The Long Halloween I

Vampire Owl: This reminds me of more than one Halloween.

Vampire Bat: You just cannot have enough of that festival.

Vampire Owl: It is not a festival, but life itself.

Vampire Bat: We are not even alive.

Vampire Owl: During Halloween, all the undead comes alive.

Vampire Bat: We come alive during the Night of the Dead.

Vampire Owl: I am not talking about that type of being alive.

Vampire Bat: So, you are talking about the life that Mr Frankenstein has.

Vampire Owl: You do not need to drag Doctor Frankenstein into this.

Vampire Bat: He doesn’t need to be dragged as he comes uninvited every time.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: When the nephew of a mob boss in Gotham City, Carmine Falcone (Titus Welliver), is murdered by an unknown figure who leaves a Halloween lantern at the crime scene, Commissioner Gordon (Billy Burke) seeks the help of both Batman a.k.a. Bruce Wayne (Jensen Ackles) and Harvey Dent (Josh Duhamel) for help with the investigation. Catwoman a.k.a. Selina Kyle (Naya Rivera) calls the Wayne Manor on Halloween, while the night only seems to get stranger, and Batman feels that the city has fallen without any hope for a return to its former glory. Harvey also feels that the place has turned into something like a ghost town, as it seems worse on the Halloween night. He feels that it was the uncle who arranged the murder because the dead man was going to help the police department, even though nobody was supposed to know about it. Falcone crime family was going to be taken down, and Harvey feels that their best chance has been missed due to the murder.

So, what happens with the events here as we just keep looking? :: Carmine feels that it was Harvey who killed his nephew, and thinks that there could be a right moment for them to strike. As there are other gangs after them, he also decides to move his assets to a more secure facility. Catwoman leads Batman to the cash stockpile owned by Carmine. After doing a coin flip, Harvey decides to burn the money, as it would take them a lot of time to move this much of cash. Carmine who understands the role of Harvey behind all of these, hires Mickey Chen (Greg Chun) to kill him and Gilda Dent (Julie Nathanson). They survive the bomb attack on the house, but are hospitalized, with Harvey getting the worst of it. Batman chases down Mickey, and both run into Solomon Grundy Fred Tatasciore) after a fight with Mickey’s friends. Solomon almost kills him, before being pursuaded by Batman to leave him. But without evidence, Mickey is to be left free. There is nothing to link him to the bombing, and Gordon feels that Batman should have done better.

And what more is to happen with the superheroes here? :: Mickey feels that the bombing was ordered as an act of vengeance for the murder of Carmine’s nephew. Carmine also looks down upon his son Alberto Falcone (Jack Quaid) whom he considers to be too weak to handle the family business, or anything of use. Harvey escapes from the hospital and during the same night, Mickey and his friends are killed by someone. Gordon had also left Harvey with a gun to protect himself. The murder had happened on another holiday after Halloween, and as Christmas approaches, another one might take place – Batman and Gordon tries everything that they can, including taking advice from the inmates of Arkham Asylum. Soon, they realize that Joker (Troy Baker) has escaped from the mental institution. Joker does visit Harvey, and threatens him as he is also a suspect in being a killer – he doesn’t want anyone else to be the leading homicidal maniac in the city. But finding the real killer on holidays, there is the need for more than one detective or vigilante.

The defence of Batman: Long Halloween: Part One :: There is a different kind of feeling with the atmosphere of this particular movie, as it is not the usual superhero movie that you see anywhere around. It seems to have kept itself close to the feeling of a comics, but is not far from the quality of an animated series. We all remember having watched some animated series about Batman on television, and those episodes were very much enjoyed by us. We are brought back to that feeling yet again, and the dark atmosphere and the visuals are rightly suitable for this world of Batman’s Gotham City. It is the world in which a vampire would thrive better than a man in a bat’s costume, and with the quality being maintained here, one won’t hesitate to be there. Batman, as the superhero without superpowers, is the man whom we would always be looking for, as more than just the superhero – he is one among us, and it is once again proven here as there so many mistakes that he seems to make, along with mostly capturing the criminals and saving the day. Also, the Catwoman gets her due.

The claws of flaw :: The superhero elements go missing around here, and the investigative thriller comes to the front, with the hero turning into a detective – not something that many fans would prefer over the man they know well. The investigation seems to have gone rather too slow, and unlike the superhero world with investigation, this chooses for a universe of investigation with some superhero elements which are often not visible at all. As it drags at times, and we do feel that some part of it could have been stronger and sharper. It required to have a quick and clear path of investigation. The fights are very less, and there seems to be focus on having more dialogues. Some of these dialogues do make us feel that there is something that has gone missing – maybe we didn’t catch something from a previous movie or the fully myth. Joker is not really given the appreciation that the character has demanded throughout the ages – we would have hoped for the better when we knew that he was there in the movie.

How it finishes :: Batman: Long Halloween: Part One begins a journey which is divided into two. The first part has managed to be interesting enough, and moved through the mood of a murder investigation, having a serial killer at work. With the movie stopping in the middle, one still has to watch the second film to understand how all of these will turn out to be. It is actually nice to have this movie divided into two, as a longer version of this would have turned out to be too much of a killer of time. As this one, as well as the second part are available on Amazon Prime Video, these can actually be watched together if one needs continuity. Some interesting animated movies have been the need for the time, for Frozen, How to Train Your Dragon, Big Hero 6, Inside Out and team have all seem to have disappeared too early, and the only ones we are left with, are those Hotel Transylvania movies and its sequel. Let us have this type of animated movies, for we can celebrate the divergence as long as the work is good.

Release date: 22nd June 2021
Running time: 85 minutes
Directed by: Chris Palmer
Starring: Jensen Ackles, Josh Duhamel, Naya Rivera, Billy Burke, Alastair Duncan, Troy Baker, Amy Landecker, David Dastmalchian, Julie Nathanson, Gary LeRoi Gray, Fred Tatasciore, Jim Pirri, Titus Welliver

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@ Cemetery Watch
✠ The Vampire Bat.

Jolt

Vampire Owl: Usually, the jolt happens during one of the experiments of Doctor Frankenstein and his minions.

Vampire Bat: So, Mr Frankenstein is having his own minions now.

Vampire Owl: Yes, they are a few braindead zombies who were given special passport.

Vampire Bat: You just cannot allow zombies into the world of vampires.

Vampire Owl: They are completely braindead. They won’t remember that they are zombies.

Vampire Bat: Then how can Mr Frankenstein make them useful?

Vampire Owl: Well, he just needs someone to do exactly as he says.

Vampire Bat: Someone to pass through those experimental portals?

Vampire Owl: Yes, and also through those experimental time machines.

Vampire Bat: Well, even zombies would hesitate to do that.

[Gets a chocolate cake and three cups of cardamom tea].

What is the movie about? :: Lindy Lewis (Kate Beckinsale) has always had intermittent explosive disorder, which was often triggered by interactions with people around her. As a child, she was so angry that her parents had some really tough time handling her. The parents didn’t have much of a good relationship among themselves to boast about, which made the parenting procedure even worse. This situation had also made her stronger and sharper, and she could beat up even a person or two who were twice her size. The parents no longer wanted anything to do with her. The mental health institution is not able to handle her, and even the military training works against her as she doesn’t take orders from anyone, the process ending with her beating up the commander. A psychiatrist, Dr Ivan Munchin (Stanley Tucci) seems to find a solution, and tries to treat her disorder with a vest which gives electric shocks whenever she gets really angry and a threat to others around her. But it seems to be less effective as days and months pass.

So, what happens with the events here as we just keep looking? :: She feels that as a new option, a social change might help, and with the advice of her psychiatrist, decides to go on a date with an accountant named Justin (Jai Courtney). They become very close to each other, but just before their next date, she finds out that he has been murdered, which means that from requiring no more of the shocks, she will be in need for a lot of them to keep her not angry. The police seems to be not too confident about finding the ones who murdered him, as there are not many clues left there. She feels that she should find out the people behind the murder, and wouldn’t trust the indifferent police officers to do it. As the first step towards the same, she manages to steal his belongings from the police station, much to the dismay of the officers who are in charge of the case, Detective Vicars (Bobby Cannavale) and Detective Nevin (Laverne Cox). Can she be of use in solving this mystery?

The defence of Jolt :: The movie does manage to be funny at times, and the action is pretty much effective. Having Kate Beckinsale at the centre is the big advantage that this movie has, and she is the one reason why things are going on so well. You can always trust her with the action sequences – the fighting on the screen seems to need her every time. The final twist is an effective one, and even though there were were some doubts, we don’t really guess it that well. There are some fine visuals, and the fights also take place at some interesting areas. A touch of humour being added with the fights also works really well. When there is a furious heroine added at the centre of all these, you are into more fun. As a simple fun movie with action, it scores well enough, even though not that much like those older movies starring Jackie Chan and friends – we all miss them for sure. This one is an entertaining ride, and one cannot question the same at any moment, as this one is only as long as it should be, not adding anything extra to increase the length – you enjoy this with the short length really well, without complaints.

The claws of flaw :: There are so many things which seem too usual for this kind of a genre combining action and comedy. We do have so many elements which some dumb people think are funny, even after so many years of repeating the same thing. Some of the jokes make you feel that they have just run out of ideas. A movie like this should always have a better idea about being innovative, as it is not supposed to be full of just dumb humour. It should have known where to stop with the available humour. There were so many opportunities in there. The progress of the movie also has some moments when it doesn’t seem to think enough. With a premise having enough to be so funny, there is always something around here to make the whole thing more innovative, funny and action-filled – much better than what it happens to be. It could have also followed the Kate, John Wick and Hitman mode with more interesting fights. As of now, the hope to have more of the same is only there for future with a possible sequel.

The performers of the soul :: Kate Beckinsale can always do an action thriller like this and provide cent percent without having to think too much about it. As the lady of the Underworld vampire movies and the one in charge within Total Recall, she has done more than enough fighting on the screen than we would think about it. There is the funny and emotional side to her too, which she has also managed very well. We will continue to remember her more as that vampire-figure, but this one is a welcome addition. Nearing her fifties, she is still the one actress who will want to have in an action movie, as much as Resident Evil‘s Milla Jovovich. Jai Courtney has only a few minutes of presence here, but is effective for sure – had the memorable moments with the Divergent and Terminator series in this part of the world too. Bobby Cannavale adds to the humour and does a solid job in doing the role of the good cop. Stanley Tucci also does a really good job in being the man of experimentation.

How it finishes :: Jolt is surely much better than what the critics seemed to talk about, and with Kate Beckinsale in an action thriller, it has managed to maintain a certain amount of quality – it is something one is assured of. If there director had a better vision, this might have transformed into something big, but she has settled with the common and simple path to quick dose entertainment, an action comedy with not many new jokes to be added there. The fact that it remains an entertaining journey is a testimony to Kate Beckinsale once again, as over the years, she seems to have become more experienced in action rather than becoming aged like the Ulysses who said that they were not of the strengths that they were used to be. The movie did release without much hype around here, which might be the reason why most people of this part of the world haven’t watched it yet. But it is a pretty good choice for the entertaining side.

Release date: 23rd July 2021 (Amazon Prime Video)
Running time: 92 minutes
Directed by: Tanya Wexler
Starring: Kate Beckinsale, Bobby Cannavale, Laverne Cox, Stanley Tucci, Jai Courtney, Susan Sarandon, David Bradely, Ori Pfeffer

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@ Cemetery Watch
✠ The Vampire Bat.

Deep Water

Vampire Owl: So, how deep is the water?

Vampire Bat: Maybe the water is not really deep at all.

Vampire Owl: A vampire shall not check the depth of any water source.

Vampire Bat: You mean not even the rivers of blood?

Vampire Owl: I am not really fond of dried up blood.

Vampire Bat: Those have now become the plains of blood.

Vampire Owl: I have heard that zombies have rivers of brains.

Vampire Bat: It is a myth. In that case, they wouldn’t be desperately searching for more.

Vampire Owl: All horrors surely go deep.

Vampire Bat: There is already the presence of enough horror in the depths.

[Gets a vegetable samosa and three cups of white tea].

What is the movie about? :: Vic Van Allen (Ben Affleck) and Melinda Van Allen (Ana de Armas) are a seemingly normal couple living in a small town, Little Wesley, Louisiana. They also have a daughter, Trixie Van Allen (Grace Jenkins), but are not in love anymore, at least according to Melinda; yet they stay together. Melinda has many lovers though, and she maintains different relationships without deserting the family of which she continues to remain a part. Many people in the neighbourhood as well as their babysitter Chelsea (Juliet Brett) do consider them to be strange, but they go on with their regular lives with ease. Her new lover is Joel Dash (Brendan C Miller), who is forced to leave the party which they attend, after Vic tells him that he had killed one of the former lovers of Melinda. It feels like a believable story as the person had gone missing a long time ago. Kristin Peterson (Rachel Blanchard) from the neighbourhood tells him that now everybody has heard about that tale of murder. But people around him wouldn’t believe that, as they have known him for very long as a nice and forgiving person.

So, what happens with the events here as we just keep looking? :: While Vic seems to like a woman named Kelly Wilson (Kristen Connolly), but not thinking further about it, Melinda’s next lover is Charlie De Lisle (Jacob Elordi), who works as a piano teacher. But during a party, he is soon found dead in the house’s swimming pool, and Melinda suspects Vic of murder this time, as he had shown signs of being jealous, and was the last person to come out of the pool where they were celebrating. Kelly tells Vic that her husband Don Wilson (Tracy Letts) keeps telling everyone that Vic murdered the man by drowning him in the pool, and he also talks to Melinda about the same. Kelly also apologizes to him for her husband who comes up with some crazy theories, and he is concerned about the previous murder which Vic talked about too. Melinda and Don had even hired a private investigator named David Ricigliani (Joel R Martinez) who pretends to be a psychotherapist, but Vic is smart enough to figure him out. But that only increases the tension which is already present around there. How would the family go on from here?

The defence of Deep Water :: In the beginning, the movie might seem to follow a regular pattern, and might end up as a usual erotic thriller, but soon we come to know that this will not be the same. The movie picks up pace and brings the clues that we will be up to something divergent soon, and it is only a matter of time until we know that things are not really what they seem to be. If this was Deep Blue Sea or Dark Water, that would been another case – we have a combination of those movie names which seem so familiar. As this is based on the 1957 novel of the same name written by Patricia Highsmith, there is the material already set to go. The change from the plot of the original work is also something to be appreciated, because the movie adaptation changes seem to work perfectly for the leading cast, especially related to how things come together so well – otherwise, the proceedings of the movie wouldn’t have provided a meaning in the end. Then, you have to love the weirdness here, and it is never boring.

Positives and negatives :: The movie could feel like a little bit too long as it takes its own time to make things move through the path of a thriller, a psychological thriller. The leading man might feel to be the stoic one in the beginning, but people would find it the hard way that he is exactly not that. It could have chosen the full serial killer mode at some point of time, but it chooses not to go that dark in its tone. You do have Ben Affleck right at the core then, and he brings the special element as one would have hoped from him, even with that lack of interest shown in the beginning. Then there is Ana de Armas, this time with the black hair, has more than one surprise almost every time – she goes on around here with such vivacity which is unmatchable. With them around, one can look out for the psychological thriller as much as any other genre. You think that you know them, and their world – but this is not the universe where the predictable keeps happening, and deviations around here are going to keep you interested.

The performers of the soul :: Ben Affleck basically has a role reversal from what he had gone through in Gone Girl, and this time, as he would take a few actions related to the future of their marriage. He was also a favourite Batman for me for sure, and the roles to remember seems to come from him when least expected. Ana de Armas whom most of us know the best for her role in the Keanu Reeves starrer Knock Knock, surprisingly seems to have got younger and more beautiful here, and manages to go through this particular role with perfection. The Spanish actress who was also part of a Bond movie earlier, seemed to blend into this role as if it is custom-fit for a grand performance from her. It is evident from the very first moment when she is seen, and then right after the first party. Grace Jenkins who plays the daughter also has her own little moments. Kristen Connolly who is best known for The Cabin in the Woods also has a nice short role in here. At the same time, Tracy Letts plays the man of many doubts really well.

How it finishes :: Deep Water feels like one strange psychological thriller which takes the divergent path, the one which is not often explored this well. The emotions go strong and weird and you come across that kind of a couple who cannot be considered normal in any sense, even for the standards of some of those strange films. When you have much more than what meets the eye, it is more about the minds than anything else. With much less of a predictability factor, the movie is a fine work on the psychological side, as you keep looking forward to what happens next. Last year, Amazon Prime Video had The Voyeurs as one of the biggest exclusive releases, and this time after Kimi, this one stays a step ahead. As most of us continue the trend of not going to the theatres anymore, this release in the OTT platform adds to the interesting list of movies that we have watched at home. After all, home is the best place to watch movies these days, as we avoid the Corona virus as well as those overpriced petrol prices, parking fees and food.

Release date: 18th March 2022 (Amazon Prime Video)
Running time: 115 minutes
Directed by: Adrian Lyne
Starring: Ben Affleck, Ana de Armas, Grace Jenkins, Kristen Connolly, Tracy Letts, Dash Mihok, Dash Mihok, Jacob Elordi, Lil Rel Howery, Brendan C Miller, Jade Fernandez, Finn Wittrock, Michael Braun, Devyn Tyler, Michael Scialabba, Jeff Pope, Paul Teal, Juliet Brett, Damon Lipari, Joel R Martinez, Jaren Mitchell

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@ Cemetery Watch
✠ The Vampire Bat.

Salute

Vampire Owl: This movie surely had our attention early enough.

Vampire Bat: Yes, we noticed something about this one quite long ago.

Vampire Owl: We have all been fond of such thrillers.

Vampire Bat: This seems to be something on the lines of Meppadiyan.

Vampire Owl: Yes, a thriller which seems to reflect the usual happenings.

Vampire Bat: A thriller that makes us more conscious then!

Vampire Owl: We should be better aware of the human world for sure.

Vampire Bat: We can never be aware enough about human evil.

Vampire Owl: Yes, but it is always better to be prepared.

Vampire Bat: Well, you will know that you can never be enough prepared for anything what the humans can offer.

[Gets a vegetable pizza and three cups of iced tea].

What is the movie about? :: SI Aravind Karunakaran (Dulquer Salmaan) was one of the investigating officers on a murder case which was investigated by him and his brother who is also in the police force, DySP Ajith Karunakaran (Manoj K Jayan) along with a few others. They find the only person who holds a definite grudge against the murder victim and had also spoken against him – the same person had so many motives to commit the murder. The police feels cent percent sure that he was the one who committed the murder, and plants evidence against him, leading to his arrest. It is at the same time that another person seems to be linked to the murder, but the same police officers decide not to investigate on the case any more as it is closed, leaving everything to the court. Aravind is not happy about it though, and wishes to make a difference. But his brother and other senior police officers make sure that he won’t have any access to any clues, and keeps him busy with other work.

So, what happens with the events here as we just keep looking? :: Aravind is fed up with the situation and decides to take five years leave without salary. He pursues a course in the North, and in the process meets Dia (Diana Penty) with whom he falls in love. She is the daughter of a military officer, and they start a live-in relationship. Things seem to go on in a usual manner, and then his niece Malavika Ajith (Saniya Iyappan) invites him to her wedding which is to happen soon. Ajith also asks him to come home early and be part of the preparations. He decides to return home, even though he had decided to leave his past behind. When he gets back to his hometown, he takes Dia with him, and the family members except Malavika are not pleased about the same. There, he gets the news that the man who was framed in the murder is now convicted in the case. He decides to cancel his leave and ho after it once again. But can he solve the case better this time, after so many years?

The defence of Salute :: It can be seen that Salute keeps the whole thing procedural, and there is no masala which is often added with the usual police movies which are more categorized to action rather than anything else. Some of the Bollywood movies have brought us shame in the recent years with their depiction of police officers, and I am sure that most of the sensible people wished for a change – mass masala is indeed not a genre, and is the lack of creative imagination and skills. Even for those films without much of action added, this remains very realistic in comparison. The emotional side also remains strong throughout the movie, as not all battles here are meant to hurt the others, and yet requires to serve justice. The way in which the story is told, as it moves from one point to the other, is to be applauded. It also have very less predictability in its working. There is the reflection of the intelligence of the writers and director displayed at regular intervals though the progression of the tale.

Positives and negatives :: The movie talks about impersonation, which happens rather too often than one would think about. It is something which can easily happen in our world, as people tend to believe others rather too easily. Some people have the skills to talk very well, and in the end, the common man will only end up believing the person and as a result, is cheated. The movie is still slow, and it has a little too much of a length than what was needed – maybe it could have been shortened by removing a few moments with the romantic side or family drama. This is also not the movie for everyone, as some people will be looking for a much different thing. You don’t get an invincible hero here, but you do get the faceless villain, and there is a certain amount of beauty related to it. Along with the same, there are many red herrings, and as we move from one clue to the other, we feel that we are so close to finding the person responsible for all of these, but the slip is so nicely orchestrated around here.

The performers of the soul :: This indeed among Dulquer Salmaan’s best movies in some time, and he has given the right controlled performance required for this particular role. There is no beating up the villains or taking the extreme measure to catch one of them – he is a flawed character like the one Prithviraj Sukumaran played in Memories or Joju George played in Joseph, even though much younger and more energetic. Dulquer plays the police officer who is held between the requirements of duty and family really well, and in between all of these, romance was indeed unnecessary. I am not fond of people who remember Dulquer for movies like Bangalore Days – he needs to come the mind for works like this one! On the other side, there is Manoj K Jayan, and the tension between the two brothers are shown very nicely, as the veteran actor also comes in strong as the elder brother and superior police officer. Diana Penty’s Malayalam debut is good to watch, but nothing much is added by the character. Saniya Iyappan plays the happy and cheerful niece well. There are a good number of people who play the police officers well here too.

How it finishes :: Salute is not your conventional police investigation thriller, as it follows a path which is much better, even though not for the taste of the typical fan boys. This is also a good reason for the movie to release on the OTT platform rather than the theatre. Movies like this one will not have that much of an appreciation from the usual crowd of the theatres, but with the release on SonyLIV, it has reached a bigger audience all around India – it is the kind of crowd that would be happy with divergent movies like this. With a fine narrative style, and having no police officer who throws people around, we are into the realistic mode – the cop here is not perfect, and neither is the world around him. We see the reflection of our own universe, for the usual police movies with throwing people around seem to belong to another multiverse, a parallel universe where the protagonists are superheroes with special powers which will bring the DC and Marvel metahumans to shame. We are real, and so is this movie – there is no wrong turn.

Release date: 17th March 2022 (SonyLIV)
Running time: 143 minutes
Directed by: Rosshan Andrrews
Starring: Dulquer Salmaan, Diana Penty, Saniya Iyappan, Manoj K Jayan, Lakshmi Gopalaswamy, Saikumar, Binu Pappu, Alencier Ley Lopez, Sudheer Karamana, Deepak Parambol, Irshad, Rajesh Sharma, Boban Alummoodan, Ganapathi S Poduval, Indrans, Vijilesh Karayad, Maala Parvathi, Nitin Thomas

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@ Cemetery Watch
✠ The Vampire Bat.

The Woman in the Window

Vampire Owl: There is a vampire in the window if you look around from here.

Vampire Bat: It is only a picture of the vampire in that mansion.

Vampire Owl: Why would someone put a picture up like that?

Vampire Bat: Maybe it is someone who wishes to be popular.

Vampire Owl: I should put my picture on the window too.

Vampire Bat: We are not that kind of vampires.

Vampire Owl: We are still the kind vampires around here.

Vampire Bat: Why should vampires be kind?

Vampire Owl: Kindness is a quality which can be used to fool people easily.

Vampire Bat: Vampires do not fool people. Humans do. They lie, cheat, steal and murder all the time.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Anna Fox (Amy Adams) lives alone in an apartment in Manhattan, New York after being separated from his husband Edward Fox (Anthony Mackie) and daughter Olivia Fox (Mariah Bozeman). She always try to cheer herself up despite the loneliness, and has good support through the phone. Anna suffers from agoraphobia, leading to a lot of anxiety about her surroundings and she observes her neighbors from a second-story window, and that includes the Russell family who recently moved in across the street. She has a large number of medications to take on a daily basis, and also goes on with a lot of alcohol consumption. David Winter (Wyatt Russell) is her tenant who lives in the basement area of her home, and often helps her with some househould work as well as repairs. She does feel lonely at times, and has talks with Ethan Russell (Fred Hechinger), the boy who lives as part of the Russell family, and is upset for some strange reasons – she tries to use her skills as a former child psychologist here.

So, what happens with the events here as we just keep looking? :: Anna continues to see the world around her in suspicion and feels that her neighbours are up to something all the time, and that Ethan suffers due to the same. Soon, she also comes across Ethan’s mother, Jane Russell (Julianne Moore), who has some good moments of talk with her, making her happy and relieved. This leads to her believing that Ethan has an abusive father. One night, Anna hears a scream from the Russell family home and then sees Jane being stabbed to death in the living room, but she is not able to find who exactly did that. She has a camera, but forgets to take a photo in panic. She contacts the police, but they do not believe her, and tells her that everyone in the family is just fine. At the same time, Alistair arrives at her home along with his wife, who is a different woman from the one she had met earlier. The police as well as the neighbours tell her that she is hallucinating and making up things, and David also has the same opinion. But she decides to keep spying on the Russells, but it won’t be an idea which will help her.

The defence of The Woman in the Window :: Here, we do have a murder happening, without the surety that it is real, and one would wait for the twist which is to happen at some point of time, as there is the feeling that something is not right, throughout the movie. It puts almost everyone in the line of doubt, and one keep guessing, only to find out that there are not enough clues to completely focus on one suspect. The movie does mix agoraphobia well with the happenings, and we know that it is something that needs serious attention. It is the kind of thing that many of us do feel, and while reading about the same, I have felt that I did have similar problems on many occasions too. I have felt my world to be unsafe with no escape, and had continuous fear and discomfort with regular nightmares for months, as I kept at home for a very long time, and very rarely, I did go out, and that too only with people by my side. Therefore, I was able to connect to this lady very well, and there are moments which make us believe that one of them could be speaking the truth, but that person actually changes as movie progresses.

The claws of flaw :: The Woman in the Window is quite a slow movie, and that is indeed strange, because there were so many occasions here where some more material could have been added to strengthen it further. It could have also focused completely on agoraphobia, and also divide the world into reality and hallucination – it instead focuses on dialogues and what the main character is doing without focusing on the relevant. The time that it takes to start moving is also a little too much, and the revelations could have been made in a more powerful manner, for here we just have it done quickly. It could have also speeded up things at least during those moments which are rather thrilling. The focus on the killer is also a little too less, and we end up not watching enough of his actions of terror and the murders also stay a little too much outside focus. The whole movie focuses on one place with one type of action being focused, thus maintaining the unity of action and the unity of place among the three classical unities talked about by Aristotle, but by doing the same, this movie doesn’t really focus that well on both to elevate the movie, and thus rather brings it down.

The performers of the soul :: If there is a movie starring Amy Adams, I would rarely choose not to watch it, and a thriller does suit her as much as the many genres which she has explored in the past in her career. Nocturnal Animals and Arrival had some fine work being done by her, and both of them were movies which were slow enough too, and you do remember her as a Disney princess too. The superhero movies fans would recognize her more from Man of Steel, Batman v Superman: Dawn of Justice and Justice League – well, she is a well-known actress in this part of the world too, and she surely deserved a quicker movie rather than this one. Gary Oldman plays the man who seems to be full of mysteries, and also the one the protagonist feels, is a murderer. He surely has his secrets, and the role is played with a certain amount of class being added there. Julianne Moore seems to be there more as playing a guest role rather than anything else, but we remember her for that scene. Fred Hechinger plays the boy well enough, while Wyatt Russell has his moments. Brian Tyree Henry has memorable times as the detective too.

How it finishes :: The Woman in the Window is the slow thriller that just manages to keep you interested by throwing something in here and there, serving well as the psychological thriller that it is. You do have the doubt about whom you should doubt, even though there is no specific assertion on where you should concentrate that particular feeling. My first thought was that this could be a movie like The Voyeurs, but that is not the case – being a psychological thriller, that path could have also been taken, but The Woman in the Window takes the safe one, lacking in courage and thus being not ready to take the tougher step. But it is nice to see that it still works, and has enough steam to keep it going – the usage of the word “steam” is more relevant than it seems, as it is not innovative or better equipped as some of those newer films are. Well, it can always do better, and if you are standing at the window, witnessing something terrifying, this won’t be the rest during most of the times. The Woman in the Window doesn’t seem to think that further on the same.

Release date: 14th May 2021 (Netflix)
Running time: 100 minutes
Directed by: Joe Wright
Starring: Amy Adams, Gary Oldman, Anthony Mackie, Fred Hechinger, Wyatt Russell, Brian Tyree Henry, Jennifer Jason Leigh, Julianne Moore

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@ Cemetery Watch
✠ The Vampire Bat.

Wrong Turn

Vampire Owl: I have always taken the wrong turn intentionally.

Vampire Bat: Why would you do that?

Vampire Owl: Because it has made all the difference in my life.

Vampire Bat: Your life is not that different from anyone else.

Vampire Owl: I don’t see why you are not able to find the difference.

Vampire Bat: You are actually supposed to take the road less travelled.

Vampire Owl: The wrong turn can also lead to such a road.

Vampire Bat: It is only a distant possibility. It can also lead to nowhere.

Vampire Owl: There is no nowhere for a vampire. There is a place everywhere.

Vampire Bat: Well, you can make the claim, but achieve nothing.

[Gets a vegetable samosa and three cups of black tea].

What is the movie about? :: Scott Shaw (Matthew Modine) travels to the countryside to search for his missing daughter, Jennifer Shaw (Charlotte Vega) who had promised to text him regularly, but he hasn’t heard from her or the others who were with him. The locals are not really helpful, and some of them feel that there is no use in searching for them, as the forest is very deep, and so many days have passed after the last information was provided about them. But he decides to keep looking, with some hope. Then, it goes to a flashback. Accompanying Jennifer, there were her friends as well as her boyfriend, Darius Clemons (Adain Bradley) and friends from college, Milla D’Angelo (Emma Dumont), Adam Lucas (Dylan McTee), Luis Ortiz (Adrian Favela) and Gary Amaan (Vardaan Arora). They only have hostility from local people in the bar, especially from a man named Nate Roades (Tim de Zarn), who asks if they need a guide, but the boys make fun of him. The whole bar seems to be not happy about their presence now and the encounter.

So, what happens with the events here as we just keep looking? :: Jennifer also meets a strange woman called Edith (Daisy Head) who has a young mute girl, Ruthie (Rhyan Elizabeth Hanavan). At night, they also see a strange figure standing and looking inside their car, only to see the person quickly disappear. The woman at the hotel where they are staying tells the group to stay close to trail, as nature can be very unforgiving. There are also shadows moving near their hotel rooms at night. They do find some beautiful scenery, cliffs and waterfalls, and the trek surely begins very well. They decide to take a few steps away from the usual trail to find a historical fort along with more of the scenery. But on the way, a tree falls, and despite everyone trying their best to move away from it, Gary is killed in the most brutal fashion. Jennifer tells the group that she had seen a person out there, but nobody really believes her. It starts raining, and the group feels that they are lost, as it is night, and there is no mobile phone network available for any of them.

And what is to follow with the horror that awaits them in the forest? :: They decide to set a camp out there, and wait till the climate gets better or at least until there is light. Jennifer once again feels that there is someone walking near the camp, but doesn’t tell anyone because she feels that nobody would believe her, and it could have also been the shadow of a tree in the wind. But the very next day morning, they find out that Milla is missing, and so are their mobile phones, and any gadget they possessed. They realize that they were sleeping in a graveyard. They also find a foundation being laid for the true and blessed America. They also come up against Ruthie in the forest, and as Adam tries to chase her, he is caught in a trap, and is dragged underground. They try to look for him, only to find him being blindfolded and taken away by two people in deer skull masks. They feel that there are many other people in similar masks walking around them, and there are also a good number of traps being set at different parts of the forest. Can they survive this, or are they walking directly into a massacre?

The defence of Wrong Turn :: Wrong Turn manages to be an interesting reboot of a franchise which has run strong for quite a long time, even though it did lose some of the way with the later titles. The franchise has never stepped back in being the model slasher horror, even though there were setbacks with the story and characters in the later movies. Here, even though the movie begins in quite the usual manner, it gets better with progression, and the second half of the film is a thing of quality, raising itself to a reboot to look out for. The trial scene is among the best that a movie of this kind can offer. Charlotte Vega as the scream queen does own the movie, and is at her best during the sequences of fear within the forest and the later trial. Unlike how it looks in the beginning, the character does undergo a fine transformation in the middle and later stages of the movie. We are yet to see how she would in other horror films, but we are hopeful about that. Overall, the movie is successful in seemingly creating a world from where nobody seems to be able to even think about escaping in one piece.

The claws of flaw :: The ending is not that effective though, with the shots during the credits. The movie should have just ended just before the credits started rolling – maybe, they can have a black screen added there so that there can be a better setup for a sequel, which should be there without fail. The main performers other than the leading lady are not that effective around here, maybe because their characters had to be dumb to suit a slasher horror movie’s killers and their work. It is after at least two of the trekkers die, that things get more interesting. The movie, even though not that long, does take some time to get things quicker and sharper. It could have also used some of the common elements from the previous movies, but this one seems to play nice on many occasions without taking the risk that the earlier films had taken. It is their lack of understanding about what people want to see in a slasher horror classic which is Wrong Turn, as much as The Hills Have Eyes. Well, this is a slasher film with a fine premise, I would leave the advice to use the creative imagination and make it rise above the rest instead of leaving its own message messed up.

How it finishes :: This is my first review of any Wrong Turn movie because there has been only one film in the franchise releasing after this blog started, and that one movie never really came to the theatres here even in a highly censored form, and there was never really any chance to get it in electronic format here, without OTT platforms or with people finding interest in slasher horror. Therefore, this one is basically a requirement for me as a movie reviewer, a title which I have held since the early 2000s, even though this blog started only in 2013. I had to remove my earlier writings in blogs as I couldn’t find them worthy enough after starting this one after finishing my MA English Language and Literature. Well, this blog or web site was started to prove a few people wrong, and it doesn’t matter what I gained or lost with it, as I am glad to have this running. I am also happy to watch this reboot which maintain a lot from the original series, even though the main elements of those movies could have been here for more. This is above many horror movies of the time, that is for sure.

Release date: 26th January 2021
Running time: 109 minutes
Directed by: Mike P Nelson
Starring: Charlotte Vega, Emma Dumont, Daisy Head, Adain Bradley, Bill Sage, Dylan McTee, Matthew Modine, Vardaan Arora, Tim de Zarn, Rhyan Elizabeth Hanavan, Chaney Morrow, Damian Maffei, Mark Mench, David Hutchison, Chris Hahn, Valerie Jane Parker, Daniel R Hill

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@ Cemetery Watch
✠ The Vampire Bat.

Things Heard and Seen

Vampire Owl: I have seen and heard many things.

Vampire Bat: Yes, we have to see and hear a lot these days.

Vampire Owl: I have seen and listened to more specific things.

Vampire Bat: We, vampires are supposed to have a shared vision too.

Vampire Owl: Well, we are now in an age of respect for privacy.

Vampire Bat: You have a lot of privacy within the coffin.

Vampire Owl: It is just undead privacy. That won’t count.

Vampire Bat: Why do you require so much of privacy these days after sleeping in cemetery for most of your life?

Vampire Owl: The world has changed, even though we haven’t.

Vampire Bat: And you want to change against all vampire traditions.

[Gets a vegetable samosa and three cups of black tea].

What is the movie about? :: It is the year 1979, and Catherine Claire (Amanda Seyfried), an art restorer, lives in Manhattan with her husband George Claire (James Norton) and daughter. When George gets the job of teaching art history at a college, the family is forced to move into a huge farmhouse in the countryside of New York. The house seems to be really old, belonging to the 1800s, and is a big house, which is available at a small price. As an art restorer, Catherine instantly falls in love with the place, and it also has a piano which seems to have been abandoned for a long time. The child is first one to be scared in the house, even though the parents are more interested in the beauty of the place as well as the low cost. George is happy to be in the new college campus, but Catherine feels isolated in the house. Catherine employs brothers Eddie Vayle (Alex Neustaedter) and Cole Vayle (Jack Gore) from nearby to take care of the house, while she remains obsessed about her gaining weight, and eats very less.

So, what happens with the events here as we just keep looking? :: Catherine finds the family tree of people who were living in the house before. She also comes actoss an antique ring, which she starts wearing. Their daughter continues to wish to sleep with her parents. Catherine goes to the Historical Society, and tells them that she wishes to volunteer for their programmes, as she is new to the town, and loves to meet the people around. There, she finds the old photos of the house, and of the people who had originally built the house. George meets Eddie’s cousin sister Willis Howell (Natalia Dyer) in a library, and they start an affair. He is also quite popular in the college too, despite giving up fine arts to focus on the theory. Catherine become friends with George’s colleague Justine Sokolov (Rhea Seehorn), while George remains close to the department head Floyd DeBeers (F Murray Abraham). Their daughter keeps telling them that she had seen a lady in her room, and Catherine has the eerie feeling, but George dismisses both of them, but for how long?

The defence of Things Heard and Seen :: The movie can boast about a beautiful as well as eerie setting which is present throughout its run. A number of paintings from the Hudson River School, a mid nineteenth century American art movement influenced by Romanticism, can be seen here throughout the movie, and the beautiful paintings often reflects different parts of the setting in movie itself. As they nicely depict the Hudson River Valley and the surrounding area, we also wonder if there could be a similar movie about British Romanticism, reflecting what the Lake Poets of the time had penned down. The focus on relationships do happen, and the emotional as well as dramatic side is strong, even though overdone at times, with some moments not really making that much sense related to the situations. The performances are of top quality, and the twists are very much effective – there are many of them, as we look around. You have to love how things come together in the end here.

The claws of flaw :: The movie does feel a little long, as it takes some time to keep things going forward. It seems to be on a struggle to establish everything right at the beginning, and later, the struggle makes way for the lack of pace, and then there is another struggle to end things. It shows so much promise in between, and then it just misses out on the whole thing. There are lots of slow moments in between, and speeding up or removing the same would have made this film no longer than one and a quarter hours instead of the two hours length which seems rather too much. It seems that it has also kept the elements of horror to the minimum, and the focus is shifted to drama instead. The movie is basically categorized as horror, but it is more of drama and mystery – the chances to have some terrifying sequences in this atmosphere have not been taken, and it is a shame that despite finding so many opportunities, they have let it go. The idea is really good, and they haven’t really used it to the best effect.

The performers of the soul :: I have loved most of the early movies of Amanda Seyfried, and she shines in this one too, even though there is the feeling of being a little tired. This still won’t be among my favourite performances or movies of her, but with the focus on her, she maintains the character with all characteristics, without failing at any point. The work of James Norton is solid, and the realization of the true nature in him comes through stages – a character with many faces, but is much lovable at all places. You will also notice how Natalia Dyer comes in, does a fine job in the few minutes when she is there. Alex Neustaedter also blends in to the role really well, and so does Jack Gore who plays his brother. Rhea Seehorn comes with a nice performance in a role which has more than what it seemed in the early stages of the movie. One can say the same about F Murray Abraham who also has more to contribute than we would think. Emily Dorsch’s ghostly appearance doesn’t get what it deserves – no spirit in this movie gets what was deserved.

How it finishes :: Things Heard and Seen is a slow moving drama and mystery film with horror taking the backseat as if it is terrified of the dramatic elements. But it still works with some fine twists, and there are the surprises which were not thought about before. The final few moments take the thrilling path, and there are also some symbolic moments to go with them here. The title would also seem to make perfect sense as the movie reaches the final stages, and big revelations are made. It doesn’t go through the path of usual horror movies due to the mixing of genre, and therefore, we have no need to expect The Conjuring, Annabelle, The Nun, Insidious, Sinister, Deliver Us From Evil, The Curse of La Llorna, or anything like that which brings some direct horror with the evil sprits. This movie is certainly not about that kind of horror. This one just flows slowly with the drama, as mysteries are revealed, and finally ends with the twists in a thrilling few moments. You can watch this particular movie only with this type of expectations.

Release date: 29th April 2021 (Netflix)
Running time: 121 minutes
Directed by: Shari Springer Berman, Robert Pulcini
Starring: Amanda Seyfried, James Norton, Natalia Dyer, Rhea Seehorn, Karen Allen, Alex Neustaedter, Jack Gore, F Murray Abraham, Michael O’Keefe, Emily Dorsch, James Urbaniak

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@ Cemetery Watch
✠ The Vampire Bat.

No One Gets Out Alive

Vampire Owl: I used to say this to some of the vampire apprentices.

Vampire Bat: How long ago was that? We haven’t had apprentices for a long time.

Vampire Owl: I don’t count the centuries anymore.

Vampire Bat: You can still count the years well enough.

Vampire Owl: The years mean too much counting for my liking.

Vampire Bat: Well, you don’t really get older every year. You are immortal.

Vampire Owl: Immortality only stops the body from getting old.

Vampire Bat: You cannot continue to take it as a curse.

Vampire Owl: We don’t get to be that evil as humans. It is a curse.

Vampire Bat: We are better without human level of evil. It is too much to handle.

[Gets a sweets puffs and three cups of mixed tea].

What is the movie about? :: Ambar Cruz (Cristina Rodlo) is an undocumented Mexican immigrant, and has no id which restricts her. She moves to Cleveland after the death of her mother, whose illness hadn’t allowed her to lead a normal life. She finds a place to stay at a cheaper rate than usual, with Red (Marc Menchaca) as the caretaker of the boarding house which has a few floors where only her and Freja (Vala Noren) are staying. It seems that Freja is not the kind of person who wishes to talk to people much, but Ambar does hear her crying from her room. She has to pay a good amount of money in advance for the apartment and gives a co-worker the remainder of her savings to obtain a fake ID that will allow her to continue working, but her newfound friend cheats her and leaves with the money. It also seems that Red has a sick brother Becker (David Figlioli) who bangs his head against the door all time, and it is not that only strange sound in the building.

So, what happens with the events here as we just keep looking? :: Ambar’s slow working speed doesn’t allow her to get any appreciation from her boss, and as she continues to ask him for some advance pay, she is fired from the job. Now, with no money to pay, the only way forward for her is to get a refund from Red who is hesitant to provide the same. She doesn’t have anything to do with the building either, as she begins having some strange visions, which are nothing less than nightmares. But she returns to ask for the refund again, as she needs the money after being left on her own, not able to contact her distant relatives and having no money to survive, after losing the job. Soon, two Romanian women also seem to join the boarding house, and Red assures her that he will get her the refund from their deposits. She has some relief when she hears that, but that doesn’t stay as a few sinister secrets about the boarding house is revealed to her. Now, this will no longer be all about money and job.

The defence of No One Gets Out Alive :: This movie manages to be effective in more than one way. It is indeed an effective horror film with its own twists, but one can also safely say that No One Gets Out Alive is more than that. It also shows the struggles of an immigrant, which is depicted on the other side of the horror in a way that we appreciate the same. The movie plays with the lights and uses darkness effectively to make the horror effects get better. The eerie feeling is maintained well throughout the movie, and so is danger lurking at the corners of darkness. The film provides the scares in not just one way, but further, as we know that hopelessness can lead to desperate measures being taken. connects the whole thing to the monster nicely, and we see the creature as the movie nears the end. They seems to have worked with this one seeing a possible sequel, as there is that box, and a monster which is nothing less than an ancient demon which reminds us of how Sinister had prepared its premise and proceedings.

Positives and negatives :: There is always something special that can be done about strange houses with secrets, and this boarding house could have brought more innovation to the same. This one has a few things predictable instead, even though it does bring the much unexpected twists too. It also brings to us, some of the creatures from myths which we have no idea about. The creepiness that this movie maintains remains worthy of appreciation at all times, thanks to the atmosphere and surprises that one boarding house brings. The movie is based on a horror novel by British author Adam Nevill which was published in 2014. Having such basic material means that there has been something to work on, and develop all the time. The human antagonists in this movie are more disturbing than the creature that does what it is supposed to do – it is basically a good turn towards truth, as we knew this all time. Demons are evil because they have no choice, but humans are evil because they choose to be evil, for their selfish needs – that much is once again clear, as depicted in this movie. You can often trust a demon more than a human.

The performers of the soul :: Cristina Rodlo plays the lead here, and it seems only perfect that a Mexican-born actress is chosen for the role. There is something that makes her suitable for all the horror too, seemingly suiting the scream queen situation really well. Other than that, she also deals with the emotional sequences with great skill. I had earlier read the name as Christiano Ronaldo, with a spelling mistake – now that sounds as strange as the monster that we see in this flick. The monster is an entity in itself, and maybe, we can use it as another character of interest, with its origins tale also being told from an archeologist’s point of view. The girls other than the main character could have been used better, especially the Romanian girls who do seem good to contribute further towards the movie – they all look perfectly suited to live through a horror film. Marc Menchaca as Red does come up with a strong performance too, while David Figlioli as Becker manages to be all about muscles, becoming a near unstoppable villain.

How it finishes :: No One Gets Out Alive works well with its horror options, and serves more than what meets eye. The title nicely serves the purpose too, as the film deals with that kind of a monster. Moving away from the usual demonic spirits of The Conjuring, Annabelle, The Nun, Insidious, The Curse of La Llorna and others, we have the variation of a creature here, that makes grand appearance as the movie moves towards the end. Here, we have a horror movie with a human touch, as it shows the struggles that the main character, an immigrant, has to go through. We don’t usually get such a good, detailed background story for the protagonist – here, the focus is mostly on her rather than anyone else. Even though Corona virus pandemic might have other ideas every time, we are always looking for some horror with monsters too. After all, the big monsters from other worlds are as significant as the human monsters and the little viruses causing trouble. As you understand the same, you take this horror into heart.

Release date: 29th September 2021 (Netflix)
Running time: 87 minutes
Directed by: Santiago Menghini
Starring: Cristina Rodlo, Marc Menchaca, Joana Borja, Victoria Alcock, Phil Robertson, Moronkẹ Akinola, David Barrera, David Figlioli, Vala Noren, Alejandro Akara, Mitchell Mullen, Jeff Mirza

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@ Cemetery Watch
✠ The Vampire Bat.

Night Teeth

Vampire Owl: And finally, we have another vampire movie.

Vampire Bat: I don’t think that this is about our kind of vampires.

Vampire Owl: They seem to drink blood really well.

Vampire Bat: Yet, they seem to be like a new group of vampires.

Vampire Owl: There is no new or old groups among true vampires.

Vampire Bat: You were the one leading the protest against the new batch of sparkling teenage romantic vampires.

Vampire Owl: Well, I have now become a more inclusive vampire.

Vampire Bat: You are acting like the Vampire Chameleon.

Vampire Owl: That guy has been dead for years now.

Vampire Bat: Yet, you are trying to replace him.

[Gets a chocolate cake and three cups of tea-coffee mix].

What is the movie about? :: Vampires and humans have co-existed through the years, and the former has fed from the latter only through a mutual agreement, which means that there was no chance of a battle between the two races. The living and the undead has kept on going without any problems coming in between. There was also a truce, and as vampires continued to get better, humans continued to make themselves believe that the creatures of the night didn’t exist. Vampire continued to try and hide their existence, not feeding on the unwilling and never entering the human area without permission. Benny (Jorge Lendeborg Jr) is a college student who is working part-time as a as a chauffeur, temporarily replacing his brother Jay (Raul Castillo), who was going to apologize and make up with his girlfriend. Jay has also realized that the vampires have broken the pact and entered the human area, also feeding from a lot of them, as well as committing murders. His girlfriend Maria (Ash Santos) is also among the latest ones taken by the vampires as many encounters happen.

So, what happens with the events here as we just keep looking? :: Benny, a Spanish speaking immigrant, is the usual local college student who is not aware of all of these, and was going on with his happy and carefree life until then. He was the one who forced to Jay to let him be the driver for a change. As he goes to the rather rich area to pick up the riders, he meets Blaire (Debby Ryan), who seems to be really friendly. The other girl Zoe (Lucy Fry) doesn’t seem to be that friendly, but does seem to be talkative enough, in a strange manner. They even talk about the possibility of this being his last day on Earth. They do arrive at grand location where the party is taking place, and he hears a woman screaming from inside. At the same time, a war between vampires and humans are coming, because a very rich and influential vampire lord Victor (Alfie Allen) is the person who has intentionally broken the truce for no reason. Jay is actually part of a human group which is charged with maintaining the peace between the two races. As Jay and his friends start hunting down the vampires, Victor plans to finish off his fellow lords and gain all the power. So, what role does Benny play among all these around here?

The defence of Night Teeth :: There are some very interesting scenes in this movie which once again brings the vampires to the human world without pretensions. One has the feeling that this could go the Twilight way and make a mess of the whole thing with full teenage vampire romance, but such a thing doesn’t happen at all. The visuals are nothing less than stunning, as we go through this vampire-infested world in the nights with classic style buildings and lights – the blood also runs strong here, adding to the overall creepy beauty of the atmosphere. The pace is always good around here, and the vampire situation that we see here has been nicely arranged. The vampire-human clash in the city is basically like something that we have seen before, but being much better, like a battle between gangs or races nicely set in a better environment with a divergence. There is a continuous flow of a beautifully stylish world that is going on here, with a touch of horror, as blood runs through. Even without that much of backstory being told, the tale goes on really well.

Positives and negatives :: The movie does succumb to the usual tendency of such vampire stories to go through the predictable path, and that which appeal only to a certain amount of audience. Yet, it manages to come back up in the path whenever it seems to be a little lost, with the style and some nice humour that seems to come as a welcome addition. The humour comes in to join the horror and the thrills, and makes them more entertaining. It is a reminder that the funny side can compliment a horror movie really well, and it was what the film, Black as Night had missed while trying to add some dumb humour and some nonsensical history in between. The cast has also been perfectly chosen, even though there might still be some names which one would also like to have around here. There are some fine action scenes in here, that is for sure, and the vampire girls lead in that quite well. The movie also sets a fine ending which has scope for a future sequel. The music is really good, and set things up nicely for the happenings of the world. The movie does have some good fangs at the needed areas.

The performers of the soul :: Jorge Lendeborg Jr plays the protagonist caught between vampires really well – he seems to suit the situation nicely. He has the confusion being dealt with nicely, but even has enough to be a vampire himself. Yet, there is nobody who suits the nice vampire role better than Debby Ryan, who also has her moments of vampire intensity. One another day, she could be part of a horror slasher movie as a scream queen too, with blood seemingly doing well with her. Lucy Fry had played a vampire about seven years ago, and she is doing it again – this time, she is part of a much better movie, and has a lot better role to perform, as she becomes the perfect nocturnal creature in need of blood and enjoys all the violence that she inflicts. She has the kind of look here that one wouldn’t doubt if she is not really a vampire, even from a distance. I would love to have her as a major antagonist in more than one horror movie. Raul Castillo and Alfie Allen are the strong ones belonging to two sides. One would also love The Voyeurs‘ own lovely Sydney Sweeney and the always charming Megan Fox playing two superior vampires, but we could have actually had more of them here, especially the former who makes a very interesting character in a short time.

How it finishes :: We are never short of the need of the vampire movies to entertain us, for vampirism shall never leave the audience, being an idea of quality since Lord Byron’s physician, William John Polidori published the first vampire novel, The Vampyre. After all, vampires are as immortal in literature and cinema as the vampire characters happen to be in fiction, their immortality in their ability to entertain the viewers rarely questioned. This one, with a touch of the modern age, doesn’t fall behind, even though I did have my doubts after watching the trailer. Well, this is one of those movies which manages to do a lot better than what the trailer had brought us – the movie seems to realize that its strengths are best shown as a whole rather than in parts. You are going to remember the humour in this movie as much you remember those moments of action with blood having a say. In the end, you will remember that the vampires are forever, and they will keep coming back in different forms in different movies like the certainty of Corona virus taking different forms and coming back for more of infections.

Release date: 20th October 2021 (Netflix)
Running time: 108 minutes
Directed by: Adam Randall
Starring: Jorge Lendeborg Jr, Debby Ryan, Lucy Fry, Raul Castillo, Megan Fox, Alfie Allen, Ash Santos, Marlene Forte, Bryan Batt

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@ Cemetery Watch
✠ The Vampire Bat.

Kate

Vampire Owl: I don’t know many Kates from around here.

Vampire Bat: You do know Kate Winslet and Kate Beckinsale.

Vampire Owl: They are certainly not from around here.

Vampire Bat: They are still part of our large film universe.

Vampire Owl: Universe is never that large, as we look at it.

Vampire Bat: Well, this movie and its performers can be part of it.

Vampire Owl: Mary Elizabeth Winstead has always been part of it.

Vampire Bat: Okay, you do remember her movies which suited us vampires’ tastes.

Vampire Owl: Living through so many centuries, tastes do change.

Vampire Bat: The world does change, but do we? In this realm, can we?

[Gets a ghee roast and three cups of ginger tea].

What is the movie about? :: Kate (Mary Elizabeth Winstead) is an experienced assassin who has Varrick (Woody Harrelson) as her handler. She is also an expert sniper who has never missed a target in her long career which has focused mostly on the use of sniper gun and long distance shots. Varrick was also the one who trained her, right from childhood itself. Kate has to come to Osaka in Japan to kill a leader within a powerful yakuza mob, but only just manages to hit the target, after a child comes in the way. Even though this hit was also a success, having to kill someone in front of a child bothers here, leading to an emotional turmoil. She intends to go for one final mission, and then begin a new life, as a commoner. But before the final mission, she comes up against Stephen (Michiel Huisman) in bar. They have sex in the room, and she follows up with a sniper shot, and it is the first time that she misses one, that too, with the chance for clear shot.

So, what happens with the events here as we just keep looking? :: She understands that she was poisoned by Stephen under the instructions of the members of a crime family which is headed by Kijima (Jun Kunimura), whom she was planning to assassinate, after having already killed his brother in front of his niece, Ani (Miku Martineau). Having only a day left to live before poison gets her, she decides to kidnap Ani, and bargain with Kijima. Despite using her as a bait in the beginning, she decides to keep her safe during the mission, as the gangsters are also targeting her. Ani is the last in the line of the family, and her death would help an internal power struggle. For getting to the top, she has to get through Renji (Tadanobu Asano) and Jojima (Miyavi), and there is a long way ahead after that too. There are many complications that she has to face on the way too, as many other secrets are revealed, with the unexpected happenings that occur related to the person whom she was trying to assassinate.

The defence of Kate :: Led by Mary Elizabeth Winstead, we have female assassin for a change, instead of the usual, and with her performance in the action scenes, we feel that she makes the exact person who was needed here. The film has so many delightful action sequences, and the one at the top floor of a penthouse, and the final combat are of top quality – the style and the music are nothing less than charming. The world that this movie has created in Japan feels like a classic one, and with all the beautiful violence, you only wants to go there. The fights that we have here, are also never overdone, and would make both John Wick and Hitman: Codename 47 proud. There are also enough emotional sequences to go with it. The lighting, darkness and colours have a different feeling about them, and the we also feel a lot of Japan. After the first few minutes, almost all of the city is set in one city in Japan, and with the main character having less than twenty four hours to live, this one keeps close to the unity of time and place, as well as unity of action, one of the rare action movies to keep it close to the Classical unities of Aristotle.

Positives and negatives :: With its quick action, the movie never drags, even when adding the emotions to it – the emotional side also deserves some applause, even though it could have dealt with the same in different ways which could have appealed more, for options were surely there to be taken. Reminder of other films will also be there, but we can actually see this one as superior in action at times. The violence is there for most of the time, and it has taken with a certain amount of beauty related to it. Some parts of it can feel predictable, but it is with multiple guesses taken – many options were there and therefore one cannot correctly guess the same at all times. Some dialogues are actually there to remembered, and a few of them are like providing some messages about life, revenge and forgiveness. There is strength in the frames, and the way in which this one is taken, will need applause too. Even as you are not part of anything like this, and has never been to the city or been part of any action that comes close, you feel what is happening around, and you are engaged at all times with the assassin’s work.

Performers of the soul :: Mary Elizabeth Winstead is fantastic as the assassin, and it is the one thing that stands apart like no other. We have seen her from Final Destination 3 itself, and after slashers like Black Christmas were there, we saw her 10 Cloverfield Lane and Gemini Man, two others full of action and mystery. Birds of Prey had her as an assassin too, as the Huntress who was supporting Harley Quinn. Action, horror and mystery seems to suit her really well, and thriller seems to be her perfect genre. From 2000s itself, she has held a higher position among the scream queens, a position which Amber Heard also shared during a similar time period. Unfortunately, there is no scope for a sequel to have her back as the assassin, with this being the dead end, but one has to say that she deserved more movies like Hitman, John Wick or The Transporter. You can have her as part of these bloody genres at any moment of time, and she is sure to deliver. Miku Martineau as Ani plays a child in trauma that you are to remember. Woody Harrelson has a solid role to play here too.

How it finishes :: Kate is a strong action film which reminds one mostly of John Wick, and at times of The Equalizer, but also develops a life of its own. With Mary Elizabeth Winstead at the top, you can also feel some shots of Anna, even though the premise and the world itself is very much different. You can watch this particular movie just for the action itself, and she is more or less like a female Keanu Reeves – one would wonder if she could have actually played Matrix‘s Trinity in another parallel universe, because there is the feeling that in those clothes, and in that world, she would look almost the same. Clearly an engaging ride, Kate takes you through a fun-filled action journey which is to be remembered not just for all the melee combat, sword fights and gun shots, but also for the story with its twists, as well as the beautiful world that we see around there in between the combat. It is indeed an all-round action package, and not a movie that depends on mindless action all the time. Choose this one for full-time entertainment.

Release date: 10th September 2021 (Netflix)
Running time: 106 minutes
Directed by: Cedric Nicolas-Troyan
Starring: Mary Elizabeth Winstead, Miku Martineau, Woody Harrelson, Tadanobu Asano, Miyavi, Michiel Huisman

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Reminiscence

Vampire Owl: I do see my long lost memories on a screen.

Vampire Bat: Do not tell me that this is about another invention of Doctor Frankenstein.

Vampire Owl: He is too much addicted to the present to go into the past.

Vampire Bat: His addiction is with the impossible future.

Vampire Owl: There is no future that is impossible for Sir Frankenstein.

Vampire Bat: Do not call him that. He was never knighted by the Count.

Vampire Owl: The knighthood is not a thing of title anymore. It is something of action.

Vampire Bat: There is no action can he can come up with to deserve it.

Vampire Owl: You will know it once he is done with the grand experiment.

Vampire Bat: You call what he is doing in the so called laboratory an experiment. I call it a death wish without limits.

[Gets a vegetable samosa and three cups of white tea].

What is the movie about? :: In a not too distant future, climate change has led to the sealevels rising, resulting in a flooded Miami. The temperature has risen so much that people prefer to go through most part of their lives at night. Sooner or later, the sea is supposed to claim the whole city. Nicholas Bannister (Hugh Jackman) and Emily Sanders (Thandiwe Newton) used to serve in the military forces, but is now running a business which helps people to relive their memories in a world which has no hope about the present or the future. Most people come there because they cannot live in a present which feels disastrous, and wishes to go through their past lives again and again, often due to nostalgia, and at other times because of a loss. Mae (Rebecca Ferguson) is their latest customer who wishes to find where she kept her keys, from her memories. As the memories do get visualized every time to help Nicholas guide the customers through their past, him and Emily gets to watch most of the things which the customers have gone through.

So, what happens with the events here as we just keep looking? :: After Mae leaves her earrings behind, Nicholas finds her in the nightclub, and they start a relationship, but Emily doubts her and wonders if she has some other motive in being with him. Later, one day, Mae disappears without a trace. Nicholas tries to find her by reliving his own memories of their relationship. It is something that could trap him in the memories forever, but he continues to do so for months. Emily is disappointed about his transformation, and asks him to move on. He feels assured that someone so much in love won’t disappear all of a sudden, and something might have happened to her, while Emily feels that their business is going down as customers as decreasing. He does find her earrings in a gutter, making him believe that she cam back for him, but Emily assures him that a lot of things ends up out there, and it could be from a long time ago. When prosecutor Avery Castillo (Natalie Martinez) calls him to retrieve the memories of a suspect. But it is not something that he will like.

The defence of Reminiscence :: There was always supposed to be something about Reminiscence, as we know that it is about memories, love and a mystery which will bring the twists. The concept is brilliant, and from an apocalyptic world, it moves to science fiction, and then to a mystery with ease. It is the kind of world which we will have sooner or later, sea taking over the land as a result of global warming, and this one also has the smartness show it as a gradual thing, and not as something happening in a few days or months. Well, it is a reminder to us that we are moving slowly towards that possible end, and none of us are doing anything about it, as the rich already have their Elysium and control of most of the money, while we are fooled easily. The journey takes you through what can be called a complete package. This one is not predictable at all, and there are some nice surprises in store – the twists add to the melancholy, and as the protagonist says, there is no happy ending in real life, but we understand that there can always be beauty even in the sadness. The ending of the movie, even though not a happy one, is a beautiful one indeed.

Positives and negatives :: Reminiscence does make us feel that we have seen some of it before, as it is surely a collection of different elements merged into one – yet, you see that final moments of it feels very much unique and incredibly touching. There are some slow moments in the middle, which might be the scenes which pull this movie a little bit backwards by not adding the needed ingredients there. When thinking about the memories and a future, you are quickly thinking about Total Recall and Ghost in the Shell, but they were all action, as you look at them. This movie also has its fine dose of action sequences, and there are twists and thrills awaiting in the memories along with the charm of love. There are not many science fiction thrillers which are able to create such an emotional effect on audience, and that too related to love. Lisa Joy’s one and only full-length feature film is here to stay in the heart. You avoid that tendency to slow down, and you have a work which you can watch, and be touched in multiple ways.

The performers of the soul :: Hugh Jackman is fantastic in this movie which has him in a role which has emotions running through him so well. He also makes a charming pair with Rebecca Ferguson, a couple like we haven’t really seen before. On one side, we have the long living mutant, Wolverine with healing powers and on the other side, we have the assassin from Mission Impossible series of movies – two people of action are the people in love here. There is no other two performers who could have made this work so beautiful. While the thrills are effective and the mystery is present throughout the film, it is the romance that makes the apocalyptic future’s science fiction a thing to remember, and the dialogues from these two are to stay with us for a very long period of time. It is the kind of tale which would have everyone asking for a happily ever after, unlike those half-baked romantic nonsense served as if there is true love being shown. Negative shades are also not new to Rebecca who played the full, strong antagonist in Doctor Sleep. Thandiwe Newton is also a powerful support while Cliff Curtis’ villain is strong enough. The other thing you note here is the perfect melancholy on the face of Angela Sarafyan.

How it finishes :: I will never understand why this movie didn’t do that well at the box-office, for it is a lovely and divergent take at the same time. The mixture that this film provides is something which is suitable for everyone, with different genres touched with the power of human memories and emotions. There is the feeling of mystery that goes through this world which seems to be almost apocalyptic with a realistic feeling, and the science fiction elements nicely blend in here to make the journey better. Also a romantic movie, this one focuses on that side with supremacy in the final moments. You will find this movie to be a lot better than what the reviews say, and there is that beautiful feeling of abiding sadness and a bliss of true romance which follows you from different directions. It has that kind of performers who keeps you so engaged in it, more than how it would have been with any other. Reminiscence is the kind of movie I would recommend for most people, and it would have even done better if it had released here before the Corona virus pandemic, for the admirers of Wolverine would also love this particular avatar.

Release date: 20th August 2021
Running time: 116 minutes
Directed by: Lisa Joy
Starring: Hugh Jackman, Rebecca Ferguson, Thandiwe Newton, Cliff Curtis, Natalie Martinez, Marina de Tavira, Angela Sarafyan, Daniel Wu, Mojean Aria, Brett Cullen, Javier Molina, Sam Medina, Norio Nishimura, Nico Parker, Roxton Garcia

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@ Cemetery Watch
✠ The Vampire Bat.

A Classic Horror Story

Vampire Owl: We, vampires can make the classic horror story.

Vampire Bat: Don’t you know that most of the good vampire films were actually made by the elder vampires?

Vampire Owl: Isn’t that actually a myth which became part of normal lives later?

Vampire Bat: Their names were supposed to be in the the end credits.

Vampire Owl: Nobody got to see the end credits. They were removed.

Vampire Bat: Well, someone wanted to take all the credits, you know.

Vampire Owl: I am sure that those were some humans who played a small part in all of these.

Vampire Bat: Humans should have never been allowed to be part of vampire works, but at some point of time, there was not much of a difference between species.

Vampire Owl: Well, at least we know the human nature now.

Vampire Bat: The only true, classic inherent evil nature in the whole world.

[Gets an onion vada and three cups of black tea].

What is the movie about? :: Elisa (Matilda Lutz), an intern at a consulting firm, try a rideshare app to get to her parents’ home in Calabria in Southern Italy to get an abortion, even though she is not sure if it is the right thing to do. The recreational vehicle that she gets is driven by a travel blogger and a student of film, Fabrizio (Francesco Russo) – he is only happy to have some interesting people in his vehicle, so that his Youtube channel can get more visitors. A couple from the United States, Sofia (Yuliia Sobol) and Mark (Will Merrick) are also traveling in the vehicle to reach a wedding destination and have some good time. A doctor named Riccardo (Peppino Mazzotta) who joins them is also trying to get home as early as possible. When Elisa’s nausea causes the group to stop on the side of the road, Mark forcibly takes over driving for Fabrizio, only to hit a tree while trying to avoid hitting the corpse of a goat. Elisa wakes up in the morning and sees that the group is doing first aid on Mark’s broken leg, as the doctor takes over the procedure. They are not able to get any signal on their mobile phones, and even the emergency numbers don’t work.

So, what happens with the events here as we just keep looking? :: They soon realize that they are no longer on the road, but are lost in an open space surrounded by a forest. They are sure that they hit the tree on the side of the road, but now, no paths leading to anywhere can be discovered. It is like having an endless line of trees in all directions. They do find a house there though, but it is empty. It seems like a strange building, with some weird signs and heads of animals. The photos in the house has people wearing masks looking like heads of goats. There is also fresh blood and heads of animals in the woods nearby. At the same time, They see some paintings and writings in house about three brothers who came from another world, a long time ago. There is also the story of a strange ritual which was performed for the brothers, which involved a naked woman’s tongue, ears and eyes being cut out. Fabrizio had heard this story from his grandfather, and all of them decide to stay in the vehicle at night rather than the house.

And what more of horror is to follow here in the middle of nowhere? :: They feel that there is something going on in the house, and Sofia goes inside house with Elisa to explore further, only to find something in the attic. There is a cocoon, and inside that, there was a child named Chiara (Alida Baldari Calabria), who has her tongue cut out, and kept separately, making them remember the tale of three brothers. She is supposed to be the only survivor in the family, and writes down that there are not in a forest. They hide in the attic while Mark was dragged out of the vehicle by three masked figures, who torture and kill Mark by pulling out his eyes and also breaking his feet with a wooden hammer. After Mark’s body is dragged to the forest, they run to the woods. After finding a large number of abandoned cars, they understand that they are not the first victims of these people, and might not be the last either. When they walk through the forest, they end up at the same place, and also see that the vehicle missing. Is there any hope left now?

The defence of A Classic Horror Story :: The best thing about this movie might be its use of sound effects and also the music that relates to the situations so well, and works even better for the horror. One has to wonder how they find all the strength with the sound when we are less expecting it, and manage to have such an amazing effect. There is something for the Hollywood movies to learn here, and our films are not even close, as far as horror is considered. The visuals are amazingly good, and the beautiful scenes of nature combines with the terrifying ones really well. This strange, scary, beautiful world, is something that we can cherish, and be glad to see on the screen, wishing that this was actually there in any of those theatres. Yuliia Sobol and Matilda Lutz make pretty good screen queens, as we look at them wandering through the situations of horror – even though the latter is the female lead, the former is the stronger of the two. The male actors basically pales in comparison to these two who make have the better moments.

Positives and negatives :: The ending of the movie is a little bit of a struggle though, as it was not having some of the best twists around there either. There were so many routes which it could have taken, but it has chosen one which was so less interesting. There could have been so many terrifying truths about what is happening on the screen, and how this is like a world from where there could be no escape, but the film chooses to go through the path which is rather too easy to take, to create a twist. It might have been trying to become another one of The Cabin in the Woods, but that much of a satiric fun isn’t present in this one. There is a lot of blood and gore around here though, even as it doesn’t really go with the fully slasher horror model. The only other two Italian movies on Movies of the Soul are Pinocchio and Piranhas – this one is the first Italian horror film and the first full-thriller movie from Italy to be part of the reviews here. One has to say that as a horror fan, different people would enjoy this is different manner, depending on how much they like the ending.

How it finishes :: A Classic Horror Story surely lives up to its title, and this Italian movie has enough to keep it stronger than a good number of Hollywood horror movies. There are not many English movies which have used the available resources so well in comparison to this one. One has to question some other horror films about their use of the visuals and sound effects, as well as the urban legends which were available in a better way. If you forget the ending of this film, the rest of the whole thing makes one really care about the main characters and tensed and afraid of the terrifying world within what seems to be a forest. That particular hunt and torture are enough to wonder about the smartness behind this particular movie. Among the horror movies which have released in the last few years, this might be the one which can have the right to use this particular title. Enjoy this world, and hope that it can be inspiring for many horror movies which have lost their way completely in the beginning stages itself.

Release date: 14th July 2021 (Netflix)
Running time: 96 minutes
Directed by: Roberto De Feo, Paolo Strippoli
Starring: Matilda Lutz, Yuliia Sobol, Will Merrick, Justin Korovkin, Peppino Mazzotta, Cristina Donadio, Francesco Russo, Alida Baldari Calabria

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@ Cemetery Watch
✠ The Vampire Bat.

The Whole Truth

Vampire Owl: There is a lot of talk about truth going on around here.

Vampire Bat: It is something that humans never try to speak.

Vampire Owl: Humans haven’t been close to truth for a long time.

Vampire Bat: Truth just doesn’t suit them. They are basically liars. You cannot blame them for going back to their basic nature.

Vampire Owl: Their basic nature is related to robbery and murder.

Vampire Bat: It is really difficult to talk about human nature. They are pure evil.

Vampire Owl: Yes, which is why many witches travel to their world and try to kill a few of them or transform them into better creatures like cats and dogs.

Vampire Bat: It is the same reason why we don’t have Vampire Cats anymore.

Vampire Owl: Human existence has no real meaning related to anything other than evil.

Vampire Bat: If Corona virus makes them go extinct, it can be called a pure evil thing.

[Gets a marble cake and three glasses of mango shake].

What is the movie about? :: Mai (Nicole Theriault) is living happily with her two children, Pim (Sutatta Udomsilp) and Putt (Mac Nattapat Nimjirawat) in the city of Bangkok, until she meets with an accident on her way back home from office, on the same day that she received a promotion at her office. She is now in a coma, and even though out of critical situation, has to stay in the ICU. It is then that their grandparents come to visit them – Phong (Sompob Benjathikul) and Wan (Tarika Tidatid) takes them to their ancestral home. The house is quite a large one, and Phong says that Wan is not really well, and due to her dementia, she also needs some taking care of. At the same time, Mai has some severe injury to her brain, and it will take some time for her to get better. Until then, the two siblings will have to stay in their ancestral home, even though they are not really comfortable about it. They take everything from home, and place them at the new place, as they feel that they are for a very long time. But this doesn’t seem that good a place for them.

So, what happens with the events here as we just keep looking? :: Soon, the cat which they brought there from the original home is no longer found. They are also able to find a hole on the wall, which the grandparents don’t find to be present. They blame the children for making up things which are not there, and advises them to stop looking for cats. There is something going on in the house, and it feels really strange for the siblings. When Putt looks through the hole, he sees a strange girl on the other side, and it does seem like a strange house on the other side there. At the same time, Fame (Sadanont Durongkaweroj), a boy who studies with Pim, comes to the house and warns them about leaking a video of her showering in the gym. He is also not able to see the hole on the wall either, but is pulled to the wall, hurting his nose. He leaves the place with a broken nose, telling Pim that he will leak her naked video on the internet. As the grandmother reaches home, she sees the blood on the floor and losses her mind for a few minutes. Pim and Putt understand that things can get only worse from there, as there are some secrets out there.

The defence of The Whole Truth :: Even though this particular movie is from Thailand, there is the feeling of watching a Korean film – that kind of quality is here with the visuals. It also gets into action quite fast, and we are glad to follow it around early enough. The idea of the hole in the wall which provides some strange visions is nice, especially with the arrangements on the other side. The feeling of danger is always effectively there. This does bring some scares, but the film is more about mystery, revealing a few things about human nature, rather than anything else. The theme of the movie is related to how people only give half truths, manipulating everything to suit their own versions. The film also has a nice way of revealing everything, through visions and incidents. The way that it keeps us in suspense is good, as we are not really sure which way it is to go, not just about the ghostly figure, but also about how the leading lady’s situation would be, in the school – there are even twists about her life there, and the supernatural only comes later.

Positives and negatives :: The Rings creature feeling is there for sure, as if to provide something like a repetition, for that is one demonic presence which everyone has liked for a long time. There were also so many more possibilities for the incidents of the movie to progress, and it could have used better clarity at some parts. The ending could have also been more direct. There are moments when it makes us feel that this is going to be like The Visit, but it is surely not going that way. Also, the movie’s drama feels a lot like Indian films at times, and therefore, it is more relatable to our audience. The ghost here more like the past which continues to haunt us, reminding us of a few dialogues in Crimson Peak. The idea of the ghost trying to tell the truth, or rather the whole truth is not something new, but this one takes different steps towards it. The way in which this movie changes your expectations in between, is also notable. There is no early clue about what we have in the end, for the twists work in that way, and make this one effective.

Performers of the soul :: Among the performers, it is Sutatta Udomsilp who stands the strongest, as the elder grandchild and sister who has to stay strong in the absence of her mother. She reflects a number of scream queens which we have seen in Hollywood movies, and still has a lovely touch of divergence that relates her to horror movie stars of Bollywood too. She expresses herself incredibly well throughout the different events, from the emotional ones to the scary ones. Nicole Theriault has only the first few minutes as the mother, as she gets to face the car accident too soon, waking up much late. Mac Nattapat Nimjirawat plays the young brother figure who is weakened, pretty well. Sompob Benjathikul plays the grandfather figure with a lot of strength, while Tarika Tidatid fits into the grandmother role with ease. Sadanont Durongkaweroj plays the usual creepy boy who reminds one of the Drishyam boy who got buried under the police station, after capturing the video of the showering girl. Thasorn Klinnium, who is only there for a few minutes, also has her contribution.

How it finishes :: The Whole Truth is the first Thai movie at Movies of the Soul, and it did come late, when we look at the foreign language movies at the website. Even though there have been many movies which came close to becoming the first, this one finally made it way here through Netflix. It is rather surprising that we have already had Korean, Vietnamese, Japanese, Chinese and Indonesian movies here to add to a South East Asian list, there hasn’t been any from Thailand. This movie changes that in style. Movies like Furie, Impetigore, The Wandering Earth and Train to Busan were all movies which had something special in their own ways, coming from different countries and languages. The Whole Truth proved to be a fine example with which to start Thai films. When we had visited Pattaya and Bangkok, we did really want to watch a movie or two, but that didn’t happen because of the busy schedule of the trips. At least, that desire is fulfilled for now. As we go through the beginning of the new year, let us hope that more wishes can be fulfilled in 2022.

Release date: 2nd December 2021 (Netflix)
Running time: 125 minutes
Directed by: Wisit Sasanatieng
Starring: Sutatta Udomsilp, Tarika Tidatid, Sompob Benjathikul, Sadanont Durongkaweroj, Steven Isarapong, Thasorn Klinnium, Mac Nattapat Nimjirawat, Keetapat Pongrue, Nicole Theriault

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: 1666

Vampire Owl: And now we have to go back to the year 1666.

Vampire Bat: It is a little too long backwards, don’t you think?

Vampire Owl: Doctor Frankenstein is preparing a time machine. So, we can actually do it ourselves now.

Vampire Bat: So, you believe that he is finally going to invent something useful.

Vampire Owl: He is the best scientist the vampire world could ever find.

Vampire Bat: He is not a scientist, but an alchemist. There is a difference.

Vampire Owl: Yet, he has invented so many useful things.

Vampire Bat: These inventions have been useful only to him.

Vampire Owl: What about the portal to different dimensions?

Vampire Bat: The portal could only lead us from one room to the other.

[Gets a green apple cake and three glasses of blackcurrant shake].

What is the movie about? :: As the severed hand of Sarah Fier is reunited with the rest of her corpse, Deena is Sarah Fier (Kiana Madeira) now, as she sees things from her perspective, slowly finding the past revealed to her. She lived with her brother Henry Fier (Benjamin Flores Jr) and father George Fier (Randy Havens) in 1666. Things seem to go well in the original settlement before it was divided into Sunnyvale and Shadyside. Soon, things seem different, as Hannah Miller (Olivia Scott Welch) falls in love with Sarah, something which is discovered by Mad Thomas (McCabe Slye). When Sarah and her friends meet a reclusive widow to gather berries for a party, she also comes against a book of black magic. She witnesses that the world around her does change, with strange things happening. Cyrus Miller (Michael Chandler) who is Hannah’s father, begins to act strange, while the town’s food and water supply are poisoned. The people of town are suspicious about almost everything, especially Sarah.

So, what happens with the events here as we just keep looking? :: Sarah talks to Solomon Goode (Ashley Zukerman) in person as she wonders if she is responsible for the town’s newly found bad luck. Soon, they discover that Pastor Miller has murdered twelve children in the chapel, after taking their eyes out, and that includes Henry. The town is very much frightened because a man of God himself was responsible for this terrible act. They hope to get rid of the evil, but none of them knows where to find the same. Soon, with a number of witnesses, Hannah Miller and Sarah Fier are considered responsible for what is now happening, and even though they find and decide to execute the former, the latter couldn’t be found. Sarah decides to find the widow’s book of black magic and use it to make a deal with the devil so that she can somehow save Hannah, with whom she declares her love, and begins a lesbian relationship which reflects what happens later in 1994. But while trying to find the devil, she only finds the book missing and the widow murdered. What could be really happening out there now?

The defence of Fear Street: 1666 :: There is an interesting backstory to the origins of the movie, and also a grand return to the present to make sure that things end pretty well. The film does have a pretty good twist coming in between, and has its own interesting surprises as we look at them. The world of 1666 has also been nicely created, not just with the surroundings, but also with the people. There is something about the colonial world as much as the European Middle Ages when it is created well enough. The addition of a deal with the devil element also works in favour of the movie. One would feel that there is a certain amount of confidence running through this movie, which is reflected in the characters, as we quickly move towards the final showdown – it does have a better pace in comparison to the previous movies, as the focus is less in relationships in comparison to the others. The final fight scene has a lot of interesting moments, and as we see all those serial killers out there, we keep asking for a film for each of them.

The claws of flaw :: The romantic nonsense elements continue to haunt this last part of the movie, as it was one thing which didn’t work in the first part either. It also seems that the best villains of the movie seems to be from those time periods of the franchise which didn’t really have a movie to support it. Despite all the elements that it puts in here, the other two movies of the franchise seems to be better than this one – the first one did a fine job in establishing the world, while the second one was the best of the franchise as it felt like a typical slasher with quality. This one lags in comparison, but not by much, as it is saved by the settings in two time periods and with some fine surprises as well as bringing everything together in the end. The romantic side continues to be nonsense, and using that between fight feels even more stupid. This shouldn’t have been about love, for it is not really difficult to know what matters these days. We cannot let some silly teenage love ruin a slasher horror movie which was rising otherwise.

Performers of the soul :: Kiana Madeira has more to do in this film, going through two different timelines, and there is something about her in the seventeenth century that keeps us more interested. She seems to suit in that time period better than the 1990s. This film seems to show her evolution to suit slasher horror films better. Darrell Britt-Gibson as Martin does add some interesting and funny moments in here, while he had only a few moments in the first flick. Ashley Zukerman stays strong, not just in one avatar, but in different forms. Olivia Scott Welch is also better in the seventeenth century, and we see her blending in there well. One would feel that she is also slowly moving towards becoming a scream queen at some point, as horror films becomes the strong point of actors and actresses when least expected. Benjamin Flores Jr adds more in this film, and he is also a memorable person of two different centuries. McCabe Slye adds the much needed creepiness to the past for the film. There are many actors and actresses who play different roles in multiple centuries, which does bring some confusion here though.

How it finishes :: The final movie of the trilogy seems to have ended the film well enough, even though it doesn’t hesitate in leaving the scope for another movie in the series in the final stages of the credits. If you ask me, I would like to see a film which comes in between all these movies instead of having a sequel belonging to the early 2000s or the contemporary world. We have all been looking for some horror, and just like we had expected, the villain here is actually human rather than the supernatural – it is a fine end when we look at it, as it has always been clear that humans are the most evil creatures to walk on Earth. As I have mentioned before, even after facing so many natural disasters and the Corona virus itself, humans of our times haven’t changed either. They are all going for wealth and influence, while considering the others of their species as not worthy, and won’t hesitate to murder them – the killers of slasher horror movies are always better than humans of reality, aren’t they? Well, you never know.

Release date: 16th July 2021 (Netflix)
Running time: 114 minutes
Directed by: Leigh Janiak
Starring: Kiana Madeira, Ashley Zukerman, Gillian Jacobs, Olivia Scott Welch, Benjamin Flores Jr, Darrell Britt-Gibson

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@ Cemetery Watch
✠ The Vampire Bat.

Fear Street: 1978

Vampire Owl: Most of the vampires were not reborn in 1978.

Vampire Bat: With the exception of the elder vampires.

Vampire Owl: I would say that this franchise did start quite well with the first one.

Vampire Bat: It did bring the nostalgia of 1990s really well.

Vampire Owl: 1990s should be considered as the golden age of vampires.

Vampire Bat: They should have Fear Street Vampire Version at some point.

Vampire Owl: But vampires have been less about horror these days.

Vampire Bat: Vampires have always been about more than just horror.

Vampire Owl: Well, the side-effects of not having enough horror is also affecting us.

Vampire Bat: The first part of this slasher trilogy did bring us some horror.

[Gets a vanilla cake and three cups of cardamom tea].

What is the movie about? :: Deena (Kiana Madeira) and Josh Johnson (Benjamin Flores Jr) somehow manage to restrain Samantha Fraser (Olivia Scott Welch) despite being possessed by the supernatural. They tie her up and forcibly take her to C Berman (Gillian Jacobs) who was the last person to survive this attack of the witch, and remains unpossessed and not attacked as of now. She tells her story, and being part of a camp in 1978, Ziggy Berman (Sadie Sink), a young girl from Shadyside is accused of stealing by Sheila (Chiara Aurelia), a Sunnyvale camper, and her friends. They also accuse her of being a witch, and ties her up. After hanging her helplessly from a branch where a witch was burnt once, they try to burn her, only to be stopped by other campers. Even though she is saved from being thrown out of the camp by Nick Goode (Ted Sutherland) from Sunnyvale, she remains hostile about people from there. Ziggy’s elder sister, Cindy Berman (Emily Rudd), and her boyfriend Tommy Slater (McCabe Slye) are the responsible ones in the camp.

So, what happens with the events here as we just keep looking? :: It is then that Nurse Mary Lane (Jordana Spiro) attacks Tommy without any reason, and she tells him that he will be dead soon, before being hit on the head. This brings the story of a witch and possession back to the scene. Cindy and Tommy, along with Alice (Ryan Simpkins) and Arnie (Sam Brooks) from the same camp decide to find the secret behind what happened to the nurse who was supposed to be a nice lady, even though her daughter was associated with the witch. When they find the lair of the witch and enters there, a few more secrets are waiting for them. They find the name of Tommy among the names of the killers, and soon, Tommy changes, and splits Arnie’s head into two, instantly killing him. The two girls try to escape, but are caught in a part of the lair as stones are disrupted. Tommy leaves for the camp with the axe to meet the unsuspecting campers.

The defence of Fear Street: 1978 :: The setting and the time period where everything happens, make the whole thing interesting. The situations of horror are created well, and we have some perfectly suited characters here to work accordingly. It is more like an ode to the old slasher horror set in summer camps or lonely house in the woods. We have seen many of similar movies dealing with at least one killer on the loose. The Cabin in the Woods and Evil Dead would accept this one as their lesser mates. The blood and gore remain more in this movie in comparison with the first, and the emotional content is also stronger. The creepiness in such locations has never been so beautiful. It is a reminder that the trilogy can more with the next film, or even extend the whole franchise bigger in scope. As it is now, there is no real shortage of surprises, and how the movie ends to make us wait for the next part is also one of them. In the world where slasher horror has been losing its power, this one strengthens its roots.

The claws of flaw :: There is always something that slasher horror movies can do differently every time, and this one doesn’t really use its opportunities to bring the change. There are many moments which could have been done differently, and some of them could have had some extended versions. Now, it also depends on how the third film comes up, because where it stopped right now is a precarious position from where it can take any turn. Some of the romantic relationships feel unnecessary around here, and the other relationships are also a little bit more than what was required in a movie like this. There were also occasions were more horror could have been added, and an addition of shock would have done more good – you know that some moments required the attack of the serial killer. Even though there are many recognizable characters around here, some of them also miss out at times. You need to watch those older slasher horror movies to make a comparison again, because we have missed the best of the genre for too long.

Performers of the soul :: The one person who seems to be perfect for a slasher horror movie is Sadie Sink, who blends in here so well. She reminds us of many other scream queens from the past, and does her job really well. It is to be noted that there is a long way to go for her, and lets see her further. Emily Rudd is not really far behind in doing the same either, and she basically leads the movie from another angle. The third most important character of the movie is also female, Ryan Simpkins who follows quite well. Jordana Spiro’s short role is memorable for what seems to be madness, but is not really that. Chiara Aurelia plays a typical role, but does leave a mark too. Jacqi Vene also has a little notable role around here. McCabe Slye makes a turn to evil in a nice way too. Ted Sutherland also has some good time around here. Kiana Madeira once again has a similar role, but with less to do here. Olivia Scott Welch and Benjamin Flores Jr also have the smaller roles around here in comparison with the first.

How it finishes :: Fear Street: 1978 is pretty much a continuation of what we had in the earlier movie, and it is the change of setting through the years that makes this one so different. It reminds us of some of those old slasher horror movies well, and with the help of some new effects, seems to make things look better. Making a good second part continuation for the first part of any movie is not a difficult job, and even as movie divided into three, they have managed to make the second part better than the first. With where they ends with this movie, they have made sure that we are all interested in the third part. All these makes sure that the first, second and third parts are not the same as one another. The three slasher movies, even though are part of one grand scheme, are also very much divergent in the content on the screen. During these days when there are so many murders happening around, the effect of slasher horror might be less, but we are sure to take this as an effective piece of work.

Release date: 9th July 2021 (Netflix)
Running time: 110 minutes
Directed by: Leigh Janiak
Starring: Sadie Sink, Emily Rudd, Ryan Simpkins, McCabe Slye, Ted Sutherland, Gillian Jacobs, Kiana Madeira, Benjamin Flores Jr, Olivia Scott WelchKiana Madeira, Olivia Scott Welch, Benjamin Flores Jr

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@ Cemetery Watch
✠ The Vampire Bat.