The Autopsy of Jane Doe

Vampire Owl: They once tried to do an autopsy on me, these humans.

Vampire Bat: You mean after you died on that wonderful day.

Vampire Owl: Yes, they wanted to know the cause of my death.

Vampire Bat: And then what happened?

Vampire Owl: I didn’t allow them because I was not dead anymore.

Vampire Bat: You mean to say that your vampire transformation was rather too fast.

Vampire Owl: It is because I transformed myself into a vampire. I had chosen my next life.

Vampire Bat: What are you talking about? There has to be a vampire to make one out of you.

Vampire Owl: I was bitten on the soul, as it passed to the other dimension after death, and with the same, it returned to get back to my body.

Vampire Bat: It is very much interesting and impossible. Only a vampire assassin can confirm this.

[Gets three cups of masala tea with paneer paratha].

What is the movie about? :: There is the location of a terrible homicide, and the police officers are left with no clue. The clues are of people trying to escape from the house and not of anyone trying to break in. There are also no prints of anyone who are not part of this home either. Then in the basement, they find the body of a beautiful, unidentified woman, completely naked and it seemed that someone had tried to bury her. They refer to her by the name Jane Doe (Olwen Catherine Kelly), a name which is commonly used to refer to a dead body or a hospital patient whose identity can’t be found out that at the time. Sheriff Sheldon Burke (Michael McElhatton) is left clueless, and has no idea how to face the media with one unknown naked dead body and all the people in the house dead. So he decides that in one way or the other, the identity of the naked corpse had to be found by the morning so that the investigation can proceed.

So, what happens next? :: Meanwhile, a coroner in the town, Tommy Tilden (Brian Cox) and his son Austin (Emile Hirsch) who is a medical technician who has been assisting for a long time, are having just another day with a corpse. The experienced Tommy is quick to find the cause of death of the man, and as it proves once again to Austin that things are more than what meets the eye, with the burns not the real cause of death even though fire did cause all that was to follow. Austin’s girlfriend Emma (Ophelia Lovibond) arrives at the location, and is curious about everything that happens in the morgue including a bell tied to the ankle of a corpse – it is revealed that the bells were used to signal if someone was not really dead even though proclaimed so. Austin was supposed to go for a movie with Emma, and they are planning move away soon, but their plans are spoiled by sudden, unexpected arrival of the sheriff.

So, how does the mystery reveal itself in the morgue? :: With the need for cause of death by morning, Austin decides to stay and help his father and join her later, much to the dismay of Emma who asks him to tell Tommy about them moving away to another city. With her and the sheriff having left, they are left in charge of the corpse which looks perfect from the outside. There is not even a scar on the body, and there is visible mark to indicate what might have casued the death. There would be nothing more than a beautiful sleeping beauty without clothes, if the eyes were closed. Despite her body looking so fresh, the eyes do look as if she has been dead for very long. But as they checked further, they found that her bones were broken from the inside and her tongue was removed. The soil on her body also seemed not from that area. But it is not all, with more strange things being found and stranger things actually happen in the morgue.

The defence of The Autopsy of Jane Doe :: The success of this movie depends on that feeling of curiosity and uneasiness that it successfully builds on its viewers, and also plays with their imagination to keep them guessing about what this particular naked body might be all about, and what kind of mystery and horror that it holds inside it. There is that certainty of terror that awaits to be unleashed inside this unblemished body, and the beauty that is seen outside hides something more than a secret, which is to threaten humanity – it has our attention right from the beginning itself. You feel the discomfort, and at the same time, you are the edge of your seat, and it is a perfect setting at this morgue, and the perfect mystery has the claws and the fangs to make your fear come at you with all the needed strength. The performances are also good, from those who are there whole the time to those who just come and go – the girl chosen to play the corpse is also rightly chosen with all the features. There is also vengeance and sacrifice to go with it, as we get to know an ancient evil with a twist.

Positives and negatives :: There is a lot of gore here, and people can feel uncomfortable, especially with the autopsy being performed on the dead body along with the details also being talked about. But what you get here is the closest to some original horror, far away from those which you keep watching all the time. Maybe something bigger could have been made out of how the movie began, and with where the tale goes, but as it is, The Autopsy of Jane Doe is one smart horror movie like Don’t Breathe and Lights Out in the last year, and divergent in its core like It Follows, The Witch and Occulus. Some people will also find the movie to be slow at parts, but one has to admit that certain slowness helps in building all the pressure to come to that revelation by the end. There is also no walking corpse in this one, and that is new, for a horror movie which centers around a corpse to have it staying on the table all the time – but the evil is unleashed without having to do that. One location, one corpse surrounded by others, two people, and all the horror is here for you!

How it finishes :: There are those usual horror movies which depend on the usual tale, the usual settings and the usual kind of proceedings with scares, and then there are movies like The Autopsy of Jane Doe which decide to think differently. It is indeed a must watch for all horror movies, specifically those who are tired of going through the same tales about ghosts haunting people and houses all the time. In between all these horror movies which seem to be so close to each other in material, The Autopsy of Jane Doe becomes the movie that thinks differently, and is surely the kind of flick that a real horror fan would watch without any delay. This might be a lesser known horror movie, and surely won’t be the big horror franchise that The Conjuring and Insidious series of movies had gone on to be contribute and become; but our movie here is certainly a flick that will be remembered for long, and might even become a horror classic a few years later. Andre Ovredal’s first English movie here is the one that you wouldn’t want to miss.

Release date: 21st December 2016
Running time: 86 minutes
Directed by: Andre Ovredal
Starring: Emile Hirsch, Brian Cox, Olwen Catherine Kelly, Ophelia Lovibond, Michael McElhatton, Parker Sawyers, Jane Perry, Mary Duddy, Mark Phoenix, Sydney

@ Cemetery Watch
✠ The Vampire Bat.

Life

Vampire Owl: This looks like the tale of someone new to life.

Vampire Bat: Not just life; something extra-terrestrial in nature.

Vampire Owl: You mean like aliens returning once again to get rid of humans from this world for everyone’s good.

Vampire Bat: Extra-terrestrials are kind of better than humans, you know.

Vampire Owl: Yes, I recently met an alien who also gave me the idea to get rid of these humans and save Earth.

Vampire Bat: Absence of humans actually proves to be better for all other life-forms, I wouldn’t deny that.

Vampire Owl: There is no point in denying the same, because it is the truth. We should have actually finished them off when we had a chance.

Vampire Bat: Don’t you remember that it was a team decision to let them not become extinct, as we needed them to write stories about us?

Vampire Owl: But we have been trying to get the voters against the same after they decided to come up with Twilight and its successors. The current voting status in the vampire imperial chambers against human extinction is 591 against 409. It was 880 against 120 earlier.

Vampire Bat: Well, humans are becoming so evil that everyone except them want them extinct. They are giving competition to even the demons.

[Gets three cups of Munnar tea with a piece of pineapple cake].

What is the movie about? :: A probe which was collecting information about possible existence of life in Mars has returned from the planet, with something that is to prove the same and change the future of humanity forever. Even though it strays of the path, the same is intercepted by the crew of an International Space Station. The exobiologist of the team, Hugh Derry (Ariyon Bakare) is successful in reviving a dormant cell from this sample received from Mars after repeated attempts and failures. This new organism fascinates everyone among the crew who belongs to different nationalities, including the medical officer Dr. David Jordan (Jake Gyllenhaal), quarantine officer Dr. Miranda North (Rebecca Ferguson), systems engineer Rory Adams (Ryan Reynolds), pilot Sho Murakami (Hiroyuki Sanada) and the commander of the space station, Katerina Golovkina (Olga Dihovichnaya).

So, what happens next in the movie? :: One day, this organism which was named Calvin, seems to be dead. While trying to revive it, Hugh is attacked by Calvin who escapes by smartly using the electric shock tool used on it. Rory who gets in to save him, gets killed by the creature which keeps getting bigger and bigger. As it escapes through the vent, the rest of the crew are concerned about what is to happen next. Calvin also gets to Katerina, who is also killed, but leaves it outside. Despite the crew trying their best to keep Calvin outside and launch it into deep space using the thrusters, it manages to get through. The International Space Station, after having used so much of fuel through the thrusters to attempt to kill the creature, keeps getting closer to Earth, and seems to be slowly getting into the planet’s atmosphere to get burned. They come up with a plan to finish off the creature, but this one is a lot smarter than they think, and will adapt to anything they can bring – so, what will follow?

The defence of Life :: You have the feeling of going through something close to the Alien franchise with its creature. The execution is also very nice as we can see this one progress. This has its elements of mystery and horror working during the early stages itself. The creature itself develops steadily, and we see it through the different stages of evolution. With Mission Impossible‘s own Rebecca Ferguson and Jake Gyllenhaal around, this also well-acted without causing any change for doubt. The special effects are really good, and we see the space and the ships looking really good. There is also nobody to be the star here, except the alien, with a name, manages to be the one who controls things all the time as an intelligent life-form just recently born. Life surely provides the entertainment with its memorable moments, and the final scene surely brings a nice twist, and is better than what most of the people might expect for a movie like this.

The claws of flaw :: The similarity with Alien franchise is there, which doesn’t really give that original feeling with this one, especially considering the fact that Alien Covenant shares the same year of release with this one, and happens to be a better movie than Life. We have actually watched a little too much of Alien franchise to easily like another one so similar to it. Maybe, it is more like Alien combined with Gravity kind of feeling with its mood. You do have so many space movies with big ideas, like Interstellar, The Martian and Passengers – well, this one comes below them all as far as the rating is considered. As you go on, you will see that this one can’t be considered that evolved with the creatures like Alien, as there is one thing here, which is not that huge, but that could change with the possible sequels which look a little bit too far away right now. Ryan Reynolds disappears too early into the movie, and it is a sad thing for the fans of Deadpool. Maybe, they could have brought some big scary moments with the alien attacks, while using the setting of space along with the same.

Soul exploration :: As the title suggests, the movie is about “life”, but not of humans or any species on Earth, but rather on what exists outside. This search for life which has been going on for many years, seems to land humanity in trouble without doubt, and with no chance for redemption, as you witness how it ends here. Life tells you that there are some boundaries which are not to be crossed. With so much to do otherwise for your own fellow beings, this is not something which is urgent, as references are made to the situation on Earth too. But as with all those big inventions of science for the rich, making life better for the common man is not the first option. The rich always have the first chance at science and its inventions. It also makes too much of curiosity, which surely kills the cat, the reason for all the terror which is to follow. The crew, with its partners on Earth just crosses a line, and understands the consequences of what they had done. Also, a human life is more important than any other creature, and so one should understand.

How it finishes :: There is also that kind of ending which will ensure that “life” goes on, and it can be taken through more than one meaning. The option for sequel is left open there, and lets see if this can develop into a franchise like the Alien series, even though the box-office collection doesn’t really point to the same. Still, you can’t deny the fact that this could be a franchise that has the potential to give the Alien group of movies a challenge for supremacy. With Prometheus and Alien Covenant, that franchise has started exploring further, and Life could just do the same thing. One has to think that this movie has just begun its adventure, and its alien life-form has more and more to do with its humans. A good science fiction horror movie in space is often too hard to find, unless there is a future when something like Event Horizon or Pandorum are to be found here and there, all the time. But for now, Life is indeed the fine addition to the list which is rather small.

Release date: 24th March 2017
Running time: 104 minutes
Directed by: Daniel Espinosa
Starring: Rebecca Ferguson, Jake Gyllenhaal, Olga Dihovichnaya, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare, Alexander Nguyen, Hiu Woong-Sin

@ Cemetery Watch
✠ The Vampire Bat.

A Cure for Wellness

Vampire Owl: I hope that they are not trying to find a cure for vampirism.

Vampire Bat: There is no cure to vampirism – it is a one way procedure.

Vampire Owl: It is nice that you said that. I was afraid about the same after hearing about Doctor Frankenstein‘s latest experiments.

Vampire Bat: He is just finding the cure for coffin-o-phobia.

Vampire Owl: What? Who is afraid of coffins?

Vampire Bat: I think that it is the Vampire Panda. He is such a big Kung Fu Panda, and can’t get inside any coffin.

Vampire Owl: Then where does he rest when there is the need?

Vampire Bat: He has planted a noodles tree on the backyard.

Vampire Owl: What does that achieve?

Vampire Bat: Well, our vampire experts are working on the same, an on the possibility of a noodles coffin.

[Gets three cups of elaichi tea with a piece of tea cake].

What is the movie about? :: Lockhart (Dane DeHaan), an ambitious young employee takes the place of a man who had recently suffered a heart attack while working late at work, in a large financial services company, hoping to make a big impact as early as possible. The company board members sends him to Europe to bring back the company’s CEO, Roland Pembroke (Harry Groener), from a wellness centre where he is spending his life in peace, or it is what they believe that he is doing. With the need for his presence for an upcoming company merger, as well as having someone responsible for the recent problems which have occured in the firm. This particular wellness centre is located on the Swiss side of Alps, on a picturesque location supposed to bring peace of mind, and he also finds that the villagers are not really fond of the sanatorium, and the people who visit the place, which is on the top of a hill.

So, what happens next in the movie? :: There he meets Dr. Heinreich Volmer (Jason Isaacs) as well as the other staff there, all of them not that interested in letting him meet the man whom he wants to get home as quickly as possible. He decides to come back after resting at the hotel, at a time when Pembroke is not undergoing treatment. While going down the hill, his car meets with an accident, and he is forced to go back to the wellness centre and get the needed treatment. He does manage to meet Pembroke, but it doesn’t prove to be that useful a meeting, as they are both now in treatment, and are not going to leave soon as planned – you don’t get out that easily. There, he also meets a mysterious young girl named Hannah (Mia Goth) who acts more like a child, and seems to be under the influence of Volmer, keeping on wandering around the premises. She refers to herself as a special case, unlike everyone else who are undergoing treatment at the centre.

And what follows the same in the movie? :: There is a past to the wellness centre that Lockhart learns from the patients and the people of the village. They tell the story of a baron who lived in the castle which was there in the place of the centre many years ago. The particular baron was so proud of his bloodline, and in a desire to keep the pure blood run through the family, married his own sister, an act which didn’t go well with both the villagers and the church. After finding that his sister was infertile, and he won’t be getting his heir of pure blood, he began to experiment on the peasants of the village to find a cure. Even as he is believed to have found a cure, the peasants had risen in revolt, burning the castle down, and supposed to have killed everyone including him, his wife, and the unborn child. The ruins of the castle still lies beneath the wellness centre, and Lockhart finds the need to figure it out. But he is running out of time for sure.

The defence of A Cure for Wellness :: There is one thing absolutely clear about A Cure for Wellness, and it is that the movie stays away from the usual style, and makes no attempt to stay in the safe zone, as the confort is found further away. The viewers are kept guessing, and they will all be wondering what is to happen next, until the big twist finally arrives to make the impact. There is beauty in the way things are shown, and there is the creepy effect going all through this movie with its wellness centre, maybe not that much as Crimson Peak, but is there, in a different way. With the performances, Dane DeHaan who is known the best for the Green Goblin of The Amazing Spider-Man 2, Mia Goth and Jason Isaacs compete with each other, and steal the show as a group of three. Mia Goth is just amazingly suitable for this role, which has her coming out the best way possible – those walks, and the cycle rides, and even that dance – something creepy beautiful about it. Some moments are just a lot creepy, including and more than having eels in the water and even mouth, and people suspended inside big glass containers.

The claws of flaw :: The movie certainly gets too slow in the middle, and it never really gets that pace until in the end, as there is the possibility of getting lost in the middle for those who don’t really have that much interest in this kind of a movie. There is also a certain amount of violence, which will make it not that interesting for some people. It could be disturbing for some people, but it is not that much, if you consider them as essential parts for the movie. Considering the kind of disturbing movies around, this wouldn’t come anywhere close, if you look closely. The length of the movie could have been reduced, and we can say that same about the chance for ambiguities – a two hour movie was the maximum which was needed to improve overall effectiveness. This movie was actually capable of becoming a huge horror thriller that would automatically cater to more of the viewers. Well, not everything on a divergent path is lovely, right? Watch this one, and come up with a conclusion rather than by reading reviews – for it feels personal.

How it finishes :: Along with being the interesting thriller, the movie also shows the hollowness of being rich, as those who has so much money are shown to pay even more to get better, something which even transcends foolishness at times – it is the case of humanity, isn’t it? It is easy to fool men and women who are always looking for something which is proclaimed to be better. Well, A Cure for Wellness in your usual movie, and having said that, we can also name it as one of those flicks which have a big possibility of becoming cult movies. This one is not a simple movie, and has similarities to The Institute starring James Franco and Allie Gallerani which released in the same year – there is the need for a certain kind of sense and thinking to like these kinds of movies, and as our common audience doesn’t possess the same, lets recommend it to all who are able to think differently, and let the others who decide not to think take the risk and watch the flick.

Release date: 17th February 2017
Running time: 146 minutes
Directed by: Gore Verbinski
Starring: Dane DeHaan, Mia Goth, Jason Isaacs, Adrian Schiller, Celia Imrie, Ashok Mandanna, Harry Groener, Godehard Giese, Tomas Norstrom, Magnus Krepper, Carl Lumbly, Lisa Banes, Tom Flynn, Johannes Krisch, Jason Babinsky, Angelina Hsntsch, Jeff Burrell, Annette Lober, Eric Todd, Christian Brauer, Thomas Richter, Chris Huszar, Marko Buzin

@ Cemetery Watch
✠ The Vampire Bat.

Get Out

Vampire Owl: This reminds me of the first two words Dracula uncle told me. It is nice of them to make a movie titled the same.

Vampire Bat: You are talking about what happened when you applied for apprenticeship with the wrong biodata.

Vampire Owl: Yes, I wasn’t trained in vampiric language at that time, and messed it up.

Vampire Bat: You could have just used the universal blood language at that time. It was an official language too.

Vampire Owl: I was just glad that I could get these two words from him without thinking that much about the same.

Vampire Bat: It was all that you were looking for?

Vampire Owl: Well, we are all satisfied with what we have, aren’t we?

Vampire Bat: Yes, we are happy with what we are, and what all exist for us.

Vampire Owl: It is something that we need to to teach the humans.

Vampire Bat: Unfortunately, even after being just mortals, they learn nothing about what could face them in the afterlife. The Lego movie characters know better.

[Gets three cups of evening tea with a piece of mango cake].

What is the movie about? :: A photographer named Chris Washington (Daniel Kaluuya) and his girlfriend Rose Armitage (Allison Williams) have been in love for a few months, and they decide to visit her parents at a far away place, in the countryside, where they own a huge area of land of and property by the side of a lake. Chris is a little bit concerned about meeting her conservative parents because he is black, and her parents seem to be having a white legacy going with her grandfather having lost to Jesse Owens in front of Hitler during the Berlin Olympics of 1936. But the parents seem to be happy with their relationship, Dean Armitage (Bradley Whitford) and Missy Armitage (Catherine Keener) welcomes him to their home as part of their family, even though his brother Jeremy Armitage (Caleb Landry Jones) does come up with some strange remarks which they don’t mind that much.

So, what happens next in the movie? :: The servants at the house who are black, act rather too strange towards him, with Walter (Marcus Henderson) and Georgina (Betty Gabrietl), both doing strange things and also talking as if there is some hostility in the air. Chris has a strange feeling about the happenings at the place, and has a walk at night, during which he is hypnotised by Missy who is a psychiatrist, after which he feels no desire to smoke. He also seems Walter and Georgina doing some strange things, and Jeremy even tries to put a headlock on him, making him really uncomfortable. There is an annual gathering supposed to happen at the place too, during which a lot of guests seem to have special interest in him, except for the only black man in the group, Logan King (LaKeith Stanfield) who also acts strange. He talks about the same to his best friend, Rod Williams (Lil Rel Howery) who asks him to get out of there.

And what is to follow with a twist of events? :: Chris also meets a man called Jim Hudson (Stephen Root), who is blind, but appreciates his work with photography, as he has his assistant who describes them to him. With all focus on him only, Chris asked about how it feels to be an African-American, but he passes the question to Logan who seems to have a certain problem answering the question, and when Christ tries to take his photo, gets angry, asking him to get out of there. Logan, bleeding from his nose, seems to feel better after a session with Missy, and Chris keeps narrating the happenings to Rod, who tells him that those people there might be brainwashing the black people with Missy’s hypnotizing ability, and keeping them as slaves, or even sex slaves, which at first seems funny, but Chris realizes that there is more to this strange behaviour of the people than what meets the eye.

The defence of Get Out :: The movie has its viewers feeling that there is something coming, right from the first sequence itself, and it keeps throwing something again and again on the way, to make sure that the audience is kept excited about what is to come. There is a big mystery ready to be revealed, and throughout the movie, there is the feeling of weirdness and danger which is nicely reflected through more than one character. The early feeling of waiting for the suspense to reveal itself has its replacement in the form of thrills and a certain amount of horror that get stronger by the end. We know that there is something eerie about it, but then we realize that there is even more to come as the movie progresses towards the end. There is tension that is shown between the characters here, and there is something like a rising intensity about it – we feel that this movie is getting better and better towards the end, as we know that something unexpected is to happen, and things are going to go bad for the protagonist, and then towards terrible.

The claws of flaw :: The humour doesn’t work much, and it also gets pretty much violent in the end, something which we weren’t expecting that much considering the first half. We do look at the huge amount of critical appreciation, and expect something even bigger, like a masterpiece, but we will only get this movie – on Rotten Tomatoes, the movie manages to have an approval rating of 99% based on 269 reviews; it is something that we don’t see that often, for things tend to come down a few days after a movie’s release. Metacritic has adjusted with an 84, but something like 99 is what keeps the expectations at a top level. People who have no understanding of the movie’s basic premise will find some trouble too. There is the certainty of some missing logic, with the way the movie becomes something not that natural by the end, which will raise some eyebrows here and there. If you are expecting the twist to be like The Skeleton Key, you are in for a surprise, with doctors and medical science being attached here, even without that much of a deep explanation.

How it finishes :: With Daniel Kaluuya and Allison Williams staying strong as the leading actors, we have a movie to look out for, right here. It is a flick which is not that well-known around here with a rather unknown cast for our audience, and not much of a title that grabs attention, but there will be a lot of fans for this one from here later, that is for sure. The opinions on this one are going to be divided here though, as the racial stuff is not going into the roots with our audience – maybe the caste would do if we make a similar movie here. The movie seems to reflect how things are, when we see another person as “the other“, as someone who really doesn’t belong to our group, and there are some people who pretend to accept them, even though they really don’t. People are such good actors in real life these days, aren’t they? We see so many of such people in this flick, and then there are others who just hate those who are different – the world still needs change for sure, and you see the need stored right within, with a smart horror thriller here. At the same time, lets hope that the viewers take something out of this movie and be better towards the others, the different, those who are not like everyone else.

PS: Check out the review of the latest release, Sunday Holiday.

Release date: 24th February 2017
Running time: 103 minutes
Directed by: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Lil Rel Howery, Bradley Whitford, Caleb Landry Jones, Stephen Root, Catherine Keener, Betty Gabriel, Marcus Henderson, Erika Alexander, LaKeith Stanfield, Stephen Root, Geraldine Singer

@ Cemetery Watch
✠ The Vampire Bat.

The Forest

Vampire Owl: I once went to this particular forest known for suicides.

Vampire Bat: And then what happened?

Vampire Owl: I just couldn’t live up-to its reputation as I had already died.

Vampire Bat: Even the undead can die, you know.

Vampire Owl: Yes, but the ghosts were against it. They told me that it is cheating.

Vampire Bat: Why did you even have to listen to them?

Vampire Owl: Well, they told me that they would transform me into a human.

Vampire Bat: What? It is so cruel. It would have been better to keep split personalities instead.

Vampire Owl: Yes, I just couldn’t bear being part of an inherently evil species. So, I said no.

Vampire Bat: I have to say that you did the right thing this time. The blood wars are coming, and we have to say no to more than one thing.

[Gets three cups of lemon tea with 50-50 biscuits].

What is the movie about? :: Sara Price (Natalie Dormer) is spending her time with her fiance, Rob (Eoin Macken), and is having some happy moments of her life in her home in the United States of America when she gets an unexpected call from Japan. She is informed that her twin sister, Jess Price (again Natalie Dormer) is dead. The idea is that she was last seen going into Aokigahara forest known more as the Suicide Forest or Sea of Trees, and those who go there alone at night rarely come back as it is a place where people commit suicide. It is rather believed to be the most popular suicide destination in the world which has so many strange tales associated with it. The forest is known to be home to yurei or or rather the ghosts of Japanese mythology. It is also said that long ago, the elderly or unwell people were left to die in the forest, and the place had its dead bodies and ghosts from centuries ago. The place has that kind of a terrifying reputation.

So, what happens next? :: But that doesn’t stop Sara from looking for her sister, and despite the concerns of Rob, she travels to Japan, and after talking to the people at the school where she was teaching, gets to the hotel where Jess was staying. There she meets a man named Aiden (Taylor Kinney) with whom she share a drink and they become friends. After listening to her story, he tells her that he is a photographer and will accompany her to the forest. They are also to be accompanied by a guide named Michi (Yukiyoshi Ozawa) whose presence will help them to get out of the forest if they lose their way or if anything goes wrong. As they go to the forest, Michi tells her that Jess should most probably be dead, and there is nothing changing the same. But Sara says that it is not possible, and as they are twins, she will somehow know if she was dead. She is quite convinced that her sister would never commit suicide.

And, what is to follow next in the adventure? :: After traveling for some time in the forest, they come across the tent which Jess had used, but it was nearing nightfall, and Michi tells them that they have to go back as soon as possible. But Sara is convinced that the best option for them is to stay there, as Jess might come back to the tent by night. But Michi tells her that it is not safe, as the forest has its own ghosts, and they will make her see things which will drive her mad, and it will be she who will be lost on the next day. With their best efforts not seeing anything good in the end, Aiden says that he will stay with her throughout the night, and Michi leaves them to what seems to be a complicated fate. So, by staying in the dark forest which is believed to have more spirits than people, can Sara finally find Jess, and can at least one of the two sisters return home alive from the forest? Well, it is not that simple as it seems to be.

The defence of The Forest :: Aokigahara Forest is a nice location for a change, and with the tales that are told about the same, we become more and more interesting in watching a horror movie based on the same location. Natalie Dormer does a very good job as the twins here, and we are glad to see her in two roles, and she does her job very well. Known the best for her work in Game of Thrones series and also in The Hunger Games, it is great to see the talented actress doing the big role in a horror movie. The forest is also a solid character by itself, as we see possibilities going endless from the beginning itself. It does bring the question about what really is the reality and what is the hallucination – something that the ghosts use to confuse its new preys. The visuals are nicely used to support the same, and we surely have to say that there is an attempt to go different here.

The claws of flaw :: The movie could have surely used more scares, especially with such a mysterious forest at the centre of everything – the site of tragedy and strange beliefs hasn’t got the due that it deserved. The Forest could have used more ghosts than any other movie, and the variety that it could have brought with its scares would have made it close to a masterpiece; but such an effort is certainly not made here. When such creepiness is around, you expect the scary side to hold on and get to be better, and it is something that you never see anywhere around here. This struggle to use the material in hand should feel strange for many viewers. It also has to be noted that other than Natalie Dormer, there is nothing much of a cast to do anything big. Maybe it is the lack of focus that bring the trouble rather than anything else, as we see the struggle towards the end from a movie which began so well.

How it finishes :: You will surely find The Forest to be a rather strange movie, which means that whether you like it or not, it is very difficult to ignore it. With Natalie Dormer in full form, you might expect more and more, and what you get might not satisfy you enough. If you consider the mystery elements more and the scares a little less, you will not find this one to be less interesting. As you think differently, you will find this movie to catch your attention with its divergence. After all, it is one reality that we have in our lives, and the inability to understand what is real and what is unreal, and what is good and what is evil, is something that should be scary even out of the limits of a horror movie. Well, this one is creepy enough, and you just need to read less number of reviews before watching this movie. You remember the movie Pet, which was different in its own way.

Release date: 8th January 2016
Running time: 93 minutes
Directed by: Jason Zada
Starring: Natalie Dormer, Taylor Kinney, Yukiyoshi Ozawa, Eoin Macken, Rina Takasaki, Noriko Sakura, Yûho Yamashita, James Owen

@ Cemetery Watch
✠ The Vampire Bat.

Train to Busan

Vampire Owl: I had the feeling that you were never going to write on foreign movies.

Vampire Bat: Yes, that was the earlier intention, but there are so many good titles among them. To add to it, I had written about a foreign short film.

Vampire Owl: So you mean to say that you are breaking the rules.

Vampire Bat: Yes, but only this rule. I will not be writing on a movie which gets a score of 70/100 when it is from last year, or 50/100 if it is new. I will also not write on any movies older than the previous year.

Vampire Owl: It is fair enough. So just more categories at Movies of the Soul?

Vampire Bat: Yes, an expansion was needed. These are the days when there is not much of a place for honest reviews.

Vampire Owl: Yes, I see that people take money from the movie makers and write positive reviews, no matter how bad the movie is.

Vampire Bat: It is where we choose to write on only the movies which are good, thus not writing about at least half of the movies that we watch.

Vampire Owl: Well, we need more reviews then, because most of the movie pages and celebrities are only sharing those reviews for which they have paid for.

Vampire Bat: This is an undead movie. So let us start the new saga with this one, and expand our territory.

[Gets three cups of Wayanad tea with Patanjali Doodh Biscuits].

What is the movie about? :: Seok-woo (Gong Yoo) a fund manager so obsessed with his work that he rarely think about the rest of the things in his life. Due to the same reason, he rarely get any time to spend with his only daughter, Soo-an (Kim Su-an) who wishes to be with her parents. But that wasn’t going to happen as her father and mother and divorced, and she could consider her lucky enough just to have some moments from her father’s busy schedule. Hoping to see her mother again, Soo-an makes the birthday wish to see her who is at Busan, to her father, who really had no clue what to buy his daughter for her birthday. Even though he really wants to keep on working, Seok-woo takes his daughter to the Seoul railway station to board the Korea Train Express. There seems to be something strange going on in the city with ambulances, police and fire fighters rushing, but they ignore the same.

So, what happens next? :: There they come across Sang-hwa (Ma Dong-seok) and his pregnant wife Seong-kyeong (Jung Yu-mi) who are looking forward to a rather peaceful and undisturbed journey. The journey has two of the strangest passengers, one being a homeless man (Choi Gwi-hwa) who has shut himself inside the lavatory being afraid of something, and there is an injured girl (Shim Eun-kyung) who has run into the train without the ticket checker noticing. While the former had just seen the attack to get scared, the latter had just been bitten by a zombie in the outbreak which had plagued the city causing panic all around. The girl turns into a zombie and spreads the infection beginning with an atttendant, and then on to the passengers. Along with the father, daughter, husband and the pregnant wife, a cheerleader Jin-hee (Ahn So-hee), her lover and baseball player Yong-guk (Choi Woo-shik)are among those who escape by getting them all into one compartment.

And, what is to follow next in the adventure? :: The zombies await the survivors in the very next compartment, but they are not able to get in, as they are not that smart. Sang-hwa is doubtful of Seok-woo as his a corporate man and was hesitant to open the door of the compartment for him and his wife. Seok-woo is not that fond of him either as he is concerned about his daughter more than anything else, and is afraid to do anything that has the slightest possibility of putting her in danger. Then there is the rich and selfish COO Yon-suk (Kim Eui-sung) who just wants to get him safe, even if it means that everyone in the train has to die a painful death. But time keeps running out for them, but hope comes as they are supposed to stop at Daejeon Station, where all passengers are to be quarantined. Seok-woo calls one of his influential colleagues and makes sure that he and his daughter would be able to get through without being quarantined. But you can never be safe as long as there are zombies anywhere, right?

The defence of Train to Busan :: There are not many zombie movies this quick, as this movie goes on as fast as the train itself – there is absolutely no dull moment in this flick which moves forward as if it is a bullet shot right out of a gun, and people used to say that the zombies were slow, or rather the slowest among all of the undead. There are so many thrilling moments here that we get to stop counting – there are so many of the undead, and there are so many occasions when our protagonists need to keep running or even fight back to keep the creatures out. We get to care for so many of characters like never before in a horror movie. All these are so nicely shot, and whatever we see have smartness behind them. There is the corporate evil shown with all brutality here, as we see the man in suit being the most selfish creature, even worse than the zombies. We also see a lot of emotions, and acts which define humanity in one way or the other – there heroes when least expected, and some acts of sacrifice will go very far down deep.

The claws of flaw :: A ninety six percent approved movie from the critics should mean to be something more when you look at it – and there are zombies, which means that you never bring the expectations down. Train to Busan is one of those rare Korean movies which got its release in the multiplex near our place, and we know that it got everyone’s attention by a huge margin. The movie’s biggest predictability is that a lot of people can figure out the two people who are to survive by the end of the movie – it seems like that is meant to make sure that even families are going to like it, even though the horror movie genre rarely make any inroads there. We have also had a lot of zombie movies, and we were looking for something that deviated like no other – there was also the need for an explanation of how zombies came into being; it would help, as it was proven by a franchise like Resident Evil which was rather one-dimensional in its content even though it was three-dimensional on the screen.

How it finishes :: We have had many zombie movies with the outbreak of something resembling a plague, which spread through bite – even if we forget those earlier movies, we have had quite a good number of interesting ones in the last few years, and the biggest money-maker has been the video game inspired franchise which never really seemed to have an end until they released one movie titled the final chapter, Resident Evil. Then there was the most divergent of them all, the one which had a zombie love story which threatened to take away more than just a few Twilight fans – Warm Bodies. Then there is World War Z which might be the most similar to Train to Busan, but we see that this Korean flick here is rather the improved version – a zombie movie which will stay in your minds with not just the action, but with all things combined. Well, the point to be noted is that it is not Hollywood who has come up with this all-rounder zombie flick. Even we had Go Goa Gone.

Release date: 20th July 2016 (Korea); 21st October 2016 (India)
Running time: 118 minutes
Directed by: Yeon Sang-ho
Starring: Gong Yoo, Ma Dong-seok, Jung Yu-mi, Kim Su-an, Kim Eui-sung, Choi Woo-shik, Ahn So-hee, Choi Gwi-hwa, Jung Suk-yong, Ye Soo-jung, Park Myung-sin, Jang Hyuk-jin, Kim Chang-hwan, Shim Eun-kyung

@ Cemetery Watch
✠ The Vampire Bat.

Phobia

Vampire Owl: I hope that she doesn’t have vampirophobia. I really hope that she doesn’t.

Vampire Bat: I believe that the exact term for the same is sanguivoriphobia.

Vampire Owl: What? Who on Earth comes up with such strange names? Who even gets that at first attempt?

Vampire Bat: Well, they call it the fear for blood eaters.

Vampire Owl: How can someone actually eat blood? And we are vegetarian vampires; we have suitable replacements instead.

Vampire Bat: It doesn’t count. Humans are masters of generalisation, and they create opinions based on that.

Vampire Owl: We should have a phobia of them instead – unless they are all dead.

Vampire Bat: You are in no position to call an event which causes human extinction. They have to cause their own downfall.

Vampire Owl: It is something that I have always believed in.

Vampire Bat: Just make sure that Wonder Woman won’t murder you after naming you Ares, the God of War.

[Gets three cups of special tea with Tiger biscuits].

What is the movie about? :: Mehak Deo (Radhika Apte), a talented artist who is quite popular with her friends, attends almost every party in the town, becoming more of the popular girl in the city. But after being molested by a taxi driver on a terrible night, she develops the worst of agoraphobia, which keeps her away from public places and large groups, as she keeps herself inside the house and mostly in her room. Living in the same house as her sister Anusha (Nivedita Bhattacharya), it gets worse for everyone, as her actions remain more and more uncontrollable and unbearable for all. With the eccentric and unpredictable nature affecting Anusha’s little kid too, they all feel done with helping her, because it seems to be of no use, and Mehak herself doesn’t want to be treated, staying inside home without making an attempt to go out for months.

So, what happens next? :: Shaan (Satyadeep Mishra), Mehak’s good friend decides to help her, and gets her to an apartment which is empty for now after its previous occupant decided to move away. He hopes that this change, and life alone will be better for her, and she will start longing to meet people after this. At the new place, she seems to have some visions, and she feels that there is something sinister about these particular visions. She has two neighbours there with whom she gets to talk often, one of them being Nikki (Yashaswini Dayama), who is a graduate student who lives on the flat on the right, while on the left side, there lives Manu (Ankur Vikal) who had anger management issues and is using laughter to fight the same. The latter used to be in a relationship with a woman called Jiah Khurana (Amrit Bagchi) who had left the place.

And, what is to follow next in the adventure? :: It turns out that Jiah was living in the same apartment in which Mahek is living right now. Knowing that the girl had disappeared without telling anyone, and that there is no clue of where she is, Mahek begins to feel that there is a big mystery behind the same. She comes up with the idea that an angry Manu had killed Jiah and has hidden her body in his apartment. Mehak also feels that her visions are from Jiah’s spirit which is trying to tell her something about the demise. Shaan feels that this is all part of her disease, and that she is having so many hallucinations. Her psychiatrist (Faezeh Jalali) also confirms that Mahek’s condition is worsening every day, and there is not much that can be done unless she is taken to a mental asylum. But Nikki is curious, and decides to help Mehak in finding the truth behind the missing girl. Now the question remains about what really is the truth here.

The defence of Phobia :: There is one thing about which you can be cent percent sure, and it is that Phobia won’t be like any other movie which you have seen in Bollywood, and in psychological horror, it explores more territories, and most of these areas are divergent. The story is nicely presented right from the beginning, and it keeps you wondering what is happening, and what is to follow. The visuals nicely match the overall mood of the movie, and there are some scenes which are particularly great and deserves our attention. Radhika Apte is once again too good, as you would expect her to be – she is that kind of an actress who has more in store for us than anyone from Bollywood, and it is a fact that you just can’t ignore. There are moments from her which you are going to remember for so long. The next one to make the impact is Yashaswini Dayama who keep the curious college girl act going on very nicely.

The claws of flaw :: One can say without doubt that Phobia is not a movie for everyone; I am sure that it might have already been established by many others in one way or the other which randomly talking about the flick. There are also logic flaws in this movie, and her living alone in the flat is nothing less than strange, and having a knife near her when she goes into the virtual reality is rather comfortable. The way in which the mystery is finally solved is also rather strange, when it could have taken a rather direct approach. The climax had potential to be something more, and for some reason, it chooses not to live up to the fantastic build-up in the first half, and finish the movie on a high. The audience is left clueless on a lot of occasions, and more scary moments could have been built regarding the neighbour and other residents of the apartments. When you have an apartment where someone with a mental problem living alone, there is always scope for more.

How it finishes :: Phobia demands that you take things differently, and get your thinking procedure to go another way, which has almost no relation with a regular Bollywood movie; all that those movies are, this movie is not. It is where movies like Phobia and Raman Raghav 2.0 scores, and it is also what we strive to have. Otherwise, Bollywood can only focus on biopics, and tales inspired from real life incidents like Neerja, Rustom and Airlift, which they need to keep the ship sailing in the right direction. It is during such times that this movie does go against the flow, and what we can do is to appreciate the effort and watch this movie without second thoughts about how it will make us feel, and how well it can relate when we haven’t watched similar movies before.

Release date: 27th May 2016
Running time: 99 minutes
Directed by: Pavan Kirpalani
Starring: Radhika Apte, Yashaswini Dayama, Satyadeep Mishra, Ankur Vikal, Nivedita Bhattacharya, Amrita Bagchi, Faezeh Jalali, Salone Mehta, Arush Nand, Dinyar Tirandaz, Amit Kumar Pandey, Malhar Goenka

@ Cemetery Watch
✠ The Vampire Bat.

Pet

Vampire Owl: This reminds me to show you my new pet.

Vampire Bat: I don’t think that this is that kind of a movie related to the real pets.

Vampire Owl: You mean to say that there is no live-action version of The Secret Life of Pets.

Vampire Bat: Not at all.

Vampire Owl: And there will be nothing The Street Cat Named Bob?

Vampire Bat: Absolutely not.

Vampire Owl: So, we are after the wrong kind of pet here.

Vampire Bat: This is supposed to be a thriller; so you know the kind of pet.

Vampire Owl: The psychological kind.

Vampire Bat: Yes, and you know more psychos than I ever will in this life and the next.

[Gets three cups of masala tea with gobi paratha].

What is the movie about? :: Seth (Dominic Monaghan) works at the local Animal Control Department, and as a shy person doesn’t talk to many people, and has not many friends. Even those who works with him hopes not to get to talk much to him. One day he comes across Holly (Ksenia Solo) who is supposed to be someone he knew a long time ago, but she doesn’t remember him at all. After their meeting in the bus, he becomes more and more obsessed with her, and feels the need to get noticed more. But she doesn’t even remember meeting him for the second time in the bus, as he visits the restaurant that she works in. He tries to seem confident after looking for her interests on her social media profiles, as he asks her for dinner, but that doesn’t come out right, and she clearly shows her lack of interest in him. He is disappointed, but doesn’t give up.

So, what happens next? :: Holly goes on to meet her ex-boyfriend Eric (Nathan Parsons), but Seth continues to follow her, and in the process, gets beaten up by Eric. Despite being bloodied, Seth does manage to steal her diary which has all intimate details of her past. But as he keeps on reading the same, something takes a drastic change. He spends his time setting up a cage in an abandoned side of the animal shelter, and even as it affects his work, make sure that he could create something different and strange at that side to which nobody makes a visit. There seemed to be something in that diary that motivated him so much to finally kidnap her, and get her to that cage. But after kidnapping, he reveals to her that his wish is to save her, and this is all part of his secret plan for the same, much to the surprise of Molly who sees no way to escape from the steel cage.

So, how does the big mystery reveal with its twists? :: Soon, she finds out that Seth knows all her secrets which were written in the diary, and there are no longer secrets between them. There is a big secret that involves her best friend Claire (Jennette McCurdy), and Seth tells her that he loves her, and understands that there is not just one side to Holly. He tells her that it is only him that can help her, and asks for nothing in return as he is her one true love, and not Eric. It is then that the security guard of the animal shelter, Nate (Da’Vone McDonald) grows more and more suspicious of him due to his absence from work, and his roaming into those less explored areas. He makes his own way through those abandoned areas, and is shocked to find the young girl locked up inside cage in her underwear. Now, Holly tries to manipulate him into murdering the guard, and soon the question evolves into who the crazier one is, and also about who the real psychopath is.

The defence of Pet :: There is certainly something different with Pet, as one had already noticed with the posters and the trailer itself. This one emerges and becomes more than just having a girl in captivity by a stalker. There is that madness in this movie that only gets stronger as the movie progresses. Pet had so many opportunities here to become just the usual tale of a “damsel in distress” captured by the man who has been stalking her for long, but surely adds enough in there for the divergence. It is Ksenia Solo who impresses at moments with the way her character approaches everything, and Dominic Monaghan also leaves a good effect on this one, even though more situations could have been added to bring even more of these characters outside rather than leaving too much to be guessed. There is a lot of manipulation going on in this particular flick, and the twist is ready to get to you.

The Claws of flaw :: More was certainly possible with Pet, and surely a better finish was expected, considering how things were made stronger with the progress. You will also feel that there is a little bit too much of repetition with the talks that go on between the two protagonists, and we also see that the cage is also less used as the property, and there are moments when the leading lady does act so less like the character that she is – maybe, it is also part of the character, but that leaves the audience rather confused. The whole manipulation thing could have also used a little more drama rather than keeping the captive without much of emotions – it is something that will go as a negative mark in the performances. The lady also doesn’t get even a real cut on her, and will also get to be out of the cage without any trace of being a captive, and that also adds no positive to the genre. There is also that slowness in the middle, which is not converted to anything interesting.

How it finishes :: Pet‘s divergence is not something that we can question. But its leading lady character might be one for many. There is also a little bit of predictability that comes in, and that is also due to the lady protagonist, and by the end, people are just going to guess that final twist, considering how the so called stalker was proceeding with the things. You are going to wish that this movie was something more, but the variety in treatment that this movie brings will also be catching your attention – there are two sides to this movie, and thanks to its leading performers living up-to the expectations whenever there is the need, we have Pet as a movie that can be watched for not being like the others of its kind. In a movie which has no real hero or heroine, how much you can like the flick is dependent on what you want – a very high rating will be difficult, but liking this movie is not. The best thing about this movie is that it does take off the masks of some people who pretends to be good and nice to others, but being close to be good or in control is not what that particular person is all about, even when in a cage.

PS: For the lighter minds, there are reviews on movies like Kubo and the Two Strings and Kung Fu Panda 3.

Release date: 2nd December 2016
Running time: 94 minutes
Directed by: Carles Torrens
Starring: Dominic Monaghan, Ksenia Solo, Jennette McCurdy, Nathan Parsons, Da’Vone McDonald, Denise Garcia, Janet Song, Alasdair Martin, Gary J. Tunnicliffe

@ Cemetery Watch
✠ The Vampire Bat.

The Mummy

Vampire Owl: It seems that finally the mummy has scope to be a real mummy.

Vampire Bat: What are you referring to, here?

Vampire Owl: Usually in the movies, the mummies are men, and so the mummy is usually a daddy.

Vampire Bat: And you are talking like a dummy, for which there is no need.

Vampire Owl: No, you should see the mummy lady in this one. She is cooler than most of the known mummies.

Vampire Bat: You know one mummy which is cooler. You just can’t pronounce his name.

Vampire Owl: Yes, why don’t they have simple names like Count Dracula?

Vampire Bat: Well, mummies are from very ancient Egypt, and going so long back, such names had to exist.

Vampire Owl: I am going to call them Mummy A to Mummy Z.

Vampire Bat: Yes, please do it, as long as they don’t hear the same.

[Gets the tickets with cardamom tea and special popcorn].

What is the movie about? :: In ancient Egypt, Princess Ahmanet (Sofia Boutella) is an expert in almost everything, and is undoubtedly the best warrior, and the next in line for becoming the Pharoah of the lands. The Pharaoh, Menehptre (Selva Rasalingam) also sees his successor in her, strong, courageous and one who doesn’t give up. Things are all going smooth until the Pharoah has a son with a newer, younger wife, which angers her as she realises that all her work has been for nothing, with this young child taking over the kingdom as the Pharaoh of Egypt when he grows up. Frustrated with the situation, she decides to take the throne in one way or the other. Knowing that she can’t do it by himself against the extremely powerful Pharaoh, chooses to worship Set, the god of evil, chaos and war. This particular god who had even killed his own brother Osiris helps her in return for unleashing himself on Earth – but, after killing her father, his wife and the baby boy, she is captured by the guards and mummified.

So, what happens next? :: With the princess mummified, and buried in a land far away, the curse of Set remains, as the promise to him in unleashing the god was not kept. Years later, somewhere in the present Iraq, Nick Morton (Tom Cruise) and his best friend Chris Vail (Jake Johnson) spend their time looking to gather what all antiques they can get from the area of the nation called Mesopotamia, which used to be the cradle of civilisation while having their own trouble with the locals as well as the terrorist organisations operating from there. It is during these times when they accidentally uncover a tomb, which seems to be Egyptian, much to the surprise of the archaeologist, Jennifer Halsey (Annabelle Wallis) who also lands there as part of her excavations. With the approval of Colonel Greenway (Courtney B. Vance), she goes into the tomb supported by Nick and Cris, ending up with a sarcophagus immersed in mercury, which they decide to take home.

And, what is to follow next in the adventure? :: Their trip is rather cut short as the flight is attacked by a huge group of crows, and Cris who was bitten by a spider inside the tomb also turns undead, and Nick has to kill him. The plane ends up crashing, and Nick manages to save Jennifer by using the parachute, but he as well as the others in the airplane are assumed to be killed. But Nick ends up waking up in the mortuary, with a vision of an undead Cris, and he also has visions about the princess. He begins having more and more visions of the princess and undead, and goes to the crash site only to escape from the princess and her newly resurrected undead. It is a secret society headed by Dr. Henry Jekyll (Russel Crowe) that helps them to escape, and after chaining the princess in such a way that there is no way to get away, explains to Nick that he is the key to her finishing the curse, which why he escaped without a scratch from the plane crash. Well, evil would always find a way, and so does the princess to escape and unleash herself – can anyone stop her in time?

The defence of The Mummy :: The movie does begin strongly, and there is certainly a nice beginning to the tale, with the interesting tale of the power-hungry princess of Egypt told and also with the mummy being unearthed, followed by the plane crash – there are also some nice visuals with everything, and the visual beauty is there throughout this movie no matter where things happen. Tom Cruise does a great job as the protagonist, and Sofia Boutella is amazing as the princess of Egypt returning as the mummy – the censor board seems to have worked very well to cover most of her tattooes; maybe they are against Indian culture more than we think they are, and it is not the movie makers who decide what we can watch, it is the current Chairperson of Central Board of Film Certification in India, after himself getting to watch everything because he can – we saw most of it in the trailer, seriously. Russell Crowe is sadly wasted in his role though, and so is Annabelle Wallis, both having characters going nowhere against a powerful, love-seeking mummy and an even more powerful human Cruise.

The claws of flaw :: There is a certain loss of direction regarding this movie – the same can’t be called as positive divergence, because it just goes on and on, even adding the elements of Jekyll and Hyde, and one has to wonder why it had to be done, when enough material is available from the tales of mummies; people end up wondering if they are going to add the Hulk next. It is as if the idea about making good blockbusters by reboot, is leaving Hollywood. Not sure why decided to bring the mummy from Egypt to Iraq and then to England, with not much of Egypt there in the picture – we would have preferred to see the Pyramids whenever the word mummy was associated, and not like what they did with the third of the mummy movies. It was Dracula who really had to come to England, a vampire, not a mummy. The humour is of no use, and the climax is of no strength, with weak twists, and the final sequence not interesting at all. Also, Tom Cruise’s character gets bigger than the mummy on whom the movie is really supposed to be about, and it is also a creature who can be captured with sharp weapons.

How it finishes :: The Mummy brings the tale of the undead creature from Egypt once again, and this time not exactly in the same path. This certainly won’t prove to be a match for the movie of 1999 and its sequel, The Mummy Returns. This is surely better than The Mummy: Tomb of the Dragon Emperor though, and one has to wonder if this stands any chance against Wonder Woman, or even the still running Pirates of the Caribbean: Dead Men Tell No Tales and Guardians of the Galaxy Vol 2. It will certainly not bring three sequels and four spin-offs unless there is a big improvement with a sequel. Even though not a bad movie as it has its interesting moments supported by visuals and thrills, the execution is not that much there, which should give it a disadvantage against the movies which released earlier – but with Tom Cruise around, this should do okay at the box-office. After all, it has been a long time since we saw a Mummy movie, and a female Mummy as the main villain brings more variety to the tale. But where we want Tom Cruise more is in movies like Edge of Tomorrow, Mission Impossible, Jack Reacher, Minority Report, Oblivion and many others. Underworld and Resident Evil franchises, despite being in confusion due to too many movies, could combine action and horror better.

Release date: 9th June 2017
Running time: 107 minutes
Directed by: Alex Kurtzman
Starring: Tom Cruise, Sofia Boutella, Annabelle Wallis, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe, Javier Botet, Selva Rasalingam, Dylan Smith, Rez Kempton, Chasty Ballesteros

@ Cemetery Watch
✠ The Vampire Bat.

Alien Covenant

A Flashback to Prometheus :: The predecessor was set in the year 2089, when the scientific vessel named Prometheus decided to make a long journey to a distant moon LV-223 to find the truth behind the creation of mankind. Their ultimate aim is to find the ones called “engineers”, the humanoid aliens who are supposed to have come before humans who were created on their image. Peter Weyland (Guy Pearce), a billionaire, founder and CEO of Weyland Corp is funding this journey. Meredith Vickers (Charlize Theron) is in charge of the expedition, and the archaeologists who found the signs for these, Elizabeth Shaw (Noomi Rapace) and Charlie Holloway (Logan Marshall-Green) are also part of the journey. Always helping them is the android David (Michael Fassbender). But things get messed up as they realize that there is some biological weapon at work and the engineers are dead, with some other strange creatures ready to be unleashed.

More of the Flashback :: There are just signs of what might have been a huge and thriving civilization a long time ago. But it is what lies beneath the same that bothers them more, as more and more members of the crew seems to be infected by some strange disease. Those who are not killed by one creature or the other, had to be killed due to the infection either by their own people or by creatures that came out from inside. Elizabeth herself who is sterile, is found out to be pregnant and she has to use an automated surgery table to take out a creature which has been growing fast, right from inside her. Everyone except Elizabeth and David have met with a terrible end as the movie finishes, and that includes Peter Weyland who was also in that spacecraft searching for an answer to live forever. There is only the search for that unanswered question about the origin of man that remains.

What is the movie about? :: It is the year 2104 and a certain colony ship Covenant is on a journey towards a distant planet Origae-6 with two thousand colonists and one thousand embryos aboard, all set to begin a new settement. There is an incident on the way, and affected by the solar flares, the ship sustains major damage and some beyond repair – a number of colonists are killed, and Captain Branson’s (James Franco) stasis chamber catches fire causing his death. This breaks his wife, Daniels (Katherine Waterston) who vows to stay strong despite the setback. The most senior officer in the ship, Oram (Billy Crudup) assumes the role of captain despite his own doubts about himself. But as the ship intercepts a signal which has human voice coming from a planet which is supposed to have no life, it is him who sees the need to help whoever is left on the planet.

So, what happens next? :: The new destination also seems to have a fine chance of being home to the new colony with its similarities to Earth. In their search for the signal’s location, two of the crew members are affected by an alien spore to which they make contact without knowing. One of them who reaches the landing vehicle has an alien coming off him, and the eventual result is the destruction of the vehicle. The other one has an alien coming out of him in the open space, and leads the group being attacked by more aliens from all sides, until David makes his appearance again with a gun. With his help, they contact the spaceship which responds and offers assistance in getting them back again. But there is more than what it meets the eye with David, who knows more about engineers and the creatures on the planet than anybody else, and has plans for everyone. Are they going to do humanity good or bad in the long run with necessary sacrifices planned?

The defence of Alien Covenant :: There is some nice use of darkness in this movie, and we also get to see the tale go nicely forward with hope for another sequel. We can also be sure about the presence of some nice scary moments, even though they are not that much lasting – the shower scene in which you had seen a screaming Callie Hernandez is certainly the scariest, followed by many scenes, but that creature in the end is certainly the reminder of how majestic a franchise this one is. With the performances, it is Michael Fassbender who excels as David and does a great job as Walter, with two androids being safe in his hands. Then there is Katherine Waterston, the real protagonist of this one replacing Noomi Rapace, and we hope that her character’s tale is not over with this title in the franchise, as we need Daniels to be there unlike Shaw who was gotten rid of. There are also some nice special effects to go with the same, and the creatures look great as usual – the visuals of the world also has your attention.

The claws of flaw :: We do miss the protagonist of Prometheus, and we also needed better explanations and more answers to how the creation was made. The possibilities were so much with how the earlier film had ended. There were mysteries going to come to light, and more worlds to be explored, but that doesn’t happen here. Except for the main characters, the rest are also rather less recognised, and even if some characters are intended to die early with smaller alien infections, or get into the shower and be killed by an alien later, memorable moments for all would have been better in a movie franchise which is supposed to go on and on – we need them to be distinct to know and understand when one dies, whether it is with an alien off the spine, stomach, chest or mouth. We could connect to Noomi Rapace’s character as well as Charlize Theron’s, and so being a sequel to Prometheus brings some certain damage to Covenant‘s journey, as it doesn’t build on what was left, and never tries to bring anything revolutionary to the franchise, and not even more of horror that could have been there.

How it finishes :: With a better explanation for its universe and its creatures, as well as more twists and terror from the creatures, Alien Covenant could have done even better, but it is a fine product as it is now, for it has something or the other from the previous movies of the franchise which have all entertained us in one way or the other. It has begun connecting things together, and is certain to finish the franchise some day as a complete product. As a whole, this one here is also a product that will make certain that there will another movie in the franchise, one that is even more interesting – you will know once you see how this one ends. The truth is that possibilities are endless with a franchise like this one, with the first Alien being the reason why I really developed love for alien movies when I was a child – I wasn’t born at that time, and it wasn’t the most popular movies among youth here, and so I had to wait more until I got to watch that – I hope that the next Alien movie doesn’t bring any more waiting.

Release date: 12th May 2017 (India); 19th May 2017 (USA)
Running time: 122 minutes
Directed by: Ridley Scott
Starring: Michael Fassbender, Katherine Waterston, Billy Crudup, Danny McBride, Callie Hernandez, Demián Bichir, Amy Seimetz, Carmen Ejogo, Jussie Smollett, Nathaniel Dean, Alexander England, Benjamin Rigby, James Franco (cameo)

@ Cemetery Watch
✠ The Vampire Bat.

Shut In

Vampire Owl: I am used to hearing a part of this title.

Vampire Bat: You mean to say that you have heard of this movie title?

Vampire Owl: No, I am used to listening to “shut up”.

Vampire Bat: That should happen naturally to you in a growing vampire community which is building a new code of conduct.

Vampire Owl: Do you know that the critics don’t like this movie?

Vampire Bat: Is that a reason why we shouldn’t like them?

Vampire Owl: Well, they liked I Am Not a Serial Killer.

Vampire Bat: That is absolutely ridiculous. They really need the word “shut up” instead of “shut in”.

Vampire Owl: It is time for us to bring the balance by supporting the correct movie.

Vampire Bat: This is indeed that movie to support!

[Gets three cups of masala tea with banana chips].

What is the movie about? :: Richard Portman (Peter Outerbridge) and his son Steven Portman (Charlie Heaton) meets an accident while leaving home after a fight between the two – their car crashes into a truck as the differences between the two continue even inside the vehicle on the road. After the accident takes the life of her husband and leaves the son paralysed, Richard’s second wife and Steven’s step-mother, a psychologist by profession, Mary Portman (Naomi Watts) decides to care of the boy, even though it means being isolated from her own friend circle and spending most of her time with him. Separated from her own people, and often questioning her own decisions, she keeps herself going against all odds. But there is one thing that she is sure about, and it is that she has to take care of the boy.

So, what happens next? :: There is also a young kid Tom Patterson (Jacob Tremblay) who was her patient, but has gone missing. This ten year old child is deaf, and she had seen him for the last time at her own home. She does hear strange noises in her home, and there are also stranger happenings around, for which she can find no explanation. She also has her own nightmares, and the only rational explanation seems to be her inability to sleep during nights, which is bringing these hallucinations to her – but she is not satisfied with the same. Then, later, during a storm, on a strange dark night, she begins to believe that someone else is inside the house trying to harm her and Steven. Who or what is this that has come to her home without an invitation? Why does it/him/her want to haunt her and her paralysed son? Then the bigger question is about the missing child!

The defence of Shut In :: There is a strong line of mystery going right through Shut In, as it keeps us guessing from the very early stages itself. There are those moments of scare and there is suspense, as we get to that twist in the end. If you are going to ask why the protagonist didn’t figure out this or why she didn’t act like that, I am sure that I can ask why the protagonist in your favourite movie acts in such an unbelievable manner – well, it is different for each person, and being a psychologist like the main character of this movie won’t help at all; for you will never become the master of others’ minds, as each person is different as an individual and not as a robot whose “metallic emotions” could be treated by science. It is also the message of this movie – it doesn’t matter how much you think you know about others and their minds, and there is no point about claiming that you have studied it scientifically: you just can’t predict human nature.

The claws of flaw :: There are similarities to another movie which released in the same year, The Boy which also had problems with the critics, who might have decided that these movies were bad even before watching them – it is a clear reflection of the fact that some people are not qualified enough to judge horror movies, for such flicks surely need separate reviewers who understand the soul of horror, hopefully none of them includes those who reviews Bollywood drama. There is something strange going on with these people who keep rating the scarier horror movies low, and give a better score to horror movies which are not horror at all – even the thriller genre suffers from the same. This movie surely had the potential to develop better with its basic idea, and there are some points when things are not that smooth, but the shorter length makes sure that the movie survives that.

Performers of the soul :: From the beginning to the end, Naomi Watts remains the heart and soul of this movie. Seemingly getting younger every time, she is the kind of actress that everyone would love to have a in a horror movie or a mysterious thriller. You remember watching her in Children of the Corn IV: The Gathering a long time ago, but we all better recognise her from the much loved horror movie The Ring and its less acclaimed sequel, The Ring Two. But the best of her for me is the 2007 version of Funny Games – she has been perfectly suited to this genre which has the thrills and scares in store. It is the same that she makes sure in this movie, as once again does her job in the perfect way – we appreciate seeing her on the screen in this flick too. Charlie Heaton and Oliver Platt also scores in between, but Jacob Tremblay only gets less to do unlike in that nice horror movie named Before I Wake.

How it finishes :: This is another nice thriller movie which has been wronged by the critics. It is a thing about them to combine and build flaws on some movies, and the critics in India usually have the tendency to copy those in the United States without shame, unless there is someone from Bollywood performing in that movie [then it will be, watch the movie for him or her]. Some people really needs to know what “bad” and “terrible” movie means, and some of those flicks include those which they have been praising so much in the last few years. Maybe they were watching another movie instead of this one – who knows? Or they do judge in a way that only their group of people understands. Shut In is worth a watch; it is no big horror thriller, but it is surely something in which you can try and spend your time – it has enough in store.

Release date: 11th November 2016
Running time: 91 minutes
Directed by: Farren Blackburn
Starring: Naomi Watts, Oliver Platt, Charlie Heaton, Jacob Tremblay, David Cubitt, Clémentine Poidatz, Crystal Balint, Alex Braunstein, Peter Outerbridge

shutin

@ Cemetery Watch
✠ The Vampire Bat.

A Monster Calls

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Vampire Owl: Do you know that a monster did call me before?

Vampire Bat: Yes, the potato chips monster.

Vampire Owl: No, a real monster.

Vampire Bat: What did he say?

Vampire Owl: He said that he would eat me for dinner.

Vampire Bat: Oh! A monster that eats the undead for dinner. This should have been in the news.

Vampire Owl: Yes, but it was April Fool, coming right from Uncle Dracula.

Vampire Bat: According to the humans, we are surely monsters. So, from another perspective, it is true.

Vampire Owl: But we are vegetarian.

Vampire Bat: Yes, that is indeed our specialty which is to remain the same.

[Gets three cups of masala tea with potato chips].

What is the movie about? :: A young boy named Conor O’Malley (Lewis MacDougall) is in a state of worry due to his mother Elizabeth Clayton’s (Felicity Jones) cancer. She keeps telling him that she is getting better, but the truth is that she is not. It is only getting worse, and she is slowly and steadily moving towards her end. It is difficult for him to accept the same, and with his father Mr. O’Malley (Toby Kebbell) being separated from him and living far away from them, he has not many people to look forward to. He is also targeted by Harry (James Melville), a bully at the school, and he is asked by his grandmother Mrs. Clayton (Sigourney Weaver) with whom he doesn’t have a great relationship, to move to her home with her. But Conor is more frustrated by the idea of moving to his grandmother’s home than about being bullied by his classmate and his friends.

So, what happens next? :: One night at exactly 12:07 a.m., Conor comes across a strange tree-like monster (Liam Neeson), that tells him it is going to come up with three stories, after which Conor has to tell the monster his own story, which is the truth behind the nightmare that he keeps seeing. The first story is that of an old king who has lost all his sons battling giants, dragons and great wizards who led men and creatures of darkness. The only heir he had was his grandson who was loved by all people of the kingdom. But at his old age, he gets married to a beautiful woman, after which he falls ill and dies. With the prince not old enough to claim the kingdom, the queen becomes the ruler, and the prince runs away with his love, a farmer’s daughter who seems to be murdered. This queen who is claimed to be a witch, is supposed to be behind the death of both the king and the lover, is saved by the monster, as he claims – Conor wonders why.

So, how do things go from here? :: The second story is that of an ill-tempered, greedy apothecary who follows the old ways of medicine, and pesters a local parson to let him cut the yew tree in the churchyard. The parson who is a man of strong faith is against the apothecary who grows in hatred towards everyone around. But when the parson’s two children gets ill, he asks the apothecary for help, and even offers the yew tree and a change in his own belief. But the apothecary refuses to help him, and the children die. The tree then takes his monstrous form and begins destroying the house of the parson, much to the dismay of Conor who doesn’t understand why the creature is not destroying the house of the apothecary instead. As the third tale nears, Conor’s relationships with his father and grandmother worsens further, and his mother’s disease also gets worse – now, the question remains if the creature can actually heal his mother.

The defence of A Monster Calls :: There is sadness in A Monster Calls, and you can feel it all the way from the beginning to the end. The monster has the message to move on with one’s life, and survive through the unexpected pains – on what it takes to live through the certainty of losing a loved one. It uses all the available themes to its advantage, and tells the message with ease. All the characters used here points to that one message. It has all which are needed to strike you emotionally, and at the same time, despite being a fantasy movie, has more of real life in it with all the fiction that seem to be part of the world. It becomes more of a fairy-tale for the adults rather than children, as each point that its main characters make is worth pondering about. It makes one turn into one’s own mind and ask the same questions about humanity again and again, and at the same time, we get to see the nice creature detail to go with it.

The claws of flaw :: You can keep feeling a certain amount of drag throughout this flick, and those who are looking for the usual kind of fantasy movies are going to feel strange. If you can’t take some preaching, this one is going to be not the movie for you. There also seems to be an attempt to get more and more emotional with things, but that was really not needed, as there was a lot of the same, which came naturally. This is also based on a novel of the same name, written by Patrick Ness, and so it is up-to the author who wrote the screenplay for the movie as well as the fans to decide on how it did justice to the work. There is also the chance to miss out on the symbolism that one comes across in the movie, and so maybe the flick could have hinted on what it was planning to do – a lot of people should have felt that the monster is the usual one, but this one is not just a monster, but much more than that, and one needs to take that.

How it finishes :: The fangs of the message here is quite strong, and it is the performances which support the same more than anything else. You will see how well Lewis MacDougall takes the protagonist to the viewers so well. There is no doubt anywhere about how Sigourney Weaver gets us closer to things, and Felicity Jones makes us feel the pain. As the movie deals with a situation which most people will face in one way or the other, one can be certain that there is the need for A Monster Calls at some point, and we will have to take these messages from the movie right back home. Well, above them all, there is Liam Neeson as the monster, and there is nobody else who could be a monster who provides us with the best messages – proven here without doubt. What would you do when your own monster calls? Well, it is something to keep thinking about.

Release date: 23rd December 2016
Running time: 127 minutes
Directed by: J.A. Bayona
Starring: Sigourney Weaver, Felicity Jones, Toby Kebbell, Lewis MacDougall, Liam Neeson, James Melville, Geraldine Chaplin, Max Golds

amonstercalls

@ Cemetery Watch
✠ The Vampire Bat.

Ezra

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Vampire Owl: Malayalam movies have always needed more horror movies.

Vampire Bat: This has come after a long wait too.

Vampire Owl: Do you remember the last time we really loved a Malayalam horror movie?

Vampire Bat: I am not sure about that. We have been loving the Hollywood horror only.

Vampire Owl: I heard that it has a little bit of Jewish culture in Kerala.

Vampire Bat: And that it was also going to be dubbed into more than one other language?

Vampire Owl: I hope one or two vampire languages are added.

Vampire Bat: I am sure that this one will be different. It is evident from the poster and also from what people talk about it.

Vampire Owl: Ghosts need to be shown different, because they are all not the same.

Vampire Bat: Well, maybe this is the answer to the prayers of many such spirits.

[Gets the tickets with masala tea and caramel popcorn].

What is the movie about? :: Ranjan Mathew (Prithviraj Sukumaran) is an orphan and a successful professional working in Mumbai. After falling in love with an interior designer Priya Raghunathan (Priya Anand) who is also based in Mumbai, they get married against the wishes of her parents. One and half years later, he gets a transfer to Cochin, and despite Priya’s reluctance to move from the city which had become a part of her, they relocate to the new place, which is a mansion-like old house rented to them upon the recommendation of Father Samuel (Vijayaraghavan) who is not just a priest, but also Ranjan’s uncle. Ranjan’s company is dealing with disposing the nuclear waste from the nuclear reactors in South India, and he is in charge of the operations. Meanwhile, A.C.P. Shafeer Ahammed (Tovino Thomas) is tired of investigating a strange murder in an antique shop which leaves no clue.

So, what happens next? :: As Priya has a lot of free time, she tries to do some interior work for their new house and buys some interesting items from the shop of Moosa (Alencier Ley Lopez) who had managed to bring a few new things of interest from the house of a Jew who died without a heir in the country, as everyone had left for Israel. After getting a box from the shop and opening it, things begin to change, as Priya sees a creepy figure in the mirror as well as the wardrobe, and Ranjan hears footsteps from the roof – and more spooky things follow. As Father Samuel finds Jewish inscriptions on a strange box, he advises Ranjan to consult Rabbi David Benyamin (Babu Antony) who resides in Mumbai. As Ranjan comes to know that Priya is pregnant, he becomes more desperate, but David’s death follows, and now the only hope seems to be in the form of Rabbi Marcus (Sujith Shanker) who has arrived at Cochin.

The defence of Ezra :: There is variety without doubt in Ezra, and the same can be said about the quality displayed in this movie. The visuals are really well-used here to create the advantage, and the darkness as well as some spooky elements are created well with the use of sound effects, and these work really well in the first half to make us interested in the second. There is also a lot in the story told here, unlike the other horror movies, and the creature that this flick chooses here is not among the usual ones, as the myth used is something not many people around here have known before. The use of a perfect setting and antiques happen to be something that works for this flick more than any other horror movie. There is also one twist that happens by the end, even though it is the only big surprise in the movie, and could have been presented in a better way. The songs are good, especially “Lailakame”.

The claws of flaw :: The movie does get a curse, and it happens in the second half, as many other movies – this evil spirit doesn’t really make that much impact as it should in the latter part, and the final exorcism, brings nothing huge. There were so many possibilities with this movie, and the infinite chances are not used at all – it is kind of strange that the movie doesn’t bring the special ingredient; there were so many opportunities and Ezra hesitates to think out of the box, even with a spirit from inside a box. As we see the characters watching The Conjuring 2 on television, one has no doubt about one movie which has inspired this one. But Ezra has so much of hesitation in unleashing the terror – the viewers find so many situations which could have been scarier, but the movie doesn’t seem to find the need to bring huge scares. Also, at one point, you feel that this is the Odette Annable starrer The Unborn, but then it is not; there is just the dybbuk and the pregnancy in common.

Performers of the soul :: In a movie that has Prithviraj as the protagonist, it is him who leads the way – it is the first half that gets the best of him with a simple and rather natural touch to the proceedings – not that much with the final scenes though. Priya Anand makes a Malayalam debut which the Keralites will remember. Sujith Shanker makes a surprising entry here, and in this role, most of us might not even recognise that he is the same person from Njan Steve Lopez and Maheshinte Prathikaram – it is quite solid work. Tovino Thomas, even though he is there for less amount of time, has his moments. Vijayaraghavan is fine there, but Babu Antony’s stay is cut short; the same is the case of Pratap K. Pothen and Alencier Ley Lopez who leaves the proceedings rather too early. Sudev Nair and Ann Sheetal has a nicely created flashback scene which is done fine.

How it finishes :: There is a little shortage of horror movies in Malayalam movie industry, and there is a lot of shortage in the case of good horror movies – the latter is also applicable to the Bollywood film industry too, which is why, for the Indian cinema as a whole, the requirement is for more good horror. There is no need for more drama and more romance – there is too much of the same already, and there is nothing closer to life than horror, in one way or the other. Therefore, Ezra‘s presence is something which has to be appreciated, and despite not using all the possibilities in the scary side, manages to be a horror movie with a difference as far as the Malayalam movie industry is considered. It is evident that the Malayalam movies are back after that break – and each release this year, including Munthirivallikal Thalirkkumbol, Jomonte Suviseshangal, Fukri and Ezra have stayed different from each other.

Release date: 10th February 2016
Running time: 147 minutes
Directed by: Jay K
Starring: Prithviraj Sukumaran, Priya Anand, Tovino Thomas, Sudev Nair, Vijayaraghavan, Sujith Shanker, Pratap K. Pothen, Babu Antony, Alencier Ley Lopez, Ann Sheetal

ezra

@ Cemetery Watch
✠ The Vampire Bat.

Fender Bender

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Vampire Owl: A movie on a minor collision? How minor is that?

Vampire Bat: It is not really minor, as you consider what happens after the collision. You should read the synopsis of the story somewhere.

Vampire Owl: Yes, that person is a serial killer. It is quite natural.

Vampire Bat: It is not natural! Are you thinking Joy Ride, Wrecker or Duel?

Vampire Owl: No, people drive like serial killers these days.

Vampire Bat: It is a human thing. The whole humanity finds it difficult to drive. It is because they have lost all their magic to science.

Vampire Owl: We could provide them with more magic. Then there will be more necromancers than serial killers. We will be doing them a favour.

Vampire Bat: Necromancers are really not that good for them under the current circumstances either.

Vampire Owl: Then they should really learn how to drive.

Vampire Bat: Well, I hope that they do.

[Gets three cups of masala tea with jackfruit chips].

What is the movie about? :: A girl named Jennifer (Cassidy Freeman) is alone in her house, and after talking on phone about some random incident during the day, gets the message from an unknown number – the person on the other side seems to know what she is doing though. Even though she feels uncomfortable in the beginning, she just dismisses it as one random guess becoming correct. Soon, she is attacked by a masked figure right out of darkness, and while trying to escape through the window, is stabbed to death by the man in the mask. Then there is Hilary (Makenzie Vega), a teenager has just found out that her boyfriend Andy (Harrison Sim) is cheating her with another girl whom he kisses in front of her. Just a few days after getting her driving license and driving her mother’s new car for the first time, it happens that some random car just hits her vehicle on the back.

So, what happens next? :: She provides all of her information to the driver of the car (Bill Sage) who also shares his information – from address and phone number to taking photos, they keep the information, which Hilary uses to contact the insurance company that tells her to wait till they process the data. Her boyfriend apologizes to her, but she goes with what her friends had said, and dumps him. When she returns home, her parents are really angry about her relationship with the recently dumped boyfriend, and it gets worse that she has ruined the new car. They decide to go on their intended trip without her, and despite her repeated requests, they leave her alone in house after declaring her grounded. She notices that the car which had hit her earlier was moving on the road in front her home too. But it does disappear soon enough, and she gets back to doing her things.

So, how do things go from here? :: But strange things begin to happen as she finds her own photo in her mobile which was taken by someone else, and the photos of the car and the driver which she had taken were deleted. She hears a knock at the door, and is relieved to find that it is her friends Erik (Kelsey Montoya) and Rachel (Dre Davis) who have come to check if she is okay. The ex-boyfriend, Andy also comes at the door, and they blame him for the pranks on her phone, but it is certainly not the case, as it turns out to be. A late call from the insurance agency reveals the truth about the owner of the car, and the killer soon begins his game. Can Hilary escape from this madness, or will she become another victim on the long list? How can her friends help, and what role will the ex-boyfriend play with death sneaking around the dark corners?

The defence of Fender Bender :: Even though we know who the killer is and who the next victim is supposed to be, there is no shortage of thrills in this flick. The scary moments come in very well, and we will like this as a slasher movie too, with all the gore. As a home invasion movie, this one gets to a good position in the list too. There is also one other costume, which can nicely establish this villain as another big name like Jason, Freddy, Chrome Skull, Rusty Nail, Michael Myers, Harry Warden or Victor Crowley – if there is a sequel, that could work really well to establish a new franchise; the ending also makes sure that the scope is there to do the same. We can make sure that people will drive more responsibly if one such antagonist is unleashed only on those creepy ones on the road. Among many things, one thing that the leading lady Makenzie Vega proves here though, is that she can be in more of similar movies – a future scream queen in store here for sure.

The claws of flaw :: For some reason, Fender Bender just tries to keep close to what has been tried before, and doesn’t bring anything that new, even when there was a solid chance in store. There could have surely been more intensity with what the movie deals with – there is one serious serial killer right here, and the movie’s inability to make the maximum use of the same is rather confusing. We could have also done without the antagonist making his intentions clear too early – more suspense could have been added there. After it is made clear, the movie delays too much to get into the killing spree, which is really a bad idea. Also, the characters other than the leading lady gets killed too fast, and these characters are also there for a less amount of time for us to get to know them. This story could have gone deeper too, with the antagonist more established, but this should work pretty well for most people with all that is present in the movie.

[Walks into a bakery after the movie].

Vampire Owl: It was not bad as I expected.

Vampire Bat: Your expectations have been flawed for some time.

Vampire Owl: Do you know what kind of people need to be taught a lesson by some fender bender people?

Vampire Bat: Those who drive like maniacs, especially those on those huge motorbikes riding like psychos, right? You were talking about them last day.

Vampire Owl: Yes them too. But more than that, it is about those people who cause traffic jams. A few days ago, I was traveling from Aluva to Perumbavoor, and there is this auditorium on the way at Thottumugham which has very less parking space, and people are parking everywhere on the road. Disgusting, anti-social creatures who have no respect for others. At least, if they can’t arrange enough parking, these people shouldn’t invite this many people for wedding receptions.

Vampire Bat: I faced the same thing near Muvattupuzha on the Arakuzha road which has an auditorium which seems to have not enough parking. These people have everyone parking on the sides of the road – actually both sides on a road which is not a big enough one. Along with the same, they had buses for this particular wedding reception, and it was held in the evening. There was almost no hope to escape from this traffic trouble – it was so long.

Vampire Owl: The same was the case of the wedding reception I am talking about. When will the auditoriums provide enough parking space, or will these idiots have the brain to park responsibly?

Vampire Bat: We should note down those who repeat the offence and send the list to the responsible humans.

Vampire Owl: They all need their fender benders.

Vampire Bat: Yes, they do.

[Gets one sweet porotta, one blackcurrant shake and a glass full of grape juice].

Release date: 23rd May 2016
Running time: 91 minutes
Directed by: Mark Pavia
Starring: Makenzie Vega, Cassidy Freeman, Dre Davis, Kelsey Leos Montoya, Harrison Sim, Bill Sage, Lora Cunningham, Steven Michael Quezada

fenderbender

@ Cemetery Watch
✠ The Vampire Bat.

Ouija: Origin of Evil

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Vampire Owl: I feel that this movie is totally against our own existence.

Vampire Bat: What? Why do you think so?

Vampire Owl: They are talking about the origin of evil. We are not supposed to speak about the origins of pure evil. It is so much against the tradition.

Vampire Bat: The humans know nothing of the origin of evil. This is just what they imagined on one jobless day.

Vampire Owl: So, it is not against our vampire beliefs?

Vampire Bat: Not at all! Don’t believe most of the things that these humans say.

Vampire Owl: I have believed in not believing in them. They are hypocrites.

Vampire Bat: See, I have told you that for centuries.

Vampire Owl: But, still we will watch this movie, won’t we?

Vampire Bat: Yes, I am assured of the entertainment in this one.

[Gets three cups of masala tea with potato chips].

What was the first movie about? :: The protagonist of the movie, Laine Morris (Olivia Cooke) is searching for answers as she hopes that she could have done something for her best friend Debbie Galardi (Shelley Hennig) who had committed suicide, and she laments the fact that she was the last one to talk to her and yet couldn’t stop her from doing such an act. As she finds an Ouija board in her house, along with her sister Sarah (Ana Coto) and other friends of Debbie, Pete (Douglas Smith), Trevor (Daren Kagasoff), and Isabelle (Bianca A. Santos) decides to try and contact their recently deceased friend. Soon, they contact a spirit which addresses them as friends, but what they are not aware of is that Debbie already had made a connection to the other world which lead to her death, and they understand that more than one entity is now free. The friends realize that they will just be killed one after the other and there will be no stopping the terror. [Read the full review of the first movie here]

What is this movie about? :: A relative to the dead people returning as spirits, Paulina (Lin Shaye) who resides in a mental asylum seemed to be the key to stopping the evil in the first movie. This flick goes back, and tells her story as a prequel. In the 1960s, a widow named Alice Zander (Elizabeth Reaser) acts as a spiritual medium to help people who are sad and attached to the dead people who used to be close to them – she makes sure that they let the past go and move on with their lives, accompanied by her daughters, the older one, Paulina (Annalise Basso) and the younger one Doris (Lulu Wilson). This is more of a fake show which the three comes up with, using some nicely executed plans. They don’t consider them to be bad, as they believe that they are only helping people in pain to help people to go ahead in their lives rather than living in sadness and pain.

So, what happens next? :: Most of these sessions end with the spirits forgiving the living, which gives them peace of mind. But one day, Alice adds an Ouija board to this programme, which changes things by a long way. They will end up breaking almost all the rules associated with this board. But they initially don’t realise this, with Doris finding some money inside the walls of the house, which lets them keep their home with them, paying for the debts. Alice believes that it is her dead husband communicating with them, and helping them with their lives, and Doris also thinks that it is her father. But Paulina is suspicious about this, even though Alice assures that this is only for the good, as they will now be able to help people by contacting the other world for real. Father Tom Hogan (Henry Thomas) is suspicious about something strange happening with his students, and realizes that the three ladies are going through a dangerous stage, as evil has already made its stand.

The defence of Ouija: Origin of Evil :: As we remember the predecessor, for which this is the prequel, we can be sure that there is a lot of improvement at work even when there was the need to end this movie in such a way that the connection is made well enough. They have managed to create a better work here, not just with the outside looks, but also on the inside, with better scares, and without doubt a better story. The movie scores with the “evil child” idea more than anything else, as the possessed kid is a level higher than any other – Lulu Wilson scores there, as the little demon gets all the applause with the best moments in the movie. Annalise Basso is not far behind as the other kid, belonging to the age, and bringing the scepticism to us. Along with that, Elizabeth Reaser remains strong as the mother figure. The cast and the setting plays a big role in making this movie a success and claim a good seat among the rest of the horror movies with their own spirits.

The claws of flaw :: There are limitations placed on this movie, and without doubt, it is the work of the previous movie, where this one had to reach as a prequel and kind of an origin story. If this one had come earlier, in the regular order, things would have been better for sure with the second movie too. We could have surely had more terror in the final few moments with a surprise finish – but this one chooses to go simple, which is not a bad thing, but with the spirit being so evil, there was bigger potential. There could have been more appearances of the spirit, and even some visuals from the terrible past of the spirit when it was human. Well, there is always more that we can do with an Ouija board, and this one doesn’t cover them all for sure. Maybe, all the best things are left for a third movie, and we can hope for the same. Still, one will feel that this is nothing like The Conjuring. This doesn’t go divergent like Don’t Breathe and Lights Out either.

How it finishes :: Just like I had mentioned in the review of Before I Wake that came before this opinion, Mike Flanagan at the helm has brought the horror genre back where it belongs. We had the Canker Man in that one, and we have the old fashioned possession along with the haunting in this one. Absentia, Oculus, Hush and the upcoming Gerald’s Game right out the Stephen King book of the same name – well, he is someone we horror fans are going to trust for, a period of time which resembles eternity if it is to go on like this. Ouija: Origin of Evil has an improvement from its predecessor which almost all the viewers are going to appreciate – after all, a movie about Ouija board should do well, as it is something on which a horror movie should be made more often. Well, we get to hear about it more than the usual local ghost, so why not we have more movies in this franchise?

Release date: 21st October 2016
Running time: 99 minutes
Directed by: Mike Flanagan
Starring: Elizabeth Reaser, Annalise Basso, Lulu Wilson, Parker Mack, Henry Thomas, Lin Shaye, Halle Charlton, Alexis G. Zall, Doug Jones, Kate Siegel, Sam Anderson, Ele Keats, Nicholas Keenan, Michael Weaver

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@ Cemetery Watch
✠ The Vampire Bat.