Godzilla II

What is the movie about? :: Five years have passed after the incidents of the 2014 movie. Godzilla had defeated the creatures mentioned as MUTO (Massive Unidentified Terrestrial Organism), saving Earth’s cities and making its way back to the ocean – the questions about a monster saving the city were going to be there as always, and still there is no clear indication of a future co-existence in peace between the two species. Meanwhile at present, Emma Russell (Vera Farmiga) works for an organization called Monarch which is tracking, studying and trying to understand Titans, the almost immortal giant monsters which had dominated Earth millions of years ago. Along with her daughter Madison Russell (Millie Bobby Brown),she is kidnapped by Colonel Alan Jonah (Charles Dance) while witnessing the birth of a giant larva which is to become a Titan later, named Mothra.

So, what happens with the events to follow? :: Ishiro Serizawa (Ken Watanabe) and other from Monarch approach Dr Mark Russel (Kyle Chandler), Emma’s ex-husband so that they can find her and find a device, the ORCA developed by her, which is capable of talking through frequencies that only Titans can hear. It is revealed that Emma and Jonah intend to free a Titan locked in ice codenamed Monster Zero. Monarch, despite chasing them all the way to an outpost in Antartica, is unable to defeat Jonah, while Emma frees and awakens Monster Zero, a three headed monster with wings and running electrical currents through its body. Releasing lightning from its body and traveling inside hurricane created by itself, the monster goes on to try and become the apex predator, while Godzilla feels the effect of a bio-chemical weapon, going into hibernation only to awaken many years later.

And what more is to happen? :: But now the situation demands the presence of Godzilla. Monster Zero is revealed to be Ghidorah, an ancient alien known to have fallen from the stars, one who has been Godzilla’s primary rival for the position of apex predator. As a creature out of this world, the weapons seems ineffective against it, while the monsters destroy different cities in different parts of the world, controlled by their new king. Godzilla needs all the radioactivity to rise from its chamber located past different wormholes under the ocean, and it is up to humans to take it there and awaken the monster before Ghidorah lays waste to the whole world with his newly found minion creatures. Now the question remains if they can do it in time, and if Godzilla can reclaim its position as the king of the monsters against this alien monster which keeps on evolving.

The defence of Godzilla: King of the Monsters :: There are some nicely made action sequences in the movie, with the giant monsters fighting each other. They fill the screen, and we see those moments of glorious action that takes place. Each monster would seem to have something special that keeps them apart. The same brings us destruction like never before, as we notice that not much of the world is left – the visuals of the world are nice to watch, and the creatures are also nicely created. The myth is nicely created with the monsters being the real owners of this world, and humans just living in here because they are allowed to do so – the creatures becomes nature’s natural defence system against the pollution that is present. Godzilla is referred to as one among the first gods worshiped by humans, and it goes deep like Prometheus and Alien: Covenant did when it talks about the distant past history, for some time. We see this mythology seemingly up for even more.

The claws of flaw :: A lot of repetition from the first movie can be seen here too. Once again, there is the need for Godzilla to save the world, and the early doubts continue to be there until the humans once again decide that it has to be left to the monster except for a little help from mankind. The pattern repeats without remorse, even with more creatures being added to the scene – Godzilla always makes a comeback, and it is up to him to make sure that the balance is maintained. The characters are not that developed, and we don’t really feel anything for them – they never seem to be important, and the need for focusing on them is never felt; Pacific Rim was closer to the humans despite being a monster movie. Some part in the beginning could have also been shortened to make the movie stop at two hours; if humans can’t be interesting, what we can do is to cut a few of them and their moments.

The performers of the soul :: The performances here are dependent on the CGI monsters rather than humans who are restricted, with not much of interesting stories, and with less to do. The way in which the monsters are designed and are depicted in action will always have the best of applause. Among the humans, it is Ken Watanabe who steals the show, as he brings the words of wisdom regarding having faith in Godzilla. Kyle Chandler and Vera Farmiga are caught in a forgettable, predictable story of another family in trouble as if we have not had enough of such tales told in an uninteresting manner. Millie Bobby Brown does have her moments to keep her as someone to look out for the future though. Charles Dance as Alan Jonah makes a strong villain, but we never really get the focus on him, with all these monsters around – as the three-headed dragon-like monster becomes the primary antagonist, he is not there to be seen much, but we expect more from him in any of the upcoming sequels.

How it finishes :: As the holidays come to an end for schools and colleges in this part of the world, and with the final weekend before classes begin, children and youth would love to watch this grand monster effect on the big screen. This can serve as the last moments of escapism before that reality of studies is brought to them – Pacific Rim would agree. Godzilla is all set to go to that place which you saw in Kong: Skull Island and battle King Kong in the next movie, and before that you will feel the need to watch that movie with the giant ape as well as the two Godzilla movies. With the destruction of environment, there seems to be a hidden message about how nature comes up with its own defence system – the three-headed dragon-like monster becoming part of a hurricane only powers it, as does Godzilla being revived by nuclear weapons. The same as a fine addition to a high action monster movie.

Release date: 31st May 2019
Running time: 132 minutes
Directed by: Michael Dougherty
Starring: Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Bradley Whitford, Sally Hawkins, Charles Dance, Thomas Middleditch, Aisha Hinds, O’Shea Jackson Jr, David Strathairn, Ken Watanabe, Zhang Ziyi

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@ Cemetery Watch
✠ The Vampire Bat.

Get Out

Vampire Owl: This reminds me of the first two words Dracula uncle told me. It is nice of them to make a movie titled the same.

Vampire Bat: You are talking about what happened when you applied for apprenticeship with the wrong biodata.

Vampire Owl: Yes, I wasn’t trained in vampiric language at that time, and messed it up.

Vampire Bat: You could have just used the universal blood language at that time. It was an official language too.

Vampire Owl: I was just glad that I could get these two words from him without thinking that much about the same.

Vampire Bat: It was all that you were looking for?

Vampire Owl: Well, we are all satisfied with what we have, aren’t we?

Vampire Bat: Yes, we are happy with what we are, and what all exist for us.

Vampire Owl: It is something that we need to to teach the humans.

Vampire Bat: Unfortunately, even after being just mortals, they learn nothing about what could face them in the afterlife. The Lego movie characters know better.

[Gets three cups of evening tea with a piece of mango cake].

What is the movie about? :: A photographer named Chris Washington (Daniel Kaluuya) and his girlfriend Rose Armitage (Allison Williams) have been in love for a few months, and they decide to visit her parents at a far away place, in the countryside, where they own a huge area of land of and property by the side of a lake. Chris is a little bit concerned about meeting her conservative parents because he is black, and her parents seem to be having a white legacy going with her grandfather having lost to Jesse Owens in front of Hitler during the Berlin Olympics of 1936. But the parents seem to be happy with their relationship, Dean Armitage (Bradley Whitford) and Missy Armitage (Catherine Keener) welcomes him to their home as part of their family, even though his brother Jeremy Armitage (Caleb Landry Jones) does come up with some strange remarks which they don’t mind that much.

So, what happens next in the movie? :: The servants at the house who are black, act rather too strange towards him, with Walter (Marcus Henderson) and Georgina (Betty Gabrietl), both doing strange things and also talking as if there is some hostility in the air. Chris has a strange feeling about the happenings at the place, and has a walk at night, during which he is hypnotised by Missy who is a psychiatrist, after which he feels no desire to smoke. He also seems Walter and Georgina doing some strange things, and Jeremy even tries to put a headlock on him, making him really uncomfortable. There is an annual gathering supposed to happen at the place too, during which a lot of guests seem to have special interest in him, except for the only black man in the group, Logan King (LaKeith Stanfield) who also acts strange. He talks about the same to his best friend, Rod Williams (Lil Rel Howery) who asks him to get out of there.

And what is to follow with a twist of events? :: Chris also meets a man called Jim Hudson (Stephen Root), who is blind, but appreciates his work with photography, as he has his assistant who describes them to him. With all focus on him only, Chris asked about how it feels to be an African-American, but he passes the question to Logan who seems to have a certain problem answering the question, and when Christ tries to take his photo, gets angry, asking him to get out of there. Logan, bleeding from his nose, seems to feel better after a session with Missy, and Chris keeps narrating the happenings to Rod, who tells him that those people there might be brainwashing the black people with Missy’s hypnotizing ability, and keeping them as slaves, or even sex slaves, which at first seems funny, but Chris realizes that there is more to this strange behaviour of the people than what meets the eye.

The defence of Get Out :: The movie has its viewers feeling that there is something coming, right from the first sequence itself, and it keeps throwing something again and again on the way, to make sure that the audience is kept excited about what is to come. There is a big mystery ready to be revealed, and throughout the movie, there is the feeling of weirdness and danger which is nicely reflected through more than one character. The early feeling of waiting for the suspense to reveal itself has its replacement in the form of thrills and a certain amount of horror that get stronger by the end. We know that there is something eerie about it, but then we realize that there is even more to come as the movie progresses towards the end. There is tension that is shown between the characters here, and there is something like a rising intensity about it – we feel that this movie is getting better and better towards the end, as we know that something unexpected is to happen, and things are going to go bad for the protagonist, and then towards terrible.

The claws of flaw :: The humour doesn’t work much, and it also gets pretty much violent in the end, something which we weren’t expecting that much considering the first half. We do look at the huge amount of critical appreciation, and expect something even bigger, like a masterpiece, but we will only get this movie – on Rotten Tomatoes, the movie manages to have an approval rating of 99% based on 269 reviews; it is something that we don’t see that often, for things tend to come down a few days after a movie’s release. Metacritic has adjusted with an 84, but something like 99 is what keeps the expectations at a top level. People who have no understanding of the movie’s basic premise will find some trouble too. There is the certainty of some missing logic, with the way the movie becomes something not that natural by the end, which will raise some eyebrows here and there. If you are expecting the twist to be like The Skeleton Key, you are in for a surprise, with doctors and medical science being attached here, even without that much of a deep explanation.

How it finishes :: With Daniel Kaluuya and Allison Williams staying strong as the leading actors, we have a movie to look out for, right here. It is a flick which is not that well-known around here with a rather unknown cast for our audience, and not much of a title that grabs attention, but there will be a lot of fans for this one from here later, that is for sure. The opinions on this one are going to be divided here though, as the racial stuff is not going into the roots with our audience – maybe the caste would do if we make a similar movie here. The movie seems to reflect how things are, when we see another person as “the other“, as someone who really doesn’t belong to our group, and there are some people who pretend to accept them, even though they really don’t. People are such good actors in real life these days, aren’t they? We see so many of such people in this flick, and then there are others who just hate those who are different – the world still needs change for sure, and you see the need stored right within, with a smart horror thriller here. At the same time, lets hope that the viewers take something out of this movie and be better towards the others, the different, those who are not like everyone else.

PS: Check out the review of the latest release, Sunday Holiday.

Release date: 24th February 2017
Running time: 103 minutes
Directed by: Jordan Peele
Starring: Daniel Kaluuya, Allison Williams, Lil Rel Howery, Bradley Whitford, Caleb Landry Jones, Stephen Root, Catherine Keener, Betty Gabriel, Marcus Henderson, Erika Alexander, LaKeith Stanfield, Stephen Root, Geraldine Singer

@ Cemetery Watch
✠ The Vampire Bat.

The Cabin in the Woods

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On one of those days which supported flashbacks in a big way, I could unintentionally fall into the wonderful trap of horror which was this movie. In this trap that is a horror movie, there was another world, which had a lot from the former horror movies, thus serving as a tribute along with being a great horror treat. It is a perfect story of five friends who become part of a perfectly executed horror reality in an environment which is more of a cage – they are watched through hidden cameras, and are made to act in the way the people watching them wants them to act. But the fact remains that this not just a horror movie, as it drains energy from the earlier slasher movies and along with paying homage to them, there is a little bit of satire involved in the treatment. There are elements of The Evil Dead, Hellraiser, as well as all the vampire, zombie and werewolf movies, and not even leaving the mythological as well as the natural beasts behind. The movie has combined all of these to create an astonishing effect, a mixture which can be scary and creepy enough as well as funny enough. It leaves the horror movies with lots of nostalgia with all these, and there might surely be pure satisfaction on most of those faces. This is a mixture which leaves a long-lasting impression on one.

Five college students Dana Polk (Kristen Connolly), Jules Louden (Anna Hutchison), Holden McCrea (Jesse Williams), Marty Mikalski (Fran Kranz) and Curt Vaughan (Chris Hemsworth) travells to a remote cabin in the distant woods away from civilization for a vacation. But the abandoned cabin is more of a controlled environment, as a number of people manage whatever happens in that cabin as they view each and every incident in there with hidden cameras. It is seen that they have an influence throughout the area and not just the cabin. They also give drug the students to reduce their awareness and capability to think in a rational manner. A cellar opens automatically which they feel a result of the wind. Inside the cellar, they find many strange items, including a diary of Patience Buckner, a girl who was abused by her sadistic family. Reciting a Latin incantation from the diary, Dana accidentally summons the whole Buckner family in the form of the walking dead, a group of zombies. Jules is the first one to be killed by the zombies outside, and soon the cabin is attacked by the monsters. With a number of people frequently monitoring and guiding the monsters, as well as trying to weaken the possibilities of the remaining four friends in surviving the horror, it will be a perfect hell-ride for each of them, and escaping the living dead might be more difficult than death itself.

The movie keeps giving that feeling of The Evil Dead throughout its first few minutes in the cabin. There is going to be a little bit of a spoiler from now on, and the base of this movie lies on ritual sacrifice. This is about the need to appease the ancient gods, resembling more of giant monsters who live beneath the facility under the cabin and are kept there in satisfaction by these rituals. The sacrifice should have five constituents, the Whore (Jules), the Athlete (Curt), the Scholar (Holden), the Fool (Marty) and the Virgin (Dana), and the Virgin is supposed to die last with the process usually starting with the Whore. All of these begin with the future victims choosing their method of torment and death, in this case the diary of Patience Becker. They are lead to choosing these, and being unaware through the careful tactics of the people in control, who always check the camera for each move, and manipulate the environment so that the victims will fo what they want, including opening a door or window as well as closing it, or drugging them. Another person could have unleashed the Lord of Pain, a vampire, a merman, an anaconda or a werewolf – the list is almost endless as these creatures are all locked away in the facility.

Kristen Connolly as Dana Polk a.k.a the Virgin; the first movie I ever watched starring her, and she is one of the characters who are in control, keeping within the limits, thus surviving much longer. Even as she keeps tp herself, she is still part of the gang, very unlike Amber Heard’s character in All the Boys Love Mandy Lane. But it is debatable if she is really a virgin from what they talk about in the beginning of the movie. She does seem surprised when the director mentions her as the Virgin, and the facility had to admit that they work with what they have, which should imply that she was clearly the better of the two, consider the character of her only female friend in the gang. Jesse Williams as Holden McCrea a.k.a the Scholar is her lover in a relationship which seems hundred percent platonic for now. He works as the perfect gentleman who doesn’t force her into anything and even decides not to look at Dana’s nudity through a one-way mirror and alerts her of the vision he is having in the other room while she undresses. There he also put a block on the desire of the facility’s employees who are watching the same scene to see something. But he is still proud and very confident about his skills, which doesn’t really serve him that well when affected by the drugs.

Chris Hemsworth as Curt Vaughan a.k.a the Athlete is the strongest member of the group, and is extremely confident about his power, and this confidence leads to his death. Anna Hutchison as Jules Louden a.k.a the Whore is a character which proves to be closest to the title from the beginning itself, and even solves the employers’ sadness of seeing no nudity. Her death occurs right after she undresses, about to make out with her boyfriend Curt, as she has completed her role as the archetype which is seen in most of the horror movies. She had already done a sexy dance and even kissed a wolf-head on the wall before this, thus reiterating her position as the one stereotype, the immoral one who gets killed first, and at its perfection, when topless – the facility works with what they had, and therefore, considering her abstinence and also her relationship with the lover, Dana had to be the Virgin, and therefore, Jules had to be the Whore. In that case, even Holden is not too less of an athlete and just loses out to Curt. These roles might have been assigned by the facility’s helper at the petrol pump, who already called Jules by the same title. The employees looking to the screen and waiting for her bare bosom or even extended nudity as well as the betting is less a result of their prejudice and more based on what information the man outside had already given them.

Fran Kranz as Marty Mikalski a.k.a the Fool is the most intelligent one among them all, and the only one without a heroine; no Virgin and no Whore. He is more of the lone wolf who still sticks to the gang without any problem. As he is always on drugs, the drugging never really works on him and he remains in control of his full brain. He might be the first person ever to kill a zombie out there, or at least semi-murder or half-murder those undead creatures. He doubts the presence of puppeteers around right from the beginning, which Dana acknowledges only after the death of Curt. He also saves Dana from sure death in the hands of a zombie. His intellect seems to be more based on movies, and not what is taught in the school and the college which might have helped him to guess things that others couldn’t in such an environment of horror. With his limited arsenal, he has humiliated both the Hercules equivalent and the Socrates equivalent in survival, and he still had remaining darts in his quiver. He even fooled the experts who spent most of their lives in front of the camera, and thus even faked his death, something which might have been unintentional, but still, perfect.

Well, other than the facts that the monster details are awesome, and the leading ladies do a great job along with looking stunning, the more interesting thing is the philosophy involved in it. The gods who are kept underground by ritual sacrifice are more like the viewers who need those good doses of movies in a certain pattern, and the breaking of that pattern might destroy the movie by depriving it of the common viewers, but the gods are change, and variety would come in another generation of movies. May be for a change, the Whore survives, or the whole situation might be reversed. In the case of the giant monstrous gods coming out of the ground to destroy humanity, as the Fool would agree at any point of time, there is the need for another species to be given a chance where humanity failed in its treatment of its own species as well as nature. This movie is a surprise, and it leaves so much for its viewers, to find and deconstruct in their own world, as the gods that they are, and not as the voyeurs who look on the screen from darkness with full confidence that nobody is watching them. There are so many possibilities for imagination related to this movie, and the movie audience got the power. It would have surely been a grand success if its had released here, but what to do for people who can’t even release Evil Dead.

Release date: 13th April 2012
Running time: 95 minutes
Directed by: Drew Goddard
Starring: Kristen Connolly, Anna Hutchison, Chris Hemsworth, Fran Kranz, Jesse Williams, Amy Acker, Richard Jenkins, Bradley Whitford

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@ Cemetery Watch
✠ The Vampire Bat.