Author Archives: Tennyson

12th Man

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What is the movie about? :: A few friends from college come together at a resort far away from civilization – Zacharia (Unni Mukundan), Mathew (Saiju Kurup), Nayana (Sshivada) Shiny (Anusree), Merin (Anu Sithara), Sidharth (Anu Mohan), Jithesh (Chandhunath), Sam (Rahul Madhav), Fida (Leona Lishoy), Aarathy (Aditi Ravi) and Annie (Priyanka Nair) come together with their families after a very long time. Zacharia and Annie had just found out that they are going to be parents. Sidharth and Aarathy are going to get married soon, and this particular party is on them. The resort is fully booked only for them, and a lot of facilities are available for them. As they play cricket, Siddharth’s big shot ends up hitting Chandrashekhar (Mohanlal), who is angry that he lost his bottle of liquor when the ball hit him. He asks for a replacement, but there are not bars or beverage shops nearby. To avoid him, the resort arranges some local toddy, but in the final stages, that also becomes becomes unavailable, and the group has to provide him with the alcohol. He accepts it and leaves.

So, what happens with the events here as we just keep looking? :: After Chandrasekhar leaves, the group decides to take it to the next level. There are too many calls attended by the participants of the programme, and they decide to make all calls and messages which reach their mobile phones during the time period public, in a game of trust. But it is not that simple a game as they had thought, despite Nayana and Fida supporting the same very much. In the first phone call itself, the problems between Zacharia’s mother and wife is revealed, as the former talks about latter’s pregnancy and related issues. Now, Zacharia is in support of the game, saying that let everyone go through the same situation. Two phone calls go on without creating much of a problem, but soon, Mathew’s financial problems are revealed to everyone. But that will not be the biggest revelation, and soon, there would be a revelation that would affect their friendship. Then, soon enough, there is a murder in the premises. Now, the question remains about what can happen next in this small world in the middle of nowhere? Who is the trouble maker here?

The defence of 12th Man :: What interests us the most here is the visual setting, and the atmosphere that it provides the catalyst to help the whole story. This is the kind of world where murders could happen without a trace. The beauty of the place is another thing, and that would surely make one want to visit the area, The twists are really well built in the movie after the death happens. There are different viewpoints being nicely explored around here. Most of the film keeps close to the three classical unities, and maintains its effectiveness using the short time period of the tale. The voice cast is also strong around here – Mallika Sukumaran, Kottayam Pradeep, Soubin Shahir, Aju Varghese and Murali Gopy. Mohanlal can be seen as nicely taking over control here from an environment in which there was nothing like that. He has played a different police officer, and excels in the second half. The movie does a fine job in exposing the fake friendships going on with masks always present there. It reflects how friendships over drinks are the quickest to break apart, and that those built on lies have no existence at all.

The claws of flaw :: Playing games in a building was earlier seen in the Bollywood movie Chehre. This movie takes a lot of times to get there. The final conclusion with the killer is not that conclusive. Some of the revelations are rather too predictable, and with a setting like this, they could have tried more to keep things smarter – this is not the same audience that the makers are facing, or OTT has changed their world by a long way, and the expectations won’t be the same. The initial moments with silly jokes based on the protagonist surely feels more dumb than ever; maybe it would have worked in the theatres with the fans sitting all around. The fans are known for making the nonsense a case of brilliance, but when a movie is releasing on OTT, it has to be smart, as the fans can’t create that kind of an influence, and there are people around the world who are judging this. The movie could have also used the environment in an even better way. Each character could have also been explored further, for there was a lot of talent out there. The film is also too long.

The performers of the soul :: Mohanlal is not present on the screen when a lot of interesting things happen around here. He has a terrible, mostly dumb entry in the beginning, which falls flat on its face, while going on becoming more and more irritating. It seems to be fashion to show drunk people becoming heroes. But later, after a murder happens, things only get better, and the character is finally given a true existence outside alcohol and talking nonsense. Mohanlal is completely in control of things in the later stages, as he leads the journey with efficiency. It is always nice to see the two sides of him – Bro Daddy was there on the other side. The next person to catch our attention is Leona Lishoy, the actress who has been seen as someone with different dimensions, always notable in any role that she plays, whether it is the mother in Annmariya Kalippilaanu, sister in Maradona or the investigator in Anveshanam; often rising above the movie itself. We knew how she fared in Mayaanadhi, and she comes up with the divergence here too. Some people do their roles rather too perfectly and she is one of them.

Further performers of the soul :: The next person who catches our attention is Anu Sithara, and she has played the good girl image really well – she does look different around here, and that also suits her. Anusree does the job of the most irritating female character of last few years after Srindha in Sherlock Toms. It does feel like a little too much at times. Priyanka Nair and Saiju Kurup are here after that interesting thriller called Antakshari, and both of them once again proves to be solid performers, even though not seen as a pair this time. Unni Mukundan does nothing heroic like in Meppadiyan, and has only a role which is at par or at times, a little below most of the others. Sshivada seems to be playing the one respectable character out there, who doesn’t keep secrets to save herself. Anu Mohan and Chandhunath comes into the picture strong enough. Rahul Madhav plays another character with more than what meets eye well, and that actually applies to all of them. Nandhu and Siddique gets rather smaller roles which they go through with ease. Aditi Ravi supports well within the group.

How it finishes :: When the name Jeethu Joseph is associated with any movie, we know that it will have something of relevance as far as the thrills are concerned. Even though Oozham did have a struggle to go through its nonsensical world, Memories and Drishyam were the biggest thrillers of the industry at that time. This movie attempts to get into that particular group of greatness too. Yet, the journey is not of that high quality, and never does it provide the innovation to feel that this is not something we haven’t seen before. The best movies are indeed the ones which have Jeethu Joseph writing and directing all by himself, but this one doesn’t have the script from him. Yet, this one surely goes on an interesting journey, with its own twists and turns in a setting which adds to the overall mood. I am always in support of a murder investigation mystery in which everyone is a suspect – with the perfect surroundings, things have a minimum guarantee.

Release date: 20th May 2022 (Hotstar)
Running time: 163 minutes
Directed by: Jeethu Joseph
Starring: Mohanlal, Unni Mukundan, Saiju Kurup, Anu Sithara, Leona Lishoy, Sshivada, Aditi Ravi, Priyanka Nair, Anusree, Anu Mohan, Rahul Madhav, Chaghunath, Nandhu, Pradeep Chandran, Chali Pala, Siddique

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@ Cemetery Watch
✠ The Vampire Bat.

Security

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What is the movie about? :: Roberto Santini (Marco D’Amore) is at the head of a security surveillance company, which takes care of the safety of some of the wealthiest people in the area. As the whole area is more or less like a beach resort, there are lots of tourists around, and due to its proximity to sea, there is also the possibility of having some ilegal immigrants running around, which makes the installment of security cameras rather necessary. His daughter, Angela Raffaelli Santini (Ludovica Martino) doesn’t listen to her parents. His wife Claudia Raffaelli Santini (Maya Sansa) is running for the post of mayor, and vows to make the place a safer area. But on an eventful night, a local girl, Maria Spezi (Beatrice Granno) is found with a bloody face on one of the cameras. She also seems to faint soon. The girl lands in the hospital with a dislocated shoulder, while Roberto’s marriage is not going great – their daughter, Angela is in a relationship with her much older creative writing professor, Steffano Thomassi (Silvio Muccino) who is recently divorced. Roberto is also in a relationship with Elena Ventini (Valeria Bilello), a single mother.

So, what happens with the events here as we just keep looking? :: As Roberto spends most of his time with the security cameras, even in the night, he rarely gets any sleep at all. Claudia is a conservative candidate, who is determined to become the first female mayor of the town, whatever it takes. Walter Spezi (Tommaso Ragno), Maria’s father is considered to be the man who was responsible for beating her up, but as she comes to her senses, she tells everyone that it was someone else, and a boy was involved. Walter is freed, but he does have a history of sexual assault and other abuses. Roberto doubts if Elena’s son Dario Ventini (Giulio Pranno) who was found drunk and driving was involved in the crime. Roberto and Claudia understand that Angela is in a relationship with an older man, and they feel that she is sleeping at his place while telling them that she was studying with her classmate (Lavinia Cafaro). Roberto tries to find out the secrets of Angela and Maria, while trying his best to keep Elena out of it, but can he really do that?

The defence of Security :: This is the fourth Italian movie on this website after Piranhas, Pinocchio and A Classic Horror Story, and my venture through the movies from Italy has only gotten more and more interesting – this movie should be a high point in that case. The thriller in this movie works smoothly, and even when slowing down, maintains its strength very well. The emotions are really strong, and there is an effective picture of individuals as well as their relationships, portrayed with efficiency around here. The visuals are nothing less than stunning, and that makes this particular beach town a place we should visit for sure. The pain, grief and regret in this movie can be felt, and at times, even seen. Marco D’Amore surely reflects the same, and it is a similar reflection that can be seen on the face of Valeria Bilello, but nothing matches the suffering of the character played by Tommaso Ragno, who seems to have no way out even at his old age. The movie is a poetry of grief set in motion, even though there is something to be relieved in the end.

Positives and negatives :: For those people who fail to get immersed in this world, this can feel slower and complicated – the attention is required. Some people might also want an exaggerated ending, but for everyone else, this feels close to reality. As the film stays close to one’s emotional with never overdoing the drama, the audience can easily go through what these character go through. Even when the movie shows that relationships are fragile, and pain and suffering becomes part of one’s life for no reason, there is always a chance for healing and redemption; but only those humans who take the right step can provide assurance about the same. The movie knows that lives can be ruined for no reason, or redeemed with care. To show the same, the movie has performers of different age groups, which serves perfectly – they let things unfold and come together in the end, and that works beautifully. There are not many movies which caught my interest like this in a long time other than the Chinese movie, The Soul, and this also serves as a reminder to me to watch more Italian movies – maybe even to visit the beautiful town of Forte dei Marmi in northern Tuscany of Italy.

The performers of the soul :: Marco D’Amore has a solid performance to his credit around here. The whole thing finds some good time resting on his capable shoulders. He goes through the whole situation in a very much believable as well as emotional manner, as the less celebrated hero whom the small town has always deserved. He plays a hardworking commoner whom we can recognize as our own. Even though not forced to go after truth, he becomes the truth seeker. Valeria Bilello and Maya Sansa plays the two women in the life of the main character. The former is the symbol of the protagonist’s future while the latter belongs to his past. Maya Sansa who plays his wife as part of a marriage which is breaking apart, depicts the ambitious and adamant lady well enough to leave an impression. She is the kind of lady who would do anything to reach the top of the food chain, no matter what loss she has to suffer in the process. The two makes the not-so-suitable marriage seem to work to the outside world, but it is evident that they are not even trying in reality. They do have a number of intense and emotional moments together.

Further performers of the soul :: Valeria Bilello has a perfect act performed here, as the struggling mother with two children, one of whom not liking or listening to her, and the other one not able to live without her being around him. She might also be playing the one character with whom we will be connecting with a lot of empathy, but is still left with less screen time in comparison to others. She seems to be the main character’s future, and has close and intimate moments with him – the protagonist is also very much serious with her. Ludovica Martino who plays the daughter, is the one girl who keeps feeling that she has been wronged by everyone, a job well reflected in her performance. It can be seen that her acts of rebellion means something in the end too. Beatrice Granno plays the girl wronged here, and she displays the pain that she always had to go through, really well, even though she could have been given chance for more. Silvio Muccino and Fabrizio Bentivoglio plays the roles with negative shades effectively. Tommaso Ragno is memorable at the man who is always in trouble, and wronged regularly.

How it finishes :: There are not many movies which serve as a perfect package like this one – you won’t be missing much with this film, and there is not much to complaint about it. Whatever you expect from a movie like this, can be seen here, worked out efficiently. An emotional adventure of a thriller with suspense and twists on one side has further reflections on the drama of humanity which it also has running. This is not that much of a well-known movie, and I was also not expecting this to be that good; but it serves something grand, which means that we have a film of quality here. There are so many characters with which you can relate, especially with grief and remorse like in the Spanish film Adios – we also see a lot of things happening with the characters, and none of them are exaggerated or beyond our grasp. As this tale unfolds with beautiful people in an even more beautiful landscape, you are always immersed in this one, no matter how much the pace changes. This is the kind of movie which Hollywood should also try, with all those ingredients including the special one.

Release date: 16th June 2021 (Netflix)
Running time: 118 minutes
Directed by: Peter Chelsom
Starring: Marco D’Amore, Valeria Bilello, Maya Sansa, Ludovica Martino, Beatrice Granno, Silvio Muccino, Tomasso Ragno, Giulio Pranno, Anna Della Rosa, Antonio Zavatteri, Lavinia Cafaro, Gaia Bavaro, Doris Von Thury

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Lamb

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Vampire Owl: I think that they are talking about the Vampire Lamb.

Vampire Bat: A Vampire Lamb from Iceland? That is new.

Vampire Owl: We never had any Vampire Lamb so far?

Vampire Bat: Lambs do not usually go well with the vampires.

Vampire Owl: What about a black lamb with fangs?

Vampire Bat: We already lost the Vampire Wolf to the werewolves. We don’t really need another animal.

Vampire Owl: Wolves belonging to that side of the border. It is not the case of others.

Vampire Bat: You think that every creature other than a wolf would declare allegiance to the vampire kind?

Vampire Owl: I don’t see why they wouldn’t do that.

Vampire Bat: Well, what about the reason that they don’t really need that?

[Gets a paneer paratha and three cups of ginger tea].

What is the movie about? :: Somewhere in the remote area of Iceland, a strange entity seems to make its way to a barn which is located a long distance from the traces of civilization. With the terrifying climatic situation, things seem to get worse. The owners of the barn, Maria (Noomi Rapace) and Ingvar (Hilmir Snaer Guonason) soon finds one of their pregnant sheep giving birth to a creature with a lamb’s head and human body, along with its other children. The two takes the creature into the house and names her after their dead daughter, Ada. The creature’s biological mother keeps trying to contact her, and as she is later found with the sheep, Maria shoots the mother sheep and buries it in a grave further away. Despite having some nightmares about sheep, Maria takes very good care of Ada. Ingvar’s brother Petur (Bjorn Hlynur Haraldsson) who arrives at the barn witnessing the incident feels that this newly found creature is only an animal, and wishes to get rid of it, to which the couple doesn’t agree at all.

So, what happens with the events here as we just keep looking? :: Petur who always had certain love interest with Maria, decides to get rid of Ada for the best interest of everyone in the house, even if other won’t recognize the same. He takes her on a morning walk in the early morning, hoping to shoot her dead and bury the body far away. But he has a change of heart decides to become the uncle-figure to her – Ada also gets along with him really well. But soon, things seems to get different, and something creepy seems to make its way home, which Ada seems to notice. Petur is still fond of Maria, and after drinking a little too much that he should have, makes sexual advances to her, even using the secret that he knows, that she killed Ada’s real mother. She sends him away on the very next day. With only Ada and Ingvar left around there, the strange entity makes its first appearance. What does this creature want, and how can Ingvar and Maria defend against it? What are the secrets that Ada holds here? What fate awaits the couple and their half-sheep child?

The defence of Lamb :: Powered by the performance led by Noomi Rapace who is one of the best actresses of all-time to be part of movies like this, this film can be considered as thriving on the atmosphere on which it builds its pillars. It is indeed a strange movie when we look at it – there is a creature with a lamb’s head and a human body, and it is raised as a child by humans; not the usual kind of story that you keep seeing around. It has a certain horror side, but also an emotional one, all of them being present there, often in an indirect manner. It deals with the strange nature of people, and their lack of understanding of the realities which they face. Providing the feeling of a pastoral world well enough, it provides a certain amount of haunting experience with the slow movement forward too. It wouldn’t have been that easy to work on this material, but with the right cast and the visuals that work perfectly with the atmosphere, the movie manages to march on. It is a reminder that almost everything in life comes at a price.

The claws of flaw :: Lamb is one movie which has decided to go very much divergent, and there is not that much of horror to celebrate it. The film deviates from the general idea about the genre which comes out from movies like The Conjuring, The Nun, Annabelle, Ouija, Insidious, Sinister and others which work on a formula which has been tested and appreciated by too many people who have identified themselves as fans of the category. Moving away from the original horror ideas, and leaving less to be scared, this wouldn’t be that much appreciated by such fans. Along with the same, the ending doesn’t bring that huge effect which was expected. The movie could have been better marketed as a drama thriller indeed, as one creature which does so less has its limitations. Also, the movie slows down a little too much for anyone’s liking, and it is only right to feel that the movie could be twenty or thirty minutes short in length. The grief in this movie could have been also more evident.

The performers of the soul :: Noomi Rapace is one actress whom we can always rely on. The Swedish actress might be best remembered by the people in this part of the world for her work in Prometheus, and she is no stranger to playing motherly figures, as we have seen the same in Angel of Mine. She has a similar mother role here, and she is as determined as she was in that movie. As we miss seeing her in Alien Covenant, and as a good number of her movies didn’t come here, we can only be glad to watch this particular performance from her, which deserves the appreciation too. Most of you might still remember her for the Millennium series: The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets’ Nest. Well, as the mother who takes care of her lamb girl child, this is another work which you are going to remember her for. Hilmir Snaer Guonason plays the father figure very well too – after all both parents are part of this lamb love. Bjorn Hlynur Haraldsson makes a good contribution in between too.

How it finishes :: The movie seems to have similarities to another flick, Sacrifice, with the atmosphere which is seen around. Even though an English movie, it is also set in such a Scandinavian world. The themes of loneliness and depression, as well as a reflection of people who treat their pets as kids also seem to have some say around here. The story seems to have taken something from the Icelandic folklore too, and the one other movie which seems to stay close to this one is The Witch. The film doesn’t use that many dialogues to make its point, and that would mean that even without subtitles, you can understand most part of the flick. The movie surely had the positive opinion of critics, and was selected as the entry from Iceland for the Best International Feature Film at the 94th Academy Awards which took place in Los Angeles in 2022. So, you know that this movie surely has enough to make an impression – it is a mystery set far away from the everyman’s busy world that will have your attention early.

Release date: 24th September 2021
Running time: 106 minutes
Directed by: Valdimar Johannsson
Starring: Noomi Rapace, Hilmir Snaer Guonason, Bjorn Hlynur Haraldsson, Ingvar Eggert Sigurosson

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Red Dot

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Vampire Owl: It is nice to have a Swedish movie on the list too, right?

Vampire Bat: Yes, we only have Norwegian from Scandinavia until now.

Vampire Owl: Well, Netflix knows how to choose the right movies.

Vampire Bat: We have known that the best with Minnal Murali premiering there.

Vampire Owl: So many interesting movies in foreign languages too.

Vampire Bat: Those are the kind of collections which Amazon Prime Video should have too.

Vampire Owl: They could always have more of those lesser known foreign movies.

Vampire Bat: Scandinavia is a fine area to build a castle right now.

Vampire Owl: There should be our kind already in existence there.

Vampire Bat: Why don’t you take a trip there and find out?

[Gets a sweet puffs and three cups of Vagamon tea].

What is the movie about? :: David (Anastasios Soulis) proposes to his girlfriend, Nadja (Nanna Blondell) in public on the day of their graduation at the university. She accepts it gladly, even though the proposal turns out to be very much awkward, despite having a certain amount of cuteness related to it. They make a promise that they will always be together, no matter what happens. But one year and half later, due to the need to study and work at the same time, they are no longer happy at their apartment in Stockholm, the busy capital of Sweden. Soon, she finds out that she is also pregnant, and she is not sure if they should be parents, as she is studying to become a doctor – this would not be helpful for her future either. She feels that if she has a child any time soon, she will end up being a housewife taking care of the kid, as David is working all the time. Despite being assured by their neighbour that they will be great parents, she doesn’t inform David about the pregnancy, and decides to keep it a secret as long as possible.

So, what happens with the events here as we just keep looking? :: David arranges a trip to the northern lights so that they can have some happy time together. This is also the one tour which they are having after a very long time. On the way, they meet two locals, Jarmo (Kalled Mustonen) and Rolle (Tomas Bergstrom) at the gas station, but are comfortable with their presence and their strange dialogues about the dog and the lady. While leaving too soon, David’s car also leaves a scratch on the pick-up truck of the locals, but they go on moving without saying anything about it. Einar (Johannes Bah Kuhnke) seems to be the only person who is friendly to them, as he runs the inn where they are supposed to stay. He says that the people there are not used to seeing interracial couples. Nadja soon finds their car scratched, also leaving few racists words, which makes her angry enough to leave a scratch on the truck of the locals which they earlier encounter, as she is sure that they are the ones who did it. But the two locals seem to be much surprised by the same.

And what awaits them with the northern lights in the wilderness? :: David feels strange about the actions of Nadja, but she feels that this is how one should deal with racists. After a long drive, they finally reach an area beneath the northern lights, and it gets really cold. There, she reveals to him that she is pregnant, and that makes him very much nervous, as he is not sure what is to be done next. But their conversation about it is soon interrupted by a red dot on the wall of their tent, which keeps moving. They first feel that it is a prank done by some local kids with a laser pointer. But with a jolt, they soon understand that it is a laser view from a gun, as they are shot at. Nadja is sure that it is the brothers who are attacking them in revenge for her action, and David remembers that he had seen a weapon in their truck. Their dog which tries to find the attackers, is killed and as they return to the camp after searching for it, finds its head, a trap, and their belongings including the mobile phone missing. With the snow coming down slowly, they have to somehow make it out of there, but can they? Is there hope within so much of cold?

The defence of Red Dot :: The movie uses its landscape to its advantage, and the locations here are all beautiful enough. Whether it is the beauty of nature or the terror of it, we have things going well. Scandinavia is the area which almost everyone wishes to wish to visit, and maybe spend most of the life – I would have done that if there was the opportunity, and there is no shortage of such motivation with the world for eyes within this film too. It also has some interesting twists in the last few moments of the film, and also leaves a message that many things are lost as people just randomly points a few actions as a result of racism, often because it seems to be the easiest thing to do, along with adding things as misogyny or part of religious beliefs – sometimes, things are just personal to the core, and nothing more than that. As the movie is less than one and half hours long, things don’t get dragged or slow down at any point of time. There is no loss of pace at any moment, and it takes the deviation from the usual well enough, but never turning to melodrama even when it could have used the chance.

The claws of flaw :: The movie could have achieved more with a couple being hunted in the snow, with no hope seemingly around. It also seems that none of the characters are likable, with a mostly irresponsible couple, and the lady seemingly attributing most things to racism, and randomly blame the mentality. The snow as well as the red dots could have been used more, and there could have more twists over the incidents. There are times when the movie seems to be unwilling to take the risk with most of the things. The romantic side is often forced rather than having any intimate or lovable side to the same. When thinking about Vikings from Denmark, Norway and Sweden, we are always expecting an intense ride with the movies from there, even with the realization that it is not that age any more. There were so many moments for some horror to be added here and there, and this could have transcended the genres with ease. Some more red blood on white ice along with some shocks added here and there would be been worthy enough – more action too.

How it finishes :: The movie has the strength throughout its run, thanks to the performances which are appreciable – there are only a few characters of significance in this movie, and they had to do well, which does happen around here. With people being hunted, this would feel like Wrong Turn in the snow at some point of time, but that idea is lifted during the last few moments of the film. Maybe, we could also have a similar movie shot during the corona virus times, hunted in the lockdown, with nobody around to help. At least, the viral pandemic did provide us with opportunity to watch movies like this one on the OTT platforms. It is always better to have them on the laptop screen, as you can also type on another laptop at the same time. I would also like not to know how much the popcorns, puffs and tea would cost in a multiplex after the lockdowns. Yet, we all know that the rise in petrol price won’t serve the purpose at all, and hope is only with Netflix, Amazon Prime, Disney Hotstar, Sony LIV, Manorama MAX and others.

Release date: 11th February 2021 (Netflix)
Running time: 85 minutes
Directed by: Alain Darborg
Starring: Johannes Kuhnke, Nanna Blondell, Anastasios Soulis, Kalled Mustonen, Tomas Bergstrom

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Nightmare Alley

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Vampire Owl: This could be the name of one of the halls in the castle.

Vampire Bat: There are already enough alleys with nightmares around here.

Vampire Owl: You think that vampires are affected by nightmares.

Vampire Bat: Yes, we just consider them as dreams.

Vampire Owl: Nightmares are just small part of the dreams.

Vampire Bat: You shouldn’t use the word “nightmare” anymore. It is overused.

Vampire Owl: We are the true nightmares, the living dead ones, right?

Vampire Bat: You feel that the nightmares can be true?

Vampire Owl: Now, you are acting like Dr Frankenstein.

Vampire Bat: You mean, like Mr Frankenstein! No, never!

[Gets an aloo paratha and three cups of black tea].

What is the movie about? :: The year is 1939, and Stanton Carlisle a.k.a. Stan (Bradley Cooper) wanders around different cities of the United States of America, and while going on as a free guy, a drifter, gets a job at a big carnival which seems to have lit up the world of night beautifully. There, he notices a geek show in which he sees a man eating a live chicken. This performance which is also known as freak show, is always about a single man called a geek who chases live chickens and finally has him killing the bird and eating it alive. It was something common among circus and carnival professionals to be part of a troupe that included geeks. The geeks were often heavy alcoholics or drug addicts, and instead of money, liquor was used to pay them for the performance. In this case, the man who was part of the performance is seen to be further deranged than he is supposed to be. While he is working, Stan is told that the geek is now running around within their attraction, and they have to somehow catch him before he ruins the performances.

So, what happens with the events here as we just keep looking? :: The geek seems to be hiding in a scary attraction, and attacks Stan, only to be taken down. He is taken into a cage, and he seems to be too violent and mentally disturbed to be fit for any show, seemingly getting close, but being out of death for now. But they keep him locked up with the feeling that people will love to look down on him and forget their own misery. It seems that many people like to enjoy that particular show, and is a major attraction which nobody wishes to miss, even though it is indeed costlier. After helping them to find the geek, Stan is offered a full time job at the carnival instead of that temporary one which was provided to him earlier. He is only happy to be with them as he has nowhere to go anymore. After using their tub, he begins working with the clairvoyant performer known as Madame Zeena, originally Zeena Krumbein (Toni Collette) and her alcoholic husband, Peter Krumbein a.k.a. Pete (David Strathairn). Zeena definitely feels that there is more to him than what meets the eye.

And what more is to follow in this interesting world? :: Mary Margaret Cahill a.k.a. Molly (Rooney Mara) also helps them at times, as Pete often losses control after drinking too much. But Molly also performs as the “Electric Girl Unforgettable”, seemingly taking electricity through her in one of the other star performances. Stan seems to be falling in love with Molly slowly, but steadily. The team of clairvoyance uses gestures, some coded language and certain cold reading tricks to make their work more effective. There are some fine guesses which work out of effectively at times, even though Pete is not fond of her pretending to speak to the dead. Pete shows the methods to Stan too, and he seems to be a very quick learner. Stan understands that the geeks are originally alcoholics whom he has forced to stay with opium-laced alcohol which has been affecting the minds of the geeks terribly. Most of them were affected by the First World War one way or the other. These geeks are nicely taken into the carnival where they become nothing less than slaves due to their addiction gone terribly wrong.

Then you look forward further in this movie, and what awaits us? :: As they are going on with the carnival, Germany has just started the invasion of Poland, setting the beginning of the Second World War. Things still seem to go normal at the carnival, as a new geek takes the place of the previous one who is dead. Stan asks Molly to leave the carnival with him, and start a new grand performance with him, which everyone in the United States of America, and all around the world will remember forever. But she is not ready to leave with him, as she has been a part of this performance and this particular place for quite a long time. Soon, Pete who keeps drinking more and more, finally dies out of alcoholic consumption. It is then that a sheriff comes there and threatens to close the illegal performance which has cruelty to humans and animals, while Molly who performs her act in her undergarments is to be arrested for too much of cleavage and thighs, thus enough indecency to be in the prison. Stan saves her and the whole carnival from the sheriff using the skills he had learned from Pete. As the sheriff leaves, Molly agrees to leave the Carnival with him, but what would the future hold in that case?

The defence and flaws of Nightmare Alley :: The movie has a beautiful world belonging to the past in store for us. Even though slow at times, it is an effective movement forward, which we are all going to enjoy. The time period during the Second World War is beautifully created, and we become a part of it. Even though there is the common idea that this is a psychological thriller, the movie is more of a drama rather than anything else. It might be due to its jumping through the genres that the movie feels slow, and the over all length does feel as a little too much for our liking. It is not the kind of world with which the director, Guillermo del Toro is at full strength – this could be the same reason why the director’s other movies continue to stay a few levels above this one. But the performances from Bradley Cooper and Rooney Mara are too good, and they have us interested here throughout the movie. The others who don’t have a full run in the flick, Cate Blanchett, Toni Collette and others also have a fine run when they are around here. The movie also has a fine message running through here about what awaits an over-reacher who find evil to be okay.

How it finishes :: Nightmare Alley does have that feeling of watching the movies of Guillermo del Toro like before. Still, it doesn’t have any haunting creatures like in Crimson Peak or the huge robots fighting giant monsters like in Pacific Rim. This is also no Pan’s Labyrinth or The Shape of Water. The director does take a divergent path with ease, and successfully goes through the whole thing and keeps us engaged in the same. A movie without any supernatural element for him, and he still continues to be the visionary director like nobody else. The movie is based on the novel of the same name written by the American writer William Lindsay Gresham published in 1946, and how well it has taken the spirit of the book will be known only to those who have read the book. The movie was nominated for four Oscar Awards, including the Best Picture, at the 94th Academy Awards held in Los Angeles in March 2022. Well, one would only feel that this is only deserving, as this is a film is a world which is for us to be immersed in, at all times.

Release date: 17th December 2021
Running time: 150 minutes
Directed by: Guillermo del Toro
Starring: Bradley Cooper, Cate Blanchett, Toni Collette, Rooney Mara, Mary Steenburgen, Ron Perlman, Willem Dafoe, Richard Jenkins, David Strathairn

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Matrix: Resurrections

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Vampire Owl: Do you remember the first time that we watched The Matrix?

Vampire Bat: Yes, you understood twenty five percent of the movie then.

Vampire Owl: I am sure that I understood more than fifty percentage of it.

Vampire Bat: You still had to read details about the story a hundred times.

Vampire Owl: I don’t remember having read the plot even once.

Vampire Bat: I remember that you did the same for the makers’ other film, Jupiter Ascending.

Vampire Owl: I don’t even remember watching that movie.

Vampire Bat: It was on the same day that you attended Mr Frankenstein‘s Grand Exhibition.

Vampire Owl: Dr Frankenstein has thousands of exhibitions every year.

Vampire Bat: You are talking about that many fake science exhibitions.

[Gets a paneer fried rice and three cups of white tea].

What is the movie about? :: Thomas Anderson (Keanu Reeves) is a game designer and the creator of a very popular video game series called The Matrix, which already had three games in the franchise. The game is based on his memories as Neo, which is not clear, but he does feel that there is a lot in his head which feels real. He is mostly happy with his life, as living as a famous game designer seems like a pretty good option. He keeps coming across a woman named Tiffany (Carrie-Anne Moss) who is a married woman with two kids, and she seems to be based on a main character whom he had designed for the video game, Trinity. He becomes friendly with her, and he likes him, but doesn’t seem to remember him at all, just like he is not sure how she became a part of his game. He struggles to separate his life and these strange memories, and his therapist gives him some strange pills in support. A young lady named Bugs (Jessica Henwick) finds this game simulation which is running an old code in a loop based on the time when Trinity had found Neo. With the help of a programme which has embodied Morpheus (Yahya Abdul-Mateen II) in a new form, she starts searching for answers, as Neo was supposed to be dead. Two of them combine the forces looking for Neo and finds him in the end.

So, what happens with the events here as we just keep looking? :: The machines sent by Bugs save him, and he is taken to her ship known as the Mnemosyne. He is taken to the new city of the human resistance, where a lot older Niobe (Jada Pinkett Smith) awaits them. She is not happy that Bugs brought Neo to the area which is now a safe house, and tells her that she and her crew of Lexy (Erendira Ibarra, Sequoia (Toby Onwumere), Berg (Brian J Smith) and others are now grounded with the ship. It turns out that sixty years have passed in the real world after the war between humans and machines had ended. Except for Niobe who now takes the decisions around there, mostly adamant and foolish, while everyone else from the original human resistance are now dead, including Morpheus as he was known, and had led the resistance earlier. She tells them that there was some peace achieved through his sacrifice, which lasted for some years, but eventually, things got worse. Now, can Trinity be freed? Can there be peace again?

The defence of The Matrix: Resurrections :: You know the thing about The Matrix, which means that you mostly know what can happen with this version too – the trailer had set the expectations going well. There is a lot of action for sure, and you do enjoy it, even though these are not things which you haven’t seen before – the fights go on in a stylish manner within the movie, and there are also some nice worlds built around here. The advanced special effects and computer generated imagery means that this particular world looks even better than how it used to be earlier. Here we have Keanu Reeves doing what he has been doing the best again, which is always a thing of quality – outside the world of John Wick, Neo is indeed an iconic character and we are never tired of watching him around there. The new additions of the cast are very much suited to this situation of post-apocalyptic science fiction action. After all, we know that this is the kind of situation which could happen at any point of time, with machines taking over being the best option for any apocalyptic event – the extinction of human kind is not something that we can resist. Then, this is a world which has no shortage of style.

The claws of flaw :: The Matrix: Resurrections which comes as the very late addition to the list of movies in a franchise which was far above the others of that time, doesn’t manage to live up to that hype or the grand expectations which were always present. When Neo is coming again after a long time, you expect that this is going to be something above all, but with the lack of innovation, they try to share the qualities that makes Neo with a female characters, which is pretty much the dumbest decision that they can do with some dumb romance added to a film which could have stopped that with the third movie and a few deaths. Actually, the third movie of the franchise served as such a fine ending, and this often keeps feeling a lot unnecessary. One has to wonder if any action sequences in this movie will be remembered much in comparison to the earlier movies, among which all of them had some special moments of fight scenes. The beginning is also too slow, leaving the film too long with so much of initial moments good enough to be cut. One would guess that this one is more intended to make some quick money on the fame which those classic movies had, but that attempt seems to have failed in rising up to the expectations too.

The performers of the soul :: We know that this has been the movie which made Keanu Reeves the huge star all around the world, even though I have always remembered him facing the devil in Constantine and Devil’s Advocate more than any others as well the vampire as Jonathan Harker in Bram Stoker’s Dracula of 1992, and maybe a few older people might go for Speed as the initial big thing from him. The new generation surely had John Wick with its sequels, and I do like his science fiction works like Replicas too. Yet, this is the one role in which almost everyone of my age would have wanted to see him again, and he is here, with the same strength that he had at that earlier point. Carrie-Anne Moss is someone whom we remembers for this franchise itself, and it is always good to see her back – she has become part of this world again really well. Yet, the actress who makes the most impact is Jessica Henwick, who played second fiddle in Underwater nicely, and she is indeed lovely – the baton should be passed on to her soon enough. Yahya Abdul-Mateen II doesn’t stand up to Laurence Fishburne, but remains okay. Erendira Ibarra also has a notable role. Jonathan Groff and Neil Patrick Harris are villains for the sake of being, as machines rule over them. Priyanka Chopra Jonas is there for the sake of being there.

How it finishes :: The big question about this particular movie is whether it was actually needed at all, for these are not the times when the first three movies came into existence, and the adaptation to the new audience who have witnessed all of these already, and then again through other movies would have had some strange feeling about watching this one. You are coming up with a sequel so many years later, and it would require something more than what was already seen, and this one falls flat on innovation. But, there is a lot of entertainment with the action happening all around, and nostalgia is something that sells, which means that we can always watch this version of The Matrix too, and hope that a great worthy sequel will be made at some other point of time. Until then, let us be happy enough with this one, and hope that the Corona virus would stop coming again and again, as watching movies like this at the theatre can mean more, even though I would always prefer the OTT versions. After all, becoming poor by paying so much for the movie tickets, parking and food after being in a traffic jam for such a long time, followed by dumb fans in a theatre is terror, no matter which one is the flick.

Release date: 22nd December 2021 (Theatre); 12th May 2022 (Amazon Prime Video)
Running time: 148 minutes
Directed by: Lana Wachowski
Starring: Keanu Reeves, Carrie-Anne Moss, Yahya Abdul-Mateen II, Jessica Henwick, Jonathan Groff, Neil Patrick Harris, Priyanka Chopra Jonas, Jada Pinkett Smith

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Escape Room II

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Vampire Owl: I am not that fond of the rooms from where one can escape.

Vampire Bat: Yes, you want those rooms from which escape is impossible.

Vampire Owl: You know that vampires have always wanted to make the best use of their dungeons.

Vampire Bat: The dungeons from which there is no escape; I have heard about them.

Vampire Owl: Almost all those dungeons below the castle are like that.

Vampire Bat: There is one exception though.

Vampire Owl: You are saying that there is a dungeon in the castle which allows people to escape.

Vampire Bat: Well, I don’t see why there wouldn’t be a loop hole.

Vampire Owl: So, there is always a small chance to escape.

Vampire Bat: Yes, there is always that hand of God.

[Gets a vegetable pizza and three cups of ginger tea].

What is the movie about? :: It is shown that a woman is locked within a hot shower room of a huge mansion and is burnt to death as she expresses her desire to leave her husband. She was left with clues to escape while showering, but was too late to use them to her advantage, leading to a painful death. This husband is shown as the man who is responsible for the escape rooms, and is certainly obsessed with the same. Zoey Davis (Taylor Russell) and Ben Miller (Logan Miller) are the only survivors of these escape rooms which were built by the Minos Corporation, and they plany to confront them after finding the coordinates to its headquarters in New York City. Zoey is aeorphobic, and therefore decides to find the corporation by driving all the way to New York, thus getting rid of the uneasy encounter. They do have nightmares about being in escape rooms whenever they are in closed spaces. When they reach the place where the headquarters of the corporation is supposed to be, they don’t find any workers our there, and there is only a vagrant who manages to steal Zoey’s necklace.

So, what happens with the events here as we just keep looking? :: As they chase the thief, they end up in an underground train which has its doors locked and the vehicle on a journey to the next station. The thief manages to get down before the door closes though. Their train car separates from the rest, and finds themselves being redirected to a remote station, as the two along with a few others are trapped in the carriage. They meet the other passengers Rachel (Holland Roden), Brianna (Indya Moore), Nathan (Thomas Cocquerel), and Theo (Carlito Olivero) inside, and it turns out that they are all winners from previous games in escape rooms. As the passengers understand that they are in trouble again, being locked in the train car which also gets electrified, not allowing them to touch anywhere. Now, they are forced to find the subway tokens which will open one of the doors. They keep looking for clues until it almost gets too late, and Theo is killed by electrification. The others do manage to find the clues and the tokens to escape.

And what more is with another escape room or more around here? :: The team finds out that all these survivors were part of groups which had their own type of people, like full of influencers, priests etc. Their next level is a bank which has a deadly laser security system that almost kills Brianna. There is a vault in the end of the bank’s room which seems to be the only way out, but they have to go past the lasers. They do find a certain clues out there, but it seems that they won’t be enough. There are references to a person named Sonya, but none of them are able to find all the necessary clues. Nathan decides to make a walk of faith in between, but that doesn’t seem to work either. This won’t be anything close to the final escape rooms, and getting out of the room is only going to be a small problem in comparison to what is to come next, including some seemingly outdoor rooms well designed in 3D. They are all upset about not being to crack the codes, but that is not going to lead them anywhere in a complicated world of mazes. Can at least one or two of these people make out of these rooms in time? Can anyone if not Zoey can bring this corporation in front of the law?

The defence of Escape Room 2: Tournament of Champions :: There is the continuation of what we had witnessed in the first movie, and we all know that the levels of the first movie was never enough for the eyes. Here, we have some more interesting rooms to escape from, and there is some fine detail related to each of them. There are multiple endings to keep one interested in a sequel, as there is scope for one or two in both of those finishes. The close battles that the participants have with the rooms assigned to them remain engaging, and with the time limits, things only get more interesting. The setting is there for another movie to continue the franchise and the performances are pretty good too. Taylor Russell leads well to continue the franchise, while the others provide support nicely. The special effects are used effectively to add to the efficiency of the rooms too. There are some twists added here and there, and there are indeed some different ones with those multiple endings that we see here.

The claws of flaw :: The movie doesn’t feel that new as we have already seen the establishment of the escape rooms well in the first movie, and it was an interesting venture indeed. There is not that much of an improvement on the design of the escape rooms – the same could have helped better with further innovations; we know that even the computer games need better levels every time, especially those dealing with puzzles and traps like Prince of Persia and Lara Croft: Tomb Raider series. It doesn’t use the possibilities to the best advantage in that case. As this is the second movie in the franchise, we were expecting to see that one grand level design which couldn’t be easily copied. The puzzles of escape could have also been better planned, for some of them don’t really feel interesting, with too much of absurd calculations there – things can be made difficult without adding too much of mathematics, the thing that we all have hated since school days. There can always be some hidden trapdoor or item; even a thing from the past to replace it.

How it finishes :: Escape Room 2: Tournament of Champions does remind us of the world that we are in, with no escape – that is one a philosophical note, even though there is a lot of truth in such a statement which serves more as warning than anything else. The movie does have more than version, which leads to different endings and divergent possibilities which can come later in a possible sequel. It does feel difficult to wonder about the better ending without watching both of them. This also makes one wonder which sequel we are all going to have at some later point of time. If the corona virus is not going to come back that strong again, maybe we are going to see a sequel of this franchise in the theatres too – after this rush of movies looking for screens end at a later point. With the puzzles leading to and beyond danger with twists, this is the kind of franchise that we are all looking for. After all, there are lots of puzzles and riddles that we face in every day life, as humans are all creatures of their own dangerous rooms of the mind with intrusions.

Release date: 16th July 2021 (Theatre); 20th September 2021 (Netflix)
Running time: 88 minutes
Directed by: Adam Robitel
Starring: Taylor Russell, Logan Miller, Deborah Ann Woll, Holland Roden, Indya Moore, Thomas Cocquerel, Carlito Olivero, Isabelle Fuhrman, James Frain

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Stowaway

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Vampire Owl: Do you know that Doctor Frankenstein had a stowaway on his Ultimate Machine of Nightmares?

Vampire Bat: Why would someone want to have a ride of nightmares?

Vampire Owl: I guess they wanted to witness the greatness of this invention by the greatest scientist of all times?

Vampire Bat: Why are you not understanding that he is not a real scientist at all?

Vampire Owl: You are saying this because you studied arts only.

Vampire Bat: I am well aware of the way of science. Mr Frankenstein has no role in it.

Vampire Owl: You should understand that he can teleport you in a second or two.

Vampire Bat: Even those witches of the north can do that.

Vampire Owl: I am talking about teleportation to another realm.

Vampire Bat: He just creates a virtual reality within his laboratory and pretends that it is another realm. He cannot even teleport Uncle Dracula’s lost fangs.

[Gets a paneer masala dosa and three cups of elaichi tea].

What is the movie about? :: A two year mission to Mars has been approved for the spaceship, MTS-42, which has the mission commander Marina Barnett (Toni Collette), biologist David Kim (Daniel Dae Kim), and the ship’s doctor and researcher Zoe Levenson (Anna Kendrick) on board. They are taking the first steps to call Mars the second home, and each of them is very good with the needed abilities and extended training. Everything seems to go fine with the launch, and they are all glad to be on the way to a great expedition. Soon after the takeoff, they discover a launch support engineer, Michael Adams (Shamier Anderson), an unexpected traveler who seems to be caught and fallen unconscious between the two modules of the ship. As he falls down, the device that scrubs carbon-di-oxide from ship’s air is destroyed. They use use emergency lithium hydroxide canisters to get rid of the carbon-di-oxide from the air, but it doesn’t seem to be enough. Marina is not sure about what has happened here, and wonders if something strange is going on in the background.

So, what happens with the events here as we just keep looking? :: Michael wakes up and wants to go home, but everyone knows that a return is not possible now. He slowly adapts to the situation, as the company promises to help his sister to go through her life in his absence with guidance and monetary support. David begins cultivating his algae experiment of the ship before reaching Mars, as there is the need for some extra oxygen, but it is also not that much effective. The damage done to the carbon-di-oxide scrubbing device seems to be permanent, and their life support seems to be in trouble. If they are not able to find another method for the supply of oxygen, they are going to fall short of breathable air. The only option seems to be a spacewalk to climb the tethers of the spaceship and recover liquid oxygen from the upper stage of the rocket. Even though the other two are okay with it, Zoe is not ready to sacrifice Michael to make sure that they have enough oxygen for their journey, and the commander decides to wait for ten days to come up with a solution. But can they have one in time?

The defence of Stowaway :: The space and the spaceship around here are indeed well-detailed, and there is one final adventure to be done as the movie gets near its end, which provides a charming view of space. The world here has good detail, both outside and inside the spaceship. There is always the question about the significance of life of a person when it would mean the death of three others who are more important not just for one mission, but for the entire humanity. This something about the talks here, as there seems to be no clear solution for a problem. There are many routes which this movie seems to take too. The movie does talk about the importance of faith, belief and hope in life, even though it is indeed a double-edged sword which can end up ruining everything like a person too much motivated by a motivational speaker. Well, after all, we know that the life itself is about some tough choices that we make, and in the end, we are all just going to die a terrible death and lie a few feet under.

The claws of flaw :: The movie is surely slow, and never does it even try to get any faster, which is rather strange, as we look at all those possibilities which have been avoided. It doesn’t try to be that entertaining either, as the speed is never that much to keep us that much engaged with the possible thrills. There is that drag which is felt because the film has too many moments and dialogues which could have been avoided – a two hour movie was not needed to deal with this kind of a theme which never chooses to go bigger. The movie’s question does feel strange too, about humanity and all, because science has already brought extinction upon humanity, and most of the human beings do not deserve to saved. And, we all know that humans are not going to make that much of a sacrifice after thinking too much – so much of thoughts better lead to brutal murders. We don’t know that much about mission being undertaken here either, except for where it is headed, and related to some of the possibilities after reaching the destination.

The performers of the soul :: Among the performers, Anna Kendrick is the only one face that we seem to recognize at first sight. We have seen her in very less number of movies in the last few years, but as we see her again, she seems to be another actress who seems to get younger as time progress – we recognize her as almost the same as in those much earlier movies. Despite not being the commander, she is the true protagonist and heroine of the movie, and the one who is ready to make a different at any cost – she does the lady with the most conscience in a wonderful way. Toni Collette has been there for longer, but most of us have seen her in movies which are rather too old, which means that recognizing her would be difficult. She says good as the commander who has to take some very difficult decisions. Daniel Dae Kim plays the man with his own assumptions about success of the mission quite well. The only other character and the one who brings the change to the mission is Shamier Anderson, a job quite well done.

How it finishes :: There has been no shortage of interesting journey through space which Hollywood has undertaken – it was at times complicated like Interstellar, with great visual splendour of space like in Gravity, hope for colonization of another world like in The Martian, horror inside the spaceship like in Life, terror in space colonies like in Doom: Annihilation, searching for secrets of humanity like in Prometheus, more on drama and romance like in Passengers or even going the fully entertaining in Star Trek way. The Chinese had The Wandering Earth and the Koreans had Space Sweepers, now we have this one. Stowaway is closer to the genre of drama instead of becoming the thriller. It still has enough of the engaging moments, and also has the moral questions running through. Even though most of us will not get to space and will face the human extinction event, we will clap to the rich people going to space and living happily ever after, following the discoveries similar to that in this movie are made. Until then, we will watch similar movies again and again, adjusting to the interesting moments that they provide, as the apocalyptic event awaits with a terrible beauty ready to be unleashed.

Release date: 22nd April 2021 (Netflix)
Running time: 92 minutes
Directed by: Joe Penna
Starring: Anna Kendrick, Daniel Dae Kim, Shamier Anderson, Toni Collette

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Outside the Wire

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Vampire Owl: The area beyond the Greater Cemetery is now considered outside the wire.

Vampire Bat: Do you feel that there is a war coming soon?

Vampire Owl: Well, humans are building more weapons of war.

Vampire Bat: You are thinking that those weapons are meant for us.

Vampire Owl: After they are done with most of their own, yes.

Vampire Bat: I don’t think that most of their weapons will have any effect on us.

Vampire Owl: The weapons of mass destruction will erase the world as we know it.

Vampire Bat: Such a destructive and disappointing species.

Vampire Owl: I will ask Doctor Frankenstein to come up with an invention which can go back in time and brutally murder all those human scientists whose inventions led to these new generation of weapons.

Vampire Bat: Mr Frankenstein‘s time machines made of vampire steel are as much fake as humanity’s love for each other.

[Gets a vancho cake and three cups of orange tea].

What is the movie about? :: The year is 2036, and there is a violent civil war going on in Eastern Europe between pro-Russian fighters and the local resistances in Ukraine, a struggle which seems to be nowhere close to reaching an end. After years of war, the United States has finally deployed their peacekeeping forces, and among them are the robotic soldiers known as GUMPs. But the team is ambushed, much to the dismay of the human soldiers. While disobeying a direct order, a drone pilot, Lieutanant Thomas Harp (Damson Idris) deploys a Hellfire missile against a suspected enemy missile launcher. The commander on the ground wanted time to save two marines who were caught in the danger zone, but Harp had felt that if he choose to delay the drone strike, all forty of them would die, and an attack would actually save thirty eight of them. But the senior officers do not believe in the same and considers him responsible for the death of those two soldiers.

So, what happens with the events here as we just keep looking? :: Despite not being court-martialed, Harp is redeployed to on-site combat duty at Camp Nathaniel, where the United States military forces have set a base of operations for the war in Ukraine. He is supposed to work with Captain Leo (Anthony Mackie), who seems to be very strict as well as experienced, but turns out to be a very advanced android super soldier, the first of his kind – experimental, but a seemingly perfect prototype machine masquerading as a top level human officer. At the base, this is a secret known only the the commander of the camp, Colonel Eckhart (Michael Kelly), and now Harp. Leo has come into existence only five years ago, but is already programmed to be an effective killing machine. Their ultimate aim is to stop the terrorist known as Victor Koval (Pilou Asbaek) from gaining control of a vast network of nuclear missile silos which were left in the Ukrainian SSR possessing most of the nuclear weapons of the Soviet Union.

And what more does the future hold in a world of chaos and destruction? :: Russia has lost any control which they had over the rebels, and the new powerful terrorist is very close to controlling most of Ukraine and also those missile launcher facilities – it would prove lethal for world peace as much as it would mean for Ukraine and its remaining resistance. It could be the end of the world with nukes in the hands of such a terrorist who doesn’t even have religion or any of the morals to control him. They come across a reported attack on a truck with was providing aids, leading to a stand-off between the United States soldiers and the local militias. But the armed locals and the pro-Russian insurgents are the least of their problems as the trained spies and snipers of Victor Koval are there, which means that the possible event which could lead to the end of the world is closer than they thought. Then, what if the most dangerous man in that part of the world also manages to get the secret codes to the nuke? After all, he would do anything to get them – paying in billions, using brutal force or anything.

The defence of Outside the Wire :: We notice that Outside the Wire has created a fine world for the science fiction elements to start working effectively, early enough. The visuals are really good in this war-torn world In the beginning, there is the feeling that this one would go through action-war mode, but that idea which was earlier challenged with a few machines and later made clear, has a few interesting points for everyone to ponder about. It talks about war and the human need for the same with effectiveness, and we do understand that all sides are almost the same and loves to see collateral damage with the death of so many civilians. There is the fine display of hidden hatred being displayed around here, and we see a lot of the true nature of humans, even the machines who are created by them. These are also the kind of things which would happen at some point of time in future, and we are all with knowledge about the world descending into chaos sooner or later. The action is very good for most of the time with melee combat and gunshots being there, and we are glad to see different elements coming together. Anthony Mackie and Damson Idris do some good work here.

The claws of flaw :: The movie doesn’t make the best use of its resources, as we see a world in not so distant future, with advanced technology and interesting weapons. The war machines could have been used with more effectiveness, as we see a lot of fights struggling to go big on different occasions. The world of war which has been created here could have more of similar products of science and technology at work. The basic idea that the movie was trying to prove could have been clearer, but here they choose to make things rather easy. There is no big action moment that stands out around here, even though there are so many human and machine soldiers around here. At times, the movie just seems to move around without much of a clue, and the ideas about the use and effectiveness of Artificial Intelligence never really gets as strong as it should have been. It does keep one wonder about how well Will Smith has performed in so many science fiction action movies in the past, the one man who would have fit in here so well, and even brought a lot of audience to this lesser known film.

How it finishes :: When we look close, Outside the Wire seems to be a movie which has predicted the Russian invasion of Ukraine in another form. The movie deals with the interesting scientific concepts and also talks about the human greed and their never-ending need for more wars, even though the fact that the film has focused only one side feels rather strange – humans have always wanted war, and they have always hated each other, which means that this is not something restricted to a nation or two and their allies. We have always been looking for science-fiction doing their best, as we never stop wondering about a post-apocalyptic future with science playing a major role in ending the world as we know it. As science has been continuously contributing to making the global warming worse and developing enough weapons of mass destruction, along with helping the Artificial Intelligence and other machines to take over, we are all looking for the apocalyptic event, and this one surely has shades of the same.

Release date: 15th January 2021 (Netflix)
Running time: 115 minutes
Directed by: Mikael Hafstrom
Starring: Anthony Mackie, Damson Idris, Emily Beecham, Michael Kelly, Pilou Asbaek, Kristina Tonteri-Young, Henry Garrett, Enzo Cilenti

<<< Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

The Soul

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Vampire Owl: Do you think that vampires can have an extra soul?

Vampire Bat: I don’t understand why one would require one as extra.

Vampire Owl: What if a soul is lost? We can use the other one.

Vampire Bat: The souls are not lost as long as we are living dead.

Vampire Owl: When did we start referring to the undead as living dead?

Vampire Bat: I am sure that we have always been the living dead.

Vampire Owl: Well, I wouldn’t argue as death is only the beginning.

Vampire Bat: There is no undead without the appropriate kind of death.

Vampire Owl: Maybe humans will also understand that death is the true solution.

Vampire Bat: They are less afraid to kill than to die, which is strange.

[Gets a mango cake and three cups of Munnar tea].

What is the movie about? :: Wang Shi-Cong (Samuel Ku), a very rich man and the founder of a medical firm developing cancer treatment based on ultra-modern technology is found murdered. His wife who has also remained a respectable figure, Li Yan (Sun Anke) is discovered to be holding the weapon used for the brutal murder, quite a strange knife-like blunt thing indeed. There are also some strange writings on the door and all over the walls. At the same time, Ah-Bao (Janine Chang), a detective is expecting a child very soon. Liang Wen-Chao (Chang Chen), her husband is having an advanced stage of cancer, and it doesn’t seem to get any better. His cancer seems to be spreading and resisting the existing modes of treatment, and the doctor gives them the advice to consider doing a RNA restoration technology. Liang, who has been working as a prosecutor, decides to join back, as a lot of money is required for his treatment – he had asked her to let him skip that costly treatment, but she has been very adamant in keeping him alive.

So, what happens with the events here as we just keep looking? :: Ah-Bao is assigned the case of Wang’s murder, and Liang goes on to become the prosecutor once again, much to the surprise of his wife who was expecting him to take rest. Li Yang tells them that it was their son, Wang Tian-You (Erek Lin) who committed some strange rituals in the same room and murdered his father who had earlier disinherited him because of his strange and unacceptable behaviour. They remember that he only comes back home rarely, and has the same symbol which was seen in the room, tattooed on his body. He has a lot of magical symbols tattooed on his body, and talks about some particular gods and spirits which are not that well-known. He was heartbroken after his mother, the first wife of Wang died, and has been talking about vengeance since then. It seems that other than his wife, the dead man had left another inheritance as the next in line. The detective also understands that the dead man used to have different affairs with many women, which had ruined their world. The first wife also had enough information about hier husband’s life.

What lies beneath the secrets which are unveiled around here? :: There is also the talk about the first wife placing a curse on Wang before death, and about the second wife coming out of an orphanage, with no roots. But they do understand that this particular woman had changed a lot after coming to the mansion. In the beginning, she was very nice to everyone around, and very careful in her behaviour. It felt as if she wanted to be good to make an impression. But that seems to change soon, as they look through the CCTV cameras for some old footages. She wasn’t the person whom she used to be, as she even started talking to nothingness, which she understood as ghosts. They wonder if it was a case of possession or the result of some drugs which were introduced by the medical firm. A bigger surprise is that she who was a right-hander is now a left-hander. Is it science or some dark curse which is behind all of these? After all, isn’t science the modern necromancy? How many secrets can this particular world hold? There seems to be something really strange going on around here, and is anyone good enough to find the truth?

The defence of The Soul a.k.a. Ji Hun :: The movie never stops keeping us interested in the mystery of science or magic, whichever seems to surround a grand investigation. It does keep us guessing through its run, and is very much effective in doing the same. The twists are very much unpredictable, and with so many red herrings around, one only keeps wondering about how good are the characters who have figured it out inside the tale. At a specific point, you make a guess about the characters, and then you have to think differently about them. At one point, you feel that there is the talk about soul in its original form, but then all you see is science. You wonder about psychological problems and demonic possession at the same time. In the end, it is not anywhere close to what you were thinking in the early stages, and there is so much going on around there. Any more revealing would annihilate the beauty of the surprise and twists in here. The movie moves forward beautifully, as if it is poetry in motion, and the level of immersion of the audience that it provides is simply magnificent. The emotional side does help further in its movement forward – you do feel them running strong. The visuals and the music also remains extraordinary and contributes well to the dark beauty.

Positives and negatives :: The movie’s slowness also has a certain amount of beauty related to it, and we watch it move as if part of an elegy written in memory. Well, there is no doubt that it could have traveled somewhat a quicker path as it seems to be in need of being called a thriller rather than anything else – yet, it can be said that The Soul keeps us immersed around here, even without picking up the pace that much when it could have done the same. The details in each moment will still make sure that you are always attentive around here, and there are some top performers to support the same. Chang Chen gets into this character so well that we become attached to the same – there is a lot of immersion into the plight of the character taking place here, and that feels unbelievably realistic. In the beginning, one feels that Janine Chang is the one playing the protagonist, and even though she is not the one doing that, blends in perfectly, and excels in the emotional moments. Then there is Sun Anke who plays the woman in identity crisis with a lot of perfection – it is a role which requires a lot of dedication, and her different expressions are so much of the reflection of her calibre.

How it finishes :: The movie has one of the most complicated plots than any film has had in a long time, and it makes sure that we are always guessing. There has not been many movies which had our guesses going wrong by such a long way. By the end of the film, you are standing on a lot different ground than where you found yourself in the beginning. Well, the world of science and spiritual beliefs can both be strange enough, and this one makes use of both, while placing them in a corporate world where the only thing that reigns supreme is selfishness and a display of a fake “normal” image. I would consider this to be the best movie of the year and also the best film which I have found on Netflix among the last few years’ releases. Then, there is also those final questions which the movie leaves for all of us – what makes one a person? Is it the soul? In that case, where does the soul lie? In the memories of the brain or the emotions of the heart? Or is it something which has no real shape or size to be seen? Well, we will never know, that seems to be a surety. Until then, there are some fine Chinese movies to watch.

Release date: 29th January 2021 (China); 14th April 2021 (Netflix)
Running time: 130 minutes
Directed by: Cheng Wei-hao
Starring: Chang Chen, Janine Chang, Sun Anke, Christopher Lee, Baijia Zhang, Erek Lin, Samuel Ku, Daniel Chang, Lu Hsueh-feng

<<< Click here to go to the previous review.

<<< Click here to go to the first Chinese movie review on the site.

<<< Click here to go to the last Chinese movie review on the site.

<<< Click here to go to a special Chinese short-film review.

@ Cemetery Watch
✠ The Vampire Bat.

The Forever Purge

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Vampire Owl: I have always been support of the purge.

Vampire Bat: This is not about the purge unleashed on the werewolves.

Vampire Owl: Well, there is no purge without enough blood.

Vampire Bat: Blood is just a motive, nothing more.

Vampire Owl: You have to spill the blood. Otherwise, there is no purge.

Vampire Bat: Well, I have enjoyed all the movies of this franchise with or without it.

Vampire Owl: It is natural, as the evil human nature is shown there.

Vampire Bat: The never ending love for hatred and violence.

Vampire Owl: My disappointment is that they are still not extinct.

Vampire Bat: The hate helps them to survive at the expense of others of their kind.

[Gets a blueberry cake and three cups of iced tea].

What is the movie about? :: The year is 2048, and after the incidents of the previous movie, the New Founding Fathers of America regained control of the United States government – as some had predicted, the first thing which happened was that they brought back the annual purge. The annual event during which all crime is legal and emergency services remain suspended gets its say again. According to them, this would keep the United States mostly crime-free with less unemployment as well as hatred, and despite the many protests against it, the purge goes strong. With only a few days left for the purge, people are worried that the rising racial feeling would make this purge worse than it has ever been – some feel that it just won’t be over by the end of the day. There are people buying a lot of weapons, and there are special offers on gun stores as the event gets closer. Most of the immigrants are not that worried about the purge as they don’t really know what it is really about. Juan (Tenoch Huerta) and Adela (Ana de la Reguera) are such a couple who have come all the way from Mexico, and have found work in Texas.

So, what happens with the events here as we just keep looking? :: Juan and Adela join a group of migrants who have taken refuge within a walled area with security guards. It seems to be pretty much a safe place, but is not perfect. As all crimes including murder becomes legal and the siren is set off, the migrants are somewhat upset, but on another side, there are lots of people who are rather too happy. Soon enough, a nationalist group calling themselves the real patriots of America – the Purge Purification Group passes through the area with intentions to kill people whom they feel as non-American. Adela finds out that there are people being tortured inside the vehicles, and wishes to save them, but is stopped by the mercenaries who know that it would lead these people to attack them instead. Much to the surprise of most of the Americans, the purge seems to get over without many incidents of terror reported. It seems to be one of the most peaceful purges ever despite happening after such a long time.

And what more can a purge bring for us? :: Next day, Adela who returns to her work, doesn’t find anyone there, and it seems rather strange. As she opens a cage, she finds her locked in a precarious position with her neck and arms brutally squeezed within steel bars. As she struggles to break free, purgers attack her, and plays with her helplessness, threatening to kill her. At the same time, the family which had employed Juan at their farmhouse is captured by some of their employees who tells them that the purge will never be over, and that this is a “forever purge”. The helpless family is tied up and gagged, while they declare themselves the owners of the place. They also threaten to murder the pregnant Cassie Tucker (Cassidy Freeman) when Juan decides to interfere. But even if both Juan and Adela escape with this particular family, how far can they go? Two neighbouring countries, Canada and Mexico have temporarily opened the borders for the unarmed civilians of the United States looking for refuge, but with the martial law already declared, can they reach one of those areas at the edge and find a path out of death?

The defence of The Forever Purge :: This is a very well made movie about purge, and they have managed to create something more efficient with its tale and full of more action in comparison to its predecessor. The movie has some fine moments of Mad Max: Fury Road action in the final moments too, but the action here is surely kept more realistic than in any other action movie in such a setting. The movie’s best part is the initial trap scene – it came at a time when everything seemed very normal; that was one fine innovation with the previous movies didn’t have. We might end up asking for more traps after that one. There are other scenes of surprise too, and this struggle for survival keeps us interested at all times. The extension of the brutality here seems to assert that violence is forever, and until extinction, humans will continue to be hostile to their kind, directly or indirectly. The message of unity reminds us that the same might not be possible at all, and despite the movie’s focus country this is spread all over the world in a more terrible manner. Evil is displayed as the reality that exists in the form of humans – the realistic world will approve of the same and give a salute.

Positives and negatives :: The movie possesses a fine cast for an action movie. Ana de la Reguera who played a similar role in Army of the Dead, seems to be owning the roles with action and thrills with great skills, and along with Ana de Armas of Deep Water who shares the first name with her, only seems to be getting younger as we watch more and more of their movies. The two from Mexico and Cuba are among the favourites now. Tenoch Huerta and Josh Lucas make a good action team too. There were many more twisted moments which could have been added here though, as purging is not really the thing which can have any positive elements – people around here do try the same with those harthals and bandhs though, even though the strikes are given some reasons for sure. There could have been the presence of more purgers though, and some fine methods of torture and execution being used by them – after all, they are shown as some of the most brutal people around who enjoy punishing and murdering the others whom they think do not belong with them, and that calls for further violence.

How it finishes :: Among the movies about purge, I would consider this to be the third best, after The Purge and The Purge Anarchy. The First Purge was a forced film. This is also the most action-filled and has a wider level of application with its basic idea. It also leaves scope for a sequel, which can serve as something like a post-apocalyptic movie. One another day, there could have been a post-apocalyptic science fiction dystopia with a similar world. This is the kind of movie which wouldn’t fit into horror directly, but surely generates enough fear about the reality about human mind. The franchise continues to make us realize again and again that the humans are not to be trusted, and in the absence of law and order, they would do worse than the children of Lord of the Flies – it was one thing which William Golding got perfectly correct about humanity and their evil children. Well, you wait for that day when all chaos will break out, and then purge will be a natural thing like the bandh and harthal where people rejoice in attacking others and public property. You think about it, and you realize that the purge is already here.

Release date: 2nd July 2021
Running time: 103 minutes
Directed by: Everardo Valerio Gout
Starring: Ana de la Reguera, Cassidy Freeman, Tenoch Huerta, Josh Lucas, Leven Rambin, Will Patton, Alejandro Edda, Will Patton, Will Brittain, Sammi Rotibi, Zahn McClarnon, Veronica Falcon

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Halloween Kills

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Vampire Owl: So we are having Halloween two times again.

Vampire Bat: We have the movie as much as we have the festival.

Vampire Owl: I don’t even remember much about the earlier movies.

Vampire Bat: Well, that was indeed too long ago for anyone to remember.

Vampire Owl: Well, we vampires remember things from hundreds of years ago.

Vampire Bat: That won’t include things like these.

Vampire Owl: These are all parts of life too.

Vampire Bat: World within movies don’t count as part of life.

Vampire Owl: What about the realistic ones which stay close to life?

Vampire Bat: Maybe we can say so about a few vampire movies.

[Gets a strawberry cake and three cups of orange tea].

What is the movie about? :: Deputy Frank Hawkins (Will Patton and Thomas Mann) is left for the dead, but is found by Cameron Elam (Dylan Arnold) who seems to be coming right out of a break-up. Forty years earlier, he had accidentally shot his partner dead while trying to save him from the psycho serial killer, Michael Myers (James Jude Courtney and Nick Castle). Even though he was against the execution earlier, this time he hopes to finish him off. Meanwhile, the survivors are celebrating the fortieth anniversary of Michael being caught, and all of them surviving against all odds. As he seems to be spotted in a car again, Tommy Doyl (Anthony Michael Hall) with the other survivors, supported by the people of the town, comes together to try and hunt him. Allyson Nelson (Andi Matichak) and Karen Nelson (Judy Greer), along with the heavily injured Laurie Strode (Jamie Lee Curtis) are left in the hospital, and seems to be an easy target for Michael, but the town tries to rely on the strength in numbers to find and kill the killer.

So, what happens with the events here as we just keep looking? :: It seems that Michael is going towards his childhood home, but on the way, he leaves a trail of bodies including those who had started hunting for him. The bodies keep coming to the hospital where Frank and Laurie are admitted, and they also come to know that Michael is on the hunt again. The people of the hospital also promises to come together and end the legend of Michael Myers for the last time despite the police officers telling them that they got this under control. At the same time, Michael murders the present owners of his house who were expecting children for the Halloween night. Meanwhile, people misunderstands another person who escaped with Michael as the killer and goes on a rampage against him. But Laurie and Karen are sure that this person is not him – nobody can stop Tommy though, who is determined to stop what he calls ultimate evil. Are any of these people good enough to stop the danger that lurks in the shadows with a white mask?

The defence of Halloween Kills :: Even though the full essence of a slasher movie is not here with Halloween Kills, there is enough of kills to give some justice to the genre – the elements of old style horror has been mostly lost with the new generation horror, and so that is not something new for our eyes. Having a killer for Halloween never gets old, and after all, Michael Myers is a serial killer of legendary status along with Jason Voorhees of Friday the 13th, Freddy Krueger of A Nightmare of Elm Street, Ghostface of Scream, Jesse Cromeans of Chrome Skull, Ben Willis of I Know What You did Last Summer, Rusty Nail of Joy Ride and Leatherface of The Texas Chainsaw Massacre. All these killers belong to a league of their own, and we enjoy watching them do what they do the best. The background music is effective, and there are some fine creepy scenes which lift the movie. The setting of night and the atmosphere are well created too, and the elements of nostalgia will work very well for the older fans.

The claws of flaw :: It is disappointing to see that this movie depends too much on nostalgia – getting old people to fight the seemingly invincible antagonist is a dumb idea; bringing the old woman back for Terminator: Dark Fate was as foolish as we know it; brining Arnold Schwarzenegger was okay as he was at least a machine from the future and not a human. Now, if this movie is going to have Jamie Lee Curtis kill the murderer in a sequel, that is going to be as foolish as Linda Hamilton – Sarah Connor nonsense. The movie could learn something from My Bloody Valentine which used its modern makeover with its scream queens Jaime King and Betsy Rue so effectively, leaving some iconic scenes which could rise above even that original film from 1981. Halloween franchise actually have had so many earlier movies to learn from and bring innovation, but has none of these done, not even close to getting as much as Friday the 13th and A Nightmare on Elm Street could do with the sequels and reboots. You cannot live with a well-known killer alone. There’s Someone Inside Your House, Malignant and Nobody Sleeps in the Woods Tonight made it clear.

The performers of the soul :: Andi Matichak and Judy Greer who plays daughter and mother steals the show here. The former seems to have a fine path ahead of her to become a scream queen of high quality, as she seems to have been enrolled into the slasher world effectively through this franchise. She would shine in an action and adventure movie with the same effectiveness, seeing her determination and attraction towards action. Judy is not far behind in that case, and as an actress whom we have been seeing for long, gets into the genre well too. Jamie Lee Curtis remains useless as the character who remains in the hospital all the time, and the makers should stop putting old people like her and Linda Hamilton in front of serial killers just because they were featured in earlier horror movies of the same franchise – the antagonist Michael Myers is ageless, but these people are not, and nobody is going to believe that the senior citizens are the only ones who can stop of a nearly supernatural serial killer who can kill as many people whenever he likes. Will Patton’s role is also limited into the hospital soon enough.

How it finishes :: The movie manages to manage as another pretty good slasher with its antagonist, kills, use of darkness and some nice music in the background. But the movie that one would be worried about might be Halloween Ends, which will be the final film of the franchise as it seems. From the description, it seems to bring a senior citizen against the seemingly unstoppable serial killer – if you ask me, it is something which is really cruel, unless she somehow defeats the killer, which calls for that much of a willing suspension of disbelief as in the mass masala movies. It is also disappointing to see that a grand serial killer like Michael Myers is not given the story that he deserves. It makes me wonder if this is the worst film of the whole slasher series. The reboots can learn some thing from the new Wrong Turn. Yet, we have this one becoming a natural serial killer journey with lots of murders and bodies piling up everywhere. If that is all which we need, there is no need to look further. We can watch the terror which started a long time ago unleashing again.

Release date: 15th October 2021
Running time: 105 minutes
Directed by: David Gordon Green
Starring: Andi Matichak, Judy Greer, Jamie Lee Curtis, Will Patton, Thomas Mann, Anthony Michael Hall, Kyle Richards, Dylan Arnold, Charles Cyphers, Nancy Stephens, James Jude Courtney, Nick Castle, Airon Armstrong, Christian Michael, Carmela McNeal, Michael Smallwood

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Antlers

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Vampire Owl: I haven’t seen a more interesting poster in a very long time.

Vampire Bat: Horror does need such posters to show divergence in fear.

Vampire Owl: Fear should always be the same, right?

Vampire Bat: Unless you are a vampire, or maybe zombie.

Vampire Owl: You are talking about a different smell of fear.

Vampire Bat: You should be aware of the fear potions of the witches.

Vampire Owl: Those potions never really work.

Vampire Bat: I know that you trust the pseudo-scientific elixirs of Mr Frankenstein better.

Vampire Owl: Doctor Frankenstein has opened portals with elixirs.

Vampire Bat: Those were ancient portals found hidden in the caves beneath the castle!

[Gets a red velvet cake and three cups of cardamom tea].

What is the movie about? :: In the beginning, there is a warning that Mother Earth has been pillaged, with her life’s blood taken away, and this terrible act has awakened a spirit which needs to be feared – it would seek the lost, frail and the depraved, and asks the viewers to hope and pray that it won’t take one among them. The scene cuts to Cispus Falls, a small town in Oregon which feels dark with an eerie feeling. There, in an inactive mine, Frank Weaver (Scott Haze) runs a meth lab within an inactive mine which used to serve the town’s economy a long time ago. Frank and his co-worker hears some strange noises from within the mine, and goes on to check the same. As they doubt that it is an animal and tries to escape, find themselves attacked by an unseen creature. Frank’s son Aiden Weaver (Sawyer Jones) waits for him outside the mine, failing to understand what has happened inside. His elder brother as Lucas Weaver (Jeremy T Thomas) is considered to be strange by his classmates and teachers, but Julia Meadows (Keri Russell) who teaches about myths and fables is determined to help him.

So, what happens with the events here as we just keep looking? :: Julia remembers the abuse she suffered as a child in the hands of her alcoholic father who was also mentally ill – she feels that he is also suffering from something similar. Paul Meadows (Jesse Plemons), her brother is the local sheriff – she had abandoned him a long time ago, but has now returned home from California following the death of their father. She feels that she shouldn’t have left the place, and tries to help another person as she can, this time, Lucas. She tries to bond with him, but there is no success at all – she tries to visit his house, but leaves after hearing some strange noises from inside. Lucas seems to have some some mystery locked within his house, and also takes dead animals and birds to his home. He stays awake at night and makes strange drawings. Julia feels that she really needs to get to the bottom of this, and also informs her brother, who reaffirms that Frank was considered fit to be the guardian of the two children after the mother’s death – now, what would she do?

The defence of Antlers :: It can be seen that Antlers does take the deviation from the usual horror, and this divergence is taken seriously throughout its narrative – it lets the surroundings contribute to the same really well. The environment and the setting serve effectively for the movie too. The small town with its dark and wet weather really suits the situation presented around here, and there is enough of the woods to keep one going in the mood of terror. The idea of the “diabolic wickedness that devours humans”, the spirit that takes many forms, makes a powerful myth around here. There is also a connection made to the destruction of nature which the humans managed to come up with. One wouldn’t be able to blame the monsters considering how evil the humans happen to be at every point. We also have the moments of scares, and that gets stronger with the understanding that there is a seemingly unstoppable force of nature at work. Add the performance, especially from children, and things only get much darker and scarier in nature.

The claws of flaw :: There is no doubt about the fact that Antlers had the premise to be something greater, but doesn’t use the same to the best of advantage. We do see the moments which we feel could have been better. When you have such a near-unstoppable monster at the centre, there are many things that can be done – it could have surely been designed better too. The emotional side doesn’t seem to work that much, even though we are waiting for those elements to be effective too. The myth could have also been given a boost with certain elements from the past, and a history to be remembered. One can generate enough fear out of that too. The scope for sequel at the end seems to be forced, as if there was a certain need rather than anything else. One can feel the need to remind the viewer of a myth that goes missing, but that requires more of a better origins story with roots in a mysterious past – let the horror run through there too.

The performers of the soul :: Keri Russell has been among my favourite actresses from a long time ago – she carries a certain amount of charm with her roles, even though horror hasn’t been the genre we would remember her the most for. She would make it to the list of performers who don’t seem to age much as years pass. She blends in really well as this protagonist who has her own problems from childhood itself. Jesse Plemons supports her really well as the brother figure and the policeman. Jeremy T Thomas gets his moments as the struggling child who is forced to make too many decisions at such a young age. Scott Haze gets into the terrifying moments around here well. Sawyer Jones plays the other child of significance in a role which brings a fair challenge to him. Amy Madigan ends up having a smaller role to work with than what was expected. Rory Cochrane’s work is another thing of support here. The monster when shown, works as a performer by itself.

How it finishes :: Antlers keeps on moving the world of horror forward in a different path for a change, and the world of fear continues to make its points in one way or the other. One does feel that the Malayalam movie Odiyan could have learned a few things from this one with the creature attacks and the atmosphere to make it darker – if you see the looks, there seems to a visual connection. The earlier divergent horror movies like Malignant, Lights Out, It Follows and Don’t Breathe had scored better, but this one tries to make it count. Maybe, something like the creature in this movie is the need of environment itself to take care of the humans who are destroying nature as we have known it. Well, Corona virus did try, but they were not successful in getting rid of humanity and its use of science to destroy environment. It does make us feel that there can be the moment when nature can get it back running – The Blackout surely made us think about human extinction. Until something like that happens, let us enjoy this horror out of nature.

Release date: 29th October 2021 (Theatre); 15th December 2021 (Hotstar)
Running time: 99 minutes
Directed by: Scott Cooper
Starring: Keri Russell, Jesse Plemons, Jeremy T Thomas, Graham Greene, Scott Haze, Rory Cochrane, Amy Madigan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Army of Thieves

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Vampire Owl: And now we are talking about some thieves.

Vampire Bat: We are not talking about the thieves who raided the vampire outpost.

Vampire Owl: There are other thieves who should be of our concern?

Vampire Bat: They don’t break into the Dracula castle, so not our concern.

Vampire Owl: Well, they can steal from the zombies and werewolves.

Vampire Bat: What would they steal from a zombie? A lost brain?

Vampire Owl: There is always something to steal for those who want to.

Vampire Bat: Okay, like stealing a witch’s heart.

Vampire Owl: A vampire thief would go for blood instead.

Vampire Bat: Vampires have never been real thieves. We steal only the appreciation with some special claps.

[Gets a vegetable puffs and three cups of white tea].

What is the movie about? :: Sebastian Schlencht-Wohnert (Matthias Schweighofer) is living a common, boring life, working in a bank in the German city of Potsdam. He is used to coming up with Youtube videos about safecreacking that has no viewers and zero comments until someone leaves a comment on his most recent video, about a safecracking competition. He has nightmares about zombies after watching news about the creatures unleashing themselves in Las Vegas, forcing the United States government to send the military forces there, only to mess up the whole thing, leading to a final quarantine of the whole area. He goes on to win the competition, shocking everyone. The very nexy day, Gwendoline Starr (Nathalie Emmanuel) introduces herself, a skilled jewel thief who had commented upon his YouTube video. Gwendoline then introduces herself to the man, a skilled and Interpol wanted jewel thief who had commented upon his YouTube video so that she could recruit him for one grand heist which nobody has done before, after which they will have the perfect life without the mundane bothering them again.

So, what happens with the events here as we just keep looking? :: She would have Sebastian as the safecracker, she would be thief, Korina Dominguez (Ruby O Fee) their expert hacker who has been doing it from the age of ten, Rolph (Guz Khan) their getaway driver and Brad Cage (Stuart Martin) their gunman to keep them safe during the whole heist which is going to be one grand adventure. Rolph doesn’t like Sebastian at all, while Brad hopes that he doesn’t mess this up. For meeting up and as a safe house, they have chosen a house which is off the grid. They have to break into three banks which have three safes created by a legendary locksmith. The first one is in Paris, and has the least amount of money. They feel that this might be the easiest of them all, but it might be more difficult than they think, and the other two are long way ahead as far as the difficulty level is concerned. The last two will be in two other European countries, Czech Republic and Switzerland, and shall require better planning than the one in French, with even better team work, but the question remains if they are good enough to pull up those heists as a team – then there is Interpol after them.

The defence of Army of Thieves :: There has been the shortage of some good heist movies, and the biggest release of the genre was Red Notice – it was focusing more on its superstars rather than the act of heist itself, and we have this one which basically focuses on the act in a much better way. There is some quick action with the heist going on with some fine plans in the background – each heist is basically a different thing, as we look at them, and there are some fine detail associated with them too. Also, in comparison to the earlier movie, Army of the Dead, this is a much light-hearted version, and there is also the presence of some nice humour here, suiting the heist genre. The safecracking is nice to watch in all cases, and there is a certain amount of humour and some information being added to each of them. It serves as a stepping stone to the next movie well, and has the origin story of one particular character, as we wait for the same with the others too. We know that how things turn around with the next movie!

Positives and negatives :: As this movie goes back from the zombies to humans, there is surely the feeling of relegation, even though it does its job as it was supposed to do. The film also lacks a power-packed hero like Dave Bautista who had held the previous movie on his gun point with the muscles. The female characters do hold on well enough though. This movie, even if shorter than the other film of the franchise, does feel longer, as this one does have some random time in the beginning, and also some romance to go with it, which means that there is a stretch, even though the interesting way of telling this story makes sure that we are past it. The visuals are also really good, with locations in three European countries – France, Czech Republic and Switzerland. The beauty of Europe does get the due, and the focus is not just on the big cities, but also nature, with the final moments having one grand truck journey through a beautiful world, which is to be remembered too. Well, a heist movie without zombie horror means that this is also for the less valiant.

The performers of the soul :: Matthias Schweighofer leads in the movie, even though he doesn’t do the same with team, taking time to get into it, and manages to come up with a fine job as he goes through the whole thing. He is also the director of this movie, and it seems that he has a lot to do in different fields. Yet, with the performance, it is Nathalie Emmanuel who steals the show, and it is very unlike her in the Fast and Furious as well as The Maze Runner series of movies, as this time, she plays the best character around here. It is also the one with the most skills, and the person who leads and decides things, a role which Dave Bautista did in Army of the Dead. Ruby O Fee who plays the other female member of the team doesn’t fall behind either, as she plays the hacker who does most of the background work for the team. Stuart Martin and Guz Khan are secondary in this team, even though they seem to take over in the beginning stages of the mission in the movie. Jonathan Cohen and Noemie Nakai do add nicely here too.

How it finishes :: Army of Thieves doesn’t have the strength as the earlier movie of the franchise, Army of the Dead had, for one particular reason – it doesn’t have the zombies, and is thus missing the horror elements, but still manages to be a very entertaining heist movie with quality action and humour being the necessary part of it. Some people might not like the fact that this is a prequel, and it doesn’t mention the zombies enough, but we know that dealing with thieves and their heists mean that there can only be a little bit of the monsters of Las Vegas. It does connect to the events of the second movie in the end nicely, and we can actually come out of this movie as having watched an entertainer which sticks to the plan. Well, we have had many films being marketed as big entertainers, and so many of them didn’t live up-to the expectation, or at times managed to overdo and mess up things. But, this one stays strong as the prequel that it was supposed to become, and joins the smart heist movies list in style.

Release date: 29th October 2021 (Netflix)
Running time: 127 minutes
Directed by: Matthias Schweighofer
Starring: Matthias Schweighofer, Nathalie Emmanuel, Ruby O Fee, Stuart Martin, Guz Khan, Jonathan Cohen, Noemie Nakai, Barbara Meier, Peter Hosking, Fanette Ronjat, Amy Huck, Peter Simonischek, Dave Bautista, Ana de la Reguera, Bly Tanaka

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@ Cemetery Watch
✠ The Vampire Bat.

Antakshari

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Vampire Owl: This reminds us of the great game that we had in the castle.

Vampire Bat: The human game was indeed interesting.

Vampire Owl: Yet, humans play more of the evil games.

Vampire Bat: It is just a part of their evil nature.

Vampire Owl: Evil is part of their nature more than ever these days.

Vampire Bat: Can you guess how many evil humans are in this movie?

Vampire Owl: I am guessing that at least ninety five percent of them will be evil.

Vampire Bat: It is not really a big percentage for any group of humans.

Vampire Owl: Doctor Frankenstein has determined it be as high as ninety nine most of the time.

Vampire Bat: I don’t think that this has anything to do with Mr Frankenstein and his fake experiments of no meaning.

[Gets a chicken samosa and three cups of orange tea].

What is the movie about? :: Circle Inspector Das (Saiju Kurup) is the officer in charge of a police station in the remote area of a hilly terrain, where Srinivas (Sudhi Koppa) joins as a probationary officer while hoping to solve a big case as soon as possible. Das gets into a fight with Vasudevan (Vijay Babu), who is a local leader of a prominent party, and also has multiple business interests. On the very next day, Das’ daughter is almost strangled to death by a man wearing a paper mask, saved only because of his wife Chitra (Priyanka Nair) noticing it at the right time. Despite threatening Das and his family before, Vasudevan denies any kind of involvement in the act, affirming that his problems are solved face to face, and there will be no hiding. Das has the habit of playing antakshari where each person sings a song, and the next person begins with the letter on which the previous person’s song ended. On the day on which his daughter was attacked, he had also received a call from an unknown number asking him to sing a song, or his daughter will be singing instead.

So, what happens with the events here as we just keep looking? :: Their senior officer Jayachandran (Binu Pappu) and the local head constable Hariharan (Kottayam Ramesh) are not really fond of Das, as they are on the side of Vasudevan, and do not want him to solve too mysterious a case. He also comes against a strange, mute girl named Nayana (Ishita Singh) who has come to her grandparents’ home from Delhi. There is something about her, as she also seems to be hiding some secrets which nobody would want to know. Das and Srinivas slowly, but effectively connects the dots and finds out that similar murders have happened before, but police had closed the cases. Some of those murders were also considered to be accidents, and the deaths of the fathers after the murders of their children were considered to be accidents or suicides as a result of alcoholism and depression. The two officers end up finding a chain of events which lead a long way back, but will they be able to find the person behind it in time or is there another murder on the path?

The defence of Antakshari :: The movie has a police officer who is rather ordinary, and it has his struggles in finding the psychotic murderer, who is really that crazy as in Forensic, and very unlike the non-psychotic revenge seeker in Anjaam Pathira. The cop doesn’t have that much of a flaw as the protagonist of Memories, but is very much relatable with a usual kind of family and personal problems. The movie is shot nicely, and with some fine performances, leaves scope for a possible sequel – despite the low chances, we hope that such an attempt is made; there are also other similar trials of investigation which can be combined with this one to create a shared universe. Such a sequel can also talk about those elements of this movie which seems lost, and maybe, it can be a serial killer universe instead of a cop universe. This is the kind of movie which Bollywood would use to make a super-cop, but thankfully, we don’t leave it in their hands. The movie doesn’t take the predictable path either, as there seems to be the possibility of fun discovered in taking the road less taken, on the lines of Robert Frost.

The claws of flaw :: Antakshari is quite slow in its progression, and there are characters who don’t really play much of a role in moving the tale forward. A few things also go without explanations. The whole saga of one family with an abusive father, frustrated mother, music-playing son and cat-loving daughter facing a mysterious girl don’t fit in here at all – neither do the broken guitar and dead cat. This is that kind of a family which could have been there for namesake, but so much of time is wasted on them. If a red herring was intended, that should have been a part of the storyline – there was another villain out there who could have served the same. The young engineering student who is in love with a mysterious mute girl makes no sense, even if the vampires were to turn cent percent vegetarian. Without these moments, the movie could have been shorter, and the pacing could have surely been better. This one lets the lost moments go lost rather than get it back and link them. There were so many paths that this film could have taken, that is for sure.

The performers of the soul :: Saiju Kurup shines really well as the police inspector who has this investigation on a personal level rather than anything else, like Joju George of Joseph. He has been one actor who didn’t get enough opportunities to lead, but this is one chance which he holds on to. He is someone who suits this kind of a police officer really well. Sudhi Koppa plays the role of the supporting officer well, and it is also not a role he is stranger to. He is another performer whom we need to see very often, as there seems to be a lot of requirements for quality actors rather than entertainers. Binu Pappu doesn’t have that good and understanding police officer role here, but does this shade with ease. Priyanka Nair who did have some fine roles years ago has another one to remember here. Among all the roles being performed here, Ishita Singh’s role remains the one which doesn’t seem to give us any idea of its purpose of existence – feels like an absurd side around here, even though she suits the character. The rest of the characters mostly just have to play along here, but more notable are the woman and child from the flashback. Vijay Babu has a small role.

How it finishes :: Like Salute, Antakshari is another movie which doesn’t depend on the foolish mass masala to go through investigations by police officers. It is very good and effective because it doesn’t cater to those brainless fans who visit the theatres and get a movie crores of business while losing all their money to petrol, parking fees, highly expensive food and others. This movie is for the others, who look out for the new releases on OTT platforms, as the Corona virus pandemic has shown us that it is indeed the right thing to do. Well, you have the choice not to go to the theatre and watch those foolish dance and music to which insanity is unleashed in between a story – I would call for the lack of the same every time. The mass masala genre itself is a fake thing created for the superstars and their children to call their fans to the theatres and by creating the fake vibes, they make the rest of the audience feel that the movie is fantastic – lets see how long these star kids who fly around beating people and doing dumb romance will go. After that, you can come back to good movies like this one.

Release date: 22nd April 2022 (Sony LIV)
Running time: 122 minutes
Directed by: Vipin Das
Starring: Saiju Kurup, Priyanka Nair, Sudhi Koppa, Vijay Babu, Binu Pappu, Thomas Kunnampuzha, Shabareesh Varma, Sruthy Suresh, Kottayam Ramesh, Boban Samuel, Sandeep Pradeep, Ishita Singh

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@ Cemetery Watch
✠ The Vampire Bat.