Tag Archives: fight

Don’t Breathe 2

Posted on by

Vampire Owl: Do you remember when was the last time we had gone on a trip that had visions that made us forget to breathe?

Vampire Bat: That was to the Lake of Blood, a long time ago.

Vampire Owl: It is actually called the Lake of Death.

Vampire Bat: Yes, but it has so much of blood, and we cannot avoid that name.

Vampire Owl: The trips have been banned for some time.

Vampire Bat: A trip to Munnar always makes things better.

Vampire Owl: You cannot always trust the highlands.

Vampire Bat: What about some lakeside time at Kumbalanghi?

Vampire Owl: Well, the only trip we might be getting is with corona virus.

Vampire Bat: That is more of a visit and not a trip.

[Gets a masala dosa and three cups of black tea].

What is the movie about? :: Eight long years have passed after the incidents of the first film, and things have changed now. Norman Nordstrom (Stephen Lang) the blind Navy SEAL veteran has recovered from his injuries, and now lives with his daughter Phoenix (Madelyn Grace) and a ferocious dog to take care of them and the property. He tells Phoenix that her mother had died in a terrible fire in their old house, after which he has been taking care of her. He keeps training her in the name of surviving. His only contact in the society is Hernandez (Stephanie Arcila), a former US Army Ranger and a good friend of Norman. She is the one who always takes Phoenix outside for some fun. It is the same time when a lot of news about abductions by organ trafficking gangs among others are coming up, and Norman feels that it is not safe at all. She finds Raylan (Brendan Sexton III) in the washroom, but he is scared away by the dog. But it seems that he doesn’t stop following her. Hernandez feels that the girl should be out more, and that Norman should stop thinking about his past wars and be nicer to people.

So, what happens with the events here as we just keep looking? :: Hernandez feels that the man whom he had met earlier was just a weird man, and there is no shortage of such people in the area. But she comes up against the same person much later on the road, and feels that there is more to him than what meets the eye. Soon, she is killed while on the way back home, by the same people. Norman is against her going to school, choosing homeschooling over her meeting more people outside. Soon, a group of led by Raylan reaches their home, and after killing the dog, kidnaps the girl. He tells her that it is not him that she needs to be scare of, but the man next to her. He adds that he is her real father, and that the blind man took her home to replace his own dead daughter. She resists, but is choloroformed, while Norman is left to die after they set fire to the house. He escapes with the help of the dog which the intruders had brought with them. Even though Raylan was looking for his daughter, he does have another motive. What would that be?

The defence of Don’t Breathe 2 :: There are some fine action sequences with interesting use of darkness, as everything is set in two different buildings. The fight scenes have enough to stay in our minds, even though not as much as the first film. Some of the memorable scenes include the blind man’s use of the environment to survive and continue to combat against all odds – it is a much more difficult task for him in comparison to the first movie. The environment has been well-created, and you do feel that presence of evil at all times. Almost everyone in the film is evil, and it is a reminder of inherent human evil itself – you know that people need to be dead to be not evil anymore, as we don’t usually see good people around. The small number of people whom we meet here are reflections of the same evil, with some of them being a little evil, others more evil, and the rest being completely evil. The other characters are not present in the movie, and the girl remains the only hope for a deviation along with the children with whom she play at times.

The claws of flaw :: It is clear that this movie doesn’t maintain the quality of the first film, and it does struggle to live up to the novel idea and quality that it had maintained. The idea of transforming the blind man into saviour might not be interesting for everyone, and he also seems to do a little too much for a man for his situation. He doesn’t seem to have much of a way forward around, as far as the character is concerned – there is no strong motive to support a further character development, with material seemingly less in comparison to the earlier movie. The first film served better as a horror film focusing on survival, but this one moves too much away from that genre which served so well. With a grand change in the character, this is something which struggles to take control of the deviation well enough – maybe it requires another sequel to deal with that, but that would make one wonder what is to be done next. You know that there are better possibilities with horror characters like this one, but the studio seems to think in a different way so as to make the person useful as a protagonist instead.

The performers of the soul :: It is once again the performance of Stephen Lang as the blind man which keeps the movie going – he does seem to play a more tired person here though, as there seems to be a struggle here which is more than the first movie. With a drastic change coming upon the nature of the character, the man does take it with him well enough, even when that often leads to a struggle. He excels in the action scenes, and is good enough to take it to the next level, rising about the others who are part of the fights. Brendan Sexton III makes a pretty good antagonist, even though the idea focuses more on action rather than anything else. Madelyn Grace plays the child well, while Stephanie Arcila’s short presence is memorable enough. Christian Zagia plays a thug with a conscience pretty well. Even then, it is Fiona O’Shaughnessy who seems to be more evil than any other, as she is one mother whom the sons and daughters won’t appreciate for selflessness – there seems to be a certain amount of witch-likeness in her.

How it finishes :: The fans of the first movie will find it difficult to miss this movie, even though it is weaker in comparison the earlier flick. There is no real horror or the surprise element, but the film scores in action. An old and blind man with a special set of skills is someone of interest as he looks forward to save his daughter, and he is also an iconic character. The memories of the earlier movie also keeps us interested well enough. Among the horror movie sequels, this is the one which we have waited for, more than the other usual ones like The Conjuring, Annabelle, Insidious, Sinister etc. After all, Don’t Breathe had the skills to go divergent, and this one takes the path set by that particular movie. It means that you can be assured that this movie has a nice enough background to build on, and cannot go too wrong with this character at the core. Even though it didn’t release here in the theatres at that times, the movie is now available on Netflix, which is a fine relief for us, as we have been waiting for so long.

Release date: 18th December 2021 (Netflix); 13th August 2021 (USA)
Running time: 99 minutes
Directed by: Rodo Sayagues
Starring: Stephen Lang, Madelyn Grace, Brendan Sexton III, Bobby Schofield, Adam Young, Stephanie Arcilla, Fiona O’Shaughnessy, Steffan Rhodri, Diaana Babnicova, Christian Zagia, Rocci Williams

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Jungle Cruise

Posted on by

Vampire Owl: Do you remember the last time we went for a cruise in the river?

Vampire Bat: Are you talking about the journey through the River of Blood?

Vampire Owl: No, that was only a temporary river caused by the war with the werewolves.

Vampire Bat: The river still stands strong with the result of the new battles.

Vampire Owl: The blood in there is not enough even for Uncle Dracula on an eventful night.

Vampire Bat: Still, it is a river with blood.

Vampire Owl: There are other rivers which hold interesting red liquids.

Vampire Bat: You do think about a water world much different.

Vampire Owl: Yes, you have to respect the tradition of the water world.

Vampire Bat: We respect just the tradition of the blood around here.

[Gets a vegetable samosa and three cups of elaichi tea].

What is the movie about? :: In the sixteenth century, a group of Spanish conquistadors had searched the interior jungles of South America for something known as the tears of the moon, which came from a lesser known tree. It was a very long search which went on for so many years that people actually got too tired about it. The flowers of this tree is supposed to cure a good number of illnesses and heal injuries, while even believed to be lifting curses according to the locals. After many people die in search of the special tree’s flowers, the tribal people help a few of them with the unexpected medicine brought out of the flower. When the conquistadors force them to reveal the location of the tree and then burns the village, the chief of the tribe curses them before dying, and all of them are forced to live there forever – near the Amazon river, and under the power of the jungle which watches them at all times. This might not be the best known of the legends surrounding Latin America, but in 1916, seems to be the one which has the attention of a little too many people.

So, what happens with the events here as we just keep looking? :: Dr Lily Houghton (Emily Blunt) and MacGregor Houghton (Jack Whitehall) are searching for the same thing more than anyone else. MacGregor presents his sister Lily’s paper at the Royal Society in London, which the audience feels is rather dumb. But at the same time, Lily is searching for an artifact which might be the key to finding the tree. She hopes that the flowers of the tree can actually save millions of people all around the world. She finds the artifact within the society house, while MacGregor had created the diversion. She also manages to escape the area, but not without gaining a lot of attention. While the scientists continue to consider it as a ridiculous myth, Prince Joachim (Jesse Plemons) of Prussia is very much determined to find the tree for the Germans. He has also done a lot of research related to it, and spent a lot of money. As the youngest son of the emperor, he is determined to get what he wants, at any costs, and even has a lot of troops, ships and even a submarine ready for him.

And what is to be added to the adventures around here? :: The scene shifts to Brazil – Frank Wolff (Dwayne Johnson) is someone who has been offering cheap jungle cruises to people, and he has also added some fake theatrical danger events to make things look more alive and interesting. When Lily asks, Frank is hesitant at first, but agrees later, as he is desperately in need of money and had also looked for the flowers by himself a long time ago, before getting stuck there. After getting back his boat’s engine from the man who had lent him money, the three start the journey together, after evading the German submarines which come at them. But it is only the first problem that they have, as more troubles await them. There are the tribal people that await in the jungles as well as the dangerous animals. Along with the same, there are also those Spanish conquistadors who are caught in the forests to live forever in a terrible state. The Germans would also make a grand return. Are these people ready to face all the troubles that await in the path?

The defence of Jungle Cruise :: This movie once again brings a world which is full of adventure, and we also have the environment to be really good and suitable for the situations shown here. There is one world belonging to the jungle and river, as well as another one which goes further as we get close to the tree that serves as the destination. This world is that kind of place which we would really wish to visit for the natural beauty – the green world which is provided here only gets better as the movie progresses further. The journey is more or less taking us there to travel through the river and the mysteries that lies close to it, related to a curse. There is also some fine humour to add to it, and we don’t feel that we ever come short of the same. There is no better guarantee for entertainment than this movie, and it is basically a safe path for fun, suitable for all ages, and a perfect one for watching with family. We also have that memories of playing Tomb Raider and other related games with artifacts in the forests coming back to us.

Positives and negatives :: Whether it is Jumanji, Hobbs & Shaw or the rest of the Fast and the Furious series, The Rock a.k.a. Dwayne Johnson is the one actor whom we look forward to bring all the entertainment. The action and the humour sticks perfectly to him this time too, as the adventure only gets sharper for his character. He remains the muscle of the film, as he has been with so many other movies too. Whether in Edge of Tomorrow or A Quiet Place, Emily Blunt has the skill for some serious adventure, even though this one surely adds a certain funny side to it. She becomes the Tomb Raider of this particular movie, and a character like this never losses the charm. Edgar Ramirez also comes in nicely as one antagonist of the past. Jack Whitehall is more or less about the funny side. This is the kind of movie which one would love to watch in 3D, as there are so many elements which qualifies in making things better with visuals. Yet, the movie could have gone for a smarter progress with its myth, and it could have had more dangers being shown as part of the world. Some of the dialogues also seem to have come unnecessarily.

How it finishes :: Jungle Cruise stays close to its strengths and makes this one a very entertaining ride. The movie does know where it can stand without troubles. It doesn’t really try to move away from the safe zone in working with the content. It stays simple, and with the same, would attract all the audience with ease. This one is also the classic family friendly journey to which Dwayne Johnson is not a stranger – Journey to the Mysterious Island had provided something similar quite some time ago, as we remember such mysteries and legends getting the due. Well, you can always trust the Rock with that. The transportation to this particular world is done in a way that no kind of audience is left behind. It is the kind of world which can surely have an attraction in a theme park with its name. As we have not travelled that much in the last few years in the name of Corona virus and its restrictions, we are all going to have this virtual one.

Release date: 30th July 2021
Running time: 128 minutes
Directed by: Jaume Collet-Serra
Starring: Dwayne Johnson, Emily Blunt, Edgar Ramirez, Jack Whitehall, Jesse Plemons, Paul Giamatti

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Sweet Girl

Posted on by

Vampire Owl: I remember having met a sweet witch.

Vampire Bat: I do not remember any witch being sweet at all.

Vampire Owl: He had some of the sweetest magic potions.

Vampire Bat: You shouldn’t buy potions without approval of Vampire Senate.

Vampire Owl: I have paid all the taxes along with the price.

Vampire Bat: You will still have to pay the import duty.

Vampire Owl: But we belong to the same realm.

Vampire Bat: Yes, but not the same territory.

Vampire Owl: Now, we are having taxes like humans?

Vampire Bat: It is still very much less in comparison to some of the nations in the world of evil humans.

[Gets a raspberry cake and three cups of orange tea].

What is the movie about? :: Ray Cooper (Jason Momoa) jumps off the top of a building while being chased by the police, and it is followed by a flashback. His wife Amanda Cooper (Adria Arjona) gets really ill with a rare form of cancer. The survival expert, Ray hopes that he can do all that is possible to save her. But it is soon revealed that the life-saving drug called Infirmam was taken off the market due to Bio Prime CEO Simon Keeley (Justin Bartha) paying the manufacturers to delay the production. This also means that there was going to be an indefinite delay, and Amanda doesn’t have that much time. He watches congress woman Diana Morgan (Amy Brenneman) going through a live devate with Simon, and there he seems to be talking about much their company is dedicated to saving lives at less cost, and on how much they have sacrificed in the form of money and time. He makes a call to the live debate, and as Simon doesn’t seem to care that much about bringing the drug back to the market, Ray threatens to kill him if his wife dies because of this negligence.

So, what happens with the events here as we just keep looking? :: Soon enough, Amanda dies, and Ray is left with his daughter Rachel Cooper (Isabela Merced) to go on with the pain and grief. A few months later, Ray gets a call from a journalist Martin Bennett (Nelson Franklin) who claims that he possesses evidence related to the unethical practices and criminal activities on the side of Bio Prime. They meet on a moving train, but a hitman Amo Santos (Manuel Garcia-Rulfo) attacks them, killing the journalist and stabbing Ray. Rachel who had followed them also gets knocked out in the process. Even though further investigations reveal nothing about what had happened with Bio Prime or in the train, and with no information about the hitman who attacked them, Ray still continues to track Simon and his company. He manages to sneak into a charity programme and interrogate Simon, only to be attached by the bodyguards whom he manages to kill along with his gaurds. The only other responsible name that he gets is that of the chairman of the same company, Vinod Shah (Raza Jaffrey). FBI Agent Sarah Meeker (Lex Scott Davis) is in charge of the case.

And how far can this go as we keep moving forward? :: Ray and Rachel go on a long ride through less taken roads, trying to get away before the police officers or the assassins get to them. Rachel tries calling Sarah, hoping that she will look into Bio Prime before her father comes up with something terrible again. Sarah is able to get the trust of Rachel like a mother figure. Meanwhile, they are attacked by mercenaries who seems to have found them much to their surprise. Ray fights them and after a small fight, ends up killing them too. At the same time, the same hitman who had attacked them on the train is after them too. Their only option here seems to be to find Vinod and hope that it ends with them. But Santos has other ideas about it, and Vinod knowing anything more than what Simon knew seems not possible at all. How far does all these secrets go? Who might be the last link behind all of these? Will the father and daughter duo survive against what they seem to be completely incapable of handling? Is there a thing like hope for them?

The defence of Sweet Girl :: Jason Momoa is here doing what he does the best, without the superpowers of Aquaman and outside the team of Justice League. Isabela Merced has a point as the daughter figure. She plays a character who is more matured than anyone else of her age, and has her own ideology. This is also one strong character that she can happy that she played. The twist also works like a dream for her, and she rises above everyone else with ease here. She does remind one of Chloe Grace Moretz, like someone who could rise above the senior stars when provided with an opportunity. Then there is Manuel Garcia-Rulfo as the hitman and Amy Brenneman as the congress woman who are all doing what they do the best. The action sequences are all good, and both the father and daughter do their job well. The twist basically comes a shock, even though there were some red herrings here and there – that should work for most people. The movie, just like it begins well, ends without overdoing it, but being mostly satisfactory.

The claws of flaw :: The movie could have been quicker here, as there is a lot action to be done. The twist in question here doesn’t seem to be that effective for everyone, as the willing suspension of disbelief might have its problems with how the action sequences have been going on here. It does take a little too much time to get to the twist, which should have been revealed earlier for the audience to adjust to the whole new situation it had created. The loopholes are surely there, especially in the second half of the movie. The movie does seem to be confused about how to respect the genre, and the world it had built earlier. The feeling of half-bakedness does bring some trouble. There was the chance to come up with better dialogues and better emotional moments too – the emotions are there, but with the twist, some emotions feel as if they didn’t exist at all. With that particular twist, it also feels that some of the length of this movie was for no reason, as a number of things didn’t happen as it was shown.

How it finishes :: Sweet Girl is more of less the movie that can go in the path of Hitman, Transporter, John Wick, Mechanic, Accountant, Equalizer, Kate and others while having its main lead going through the impossible to reach the other end. It would require a sequel for that, as it had that twist which changed things a little too much. There will be opinions against this one for sure, as the twist would take away something which the fans would have wanted in the climax, but the film did require something divergent to set a path different from the usual movies dealing with this kind of thing – you can’t just complain for taking the risk and bringing more to ponder about. With lots of action around, a few things can be forgotten, and others can be appreciated – what is to loved and hated might still be different for different types of people. I would be asking people to watch this one without looking at the spoilers and come with your opinion. We are never really less in need of action thriller with a huge mission in hand, right?

Release date: 20th August 2021 (Netflix)
Running time: 110 minutes
Directed by: Brian Andrew Mendoza
Starring: Jason Momoa, Isabela Merced, Adria Arjona, Manuel Garcia-Rulfo, Amy Brenneman, Raza Jaffrey, Justin Bartha, Lex Scott Davis, Michael Raymond-James

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Thallumaala

Posted on by

Vampire Owl: I heard that this movie is all about fights.

Vampire Bat: Yes, the title does signify the same.

Vampire Owl: Do you think that there could be more fights in our realm too?

Vampire Bat: We don’t have such small fights. We have only wars.

Vampire Owl: Maybe the wars could be reduced to smaller fights.

Vampire Bat: The smaller fights are not of relevance.

Vampire Owl: They can help stop the bigger wars.

Vampire Bat: I am sure that zombies and werewolves won’t agree to that.

Vampire Owl: Well, Uncle Dracula might agree.

Vampire Bat: For that, he requires a champion. The protagonist of this movie could serve as one in an undead state.

[Gets a marble cake and three cups of mint tea].

What is the movie about? :: There is a fight between Manavaalan Wazim (Tovino Thomas) and SI Reji Mathew (Shine Tom Chacko), and it is a one on one battle while their friends look on. The reason for this fight goes back by a few years, and there is a score to settle. A long time ago, Wazim was someone who usually got into fights, and after the pandemonium was over, he made friends with those who fought with him – the fights develop into a friends ciricle which includes him along with Jamshi (Lukman Avaran), Sathaar (Swathi Das Prabhu), Vikas (Adhri Joe) and Rajesh (Austin Dan). At the same time, he had also fallen in love with Fathima Beevi (Kalyani Priyadarshan), a famous Instagram and Youtube sensation based in UAE, even though she has her roots in Kerala. Despite her early doubts, she soon becomes assured that he could be the one for her, and manages to convince her parents to let her marry the man, even though none of her relatives have a good opinion about her – some of them even think that he is a useless young man who is of no good to the society.

So, what happens with the events here as we just keep looking? :: Wazim’s parents (Johny Antony and Neena Kurup) had already ceased having good opinions about him. They want him to go and do some job in Dubai rather than wander around Ponnani town and pick up fights. After starting a fight with Siyad (Noushad Ali), and after they burn down Wazim’s father’s theatre, he is forcibly sent to the Middle East. But when he comes back, he starts another fight, this time with the group led by Reji – it lands them in the hospital, but hopes for revenge. Reji who wants to make up with them is not accepted with them, as everyone other than him and Wazim seems to be upset whenever the other group is seen around. Kalapurakkal David (Binu Pappu) who was part of Reji’s gang had warned against the two groups seeing each other again, but the situation seems to be in favour of both teams fighting each other again. At the same time, there is also a pending fight with Omega Babu (Chemban Vinod Jose) and Jamshi is depressed about it as he often remembers being beaten up by him. So, can Wazim fight these battles along with being able to marry Fathima?

The defence of Thallumaala :: This is the one movie which you might want to watch if there is the need for seeing a lot of fighting on the big screen. The movie also remains colourful throughout its run, and the visuals are really good. The humour works well during most of the time, and they have really added some fine doses of comedy in between to elevate the level of the film. There is the reminder of masculine ego which is hurt, as it was in Maheshinte Prathikaaram, where two women do talk about the madness of the major male characters who decide to go on an unnecessary fight. The audience will keep getting fights over fights, and in the end, they will have the feeling of having watched a big adventure with fists and legs as the main character never stop thinking about fights even if they cease to believe in love and the other common things in a movie. Some of the songs remain very notable, especially for the different kind of treatment. There are those dance moves which were already seen in the released songs. The world becomes different with this movie, and there is no need to have any outside interference related to this.

The claws of flaw :: Thallumaala‘s trailer had already given the feeling that this was going to be about fights, but it takes a lot of steps towards meaningless fights starting out of nowhere. The trailer itself was indeed confusing up to an extent. The first half takes some time get to be interesting, and most of the engaging moments can be seen as happening in the second half. The romantic side is rather strange around here, as there seems to be no real reason for the incidents to happen and turn the hero and heroine to marriage, especially for the lady who is very rich and remains an Instagram sensation who is adored by so many people all around the world. The story is not that strong, with most of the incidents in the film having not much of a meaning. The show of the sequence of events in also everywhere, and we don’t see anything occurring straight enough. In the first half, the tale keeps moving through different timelines as if they have a time machine – everything is basically everywhere to keep the audience confused. There were many things which could be added and also removed around here as there is struggle to be overcome.

The performers of the soul :: It is indeed great to see Tovino Thomas in a different avatar around here. His roles in Vaashi, Naaradan, Minnal Murali, Kaanekkaane, Kilometers and Kilometers and Forensic were all different, as he played superhero, lawyer, journalist, forensic expert and many others in a short period of time, and he has done the same with some fine skills. This role will be something to remember for him, as he also seems to get younger with this one, as this reckless youth is also of variety. Shine Tom Chacko indeed shines in this work, and he seems to perfectly suit the character. It would seem like the right thing to have him Soubin Shahir who dropped out of the film, as a character like this one requires Shine. Kalyani Priyadarshan, even though becomes the leading actress, has much less to do for the progress of the tale, and in between the fights which are supposed to happen at all times, would be happening with or without her presence in Kerala. Among the friends, it is Lukman Avaran who stands out, as he seem to blend in here like no other. In the other gang, Binu Pappu remains notable – in both gangs, all of them are indeed of relevance. Johny Antony’s father role is lovable, and Shafi Kollam of Star Magic fame gets a fine role to perform. Chemban Vinod Jose is there but with not much to do.

How it finishes :: Among the releases set around Independence Day and a week beyond, this particular movie seems to have the advantage over the others. It cannot be considered as the better film among these choices, but is surely the one flick that seems to attract the young audience to the theatres more than any other. The film makes us wonder if the only thing that the new generation does is to fight, and whether everything is solved by fighting with each other, a disappointing trend for a movie which has Mahatma Gandhi as the father of the nation, and after seventy five years post getting independence. Yet, there is the assurance of entertainment, and the funny side often makes sure that the fighting does not feel too cruel around here. It is to be noted that Shine Tom Chacko brings this movie back to life so well, and we end up wanting his character to win in the end. Well, this variety for sure, and it is not in the story, but in what surrounds it, as we are introduced to the one real fight movie in the Malayalam film industry. It is also realistic if we consider the number of random fights which have broken out in the state for no reason, and adorn the news.

Release date: 12th August 2022
Running time: 148 minutes
Directed by: Khalid Rahman
Starring: Tovino Thomas, Shine Tom Chacko, Kalyani Priyadarshan, Chemban Vinod Jose, Lukman Avaran, Binu Pappu, Johny Antony, Neena Kurup, Gokulan, Swathi Das Prabhu, Adhri Joe, Austin Dan, Assim Jamal, Shafi Kollam, VP Khalid, Noushad Ali, Bhanumathi Payyannur, Ann Salim, Mashar Hamsa, James Elia, Unni Raja, Mohammed Eravattoor, Anand Bal, Satheesh Kumar, Balan Parakkal, Babu Annur, Nasar Karutheni, Salim Kumar (cameo)

<<< Click here to go to the previous review.

<<< Click here to go to the latest release review.

@ Cemetery Watch
✠ The Vampire Bat.

Heaven

Posted on by

Vampire Owl: Do you think that Uncle Dracula is going to heaven?

Vampire Bat: I am sure that vampires have a different afterlife.

Vampire Owl: You mean beyond heaven and hell?

Vampire Bat: Somewhere in between, to be exact.

Vampire Owl: Are you talking about the purgatory?

Vampire Bat: I wouldn’t know before death, but there would surely be blood.

Vampire Owl: Well, as long as there is blood, I am okay with it.

Vampire Bat: You don’t really take the blood substitute anymore?

Vampire Owl: Until Doctor Frankenstein invents the perfect substitute, I won’t.

Vampire Bat: Then, be assured that it will a long wait, because that pseudo-doctor and scientist with fake degree is involved.

[Gets a paneer puffs and three cups of iced tea].

What is the movie about? :: A group of NCC cadets discover a dead body in the forest area where they were camping for the holidays from their school. The first police officer to the scene is Bijoy Kuruvilla (Sudev Nair), and the dead person is identified to be Fabian John (Deepak Parambol), with the help of the forensic experts who are led by Narayana Swami (Joy Mathew). According to the descriptions from the witnesses and circumstancial evidences, the police discover the murderer to be none other than Peter Kurishingal (Suraj Venjaramoodu), another police officer. Then, the movie gets a flashback when Peter is in charge of a police station in a village. He had only recently lost his wife, and has a number of cases for investigation, which he takes very seriously so that he can use them to forget the grief of loss. His mother Mariyam Kurisingal (Vinaya Prasad) takes care of his only son, as he remains mostly busy as a strict police officer. But things get worse as he comes up against a case which would prove to be personal for him, as a family is murdered, and along with them, he also find his son’s dead body, much to his shock.

So, what happens with the events here as we just keep looking? :: Peter’s subordinate Sukumara Pillai (Alencier Ley Lopez) is posted in the case with the new officer in charge of the investigation, Inspector Kishore (Padmaraj Ratheesh) who seems to be solving the case rather quickly, and a man named Stephen (Jaffar Idukki) confesses to have committed the crime with an immigrant labourer from West Bengal, as part of an attempted robbery. Peter has his doubts, but as one of the victims is his son, his superior officer Revathi Subramaniam (Abhija Sivakala) declines him an opportunity to be part of the investigation team, but lets him have a look at it as part of a parallel investigation for which he would be solely responsible. Soon, he discovers that the man who is accused of murder, Stephen actually had nothing to do with it. This home named Heaven, where the murders took place, seem to have more than one secrets to be discovered. His discoveries soon lead to him taking over the case after joining back on duty. But it remains to be seen if he will like what he would discover.

The defence of Heaven :: Here is one more addition to the smart thrillers of our times with some fine red herrings. The investigation shown in the movie feels solid, and so does the emotional side. The movie achieves its motives without exaggerating anything at any moment. There are twists till the end of the movie, and we see that it has nicely solved the puzzles to come strong in the end with enough strength. The realistic mode is maintained while bringing up the thrills and twists, and it surely feels like something which could happen during these days when different crimes are part of the news more than ever. Even the police procedures seem to be much accurate, and it doesn’t seem to venture into those areas where the smartness of the audience is questioned; maybe it is because the film chooses to have no such superstars who have so many fans wishing for their favourite actor to destroy evil like a fallen angel. Well, this movie is also something with fallen angels, but it knows how to keep it realistic. This is the kind of film that can teach valuable lessons for Bollywood which has its non-performers coming out of nepotism, not able to emote.

The positives and negatives :: The visuals are really good, and the camera is particularly good in capturing the emotions of Suraj Venjaramoodu, with all the grief which is part of the character’s life. The moments after the son’s death is as emotional as it can get, and it is only matched by the determination in his face that comes up later. There are the inner and outer battle shown here are with their own relevance. Heaven does not hesitate in going through the emotional path of the police officer and his investigation, just like it was seen in the movie Memories which had that abiding sadness in it which would return to haunt the viewer. The movie could have actually focused on the darker side even more. The return to the initial moments come rather too late, and due to the same, people might have actually forgotten the events which had happened earlier. The movie does slow down after the deaths and following emotional troubles, and it could have used a serial killer instead of the usual vengeance ideas being repeated. The music doesn’t feel as that great in comparison to some of the other thrillers which dealt with similar themes.

The performers of the soul :: Suraj Venjaramoodu handles the regretful cop role really well, and it reminds us of his earlier movie Pathaam Valavu, where he had also lost his child. The helpless and lack of hope can be seen on one side, while there is smartness on the other. He is the police officer and father to remember. The emotional struggle which was best displayed in Kaanekkaane, and added with mass in Jana Gana Mana and Driving License works really well here too, as he is indeed one of the best actors to go through a strong emotional side. The biggest support to him is provided by Alencier Ley Lopez who makes a fine cop in a supporting role; I had felt that John Luther could have really used him as a police officer too. The actors like Sudheesh and Jaffer Idukki add more of an emotional side to the film with their shorter presence. Vinaya Prasad also has the emotional grandmother role. Padmaraj Ratheesh and Sudev Nair also makes some fine police officers. Abhija Sivakala as the superior police officer is also solid. Deepak Parambol’s as well Nimisha Sajayan’s smaller roles are effective too. The collection of performers here makes sure that there is something interesting about all of them.

How it finishes :: Heaven gets into the list of interesting thrillers including the recently released Twenty One Grams and Solamante Theneechakal, as well as many others which came earlier. After all, the thrillers of this world mean more than just Drishyam. The movie working a lot better than the heavily hyped movies like CBI 5: The Brain is a reminder that we have some new names who can do the same thing better. Well, this is the kind of film which can never work for Bollywood as the sons and daughters of superstars would not agree to act in movies which cannot progress without throwing hundreds of villains around. Movies like this should open their eyes to the idea that there is the need for more thinking differently, or the drought in Bollywood of blockbusters is going to continue forever. Bollywood’s fight with its own incompetence might be forever, but during those times, Malayalam movie industry, just like the other South Indian film industries, is coming up with some fine works of quality which are to be remembered.

Release date: 19th August 2022 (Hotstar); 17th June 2022 (Theatre)
Running time: 130 minutes
Directed by: Unni Govindraj
Starring: Suraj Venjaramoodu, Sudev Nair, Sminu Sijo, Sudheesh, Joy Mathew, Alencier Ley Lopez, Jaffer Idukki, Vinaya Prasad, Abhija Sivakala, Deepak Parambol

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Malayankunju

Posted on by

Vampire Owl: Do you remember the floods and landslides of the last few years?

Vampire Bat: Yes, 2018 floods was too terrifying for vampires too.

Vampire Owl: I am sure that this movie will be a Fahadh Faasil show.

Vampire Bat: You mean, more focused on him than the big works like Joji and Malik.

Vampire Owl: I don’t see why it should be any different.

Vampire Bat: There can always be balanced acts.

Vampire Owl: The focus always shifts to Fahadh Faasil at some point of time.

Vampire Bat: We remember the much earlier Fahadh Faasil movie which was focused on high ranges too.

Vampire Owl: Maheshinte Prathikaaram was one of its kind.

Vampire Bat: Well, so was Kumbalangi Nights which deserved better accolades than what it had received then. Still my favourite movies of him would still be the earlier ones in the form of Amen and Diamond Necklace.

[Gets a blueberry cake and three scoops of blackcurrant ice cream].

What is the movie about? :: Anil Kumar aka Anikuttan (Fahadh Faasil) is an expert electrician who serves the locals of the high ranges of Kerala. He is the one whom almost everyone depends on, whether it is about laptops and mobiles or related to general household items like televisions, refrigerators and washing machines, with any possible doubts being cleared using Youtube. Sumesh (Deepak Parambol) is his best friend, and helps him with obtaining the electrical equipments required for repair, as they live closer to the forest area. His father Radhakrishnan (Jaffar Idukki) had committed suicide a long time ago, and he had been unhappy about it for a long time, leading him to becoming frequently angry towards others and even resulted in him acting strangely for most of time. His mother Shanthamma (Jaya S Kurup) is particularly unhappy about how he has been living his life – as the child next door cries all the time, he feels disturbed and not able to concentrate on his work, leading to more fights with neighbours.

So, what happens with the events here as we just keep looking? :: All of these points to his sister Sandhya (Rajisha Vijayan) eloping with Deepu (Arjun Ashokan) on the night before her marriage, the event thus becoming the major reason for the suicide of Anil’s father. Even though his uncle Surendran (Indrans), neighbour Poulose (Irshad) and a few others are still in support of him, he doesn’t gain any fans among the people around. As his sister comes back to the area with her child, he is not ready to go and see her. He also gets into fights with the locals, and lands in the police station. But he somewhat gets along with these people, but it has been raining heavily for a long time, and an alert was already issued. Most of the people nearby had already moved from the area, and Anil’s neighbours plan to get out there the very next morning. Anil is adamant that he won’t leave his house, despite the warnings of his mother. But the landslide occurs during that night, and everyone seems to have perished. Anil tries to get out of the area underneath the land and try to save others who might have also been caught in there, but can he?

The defence of Malayankunju :: The struggle that the main character has to face, feels as real as possible. The skills with cinematography seems to have worked in favour of the movie, not just underneath the ground, but also outside with the shots, even though there are no shots of this particular world like in one of the best quality films in high ranges for sometime, John Luther. There are no exaggerations in this tale which is close to reality from the beginning to the end – the protagonist is no hero, and struggles with the problems of the mind reminding us of North 24 Kaatham which had a different crisis from inside. The movie is very much well shot in parts, and with some fine use of lighting and sound effects, creates the desired effects to take us to that world. The nature with all the greenery works close to the tale, even though environment is pushed to the background for quite a long time. This seems to be a movie custom made for Fahadh Faasil, and he assures the audience about the same. He continues with his excellence, and when he is there, you know that the movie will rise further, even if caught in the ordinary at times.

The claws of flaw :: With the premise, one would have expected this to be a disaster movie with the visuals of the terror also coming into the picture. The time spent underneath the ground could have also looked better, with some more smaller events of interest – the situation outside could have also been shown from outside, about what had actually happened, and how the news channels report the incidents – these could be easily achieved without making things complicated or exaggerated. The idea of having the father appear in the dream-like sequence doesn’t work, considering the mood which the film has been maintaining. Some of the characters are there to do very less, and it is disappointing considering their skills. The sudden interest in humanity which is displayed by the protagonist seems to be forced, as he looks like the one who is interested in his fellow humans all of a sudden. The movie had already stretched a little bit too much with the events in the early stages. After all, as people watch survival thrillers in different languages, they are no strangers to the idea. The songs are also not that interesting.

The performers of the soul :: Fahadh Faasil has never stopped amazing us with his works, and it is to be noted that even with the ordinary stories like Ayal Njanalla and Role Models, he has elevated the movie to a classic level, and there is no question about those works which have managed to be close to perfection with his presence. We have been seeing him as the actor who has been part of movies from different languages and having more and more fans from different parts of the world and even outside the nation. Here, he is excellent in displaying the protagonist’s desire to survive against all odds, as he is caught in the debris which remained after the landslide. Rajisha Vijayan plays another role in which she does a fine job, even though one would have wanted to see her more, as we had only recently seen how well she managed to work as the sole star in Keedam, a quality which was also seen in Kho Kho, Finals and June, all of them having her rising above all expectations. The usual veterans are surely strong in here, in the form of Indrans, Irshad and Jaffar Idukki. Nilja K Baby also gets a good role which is performed well, and we would expect RJ Nilja as part of more similar movies – more of future for the film industry.

How it finishes :: The movie seems to have had its inspiration from the landslides which occurred in Kerala, especially from the year of Kerala’s biggest floods of the century till the year of the corona virus – the devastation of the times seems to serve as inspiration for creativity as much as for caution. The horror related to natural disasters has never been too far away from us. This one works as an eye opener for all people, as everyone needs to come together during the disaster which unites humanity, and let them get out of the boundaries of religion, caste, race and language. The disaster has been used to remind people of what they have been missing, and some fantastic performances make sure that it gets to the viewers. It also works as the triumph of humanity when it discovers what it had lost in the last few years – hope and love for the other. Malayankunju successfully urges the audience to reclaim the same, even though a world of chaos and destruction awaits to be unleashed on unsuspecting people.

Release date: 11th August 2022 (Amazon Prime Video); 22 July 2022 (Theatre)
Running time: 114 minutes
Directed by: Sajimon Prabhakar
Starring: Fahadh Faasil, Rajisha Vijayan, Indrans, Nilja K Baby, Johny Antony, Jose MV, Deepu Navaikulam, Jaffar Idukki, Jaya S Kurup, Deepak Parambol, Arjun Ashokan, Meera Krishnan, Binu Manambur, Irshad, Chali Pala, Meera Krishnan, Remya Suresh, Kiran Peethambaram

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Keedam

Posted on by

Vampire Owl: The name of this movie is interesting.

Vampire Bat: I also support people to use similar names for their movies.

Vampire Owl: We should also grow some vampire pests at home.

Vampire Bat: Uncle Dracula managed to get rid of the pests after a long struggle.

Vampire Owl: We should use the pests to our advantage.

Vampire Bat: You can’t control these pests at all. Only the witches can do it.

Vampire Owl: Do you think that they might use the pests against us?

Vampire Bat: They are good with such small creatures.

Vampire Owl: Well, I would expect an attack at any moment.

Vampire Bat: You should have faith in at least some witches. We are not so different from each other.

[Gets a masala dosa and three cups of cardamom tea].

What is the movie about? :: Radhika Balan (Rajisha Vijayan) lives with her father, Retired Advocate Balan (Sreenivasan) while working as a cyber-security expert at her own start-up company with her partner Vijay (Rahul Riji Nair). She is good friends with CI Charles (Vijay Babu), whom she helps as part of an investigation. Radhika is adamant that one’s privacy should always be respected and that their firm should only help people who have compromised their privacy due to hacking or carlessness. It is then that she accidentally calls a wrong number and Kili Biju (Mahesh Nair) who is on the other side continues to bother her on phone. He gets her name through True Caller App and finds more information about her by searching her name on Facebook. She is frustrated and decides to complain to the police, and things go out of control at the police station. Biju’s friend Thurumbu Aji (Renjit Shekar Nair) is a man who has been on the criminal records for a long time, and was also involved in a murder case – he decides to lead his friends (Anand Manmadhan and Arjun Ranjan) in an attempt to make Radhika’s life a living hell, and doesn’t leave her father out of it either.

So, what happens with the events here as we just keep looking? :: They follow her at her home and office, and also goes on to destroy the reputation of her father – it feels like wherever she goes, they are present at the location. When they decide that they are finally done with Radhika and her father, she decides that this is not the end. She decides to get into their privacy by hacking their mobile phones, so that they won’t think about doing this to anybody else again. Vijay is worried about her actions, and the same is the case of her father, but she is not ready to go back on it. She manages to get into the phone of Biju, and even though it is only revenge that was looking for, she comes across the information that could mean more than that. It turns out that even though they live as scrap-dealers, there is more to them than what meets the eye. They are involved in gold smuggling and other illegal activities, and they work as carriers for different people in different areas. Radhika might be dealing with a little bit too much, and it will be of the best interest for everyone if she backs down, but will she? What will Aji and his group do when they find out that she is spying on their crimes?

The defence of Keedam :: We can see that Keedam chooses a realistic character who doesn’t create any magic within a thriller unlike what is often expected. The female protagonist here does what she has always done the best, and she does the same in style. The messages about cyber security is more or less of a reminder of the world that we are living in, and leaves the idea that we need to be more careful when we are using any electronic device. There are some defining moments here which makes things more interesting. The final moments are indeed thrilling, even though the much needed final closure was not there to be taken. The divergence that the movie possesses is to be appreciated, and unlike some other industries, Malayalam seems to have all those movies, with the makers moving from one category to the other with relative ease, and even coming up classic stuff in between. The father-daughter relationship is shown well, reminding one of the same in Helen and Uyare with Lal-Anna and Siddique-Parvathy, even though the father figure here is more worried and weakened, and still doesn’t trouble her with his lectures much.

The claws of flaw :: Keedam doesn’t use its resources to the best advantage – the premise was so good, and there were so many paths which it could have travelled; there is no limitation in the cyber world. Cyber security is no longer the topic of a selected few, and the rise of Jio and the spread of COVID-19 did change the situation for internet and its unlimited resources which came upon unsuspecting people all of a sudden – most of them were easy prey to cyber problems as they were not ready, and the youth just fell into the mobile gaming trap. The film could have dealt with such problems more effectively like Operation Java. Often, there is the feeling that something is missing in between. As it follows this particular pattern, there is the unconvincing feeling coming up at times. The ending could have also been better, and it didn’t need the forced extra scene there. The movie had also started with Hindi lines with the beginning credits, and that provides the feeling that someone speaking Hindi was involved in crimes or that this happens outside Kerala and Tamil Nadu, a rather strange to do, whatever be the reason.

The performers of the soul :: Rajisha Vijayan who could be a part of the much acclaimed Jai Bhim after the sports drama Kho Kho, once again does an excellent job in another role of interest. There are not many roles which she can’t do in the industry, as she rises above the other actresses with movies having her as main protagonist. She gets into this character which is very much different from her much appreciated roles in June and Finals, and always looks comfortable with the same. Rahul Riji Nair who directs another film with the same lady lead has things in control as the actor too. Sreenivasan is present in the father role, and has done the character of a concerned father well. Vijay Babu plays a sensible police officer with all the qualities which are needed with it. Manikandan Pattambi of Marimayam fame manages the negative character well, and it is his dialogue which seems to give the title to this movie. The rest of the antagonists of the group have managed their roles well, and in a realistic manner, led by Renjit Shekar Nair. For this movie, the choice of antagonists did work in its favour, even though in the end, there should have been more in store for them.
How it finishes :: Keedam is a movie which could have achieved so much more – there was so much potential considering the topic which it was dealing with. But with its idea and the protagonist to be noted, there is another step in the right direction, and it remains very much interesting at the same time too. It is another reminder of Malayalam movie industry’s courage to venture into unfamiliar territories, as it had already done with the superhero stuff in Minnal Murali stuff, while also having one of the most human films in the form of Madhuram releasing in different OTT platforms within the gap of a few days. Rajisha Vijayan might be the best actress we have in Malayalam film industry now, and we know that people don’t get Kerala State Film Award for Best Actress on debut movies just like that as she did in Anuraga Karikkin Vellam. She has dealt with sadness, depression, anger, fear, love and friendship with so much effectiveness in her movies. The movie could have had more for her, but as it seems now, is an entertaining thriller which also has a realistic side in parts.

Release date: 1st July 2022 (ZEE5); 20th May 2022 (Theatre)
Running time: 104 minutes
Directed by: Rahul Riji Nair
Starring: Rajisha Vijayan, Vijay Babu, Sreenivasan, Manikandan Pattambi, Renjit Shekar Nair, Anand Manmadhan, Mahesh Nair, Rahul Riji Nair, Arjun Ranjan

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

<<< Click here to go to the review of the most anticipated film of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Infinite

Posted on by

Vampire Owl: I have often walked towards infinity.

Vampire Bat: You are not supposed to touch the infinity portal.

Vampire Owl: I never really touched it. I just go near it.

Vampire Bat: Your presence near the infinity portal can be chaotic.

Vampire Owl: I assure you that I have a positive relationship with it.

Vampire Bat: The portals can get into your brain very easily.

Vampire Owl: You mean like the zombies do.

Vampire Bat: I am talking about manipulation of mind.

Vampire Owl: You mean, like the device Doctor Frankenstein invented.

Vampire Bat: Mr Frankenstein invents too many fake things.

[Gets a ghee cake and three cups of Peermade tea].

What is the movie about? :: It is revealed that there are people who are gifted with a perfect memory of all of their past lives, called the Infinites. Among them, there are two groups which try to gain supreme power, one being the Believers, dedicated to using their knowledge for the protection and growth of humanity. The other groups, Nihilists, find this power as a curse – they have the power to end all life on Earth, and only the Believers stand in their way. In the year 1985, a man in chased by a huge group of people including the police, right on the highway. He drives off a bridge and falls to escape from them, while his associates are killed by a strange man with a powerful explosive weapon. In the present, many years after the incidents, it is shown that a man named Evan McCauley (Mark Wahlberg) has schizophrenia, and he feels that his dreams are his memories. As he has a history of violence, he struggles to get a job, and is one step away from paying the bills. This just don’t seem to work for him as he sees things and takes anti-psychotic drugs.

So, what happens with the events here as we just keep looking? :: For some reason, he is able to do things that he has no idea about. He was never trained to be a bladesmith, but manages to create too strong a sword. He tries to sell it to the local gangsters, but as their leader try to cut a girl’s hand off, he intervenes only start a fight. He end up being arrested by the police. In the police station, he meets Bathurst (Chiwetel Ejiofor) a man who keeps calling him by another name, and talks about his past in this life and others. He also threatens to kill him if he doesn’t bring his memories back. As Bathrust has almost made him memorize some of the things, Nora Brightman (Sophie Cookson) arrives in a bullet proof car and saves him, as the two manage to outsmart Bathurst. After escaping, he feels that he is having another psychotic episode and will soon wake up in a hospital. Nora tells him that his visions are realities from other lives. He says that whatever he is doing now are possible due to the special skills that he used to have in another life.

And what more is to follow in this world of different lives in chaos :: Nora tells him that there are about five hundred of them with the ability to remember their past lives – the skills from their earlier lives also stay with them. She tells him that she is one of the Believers who understand that their gift is a responsibility unlike the Nihilists who see the curse in it. The Believers have to act fast enough to make sure that the Nihilists won’t cause the end of all life on Earth. Both groups believe that Evan is the reincarnation of Heinrich Treadway from that event in the past where he drives off the highway to his fall. He is taken to the location known as the Hub, which is located quite far away that they have to use an airplane. He meets many other members of the group, who hopes that he is really the person they are looking for. There, he understands that Bathurst was once a part of their group, and that they were friends – then he had lost his faith and turned to another side. Bathurst wishes for the world to end so that there would be no more reincarnation – there should be no life on this world to reincarnate into. Can he and his people be stopped?

The defence of Infinite :: This movie does have sci-fi elements strong. There is also the presence of enough action around here. The world is well-created, and the secret area is a beautiful space with a lot of detail about it. There are multiple action sequences that will be remembered, starting from the protagonist’s escape from the prison and the last one feels the most significant among them. The special effects are nicely used to support this, and there is some fine computer generated imagery that powers them all. It does have Mark Wahlberg, who has been the one actor whom we have preferred in the action movies, and he blends in here quite well too. It is good to see Sophie Cookson in a full action thriller having all the seriousness, instead of going through the Kingsman nonsense of the lowest level. She becomes a lovely action star in this one. Chiwetel Ejiofor makes a strong villain, except for a little struggle in the end. Wallis Day and Kae Alexander are two other notable performers in there with some extra action.

Positives and negatives :: The thoughts about memories and reincarnations makes one feel like going back to a few Bollywood movies of the 1990s – there is no value to them now, except for bringing up the nostalgia again and again, as they were rather too emotional, a lot more than needed. The movie could have used the preface even better, with much more of the grandeur here. There is so much of potential around here, that much to actually go on to become a cult classic with reincarnations, but it doesn’t seem to try that much. Taking the risks doesn’t seem to be this movie’s method of going forward, as it does feed the usual at times. The movie’s success is a lot in its mystery which is always there, and there is also the fact that they have successfully created a world which fits in the willing suspension of disbelief for most of the time. I find it rather surprising that the critics didn’t find the movie to be that good – it is certain that if it had released here before the corona virus pandemic, it would have brought in a lot of money.

How it finishes :: Infinite is as much an interesting work of science fiction as many others which bring something innovative at all times, whether it is The Matrix, Jupiter Ascending, Reminiscence, Free Guy or anything else which remains similar and different at the same time. It is a smooth journey which remains engaging at all times. Well, it is not easy to bring a science fiction concept out of nowhere and make it work with efficiency. The same seems to have been achieved here with the help of a new world, something which is so well-created and managed. As a movie talking about reincarnations, it does leave a message that despite the fact that we do fall, there is a chance to try again – it is pretty much a positive message, but one does wonder if depending on one to reincarnate will be the best option in that case. Well, the movie is indeed an entertaining one, and it does leave us hope that we all will get out second chances – in a world like this, mistakes might be the only thing that comes right, and instead of reincarnation after death, what we might need is a resurrection, just not in the form of a mindless zombie.

Release date: 10th June 2021
Running time: 106 minutes
Directed by: Antoine Fuqua
Starring: Mark Wahlberg, Sophie Cookson, Chiwetel Ejiofor, Jason Mantzoukas, Rupert Friend, Toby Jones, Dylan O’Brien, Wallis Day, Tom Hughes, Raffiella Chapman, Kae Alexander, Liz Carr

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

John Luther

Posted on by

Vampire Owl: It has been 826 days. That is a long time.

Vampire Bat: 826 days after watching a movie in the theatre, and now we are back.

Vampire Owl: The OTT life was quite long during that time, right?

Vampire Bat: Yes, mostly of Prime Video and Netflix, and then others.

Vampire Owl: The last one we watched was Forensic.

Vampire Bat: That was a good end to the sequence before corona virus.

Vampire Owl: Well, we remain the same even now.

Vampire Bat: We continue to live in a world without hope.

Vampire Owl: There is no movie that can be close to the reality of hopelessness.

Vampire Bat: Well, we will watch this movie for now, and think about the meaninglessness of a hopeless life later.

[Gets a vegetable samosa and three cups of cadamom tea].

What is the movie about? :: Circle Inspector John Luther (Jayasurya) of Devikulam police station is someone who is very much committed to his duty. He is fully supported by Sub Inspector Felix Joy (Deepak Parambol) who also spends a lot of time dedicated to duty. The absense of John during the major programmes at his home has his wife Jessy (Athmeeya Rajan) and sister Leena (Drishya Raghunath) in sadness, and his parents (Siddique and Sreelakshmi) in disappointment. On the night before his sister’s engagement, John finds him in trouble due to two cases. The first one is related to a political murder and the second one is a man-missing case following an accident which kills another person. The first case leads to John getting physical with the goons and ends up getting smashed on the head with a tube-light, which leads to him going deaf on one year, and requiring to use hearing aid on the other. But with a boy also found to be missing, he has to get back to the case and solve it within a deadline of two weeks.

So, what happens with the events here as we just keep looking? :: He discovers that the two missing cases have no relation with each other, and there is soon a woman that goes missing. The death in the first accident, and the missing person of the same accident seem to have no common person behind them. Their only clue is a pickup truck which doesn’t have the registration number displayed on one side, which makes it very difficult for them to go forward. All of these incidents have happened in a certain area which doesn’t seem to have many people around. As this takes place in the high-ranges between the tea plantations, there seems to be a shortage of CCTV cameras too. But they hope that there could be that one witness who might have seen one of these victims just before or after being taken away by the criminal. Still, it is to be noted that the man who is behind all of these can’t be a common criminal – there might be a lot more to him. John and Felix have to be very careful in this case. Can they find out the mastermind before there are more victims?

The defence of John Luther :: As far as the thrills are concerned, they are here to stay with this particular movie. There is the grand mystery running through the middle, which never losses strength. The suspense could be maintained, and it keeps us guessing. There are red herrings which almost makes us think the other way. The quality that we see on the big screen is too good – the beauty of visuals is always there, whether it is about the long shots of the enchanting Munnar and Cochin or the classic shots of night with danger lurking in the corners. The final moments have us more in fear than anything else, as the villain is revealed, but not with further twists. The songs are interesting, and they support the happenings of the movie well. The background score is effective, and the use of sound effects to support the proceedings also need to be appreciated. The darkness in a very good ally for this particular movie, as much as the different noises used around here – the scene at the beginning is a nice example of the same.

Positives and negatives :: One would be right to find some cliches here, but we have always required most of them to keep the cinematic world moving forward with strength. The movie could have given more significant chances to its female main leads to perform, as they are pushed to the background rather too early. There is a little bit of horror touch to the movie at times, and that could have worked even better if the elements were introduced much earlier. The movie is a reminder to us that any person among us could be a psycho killer, and idea that could save lives – well, those who enjoy when we fall are no less of such killers either. After all, all human beings are born evil, and this film once again shows how effective in evil they can be, especially when they feel that they are done with the society. We blame the evil spirits and demons, and maybe even categorize vampires as pure evil, but humans have always been the root of all evil. The dark world of the investigation in this movie also points towards the same, and we can’t agree less.

The performers of the soul :: Jayasurya is someone who performed all alone in Sunny last year, and this time, he gets a fine team, and we have him with a fine performance here. We believed that he was indeed the actor to be trusted while booking a movie ticket after such a long time, and also at Lulu Mall; quite an expensive one in this case. One would think that after watching so many films in the theatre from 2013 to 2020 until corona virus brought the trouble, the celebrities will be supporting this blog, but that is wrong, because only a very few of my reviews like Meppadiyan and Luca have been shared by the leading actors of respective films. Anyway, coming back to Jayasurya, he looks and performs like the dedicated actor that he always has been. From the perfect police officer to the flawed one like we see in Memories, he is to be appreciated for how well he has brought the quality in here. It is to be noted that Deepak Parambol also brings some fine support in here, as the police officer who is not left far behind, but stays beside the main character. Athmiya Rajan and Drishya Raghunath are lovely, but has less screen time. The villain is really good, but can’t reveal more about him due to spoiler possibilities.

How it finishes :: You always have time to support a dark mystery thriller placed on an investigation. We did welcome movies like Anjaam Pathira, Antakshari and Forensic with much appreciation. Like the latter movie, this one also keeps its killer as the psycho and not a revenge seeker, which lets it have the advantage over the rest of the similar movies which attempt to turn themselves into random movies of vengeance. The time it takes to come to the final villain also needs to be appreciated, as the suspense is successfully maintained until then. This is also the first movie I have watched in the theatre after 826 – the last one was Forensic just before corona virus had made that big run. It is always good to watch thrillers as much as horror movies, as we are better prepared to face all the evil in the world after watching these movies, and we know when to be ready, and when to give up and just die. After all, evil is too natural for humans, and there is always someone trying to lie, cheat and steal, as well as murder us, or make our life a living hell; its in human nature.

Release date: 27th May 2021
Running time: 135 minutes
Directed by: Abhijith Joseph
Starring: Jayasurya, Athmeeya Rajan, Drishya Raghunath, Siddique, Deepak Parambol, Sivadas Kannur, Pramod Velliyanad, Sreelakshmi

<<< Click here to go to the previous review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

The Last Mercenary

Posted on by

Vampire Owl: I thought we were done with the vampire mercenaries.

Vampire Bat: Vampires haven’t been mercenaries for a very long time.

Vampire Owl: So the last mercenary is not the last vampire.

Vampire Bat: Well, humans are the best mercenaries as murder is easy for them.

Vampire Owl: At least we have kept them away from the realm for now.

Vampire Bat: They are still very close to getting here through the portal.

Vampire Owl: I thought that the portal was sealed by the selected team of witches, sorcerers and the new necromancers.

Vampire Bat: Yes, but with the human greed letting them achieve more at all times, you never know.
Vampire Owl: Should I inform Doctor Frankenstein then?

Vampire Bat: Well, never inform Mr Frankenstein who always makes things worse.

[Gets a marble cake and three cups of iced tea].

What is the movie about? :: Richard Brumere (Jean-Claude Van Damme), also known as The Mist is a former secret service agent presently working as a mercenary, one of the best of his category during his time – he is forced to return to France, as his son with an Arabic woman named Farah (Ouidad Elma), Archibald Al Mahmoud (Samir Decazza) is falsely accused of arms and drug trafficking. Meanwhile, people are also looking for him to come back so that they can finish the trouble which is him. After getting back to Paris, he meets Dalila (Assa Sylla) who has been a friend. He realizes that someone is using the immunity that Archibald received from Richard, and there are weapons involved. It seems that someone named Simyon Novak (Nassim Lyes) was involved, and he had used this particular immunity. The police is preparing for Richard to come and try to free his son, so that they can shoot and kill him in self-defence. But he takes the unexpected path, and with the help of his former friends in the secret service, manages to get his son out of prison.

So, what happens with the events here as we just keep looking? :: The man who was taking care of Archibald, Fernand (Michel Cremades) is also dead. Archibald who is not ready to take that death, and also not prepared to take another father, doesn’t want to heard about Richard at all. Alexandre Lazare (Alban Ivanov) at the ministry seems to have something about the present situation. Then there is Paul Lesueur (Eric Judor) who seems to have even more in mind. His plans seem to go deeper than ever. Their plan is to kidnap Alexandre and gather enough information. But Archibald, wanting only to be known as Archie is not really the co-operating type. He is the one irritating child resembling his more irritating mother, the one who refuses to grow up, and doesn’t even take responsibility for his own foolish actions. They are basically up against a nation named Taarghistan, and those who support them are former agents who are basically too old for most of the operations. Can Richard and his team fight against all odds and be successful? At least Dalila and her brother seems to be confident about that. Well, lack experience brings more confidence, doesn’t it?

The defence of The Last Mercenary :: The movie focuses on both action and comedy at the same time, and it does manage to hold the two sides together. The focus here seems to be in making an entertaining journey with the usual comic-like spy, but not in a serious manner. The movie does bring some innovation into the usual stuff too. The memorable moments of the film including the protagonists driving a learner’s school car and the fight with two unsuspecting women guards wearing gold. Then there is the last fight which is kept funny, without losing out on style. Most of the performers also seem to be nicely chosen. The visuals are really good, and you never really get tired of seeing Paris on the screen – the big city which is on everyone’s list of places to visit, and another one of those places, most of us might never visit due to the big amount of money that people in this part of the world will have to spend to get there and enjoy the glory. Along with the humour during most of the time, the action is also effective, and this is the combination that successfully brings the entertainment here.

The claws of flaw :: The movie does get slow at times, as there are lot of unnecessary moments – it could have surely done without a few minutes; we do have the feeling that it has been stretched to become longer without any real need for the same. There is the humour for sure, but there are those foolish scenes which are rather too dumb to take. It is okay to make use of that to add to the comic side, but there is the need for some borders to be set. Having the high official on the road like a clown feels very much ridiculous. The son spends rather too much time in being irritating too, and some of the other characters here feel rather unnecessary considering how the movie progresses. Some of the dialogues feel strange rather than anything else. Even when taking it as a parody, there is rather too much here to keep us away from being interested in some of these characters. It could have also had some more of serious action from the protagonist, because we are always looking for that, considering what a big name he has been in the past – some people might be watching the film just for him.

The performers of the soul :: We see Jean-Claude Van Damme back here again, and he is one actor who wish to see coming back like Sylvester Stallone and Arnold Schwarzenegger – one among the three big action stars from the childhood. After all, he has been the Cyborg, Kickboxer and the Universal Soldier from those nostalgic times of childhood. Well, one would feel that he hadn’t really left, but none of his movies made it to the big screen around here for a very long time, except for those in which he was side-lined. He has that classic entry here too, even though there is never that big an action sequence for him to perform, with the movie never getting that serious. Well, he is never really short of the moments, as we look around. The one performer who seems to be of fine support here is Assa Sylla. At the same time, Alban Ivanov brings the comic side to a stronger level. Samir Decazza just goes along as the irritating son, and manages well for most of the time. Eric Judor has the villainy at work quite well.

How it finishes :: The Last Mercenary, as an action comedy flick, feels like a parody. We enjoy the world that the French setting brings us, as we still ruminate and be sad about the fact that most of us might never visit Paris, considering the fact that we will never have that much money to spare, visiting from this part of the world. Well, being the rich bourgeois from here seems to be a long way away, unless you are part of any reserved category or somehow land on a government job – being the politician is the next refuge. The enjoyable ride here adds to the list of action movies that has enough of the humour and action to keep it moving strong. It has Van Damme in action, and this is more or less like seeing some nostalgia coming back again like we had seen past coming back again like in Sylvester Stallone and Arnold Schwarzenegger. Escape Plan and Terminator: Genisys or Terminator: Dark Fate. Then there was The Expendables to have them all together. You are never that far away from the action stars you witnessed on the screen as a child.

Release date: 30th July 2021 (Netflix)
Running time: 110 minutes
Directed by: David Charhon
Starring: Jean-Claude Van Damme, Alban Ivanov, Assa Sylla, Samir Decazza, Eric Judor, Ouidad Elma, Miou-Miou, Valerie Kaprisky, Michel Cremades, Nassim Lyes, Oleksiy Gorbunov

<<< Click here to go to the previous review.

<<< Click here to go to the previous review before the same.

<<< Click here to go to the first French film review here.

<<< Click here to go to the first big French film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Kill Me

Posted on by

Vampire Owl: At some point, a werewolf asked me not to kill him.

Vampire Bat: So, you have started fighting werewolves on your own.

Vampire Owl: No, it was an arena battle during the last carnival.

Vampire Bat: Why would you kill a werewolf on an arena?

Vampire Owl: It was part of a great, memorable drama.

Vampire Bat: I knew it. You wouldn’t even slay a zombie juggernaut.

Vampire Owl: Why would I? Let them eat the brains of evil humans.

Vampire Bat: All zombies are not interested in human brains. Some of them just sleep in their graves at all times.

Vampire Owl: They are not undead – they are just the dead.

Vampire Bat: Well, zombies do have the right to make their choices too. Some of them even fall in love.

[Gets a vancho cake and three cups of cardamom tea].

What is the movie about? :: Mirta (Alica Pagani) is madly in love with her boyfriend and drug addict Robin (Rocco Fasano) who is detested by her parents. One day, she decides to have drugs with him, and an overdose leads to the death of both of them. But soon enough, she finds herself waking up in the tomb. She escapes from her tomb in the mausoleum where she was laid to rest and starts walking towards her home. But she understands that she is dead, and leaves the house soon enough. The police informs her parents that someone has stolen her parents. She knows that her body has started decaying, and there are also people hunting her. A strange person also visits her home, and says that they are going to protect the living from the dead – he adds that the parents are going to see their child very soon, but she won’t be the person whom they knew earlier. Soon, she ends up committing her first murder, and after eating the man, feels much better.

So, what happens with the events here as we just keep looking? :: But soon enough, she will understand that there is something more going on out there. There is a sect that has been hunting her kind from 1600s – destroying those who come back to life instead of staying dead, known to the secret organizations as the overdead. The group seems to be heavily organized, with lots of money, weapons and other resources. Mirta does find some help, but she wishes to go back and find Robin, hoping that he will also wake up at some point, as they died in almost the same way. But she is captured by the group, and is put in chains. It is then that she realizes that Robin has also come back to life. But that would also leave her with more revelations about what has happened with her life. It will also mean that she will have to make her own decisions against her heart. Where will that lead her in the end? Is there a war coming between the humans and the overdead? Will she choose one of those sides?

The defence of Don’t Kill Me a.k.a. Non Mi Uccidere :: This is a movie which comes up with some fine surprises, and even shocks in relation to its zombie world. It doesn’t hesitate to try something different, and take a few risks with its progression and scenes. The ability to stay unique in a world of repetitions is to appreciated. There are a few bloody moments in the final scene of the movie, and that result of an undead fighting the hunters has some quality setting which is going to stay for long. The moments of the protagonists meeting after dead are strangely interesting too, and there was that twist that worked out there. The bath scene seemed to point to some of the tales of the witches from the past, and maybe this will also come up with more links if there is a sequel. The visuals are really good here, not just with the scenery, but also with people and objects. The environment has worked in favour of the movie too. The message here seems to be about being careful about whom you are obsessed with, and that it is not about looks in a relationship. The movie also encourages one to take the path required instead of going with the flow.

Positives and negatives :: Don’t Kill Me does more than what was expected from it, and we are only to witness the same. It doesn’t overuse any of the special effects, and keep them to the minimum, but in an effective way. The idea here seems to be about using lower budget to achieve more. It does leave a few things to the imagination, without trying to explain them all. It could have also linked its sequences better, instead of seemingly straying from the path to come up with one scene or the other. Despite the zombie existence, you would still imagine Alice Pagani in a vampire movie, because the looks seem to work well with such an option – the Gothic world seems to suit her well. I would like to see her as part of an Underworld movie at some point of time. She is also suitable for the mood of Byzantium and Interview with the Vampire. The ability to move away from silly romance and keeping it natural also helps here – this movie could have easily been Twilight, but thankfully it is not. This one is a serious adventure at hand. The blood and gore is present, and still continues to be in control.

The performers of the soul :: The movie has its soul fixed on Alice Pagani, an actress who has made the transformation into the undead very smooth and believable – you don’t become the undead that easily and make it feel natural. She has this one in control throughout its run, as the confused youngster in love who doesn’t know much about what she has been forced to go through. Even in a decayed zombie form, she remains beautiful, and displaying the human confusion seemingly in an attempt to retain her humanity. She is there in every key moment of this movie, as if she is this movie, and it is all about her. Despite the thriving human beauty, she will make a fine undead, maybe even a vampire – Hollywood should have her. Rocco Fasano, for most of the movie, is the Robert Pattinson of this movie, the much liked Edward Cullen who is without his Twilight – has the looks of the undead working for him. They have some interesting scenes together, but there are not that much either – the romance doesn’t get overdone, and that is a nice way to keep away from the commonly expected undead infatuation.

How it finishes :: There are the usual romantic zombie movies like Warm Bodies which try to go the Twilight way, and then there is this one, which tries to be as divergent as possible. It knows that it has to be innovative in the zombie horror genre, as the idea has been repeated too many times. This is the realization which makes the whole thing better. One can only feel that Andrea De Sica is a visionary director who has brought another zombie origins story which can have a prequel or a sequel according to the need, as this one doesn’t end here at all. Italian movies have had some quality works in the last few months, like Security and A Classic Horror Story, both of them coming up with their own divergence in the process. When we look at these movies, despite the genres to which they belong, there is no exaggeration at all. Well, you know how wrong you can go with the zombies, and how much nonsense can be added in the name of the undead – here, we get them in our world, without those unnecessary ornaments or overdose of romance. The low ratings seem to be from those who expected a Twilight, but the beauty of this movie is that it is not here.

Release date: 21st April 2021 (Italy); 21st February 2022 (Netflix)
Running time: 90 minutes
Directed by: Andrea De Sica
Starring: Alice Pagani, Rocco Fasano, Silvia Calderoni, Fabrizio Ferracane, Anita Caprioli, Sergio Albelli, Giacomo Ferrara, Esther Elisha, Kateryna Aresi, Francesca Alice Antonini, Federico Ielapi, Marco Boriero, Marco Matteo Donat-Cattin, Marco Pancrazi

<<< Click here to go to the previous review.

<<< Click here to go to the first Italian film review here.

<<< Click here to go to the last Italian film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Rise of the Black Swan

Posted on by

Vampire Owl: I have missed the Vampire Swan for quite a long time.

Vampire Bat: I am sure that we haven’t really employed one.

Vampire Owl: There was the one which stood guard near the vampire canteen.

Vampire Bat: It was the Vampire Duck, on temporary service.

Vampire Owl: You had ducks as temporary vampire guards?

Vampire Bat: Well, there was the zombie threat and we were in short of troops.

Vampire Owl: Still, why didn’t anyone choose a majestic black swan instead?

Vampire Bat: Well, the ducks charged less, and zombies never know the difference.

Vampire Owl: They would have known if they had reached the castle during the attack.

Vampire Bat: Even then, the zombies would eat only the brains of a duck.

[Gets a vanilla cake and three cups of Vagamon tea].

What is the movie about? :: Black Swans is an American private military company owned by the family of William Lewis (Tom Wilkinson) and his children Grace Lewis (Ruby Rose) and Oliver Lewis (Owain Yeoman). British Army’s Special Air Service Commander George Clements (Andy Serkis) gives them the mission to clear a remote village somewhere in Georgia for a transnational gas pipeline. But the villagers are not ready to leave their homes, and the Black Swans brutally murder all the men, leaving the women and children to run for their lives. But the atrocities committed in the village were filmed secretly, and red notices are served following the accusations of crimes against citizens of different countries. The international law demands that the United Kingdom extradite the three accused – William, Grace and Oliver to the Hague for a trial. The Prime Minister Atwood (Ray Panthaki) asks Clements to kill William and anyone who comes against them so that the involvement of the government is covered.

So, what happens with the events here as we just keep looking? :: William had already become too rich and influential with his mercenary business, buying new homes and business. The team attacks the mansion of the Black Swans and Clements personally murders William, only to find that Grace and Oliver are not there anymore. It seems that they had all of these planned, and Grace always knew what was coming to them. Tom Buckingham (Sam Heughan) who is planning to propose to Sophie Hart (Hannah John-Kamen) is one of the special troops who attempted to raid the mansion, and fought off a good number of Black Swans who were guarding the area. He decides to go to Paris on romantic trip with her, as there is a doubt which remains among both of them about their love affair, and both do wonder if they love each other than much to get married. But that really doesn’t really seem like a good idea, as he notices someone who looks like Grace inside the Eurostream train going to Paris.

And what more is to follow in this dangerous journey of another king? :: Soon enough, the train is hijacked by Grace and her group of Black Swans with the support of Oliver. Tom manages to escape from the train and starts sending updates his good friend and fellow special troops officer Declan Smith (Tom Hopper), who informs the authorities about what has happened within the tunnel. Major Bisset (Noel Clarke) who is the commanding officer of the operation wishes to save as many hostages as possible, while this becomes breaking news in the television channels all over the United Kingdom, and many speculations arise as the news reaches world-wide. Clements is also sent to the location by the Prime Minister with only one aim, to finish off Grace who knows everything about their secrets. Tom is determined to save Sophie, but she refuses his aid and is not ready to leave the train as there are so many passengers in there who needs some medical assistance. Grace asks for a ransp, of $500 million from the company which wanted to have the villages cleared, Britgaz. But can she get that, and can the hostages be saved?

The defence of SAS: Rise of the Black Swan a.k.a. SAS: Red Notice :: As expected, this one serves as the action thriller which it was supposed to be. It provides some of the very engaging moments with so many lives at stake. Ruby Rose remains strong in another action movie role, like she had done in John Wick. She continues to excel in the action scenes, and remains strong with a certain psychotic side. Sam Heughan remains strong in the role that is about saving too many people. Hannah John-Kamen also does a fine job, while Andy Serkis and Tom Hopper remains good. The settings serve really good, and being caught in a train within a tube full of mercenaries ready to kill, serves the purpose well. The movie surely feels somewhat old fashioned, but maintains a certain amount of standard related to that, even though it never goes down to that level of those silly mass masala movies of Bollywood or some of those overrated high budget movies of the South. The world here surely keeps itself from going down from the suitable level.

The claws of flaw :: The movie does remind us of many other movies, even though it is not of that much strength as some of the others. For most of the film, people seem to reiterate the fact that the main character here is trained, and isn’t too much bothered about his presence on board the train. There is also a certain amount of silliness with the movie’s primary antagonist and her actions, and even though she is menacing, is not even. They surely had the budget to add some special scenes around here too, and also some spectacular action sequences which are not usually seen. A little bit of exaggeration, especially related to action scenes was expected, and the same is present around here. The predictability factor is also present without doubt, and we know mostly what is going to happen around here. You have the specially trained hero trying to save the people inside a train from a group of mercenaries led by a merciless maniac.

How it finishes :: As this movie is known as SAS: Red Notice, it is not to be confused with that particular movie which has the big names like Dwayne Johnson, Ryan Reynolds and Gal Gadot in the lead. This one is also an action movie, but surely more serious than that one. This is also an entertaining ride as much as that one though. As a movie based on the novel with the same name by Andy McNab, whether it satisfies the fans of the books is yet to be known. But as of now, we can enjoy the work done here, thanks to the lot of action that goes on around here. We are never short of a possibility of a terrorist attack happening at any part of the world, and so we are looking for a lot of saviours in action. It is the kind of movie in which we go with the flow of action, and get immersed in the adventure that we witness around. Well, after all, most of us might not be traveling in the Channel Tunnel in our lives, and a lot of us most probably won’t be inside a high-speed train or travel underwater – let us enjoy what we see on the screen in that way too.

Release date: 12th March 2021 (UK); 5th November 2021 (Netflix)
Running time: 123 minutes
Directed by: Magnus Martens
Starring: Sam Heughan, Ruby Rose, Hannah John-Kamen, Anne Reid, Andy Serkis, Tom Hopper, Noel Clarke, Owain Yeoman, Ray Panthaki, Tom Wilkinson, Jing Lusi

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Rurouni Kenshin

Posted on by

Vampire Owl: Isn’t this the second Japanese movie that we are watching?

Vampire Bat: Yes, they were mostly overshadowed by Korean and Chinese films.

Vampire Owl: The name is quite tough here.

Vampire Bat: Your soul will get used to such names.

Vampire Owl: Do you know that Japan is my dream country?

Vampire Bat: Japan is everyone’s dream country.

Vampire Owl: Except for the common vampires of our times.

Vampire Bat: Are you talking about the never-ending need to go to Romania?

Vampire Owl: Yes, the holy land dedicated to Uncle Dracula, especially on Halloween.

Vampire Bat: That trend had come down since the Russia invaded its neighbouring country, Ukraine. We, vampires are supposed to stay kilometres away from any terrible war caused by human kind. We are not violent people.

[Gets a porotta roll and three cups of masala tea].

What is the movie about? :: The year is 1864, and Japan is now open to foreign trade. This means that a few people seek to end the rule of Shoguns and bring back the authority of the empire, with some of the being ambitious and the others filled with ideals. They are forced to face each other, and fighting goes on only to make the situation worse in the island nation which seeks progress with trade and commerce. Himura Kenshin (Takeru Satoh) who is also known as Hitokiri Battosai serves as a political assassin to overthrow the Tokugawa shogunate which would eventually lead to the Meji Restoration and the later rise of Imperial Japan, finally leading to their participation in the Second World War and fall with the American bombing of Hiroshima and Nagasaki. The history goes a long way, and this is more like a civil war which will begin the events which will finally lead to a detailed epoch in the Japanese history with no security or value for human life. The young man of concern here, who is a skilled fighter with swords, joins the clan of Choshu, and begins to work with Katsura Kogoro (Issey Takahashi), their leader.

So, what happens with the events here as we just keep looking? :: During one of the fights in which he kills all the men, a member of the opposite gang refuses to die, and despite being impaled by sword multiple times, gives the assassin a cut on his face. This has Himura clearly disturbed instead of being cold with all the killings. Katsura understands that even after so many years of killing hundreds of men, his assassin is still not comfortable with killing people, a process which he keeps repeating. He feels that the young man hasn’t really grown up yet, and remains pure at heart, which means that there is no peace at heart. He is still the best fighter that he has known in years, but that wouldn’t change the heart. When Himura had earlier joined the group in a bid to overthrow the Shoguns, he hadn’t killed anyone, but the promise that he had shown was immense, unlike anyone whom he had seen among their fighters. He would keep on wondering if the man has finally has had enough of the fights and the brutal killings.

And what can bring a change to world which has only gotten worse with the civil wars? :: Katsura feels that there is the need to find a solution, as there is the need to end this continuous war, for which he needs as many hands holding the swords with expertise. Himura is still haunted by the memories of the man who refused to die, citing the reason of love in his life. One night, he goes on to have a drink of his own, and interferes when a lone woman named Yukishiro Tomoe (Kasumi Arimura) is bothered by a group of men who demand that the woman treats them with respect, and consider them as their heroes. After leaving the tavern, he is almost attacked by two drunkards from the tavern who are killed by an assassin with a chain. He manages to kill the assassin, but finds Yukishiro who had come to thank him, drenched in the blood of assassin, and she soon faints as a result of the shock from what she had just witnessed. He takes her back to his hideout, a place for the revolutionaries. The girl who feel thankful, decides to stay, much to his surprise, as he wonders why.

The defence of Rurouni Kenshin: The Beginning :: The stylish action sequences begin the film’s progress very soon. The fights with the swords remain memorable, as there seems to be so much of speed and control related to them – it is like you take your eyes away from the screen for less than a second, and still you end up missing something. You are going to find it difficult to follow the pace of the very thin and agile swords which keep moving in all directions, but you enjoy what happens around. The characters remain interesting, and there seems to be something about almost everyone out there. The performers seem to be chosen with care, and the way they come up with the action scenes makes one wonder if they are really that well trained in all of these. Takeru Satoh leads well, Kasumi Arimura does the job with integrity. The movie nicely takes the fictional world and combines it with history. The emotional side also gains strength at times. The visuals are nice, not just with the big towns, but also with the nice little villages and the small homes surrounded by nature.

The claws of flaw :: The movie might feel to be too violent for at least a few people who are expecting more fights on the scene with blood and gore being hidden, but this is not really that martial arts or superhero movie to go through that route. This is also a little bit too long, considering the fact that the story is very much a predictable one, with not that much of innovation added here by looking at the possibilities in history. When action becomes the first and the one great choice, the plot suffers – it is quite a natural thing as we have seen in other movies – you just can’t satisfy everyone, and then the makers would prefer to go with what the crowd would like to see here. It seems to be very much hesitant to take the risk in different areas, when the challenges were present. The romance, even though present there, feels somewhat forced, even though the performers make it work without any trouble – after all, a love affair changing people all of a sudden is a stereotype which has been used for too long that we don’t really care about that anymore; then the ending which we can feel good enough to make a guess.

How it finishes :: This is not the franchise that we are familiar with, even though people of Japan should be very much familiar with the same. It is also based upon the manga series of the same name, which means more Japanese familiarity for sure – films inspired by comics have its own space like the video-game based works of our times. The movie takes the old style sword-fighting action to the next level, within its own charming setting – there will be no shortage of such action here. This is supposed to the fifth and final installment of this particular franchise about a nineteenth century assassin. But as it is also a prequel, it serves as a stand-alone movie which can be watched first, in the middle or last, and there is the placing in history which makes things easier to understand. Historical setting serve well when used with clarity and skill. We do feel that this a usual tragic tale about friendship and love in a world of war and chaos, but as we have the same arranged really well with the setting, the idea works effectively.

Release date: 4th June 2021 (Japan); 30th July 2021 (Netflix)
Running time: 137 minutes
Directed by: Keishi Otomo
Starring: Takeru Satoh, Kasumi Arimura, Issey Takahashi, Nijiro Murakami, Masanobu Ando, Kazuki Kitamura Yosuke Eguchi

<<< Click here to go to the previous review.

<<< Click here to go to the previous Japanese movie review.

@ Cemetery Watch
✠ The Vampire Bat.

Red Dot

Posted on by

Vampire Owl: It is nice to have a Swedish movie on the list too, right?

Vampire Bat: Yes, we only have Norwegian from Scandinavia until now.

Vampire Owl: Well, Netflix knows how to choose the right movies.

Vampire Bat: We have known that the best with Minnal Murali premiering there.

Vampire Owl: So many interesting movies in foreign languages too.

Vampire Bat: Those are the kind of collections which Amazon Prime Video should have too.

Vampire Owl: They could always have more of those lesser known foreign movies.

Vampire Bat: Scandinavia is a fine area to build a castle right now.

Vampire Owl: There should be our kind already in existence there.

Vampire Bat: Why don’t you take a trip there and find out?

[Gets a sweet puffs and three cups of Vagamon tea].

What is the movie about? :: David (Anastasios Soulis) proposes to his girlfriend, Nadja (Nanna Blondell) in public on the day of their graduation at the university. She accepts it gladly, even though the proposal turns out to be very much awkward, despite having a certain amount of cuteness related to it. They make a promise that they will always be together, no matter what happens. But one year and half later, due to the need to study and work at the same time, they are no longer happy at their apartment in Stockholm, the busy capital of Sweden. Soon, she finds out that she is also pregnant, and she is not sure if they should be parents, as she is studying to become a doctor – this would not be helpful for her future either. She feels that if she has a child any time soon, she will end up being a housewife taking care of the kid, as David is working all the time. Despite being assured by their neighbour that they will be great parents, she doesn’t inform David about the pregnancy, and decides to keep it a secret as long as possible.

So, what happens with the events here as we just keep looking? :: David arranges a trip to the northern lights so that they can have some happy time together. This is also the one tour which they are having after a very long time. On the way, they meet two locals, Jarmo (Kalled Mustonen) and Rolle (Tomas Bergstrom) at the gas station, but are comfortable with their presence and their strange dialogues about the dog and the lady. While leaving too soon, David’s car also leaves a scratch on the pick-up truck of the locals, but they go on moving without saying anything about it. Einar (Johannes Bah Kuhnke) seems to be the only person who is friendly to them, as he runs the inn where they are supposed to stay. He says that the people there are not used to seeing interracial couples. Nadja soon finds their car scratched, also leaving few racists words, which makes her angry enough to leave a scratch on the truck of the locals which they earlier encounter, as she is sure that they are the ones who did it. But the two locals seem to be much surprised by the same.

And what awaits them with the northern lights in the wilderness? :: David feels strange about the actions of Nadja, but she feels that this is how one should deal with racists. After a long drive, they finally reach an area beneath the northern lights, and it gets really cold. There, she reveals to him that she is pregnant, and that makes him very much nervous, as he is not sure what is to be done next. But their conversation about it is soon interrupted by a red dot on the wall of their tent, which keeps moving. They first feel that it is a prank done by some local kids with a laser pointer. But with a jolt, they soon understand that it is a laser view from a gun, as they are shot at. Nadja is sure that it is the brothers who are attacking them in revenge for her action, and David remembers that he had seen a weapon in their truck. Their dog which tries to find the attackers, is killed and as they return to the camp after searching for it, finds its head, a trap, and their belongings including the mobile phone missing. With the snow coming down slowly, they have to somehow make it out of there, but can they? Is there hope within so much of cold?

The defence of Red Dot :: The movie uses its landscape to its advantage, and the locations here are all beautiful enough. Whether it is the beauty of nature or the terror of it, we have things going well. Scandinavia is the area which almost everyone wishes to wish to visit, and maybe spend most of the life – I would have done that if there was the opportunity, and there is no shortage of such motivation with the world for eyes within this film too. It also has some interesting twists in the last few moments of the film, and also leaves a message that many things are lost as people just randomly points a few actions as a result of racism, often because it seems to be the easiest thing to do, along with adding things as misogyny or part of religious beliefs – sometimes, things are just personal to the core, and nothing more than that. As the movie is less than one and half hours long, things don’t get dragged or slow down at any point of time. There is no loss of pace at any moment, and it takes the deviation from the usual well enough, but never turning to melodrama even when it could have used the chance.

The claws of flaw :: The movie could have achieved more with a couple being hunted in the snow, with no hope seemingly around. It also seems that none of the characters are likable, with a mostly irresponsible couple, and the lady seemingly attributing most things to racism, and randomly blame the mentality. The snow as well as the red dots could have been used more, and there could have more twists over the incidents. There are times when the movie seems to be unwilling to take the risk with most of the things. The romantic side is often forced rather than having any intimate or lovable side to the same. When thinking about Vikings from Denmark, Norway and Sweden, we are always expecting an intense ride with the movies from there, even with the realization that it is not that age any more. There were so many moments for some horror to be added here and there, and this could have transcended the genres with ease. Some more red blood on white ice along with some shocks added here and there would be been worthy enough – more action too.

How it finishes :: The movie has the strength throughout its run, thanks to the performances which are appreciable – there are only a few characters of significance in this movie, and they had to do well, which does happen around here. With people being hunted, this would feel like Wrong Turn in the snow at some point of time, but that idea is lifted during the last few moments of the film. Maybe, we could also have a similar movie shot during the corona virus times, hunted in the lockdown, with nobody around to help. At least, the viral pandemic did provide us with opportunity to watch movies like this one on the OTT platforms. It is always better to have them on the laptop screen, as you can also type on another laptop at the same time. I would also like not to know how much the popcorns, puffs and tea would cost in a multiplex after the lockdowns. Yet, we all know that the rise in petrol price won’t serve the purpose at all, and hope is only with Netflix, Amazon Prime, Disney Hotstar, Sony LIV, Manorama MAX and others.

Release date: 11th February 2021 (Netflix)
Running time: 85 minutes
Directed by: Alain Darborg
Starring: Johannes Kuhnke, Nanna Blondell, Anastasios Soulis, Kalled Mustonen, Tomas Bergstrom

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Matrix: Resurrections

Posted on by

Vampire Owl: Do you remember the first time that we watched The Matrix?

Vampire Bat: Yes, you understood twenty five percent of the movie then.

Vampire Owl: I am sure that I understood more than fifty percentage of it.

Vampire Bat: You still had to read details about the story a hundred times.

Vampire Owl: I don’t remember having read the plot even once.

Vampire Bat: I remember that you did the same for the makers’ other film, Jupiter Ascending.

Vampire Owl: I don’t even remember watching that movie.

Vampire Bat: It was on the same day that you attended Mr Frankenstein‘s Grand Exhibition.

Vampire Owl: Dr Frankenstein has thousands of exhibitions every year.

Vampire Bat: You are talking about that many fake science exhibitions.

[Gets a paneer fried rice and three cups of white tea].

What is the movie about? :: Thomas Anderson (Keanu Reeves) is a game designer and the creator of a very popular video game series called The Matrix, which already had three games in the franchise. The game is based on his memories as Neo, which is not clear, but he does feel that there is a lot in his head which feels real. He is mostly happy with his life, as living as a famous game designer seems like a pretty good option. He keeps coming across a woman named Tiffany (Carrie-Anne Moss) who is a married woman with two kids, and she seems to be based on a main character whom he had designed for the video game, Trinity. He becomes friendly with her, and he likes him, but doesn’t seem to remember him at all, just like he is not sure how she became a part of his game. He struggles to separate his life and these strange memories, and his therapist gives him some strange pills in support. A young lady named Bugs (Jessica Henwick) finds this game simulation which is running an old code in a loop based on the time when Trinity had found Neo. With the help of a programme which has embodied Morpheus (Yahya Abdul-Mateen II) in a new form, she starts searching for answers, as Neo was supposed to be dead. Two of them combine the forces looking for Neo and finds him in the end.

So, what happens with the events here as we just keep looking? :: The machines sent by Bugs save him, and he is taken to her ship known as the Mnemosyne. He is taken to the new city of the human resistance, where a lot older Niobe (Jada Pinkett Smith) awaits them. She is not happy that Bugs brought Neo to the area which is now a safe house, and tells her that she and her crew of Lexy (Erendira Ibarra, Sequoia (Toby Onwumere), Berg (Brian J Smith) and others are now grounded with the ship. It turns out that sixty years have passed in the real world after the war between humans and machines had ended. Except for Niobe who now takes the decisions around there, mostly adamant and foolish, while everyone else from the original human resistance are now dead, including Morpheus as he was known, and had led the resistance earlier. She tells them that there was some peace achieved through his sacrifice, which lasted for some years, but eventually, things got worse. Now, can Trinity be freed? Can there be peace again?

The defence of The Matrix: Resurrections :: You know the thing about The Matrix, which means that you mostly know what can happen with this version too – the trailer had set the expectations going well. There is a lot of action for sure, and you do enjoy it, even though these are not things which you haven’t seen before – the fights go on in a stylish manner within the movie, and there are also some nice worlds built around here. The advanced special effects and computer generated imagery means that this particular world looks even better than how it used to be earlier. Here we have Keanu Reeves doing what he has been doing the best again, which is always a thing of quality – outside the world of John Wick, Neo is indeed an iconic character and we are never tired of watching him around there. The new additions of the cast are very much suited to this situation of post-apocalyptic science fiction action. After all, we know that this is the kind of situation which could happen at any point of time, with machines taking over being the best option for any apocalyptic event – the extinction of human kind is not something that we can resist. Then, this is a world which has no shortage of style.

The claws of flaw :: The Matrix: Resurrections which comes as the very late addition to the list of movies in a franchise which was far above the others of that time, doesn’t manage to live up to that hype or the grand expectations which were always present. When Neo is coming again after a long time, you expect that this is going to be something above all, but with the lack of innovation, they try to share the qualities that makes Neo with a female characters, which is pretty much the dumbest decision that they can do with some dumb romance added to a film which could have stopped that with the third movie and a few deaths. Actually, the third movie of the franchise served as such a fine ending, and this often keeps feeling a lot unnecessary. One has to wonder if any action sequences in this movie will be remembered much in comparison to the earlier movies, among which all of them had some special moments of fight scenes. The beginning is also too slow, leaving the film too long with so much of initial moments good enough to be cut. One would guess that this one is more intended to make some quick money on the fame which those classic movies had, but that attempt seems to have failed in rising up to the expectations too.

The performers of the soul :: We know that this has been the movie which made Keanu Reeves the huge star all around the world, even though I have always remembered him facing the devil in Constantine and Devil’s Advocate more than any others as well the vampire as Jonathan Harker in Bram Stoker’s Dracula of 1992, and maybe a few older people might go for Speed as the initial big thing from him. The new generation surely had John Wick with its sequels, and I do like his science fiction works like Replicas too. Yet, this is the one role in which almost everyone of my age would have wanted to see him again, and he is here, with the same strength that he had at that earlier point. Carrie-Anne Moss is someone whom we remembers for this franchise itself, and it is always good to see her back – she has become part of this world again really well. Yet, the actress who makes the most impact is Jessica Henwick, who played second fiddle in Underwater nicely, and she is indeed lovely – the baton should be passed on to her soon enough. Yahya Abdul-Mateen II doesn’t stand up to Laurence Fishburne, but remains okay. Erendira Ibarra also has a notable role. Jonathan Groff and Neil Patrick Harris are villains for the sake of being, as machines rule over them. Priyanka Chopra Jonas is there for the sake of being there.

How it finishes :: The big question about this particular movie is whether it was actually needed at all, for these are not the times when the first three movies came into existence, and the adaptation to the new audience who have witnessed all of these already, and then again through other movies would have had some strange feeling about watching this one. You are coming up with a sequel so many years later, and it would require something more than what was already seen, and this one falls flat on innovation. But, there is a lot of entertainment with the action happening all around, and nostalgia is something that sells, which means that we can always watch this version of The Matrix too, and hope that a great worthy sequel will be made at some other point of time. Until then, let us be happy enough with this one, and hope that the Corona virus would stop coming again and again, as watching movies like this at the theatre can mean more, even though I would always prefer the OTT versions. After all, becoming poor by paying so much for the movie tickets, parking and food after being in a traffic jam for such a long time, followed by dumb fans in a theatre is terror, no matter which one is the flick.

Release date: 22nd December 2021 (Theatre); 12th May 2022 (Amazon Prime Video)
Running time: 148 minutes
Directed by: Lana Wachowski
Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jonas, Jada Pinkett Smith

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.