spirit of the person who owned and lived in the mansion, but it turns out that there is more than what meets eye at the first place. There is a connection which is making the spirit act there, and John has to begin with it and reach the end soon, before it is too late and someone gets into serious trouble. But it is not that easy, as the clues are less, and the answer to their questions are somewhere else.

The defence of Pretham 2 :: Pretham 2 is indeed a better movie than its predecessor which had too many terrible jokes, even though the final moments were nice for that one too. Pretham 2 has the advantage in almost every field including its setting and cast. The idea is also smarter here with the social media, internet, fake identity and online frauds at the centre. The messages about the possible dangers of being friends with fake ids and trusting strangers without names are all shown in this particular flick. The mystery is nicely solved here, and there is no exaggeration here with the elements of the other world – the first image of the spirit that we see is in the form of a shadow, and the creature from the other world doesn’t overdo things as the happenings would be in a usual horror movie. The thrills are strong, and there are also some nice jokes – we are left guessing with the suspense factor being very high till the end.

The claws of flaw :: Pretham 2 never really rises above most of the problems of its predecessor, as it follows too similar a path, and the spirit also follows the same pattern, as we see no attempt to deviate much. We would wonder if so many spirits are looking forward to have the mystery behind their deaths investigated. There seems to be no other plan for the people on the other side. Some jokes are just repetitive, especially the talks regarding those old Mohanlal movies. The movie could have also used more scares, as the film itself is marketed as a horror flick, and the name itself suggests the same. The movie could have surely used darkness better, and the ghostly presence itself could have done more, at least when the youngsters were alone. Pretham 2 doesn’t try to frighten people much, and that is not acceptable at a time when Hollywood is running movies like The Conjuring, The Nun, Annabelle, Insidious, Sinister and others.

The performers of the soul :: Jayasurya is back with an avatar to remember, unlike Punyalan Agarbattis 2 and Aadu 2 which struggled to live up to its predecessors with all its characters. His mentalist is a rock solid character, and this time, he is better than last time too. Saniya Iyappan, with her flexible dance moves, is a joy to watch here, and has a clear improvement in acting from her previous movie Queen, which was one of the worst collection of elements deserving not to be called a movie at all. She can certainly bring variety to the Malayalam cinema, as her skills are yet to be used in the best possible ways. Durga Krishna after Vimaanam, gets one nice role to perform, and she does that well. Dain Davis and Sidhartha Siva gets to bring the elements of fun well, even though the latter gets too much of Mohanlal dialogues from those old movies, which become too repetitive. Amith Chakalakkal is very good with his character which is rather solid.

How it finishes :: Pretham 2 holds the advantage over Thattumpurath Achuthan, Ente Ummante Peru and Odiyan for this Christmas, and by being a smart horror-mystery-comedy-thriller, it is many things in one movie. With Jayasurya at the centre as one character who has a certain iconic status, and the new faces like Saniya Iyappan who has become another name for dance, Durga Krishna in her second movie, the crowd favourite Dain Davis and others, Pretham 2 makes the Pretham franchise much better than what it was in the first movie. It also leaves a few messages about the problems due to uncontrolled use of social media by teenagers, the dangers that lie behind the fake ids in Facebook, possibilities of different kinds of frauds by online groups looking for easy money etc among others. Pretham 2 makes Christmas a lot of fun, and I wish you all a very Happy Christmas. Enjoy the holidays!

Release date: 21st December 2018
Running time: 133 minutes
Directed by: Ranjith Sankar
Starring: Jayasurya, Saniya Iyappan, Durga Krishna, Dain Davis, Amith Chakalakkal, Sidhartha Siva, Sreejith Ravi, Jayaraj Warrier, Aju Varghese (cameo), Sharafudheen (cameo), Govind Padmasoorya (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Thattumpurath Achuthan

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What is the movie about? :: Achuthan (Kunchacko Boban) is a favourite of the villagers, and as a Krishna devotee, is close to the village temple and its committee. He has only good opinions about him in the village, and is considered to be someone who is more than just helpful to others. But one day, while trying to help his friend, he lands in trouble, and is branded a thief. The Sub Inspector of Police Justin John (Kalabhavan Shajohn) does let him go, but as he is branded in one way, things don’t go that much positive with him – his wedding ceremony is cancelled, and he also losses his job. With his best friend, he tries to have his revenge, but that also becomes another problem for him. His honesty remains under the shadow of doubt, but while reading a letter intended for Lord Krishna, everything changes for him, and becomes the first big twist in favour of him.

So, what happens with the events to follow? :: The letter is about a girl known by the name Jayalakshmi (Sravana), written by her mother Girija (Bindu Panicker). It is a request to Lord Krishna about saving her daughter from her former lover who keeps threatening her about a few photos and videos which they took together when they were in love. A few twists lead Achuthan to their house, and while hiding on the top of the house, decides to help them. But it is not that easy, as the person who is tormenting them is not the usual lover seeking her to be back with him – there is more to that person than what is known. With Jayalakshmi seeking to end her life, Achuthan has not more than a few days to work something out, or things will go beyond his control. Can the simple village man be good enough to outsmart this engineering graduate from a reputed college outside Kerala and bring hope to this family which has been hoping for a miracle for a long time?

The defence of Thattumpurath Achuthan :: There is strong feel-good factor in this movie, and there is also some magic realism to give it a little bit more as a special ingredient even though not at the best possible dose. Kunchacko Boban seems to be nicely suited to this role in more than one way, on many occasions. He has things working out in his favour all the time, and has the grand support that he need. It has a certain amount of magic realism in store too, as we see the presence of magic in the otherwise usual world. The movie has divinity in parts, and the dreams coming true forms the major part of it – the same also adds to the visuals in a beautiful way. There is also the reflection of certain foolish love which can be seen with the immaturity of the female lead’s character, coming right out of the college days. The movie also has a very nice ending to come, after a little struggle by the latter part.

The claws of flaw :: The music in the movie is a big let down, and it is irritating to see that it keeps coming again and again, even when we don’t need it at all – it is as if there is an attempt to prove something, or as if it is nice to have more songs in a flick like this. But having songs for the sake of having them, and not having them as good enough, won’t do a movie any good as you can see here too. Magic realism could have also been better used in this movie, and we know what the same can do, like we saw in the magical movie, Amen a long time ago. Even the Nandanam fun mode couldn’t be repeated in this movie, and neither could it have the Pranchiyettan and the Saint mode. There is the presence of exaggeration too, and a few things are rather too convenient. A lot more is often expected when there is a Lal Jose movie, and the Kunchacko Boban combination leaves more desired.

The performers of the soul :: Kunchacko Boban leads the way here, as he has a role similar to that of his previous flick, Johny Johny Yes Appa. He has a family to save in this movie too, and goes under the name of a thief once again. He did the same role in Shikkari Shambhu, his best flick of the year. So, this role comes as no challenge to him, and the romantic side is here to serve him once again. A good-hearted man from village was perfectly shown by him in the movies like Kochavva Paulo Ayyappa Coelho and Jamna Pyari, and when we have him in such a role, there is the assurance that things will keep a minimum level. After Pullipulikalum Aattinkuttiyum, Lal Jose – Kunchacko Boban combination is being brought back, and everyone was sure that it couldn’t be that bad. It is the trust in that combination that has been tested here, and has managed to work pretty well.

Further performers of the soul :: Sravana, a new face plays the role of heroine, but has very less to do here – she has less number of dialogues, but seems to be a talent for the future, as Lal Jose does find a new heroine each and every time. There is a long list of actors and actresses who are from the reality show Naayika Naayakan, among which I could identify Venkitesh, Meenakshi and Malavika. It is surprising that none of the so called websites specializing in Malayalam cinema or professional reviewers have given clear details about the cast, and it is something which we common movie viewers cannot find out without outside help. Johny Antony brings some fun while Nedumudi Venu is underused. Kalabhavan Shajohn also has his moments in this one, especially related to the comic side. Adish Praveen does a nice and cute job as the child with his dreams becoming reality.

How it finishes :: For the Christmas season, it seems that a certain amount of divinity is becoming part of the movies of the times, with no barriers among religions. As the Onam season never really had any celebration or release of new flicks, this is the season that could bring the best for Malayalam movie industry – note that the Pooja season also had to have an early harthal. So, even though the last movie of Lal Jose, Velipadinte Pusthakam couldn’t blend into the mood of 2017 Onam, this one, even though not during Onam has a part of Christmas in it. As a nicely suited movie for the family audience, Thattumpurath Achuthan has enough fuel to stay in the race until the end of the holidays this year and right into the next year. It only needs the family audience to have the power and keep it running. No matter how it turns out to be, I wish you a Merry Christmas.

Release date: 22nd December 2018
Running time: 142 minutes
Directed by: Lal Jose
Starring: Kunchacko Boban, Sravana, Kalabhavan Shajohn, Hareesh Perumanna, Vijayaraghavan, Johny Antony, Nedumudi Venu, Seema G Nair, Meenakshi, Malavika Krishnadas, Veena Nair, Sethu Lakshmi, Irshad, Adish Praveen, Bindu Panicker, Biju Sopanam, Santhosh Keezhathoor, Thara Kalyan, Amina, R Vishva, Thejus Jyothi, Venkitesh VP, Roshan Ullas, Siddhi Vinayak, Kochupreman, Anil Murali

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@ Cemetery Watch
✠ The Vampire Bat.

Ente Ummante Peru

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What is the movie about? :: Hameed (Tovino Thomas) is left with nobody to call a relative after the death of his father Haider (Renji Panicker). Even though he inherits the big house along with his father’s business as well as a few acres of land, he is lonely – as he has nobody to call his own, he is not able to get married to a respectable family either. He, along with Beeran (Hareesh Perumanna) and Hamsa (Mamukkoya) keeps looking for a suitable alliance for him. He soon falls in love with Sainaba (Saipriya Deva), a girl whose proposal had already come for him, but was rejected by her father because he seemed to be nothing less than an orphan. While he is running his family business and looking for a way to marry Sainaba, he comes across a will left by his father, which points to two women, and one of them could be his mother. He decides that this is his chance to find his family.

So, what happens with the events to follow? :: So, the the wives are to be given a share of the property, and there is the need to find both of them to figure out which one his mother is. The two of them are located in Kozhikode and Ponnani in the form of Ramlath (Shanthi Krishna) and Aisha (Urvashi), the former being married with two children and the latter living alone in her house on the side of the lake. But the question remains if this can happen because the truth is still hidden in some of the pages about which there is not much information, even for Haider’s good old friend, Sivankutty (Dileesh Pothan) who seemed to know almost everything about his friend’s past. Can Hameed rise above all these to get what he wants? Will he finally cease being an orphan? Can he finally marry the girl whom he loves? It would take a journey not just through North Kerala, but through North India to make sure about that.

The defence of Ente Ummante Peru :: Unlike the usual stories with the same setting, this one never really does manage to keep selling the same thing again and again. But the tale is kept simple and enjoyable for families. It sticks to the point from the beginning to the end, never really deviating from the path or having moments of dullness – the total movie length makes sure that it stays put. There is nothing exaggerated here with everything going on while staying close to life. The feel-good factor never really falls behind here, and the visuals, wherever it is set, stays good. The emotional side is strong, and by the end, it reaches an even better level. Along with the expected comic side, the use of gallows humour is to be noted – it is the human condition that makes us think on more than one occasion, as the point of life and its meaning is always something to ponder about with death making a grand entry at so many unexpected times.

The claws of flaw :: There is no special ingredient with this one, as we look deep into this tale of search for the main character’s mother. This is the kind of story that we have heard for a long time, with search being for parents or siblings. The children separated from their parents or brothers is an idea which goes older than some of those very old flicks, not just in Malayalam or South India. Even Oru Indian Pranayakatha had a similar search with its main character looking for both parents, after returning from Canada and collecting clues leading to more than one state in India. The songs and music are not really that good. We never really get that much of a romance between the leading characters, and one has to remember that Tovino used to be an expert in that. The journey through Uttar Pradesh could have been more interesting, and the supporting characters could have been closer to our heart that what they seemed to be.

The performers of the soul :: Tovino Thomas is the one to keep this movie going with a realistic and lovable performance once again. His last movies Oru Kuprasidha Payyan, Theevandi and Maradona – all were among the strongest flicks of the year. Here, we continue to admire his work, as the emotional state of a man looking for his mother is nicely shown – he is someone who is looking for his last hope in changing things. This is not the first time that he has shown this with the same strength though. Urvashi had a fine role in Aravindante Athidhikal, but here she has a lot more to do, and she has done the same well. It is in no way, an easy character to play this time, as her role becomes the most significant thing in the movie ever since she makes her entrance. We hope that we see her in more movies, and without that many breaks in between.

Further performers of the soul :: Meanwhile, there is a new face in Malayalam movie industry in the form of Saipriya Deva who plays the heroine, and she does that with a lot of charm. It can be seen that the movie doesn’t focus on her at all, as far as the complete plot is considered. We can surely keep her close to our hearts though. Malayalam movie industry does need its heroines more than its heroes, and more skilled actresses will elevate the level of the characters that they play. At the same time, Hareesh Perumanna in charge of the comedy, and he does that with amazing skill. Shanthi Krishna has a smaller, but emotionally strong role – since her return in Njandukalude Nattil Oridavela, we have all wished to see her on the big screen very often. Mamukkoya and Siddique got the kind of roles which they have done before, and brings no challenge to them, while Dileesh Pothan makes a short, but nice appearance of significance.

How it finishes :: There are four Malayalam movies releasing in the beginning of Christmas vacation, and this is just one of them. Unlike the others, this movie seems to have made no big claim, and therefore the expectations have been kept low. We know what expectations could do to a movie like Odiyan, and how the low expectations for DC movies did help Aquaman in the early stages. Ente Ummante Peru brings the surprise not only due to the lower expectations, but also with how it remains so simple and yet so effective at the same time. It is one movie which possesses and displays the true spirit of Christmas season, more than anything else. Therefore, choosing Ente Ummante Peru over most of the other movies won’t be that difficult a job. The idea of feeling happy and leaving the theatre with a smile on one’s face never has a substitute, especially when with family.

Release date: 21st December 2018
Running time: 131 minutes
Directed by: Jose Sebastian
Starring: Tovino Thomas, Saipriya Deva, Urvashi, Shanthi Krishna, Hareesh Perumanna, Dileesh Pothan, Mamukkoya, Siddique

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@ Cemetery Watch
✠ The Vampire Bat.

Ghost in the Shell

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Vampire Owl: Now my vision is clear. It was those ghosts. They did it!

Vampire Bat: What are you talking about?

Vampire Owl: The ghosts stole the seashells which I had collected and stored near the warehouse on the beach.

Vampire Bat: No, you can’t blame the ghosts or Lich Queen’s zombies on this one.

Vampire Owl: Does that mean I can blame the werewolves? Or the witches?

Vampire Bat: Why do you want to blame someone because you lost a few seashells which are not at all valuable to the realm?

Vampire Owl: Because it is quite natural for them to steal from us. I wouldn’t tolerate being made a fool.

Vampire Bat: I got the feeling that Vampire Raven threw it back into the sea which he was cleaning the area. He was assigned to the beach.

Vampire Owl: What? That evil black bird! I told you that he was evil! Not that much as Vampire Crocodile, but still…

Vampire Bat: Just watch this movie and see what the ghost here is all about.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: A long way into the future, humanity has depended on science a lot, and has developed very much. There are a lot of enhancements available for the human body which involves the improvement of vision, hearing, strength, accuracy and intelligence, which are all available on the market for a price. In a godless world, it is science that decides every action of man, with more and more inventions coming up, and technology proving it to be endless in scope. It is that point of time when death by disease seems to be a difficult thing to happen as most parts of the body are replaced with ease. Hanka Robotics, which is world’s leading developer of human augmentative technology decides to take it one step further. In a world which has robots and Artificial Intelligence to do a lot of things, they come up with the idea to develop of a mechanical body termed as shell, that could integrate human brain and use it.

So, what happens next? :: Dr. Ouelet (Juliette Binoche), a champion at what she does, is chosen to do this job. She is someone who is known to have done wonders with her research, and is the easy choice here. Now, there is the question of a volunteer, and it comes as a result of terror. Mira Killian (Scarlett Johansson), a young lady who somehow survives a terrorist attack in which everyone in her family other than her is killed, is chosen to be the brain of the shell, with her body damaged in the attack beyond repair. It seems to work well, as the test subject awakens, and is able to talk and move without any problem. The CEO of the organization, Cutter (Peter Ferdinando) observes the progress which has been made with the shell and the resultant cyborg organism, and decides that this new creation should be used against terrorism as soon as possible. He considers her as their future, and their best hope against terrorists.

And, what is to follow next in the adventure? :: After an year passes, Killian has become a Major in the anti-terrorist bureau Section Nine. Working along with the counter-terrorism operatives Batou (Pilou Asbaek) and Togusa (Chin Han) and under the command of Chief Daisuke Aramaki (Takeshi Kitano) she continues the hunt for terrorists, making amends for the death of her parents due to such an attack. Among those attacks which she and her partners have witnessed, there is one which looks rather strange, with robots going rogue for no reason and hacking into the mind of a Hanka employee. Even for the best of hackers, this seem unnatural, and she feels that there is something deeper regarding this. Despite the hallucinations that she keeps having, she decides to dive deep into the Artificial Intelligence of the robot, and there she finds an unknown entity, known only as Kuze (Michael Carmen Pitt). But this entity is not human, or robot, or a hybrid – it is something that exists within. She needs to find more before time runs out.

The defence of Ghost in the Shell :: The action sequences are really good, and the visuals are a joy to watch; the movie is rich on the screen, and you can’t deny it at any moment – the world of the future is so nicely created that we keep looking at every detail carefully. Scarlett Johansson leads the way as the perfect choice for this protagonist. She seems to be doing what Mila Jovovich has been doing for Resident Evil and Kate Beckinsale has been working for Underworld. Looking so good, and removing all doubts about why she was cast in this role, she goes on to become the true ghost inside the shell – more than Black Widow in The Avengers and it’s sequel or those Captain America flicks. Along with her, the movie also has a tale which will have our attention very early. When the idea is also so good, we keep staring, and when every detail of the visual is that good, we just can’t stop admiring the awesomeness on the screen. Along with the same, the movie has its own twists; some people will come close to guessing the same, but it still counts as pretty good ones which adds to totality.

Positives and negatives :: Ghost in the Shell should feel a little short with how much it really has – there is the hundred percent need for a sequel as we wish to see Scarlett Johansson going through all the action again in a sequel which would take this away from its origin story mode where it is now. There will be shades of other movies, but everything in here is enhanced, and nothing dares to go a step down, which is the beauty of what we see here. I haven’t gone through the Japanese manga of the same name by Masamune Shirow on which this is based, and that should be left for the fans – I would just watch this movie and enjoy how good it happens to be. A movie which entertains as well as brings something to think about is a glorious watch. It is also for us to think about who is right and who is wrong, and how correct is all that we are thought to believe in – maybe there is hope outside the thought process or maybe there is none at all.

How it finishes :: Ghost in the Shell can be considered as one of the best movies of the year, easily rising above big flicks of huge franchises like Alien Covenant and Wonder Woman, and the same is done in style. It also successfully provides a message against the human desire to look better and have an easier life – science has made all these easier, but is humanity good enough to negate the harmful effects of technology? Well, we are already slaves to technology, and so the answer might be no already. In future, it is clearly stated that wars will be fought on science and technology, and there will be terror. While hoping that such a day will never come, we also get a look at how mind finally takes over in the battle against all odds. Well, let the mind power win, and go on to watch this wonderful action thriller which has no moment which will want you turn back and exit.

Release date: 31st March 2017
Running time: 106 minutes
Directed by: Rupert Sanders
Starring: Scarlett Johansson, Juliette Binoche, Michael Carmen Pitt, Pilou Asbæk, Chin Han, Peter Ferdinando, Danusia Samal, Kaori Momoi, Lasarus Ratuere, Anamaria Marinca, Michael Wincott, Yutaka Izumihara, Tawanda Manyimo, Daniel Henshall, Rila Fukushima, Pete Teo, Yuta Kazama, Chris Obi, Adwoa Aboah, Tricky

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@ Cemetery Watch
✠ The Vampire Bat.

Hindi Medium

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What is the movie about? :: Raj Batra (Irrfan Khan) runs a highly successful business in Delhi, selling bridal wears, and he often likes to call himself a business tycoon. He had married his love from childhood Meeta Batra (Saba Qamar) when she had come to his small tailoring shop. Although he is rich and influential, knowing all politicians and businessmen of the area, he is a simple man, finding happiness in those simple things in life. His lack of education and the absence of knowledge in English are something which makes his wife disappointed, and she wishes to be part of the high class rather than live where they have always lived. Worried about the future of their only daughter Pia Batra (Dishita Sehgal), she wishes to have her admitted into one of the top schools in Delhi, including Prakriti School where the students are taught everything through dance and music, Suraj Valley School which nothing less than a five star hotel and Cross Road School which has a tie-up with Eton.

So, what happens next in this movie? :: But the biggest of them all is the Delhi Grammar School which has been at the top position in the school rankings for a long time. The famous politicians and business tycoons have all studied there, and everyone is sure that under the guidance of the visionary principal (Amrita Singh) who used to be a student there, the school can go only up from its position. But the school only gives admission forms to those who live nearby, within three kilometres radius. She forces him to make sure that they move out of Chandni Chowk to Vasant Vihar as the first part of trying to get admission. She is adamant that Pia will not study in a Hindi medium government school like they did, and she will speak English like no other. At their new place, they have new neighbours, but struggle to make friends with people like Aarti (Neha Dhupia) who find the new people to be of low class, not fit to be part of their high level society.

And what is to follow in this adventure for school admissions? :: To prepare their daughter as well as themselves from the upcoming interviews in the top schools, the meet up and take the advice of a consultant (Tillotama Shome) who has been training rich people and their children for a big price. But despite all these training, they are not that great at the interview, and the kid doesn’t get admission. There is the feeling that uneducated parents’ children will find it difficult to get an admission. This leads to him trying to get a seat in a top school in many other ways, including trying to bribe the principal and asking many politicians for help. But none of those ideas work, and they still keep trying, only to find that one of their employees’ child got admission in Prakriti School under Right to Education quota reserved for the people with lower income. There they find a way to get the much needed seat – make some changes in the necessary documents to find their chance. Can they succeed here in one way or the other?

The defence of Hindi Medium :: The movie’s comparison should be to Ramdhanu which is known to deal with a similar theme, and Salt Mango Tree which has remade the same movie. In comparison to Salt Mango Tree which is close to an exact adaptation, there are more differences than similarities here. Hindi Medium actually rises above the other, with a smarter adaptation of the idea. It has a girl child instead of the boy child, and has a rich family rather than the middle class one. There is also a better ending, and there is no foreigner coming to India and adapting the customs – it is a ridiculous idea in comparison to the overall theme, just like it was in Bangalore Days, for them adapting the Indian culture as the right way would only make Indians wishing to adapt theirs righteous. Hindi Medium rises above such foolishness along with the lame jokes there, and also shows the consultant in the right colour. With this one, Bollywood shows the skill and rises above the rest, and the medium is right here; feel-good it is.

The claws of flaw :: One might feel that Hindi Medium takes the simple things a little bit further than one would have thought. Some moments are surely overdone, or rather stretched further than needed. The jokes are also less in comparison even though the quality is certainly there. We can also see the glorification of poverty, even though it is a fact that being more and more rich only gets things to be worse – people getting rich just goes away from the common man’s world as well as the values which have been there for so long. There is also the focus on Hindi medium itself right from the title, when having the government school itself was enough. It would feel strange that all these are coming at a time when the government has been trying to impose Hindi in one way or the other, all over the states which have come up against the same. In an attempt to get away from English, one has to wonder if the need will soon be to escape from Hindi itself with a suicide squad.

Performers of the soul :: The one person who stands out in this movie in comparison with Salt Mango Tree is Irrfan Khan who shows a lot of balance in the way the comic side as well as the serious moments are carried on his his shoulders in the right manner. Saba Qamar also blends in, and does a wonderful job as the mother who wishes for more with the education of her child – Angels‘ own Lakshmi Priyaa Chandramouli’s work was more natural and emotional in Salt Mango Tree though. Deepak Dobriyal is too good in his role, and Swati Das is fine support to him. Tillotama Shome as the consultant might be the best among the smaller roles here – she is really good. Neha Dhupia is left with not much to do, with her role resembling a cameo. When you look at the cast of Salt Mango Tree, you will notice that in totality, there is more of known talent there, working towards making things better.

How it finishes :: My first thought about Hindi Medium was that it was going to be exactly Salt Mango Tree which seems to be more like the carbon copy of the 2014 Bengali family drama, Ramdhanu. But that certainly wasn’t the case, with the movie having its own ideas, and it is also better than the movie which came before that, and it does the same by quite a distance. The movies like Hindi Medium are required during these times when education has become a business – I would prefer to teach students values first, and English and Hindi later, but that wouldn’t really be possible in this world, I guess. There will also be people who will wish to steal the opportunity of others, and we will also see those people who think that speaking good English everything – but I wouldn’t consider that to be great. With communication, just understanding the point is necessary, and Hindi Medium surely has more valid points than your regular Bollywood movie. It also seems free from the terrible fans.

Release date: 19th May 2017
Running time: 132 minutes
Directed by: Saket Chaudhary
Starring: Irrfan Khan, Saba Qamar, Sanjana Sanghi, Tillotama Shome, Deepak Dobriyal, Delzad Hiwale, Sumit Gulati, Swati Das, Dishita Sehgal, Angshuman Nandi, Jaspal Sharma, Vijay Kumar Dogra, Rohit Tannan, Amrita Singh, Neha Dhupia, Sushil Parwana, Rajesh Sharma, Sanjay Suri, Mallika Dua, Tanishkaa Sanghvi

]

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@ Cemetery Watch
✠ The Vampire Bat.

Odiyan

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What is the movie about? :: Manikyan (Mohanlal) is the last among the odiyans, a group known to know sorcery and had shape-shifting abilities. The skill is passed to him by his grandfather after his father and mother were not ready to stand it, and left the village with their daughter, hoping for a better social and economic status elsewhere. Manikyan is one of the most well-known figures in the village of Thankurissi in Palakkad and also beyond the borders in the Tamil-speaking areas near the Western Ghats – some people consider him to be famous, and the others feel that he is a notorious figure. He is known to lurk in the shadows, with darkness as his ally. As it was the time when there was no electricity in the villages, it was easy for him to induce fear into the minds of the victims. He would take different forms, most commonly that of a bull or a buffalo, to torment those who are given as targets by people who pay a fair amount.

So, what happens with the events to follow? :: Manikyan’s biggest enemy in the village is Ravunni Menon (Prakash Raj) with whom he has had his problems since childhood. Ravunni’s interest and unrequited love for his cousins Prabha (Manju Warrier) and Meenakshi (Sana Althaf) only makes things worse as Manikyan has been working in their family household and taking care of them for generations. Ravunni decides to make things troublesome for his cousins as well as Manikyan, and with the death of Prabha’s husband Prakashan (Narain) and Meenakshi’s husband Ravi (Kailash), he succeeds in putting the blame on Manikyan. With electricity coming to the village, and almost everyone blaming him for the two deaths, Manikyan is forced to leave for Varanasi. As he is wandering around there, something changes, and he feels the need to return. What would that mean for everyone in the small village?

The defence of Odiyan :: The legend of the people from Kerala folklore with shape-shifting abilities deserved a movie, and it is always nice to have such an adaptation which has its roots in our own historical fantasy. The action scenes are nicely done, and the scenes involving the titular character in the darkness will make sure that we are interested in the whole thing. The setting nicely helps the progress of the movie, and all locations provide some nice visuals. Compared to the 150 crore grand movie Pulimurugan with Mohanlal fighting the tiger, Odiyan is surely a better flick which has a nice background as well as setting – there is also no bad jokes, and the acting itself is of a superior level when we compare the two. Odiyan has moments of class, and it is the quality which that highest grossing Malayalam movie missed in more than one way.

The claws of flaw :: The trailer as well as the hype created with the information provided regarding the movie, might be the one thing which works against the movie more than anything else. The expectations had gone so high that greatness was expected without excuses, and that was one thing which caused so many of early negative reviews. There is no denying the fact that this legend could have been used in an even better way, reducing the mass elements, and adding more mystery, sorcery, twists and horror. The movie is also too long, and the first forty-five minutes might be the least interesting part of the flick. A better beginning would have helped to keep the interest going, and the non-linear narrative disrupts the flow. Flashbacks are good, but not when they are used at inappropriate timings. The final fight could have been better edited. The background music might catch our attention, but the songs never really manage to do so.

The performers of the soul :: Mohanlal, in more than one avatar during two different ages, displays top form as usual. There are not just the action scenes that make an impact, as the emotional side is also strong with him – the strength as well as the helplessness of the main character is shown nicely here. We remember how he could be both in Villain having the same pair in the lead. Maybe, he could have had more with the shape-shifting idea, resembling that of a werewolf, but that much is not there for him to use his full potential. His last movies Drama and Neerali didn’t make that much of an impact, but I would say that they were better than the common opinions; the case here is also not so different, as Odiyan is certainly better than Pulimurugan, and the hard work that Mohanlal has put in to become this character from the folklore is worth the appreciation.

Further performers of the soul :: Manju Warrier’s previous movie Mohanlal was not really something to be appreciated, whether it was about the flick or regarding her own performance. But she is back once again with her work in this movie. The comments which were made about her one dialogue in this movie is rather strange, because it is a perfectly suited one for the moment – it once again shows that a lot of our viewers are struggling with understanding characters. The lack of empathy that our audience shows at times is rather strange and unacceptable. Prakash Raj is a strong villain indeed, but could have had better dubbing. Sana Althaf has a nice role after Basheerinte Premalekhanam, and she also has her moments. Kailash, Sreejaya Nair and Narain are there only for a few minutes, but they do leave us with something to remember. Siddique, Innocent and Nandhu do provide some good support too.

How it finishes :: Odiyan becomes the second high budget and the most awaited movie of the year after Kayamkulam Kochunni which had great success already. Despite negative opinions, Odiyan also had a strong weekend, with the only challenge coming from Hollywood, in the form of Aquaman, which has lesser number of shows. There is the need for movies like Odiyan, because only such flicks can assure that we will have better exploration of the myths and legends of the lands. We also need people who are ready to go through the less traveled path – we know, as Robert Frost has said, that would make all the difference. Your level of enjoyment would be different according to your expectations from cinema, but Odiyan is surely a movie which you can’t ignore, and is definitely a movie which is better than the highest grossing Malayalam movie of all-time, the Mohanlal starrer Pulimurugan.

Release date: 14th December 2018
Running time: minutes
Directed by: VA Shrikumar Menon
Starring: Mohanlal, Manju Warrier, Innocent, Prakash Raj, Siddique, Manoj Joshi, Nandhu, Narain, Kailash, Sana Althaf, Santhosh Keezhattoor, Sreejaya Nair

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@ Cemetery Watch
✠ The Vampire Bat.

Aquaman

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What is the movie about? :: A lighthouse keeper Thomas Curry (Temuera Morrison) comes up against Atlanna (Nicole Kidman), who is the princess of the underwater kingdom of Atlantis which had sunk under the Atlantic Ocean on one eventful day of ambition and hubris. He saves the injured princess and they fall in love. The unexpected sequence of events lead to the birth of Arthur Curry (Jason Mamoa) who shows the ability to communicate with marine lifeforms, and it is only one of his special skills. With the attack of the troops of Atlantis threatening her family’s life, she decides to go back to the city, hoping to come back on another day when the situation gets better. An Atlantean Nuidis Vulko (Willem Dafoe) is assigned to train Arthur as he grows up.

So, what happens with the events to follow? :: Back to the events after the incidents of Justice League, the invasion of Steppenwolf had made Arthur further part of saving the world as Aquaman, a name with which he has been referred to by the media. He comes up against the pirate David Kane (Yahya Abdul-Mateen) and his team while the group was trying to hijack a nuclear submarine – Arthur ends up defeating them, and leaves David’s father dead in the process, for which the young pirate wants revenge. Meanwhile, Orm (Patrick Wilson), Arthur’s younger half-brother and Atlantis’ king wants to begin a war against the people on the surface, as revenge against polluting ocean and causing the death of many creatures of the seas. Using an attack by David as the immediate cause, he seeks the support of the rest of the underwater kingdoms to go on war.

And what else is to follow here? :: He easily gets the support of Nereus (Dolph Lundgren), another king under the sea, and looks forward for more. The daughter of Nereus, Mera (Amber Heard) supports Arthur to become the king as the rightful heir to the crown. But at the same time, Orm wishes to get rid of Arthur, who is the first-born of the queen and therefore has a claim to the throne of Atlantis. Despite Orm sending huge tidal waves all around the world, the surface world remains ignorant about what lies beneath. Mera convinces Arthur to try and save both worlds and he agrees. But the fact remains that Arthur doesn’t have much of a chance against the power that Orm holds on his way to becoming the Ocean Master. But there might be one chance – the question remains if he can take it.

The defence of Aquaman :: One can appreciate Aquaman for its great fight sequences and stunning visuals more than anything else. It becomes a spectacle easily with these, and we just love to keep watching without taking eyes away at any moment. The visuals under the sea has all those fights happening underwater too. We have so many things to add to this visual extravaganza. Atlantis itself is a beautiful sight, and we see that even the people and their costumes are nice. There is a lot of world detail around here. The locations on the surface are also nicely chosen. The fight scene in Sicily is glorious, and the final combat is great to watch. There is also the allusion to the tale of the legendary British king Arthur, and the other reminder is related to Thor: Ragnarok which had the hero from Norse mythology fighting his sibling for control over the kingdom. Well, it even has some horror with its marine creatures – that reminds you who the director is.

Positives and negatives :: There is nothing special being added to the story, and there are no twists coming your way. The similarities to Thor: Ragnarok are many, with not just the sibling battle, but also regarding the early defeat, loss of weapon and arena battle, this time in the absence of the Incredible Hulk. But we see the cast, and most of the problems vanish with the beautiful visuals – Amber Heard does what Natalie Portman couldn’t do in Thor, as the action star on the lines of Kate Beckinsale of Underworld and Mila Jovovich of Resident Evil, as she does the same thing better than ever. A journey through the underwater world, and witnessing a city with so much detail can negate the negatives easily enough. There is some nice humour, and the emotions stay strong for most of the time too. It hasn’t been that easy going for DC, even though Suicide Squad was a movie I enjoyed a lot, personally. Aquaman makes it easy for DC to go forward now.

The performers of the soul :: Jason Momoa remains strong in this one, and unlike that Justice League role, this time, he brings more charm. He nicely gets into the mix of Justice League with this one, and it will be interesting to see how everything works out with another movie with a team of superheroes trying to match the Avengers in another universe. Amber Heard is amazingly good as the warrior princess from underwater. We remember her for her presence in the thrilling horror movies like All the Boys Love Mandy Lane, The Ward and The Stepfather as well as the action thrillers like And Soon the Darkness, 3 Days to Kill and Drive Angry. This one will be the new way to identify her, as a character which brings the best. She is perfectly suited for action sequences other than being remembered as a scream queen, and it is something that she seems to reiterate here. Patrick Wilson from Insidious & The Conjuring fame becomes an extremely effective villain too. Nicole Kidman has some fine moments too.

How it finishes :: Aquaman might be that one movie which could rise its level to catch up with Marvel, and after Wonder Woman, we have one another movie which lifts the universe again, with hope for even more. On the lines of Thor and Norse mythology, DC has its Greek mythology and elements including Atlantis about which we have read about in Plato’s Republic right in place. The myth and the visuals here can be considered to be even ahead of Wonder Woman, even though the island its inhabitants had their own charm too – nothing matches some nicely created underwater visual splendour though. With the second part of Avengers: Infinity War and Captain Marvel to do the job for Marvel, DC has surely made its move in a nice way, the director of Insidious and The Conjuring, James Wan has made a point once again. Well, it is surprising that Aquaman about whom not many people know – the lesser known superhero now has a movie better than each and every better known superhero of Justice League.

Release date: 14th December 2018 (India); 21st December 2018 (USA)
Running time: 143 minutes
Directed by: James Wan
Starring: Jason Momoa, Amber Heard, Nicole Kidman, Willem Dafoe, Patrick Wilson, Dolph Lundgren, Yahya Abdul-Mateen, Graham McTavish, Temuera, Ludi Lin, Randall, Djimon Hounsou, Natalia Safran, Sophia Forrest

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@ Cemetery Watch
✠ The Vampire Bat.

Unforgettable

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Vampire Owl: There is nothing unforgettable in this world.

Vampire Bat: It is not true. Some things just stay. I thought you would agree to the unforgettable nature of things.

Vampire Owl: I have been able to forget everything, and re-programme my brain with ease.

Vampire Bat: Was that part of one of the experiments by Doctor Frankenstein?

Vampire Owl: No, it is my own special skill, and no Frankenstein is required for the same.

Vampire Bat: But I know that you keep remembering Lady Death and your inability to get to her realm when needed.

Vampire Owl: Lady Death is not of past. She is more like the present.

Vampire Bat: This is exactly what I am talking about.

Vampire Owl: There is more to that particular story than what meets the eye. You should realize that better, considering how life has been. Well, it follows.

Vampire Bat: I think that you are going to write a book, considering how you have been talking about your life’s story in the last few days.

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Julia Banks (Rosario Dawson) is in a new relationship with David Connover (Geoff Stults) who has only recently separated from his wife Tessa Manning (Katherine Heigl) with whom he has a child, Lily Connover (Isabella Rice). They seem to have managed very well as individuals, sharing the custody of their daughter who stays with each of them at one place after the other. Julia herself has her own little secret, with her abusive former boyfriend Michael Vargas (Simon Kassianides) getting arrested for his violence on him, and is on a restraining order, which has only few days left. To add to her fear about the same, she also has Tessa acting rather strange, seemingly intruding into their lives. Her best friend Ali (Whitney Cummings) would comfort her telling her that these are just common things in life, and is surely better than her last abusive relationship which left her with scars on her body.

So, what happens next in the movie? :: After leaving her job and city to arrive at this town, her biggest nemesis remains Tessa who keeps creating problems for her, mostly in the name of the child, and her inability to take care of the kid as she is not a mother. Scolded by her own mother Helen Manning (Cheryl Ladd) for letting go of her marriage, Tessa gets more and more angry and frustrated, deciding to teach her husband’s new lover a lesson. She searches for information on Julia and finds more than enough about her past, which is not revealed to David. She decides to use the same to her advantage, and contacts Julia’s ex-boyfriend. What follows is a series of events which involve Tessa trying to get rid of Julia, while latter somehow manages to hold on. But the question remains about how long can she evade the traps set by Tessa who seems to have everything in control.

The defence of Unforgettable :: There is the suspense associated with this one, and it keeps you engaged about what is to happen next, and how the plan works out. But above everything else, and even above the story, the movie works the best due to its two leading female actresses, Rosario Dawson and Katherine Heigl. The former shows her desperation to perfection, while the latter is more like the snow queen who has her heart made into ice, having almost no remorse over her action which would destroy lives – the selfishness that is reflected there is more than what a regular villain would bring in a movie like this. Katherine becomes what they describe by psycho barbie between two characters, and there is some terror hiding behind her eyes as she stare into her nemesis. There are some smart movies being made, but twists oppose the same, and thankfully there is no melodrama even while dealing with this kind of a theme. The one doubt left is whether we have loved the villain so much that we were wishing for her to thrive.

The claws of flaw :: There are a few moments which looks not really living up to what seemed to be planned, and we have some situations that seems to be not done well enough – the movie has its problems here and there as it brings its content. There could have been more to the flashback of the villain too, as we see how good she is even without the same. The final sequence is also strange, seemingly made to let the heroine win, and it is only fair for someone’s good side to let her be the last woman standing, and we wished otherwise, and it would have been more realistic that way. The male characters don’t really have anything interesting to do here, and we see that there was so much more of villainy that could have been brought on. There could have also been certain suspense about what was going to be done, and how worse it could become for the protagonist – the psycho barbie idea could have been twisted to the extreme limits.

How it finishes :: When you see a movie like this, there is that category which you fit this one into, and that is erotic thriller, and then there is erotic drama which has more chance to be chosen by the regular audience. This is certainly not a movie that will be memorable for a very long time with its thrills, but thanks to Katherine Heigl, this one gets raised from where it could have stayed otherwise. After watching this movie, one thing is for sure – we would want a bigger version of such evil on the screen – it is more like the purge that takes away all the bad things; we need something like this more often. When you see the negative reviews and you watch this one, you are going to be surprised by what it brings, and we know that thrillers based on relationships and home can also bring some more when you least expected them.

[Walks into the balcony with another cup of tea].

Vampire Owl: I think that this particular lady reminds me of someone.

Vampire Bat: If it is about the ex-girlfriend, it might be about Lady Death.

Vampire Owl: What meaningless thing are you talking about? She is not an ex. She is part of my present.

Vampire Bat: Don’t you know that the realm of death has stopped all connections with the vampire world? You can only be trapped in one of the worlds.

Vampire Owl: It is not possible. We are the connection between the living and the dead. We are needed.

Vampire Bat: Even the Lich Queen has been saying the same. There is no real contract regarding the same.

Vampire Owl: There is one with the Vampire Elders.

Vampire Bat: Dude, that connection no longer exists. The Vampire Elders have given up all positions of powers because they are very old.

Vampire Owl: It is absurd. A Vampire Elder rules forever.

Vampire Bat: You should read The Vampire Times at least once a week.

[Walks into the silence of darkness].

Release date: 21st April 2017
Running time: 100 minutes
Directed by: Denise Di Novi
Starring: Rosario Dawson, Katherine Heigl, Geoff Stults, Isabella Rice, Whitney Cummings, Cheryl Ladd, Simon Kassianides, Sarah Burns, Alex Quijano, Stephanie Escajeda, Kincaid Walker, Aline Elasmar, Lauren Rose Lewis, Jayson Blair, Robert Wisdom

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@ Cemetery Watch
✠ The Vampire Bat.

The Boss Baby

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Vampire Owl: More bosses and more babies? I thought we were done with them as Storks finished.

Vampire Bat: Well, the boss is a baby, and the baby is a boss. There is no more to add to it.

Vampire Owl: I have a feeling that this could be about Mavis. You remember our time with her earlier.

Vampire Bat: She is not a boss. And the baby here is human.

Vampire Owl: Dude, every human is just a simple bite away from not being human.

Vampire Bat: What? You bite babies and kids these days? When did you start doing it?

Vampire Owl: No! I was referring to the werewolves and zombies.

Vampire Bat: There has been no zombie infection since last redmoon, when the witches threw that beach party.
Werewolves are just too angry to go out of their territory. You will find no chance of humans getting bitten.

Vampire Owl: Doctor Frankenstein had informed us that humans were developing new vaccines leading to zombie outbreaks.

Vampire Bat: Even Frankenstein can’t stop humans and their perpetual greed. I am sure that he knows about that too ever since he turned undead.

[Gets some jackfruit chips and three cups of cardamom tea].

What is the movie about? :: Templeton (Tobey Maguire) tells the story of his childhood, from the time when he was seven years old, living with his parents, Ted (Jimmy Kimmel) and Janice (Lisa Kudrow). He lives a happy life as their only son, getting all their love, and is not ready to share the same with a brother or sister. He keeps an imaginary world with himself, where he goes on missions, mostly saving the day all by himself, and this fictional world is a significant part of his existence. It is due to the same that he is not able to believe when a baby arrives there dressed in a black suit. He feels that his new brother, the baby (Alec Baldwin) receives rather too much attention while he is ignored by his parents. They keep dealing with the baby’s needs and Templeton gets almost nothing. He is frustrated and envious of this new person who has stolen his world, and the love which only he is to receive.

So, what happens next? :: Templeton also feels that the baby is acting strange, but the parents are not ready to check that due to their love for the new arrival into their family. He is also shocked to know that the baby can talk like an adult. One day, he listens to the baby talking to the other babies of the neighbourhood and understands that they are on a mission. He tries to get the evidence, but gets grounded. So this baby, who turns out to the the boss of the rest of the babies in the neighbourhood, the Boss Baby, after their confrontations, decides to tell Templeton the truth. He makes Templeton suck on a pacifier which takes them to Baby Corp, a place where babies are doing business, sending infant love right after the babies are produced. Only a selected group of babies are chosen into business there, and there they try to keep the love for babies active. But now, they are facing a crisis, with puppy love overtaking the love for babies.

And what is to follow with this adventure? :: It has been a global phenomenon, as puppies having been taking over everything, more than doubling the love humans have for babies, leaving very little for cats, birds and the others. If the Boss Baby doesn’t succeed in finding the secret files regarding what Puppy Co, the big puppy supplying organization is planning to do as a surprise which will completely eliminate all others including babies from the love list of humans. The Boss Baby is at the house because Templeton’s parents work at the Puppy Co, and he says that he will go back to business at Baby Corp after his mission is accomplished. But if he fails to do what he is assigned to do, he won’t be taken back into business, and will have to settle in with Templeton as his brother, his memories about Baby Corp gone. Templeton, wanting the Boss Baby to go away, decides to help him. But with puppies dominating further, can babies finally get the love the deserve?

The defence of The Boss Baby :: The visuals are really good, and the cuteness is clearly visible throughout this one. The kids are going to love this one from the beginning itself. It doesn’t matter how much close to reality this one has intended to get, the truth is that a lot of people these days love puppies more than babies. There are people who even make the public statement about the same, and don’t want to have babies – it makes this movie even more relevant to our world. How some people manage to hate babies, and still love puppies is a surprise to many, but we know how people are, and what they are capable of. The funny side remains mostly strong with this one – how the baby works with his suit and suitcase is so much fun to watch. The message is to spread love, and not to keep it inside, or limited to someone – there is always more than one person who deserve the love, which only multiplies and comes back when given.

The claws of flaw :: There is the certainty of strangeness concerning this movie which has a baby as the boss – it is rather the next level of having something that doesn’t really come together. It keeps itself far away from reality all the time, and it never even tries to come back and be normal for a second. We have already seen the baby factories in Storks too. There are moments when the comedy doesn’t work too, and the world of imagination shown within this movie is rather a little too stretched and not needed. By the end, The Boss Baby gets rather predictable though, and its surprise regarding the villain is not that much of a shocker either. Well, this much was set, and we wonder why not some more here. It is the world of wonderful animated movies, and here they have a baby as the main character, and there should have been more, I am sure that a lot of people will agree to getting more with the movie’s little protagonist brothers.

How it finishes :: The Boss Baby will also have a sequel coming up, and it will be interesting to see how this tale of baby business magnet will go on. Based on the 2010 picture book of the same name, which was written and illustrated by the American author Marla Frazee, this one surely has developed a lot from the material. The looks of The Boss Baby is of the level of big animated movies like Zootopia, Moana, Frozen, Epic, How to Train Your Dragon, Big Hero 6, Inside Out and Kung Fu Panda, but is never close to getting around that level in its content. This is the kind of world in which the lost fish as well as martial arts expert Panda gets sequels, and so whatever the baby gets is a bonus – after all, we don’t want fishes and pandas taking over the place of babies like those puppies did. This one doesn’t seem to be going for the Academy Awards with this, but with the entertainment side, The Boss Baby is a leader.

Release date: 31st March 2017
Running time: 97 minutes
Directed by: Tom McGrath
Starring: Alec Baldwin, Steve Buscemi, Miles Bakshi, Jimmy Kimmel, Lisa Kudrow, Tobey Maguire, Lisa Kudrow, Conrad Vernon, James McGrath, David Soren, Nina Zoe Bakshi, Tom McGrath, Walt Dohrn, James Ryan Eric Bell Jr, ViviAnn Yee, Edie Mirman, James McGrath, James Izzo

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@ Cemetery Watch
✠ The Vampire Bat.