Shadow in the Cloud

Vampire Owl: I wonder what is stopping them from understanding this shadow?

Vampire Bat: You mean to say that you know this shadow?

Vampire Owl: Yes, it should be Uncle Dracula trying to get some moonlight.

Vampire Bat: I don’t think so. He prefers darkness over any light.

Vampire Owl: Well, he is now being lunar powered.

Vampire Bat: What? You mean, like those werewolves and witches?

Vampire Owl: Yes, the technology in the cells in now shared.

Vampire Bat: You mean to say that Doctor Frankenstein did another experiment.

Vampire Owl: Yes, now the advantage that the werewolves had over us is gone.

Vampire Bat: Advantage? The barbarians can make any empire fall at some point.

[Gets a vegetable cutlet and three cups of ginger tea].

What is the movie about? :: During the final stages of the Second World War, the Flight Officer Maude Garrett (Chloe Grace Moretz) finds herself assigned to a B-17 bomber named a The Fool’s Errand, but as she boards the airplane with her orders, nobody in the crew is happy to see a young woman being assigned to what seems to be a tough and dangerous journey which lies ahead. She feels that she saw something on the side of the flight, which resembled an unidentified creature, but people have a difficult time believing her as they had reached a lot of height. After being left in the turrey for takeoff, she is not able to get back to the flight, as the hatch is stuck and nobody is able to open the door. They keep trying from above and below, but as she begins demanding that she be taken out immediately, they cut off the communications to her, and goes on checking her credentials, if she is really a flight officer like she claims to be.

So, what happens with the events here? :: But it turns out that there is something else happening in the flight. After seeing a Japanese plane close to the flight, she is attacked by the creature, a gremlin, but somehow manages to fight it off. The crew finds out that nobody by her name exists in the force, and feels that she could be an imposter, or an enemy spy who boarded the flight with some sinister plans. There was a bag which she had brought with her, and the crew begins to wonder what its content could be. But Maude continues to try and make them believe what she had earlier said. It is then that the gremlin returns, and they are also attacked by Japanese fighter planes. Now, they have more than one thing to worry about, but the question remains if they can trust her enough to have her fight with them. As of now, it seems that only Staff Sergeant Walter Quaid (Taylor John Smith) seems to believe her up to an extent. Can the crew survive this?

The defence of Shadow in the Cloud :: The music in the beginning itself provides us with that fun feeling, and it comes right after a short animation video regarding the gremlins. The movie focuses on that kind of entertainment, which is not that much based on finding the reason behind everything. Without that much of thinking involved, this movie can be nicely set on that flight during the Second World War, which serves as a nice setting for the same, and it makes the whole thing feel divergent. It does the same by leaving all the accuracy behind, but gets to be fun enough even with that loss – criticism would find fault out of many things. The film is surely good looking, and the plane is also stylishly designed. The soundtrack is really good, and it provides a special feeling to the action. The title of Shadow in the Cloud is justified nicely too. It is the kind of movie which you watch when there is a lot of time to spare, and need quick entertainment.

The claws of flaw :: The movie requires to focus on the entertainment and nothing the rest of the things around. When one searches for logic in this one, it won’t suit the movie much, as there are lots of things which seems to be out of it. There is World War, Japanese fighter planes and strange things happening at such a height – when the leading characters falls down from the flight, she gets blown up by an exploding plane and she falls into the plane, and she also beats up a gremlin with her own hands – I thought we were done fighting on the top of flights, but these people are still having that. The movie is also too short – even then, the movie takes a little too much time to get going in the first few minutes, which are full of dialogues. Talking about too many things might be one of the problems, as the movie does lack focus. It could have actually focused on being the monster movie in such a height, and there could have been some real terror being unleashed, but the same is certainly not the case here.

Performers of the soul :: There is absolutely no doubt about what Chloe Grace Moretz is capable of, as she has been showing the same in some of those big movies, most of them underrated due to no reason. Her performance is somewhat pulled back due to some bad dialogues and writing – if this was a better work in totality, the work would have been noted further. If this movie used more sense, the result would have been outstanding for her. Almost every movie which Chloe has acted in, you see her doing a fantastic job, and you find it difficult to not like the movie – it is certainly an advantage which the makers of her films have. When you have acted in such a young age, some of the acting skills are lost when you get old – we have seen the same in Malayalam movie industry, some child actors have become pain to watch when they became older. But Chloe is clearly an exception, as she is too good. The rest of the cast is only there to support her.

How it finishes :: Shadow in the Cloud makes a fine display of what fun movies can be, with an interesting setting added to it. It is a shorter movie of less than one and half hours which throws logic and accuracy out through the window, and seems to be very proud of such an action. Even if you are not too fond of this kind of movies, you can watch the film for Chloe Grace Moretz, the child actor who has been doing so well also as the leading lady in the last few years. If this movie had released before COVID-19 pandemic, may be a lot of people would have watched and enjoyed the movie – it would have ben such a nice time-pass thing. If you are supposed to remain in home for two to three months without break, you will watch anything, but entertainment like this is a mood booster – not that much of a thing for the brain though. Do give it a chance, and see how it will turn out to be, according to your preferences and demand.

Release date: 12th September 2020
Running time: 83 minutes
Directed by: Roseanne Liang
Starring: Chloe Grace Moretz, Taylor John Smith, Beulah Koale, Nick Robinson, Callan Mulvey, Benedict Wall, Byron Coll, Joe Witkowski

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@ Cemetery Watch
✠ The Vampire Bat.

Skylines

Vampire Owl: We have been looking at the sky for too long.

Vampire Bat: I don’t understand why you do that though.

Vampire Owl: I am awaiting the great vampire prophecy to become true.

Vampire Bat: I am not a fan of the prophecies of the new age.

Vampire Owl: The Vampire Oracle still has sixty five percent success rate.

Vampire Bat: But there are a few things which we know well enough that we are sure about it not happening in any way.

Vampire Owl: You really need to have more faith in the Vampire Oracle.

Vampire Bat: You should read the Vampire Chronicle to know about the failures of the Oracle who has struggled throughout history.

Vampire Owl: The Vampire Chronicle was written by a fake vampire, a non-believer of the vampire legacy.

Vampire Bat: Okay, let us see where this can lead you.

[Gets a paneer burger and three cups of elaichi tea].

What is the movie about? :: Captain Rose Corley (Lindsey Morgan), the daughter of the man whose conscience was transferred to a machine, but still maintained his human characteristsics, was the one who was born in the alien spaceship, making her grow very fast. Her powers had freed every human-alien hybrid from the alien control, keeping the aliens away from Earth. She continued to lead the Earth Defense fleet against the invaders with her brother, until the alien harvesters unveiled their ultimate weapon known as the Armada Vessel supposed to harvest all life on a planet with a single, powerful blast like no other. Rose had one chace for a shot and try to stop it, but froze at the exact moment, leading to her next shot running through one of her own ships, murdering thousands of her own people. The price that she paid for this victory with the life of her soldiers made her turn away from the battles, and the harvesters had also failed to show during the same time period.

So, what happens with the events here? :: Rose, believing that the war is now over, lives as an outsider in an almost ruined London, but finds out that there are still people looking for her. But as she is captured by the authority, she realizes that the war is still not over, with the human-alien hybrids going by the name of Pilots are having some problems, as they are going back to their basic needs, their biology of hunting and draining Earth and its inhabitants. They feel that finding the core of the Alien Armada is the key to changing the situation. To keep the hard earned peace and to ensure of human survival against the aliens, it was necessary to find that core which is now on a planet known as Cobalt One. They will be doing the first manned mission to an alien planet, and Rose will be in charge of detaching the core from the Armanda, but it wouldn’t be an easy thing to do by any means. Now the question remains if the newly formed team is good enough to do the same.

And what more happens here as things go out of control for humanity? :: Rose also meets her brother has turned into one of the aliens, but with his human conscience intact – Trent Corley (Jeremy Fitzgerald), and he is just one of the people who will accompany her to the new, undiscovered planet about which nobody has any idea except for the fact that the armada had crashed there, and there lies the one hope ahead. But getting it might not be as direct a mission as they think that it is. There is more than what meets the eye with the planet, as they are attacked by some strange creatures which are different from the aliens they had known earlier. Meanwhile, at home, Dr Mal (Rhona Mitra) continues to try to find a cure for the Pilots. But the Pilots have already started attacking the human survivors in a large scale, and there is even less time left on Earth in comparison to the other planet. There is more than one path to follow here, and may be one of these can mean success.

The defence of Skylines :: This movie’s biggest advantage is its extravagant visuals bringing the magnificence of a post apocalyptic as well as other worldly feeling, and one can trust the quality of the same here. You wouldn’t expect such grand CGI concerning movies like this, but we have to say that the graphics do score very highly. The creatures are all good, and the alien planet is a joy to watch which its stylish looks, and it seems that new things just get added to the franchise every time. Lindsey Morgan is a nice choice here for the hybrid creature of a protagonist, even though she gets going only a little bit later, after the armada is found. She does score with those action sequences with such ease, and also has some emotional moments to go with it. The rest just provide good support. The opening for the next movie in line is well-thought too.

The claws of flaw :: The film doesn’t really keep us interested in the beginning as one would expect in a movie like this. The scenes on Earth are not that interesting with the content either. Most of the cast left on Earth go wasted, as there is only a little bit of action for them. Rhona Mitra doesn’t get that much to do too, and it is a disappointment. There is the feeling of trying to connect to that District 9 model without the undercurrents, but the same doesn’t go that far. This goes through as too much of a usual science fiction with aliens, as we get memories of many other movies with similar content, and that includes even the good old Alien franchise and a bit of Independence Day. We would actually begin thinking about some alternative scenarios for the storyline to progress all the time, because there are surely so many more things that this film could have done.

How it finishes :: Skylines could have surely achieved more coming out of the shadows of two films which had set things going through the alien invasion. The first two movies were fun for sure, and the second one had managed to think in a divergent manner, which has led to this movie coming up later – without the changes which came up, this one might not have been possible at all. The movie is still pretty good in its entertainment factor, and there is a lot of action in this adventure set on another, unknown planet, as we keep asking for more. The movie does leave an option for a sequel, and we do get the feeling that this can get better if they add something more to the usual work of the franchise. You do see more possibilities at every turn of the film, and with the fourth movie in the series, this can achieve the divergence which it has always deserved.

Release date: 18th December 2020
Running time: 110 minutes
Directed by: Liam O’Donnell
Starring: Lindsey Morgan, Jonathan Howard, Daniel Bernhardt, Rhona Mitra, James Cosmo, Alexander Siddig, Yayan Ruhian, Ieva Andrejevaite, Samantha Jean, Jeremy Fitzgerald, Giedre Mockeliunaite, Naomi Tankel, Cha-Lee Yoon, Phong Giang

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@ Cemetery Watch
✠ The Vampire Bat.

Castle Freak

Vampire Owl: This is certainly not the castle that I know.

Vampire Bat: Not all castles are related to vampires.

Vampire Owl: Yes, but I was expecting at least this one to be related in some way.

Vampire Bat: I wouldn’t question your right to be disappointed.

Vampire Owl: Disappointed at the time of Corona virus. It is two levels of sadness.

Vampire Bat: Well, all viruses will have to meet the end, one day or the other.

Vampire Owl: Yes, except for those viruses which makes people zombies.

Vampire Bat: I am sure that the apocalyptic event was postponed until further notice.

Vampire Owl: We might see it coming as a Corona virus variation some day.

Vampire Bat: You can surely use a computer virus in your head as of now.

[Gets a vanilla cake and three cups of iced tea].

What is the movie about? :: Rebecca (Clair Catherine) and her boyfriend John (Jake Horowitz) used to have some good time wasting their time, until a terrible car accident which was caused by latter leaves Rebecca blinded, and things wouldn’t be the same any more. But things seem to change for the better, as she is contacted by a real estate agent, Marku (Genti Kame) who tells her that she has inherited a castle in Albania from her mother Lavina Whateley (Kika Magalhaes) who had left her for adoption. Rebecca is interested in solving the mystery behind the death of her mother, who is supposed to have whipped herself to death, while John looks forward to selling the castle, and earn a good amount of money which would help them to have a better future. There seems to be sinister secrets about the castle, as she begins to have terrible nightmares, while the two also find out strange memories of a forgettable past within the stone building.

So, what happens with the events here? :: John also invites their old friends to the castle, even though it is not something Rebecca needed to see, considering their past which was full of alcohol, drugs and that one fatal accident which had her losing eyesight. What they don’t understand is that things are not that easy or direct as it seems, as they are being stalked by someone who seems less human, and more like a creature. Rebecca does realize that early enough with her ears set on the walls, but it is not easy for anyone else to believe in the same. They also find Necronomicon, the book of spells around there, and it only points out to the possibility of something too old and beyond their understanding in there. Shelly (Emily Sweet) who is still in love with John wants to claim him back as she returns with his friends who find out connections of the castle with monstrous entities from the past known as the Great Ones. Now, things can only get worse, as they understand.

The defence of Castle Freak :: The best advantage of this movie is its setting, which is beautifully Gothic in nature, with scope of horror being placed almost everywhere – the beginning scene itself is a sign of what can follow later. There is the idea of creepiness which is follow here, and the scenery is also as beautiful as the world is terrifying. It is also nice to have everything coming together towards something which we hadn’t imagined in the beginning, as the sinister plans quickly turn into more than what had met the eye before, towards something not of this world. The similarities to Lovecraft’s The Outsider are there, and in the end, the movie also seems to connect to a world of terrifying creatures reminding us of his own tales of horror. The movie makers seem to have made this with a low budget, and it has certainly been managed really well. The first flogging scene, murder of Shelley and the open space ritual can be considered as the three scenes of unexpected quick shock.

The claws of flaw :: There was surely some scope for improvement around here. We have such a grand setting in here, and it is only fair to expect more out of it. There could have surely been some more scares in here, as many occasions seem to be all prepared to come up with something, but suddenly leaves that behind. We also see that the blood and gore stuff go a little bit over the board with the violence really climbing over the usual limitations. There are many occasions when this one doesn’t seem to be the movie for everyone, with it taking many steps to make the film more and more weird. The quality of graphics is also quite low when we consider all those demonic elements coming into the picture. The movie is also quite slow in getting into the action after that first scene, as we get to the present – the party moments and the initial moments of the couple at the castle take a little bit too long to get things going here. The ending could have also been more polished with bigger and more terrifying moments supported by possible twists.

Performers of the soul :: Clair Catherine leads the way as the blind protagonist really well, and it is a controlled, realistic performance, something which is not easy to find in a horror movie. She can be seen here as more or less a stoic one, accepting her fate without complaining, but still can’t help being curious herself. One would want to see her in more horror flicks or thrillers. Jake Horowitz provides pretty good support too. Genti Kame suits the mood of the place really well, as the story moves forward. Kika Magalhaes as Lavinia Whateley is the one who sets things in motion in the beginning, and she does that really well with a very creepy start that might bring the early shock to some – she has that kind of looks which suit her character’s background. Emily Sweet plays the usual kind of role in a horror movie, but she makes it interesting in her own way – she could have more of the genre and be the perfect scream queen, even though stereotypical in nature. The unknown entity also has the creepy performance to do, which is indeed the usual thing.

How it finishes :: Castle Freak is the kind of horror movie which comes out of nowhere to score above expectations, and it comes out of the usual horror movie list, deviating on the repeated style. It has the Lovecraftian influence, and there is another movie of the same name which came in the 1990s, which people around here seems to have missed. The movie is somewhat disturbing with its content, and therefore not recommended for all types of audience. This is not for those people who get disgusted with such content, and are looking for those flicks to watch with family members. If you feel aversion for any kind of the usual old style slasher horror content, you would have to keep away. Otherwise, it is certainly an interesting watch for people who are tired of these usual movies on ghosts, vampires, zombies and werewolves. These have been the years of one freak virus, and so we can take this particular freak too.

Release date: 4th December 2020
Running time: 106 minutes
Directed by: Tate Steinsiek
Starring: Clair Catherine, Emily Sweet, Kika Magalhaes, Chris Galust, Jake Horowitz, Klodian Hoxha, Elisha Pratt, Genti Kame, Klodjana Keco, Omar Shariff Brunson Jr

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@ Cemetery Watch
✠ The Vampire Bat.

The Hunt

Vampire Owl: The vampires haven’t been into the hunt much these days.

Vampire Bat: Well, only the werewolves hunt now, as we have outlawed the same.

Vampire Owl: The law hasn’t really been officially passed yet.

Vampire Bat: There is nothing official about the laws these days.

Vampire Owl: You mean to say that the bats no longer hunt either.

Vampire Bat: Yes, it has been brought to a halt with the spread of COVID-19.

Vampire Owl: You mean to say that we are also afraid of viruses now.

Vampire Bat: Yes, only the ones passed on by humans, not the one’s from bats.

Vampire Owl: I am pretty sure that the humans created their own viruses.

Vampire Bat: They have been doing everything harmful to their own people and planet, which is why we should close the connection portal with their world forever.

[Gets a vancho cake and three cups of masala tea].

What is the movie about? :: Athena Stone (Hilary Swank) is going through a group text about something grand which is supposed to happen soon, and it is referred to as “the hunt”, even though they had agreed not to text about it. Everyone in the group seems to be excited about it, but won’t talk about this one particular thing. Later, another one of the texters is on an airplane, and they find a man coming out of nowhere, and everyone in the flight panics, saying that he was not supposed to wake up so early. He is then attacked, and after losing a lot of blood and an eye, he is thrown back to an area where others are also kept sedated. Soon, eleven people wake up gagged in a forest. They find a large wooden box in the middle of an open area with weapons and the keys. Soon, some people start shooting at them, and as some of them die too soon, the others are supposed to try and survive this event of being hunted with advanced weapons by strangers.

So, what happens with the events here? :: Three captives somehow manage to escape over a barbed-wire fence to what seems to be part of normal civilization. They get into a service station, only to find out that it is run by people who are part of the hunt, and after poisoning the first person who tries to have food from there, this particular elderly people gets rid of others with guns and grenades. The couple enjoys the killings, and calling themselves elite, hopes to get rid of these people who were kidnapped and put in there. The next one to arrive is an army veteran, Crystal Creasey (Betty Gilpin) who has a conversation with the couple, finds out that they are lying about almost everything, and that they are all part of the plan. She also finds out that despite what they are trying to make them believe, they are not in the American state of Arkansas, but in Croatia, and there are traps set everywhere to make sure that they die, even if they are not taken out by attackers.

And what else is to follow with this strange hunt? :: Everything seems to go deeper than what is seen on the outside. Then, she comes up against another survivor, Gary (Ethan Suplee) who has a grand theory related to all of these, with some rich liberals trying to hunt the commoners for entertainment. He is very much focused on the same, but Crystal is not bothered about the same, and is focused only on surviving, as this does reminds her of some of her past. They also get in a train, and it also has some refugees – they find out that one of those refugees is a crisis actor, and others are real refugees. Gary ends up blowing him up with a grenade and is later killed. At the same time, Crystal ends up with the soldiers who don’t know what is going on, and she meets Don (Wayne Duvall) from the original eleven who was repeating the story which she was also narrating. But the soldiers do have problems believing them, and they understand that there might be hunters in between real people. Can they escape from all this trouble or meet their doom?

The defence of The Hunt :: Betty Gilpin is the biggest asset of this film, and this is the first time I am seeing her – she does make a perfect choice in an action film, maybe she will make it as a scream queen of horror consistently too, especially in slashers. The movie here is really good, and with its thrills and action sequences, continue to score throughout its run. There is a lot of action happening around here, and the fight scenes are really good, especially the final fights, not just in the manor, but also before that. The idea that the film actually makes fun of people on not just one side, for both the liberals and the right wing people are part of the humour. The film has some serious gory stuff going on at all times, but it is also a funny one along with all the action and thrills that go on. The atmosphere set for this one is nice, and there are some fine visuals to go with it. With the twists and turns in there and with expectations of the unexpected, The Hunt makes things happen, and it is efficient in doing the same.

Positives and negatives :: Hilary Swank is excellent as we already know she would be, but she is there only a few minutes. We would have expected her to stay throughout the film, but unfortunately, that is not the case, and the same is about Emma Roberts, who has almost no screen space around here, getting killed too early. The idea of using the funny side more than the darker side might not appeal to everyone either. The idea of revenge also gets a shock with the tale of the tortoise and the hare being told in a different way, with all the gore that is a feature of this film. There are many shades being explored in this film, and the way the leading character tells that tale, is nothing less than amazing in a very creepy manner. There seems to be many different messages that run through the film, and it also provides us with the choice to take any among them. The journey here is great, and we only wish that it didn’t end in an hour and half which is too less for this film, and it surely requires a sequel that explores similar elements again.

How it finishes :: The film also has references to George Orwell’s Animal Farm, and it has some fine dialogues, both monologues and one-liners which we can remember. There are so many creepy moments in here, and with its twists and turns, as well as the action, it has us interested in every second of its short, one and half hours run. In the beginning, you might feel that this could be like The Hunger Games and the German film, Breakdown Forest – yet, very soon, you will know that this is entirely different, and the innovation that it uses to skip away from the usual stuff also needs to be appreciated. The Hunt knows what it is doing, and with its realization of the possibilities of the same, a seemingly usual kind of premise is developed into something divergent, with class. With a lady lead that suits perfectly in here, there is a lot more to this film than what is seen in the trailer. If this was not affected by the first wave of pandemic, there was scope for more popularity, for sure.

Release date: 13th March 2020
Running time: 91 minutes
Directed by: Craig Zobel
Starring: Betty Gilpin, Emma Roberts, Hilary Swank, Ike Barinholtz, Wayne Duvall, Ethan Suplee, Sturgill Simpson, Chris Berry, Amy Madigan, Kate Nowlin, Reed Birney, Glenn Howerton, Sylvia Grace, Justin Hartley, Jason Kirkpatrick, Walker Babington, Macon Blair, Teri Wyble, Usman Ally, JC MacKenzie, Steve Coulter, Dean West, Vince Pisani, Steve Mokate, Hannah Alline, Tadasay Young, Jim Klock

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*** This is not to be confused with Haunt.

@ Cemetery Watch
✠ The Vampire Bat.

Black as Night

Vampire Owl: I thought this would be dark as night.

Vampire Bat: I am sure that they meant the exact same thing.

Vampire Owl: Yet, night is not black. It is just dark due to the absence of light.

Vampire Bat: I didn’t know that you were that interested in being exact.

Vampire Owl: Well, the are going to deal with the vampires. So they better be.

Vampire Bat: These are not really our type of vampires.

Vampire Owl: When they talk about real vampires, it has to be about us.

Vampire Bat: They are preferring variations these days.

Vampire Owl: Such a ridiculous human world. No wonder they have the virus.

Vampire Bat: Maybe they did create the virus. We cannot be sure.

[Gets a chicken puffs and three cups of iced tea].

What is the movie about? :: In the beginning, it is seen that a homeless man who is searching for cans is attacked by a group of three vampires who show no mercy. At the same time, in the same city of New Orleans, Shawna (Asjha Cooper), a teenage girl lives with her father Steven (Derek Roberts) and her big brother Jamal (Frankie Smith) as the mother Denise (Kenneisha Thompson) is living apart after becoming a drug addict. At the same time, there are many things going on the streets, including protests, with the distant possibility of riots too. Pedro (Frabizio Guido) who is her best friend forces her to be close to Chris (Mason Beauchamp) on whom she has a big crush, but that doesn’t seem to be a good idea, with her not being of his interest, and she also coming up against vampires who attacks her, but leaves when a car comes to the area. That leaves her scared as she feels that she would turn into a bat or a vampire. Along with the disappointment of not getting the attention of Chris after a talk, she is not afraid of noy being human anymore.

So, what happens with the events here as we just keep looking? :: In the morning, she sees that she is not affected by sunlight, unlike what she had read about. She feels that there is something vampiric about the place where her mother was staying, and when she reaches there with a doubting Pedro, they find out that Denise was bitten too. But unlike her, Denise is quick to transform into a vampire, leading to the curtains being taken off, only to have her burnt till death. As New Orleans is full of strange beliefs, and a lot of spiritual and magical stuff, she decides to get the help of some people who have some expertise in the same – the police have no idea about what has happened. Instead of going to the usual voodoo and hoodoo practitioners, they go to Granya (Abbie Gayle) who is supposed to be the great vampire expert. They still base their assumptions on vampire fiction, but they do feel that there is some idea about the same, and a sympathetic Chris also joins the team. But are they enough?

The defence of Black as Night :: We do have another addition to the vampire tales, and this does add up when we look at it that way. The first scene does add some power, and that adds the scary feeling that something interesting is surely going to happen soon enough – the film’s strength seems to be the beginning rather than the rest. The setting of New Orleans is all very good, and it keeps us interested enough, with the feeling that something could happen at any particular point. It could be suitable for the teenage audience more, like Twilight was largely successful with them, even though not with those who have traditionally liked the vampires through great works of fiction brought to us as classics from history. The ending provides us with a chance to have another sequel, and the same can keep us hoping for a better film to come later, without the extra nonsense social commentary added in between. If you are looking for one more vampire film in a world which seems to have moved away from the earlier vampire interest, this one will be a reminder.

The claws of flaw :: The emotional side is rather too weak, and we often have nothing to care about here, not just the protagonist, but also the remaining ones. There is also a lot more to care about when you are making a vampire movie – it is not like coming up with a creature movie with demons or aliens. It doesn’t have that vampire power which a movie like this should have possessed. When vampire terror should have been effectively, it does struggle to do the same, and often holds back without any particular reason. The opportunity to make this a horror comedy is not used well enough either. The movie is indeed a master in making the opportunities go missing. The chance to add some message about inequality and race in there also goes missing, and the usual good use of history in vampire works also falls flat. You cannot use social commentary where it doesn’t fit, and this one keeps pouring that at all places without success. It is also very quick to have us tired of all these things repeating, and has no big action happen unlike expectations.

Performers of the soul :: Asjha Cooper leads the way here as the leading lady, and happens to be okay in her work. Then there is also Mason Beauchamp and Frabizio Guido who seems to be leading the film together. But the one who seems to be more suitable to this situation is Abbie Gayle, with a character who is very much into the vampires. The others do have more screen time, but she seems to play the role of more relevance in comparison. The one face which seems to be somewhat familiar might be that of Keith David, who plays one of the major character really well, and so does Craig Tate, both of them being memorable people of darkness in the film. Sammy Nagi Njuguna and Tunde Laleye also have some notable roles around here, even though they are of significance only in the last moments of the film. Frankie Smith and Derek Roberts adds on with some less utilized characters, all of them seemingly reduced as the movie lasts less than one and half hours, rather too less for a film which seems to try to look back into some turbulent history – it is a shame.

How it finishes :: Here we have another vampire tale, even though the focus here is not that strong, and it is not the regular vampire thing as we usually know it. If there was better innovation, this could have been one fine vampire movie. Throughout the film, you know that vampires deserve better – films like Interview with the Vampire and Byzantium has already gone through the vampire world with class, and the Underworld series had the right vampire action. This one never really gets strong enough. Black as Night, despite seemingly having something in store, doesn’t really have the same. As we are going through the Corona virus pandemic which never seems to end, and all the natural disasters which never seems to move way, we do need some movies to fill up, and this one might do just fine for some people. After all, theatres have not opened in this part of the world yet, and you know that all the things that we are to fear will stay long enough, we have the intuition.

Release date: 1st October 2021 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Maritte Lee Go
Starring: Mason Beauchamp, Asjha Cooper, Theodus Crane, Keith David, Abbie Gayle, Frabizio Guido, Tunde Laleye, Al Mitchell, Sammy Nagi Njuguna, Andrew Penrow, Nicole Barre, Derek Roberts, Joseph Singletary, Frankie Smith, Tim J Smith, Craig Tate, Kenneisha Thompson

<— Click here to go to the previous review.

<— Click here to go to the previous English film review.

<— Click here to go to the previous Amazon Prime horror release.

@ Cemetery Watch
✠ The Vampire Bat.

The Green Knight

Vampire Owl: I have read about this particular tale during my graduation.

Vampire Bat: It has not been surprising that all vampires learn BA English Language and Literature, and most probably, also its post graduation.

Vampire Owl: Well, vampires do learn more than they need.

Vampire Bat: Yes, almost all the undead has double post graduation.

Vampire Owl: This film still comes as a surprise though.

Vampire Bat: Yes, we were not expecting any more of such movies on Amazon soon.

Vampire Owl: Yes, and with one of those tales from our British Literary History studies.

Vampire Bat: That makes the world feel quite small.

Vampire Owl: Well, you know that is never large enough for a demonic invasion.

Vampire Bat: In that case, there is not enough for the eaters of multiple realms.

[Gets a vegetable puffs and three cups of Vagamon special tea].

What is the movie about? :: The setting is in Camelot, the castle and court of the legendary King Arthur (Sean Harris), who has now turned old, and hopes that someone else could take over his place, someone worthy enough, even though there are many knights of the roundtable who could hold that position to take over the country. It was a long time ago that he taken the sword Excalibur out of stone, and claimed his throne with the help of one great sorcerer – but things are not the same again, as there is a certain amount of darkness that had engulfed the country, which seems to continue through the Christmas season which had just started, as the power of the king is at the all-time low. The king’s nephew, Sir Gawain (Dev Patel) have been leading a life of no knight, even though he is supposed to become one very soon. He goes through all the hedonistic activities as he can, and wakes up in a brothel alongside a common woman whom he fell in love with, despite having royal blood running through his veins.

So, what happens with the events here as we just keep looking? :: Gawain gets the scolding from his mother due to the same reason, but on one Christmas day, he attends the feast at the great round table of the knights with King Arthur, who gives him a better status, as he is the son of his sister, and a possible choice for the throne at some point of time. It is then that a strange creature in armour, riding a horse comes into the court and talks of a game. Calling itself the Green Knight, the creature tells him that any knight in the court can land a blow on his body and win his green axe, but the same person will have to come to the Green Chapel on the very next Christmas dar, and he will have to receive the exact same kind of blow in return. When the fight begins, the Green Knight gives up, and Gawain comes with a blow so hard that it severs the knight’s head. Then the knight rises and leaves with his severed head, after reminding him of the deal.

And what more is to be done with this adventure related to one green knight? :: Gawain spends the rest of the year merry-making with his common woman love, Essel (Alicia Vikander), but his mother Morgan le Fay (Sarita Choudhury) knows that he has to keep his end of the bargain and face the Green Knight at some point. So, finally when the next year’s Christmas season arrive, he starts his journey towards what seems to be his destiny. During his journey, he comes across a battlefield with dead bodies everywhere, and is ambushed by a group of people who ties him up and steals anything on him that seems valuable. But Gawain manages to get free and go after them. But random robbers on the road won’t be the major problems that he will have to face during this quest. This quest is woven out of magic, and it won’t end like a usual adventure ends for a knight who comes up with random acts of courage and honour. After all, these are the times when knights are always supposed to do better than earlier.

The defence of The Green Knight :: The movie maintains its dark elements really well instead of turning this into a light fantasy as one would expect as far as King Arthur and the related stories are concerned. The dark atmosphere does help in transporting us to an uncertain world of mystery rather than the usual space of certain heroes and villains placed on opposite sides. The setting, especially the landscape is incredibly beautiful, and the same can be said about the buildings around too, as the feeling of a medieval world is nicely recreated – the touch of magic can also be felt in between. One wouldn’t agree if there is a talk about this world not being filled with magic. The background music also adds a lot to this particular world. It had to be so, as any tale related to King Arthur has that feeling in the background. The film works as the coming of age story of a knight, which is nicely portrayed by Dev Patel in what might be among his best roles till now. The rest of the characters are just the path for him towards the final destination.

The claws of flaw :: The Green Knight, as it moves away from the usual fantasy adventure with a knight trying to meet his destiny, the darker side is added, and the same might not be what people might be looking for. The film also drags in between, as we have a certain time period in which nothing much happens, and the same could have been trimmed to make this film shorter. One can feel that there are too many dialogues here, and some of them seem to be pointless – they could have been replaced by some more of action, which is rather difficult to come by in the middle stages. The final moments are also not that strong as one would have expected in the beginning stages. The messages here could have also been clearer, and some elements of coming of age might have looked better if used in a more innovative manner. The opportunities to add more to the tale and expand the same have been many, and here we see no strengthening additions.

How it finishes :: Making a film out of a chivalric romance work of unknown authorship, written in the late fourteenth century, and make it suitable for this age is no easy task, as the same is not a huge adventure with big monsters that appeal to the big screen and the masses. I do remember reading about this work as part of my studies as well as the later teaching process at the college. Well, British Literary History is quite fascinating, and these are some of the earlier works which we go through in the syllabus after that Anglo-Saxon literature being looked at. So, this work is more or less like nostalgia for me. Even if the question papers in this part of the world do not really ask any question related to this one, we are all aware of the tale’s worth, and the same has been reasserted with this film, that seems to have done justice with the original thing. This is certainly not your usual fantasy adventure, and as long as you can look past the same, this will work really well for you.

Release date: 24th September 2021 (Amazon), 27th August 20201 (India)
Running time: 130 minutes
Directed by: David Lowery
Starring: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Ralph Ineson, Kate Dickie, Erin Kellyman, Barry Keoghan, Atheena Frizzell, Nita Mishra, Tara McDonagh, Helena Browne, Megan Tiernan, Emmet O’Brien

<— Click here to go to the previous review.

<— Click here to go to the previous English film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Madres

Vampire Owl: How many horror movies can one watch in a small gap of a few hours?

Vampire Bat: We vampires do not have limitations in horror.

Vampire Owl: During the Corona virus times, there should be restrictions.

Vampire Bat: Not in the case of films, for we are not watching them in theatres.

Vampire Owl: You mean to say that vampires should go back to horror.

Vampire Bat: We were always in horror. You didn’t know that?

Vampire Owl: This is not the horror that we were born into.

Vampire Bat: You should remember that all kinds of horror are connected.

Vampire Owl: Not in the watch of owls. Maybe that works for bats.

Vampire Bat: Still doing better than the Vampire Crocodile.

[Gets a choclate cake and three cups of Munnar special tea].

What is the movie about? :: In the 1970s, a Mexican-American couple are expecting their first child, and during this time period, they move from Los Angelos to a migrant farming community in the nineteen seventeens, and he would be working as a manager in a farm. The area chosen for the same is in California, and the place seems to be quite peaceful and quiet enough for the baby when it arrives. Diana (Ariana Guerra), the pregnant lady is American, while Beto (Tenoch Huerta) is Mexican, and had migrated to the United States. The small town where they move to, seems to have more of a Spanish influence too. The first person that they meet in the town is Anita (Elpidia Carrillo), who provides them with a blessing of Holy Mary, and assures them that the town can be a wonderful place to live in, much to the dismay of Diana who wonders why it is not already such a place. Beto doesn’t work much about the same.

So, what happens with the events here as we just keep looking? :: As Beto goes for work, Diana feels that there is something strange about the place, and that doubt leads her to the outhouse building near the house, and she finds a few things which might have belonged to the previous owners. She also gets locked inside, and after somehow getting out, finds a severed eye being hung on tree outside the house. Beto feels that these were not things to be worried about, as the door might have closed due to the wind and the severed eye might have been there for a very long time, and maybe it meant something for the previous owners or the locals. They also meet the locals who seems to be friendly enough, but don’t get much of information, even though they end up having more acquaintances. Still, they remains more of Beto’s friends, as he is Mexican and good at Spanish. Diana only gets more and more disoriented during her time there. She wonders if there is more than what meets the eye about the place.

The defence of Madres :: The one advantage that this film has over the others is that it really has its creepy world going strong during all times. The environment here is really good, and very much notable. An ancient curse in the background seems through run through here, and adds to the creepy atmosphere really well. Even though there seems to be something supernatural around here, we soon come to know that it is not all, and we soon face the mystery being revealed. Some of us might be able to guess the final twist, but it also has its own small changes related to the same. It also leads to a few things which really happened, and it does remind of a few things which can happen if we are not aware. It leaves the message that with or without the presence of the supernatural, the world and its people are not what we feel they are, for people will always have their hidden agenda and a good dose of hatred inside. The music here is also very much suitable for the same.

The claws of flaw :: Just like the case of The Manor, this film also has the problem of being classified completely into the category of horror, as this one is also no fully something that focuses on the scares. It could have used the horror, as well as the grand atmosphere that it possesses with the house and the town with maximum effectiveness, for these days, many horror films are on a continuous struggle to be what it really should be. It is actually not restricted to one location with scope for here, as there is a lot more in here, for the town itself has something in store at different parts. A faster movie could have dealt with all of these with better strength, but this one hesitates to pick up the pace. The movie also released without much of a hype, and not many people know about its entry into Amazon Prime Video – the title also has people confused about the language. The movie came silently, and it is still there, but not many people know about the same.

Performers of the soul :: Ariana Guera plays the one character who seems to be fully English, and she is also the upcoming mother in trouble, here she is acting as the main protagonist, as well as the centre of attraction. She achieves the same really well, as we look at the scenes here. She is not that much of a believer in the supernatural, and we see her knowing things the hard way. Tenoch Huerta gets into his role really well too. The next important character is played by Elpidia Carrillo, and you will remember her from Predator, fighting the monster with her newly discovered American allies. She has blended into this role, even though one does feel that it should have been better written. The others are just part of the usual process, and they just blend in here too. Most of these characters become relevant at some later stage of the movie, and we are not to avoid them – there is the twist about this particular mystery that awaits us later.

How it finishes :: This one has some similarities with The Manor with how it progresses, how it deviates from its genre, and how it joins different things in a building as well as with an environment that catches our attention. Instead of the old age home and the strange surroundings, this one has one home and a lonely enough world around it. As far as the whole atmosphere is concerned, and related to the progress that happens in each minute, Madres has the advantage. This is also part of the Welcome to the Blumhouse film series, just like The Manor. I would suggest this movie to those who are interested in some slow, atmospheric horror, with a strong base on ancient legends and curses, and this is not your Annabelle, The Conjuring, Insidious, Don’t Breathe and Lights Out. You just need to live through this atmosphere rather than trying to be scared at all times, for there are different things of interest here.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 83 minutes
Directed by: Ryan Zaragoza
Starring: Elpidia Carrillo, Ariana Guera, Tenoch Huerta, Jennifer Patino, Kerry Cahill, Evelyn Gonzalez, Britton Webb

<— Click here to go to the previous big hype movie released on Amazon.

@ Cemetery Watch
✠ The Vampire Bat.

The Manor

Vampire Owl: Are we talking about the Dracula Manor?

Vampire Bat: There is no such a manor. We only have the castle.

Vampire Owl: Well, this could be a manor which looks like a castle.

Vampire Bat: Well, Uncle Dracula certainly has some specific ideas about what a great vampire abode should be.

Vampire Owl: His ideas are as outdated as the castle dungeon coating.

Vampire Bat: We are not supposed to talk like that about the vampire elders.

Vampire Owl: Uncle Dracula is still a few centuries away from being a true elder.

Vampire Bat: The elder status is not always gained by age.

Vampire Owl: Yet, all our vampire elders are older than history.

Vampire Bat: Well, you will see how Uncle Dracula is an exception.

[Gets a pineapple cake and three cups of ginger tea].

What is the movie about? :: Judith Albright (Barbara Hershey) had considered herself to be of perfect health, and enjoyed her life with family including little kids, until she suddenly faces a stroke. She decides to move into a famous nursing home, even though her family feels that it is totally unnecessary. Her grandchildren considers her to be young and healthy as anyone of a lower age, but she is adamant. In comparison to her, the other residents of the nursing home are not really that healthy, both physically and mentally. For the peace and quiet of the place, the authorities actually keep a no mobile phone policy, much to her dismay, as she hoped to text her relatives and find some interesting photos and news from the social media. Judith had chosen to stay at this place, as she didn’t want to be a problem for her family, especially if she gets bed-ridden at some point, and has the feeling that things might not be the same again after the stroke.

So, what happens with the events here as we just keep looking? :: Soon, she feels that there is something really strange about the manor and the people around there, even though she does make some good friends out there. The nights no longer allow her to sleep, as something is seen or heard all around. The surroundings around this particular nursing home is also pretty much spooky, as we look on. Her room-mate makes some strange noises, and doesn’t seem to be of good mental health. She also feels that there is a supernatural presence there, with nurses also acting strange, and wants to escape. But the problem is that it was her own decision to choose the nursing home – now she needs to act against it. For the same, she would have a lot of convincing to do though, as everything looks perfect from outside. There is a mystery to be revealed here, about what is it that haunts this particular world, but can it be known?

The defence of The Manor :: There are some fine moments of terror which comes out of nowhere, even though there are not many, and nothing much that we would remember for that long. The setting is really good, and they do use the environment to the best advantage, from the building to the surroundings. There is always something about the world around, whether having an enchanted feeling, or about being ready to unleash the terror at any moment. We also have fine concept behind this film, even though not at its full strength when executed. As expected, there is indeed the twist that awaits us, and there is a certain amount of deviation regarding that too. With Barbara Hershey in the lead, this was going to create a certain amount of impact, and one could be confident that the same was going to increase the positive effect.

The claws of flaw :: The Manor could have done a lot more, and we know that from the premise itself. The film is also very slow, and slower than any horror film would have wanted to move forward. When a horror film cannot go at a good enough pace, it affects the whole thing rather too much. Such a film is also expected to use what is required to keep itself in the genre. The idea here should have been executed better, and there could have been many paths to follow. The scares that it uses could have been manufactured in a better way. It also doesn’t try to build on a possible message which was standing so close out there. The structure could have been better as we look at it. As part of a bigger series, Welcome to the Blumhouse, this one had the chance to stand out, but really doesn’t try to do that. Well, it is our right to expect more here.

Performers of the soul :: Barbara Hershey plays the main role here, and she is also the old lady in distress around. She is the name that has been familiar the most for the supernatural horror film, The Entity more than anything else. It is also one film of those times which has had its presence well known. After so many years, she is part of another horror flick, and she blends in here really well once again. Bruce Davison is the next notable face here, as he has a bigger role to play here than what it seems in the early stages. Then there are actresses like Ciera Payton, Stacey Travis and Jill Larson who also contribute to the film naturally. Nicholas Alexander plays another significant role here, which becomes even more important in the later stages of the movie. Katie Amanda Keane and Shelley Robertson also drops in, along with Fran Bennett. As this is a nursing home, there are enough in-mates here to add to the characters, even though not all of them are used to the best advantage.

How it finishes :: The Manor is the latest addition to the thrillers added to Amazon Prime Video, and last month we did have The Voyeurs doing the job. It doesn’t use enough of horror to its advantage, unlike what was expected, and if it had done that too, The Manor could have had its own good fan base with its premise. In the world of films like The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others, this is no grand horror fest, but a small one to be part of the group. The focus here is more on the mystery, and as we go through the environment, we are going to be part of this journey, at a lower pace. In a world slowed down by COVID-19 pandemic, there is always scope for some slow horror too. During these days when you cannot trust the people or the virus enough, all you need is some supernatural horror.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 81 minutes
Directed by: Axelle Carolyn
Starring: Barbara Hershey, Stacey Travis, Bruce Davison, Ciera Payton, Jill Larson, Mark Steger

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Voyeurs

Vampire Owl: Do you think that life means anything?

Vampire Bat: It doesn’t matter for humans at all. Then why should it matter for us?

Vampire Owl: I am sure that it would matter to us more.

Vampire Bat: I would never understand why humans are like this.

Vampire Owl: Humans need their lives to keep lying.

Vampire Bat: Yes, it is the only thing that they do throughout their lives.

Vampire Owl: I had trusted three humans last year, and I would never do that again.

Vampire Bat: Humans are all about cheating others, and nothing more.

Vampire Owl: I would trust the demons of hell over these people.

Vampire Bat: Let us not blame the zombies for eating their brains then, and go home.

[Gets a strawberry cake and three cups of black tea].

What is the movie about? :: Pippa (Sydney Sweeney) and Thomas (Justice Smith), move into a new apartment in Montreal, Canada after a long time of spending time apart despite being in love for quite a long time. It seems to be the perfect place for them, and everything seems to work exactly according to the plans, which includes children, job and many more things. They soon find out that the windows of their apartment look across the street to another one, which has no curtains. They see and note these neighbours from the first night itself, and there is initially just some photography, but soon things get more intimate. Pippa doesn’t feel that it is okay to look into the lives of others. They even end up giving those people random names. Soon, they become more addicted in the life of people on the other side. Sebastian (Ben Hardy) and Sam (Cait Alexander) are the two people whom they end up seeing in action. Then there is also Julia (Natasha Liu Bordizzo) whom they see at the same apartment.

So, what happens with the events here as we just keep looking? :: They understand that Julia is the original wife, and Seb is cheating on her. Now, Pippa and Thomas are really interested, and wants to know what these people were talking to each other. For the same, they attend a Halloween Party in the apartment, and place a recording device in there. Julia who is supposed to be the real wife of Seb knows that he is cheating on her with some of the models whose photos he had taken. As more models including Mere (Blessing Adedijo) are added to the list, only Thomas and Pippa knows about the same as they watch from a distance. When Julia visits Pippa’s eye clinic, they become friends, and Pippa really wishes to talk to Julia about all the cheating that has been going on. But it seems that there is more to what they have been seeing around. The world has its secrets, and here once again, we have more than what meets the eye.

The defence of The Voyeurs :: The Voyeurs does have some moments of suspense, and it keeps us interested about what is to happen next, and twists as well as thrills do make the appearance. We have many unpredictable moments in here too, as one does feel that he or she never did see that coming. It is then that the mood of the movie suddenly changes without a warning, and there are those final moments when Sydney Sweeney scores above everyone else. All of a sudden, we have something to look out for. The pattern is also really good, and how it transcends the genre is a thing to look out for. The final moments of the film are among the best too, as the shock does get to everyone. We also have some fine visuals around here, and there is also the message given about not to believe what we see. Well, we just cannot believe the humans about almost anything, because humanity itself is built on the towers of lies and hatred for others.

The claws of flaw :: Even though The Voyeurs could have been a better film, there is no attempt here to rise above the limitations. There are lots of slow moments in here, and we are left with times when nothing much happens. The film also takes some time to bring its twists to the scene. People will find some parts of the movie strange too, and also related to how things change so fast. We also have times when things are not that perfect, and we do feel that some of these things could have been different. It also follows the usual formula for the is kind of film for most of the time too. It could have also focused more on human nature, and how it has led to all of these in a direct manner. The film could have also had its focus on evil rather than anything else, as well as some special tendencies which people have. It does have the strength up to an extent, and we are always looking for more as far as films like this one are concerned.

Performers of the soul :: Sydney Sweeney leads the cast, and things go pretty well with her work, and Justice Smith also comes up with a similar job. Sydney is indeed lovely in showing those emotions as things change so quickly. We can see that in the end, she raises the level so well. It is beautiful to watch her emotional side at work. The leading cast are pretty good together, as we look at them. Natasha Liu Bordizzo is very good with her work, even though it is Katharine King whom we notice before her. Natasha also has something special in store, and you can wait for that too. The other names including Katharine King are fine to watch on the screen, but quickly vanish without any trace of their former existence. Ben Hardy is more or less the character that seemed predictable earlier, but not so later. There are also a number of other characters who are not given that much focus, and we forget them too, as film comes to an end.

How it finishes :: The Voyeurs has its moments of suspense and thrills, along with the twists which keep us going. It is not just what it seems to be, but more, and also leaves hope for a possible sequel in an even stranger manner. The films like this can actually go a strange route, and can miss the mark easily, but this one holds on really well. It is nice to see that another interesting thriller has come out on Amazon Prime Video during these times when theatres still remain closed. There are surely more coming up, and for now, we have this one to be appreciated. The Voyeurs might not be watched by many as of now, but it will surely be a preference soon enough. So, all of you do stay safe during the time of COVID-19 pandemic, and watch more films from Amazon Prime Video. These might not be the best time, but at least we can watch some good movies.

Release date: 10th September 2021 (Amazon Prime Video)
Running time: 116 minutes
Directed by: Michael Mohan
Starring: Sydney Sweeney, Natasha Liu Bordizzo, Justice Smith, Ben Hardy, Katharine King, Cameo Adele, Jean Yoon, Blessing Adedijo

<— Click here to go to the previous review.

<— Click here to go to the previous film review from Amazon release.

<— Click here to go to the previous English film review from Amazon release.

<— Click here to go to the English review from Amazon release during the same time.

@ Cemetery Watch
✠ The Vampire Bat.

Those Who Wish Me Dead

Vampire Owl: Can someone wish that the undead be dead?

Vampire Bat: Well, that would be something the werewolves would do.

Vampire Owl: Do they still try to make sure about it?

Vampire Bat: They haven’t been that dumb for some time.

Vampire Owl: You mean that werewolves are no longer dumb.

Vampire Bat: Let them make a claim related to that.

Vampire Owl: Well, zombies did make such a claim, and they are surely dumb.

Vampire Bat: Zombies never get to eat enough brains. You can’t blame them.

Vampire Owl: Werewolves don’t get enough of full moon either.

Vampire Bat: Let us not blame them for wishing us dead, at least for now.

[Gets a blueberry cake and three cups of cardamom tea].

What is the movie about? :: Hannah Faber (Angelina Jolie) who used to be smokejumper is struggling with her past after facing a forest fire and failing to prevent the deaths of three young campers and another smokejumper. She ends up being posted at a fire lookout tower in pretty much a remote location. At the same time, Owen Casserly (Jake Weber), who works as a forensic accountant, watches the news about the death of his boss and family in what seems to be a gas explosion, and panics, ending up leaving his city with his son, Connor (Finn Little) who is confused about is happening. The house was originally destroyed by assassins Jack (Aidan Gillen) and Patrick (Nicholas Hoult) who were sent by highly influential people who wants to destroy the evidence of what Owen knew and had informed his boss. As they come to know that Owen had left his home with his son, they start another hunt with the clues which they were able to find at his house.

So, what happens with the events here? :: Owen hoped to find refuge with the one man whom he hopes that he can trust, his brother-in-law, Ethan Sawyer (Jon Bernthal), a Deputy Sheriff, who used to be Hannah’s ex-boyfriend. As they are attacked by the assassins, they are forced to drive down the cliff, leading to the death of Owen. Now, only Connor has the much valued evidence against the gangster Arthur Phillip (Tyler Perry). Connor who keeps on running ends up meeting Hannah, who he doesn’t really trust in the beginning, but decides to go with her anyway, as he runs out of options. It turns out that her tower was just hit by a lightning, and they no longer have any option for communication. At the same time, the assassins get another warning from their boss, and as they need to finish what they started as soon as possible, they set fire in the forest as a distraction and goes on looking for the boy at all possible locations, with time running out.

The defence of Those Who Wish Me Dead :: There is always chance for having more and more thrillers which are lesser known, but has enough strength inside to make an impact, thus keeping us interested. This film tries to be one of them, and succeeds up to an extent. This is also a film which we never knew that it had released, but thanks to Amazon Prime Video, we know. The film has engaging moments, as there is the boy being hunted, and we also have a protagonist with a troubled past who is trying to save him as well as others who also comes in. The setting used here is really good, as we have a huge forest area, a small town, and fire that burns them all. The situation has been nicely managed around here, as far as the environment is concerned. It also manages to have an emotional side to go with things. It could have also suited a slasher horror film well too – we have watched films like Nobody Sleeps in the Woods Tonight and Hoax a few months ago.

The claws of flaw :: Those Who Wish Me Dead doesn’t make full use of what it has in the hands. It also stays rather slow during most of its time, and it doesn’t seem to be in a hurry at any moment. It also misses the opportunity to bring some horror in between, and with a quicker pace, it could have achieved much more, after all, we have people who are supposed to be expert assassins fighting some local people. The slasher elements could have also made some impact around here. The intensity could have been much higher as we see how things are progressing around here. Angelina Jolie still has what it takes, but we do feel that she wants to let it go, and Nicholas Hoult, if used as the sole assassin, could have scored much more here. We do miss those days when these two people could have done things which nobody else could do, and that reminds us that we are also getting older – how has the world changed in more than one way, right? Well, all these do make the film feel much longer, even as it is not that long.

Performers of the soul :: Angelina Jolie is the name which makes you watch films during these days too. If there was no COVID-19 pandemic, and if this had released in the theatres here, just her name would have brought the audience to the multiplexes, that much has been her star value around here. She continues to come up with the fine performances, even though there is that tired look which seems to be that much associated with her as much as the character with which it connects really well. Nicholas Hoult who is the next best known name with films including X-Men franchise, Jack the Giant Slayer, Warm Bodies and Mad Max: Fury Road to his name, surprisingly doesn’t get a boost to his role, and is limited to the usual assassin that we see – well, that much is done pretty well. Aidan Gillen plays the other assassin well enough too. Medina Senghore as Allison is the strongest character around here, and Jon Bernthal as Ethan has his moments here too. Finn Little has some good moments as the child actor.

How it finishes :: Those Who Wish Me Dead adds to the list of the usual thrillers with some fine setting to go with it. It had the scope to be more, but that chance is not taken. It would have made more impact if the theatres were open around here, even though one can’t be sure if it is to get a chance for a release here with so many Malayalam films getting ready for release as soon as the COVID-19 numbers get lower. We do have to appreciate the fact that they are indeed releasing these movies on Amazon Prime Video which most of us have better access, as there is almost nobody who doesn’t order from Amazon these days and most of the people do have the Prime account. After all, these are the days when we are hoping for better times, and some good movies can help us to keep life going better. There is nothing like a tale of survival against all odds that can keep us going during these days. So, until things get better, we still have these around.

Release date: 14th May 2021 (USA), 17th September 2021 (Amazon)
Running time: 100 minutes
Directed by: Taylor Sheridan
Starring: Angelina Jolie, Nicholas Hoult, Finn Little, Aidan Gillen, Jake Weber, Medina Senghore, Jon Bernthal

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Mortal Kombat

Vampire Owl: Do you remember us watching Mortal Kombat on VCR a long time ago?

Vampire Bat: Yes, a long time ago for humans, just a little bit earlier for us.

Vampire Owl: Yes, immortality has an effect on the perception of time.

Vampire Bat: Yet, those were the days when humans had tapes instead of CDs.

Vampire Owl: Mortal Kombat had also inspired many grand stage fights between vampires and werewolves.

Vampire Bat: Yes, thanks to our special powers, we won most of them against brutal strength.

Vampire Owl: Our battles were more or less immortal combats though.

Vampire Bat: Yes, immortality makes sure that death is near impossible.

Vampire Owl: Actually, having such tournaments are good options in our realms too.

Vampire Bat: Well, tournaments no longer have value among elders.

[Gets a red velvet cake and three cups of white tea].

What is the movie about? :: In Japan during the seventeenth century, a group of assassins ruthlessly attack a family, and their leader Bi-Han (Joe Taslim) murders everyone except for their child, who is taken by the God of Thunder Lord Raiden (Tadanobu Asano) to safety. Back to the present, the terrifying realm of Outworld has defeated Earthrealm in nine out of ten competitions of Mortal Kombat, and with one more victory, they could claim and rule Earth. The Outworld has never felt that they have come so close to gaining the ultimate victory. But, an ancient prophecy says otherwise, asserting that the blood of the family which fell centuries earlier could unite a new group of warriors who can defeat the fighters of Outworld. Aware of this, Shang Tsung (Chin Han) sends his warriors to make sure that there are no warriors left to fight them, and Bi-Han who is now known as Sub-Zero is assigned the job to find certain people who have a certain mark to identify them.

So, what happens with the events here? :: The identification mark happens to be a dragon tattoo which has been on these people for a long time. A former professional MMA fighter called Cole Young (Lewis Tan) has such a mark, and a person named Jax (Mehcad Brooks) meets him and his family who are attached by Sub-Zero. Jax fights valiantly, but losses his arms to Sub-Zero’s cold, and is considered dead by the Outworld. Another person who is on the hunt is Mileena (Sisi Stringer) who wants Earth to be captured at any cost. Outworld is ready to break all the rules to make sure that they win this last battle. Cole searches for a woman named Sonya Blade (Jessica McNamee) to whom Jax had pointed much earlier, and upon discovering her, he learns about something sinister which has been going on in the background. She talks about Mortal Kombat, which might be a reality soon, and assures him that they have been chosen to fight for Earth against some unknown species from another world. But that might not be all.

The defence of Mortal Kombat :: This film is nothing less than a return to nostalgia, not just as the adaptation of a game which we have been playing so much from the early days of Windows, as it also contributes as the reminder of that movie which came to the cassette shops, and had us cheering for each action move on display. Well, this film is not that much far away from what we had seen then, as far as action sequences are concerned – we also have the superior computer graphics and with the better cameras, we have some visual grandeur on the screen as expected; a case of higher quality return of childhood as we look at it. The locations are nicely shaped using the special effects. The final battle with Scorpion and Sub-Zero around brings some quality final moments. We can consider this as a beginning, and hope to see more of the fights, with some real tournaments happening in different worlds. The origins of the new age adaptation has been set well, and with one fine sequel, the level of the whole thing could be raised.

The claws of flaw :: There is no doubt about that fact that Mortal Kombat could have been better, especially with so many of options being available. There are so many characters in the game who could have been taken into this film, but only a few were used. Some of the very interesting characters are also killed too early. The individual battles could have actually lasted much more, and some special and unexpected moves could have been added around here. A little bit more of attention could be taken in the clothes of the characters too, and they could have stayed close to how they were in the game. GI Joe had also experienced similar problems, but that franchise never really had this much of variety and worlds to be displayed on the screen with grandeur. It is a shame that some of the battles finish too easily, when we know that there are so much to be done with fighters keeping on battling each other without holding back. You could have always added some game elements according to the requirements.

Performers of the soul :: Lewis Tan as Cole Young leads the way well, even though Jessica McNamee playing Sonya Blade seems to be the real leader around here throughout the first half of the film, as she nicely suits the role so well. Bridgette Wilson would still be the perfect Sonya, as we are all fans of that older version and go on to miss Kitana and Johnny Cage characters for now. Mehcad Brooks as Jax is another determined character who keeps his moments, and Josh Lawson as Kano adds to the same from the other side. The best looks still goes to Mel Jarnson playing Nitara, even though she is there for only a short period of time. We would have loved to see more of her around here, as the winged creature is a thing of Gothic beauty rather than anything else. Sisi Stringer as Mileena brings a side of horror very well. Joe Taslim as Sub-Zero makes the right antagonist, and the ice-filled moments of action are joy to watch. Chin Han and Tadanobu Asano leaves us something to look out for with another possible movie based on the same video game series. Ludi Lin and Max Huang are good additions as the trained warriors too.

How it finishes :: Mortal Kombat does have some special place in our hearts, as it was one of those earlier games which we played and continued to enjoy for a long time. Among these games, it was Mortal Kombat 4 which had our best attention, as it had high graphics requirements, and we actually had to go somewhere else to play the game. The characters of Scorpion, Sub-Zero, Quan-Chi and Raiden were among the favourites then, and it was only later that characters like Mileena were of interest. Among the games, this one does have a legendary status, even though just like the other game adaptations including Need for Speed, Hitman, Prince of Persia, Tomb Raider, Warcraft, Resident Evil, Silent Hill, Doom, Blood Rayne, Max Payne, Assassin’s Creed and many others, this one also failed to gather much of critical appreciation. Yes, Resident Evil has grossed so much that nobody can question that particular franchise, but we know that adaptations require more.

Release date: 23rd April 2021 (USA), 11th September 2021 (Amazon)
Running time: 113 minutes
Directed by: Simon McQuoid
Starring: Lewis Tan, Jessica McNamee, Josh Lawson, Tadanobu Asano, Mehcad Brooks, Ludi Lin, Chin Han, Joe Taslim, Hiroyuki Sanada, Matilda Kimber, Laura Brent, Sisi Stringer, Mel Jarnson, Nathan Jones, Daniel Nelson, Angus Sampson, Damon Herriman

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Cinderella

Vampire Owl: How many Cinderella movies have we watched?

Vampire Bat: I have lost count this time.

Vampire Owl: And how many more Cinderella movies will we watch?

Vampire Bat: It is also not something we can guess.

Vampire Owl: If Cinderella was a vampire, this would have been so perfect.

Vampire Bat: We don’t really have fairy-tales in the vampire world.

Vampire Owl: One doesn’t really need them, right?

Vampire Bat: Well, fairy-tales are lies, we all know that.

Vampire Owl: I am sure that humans are not really short of lies.

Vampire Bat: And they even want us to believe the same.

[Gets a beetroot cake and three cups of black tea].

What is the movie about? :: Vivian (Idina Menzel) leads her life in a village of hardworking people with her daughters (Maddie Baillio and Charlotte Spencer), as well as her stepdaughter Ella, then known as Cinderella (Camila Cabello) who is different from her stubborn sisters. She does almost everything in the house, but is not considered to be someone of importance. Nobody in the house likes her, and wastes no time in scolding or making fun of her, despite her best efforts to make things better. Everyone at home considers her to be an orphan, even though she is daughter to the mother’s earlier husband. It is then that Prince Robert (Nicholas Galitzine) is in requirement of a wife, but he is not really that much into it – King Rowan (Pierce Brosnan) and Queen Beatrice (Minnie Driver) are not really happy about it though, as they would have preferred him to marry someone whom they admired and win many colonies as wedding gift in the process.

So, what happens with the events here? :: As Robert goes on living his life, not intending to be the grand kind that everyone wanted to be, Princess Gwen (Tallulah Greive) hopes to be rule the realm as a queen, an idea which nobody is interested in, but she does manage to provide some ideas in between, which mostly wouldn’t suit the world she lived in. Robert would meet Cinderella in the market though, as she was trying the dress which she had designed. For them to meet again, they have to come together in a ball, and she also wants to find buyers for her clothes, and Fairy Godmother (Billy Porter) prepares her for the same, supported by the mice (James Acaster, James Corden and Romesh Ranganathan) who are transformed into men and are supposed to take her to the palace on a magical chariot. Now the question remains if she can fall in love and sell her clothes at the same time, or whether she will fail as her stepmother and stepsisters would have always thought she would. The possibilities are endless.

The defence of Cinderella :: The first song by Ella is the best one with the music, and there are a few nice songs, even though none of them rise much above that particular level, while there are some which are not interesting at all. The visuals are really good, and the magic of the original fair-tale story is maintained, even though it seems to be so more by compulsion rather than anything else – maybe this film could have been named something else and played into another tale instead of calling Cinderella for help. There are some nice ideas in the background, that is for sure, but in the implementation, it often falls on the nose, and still we find something here and there. It does have the support of some fine performances in moments, and it also thrives on the moments. After all, we can’t just avoid a Cinderella movie when it comes, even when it deviates too much from the original ideas, and even if it is not the Cinderella that we knew or wanted to watch.

The claws of flaw :: For a Cinderella movie, this one is really strange. Its deviations often feel dumb, and often it feels useless. We have watched so many Cinderella films that we know what the story should really be about despite adding something not suiting at all. Some of the music does get irritating, just like a few of the characters fo manage to do. It is the same reason why it also feels foolish at times. The director here does have some weird and silly ideas about making a Cinderella film, and one has to understand that there are a few things which really make a Cinderella, just like without a few things, some classics and fairytales are not complete – Hamlet needs vengeance, Macbeth needs the witch-like creatures, Rapunzel needs the long hair etc. This is where Cinderella making the unnecessary deviation without creativity falls behind, and in the process, it is also too long a film, considering what kind of content it has.

Performers of the soul :: A lot of characters in the movie do look strange, even though many of them seems to excel in this. Camila Cabello is really good, without doubt, and the same can be said about Idina Menzel and Pierce Brosnan. Camila Cabello has some fine moments which rise a long way up, while it is always good to see Pierce Brosnan in any role. Idina Menzel has her stepmother role smaller than what one would have expected. Maddie Baillio and Charlotte Spencer plays the usual stepdaughters of the good old fairytale. Nicholas Galitzine and Minnie Driver are okay, but seem to overdo things at some moments, and some of their dialogues are ridiculously silly – but that is more or less inheriting the silly mood of the film itself. Tallulah Greive plays basically a useless role, and she doesn’t have enough screen-space either. A number of smaller characters in this film seems to be strangely written, and we would have actually done better without them as some of them also manage to look much ridiculous. Billy Porter as the fairy godmother is nonsense.

How it finishes :: Cinderella with this version is enjoyable only because of parts. Otherwise, it is irritating in other parts. It needed better music and try not to use nonsense to sell its ideas. These won’t suit in a Cinderella film either, but as it does look good, and because we have always loved Cinderella, we go on with it. As it has released on Amazon Prime Video, there is always the option to fast forward those unnecessary elements. When people try to divert a classic fairytale without not much thinking, I can assure you that there are many areas where you wish to fast forward. If you accept people’s right to be silly if they have a high budget, and enjoy the rest, you can enjoy the magic with the visual extravaganza. Well, we have accepted many stupid films which looked good or a few others with dumb fun, it is very much possible to be entertained by this.

Release date: 3rd September 2021
Running time: 113 minutes
Directed by: Kay Cannon
Starring: Camila Cabello, Idina Menzel, Minnie Driver, Nicholas Galitzine, Billy Porter, Pierce Brosnan, Maddie Baillio, Charlotte Spencer, Tallulah Greive

<— Click here to go to the previous review.

<— Click here to go to the previous fantasy movie review.

<— Click here to go to the previous Hollywood direct Amazon release.

<— Click here to go to the previous Hollywood delayed Amazon release.

<— Click here to go to the review of the most watched Indian film on Amazon.

@ Cemetery Watch
✠ The Vampire Bat.

Godzilla vs Kong

Vampire Owl: These are not the monsters we expect around here.

Vampire Bat: Well, we cannot stop any of them from entering the realm.

Vampire Owl: So, you mean to say that there is no active vampire defence against monsters.

Vampire Bat: Whatever remains will only be active against werewolves.

Vampire Owl: You mean to say that a transformed ape and lizard won’t count.

Vampire Bat: We can ask Doctor Frankenstein to try and contain the radioactivity.

Vampire Owl: I am afraid that it won’t be enough.

Vampire Bat: We are already prepared for the huge impact.

Vampire Owl: These are sacred lands. There should be no fight for supremacy here.

Vampire Bat: This is just a temporary space. They will pass through this area, through the portal.

[Gets a blueberry cake and three cups of cardamom tea].

What is the movie about? :: Five years have passed after Godzilla defeated the legendary monster, King Ghidorah and all the other monsters had bowed down to him, accepting his supremacy as the great king of the monsters. He is limited to a small space within the Skull Island, as a dome is created to hold him inside, so as to avoid any contact with Godzilla who wouldn’t appreciate the fact that there are two titans. A deaf and mute child, Jia (Kaylee Hottle) is the only person who could successfully bond with Kong, who is not really happy to be restricted to a small space, which he often tries to damage when he is angry. Jia is also the adopted daughter of the Kong expert Ilene Andrews (Rebecca Hall), and she hopes that they can hold on to Kong as much as possible, and avoid the epic clash which could happen between the two. Bernie Hayes (Brian Tyree Henry), tries to get into a facility which is attacked by Godzilla at the same time, and that gets everyone worried, as Godzilla has never attacked without a reason.

So, what happens with the events here as something big is coming up? :: Madison Russell (Millie Bobby Brown) feels that there is something wrong here, as Godzilla should have attacked only because there was a reason for the same, and something sinister is happening within. Walter Simmons (Demian Bichir), the CEO of the organization recruits Nathan Lind (Alexander Skarsgard), to lead a journey into the Hollow Earth, the homeworld of the Titans, which could have enough energy to fuel the planet and bring a defence against Godzilla. Nathan is not sure about as his books related to same was poorly received by everyone, and going into such a world would mean death, but as he understands that he has developed HEAVs, some specialized crafts able to withstand the high pressure which is exerted by the gravity field. Ilene understands that there is chance for Kong to find a new home in Hollow Earth, and agrees to the idea. But this journey is not that direct as they thought, as there are other motives for the rich businessman behind all these.

The defence of Godzilla vs Kong :: As expected, the film focuses on the action, with huge monsters ruling the screen, asking for bigger screens to watch it with the best effect, and we already had similar feeling with earlier films of Godzilla and King Kong, as well as the unrelated robot v/s monster battles of Pacific Rim. Among the monsters, it is Godzilla who continues to impress us more, as Kong continues to bring the feeling of enlarged ape rather than the alpha creature, still pretty good enough. The grandeur of Godzilla continues to impress us in many ways, and there is no dinosaur from Jurassic World that could stand up to that glory. When these two collide, there is the classic battle of the highest level indeed. There are so many great battles, and one final one with one extra human made monster – as we know, the worst of them are human or created by humans, proven through centuries, and if you have watched the Russian alien film, The Blackout, you will know what humanity is capable of, and this thrilling ride with great visuals asserts it again.

The claws of flaw :: The focus on giant action means less attention on the other things, and it is also not something which was unexpected. The building of the monster is something that was unexpected, and human greed is once again explored in a more predictable manner rather than anything else. There is no absence of Seven Deadly Sins as far as science is concerned, and it is as if they have taken that one directly from religion. The repetition that we feel here is more or less what was expected, but something which has less innovation except for Godzilla fighting Kong and having a mechanical monster also to join the fight. The evil plans of corporates in hold of scientific inventions is expected, but it is still good to see the evil being shown again. Maybe, they could have been shown as more evil that what they seemed, because it was leading to human extinction in one way or the other. This looks like we would need another sequel to use the film to its best advantage.

Performers of the soul :: Unlike what was expected, it is Millie Bobby Brown is the one who has the best of our attention. She plays who seems to be the only really smart person around here, as she seems to figure out what is happening before anyone, the so called smart scientists and researchers figure out things, and throughout the film, she seems to be the only real hope for the world. Rebecca Hall and Alexander Skarsgard plays the usual scientists being misguided into something which they wouldn’t have wanted if they had some common sense about what they giant corporations really wanted, but they play along well enough. Brian Tyree Henry plays the other smart person around, and it is being displayed nicely too. Shun Oguri and Demian Bichir plays the villains quite well, and they are more or less the usual villains that we have in this kind of films. Eiza Gonzalez also plays a meaty role, and she could be one strong action star with works in full scale action thrillers, for we know how effective she was in her small role in Hobbs and Shaw.

How it finishes :: Godzilla vs Kong is the kind of film which should be watched on the big screen, but with the COVID-19 pandemic’s second arrival ending that opportunity, and the fear about the same will keep it to the smaller screens for us, except for others who can afford a grand home theatre at home. It is exactly what you would expect from a monster film, and you might have already guessed that with ease from the experiences from the movie’s predecessors. When monsters of such grandeur collide, you know that there will be a spectacle on the screen, and the quality of this glory will be dependent on your screen and your audio devices. Even though we are missing it on the big screen, we can still appreciate the fact that it is not available on an OTT platform in India, and they have chosen the one which is used the most by people here, Amazon Prime Video. Let us hope that after The Tomorrow War, there will be more Amazon Original Movies coming soon, for we are without the multiplex experience now, and might stay so for some time.

Release date: 14th August 2021 (Amazon Prime Video), 31st March 2021 (USA)
Running time: 113 minutes
Directed by: Adam Wingard
Starring: Rebecca Hall, Alexander Skarsgard, Millie Bobby Brown, Eiza Gonzalez, Brian Tyree Henry, Shun Oguri, Julian Dennison, Lance Reddick, Kyle Chandler, Demian Bichir

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<— Click here to go to the previous high rated movie.

@ Cemetery Watch
✠ The Vampire Bat.

The Tomorrow War

What is the movie about? :: From a distant future of war and destruction, we come back to December 2022, as a biology teacher and Iraq War veteran, Dan Forester (Chris Pratt), is highly disappointed during the Christmas season, as he fails in his dream, which was to get a job at a research center. As he watched the FIFA World Cup with his family at a Christmas party, he was shocked to see a few soldiers from thirty years into future arrive in the middle of the ground. They warn everyone that humanity is facing extinction while facing a group of aliens unless they get some help for this timeline. The world’s militaries respond with drafting, and a huge number of well-trained people are sent into the future, but less than 20% survive, and there is always the need for more people to be sent to future. There are lots of rebellions against the war, because people feel that they are going to die anyway, and there is no need to finish one’s life much earlier. Everyone is depressed because there is the clear idea that it is the alien group that is going to win in the end, and there is no real hope related to that.

And what more is to follow? :: As the hope remains low, there is not much that there is left to be done, but the drafting goes on, and Dan is also chosen to fight in the war of the future. His family is not happy with what has happened, and his wife Emmy Forester (Betty Gilpin) hopes that he can find a way to bypass the drafting with the help of his father James Forester (JK Simmons), a former veteran soldier who has turned an anti-government activist after the Vietnam War. But he has to go anyway, and joins the team which is undergoing basic training under the troops from the future. But there is an emergency as there is an attack going on in the future, and without any further training which was to last about seven days, they are sent forward in time to Miami Beach but the coordinates get messed up, with most of the members of the team dying. Soon, they are ordered by Colonel Forester (Yvonne Strahovski) to rescue the nearby lab personnel and recover their research data before the area is bombed for clearance from alien infestation.

So, what happens with the events here? :: The team does manage to complete the mission, and they barely escape from the situation. Charlie (Sam Richardson), a techie, and Dorian (Edwin Hodge), a third time traveler into the future are the two survivors who are able to make it to the camp. Now, there is a lot to be done in a future, which seems to point towards human extinction, and the alien control over the planet one way or the other. In the new world of the future, they have to capture a female alien, and the types are rarer than the males which are basically everywhere. As they are living in a future where there are not many safe areas, with most of the continents already infested by the creatures which have reproduced enough to limit the human activity to certain areas, a research into causing the aliens to go extinct instead of humanity is a near possible adventure. The question also remains if there is a future that they can save, and if all these are worth the pain which they take.

The defence of The Tomorrow War :: There is an interesting future in store within The Tomorrow War, as this film with both aliens and time travel have you interested in the science fiction elements yet again. This is a combination which has worked really well before, with films like Edge of Tomorrow, working so well with the audience – being in a tomorrow with a war going on against aliens is a fair deal as far as any sci-fi fan is concerned. There is a lot of action in store here, and the alien detail is nice, even though having similarities with the Alien franchise which we have been missing since Prometheus and Alien Covenant, two films which had us asking for more. The visuals of the future Earth is also very nicely detailed, and the destroyed cities make us want to have more battles with aliens out there. The post-apocalyptic side of the film remains strong, thanks to all the action and the special effects, with the visuals never ceasing to remain stunning. This one can also have a prequel about the coming of the aliens, and maybe bring a franchise into motion.

Positives and negatives :: This is the kind of film which could have scenes which the Russian movie The Blackout had in its early stages, and that particular flick’s first half could actually be one interesting prequel to this one, with connections being made to the colder areas of Russia. There was surely scope for more terrifying sequences with aliens. To add to it, the pseudo-intellectuals can always find a reason to blame this film, but I am yet to discover what exactly would be their reason this time, for they have all randomly bashed Hollywood action films which were nothing less than grand. After all, it is not easy to make a film like this, and if Bollywood would try anything close, they can do nothing else than mess it up completely, with a long line of cast which is there in the name of nepotism instead of skills and quality. There are a few things which can be predicted here, and some of them come naturally to us, and not as surprises. There could have also been a few sequences about the missing years of alien attack, and a clearly defined theory about what has happened with the aliens.

Performers of the soul :: Chris Pratt whom we had last seen in Avengers: Endgame and Jurassic World: Fallen Kingdom gets to save the world again, and this time against the aliens. We could be having another Guardians of the Galaxy or Jurassic World in his usual roles, but this one has indeed established another memorable action role for him. Yvonne Strahovski is very much suitable to action flicks and thrillers, as we have seen before with The PredatorI, Frankenstein and Angel of Mine. But her presence in the future feels kind of restricted. Betty Gilpin has very less to do in comparison. JK Simmons has some nice moments to be added in the end. Others like Edwin Hodge and Sam Richardson are good additions to this kind of a movie. Others like Mary Lynn Rajskub, and and Seychelle Gabriel also have limited presence, but one would want them to have extended roles to play here. The film could have expanded rather than keeping its focus into the personal side in an alien invasion situation which is moving towards human extinction as well as the end of the world as we know it.

How it finishes :: The Tomorrow War will remind the audience of Edge of Tomorrow, even though the core idea remains different, and the film lacks someone like Emily Blunt in its full run. There is no denial of the fact that the film is complete entertainment, and you don’t really need to listen to some self-proclaimed great critics who write for some newspapers – they are more interested in providing lower reviews to science fiction in comparison to Bollywood nonsense as most of them are not able to understand the idea or enjoy the grandeur on the screen. You can only guess who impressive this would have been on the big screen, if not for the COVID-19 pandemic. These are the kind of films which can stun us with what is displayed on the screen with the special effects and maybe even a little bit of 3D effects. As of now, it seems that it is better for us to remember that feeling and enjoy the film on a laptop with Amazon Prime Video. After all, we are all restricted in that case, but not restricted as far as enjoying action-packed science fiction is concerned.

Release date: 2nd July 2021 (Amazon Prime)
Running time: 139 minutes
Directed by: Chris McKay
Starring: Chris Pratt, Yvonne Strahovski, Betty Gilpin, JK Simmons, Sam Richardson, Edwin Hodge, Jasmine Mathews, Ryan Kiera Armstrong, Keith Powers

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✠ The Vampire Bat.

The Witches

Vampire Owl: It is strange that we are being called by the witches too.

Vampire Bat: The vampires are now more accepted in a society than ever.

Vampire Owl: I wouldn’t say that about each and every vampire.

Vampire Bat: Well, humans create divisions among themselves and also divide vampires.

Vampire Owl: The absence of politicians among us has hindered those divisions.

Vampire Bat: I would say that we should divide them before they do the same to us.

Vampire Owl: I find the possibility of bringing more divisions to humans as too easy.

Vampire Bat: But the question still remains if there is space for more of them.

Vampire Owl: Well, lets first go and play, and we will know later.

Vampire Bat: I hope that they have at least set a good athletic sport and not something as lazy as golf or cricket.

[Gets a vegetable burger and three cups of orange juice].

What is the movie about? :: A young boy (Jahzir Kadeem Bruno) losses both his parents to a car accident on a snow evening, and his grandmother (Octavia Spencer) comes to his aid. She takes him home, and does everything to keep him happy when he is wih her. She was someone who used to be known as a healer among her people, and knew how to make sick people feel better. The boy also gets a pet mouse which he names Daisy. One day, the boy is approached by a witch with a snake in her hands, and while she tries to cast a spell on him, grandmother comes and ruins the magic. The grandmother also starts coughing, and as he tells her the story of the lady whom he had met, she realizes that it was a witch, and decides to leave the place with the boy to avoid any more meetings with the witch, as she did have a past with one of such creatures when she was a child. They decide to go to a hotel where her cousin is the chief cook, and stay there, safe from the witches.

So, what happens with the events here? :: But things there are not that safe as they thought. A group of witches led by their all-powerful great leader, The Grand High Witch (Anne Hathaway), arrives there, and the team includes the one the boy had met earlier. At the same time, the boy meets Bruno Jenkins (Codie-Lei Eastick), a boy who is addicted to food, and highly attached to chocolates. As the boy secretly enters a large hall to train his mouse, he is forced to hide, with witches coming in to hold their meeting. He sees them in their true forms, as they have claws instead of fingernails, which is hidden by wearing gloves; they are bald, and adjust by wearing wigs; have square sized feet without toes, which they hide under sensible shoes; strange and scary forms for the boy. There, the boy hears them making their grand plans, as The Grand High Witch tells them to give the all the children in the world a potion, mixed into sweets, that can transform all of them into mice, starting with Bruno. Now, he and his mouse should find a way to stop them.

The defence of The Witches :: It can be seen that the movie does capture our interest well enough from the beginning itself, as the starting scenes make a fine build-up. The special effects as well as the performances contribute nicely here, and it will appeal the most to children, with whom the movie can have some instant connection. The children would find most of the approach taken by the film to be adorable, and the pattern is the same which has been adopted by such stories for decades. There is the usual folk-tale and fairy-tale power that comes from behind it. The unpredictability factor, maybe coming out of the original book by Roald Dahl, a man who has something for the twists as we know from Lamb to the Slaughter, the much appreciated twisted short stories which became part of the syllabus of many universities including our own MG University’s Modes of Fiction paper. It is always good to see the witches, after vampires, zombies and werewolves ruled the big screen and novels for too long.

The claws of flaw :: The Witches is not that strong as it should have been, with any element attached to it. The film could have used a lot of elements of magic in there, and the whole thing could have lit up with colourful spells – maybe even with a touch of darkness to add to it. There is no clear movement towards a colourful, light world or towards that world of terror, as the movie stays reluctant, playing in the safe side, never taking the risks from the beginning to the end. The finish could have also been bigger in scope. There is also supposed to be an older version, which is supposed to be better than this, at least according to the critics. Finding of faults will be easy for this movie for people who live in the far away past, but not the same for those who understand it from the time when the book was published. The movie also came a little bit late, because an OTT release in April or May would have brought more viewers, with children not having schools, and colleges having some kind of semester breaks in between.

Performers of the soul :: Anne Hathaway comes up with a fantastic performance as the witch to remember, with a funny side – the last time we saw such a thing was related to Eva Green in Dark Shadows. She has blended into the witch-role really well. She is the one person on whom this movie can depend on, not only as the big performer, but the one huge name that everyone knows about – she has been a superstar even in the areas where people don’t remember the name of Hollywood celebrities. Octavia Spencer is there in a role which suits her really well right from the beginning itself. Jahzir Kadeem Bruno who plays the main kid does a really good job. Stanley Tucci as the manager of the grand hotel is fun throughout the film’s run. The other witches are also come up with a nice job, even though they don’t really get to do anything in particular individually. It is all left for the leader of the witches, and that comes as rather surprising, because more witch identities and some special powers to add to the same would have been nice to watch with the availability of special effects.

How it finishes :: The Witches does have your attention as the one film which seems to sparkle with its poster being shown among the new releases on the OTT platform. We did have one movie named The Witch a few years later which dealt with everything in an entirely different way. The movie we have here is certainly not the serious one among the two, focusing more on simple basic entertainment rather than anything else. There can be some accusations against this one, but those simple things can be passed over as things of no importance, as this is the kind of film which thrives on the cute silliness, and will appeal to the younger audience really well. Well, this is another movie which will keep us interested in the escapist mode, as this world where the witches go among the humans to deal with the children whom they consider to be brats, is a good addition during the COVID-19 lockdown which never really seems to end. This is the kind of old style entertainment that we need to keep us going through a world of chaos.

Release date: 22nd October 2020 (USA), 5th June 2021 (Amazon Prime)
Running time: 106 minutes
Directed by: Robert Zemeckis
Starring: Anne Hathaway, Octavia Spencer, Stanley Tucci, Kristin Chenoweth, Codie-Lei Eastick, Jahzir Kadeem Bruno, Charles Edwards, Morgana Robinson, Josette Simon, Eugenia Caruso, Ana-Maria Maskell, Orla O’Rourke, Penny Lisle, Simon Manyonda, Philippe Spall, Brian Bovell

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