Premalu

Vampire Owl: We were never really planning to watch this one.

Vampire Bat: We are way past romantic comedy right now.

Vampire Owl: Well, who falls in love during these days of chaos?

Vampire Bat: There are always people who falls in love.

Vampire Owl: It is a human thing, I guess.

Vampire Bat: Yes, just like violence, hatred and hostility.

Vampire Owl: Humans are trying to hide their true nature with this?

Vampire Bat: They will have to show their terrifying true faces at some point.

Vampire Owl: We will enjoy this veneer applied on them for now.

Vampire Bat: Their world, their movies, their valentines.

[Gets a Kolkata Kathi Roll and three cups of Darjeeling Tea].

What is the movie about? :: Sachin (Naslen K Gafoor) is a jobless young man who managed to get his degree from a random college where he had fallen in love with a girl whom he know, but that thought itself never made any sense as the girl hardly even knew him. He gets back home and finds that his visa to the United Kingdom is rejected. He meets his old friend Amal (Sangeeth Prathap) after a long time, and decides to go with him to Hyderabad and attend GATE coaching, even though he has no clue about what he is doing. They are invited to the wedding ceremony of their teacher Shobi (Althaf Salim), scheduled to take place in Andhra Pradesh. At the function, he falls in love with Reenu (Mamitha Baiju) who had recently joined an IT firm in Hyderabad and was there with her colleagues. Their first meeting is not that great to talk about, and fails to create an impression as he almost kills her colleague and admirer Aadhi (Shyam Mohan M) and Reenu’s best friend Karthika (Akhila Bhargavan) feels that they have other motives.

So, what happens with the events here as we just keep looking? :: As Reenu and Karthika has no way to return to Hyderabad after the function, they choose to go back with Sachin and Amal. Aadhi who has been in love with Reenu since they first met, does not agree to the same. The journey makes them good friends and Sachin wishes to make sure that Reenu falls in love with him. At the same time, Karthika feels that Amal has fallen in love with her, which should be the reason why they keep contacting the two girls. Sachin and Amal invite Reenu and Karthika to a pub to attend a part for couples, but in the absence of a partner for their flat mate Niharika (Meenakshi Raveendran), they decline the offer. But this brings them to Thomas (Mathew Thomas), a science-addict who is paired with Niharika. The visit to the pub is messed up as they realize that nothing good is going to come out of all of these. But Sachin is still infatuated with Reenu, but is there any way for him to make love happen, and what can Amal do about all these?

The defence of Premalu :: The simple fun movie mode is turned on with this movie from the beginning to the end. The happy and light mood keeps making things better. The funny counters are really good, and might be repeated in the comedy shows for the new generation, as we see this as the first full comedy of the year. The movie becomes the reminder that there can be jokes which are suitable for everyone, even though sometimes it seems to show small tendencies to deviate to the other side. Friendship and romance, even when not new, feels refreshing, as the attempt to keep this interesting with moments can be seen. The stars have also been doing some great job in promoting the movie – saw them from a distance at Puthettu Cinemas, Palai last week, and that seemed to be a cheerful group of Mamitha Baiju, Sangeeth Prathap and Meenakshi Raveendran. The happy nature seems to be reflected in the film very well. We do have this movie showing the naïve nature of the youth that works pretty well.

The claws of flaw :: There is almost nothing to be taken seriously in regards to Premalu, as we see the characters go through the simple problems touched with humour. In the attempt to remain funny at all times, we see that trivial matters gain importance over everything else. This means that the amount of silliness that comes in between might be too high, but that kind of a feeling would be suitable more for films like Kunjiramayanam that could thrive on the foolishness of the characters from the beginning to the end, typecasting them. The movie is also a little too long for one’s liking, as there is not that much of a content to continue to ponder over. There is too much of a repetition for people who are less interested in the genre. The idea of having a foolish hero getting to marry a smart and intelligent heroine remains ridiculous; the happy ending seems forced, and these people separating forever would have been the right choice here. The weakness of second half is clearly seen in this movie, as the film seems to be confused where to stop.

The performers of the soul :: Naslen K Gafoor has been the boy next door for quite a long time, proving his point multiple times often considered in combination with Mathew Thomas of Kumbalangi Nights fame. The two made a fine combo in Thanneer Mathan Dinangal as well as Jo and Jo. He shines with the shades of comedy, even though there is some overdose. Naslen has gone further, as it was earlier somewhat shown in Kuruthi while Mathew also has a cameo role here which raises the interest of viewers. Mamitha Baiju has been a favourite among the youth more than ever in the recent years, starting with Sarvopari Palakkaran followed by Varathan a long time ago, but getting the big roles in Operation Java and Kho Kho. She has once again proven the point that she is perfectly suitable to this kind of roles. Meenakshi Raveendran is a joy to see again after that feel-good of Tholvi F C, but has too less to do. Sangeeth Prathap provides very good support here with shades of humour all over. Akhila Bhargavan is a lovely addition and Shyam Mohan with some memorable comic dialogues also add to the interesting young cast who make the impact here.

How it finishes :: Premalu is that kind of a romantic comedy which focuses on the humorous side so well that it remains entertaining throughout its run, and provides nothing more with content. The movie has found that kind of a cast that works like a dream. It becomes an enjoyable journey for families including children and youth, but not that much for people who are looking for some serious content. If we look at the same as we have intended it to be, there would be a smooth run here, and one can be left happy in the end, while going through laughs in between, without brains. It could be the bliss of solitude in parts, as there is no attempt to get into a darker mood even when things seem to go down for the protagonist. The success of the movie is a reminder that we have not lost that touch in enjoying the movies with no serious content, even though thrillers have remained the big scorers at the box office, with the last two being Abraham Ozler and Neru. Well, we still know that there are more big releases coming up and Premalu has to fight hard to maintain its good spot at he box-office.

Release date: 9th February 2024
Running time: 156 minutes
Directed by: Girish A D
Starring: Naslen K Gafoor, Mamitha Baiju, Sangeeth Prathap, Shyam Mohan M, Akhila Bhargavan, Meenakshi Raveendran, Althaf Salim, Shameer Khan, Ranjith Narayan Kurup, AR Rajaganesh, K S Prasad, Mathew Thomas (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Anveshippin Kandethum

What is the movie about? :: S.I. Anand Narayanan (Tovino Thomas) and his team of police officers (Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad) faces two cases in two time periods. The first one is related to the disappearance and murder of Lovely (Anagha Maya Ravi) and the second one is a cold case related to the murder of Sridevi (Arthana Binu) whose death could not be solved by even the best of police officers assigned to the case. Regarding the first case, he faces problems from his seniors who do not wish to see him doing better than them, and neither can they stand him going against a priest Fr. Thomas (Madhupal) who becomes a suspect, but is revered by the locals. When his seniors find another suspect from the available clues, Anand decides the take matters into his own hands unofficially, and even creates situations which would help him to find Lovely, who was returning home from college after receiving her hall ticket. This would lead to a few twists, but can Anand finally catch the real killer?

So, what happens with the events here as we just keep looking? :: The second case which deals with the murder of Sreedevi would seem more twisted and placed at a higher difficulty level, as it occurred much earlier, and the police department is ready to stop the whole investigation. The locals are also very much tired of the investigation due to the earlier police officers pestering them and even resorting to torturing some of them ruthlessly. The panchayath president Philo (Baburaj) and the local landlord Sadanandhan (Shammi Thilakan) are hostile to the presence of any police officer for the purpose of finding anything related to Sreedevi, who is a lost cause for them. In this case, there is no restriction imposed by the seniors, but the unsupportive locals and lack of clues bother them. Yet, the team decides to go on with what they have, and extends their stay in the small village where the incident took place by a few days. But with time running out, can they do it without just randomly writing anything on the report to close the case?

The defence of Anveshippin Kandethum :: There is a certain amount of interest gained from the title of the film itself, as we are reminded of the Bible quote – “Ask, and it will be given you; search, and you will find; knock, and the door will be opened for you. For everyone who asks receives, and everyone who searches finds, and for everyone who knocks, the door will be opened”. We are once again introduced to a world that our audience has embraced really well, that of murder investigations; the search is on for the police officers led by Tovino’s character, and we look forward to finding. This has indeed been the favourite genre of our people, and this one will only reassert the idea that we are more into thrillers and murder mysteries than anything else. The confidence which has been shown by the makers of this movie to keep things realistic enough, and in keeping the protagonist a character without those usual heroic abilities makes sure that this is one of those movies which will not be remembered for the nonsense moments.

Positives and negatives :: If the material like this was put before any of those overrated superstars or directors of Bollywood, the movie would have been unbearable, and except for the kind of audience who likes the terrible exaggeration, this movie will work like a dream. The blending of twists into a world staying so close to realism is not an easy job, but has been accomplished well. The music in the movie works pretty well while the visuals effectively add to the overall quality here. The journey to an earlier time period is nicely arranged without adding too much to make the world become more important than the other elements. The second investigation is more interesting than the first, as the twist is more effective there, even though the flashbacks are very well done – the characters in the first case should have been introduced earlier than we had first noticed them. The supporting police officers should have also been given more to do rather than keeping the focus on the main cop.

The performers of the soul :: Tovino Thomas continues to come up with at least one big movie every year, like 2018 last year, Thallumaala before that, and Minnal Murali in the year before that. He has been continuously impressing us with his variety, and even though we have seen him as an investigator of murders in films like Forensic, this one is indeed special. The way in which he moves through different roles of divergence has been setting an example for all the newcomers in the industry in the last few years. Vineeth Thattil David, Rahul Rajagopal and Pramod Veliyanad who plays his supporting do not get that much to do in comparison to what we had seen in Kannur Squad where almost everyone has something special to do. It does not happen here, even with Azees Nedumangad who was present in that movie here again – he would have blended into a team better than anyone else. Among the veterans, there is the certainty of strength. Baburaj handles the role very well with a touch of humour, while Indrans goes through a completely serious path, while Harisree Ashokan has a certain amount of sadness associated with his character.

Further performers of the soul :: Siddique plays a role with which he is not that much of a stranger. Shammi Thilakan is a fine addition to a world which needs his work to keep things going. The two main girls Arthana Binu and Anagha Maya Ravi who are murdered in different time periods, come up with some fine work, blending into their entirely different roles. One would remember Anagha from another thriller Eighteen Hours, and here the role seems to be so different, and she handles it with perfection. Aadya Prasad also comes up with a nice contribution here even though the role does not last that long, yet plays so well towards the twist. We would have still wanted more female presence among the police officers going through the investigation. Among the better known names, Alencier Ley Lopez only has very less to do too. Nandhu does some fine job from the beginning stages, while the roles of Sreejith Ravi, Prem Prakash and Madhupal are smaller, even though the last two contribute to bringing the twists leading to the conclusion quite well.

How it finishes :: We have not been strangers to thrillers of quality during the last few months, with Kannur Squad coming up as the one classic investigative thriller and Neru making a huge profit and Abraham Ozler following a serial killer with all the thrills that it can provide. The thrillers of the industry have only been gaining in strength during the last few years, a trend which seemed to be triggered by Anjaam Paathira, even though weakened by the corona virus pandemic for a small amount of time – the trend is back now, and the signs are stronger than ever. This particular movie here keeps it realistic and at the same time, has the thrills moving forward stronger than ever. This one is sure to make it to the list of some of the most interesting thrillers in the recent past, while never trying to overdo things to catch the attention of the audience. The same would be the reason why the movie has managed to rise so well in this week of multiple releases.

Release date: 9th February 2024
Running time: 142 minutes
Directed by: Darwin Kuriakose
Starring: Tovino Thomas, Arthana Binu, Anagha Maya Ravi, Baburaj, Indrans, Siddique, Aadya Prasad, Vineeth Thattil David, Alencier Ley Lopez, Harisree Ashokan, Shammi Thilakan, Pramod Velliyanad, Saranya, Nandhu, Sreejith Ravi, Prem Prakash, Madhupal, Rahul Rajagopal, Azees Nedumangad

@ Cemetery Watch
✠ The Vampire Bat.

Abraham Ozler

What is the movie about? :: ACP Abraham Ozler (Jayaram) spends most of his time hallucinating and has sleepless nights after his wife Maneesha Ozler (Anju Kurian) along with their daughter are kidnapped and brutally murdered by a drug addict named Vineeth Ram (Arjun Ashokan), whom he had earlier apprehended in a narcotics case. Vineeth does not hesitate to reiterate the fact that he was under the influence of drugs and killed both of them. Yet, he does not reveal where he buried the bodies and keeps saying that he is not able to remember as he had a heavy dose of drugs. Ozler still continues to be in the police force even though he is not of the same strength and sanity that he used to be. Counsellor Varghese Uthup (Sai Kumar) asks him to get himself busy or the hallucination and insomnia will only get worse. It is then that a young man working in the IT field, Naveen Sivakumar (Harikrishnan) is brutally murdered in the hospital after being hit by a pick-up truck. Maya Naveen (Darshana S Nair), his wife, finds him dead in the hospital room with a note saying Happy Birthday and a note.

So, what happens with the events here as we just keep looking? :: Ozler, supported by SI Divya Sreedharan (Aryam Salim) and SI Sijo Venu (Senthil Krishna) takes over the case. They understand that this hospital was the only place where the victim would have ended up after the accident, and it was really the day on which he was born. As they start with the investigation, another man is murdered in a similar pattern in another hospital, but this time it is a thug who usually gets into fights. He is also left with a similar note where he was murdered. The third murder also takes place without delay, and this time, it is someone who runs a successful restaurant business – the hospital chosen here is different, but the pattern remains the same. The media calls the murderer by the name birthday killer, as Ozler and his team continue to search for possible answers. Whenever they seem to come very close to finding the answer, they realize that it is a dead end.

And what more is there to be seen here with a killer on the loose? :: They understand that the quotes which are given by the killer are from a Latin phrase related to medicine which could be seen in only one area in Kerala, and they reach the Kozhikode Medical College. There is also the understanding that the murders were committed by someone who had medical skills, but not someone who has been practicing regularly as asserted by Dr. Satheesh Madhavan (Anoop Menon). Everything seems to point to the medical college and a number of students there, among which Suja Jayadev (Anaswara Rajan) had committed suicide. From all of these, they find Dr. Sevi Punnoose (Jagadish) as the next potential victim, and he seems to be least bothered about it. A man who underwent surgery at the same hospital, Krishna Das (Saiju Kurup) seems to be missing, and they feel that he might have a role in the murders. But he is not a man who is capable of doing all of these, and the police officers know that death awaits more people and they have no time to waste. Can they finish the investigation in time and bring and end to this sensitive case with no more lives lost?

The defence of Abraham Ozler :: Our world of thrillers is strong, as proven by Drishyam and its powerful sequel, and Abraham Ozler gets a chance to be part of that list. This movie’s ability to keep the audience so interested and engaged from the beginning to end needs to be appreciated – it never asks for the unrealistic from its main characters either. The dark shades are used to its advantage, and the power going off becomes the foreshadowing with ease. Even with many things tried by the same director in Anjaam Pathiraa, this movie is a clear improvement from that one which had a struggling flashback and weaker ending in comparison to Abraham Ozler. The visuals are very good with a dark and gory feeling provided all the time – there are almost no moments of positivity in this one. This movie is also an improvement on the struggle for heroism that the earlier thriller Garudan seemed to possess. The background music further powers our movie here so well – it keeps us immersed in the overall mood of the film, and we are left excited all the time. The emotional side has the power to keep the interesting going too.

Positives and negatives :: The movie could have released during the Christmas holidays, and if that happened, it could have given Neru a challenge which would have helped the audience to be in a full celebration mood, but surprisingly this one backed out despite having everything to make that challenge which would mean healthy competition. This feels like the right holiday movie with all the thrills that it provides. The characters of Anju Kurian and Darshana S Nair gets too less presence in the movie, and we hope that the former can come back for more in a possible sequel. The same can be said about the big names, Sai Kumar and Anoop Menon. The extended cameo becomes the big thing in the movie, even though one would not have wanted the secret to be out too soon. A little bit of predictability comes in with the flashback, and it should not have been this long or detailed, as we have an idea about it from the present situation itself. The serial killer motive remains similar this time too.

The performers of the soul :: This movie means that Jayaram’s run without making impression in new releases have come to an end, for his last best movies were Lonappante Mamodeesa and Panchavarnathatha, both of them not having the quality to live up to the actor who made our childhood awesome. If I have to go back to a movie with him as the solo hero which I really liked, that would be a long way back in the form of Nadan which released in 2013, even though Makal did make some impact in old style. This time, he is just brilliant in this role, as we see the character of the trouble police officer safe with him, and we know that there is more to come in a possible sequel. Mammootty’s extended cameo makes the movie feel even bigger, even though the big revelation should have come only in the later stages. Anaswara Rajan shines in the flashback scenes, and there seems to be no going back for her. Arya Salim whom we remember the most from Minnal Murali, plays her police character incredibly well, and we have the best lady police officer in some time. Senthil Krishna does the same in another way, while Arjun Ashokan seems to promise to bring an even more interesting character in a possible sequel. Jagadish’s serious character once again has our attention here. Saiju Kurup scores well in between.

How it finishes :: Abraham Ozler is surely a better movie than Anjaam Pathiraa and somewhat ahead of the other thrillers like Forensic and John Luther. The last one might still have more similarities with this one than the rest, as in both cases, we have a troubled police officer tracing the murders back to medical students. Memories had the police officer who lost his wife and daughter, and could seek out the serial killer looking for vengeance, and the similarities end there, with this movie coming up with a twist in the end and setting up things for a sequel. Most people would feel that the sequel would do even better, as the film seems to end to point to its beginning, and has everyone thinking deeper. Abraham Ozler never hestitates to bring that mood of investigation with a serial killer lurking in the shadows – the feeling of danger is always there, and even when looking for revenge, there is always the indirect way of going through the same, leaving the red herrings further away. As the predictability only comes late, and with new twists to come, the movie remains engaging from the beginning to end, and we do not feel it to be long.

Release date: 11 January 2024
Running time: 144 minutes
Directed by: Midhun Manuel Thomas
Starring: Jayaram, Mammootty, Anoop Menon, Anaswara Rajan, Arjun Ashokan, Jagadish, Senthil Krishna, Arya Salim, Dileesh Pothan, Sai Kumar, Harikrishnan, Assim Jamal, Arjun Nandhakumar, Aneesh Gopal, Sreeram Ramachandran, Boban Alummoodan, Benyamin (cameo)

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@ Cemetery Watch
✠ The Vampire Bat.

Falimy

Vampire Owl: I think that humans no longer have the concept of ideal family.

Vampire Bat: Are you referring to the change of spelling here?

Vampire Owl: I am referring to the idea of a perfect family.

Vampire Bat: Humans have never been family-oriented by nature.

Vampire Owl: So, the human nature has been missing for long?

Vampire Bat: They are moving away from families as it is not in their nature.

Vampire Owl: So, there are no families anymore?

Vampire Bat: Almost all families of humans are broken now.

Vampire Owl: So, there is no more hope for them?

Vampire Bat: Hope is now a thing of the undead, not of the living.

[Gets a vancho cake and three cups of Darjeeling tea].

What is the movie about? :: Janardhanan (Meenaraj Palluruthy) is an 82 year old man, the eldest person in the family who keeps trying to travel to Varanasi, but every time someone from his family finds him on the way and brings him back. But that does not stop him from trying again and again. On one occasion, he had almost boarded the train itself. His son Chandran (Jagadish) does not go for any job, and had ended up shutting down the printing press owned by the family. He spends most of his time doing nothing except watching television. He has a lack of interest in family matters, and becomes more and more alcoholic as time progresses. Chandran’s wife Rema (Manju Pillai) is working at a press, and tries to keep her family running without problems. She keeps the family together after giving her best efforts. The elder son of Chandran and Rema, Anoop (Basil Joseph) works as a dubbing artist in a nearby studio. Abhijith (Sandeep Pradeep), the younger child spends his time doing nothing, and dreaming about getting out of India, preferably the United Kingdom.

So, what happens with the events here as we just keep looking? :: Things seem to get better when Anoop gets an alliance from Anagha (Raina Radhakrishnan), a school teacher who had earlier rejected the idea of marriage itself. The engagement gets into trouble as a man named Robin (Joemon Jyothir) disrupts the ceremony, claiming to be her lover. Abhijith beats him up, only to be chased by the goons regularly. Anoop who feels cheated decides to go to Varanasi for a change, accompanying his grandfather, and a frightened Abhijith also decides to go with them. Chandran and Rema also decide to go and according to the plan, they get into the train. On the way, at a railway station at night, Chandran finds himself tricked by a tea-selling boy at a railway station, and he is stranded at the station with his wife and two sons. The grandfather is also forced to get out of the train, and the whole family is forced to continue the journey by road. But with tension building between them, can they finally finish the journey? How far will they travel?

The defence of Falimy :: There is a pretty good attempt to display a middle class family with all the small problems that become inflated as members do not understand each other too well. The realizations that come across them are nicely shown here. Having Basil Joseph at the centre surely has worked in favour of the movie, and Antony Varghese withdrawing from the project did not do that much of a damage. The message about importance of being one family and providing values to the desires of the elders could get the attention here. The frustrations in the movie do feel real, as the meaningless existence of a few and the inability to find meaning for others do get some presence here. Living through some habits which lead nowhere would not feel strange to our people, as doing nothing itself has become a habit due to the rise of Youtube – people these days know nothing other than to make videos which are watched by more jobless people, and it is one reason why we need the Terminator-type apocalypse to come and internet to go down. The visuals outside Kerala makes an impact, especially as we get closer to Varanasi with the characters.

The claws of flaw :: The movie does go through its struggles just like the characters within it. There seems to be the feeling that there is comedy when there is none. The comic side often losses its charm as it is lost between reality and the need to add something extra. In the name of showing middle class families, the movie also shows too many brainless people – in a society, we would expect at least one person to have some brain, but this locality and extended family seems to be different, and it is to be noted that this is not a Kuniramayanam or Adi Kapyare Koottamani type of film to move that way. The poverty here seems to be that of intellect rather than anything else. The movie could have used its spirituality at the end to its advantage, or bring back the wedding element to create the feel-good, but this one is caught between the feel-good and the dumb comedy which often prevents film from making the best out of the available potential. There was so much to be done, but this family takes the easy path, and that might have felt like the safer one for them. This is where the struggle feels more real for the movie than the characters.

The performers of the soul :: Basil Joseph remains the major protagonist here, and he adds more to the existing factors like in Enkilum Chandrike. He makes this character so good with the frustration, helplessness and meaningless existence which becomes him – you know that it is very difficult for a young man to get married in this part of the world if you do not have a government job. At the same time, Jagadish and Manju Pillai makes a fine combination and adds to some situational and realistic humour, but the latter do not have a Home-like platform here to get to serious mode. Sandeep Pradeep also comes up with some fine performance in a new generation realistic mode here. Meenaraj Palluruthy has a fine performance which would be remembered for long, and the emotional touch remains strong. Boloram Das who plays the main character outside Kerala also leaves us with some fine moments to cherish, filled with funny elements. Raina Radhakrishnan who is like the main female lead for a few minutes also leaves a mark – the moments have a cute side as well as a tragic one, which sets the world moving forward. It could have been good to have her back at the end of the movie, but it was not to be.

How it finishes :: Falimy is a movie which could have surely been much better, and there could have been better quality associated with different elements present here. The attempts to create comedy out of nowhere do not work at all times, but the simplicity and the plan to remain close to reality would keep it going and gain the positive appreciation that it required. The journey still does not become a Kumbalangi Nights kind of adventure which we could cherish for a longer period of time. It has been strange throughout the movie to see so many opportunities to be wasted. You cannot keep asking the ordinary space to create something special out of situations, and that is where the problem lies. Consistency has not been a quality of this film from the beginning itself. Yet, we watch this one for those moments, the comic ones that work here and there and the emotional ones that struggle even further to create impact. The movie surely manages to be at a higher level than the rubbish that is provided to us in the form of realism, like Angamaly Diaries and Annayum Rasoolum, two of the most miserable nothingness movies in the history of Malayalam cinema.

Release date: 15th December 2023 (Hotstar); 17th November 2023 (Theatre)
Running time: 127 minutes
Directed by: Nithish Sahadev
Starring: Basil Joseph, Jagadish, Manju Pillai, Abhiram Radhakrishnan, Raina Radhakrishna, Joemon Jyothir, Boloram Das, Amith Mohan, Meenaraj Palluruthy, Sandeep Pradeep

<<< Click here to go to the previous review.

<<< Click here to go to the previous movie with a trip.

@ Cemetery Watch
✠ The Vampire Bat.

Tholvi F C

Vampire Owl: I would like to sponsor this football club.

Vampire Bat: We are not allowed to sponsor clubs of humans.

Vampire Owl: But I have the money, like human cash.

Vampire Bat: It has never been about the money.

Vampire Owl: Well, for humans, it has always been about the money.

Vampire Bat: Uncle Dracula has never talked about money.

Vampire Owl: This is about survival in an evil human world.

Vampire Bat: You can try sponsoring any drink some vampire business instead.

Vampire Owl: We shouldn’t do business, for we lose money.

Vampire Bat: Well, we live in a vampire welfare society. There is no need of too much cash.

[Gets a chicken pizza and three cups of Bagdogra tea].

What is the movie about? :: Oommen (Sharaf U Dheen) is an engineer who quit his job in IT industry at Bangalore to start his own business in the form of a grand tea shop known as Chai Nation Private Limited, which he established close to an It park. But the venture is not successful, and his plans to expand the business gets nowhere. His father Kuruvila (Johny Antony) is only interested in making profit by investing in cryptocurrency, and he miserably fails in doing the same like he had earlier did with share market. Thambi (George Kora), Oommen’s brother is running a football club for children known as Thambi FC, based out of Kadavanthra. But the team has always been losing matches, especially to their newfound nemesis Bolgatty FC. Shoshamma (Asha Madathil Sreekanth) is not happy about her jobless husband Kuruvilla or the two sons who are also of no use. During one of the games, he gets to meet Mariyam (Meenakshi Raveendran), who is very much interested in football, and has returned to her sister Shahana (Anju Abraham) and brother-in-law Feroz (Abraham Joseph) who forms a typical orthodox family. She had only recently divorced her husband at Qatar, which has led to her living a lonely life.

So, what happens with the events here as we just keep looking? :: The struggles of Oommen, Thambi and Kuruvilla comes together with the failed attempts of Shoshamma to get her book published while going through her life as a librarian. Her psychological thriller keeps getting rejected by different publishers. Oomen is in love with Sharmin (Poonam Gurung) from Tibet who used to work with him, while Thambi and Mariyam gets closer to each other as much as they go keep the passion for football. Oomen’s attempts to impress a potential sponsor Althaf (Althaf Salim) fails miserably, while Thambi F C losses its players after a fight which breaks out after a match. Both Thambi F C and Chai Nation continues to be in trouble as the latter forms the main sponsor for the team. Kuruvilla is forced to get out of home as he losses more of the money earned by Shoshamma. Oomen’s relationship with Sharmin also gets into trouble. The family struggles to keep things going, as life gets more and more difficult for them to remain normal. Can they finally go past the struggles and get what each of them wishes to achieve in their lives?

The defence of Tholvi F C :: We have always looked for some fine family movies which we can relate to, and finish the movie with some happiness that can be kept with us for long. The message about gaining success in life is asserted strongly again and again. We are never short of the need to have some inspirational movies as long as they do not overdo their ideas with impossible or useless ideas which lead us to trouble. This movie knows where it stands in relation to that, and even though the investment and innovation mode might feel extra, the overall thing remains interesting and connectible to all of us. There are only a few feel-good movies with family and children that have managed to make a good impression on me, and this is surely one of them. Unlike some other overrated families in Malayalam movies, this is surely one family that we can love better than other. The comic side is very good, and they also feel realistic and close to our lives, sometimes reminding us of the pathetic state of affairs all around us, serving as satire too. Some of the dialogues are nicely written to stay in our minds and situations are created in the same way too. The significance of tea is also asserted so well, and a dream come true for all tea lovers to see the drink taking centre stage at times.

The claws of flaw :: There are moments when Tholvi F C tries to force some feel-good factor when the chance was not really there. The elements of football could have been taken in a better way. Some parts of the movie seem to be added just for the sake of having them there, even though no movie needs to focus on giving equality and liberty ideas all the time. There are moments when quick solution achieved despite going deeper, as humour takes over fast enough to overtake the tension. The problems of motherly figure also get a little too less attention here, as the character was the one who could have had much more to display here. The scattering of the elements of the movie is surely uneven, as it struggles to combine them at times. Sometimes, the movie does try too hard all of a sudden, but then we also realize that it is moving towards that aim of being full feel-good, to which tireless striving and the requirement not to yield is to be asserted, and we also let it go and move along. Still, a better title would have inspired more people to watch this one for sure.

The performers of the soul :: The main role of the movie is handled well by Sharaf U Dheen, who had already done a similar job well with Madhura Manohara Moham, providing the image of the family man who is not that successful in life. In this case, the bigger struggle belongs to him rather than the others around him, even though the problems belong to all of them. Johny Antony plays the father figure with his own long-lasting troubles well, as his transformation to the hardworking man is well-portrayed and combination scenes with Asha Madathil Sreekanth work really well. George Kora, the director plays the other character that undergoes transformation from the irresponsible to the better man with the touch of humour that keeps the movie getting better as it progresses. What strikes us more is Meenakshi Raveendran in a serious role which never ceases to be impressive. From Naayika Nayikan days and the later Udan Panam days with Dain Davis, we knew that she was a talent to be remembered, and she re-iterates the same even though she has not been provided which that many roles in the industry. The emotional side is as much safe with her as the humour. Althaf Salim and Anuraj O B nicely adds to the overall humour with some fine funny moments, and the child actors are really good here.

How it finishes :: Tholvi F C never really moves away from its feel-good factor, and the possibilities that it can achieve with simple family humour. This is one movie which is powered by its female lead more than any other even though it is not that much marketed in the same way, as Meenakshi Raveendran keeps scoring so well with multiple sides of life. There is no doubt about the fact that the movie could have been better with the progression of a tale which intends to be inspiring, but the purpose is nicely served in the end. For a new year, we should be looking for movies which would motivate us to do better, and this movie in Amazon Prime Video now, does the same with effectiveness. This drama about dysfunctional families never gets out of the light mood, even though some dark shades and a feeling of real danger comes in the end. We have some beginning to 2024 through the OTT platform, and we can only hope that the same can be there in the theatres too, as we wish another fine year for Malayalam movie industry which brings more collections and even more viewers than last year with bigger getting ready for release.

Release date: 4th January 2024 (Amazon Prime Video); 3rd November 2023 (Theatre)
Running time: 120 minutes
Directed by: George Kora
Starring: Sharaf U Dheen, Johny Antony, Meenakshi Raveendran, George Kora, Asha Madathil Sreekanth, Althaf Salim, Rahul Riji Nair, Poonam Gurung, Anuraj OB, Ashlee Issac Abraham, Joemon Jyothir, Amith Mohan Rajeshwari, Srikanth Mohan, Abraham Joseph, Anju Abraham, Ayden Abraham

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@ Cemetery Watch
✠ The Vampire Bat.

Phoenix

Vampire Owl: I take this as an opportunity to rise from the ashes.

Vampire Bat: Vampires have already risen from the grave.

Vampire Owl: Rising from the ashes like a phoenix is different.

Vampire Bat: There will never be a Vampire Phoenix.

Vampire Owl: An owl is bird enough to be a phoenix.

Vampire Bat: So, you are going to be burned on a stake?

Vampire Owl: I can always hide in the ashes and rise from it.

Vampire Bat: Does this mean that you only need that title and nothing more?

Vampire Owl: Once I become a phoenix, my vampire powers will surely be different.

Vampire Bat: Well, vampires are real, but phoenix birds are not.

[Gets a butterscotch cake and three cups of Darjeeling tea].

What is the movie about? :: Advocate John Williams (Aju Varghese) moves away from his hometown, choosing an abandoned house in the middle of nowhere, after having some problems in the court where he was practicing as a lawyer. This new house has been deserted for too long, and the owners ask for an advance rent payment of six months. John is happy about it as nobody will evict them for six months even if he creates some unnecessary problems. He is accompanied by his wife Daisy John (Nilja K Baby) and three children who are not really that happy to be in this strange place where nobody is present to help them. Ameer (Bhagath Manuel) is John’s only friend as he keeps making enemies out of people he knows. He does not try to meet the parish priest Fr. Geo Kuttikadan (Zhinz Shan), the local shop owners, or the village authorities. He begins practicing at a local court, even though that also does not become a successful adventure for him.

So, what happens with the events here as we just keep looking? :: But the new house becomes a strange place for John and family as they feel that there is somebody else living with them. They ask around and understand that the place where they lived used to be a graveyard where so many people were buried underneath during the time of a cholera outbreak. They discover that the letters come from Anna Rose George (Abhirami Bose), an orphan girl who died during a cholera pandemic in the 1970s, who was in love with Freddy Mathew (Chandhunadh), son of an aristocratic businessman who was proud of his lineage and money power. The alliance is not a widely accepted one, as Margaret Tharakan (Aradhya Ann) is chosen as the right choice, as she is the daughter of a doctor who is studying for MBBS. It turns out that Freddy has to finish his research in marine engineering, for which he leaves to Madras. At the same time, cholera spreads in the village, and Anna is affected. What follows is a twist of events which would separate the two lovers, but for how long? How is this related to the sinister events?

The defence of Phoenix :: From a distance, the movie might look like a horror flick, but it is basically a tale of doomed love having an emotional touch told with the presence of spirits that haunts a family. The requirement for the past to be dug up makes the horror not more terrifying, but more emotionally relevant. The quality of all of these elevates the movie to a new level, as the location as well as the settings of the past never ceases to amaze us. The tale is nicely told with right focus on the necessary elements at all times. The movie never lets us keep away from the proceedings here. The divergent approach towards the genre brings the refreshing feeling here. Despite not focusing that much on special effects, the terrifying feeling never really goes away. The music is really good here, and songs remain touching. The experience of Phoenix would move away from the usual trends, and could bring new life to the genre of horror which has not done the best work during the last year, not just in this part of the world, but also outside.

Positives and negatives :: There is something about the movie that runs the emotional undercurrents so well in this movie, while the side of horror is always ready to move to the backseat to let the emotions rise about the rest. When the people behind the movie are associated with Twenty One Grams, Anjaam Paathira and Garudan, you know that there has to be more than just horror about this particular movie which impressed with the trailer itself. The deviation from horror is still there, and some people might not like the same. We focus on a longing for lost to be more than having vengeance on people, and in that case, horror will have taken the side seat. Vishnu Bharathan who is directing his first film, has made us feel a veteran touch, and for the same, the performances especially from the new face in the industry, Abhirami Bose has the biggest role to play. The ghosts of the past have the roles to play in this movie in a beautiful manner, and with the spirits, we have the blending of multiple genres, and with the same, the movie only gets better as time progresses. The worlds of the living and the dead is connected by the eternal love which stays strong in both.

The performers of the soul :: Aju Varghese in a serious role works like a dream in this movie, as he impresses us in a different way, in the form of a character which would not be loved by many people who watch this. Nilja K Baby plays the character of the wife with a certain amount of sadness always present on her face, and it is more like reflecting the overall mood of the film. Bhagath Manuel’s supporting role also remains a notable one. But the tale that remains the soul of this movie is that of a forgotten past, where Chandhunadh shines as the Shakespearean tragic hero who brings about his own fall out of grace and Abhirami Bose who becomes the lovely Ophelia who is destined to meet the unexpected but awaiting doom. Abhirami’s work as the doomed lover who is stuck in a Waiting for Godot situation even after death which comes to her after being proclaimed death, is one of the most tragic situations which calls for a spirit to return to life. The way in which she blends into this character is remarkable. Anoop Menon’s priest role is smaller, but more relevant to the proceedings of the long-lost past. Zhinz Shan’s priest also makes a point.

How it finishes :: The best thing about Phoenix is that it does not try to limit it to the usual jump scares despite it being known as a horror flick. It is like Crimson Peak, as the words which are told in that movie about the spirits of a particular type – “Others that hold onto an emotion. A drive. Loss. Revenge. Or love. Those, they never go away”. We know that by end of the movie, and we wonder how we can separate love from horror and hope from loss, as they are all interconnected; often one rests on the other to provide the substance. The film creates the bond of eternity which binds and curses people through love, and the emotional side only grows. I would safely say that this one of the most underrated romantic horror movies of all-time in Malayalam movie industry, as this stretches the arms towards the eternity which both romance and horror searches for in a world of modernity. The movie does what Ezra could not, as it found the possibility of multiple dimensions in a tale of horror, characterizing both the living and the dead beautifully.

Release date: 22nd December 2023 (Amazon Prime Video); 17th November 2023 (Theatre)
Running time: 132 minutes
Directed by: Vishnu Bharathan
Starring: Aju Varghese, Bhagath Manuel, Abhirami Bose, Nilja K Baby, Anoop Menon, Chandhunadh, Jess Sweejan, Babi Avani, Abram Ratheesh, Asha Aravind, Aji John, Sini Abraham, Devendranath, Aradhya Ann, Rajan Pootharakkal, Zhinz Shan, Paul D Joseph, Premananandan, Aroop Sivadas, Rahul Nair R

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@ Cemetery Watch
✠ The Vampire Bat.

Pendulum

Vampire Owl: I have heard a lot about this movie being different.

Vampire Bat: One of the most divergent movies in Malayalam indeed.

Vampire Owl: I earlier had the feeling that this would be horror.

Vampire Bat: A mystery thriller need not be horror in any way.

Vampire Owl: Nothing would be better than a combination of all of these.

Vampire Bat: When it comes in Malayalam, there is a special feeling.

Vampire Owl: We need all the variety that we can have.

Vampire Bat: Let us thrive on such variety like never before.

Vampire Owl: The acceptance of audience would remain a question though.

Vampire Bat: The best movies would not be accepted well by our audience.

[Gets a marble cake and three cups of ginger tea].

What is the movie about? :: A truck driver named Antony (Shobi Thilakan) finds a strange man named Amir (Binoj Villya) on his vehicle, and despite his best attempts, the man does not get down, and seems to be mentally challenged and without most of his memories. Alex (Sunil Sukhada), the owner of the warehouse to which the truck supplied the goods tells them to keep him with them, and let him get down where he wanted to. Antony is surprised to find a number of snails around when Amir is there. Amir also predicts a number of things which would happen including heavy rains and hitting a dog on the way. Antony becomes more careful as Amir continues to reveal more. At the same time, Dr. Mahesh Narayan (Vijay Babu), a reputed surgeon returning from Australia after many years of service, joins a famous hospital in Kerala. He is accompanied by his wife Shwetha (Devaki Rajendran) and daughter Thanmayi (Aavani) who are happy to be back home from the concrete jungles of Australia’s cities. One day, he meets an old man in the hospital who tells him to find out where his son is, a case which he refers to the psychiatrist, feeling that the man is crazy.

So, what happens with the events here as we just keep looking? :: As Mahesh and his family goes on a short trip to Marayur, he gets a feeling of déjà vu for no reason, and Thanmayi locks the key of the car inside the trunk while they were having tea on a roadside shop. They decide to stay there, and while he was trying to get signal for his mobile phone, gets hit by a truck, and this is proven to be the one driven by Antony with Amir in it. Shweta finds him unconscious on the side of the road, and only he remembers that he was hit by a truck. Just before he was hit, he had found him in a dream of Amir and his friend Angel without invitation, and the old man had also asked him to find his son again. There seems to be something strange about all of these, but only he feels that all these have actually happened. His friend Dr. Jain Joseph (Ramesh Pisharody) seems to have some belief in what he has been saying. He asks Mahesh to talk to a man named John Master (Prakash Bare) who has had some interesting explanations for strange events which have happened all around the world. But as the incidents of the dreams have happened with a huge time gap in between, can there be an actual solution and a chance to extract what is required from the dreams?

The defence of Pendulum :: The ideas of time travelling and lucid dreaming come as new concepts to Malayalam cinema, and they have been used with effectively to create an impact like never before. This entry of the elements of science fiction into our movies with quality is to be remembered for long, as we hope for more of similar movies after watching this one. We should always be looking for experimentation here, and hope that this is only the beginning of some fine variety which is to follow soon enough. Maybe such movies will be made in big budget instead. The quality of making is also to be noted here as we move forward. The dreams are presented very well, and nice visuals support them. The mystery that prevails in this movie keeps us going, like no other similar film. After all, we are all set in a series of time loops in our own lives, and there seems to be no end or chance to escape – the realities that we create do not come to our help. The film often feels like a reflection of our meaningless lives which seem like busy realities. The music serves the purpose well enough as the mystery only gets sharper and thicker as we move forward.

Positives and negatives :: There is no doubt about the fact that the movie could have used more refining as some more of attention to details would have helped this one to connect to its audience better. There are times when the film seems to be confused about where it is heading. After all, there was the need for more explanation as the concept is new for the audience – we do have a lot of explanation here for sure, but not in the way that there is a perfectly defined conclusion to things. As time is not linear in this movie, such an explanation could have done a lot of good to the non-complicated, unsuspecting viewers. There is still the need to understand how the main character is involved in all of these, and how things have actually turned out in the end. It leaves us with the feeling that we have watched something special, but the chance to become a classic movie is not there because of the absence of some focused writing in relation to the complication between time and dreams in a world that walks on a bridge between real and unreal.

The performers of the soul :: Vijay Babu nicely leads a complicated movie with twisted characters all around. The sinister and seemingly unsolvable problems faced by the character is nicely shown by Vijay Babu who seems to blend in to the doctor facing unexpected terror. He has to go through an Inception-like world living through magically created world, and at the same time, relive his life multiple times like in Edge of Tomorrow. The helplessness is displayed really well by the actor. Ramesh Pisharody comes up with an interesting role here, as a doctor and support. Devaki Rajendran plays the main lady character here, and keeps us hoping to see her more around. Anumol is playing the other lady character of relevance, and handles her moments really well with a touch of mystery following her. Prakash Bare has another strong role well played here as we go deep into a world of mystery. Indrans plays a strange character without enough attention provided to characterization, but it is nice to see him in another classic role. Shobi Thilakan also has a strong presence here. Sunil Sukhada and Neena Kurup also have some small, but notable roles.

How it finishes :: With lucid dreaming and time travelling making its way nicely in here, this becomes a landmark movie in Malayalam movie industry. It is just strange that it had gone unnoticed among the common audience – one can blame the absence of the required kind of advertisement and also the missing superstar at least in the form of a leading lady for the same. The cast that we see here is surely able to hold the movie universe together, but we needed that special ingredient which could have appealed better to our audience, and in its absence in advertising has left this film mostly unwatched, which is rather disappointing. Maybe some people still fail to understand the basic idea behind this movie. Yet, it is brilliant as the attempt, and I would say that this is a fine New Year movie which one could watch with the presence of what seems to be a blend of science fiction and magic. So, we go on and watch this one and wish each other a Very Happy New Year. May this new year bring the best moments in your life, as world never ceases to have enough to offer.

Release date: 8th December 2023 (Saina Play); 16th June 2023 (Theatre)
Running time: 106 minutes
Directed by: Rejin S Babu
Starring: Vijay Babu, Ramesh Pisharody, Devaki Rajendran, Anumol, Prakash Bare, Indrans, Shobi Thilakan, Deepu Navaikulam, Sunil Sukhada, Neena Kurup, Jolly Chirayath, Aseem Ibrahim, Biju Sopanam

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@ Cemetery Watch
✠ The Vampire Bat.

Kannur Squad

Vampire Owl: We have taken a little too much of time to watch this one.

Vampire Bat: Well, as people say, better late than never.

Vampire Owl: I have heard that this is among the best of the year.

Vampire Bat: We have all heard a lot about this movie in a positive manner.

Vampire Owl: I hope it is not from some fan boys.

Vampire Bat: We do not talk to the human fan boys anymore.

Vampire Owl: It could be a vampire fan boy, like the Vampire Penguin.

Vampire Bat: None of the vampires are fans of any human.

Vampire Owl: I am sure that there are exceptions.

Vampire Bat: This movie itself is an exceptional one.

[Gets a Kadai chicken pizza and three cups of cardamom tea].

What is the movie about? :: ASI George Martin (Mammootty) and his team of CPO Jayakumar P. Vasu a.k.a. Jayan (Rony David Raj), CPO Jose Skaria (Azees Nedumangad) and CPO Muhammed Shafi T A (Shabareesh Varma), popularly known as Kannur Squad go on a search for some political goons in the forests of border area between Kerala and Karnataka, only to find a partially decayed body hanging from a tree. Even though the first idea is to leave it as a suicide, George is not ready to leave it behind. His idea is that this not a random suicide. They are able to find the culprit with ease, but is struck by the allegation against Jayan for working with sand mafia, seemingly ending the Kannur Squad with a certain amount of unexpected dishonour. But when an NRI businessman from Kasaragod named Abdul Wahab (Manoj K U) is murdered with no clue to be found, the police officers are forced to bring them back, as the other team of Kannur Squad is on a mission in North India.

So, what happens with the events here as we just keep looking? :: Krishnalal T K IPS (Vijayaraghavan) finally agrees to have them investigate the case in ten days as SP Manu Needhi Cholan IPS (Kishore) also supports them after reading about them. By tracing the calls, they get to Riyas (Deepak Parambol) who had supplied the sim cards on his name. They understand his role in the robbery and murder, while also figuring out that there is involvement from people outside Kerala. But the other people involved could not be found out as they seem to have reached safe havens in the north of India. Farha (Afsana Lakshmi), Wahab’s daughter who was brutally beaten up and sexually assaulted, provides them with better details of what happens during the night and one of the assailants in revealed to be Ameer Shah (Arjun Radhakrishnan) who gave his name before strangling her father in front of her. Kannur Squad also gets an image of Ameer from social media and the search leads them to Mumbai. But it is still to be found if the investigation can be finished in ten days.

The defence of Kannur Squad :: The movie goes through an interesting set of proceedings from the beginning itself, and some fine music supports the same at all times. There is no moment in the movie which is not interesting, and we become part of the whole thing as the journey proceeds from one place to the other, from one end of the nation to the other. All of the performers seem to be perfectly chosen for their respective roles, including those who do not speak Malayalam – the choice of cast is one of the best things about this particular movie. There are moments that we remember, and some of them are there to stay for a longer period of time. As the fans of the mass masala avoids this movie, we can watch this one in peace, and hope for more of similar films to come. The emotional side do appeal to us, even though there is no overdose of emotions to make melodrama come forward. The movie focuses on the essential, and not the exaggerated, and it is the beauty of the world that has been created here – you feel that the police universe here is real, and not the unreal chaos that we see in Bollywood. Among the best of realistic police works, Kannur Squad is here to stay.

Positives and negatives :: The movie could have surely had more interesting moments in between in relation to the villains and their journey, but we have the police officers’ journeys nicely documented through some fine visuals. The determination of the righteous police officers and the difficulties that they come across on the way can be seen in a realistic manner rather than in the exaggerated ways which are often preferred by industries like Bollywood. A little bit of mass moments is added only in the end, but that would also be limited to suit the realistic nature of the film. The ending nicely finishes all things well. Maybe, they could have added some moments from back home by the end, but they have done well without it. The idea of the squad itself is inspired by a real-life police team of the same name, which makes the investigation even more interesting. The real-life police officers who investigated similar cases were also contacted. The shooting locations also stay close to the incidents and the journey feels very much real.

The performers of the soul :: Mammootty leads another fine team of police officers, and he does the job with ease, as he has always done, whether it was about brutal power as shown in Christopher or something classic in nature. His character would remain an iconic one here to be remembered for long, along with the squad itself. Rony David Raj plays another fine police officer here, as he continues the good form in similar roles. It is also nice to see Azees Nedumangad in a serious role, and he does his police role incredibly well – coming out of the usual in Star Magic, he has been doing so well in films these days. The team from that show of Flowers will have our attention at all times. Shabareesh Varma makes the next police officer really well, and blends into the team nicely. Kishore’s police role is also notable, while Vijayaraghavan plays the veteran police officer job with ease. Sunny Wayne and Shine Tom Chacko has small cameos to add to it. The women do not have much to do in this film, but the notable performance here is from Afsana Lakshmi who surely has a bright future in front of her. The villains led by Arjun Radhakrishnan and Dhruvan leave a mark with their remorseless and brutal presence with villainy.

How it finishes :: When talking about police investigations which keep close to a realistic mode, Operation Java is the only other film that seems to bring some comparison as relevant. Related to Mammootty and his team of policemen, that would be Unda that would call for the comparison. The visuals keep us going as much as the controlled emotional side and procedure of investigation. The movie’s journey to one of the highest grossers in Malayalam movie industry is very much justified, and as 2018 and RDX: Robert Dony Xavier have already done so well, the year has been a fine one. As we welcome the new year, we look forward with hope for an even better 2024. As of now, I wish you a very happy new year, and hopefully, this will be the one grand year to look out for. Maybe we are hoping for no reason, but that is what we do for every new year. Then we also wish to watch more movies which will stay with us for long.

Release date: 17th November 2023 (Hotstar); 28th September 2023 (Theatre)
Running time: 161 minutes
Directed by: Roby Varghese Raj
Starring: Mammootty, Rony David Raj, Azees Nedumangad, Shabareesh Varma, Kishore, Vijayaraghavan, Sunny Wayne, Arjun Radhakrishnan, Dhruvan, Sarath Sabha, Afsana Lakshmi, Manoj K U, Resh Lamba, Nalneesh Neel, Ankith Madhav, Sivadas Kannur, Mullai Arasi, Sajin Cherukayil, Shebin Benson, S P Sreekumar, Manohar Pandey, Susmita Sur, Saraswat Pandey, Gibin Gopinath, Benzi Mathews, Seju K Eapan, Anoop Trivedi, Avinash Pandey, Catherine Maria

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@ Cemetery Watch
✠ The Vampire Bat.

Aquaman 2

Vampire Owl: I have heard news about an aqua vampire.

Vampire Bat: I am pretty sure that Aquaman is no vampire.

Vampire Owl: He could be the first vampire out of water.

Vampire Bat: When have we ever been fans of water?

Vampire Owl: Well, there is always a first time for everything.

Vampire Bat: Are you imagining an underwater kingdom for vampires?

Vampire Owl: I don’t see why not. There is less human interference there.

Vampire Bat: So, you choose tranquility over everything else.

Vampire Owl: I choose a life without human nonsense.

Vampire Bat: I don’t see why we should not opt for the same.

[Gets a vancho cake and three cups of Munnar tea].

What is the movie about? :: Arthur Curry a.k.a. Aquaman (Jason Momoa) has gone through his share of adventures, and after marrying Mera (Amber Heard), had a child and is living his life between land and sea, not being fixed at one space. He has not stayed away from his responsibilities as the King of Atlantis though, but his attempt to unite the people of land and seas is ruined due to the intervention by elders of the underwater world. Everything seems to be going normal for Atlantis, until David Kean (Yahya Abdul-Mateen II) decides to have his vengeance with another attempt at the life of Aquaman. He wishes to have the whole family of Aquaman destroyed along with whatever he finds precious in return for the life of his father. He works with Dr. Stephen Shin (Randall Park) who wishes to prove to the outside world that Atlantis in not a myth. In the search for Atlantean artefacts, they come across a black trident which possesses David, as it offers him the strength to destroy Arthur and maybe do even better by spreading devastation in Atlantis.

So, what happens with the events here as we just keep looking? :: Soon, David attacks Atlantis and steals a rare mineral called orichalcum which he uses to power some ancient machines which he had unearthed while finding the black trident. The attack leaves Amber Heard seriously injured and Atlantis defenses destroyed like never before. As orichalcum which emits greenhouse gases has raised planetary temperatures and caused extreme weather all around the globe, he decides to stop a global disaster and meltdown from happening. For the same, he decides to take the help of his brother Orm Marius (Patrick Wilson), even though almost everyone warns him against taking such a step as Orm is not be trusted. But he chooses to go with his instincts, and manages to break out Orm from his prison in the middle of a desert, thus threatening the treaty between different kingdoms of ocean. Orm is not really happy about what has happened to him, and neither is he happy about what has happened to Atlantis with its defenses breached and many citizens dead. Their mother Atlanna (Nicole Kidman) still hopes that they can work together to save the world.

The defence of Aquaman and the Lost Kingdom :: In a time when world has gone to the brainless mass masala fans, our movie here has managed to maintain a fine plot and a certain amount of class with its use of heroes. The movie automatically becomes the best choice for Christmas to watch with family including children and in that fine 3D format – the visual effects are nothing less than stunning with deep blue sea all around. The world underwater has been created nicely, and there is no room left there for complaining, with another breath-taking world created on an island. The creatures underwater continue to be a sight of beautiful variety and so are the colours of flora and fauna that creates even better visuals. You see the 3D on the screen nicely contributing to the ocean coming to you better than ever. The message about the need to save multiple worlds from the dangers of global warming and its extensions is also present there. The environmental message in a superhero is often lost in its path, like overpowered nonsensical overpowered creatures of mass destruction like Captain Marvel, but not when a determined underwater king is in control.

Positives and negatives :: The first movie was surely better than this one, as it had the Aquaman-Mera combination that was a joy to watch, with some of the most innovative action sequences, making the best out of available resources. The film remains light-hearted, and some of the humour is really nice, even though there could have been more. The action sequences keep catching our attention, even though the first movie had the more classic versions which would be remembered for longer. The background music makes some good impact, but not at all times. Ideas of brotherhood and family are asserted well throughout the movie along with the need to save the world from the powerful evil which comes in many forms. It also maintains the respect for divergence unlike Black Panther which has been disrespectful to the world outside Wakanda with a racist and bourgeoise nature. A better use of some of the characters would have served the movie better, but even with all the negativity around, it is to be noted that DC universe is now doing better than Marvel which has too many of dumb young characters for anybody’s liking – as it seems, most of them might not even make it to a number of theatres in this part of the world.

The performers of the soul :: Jason Momoa does what he did earlier, and asserts his role as the hero underwater, diverging from the usual superheroes above the ground. He continues to prove as the right choice for the role. Patrick Wilson provides some fine support here, and his combination scenes with the hero keeps us further interested. Out of The Conjuring and Insidious, he manages the other big role nicely. Amber Heard remains here as Mera, and she continues to have our attention, and she would remain the perfect queen of this world. She also excels in the action sequences, with her presence underwater being a thing of joy to watch. Yahya Abdul-Mateen II remains a strong villain as he continues the fine form from previous movie, and this is surely not the end of the road for such pure villainy. Nicole Kidman also becomes the one evergreen underwater queen that we are sure to remember for long, and she is another person who seems to be not aging at all these days. Jani Zhao as Stingray has a very notable job, while Randall Park is one full human character that is noted more than the rest. Temuera Morrison continues that particular father role with ease.

How it finishes :: Aquaman and the Lost Kingdom keeps its level high in comparison to the so called action thrillers from Bollywood and other industries, as a certain amount of class can always be seen along with the top quality graphics making a true spectacle. It is unlike the artificial spectacles that we see with so called superstars – those stars should not be endorsing toxic masculinity and illegal immigration like they are doing now. The trouble between Amber Heard and Johnny Depp seemed to have affected the film despite the high entertainment value. The number of shows for the movie is less, as people are not that much into quality superhero stuff these days. This movie should have had more screens, and those theatres which do not have at least one show of this movie feels pre-historic in nature. There was a time when we could enjoy superhero movies in fully-packed theatres, but that is not the case now. Even Marvel has struggled to get its audience, and in that case, the situation of DC comes as no surprise. Maybe, the corona virus itself will make a comeback again, and until then, let us enjoy our favourite superheroes without fail, and the Aquaman sequel is surely worth it.

Release date: 22nd December 2023
Running time: 124 minutes
Directed by: James Wan
Starring: Jason Momoa, Patrick Wilson, Amber Heard, Yahya Abdul-Mateen II, Randall Park, Dolph Lundgren, Temuera Morrison, Martin Short, Nicole Kidman

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

<<< Click here to go to the previous full superhero film review.

<<< Click here to go to the previous DC superhero film review.

@ Cemetery Watch
✠ The Vampire Bat.

Neru

What is the movie about? :: CI Paul Varghese (K B Ganesh Kumar) finds himself with a case with which clues are almost impossible to get, as a blind girl is assaulted in her home. The victim, Sara (Anaswara Rajan) who is blind sculptor is surprisingly able to create the image of the assaulter with her skills as a sculptor as she felt his face with her hands. As her mother had left her home to live with someone non-Muslim, they were left to live their lives by themselves on their own by the extended families, and her father had died some time ago. She was living with their stepfather Mohammed (Jagadish), who had also left his own family behind to live with this new one. This leads to his former family and his sons trying to take revenge on him, making use of this situation. CI Paul Varghese manages to find the person whose face was created by Sara, and manages to catch him. The person is identified by Sara using her hands in an identification parade as a young man named Mikhael (Sankar Induchoodan), son of a famous business magnate based out of Mumbai, with the power to buy most of the things placed in front of him.

So, what happens with the events here as we just keep looking? :: Mikhael’s mother is adamant that he should save their son from trouble one more time, even though his father feels that he is done with the son who has created nothing more than continuous troubles for him. The highly distinguished lawyer, Advocate Rajashekhar (Siddique) takes over the case, and his daughter Poornima (Priyamani) would assist him, coming right out of their busy schedule in Supreme Court. The Public Prosecutor appointed in favour of Sara fails in bringing strength to their case, and the bail application of Mikhael is accepted due to absence of any real proof. The remaining proofs also go missing as Baby Varghese is removed from the case, and other police officers in charge of the case supports the other side. Baby is desperate to bring justice to Sara and he searches for any other lawyer who can make the difference. But Rajasekhar makes sure that no experienced lawyer agrees to take up Sara’s case, as one after the other, everyone keeps away from going against the biggest name among lawyers.

And what more would follow here in the journey towards serving justice? :: It is then that Baby Varghese finds Ahaana (Santhi Mayadevi), an old friend and lawyer who found herself on the wrong side against Rajasekhar and Poornima some years ago. They decide that the only who might be able to go against Rajasekhar would be Vijayamohan (Mohanlal) who was forced to leave his profession by Rajasekhar. Vjayamohan feels that he would be no match for someone like Rajasekhar and Poornima is someone with whom he was in love with. Seeing the plight of Sara, he finally decides to take up the case, but not without his doubts about a possible win. Yet, Sara is confident about him, and so are her parents. But Rajasekhar is someone who knows the weaknesses of Vijayamohan, and he is that kind of a lawyer who does not wish to lose any legal battle, and will go to any extend to make about a triumph. Even the daughter of Director General of Police in the state Niharika Jayachandran (Aditi Ravi) is ready to testify for the accused. Can Vijayamohan, Baby Varghese and Ahaan go against all odds and make sure that justice is served for Sara even though the chances are so low? How far would they have to go to reach a level from where victory can be ascertained?

The defence of Neru :: One can feel that the movie is dauntless at times, and clarity is a quality that it seems to rely on. The cast seems to have been perfectly chosen, without any space left for questions. The writing by Santhi Mayadevi and Jeethu Joseph got the nice flow reminding one of Drishyam, and the latter once again has the director’s chair safely put down there. The emotional side remains strong, and Anaswara Rajan’s performance plays a major role in getting the required strength on that side. The relevant issues about the bourgeoisie control over the system is talked about, even though the movie has conveniently left behind the most common influences from outside, the political saga of changing the course of an investigation – in between all of these, the film chooses to be safe in that case. But the feeling about the extra-rich remains the same. The way in which the movie decides not to overdo anything with the heroism is to be appreciated. The realistic side never makes way for the special and the strange to glorify the heroes here. The flaws and weaknesses of humans do find a place here as the movie progresses towards the end.

The claws of flaw :: It is not a case of surprise that Neru is not without its inherent weaknesses. Sometimes, one feels that the movie shows the need to thrive on its weaknesses to get the support of the masses. The final moments of asking people to remember clothing just because they remember the cars and dates is pretty dumb, as I do not even know what people whom I meet have been remembering; clothing might have been of concern of certain groups of people – if courts would work based on such memories, we are surely in trouble. The final moments are also over-dramatized, just like how Jana Gana Mana tried to make a mess out of any realistic element which was left in the movie. In that case, Vaashi felt more real in a court and Melvilasom was the best. The predictability factor is also too much, and final moments are too predictable, as the film chooses the safe path yet again with ease. Despite having this much of quality ideas to go through, the movie still makes us feel a certain amount of stretching in between. The film should have also focused more on the investigation and the actions of the police officer in charge dealing with it. Having a discredited lawyer instead of the discredited police officer in Memories has lesser effect in comparison.

The performers of the soul :: Mohanlal, with his screen presence runs effectively throughout this movie, as there is another strong performance from him, even though this will not stand the test of time if placed against Stephen Nedumpilly or Georgekutty of Lucifer and Drishyam. The wreath for performances would be shared among the cast, out of which, almost everyone seems to stand apart. Anaswara Rajan comes up with her greatest performance ever, and that drives the tale from underneath. Siddique is very much menacing as the lawyer who goes to any extent to win, much unlike the lawyer he played in Garudan, where he feels that he could also make mistakes – the two types of roles have been eternally safe with the veteran. Jagadish plays one more emotional role with effectiveness. It is good to see Priyamani back here, and she remains power-packed as the lawyer. K B Ganesh Kumar plays the righteous police man here, and he plays the man who makes all the difference by bringing the turning point – it is his character that really sets things going forward. Santhi Mayadevi, Sreedhanya, Haritha G Nair and Sankar Induchoodan provides some good support.

How it finishes :: Neru could have been something bigger, but on many occasions, it takes the safe route and the usually travelled path despite taking a fine diversion in the beginning itself. The movie has no shortage of thrilling moments in the court, but it does not use much of the twists which were there to be taken. The entertainment is always there, but predictability is also there to mark the safe zone. The emotional side remains strong, and we go through the journey with similar feelings as displayed in the movie. The lack of stunts and the absence of too much heroism makes sure that this one has an advantage for those who do not go for the usual mindless films. This makes another movie of poetic justice as evil goes on gaining victories through its path, but as it reached the end, there will only be the triumph for goodness. The message goes well for Christmas this year, as there is only this film in Malayalam to go for full triumph. I take this opportunity to wish you all a Merry Christmas and a Very Happy New Year.

Release date: 21st December 2023
Running time: 152 minutes
Directed by: Jeethu Joseph
Starring: Mohanlal, Priyamani, Siddique, Anaswara Rajan, K B Ganesh Kumar, Jagadish, Santhi Mayadevi, Sreedhanya, Haritha G Nair, Sankar Induchoodan, Harikrishnan, Aditi Ravi, Nandhu, Mathew Varghese, Dinesh Prabhakar, Krishna Prabha, Kalesh Ramanand, Poojappura Radhakrishnan, Prashant Nair, Ramadevi, Resmi Anil, Antony Perumbavoor, Kalabhavan Jinto, Chef Pillai

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<<< Click here to go to the previous Malayalam thriller review.

@ Cemetery Watch
✠ The Vampire Bat.

Wakanda Forever

Vampire Owl: So, this is another group of people dealing with the case of “forever”.

Vampire Bat: We are the only true immortals around here. The others have endgame.

Vampire Owl: Well, Black Panther was never supposed to be forever. He didn’t even have a true bloodshot.

Vampire Bat: I have always considered him to be a lesser superhero.

Vampire Owl: I have never cared about such overrated heroes.

Vampire Bat: And the type of stories which feels ridiculous with the content.

Vampire Owl: More unreal than almost all other superhero flicks.

Vampire Bat: I have never really been fond of this Wakanda either.

Vampire Owl: There is nothing much to be fond of.

Vampire Bat: These rich superheroes and the attention that they get.

[Gets a marble cake and three cups of mint tea].

What is the movie about? :: Princess Shuri (Letitia Wright) attempts to heal her brother, the king and Black Panther who has been suffering from a terminal illness, but her attempt to recreate the medicine does not work and he dies. After the death of the king and protector, the nation of Wakanda comes under heavy pressure from other strong nations to share their powerful and extraordinary metal called vibranium to be used as weapons. Ramonda (Angela Bassett) is able to stop the attacks by the mercenaries sent by different nations, and issues a warning to the possible attackers. But the attacks seem to keep happening again and again, even though there is not that much of a success. The attempts of CIA and the United States government to locate possible vibranium deposits makes them come up against a group of blue-skinned superhumans from underwater led by a man named Namor (Tenoch Huerta Mejia). Namor also manages to bypass the defenses of Wakanda and reach the queen and princess, and provides them with a warning that if they do not bring him the scientist who invented the vibranium detector, he will destroy them all.

So, what happens with the events here as we just keep looking? :: As Namor is determined to destroy anything that brought trouble to his lands, Ramonda decides that it is time to find the scientist first before anything troublesome happens. The scientist would be the only hope for them to save more than one world, as Namor seems to be a man of action and not of just words. She is supported by Okoye (Danai Gurira) and they get the advice of the old friend named Everett K Ross (Martin Freeman) who leads them to this particular person, Riri Williams (Dominique Thorne) who is basically studying in a school, and it is her school project that became the vibranium detector. She is hesitant at first, but decides to leave with them, only to find them chased by FBI. As they manage to evade the American team, Namor’s group of warriors come out of water at a bridge, and catches up with them. Okoye is defeated by the fighters from underwater and is thrown away from the bridge, while the princess and Riri are taken to Namor.

And what more is to follow in this world of chaos and destruction? :: This situation would create more than one problem to so many people involved. Americans never really knew what they deal with, and there is more than what meets the eye for them. Namor has a grand underwater kingdom named Talokan which is rich in vibranium. But it turns out that his plan is not to keep it to himself anymore, as he feels that he is stronger than any other ruler, commanding a nation with the power like nobody else in the world. Namor looks forward to Wakanda to help him in taking over the world after initiating a war against all other nations. But Wakanda would not agree to the same, and they would even try to take the princess back by murdering a few guards. This would be considered as an act of war, and something disastrous would follow, even without the rest of the world knowing about it. Wakanda would not be ready for any attack from even equals, as they have been living in the shadow of Black Panther for too long with enough defence only against the known forces.

The defence of Black Panther: Wakanda Forever :: The creation of a new world might be the biggest advantage that this movie possesses. The underwater world, despite not being of the power that Aquaman’s universe possesses, manages to look good. The visuals have been well-managed despite the possible restrictions put on it to make Wakanda look like the classic heaven. Yet, underwater worlds never lose the power, and we know that even in the absence of Atlantis, something can always be created. There is some imagination involved here, even though plagued by the usual limitations. The beginning of the movie was indeed a new one, and it starts and ends well, and we can give it credit for the same. The ending is also a reminder that we could get a better Black Panther in another movie, as this one had irritated enough with some overdose. The one who stands out in this movie is indeed the villain played by Tenoch Huerta Mejia, and he could have the spin-off which could work better than what Black Panther and Wakanda could come up with. Having an Avengers: Infinity War with the forces around an underwater city could be a fine dream coming true in the form of a classic spectacle like never before.

The claws of flaw :: It can be seen that Black Panther: Wakanda Forever does not come up with anything new to cherish, as it keeps falling deeper into trouble in the absence of its main character. It is rather too long for anyone to be impressed with it, and there are so many moments which feel unnecessary. The emotional moments do not raise much of feelings at all, as we do not feel the need to take side of anyone in the film. The movie runs out of ideas on rather too many occasions, and it ends up coming up with the idea of oppression and plays the victim card all the time. This happens at a time when superhero movies are undergoing some positive changes. It is surprising that this movie attempts to claim greatness out of nothing, and is seemingly trying to be some Avatar 2 thing. This one also lacks the entertainment side and the action and adventure never really gets to be strong enough. When presented with some interesting opportunities, the movie does not stay strong enough, and it fails to take the options which are presented before them.

How it finishes :: Black Panther: Wakanda Forever remains somewhat clueless and has the repetitive ideas seemingly for no solid reason. It could have been much more in a world which doesn’t seem to have enough of superheroes of class. The replacement that it finds for the original Black Panther is as ridiculous as it can get, and is too much reliant on the predictability – it even gets too funny with the new avatar in that suit. There is the lack of emotional power due to the way the situations are dealt with. But otherwise, there is always some new superhero stuff which never gets old in style. There is enough action in there, and there are some spectacular visuals to support the same. There is also some hope left for making some better movies in future, and we understand that there is still the need to believe in something grander to follow. If the makers of this particular superhero understands what the viewers all around the world really wants, things would be much brighter for this side of the superhero franchise too.

Release date: 1st February 2023 (Disney-Hotstar); 11th November 2022 (Theatre)
Running time: 161 minutes
Directed by: Ryan Coogler
Starring: Letitia Wright, Lupita Nyong’o, Danai Gurira, Winston Duke, Florence Kasumba, Dominique Thorne, Michaela Coel, Mabel Cadena, Tenoch Huerta Mejía, Martin Freeman, Julia Louis-Dreyfus, Angela Bassett

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Multiverse of Madness

Vampire Owl: I don’t like how the Marvel universe have transformed.

Vampire Bat: Yes, it seems to have gone some other way than intended.

Vampire Owl: I didn’t like the Marvel people much after Captain Marvel.

Vampire Bat: Captain Marvel was one too powerful thing that didn’t suit the world.

Vampire Owl: Are we shifting our loyalties to DC?

Vampire Bat: Well, the first Wonder Woman and Aquaman were really good.

Vampire Owl: You mean to say that DC will rise above Marvel?

Vampire Bat: I am seeing that chance more than ever now.

Vampire Owl: Doctor Frankenstein had told me that you are seeing things.

Vampire Bat: Well, the fake doctors’ opinions do not count.

[Gets a chicken biriyani and three cups of Mogu Mogu juice].

What is the movie about? :: Doctor Strange (Benedict Cumberbatch) attends the wedding ceremony of his former lover Christine Palmer (Rachel McAdams), but is interrupted by a strange octopus-like creature which is destroying the city. He finds out that the creature is after a young girl named America Chavez (Xochitl Gomez), and is helped by the Sorcerer Supreme Wong (Benedict Wong). Despite being in trouble early on, Strange manages to destroy the monstrous creature and save America. America tells them that she is able to travel through the multiple universes, and the demons are trying to take her power. To make sure that he gets some strong support against the demonic witchcraft, he visits Wanda Maximoff (Elizabeth Olsen) who seems to be living a peaceful life. But it turns out that she calls herself Scarlet Witch with possession of the Darkhold, and has harnessed chaos magic like never before. She was the one who was hunting America to get back to her imaginary children who exist only in other universes now. She asks him to hand over the girl peacefully or face the consequences.

So, what happens with the events here as we just keep looking? :: Strange doesn’t agree to her demands to hand over the child to brutally murder her, and it was expected by her though. The Scarlet Witch gives a quick warning, following it with an attack on the stronghold of the sorcerers, and the magic of all the sorcerers could not stop the witch, and she almost destroys the fortress while murdering most of the people present there. As they are almost caught by the Scarlett Witch, America ends up transporting them to a very distant universe. Scarlet Witch travels to the origins of the Darkhold, where all the spells are carved in, and establishes a very powerful dream-walk which helps her to take control of her alternative self in the universe where America had traveled. In the new world, there are so many things that he and America cannot really understand, and this realization makes them travel to find the Sorcerer Supreme who doesn’t trust either of them, and considers them to be an incursion into their safe universe. He drugs and imprisons them, despite the warning from Strange about what could follow him in the form of chaos magic.

And what more is to follow here around here? :: He understands there is some twist awaiting him, as he is brought in front of a group similar to the Avengers which includes members of Fantastic Four and X-Men, and their version of stopping Thanos from the battles of Infinity War and Endgame remains different. The group known as Illuminati in this world expects to stop the Scarlet Witch all by themselves as they have stopped many witches themselves, despite Strange warning them against even attempting to do so. With the demons under her control in her world along with all the powers of witchcraft, she could just do more this time. There is also the Book of Vishanti which could work against the Darkhold somewhere around there. But would that be powerful against Darkhold which uses chaos magic? With the highest of demonic powers, where has the Scarlet Witch reached with her brutal strength? How far is everyone in every universe prepared for someone like the Scarlet Witch with an infinity of chaotic powers of mass destruction?

The defence of Doctor Strange in the Multiverse of Madness :: This version of Doctor Strange seems to serve what exactly was expected of it, with grand visuals of multiple worlds that catch our attention. The colourful looks with a touch horror makes a fine combination here – this comes from the director of the original Evil Dead, Sam Raimi; so, we know. There are some more interesting characters added here, that makes the whole thing more spectacular. The action is splendid, and it might be the best that a movie like this can get, and there are also some fine surprises in store here. Benedict Cumberbatch becomes the sorcerer superhero again, and that works perfectly again, with hope for even more in the future. Elizabeth Olsen as the witch antagonist remains as interesting as she has always been, a character to be hated for remaining the psycho mother of non-existing children. We hope to see lot of Xochitl Gomez in the future too. Then, about Rachel McAdams, we are always to see her around in any role. The casting continues to work in favour of Marvel’s universe, and we never cease to admire how well things turn out in the multiverse too.

Positives and negatives :: The movie nicely sets the path for the sequel, with Charlize Theron coming in as a sorceress in the post-credit scenes. The continuation from WandaVision would not work with most of the audience, as most people around here are not into watching the online series. There is some loss of strength to the universe in total after the retirement or death of its main superheroes. But the ideas used here brings this world back to life with enough strength. The movie’s best scenes include the battle at the stronghold, movement towards the Book of Vishanti and the final zombie battle. The demons could have still had more role to do though, as there is always a lot that could be done with chaos magic’s ability to bring destruction all around. You can never underestimate a horror movie’s ability to do horror, even without becoming a conjuring or evil dead thing in the process. In comparison to what these new versions of Spider-Man and others having, Doctor Strange will always have better movies with variety and class.

How it finishes :: Doctor Strange in the Multiverse of Madness is a movie that offers a lot, and it does the same with class. Multiverse has always been an interesting idea, as the belief in parallel worlds in different galaxies would make life more interesting. It feels more like those video games which have the same world with small differences in the environment and slightly different characters. We are introduced into so many possibilities here, and we hope for more to come with possible sequels. The ending asserts the same, and the audience would be ready for any number of parallel universes. Our hope for the return of Marvel to its old glory can see some possibilities here, and the universe would do well as long as it focuses on the content rather than trying to make some strange comments on random things. Entertainment should be the focus once again, but with enough seriousness. We are all in support of more worlds of madness – but the question would remain if there is any world which is more psychotic than what we know in existence.

Release date: 6th May 2022 (Theatre), 22nd June 2022 (Disney-Hotstar)
Running time: 126 minutes
Directed by: Sam Raimi
Starring: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Terrifier 2

Vampire Owl: We are the most terrifying ones.

Vampire Bat: I don’t think that we are that terrifying as we used to be.

Vampire Owl: It is due to Twilight and Vampire Diaries. They don’t count.

Vampire Bat: They do count for the humans.

Vampire Owl: Well, sometimes I feel that only they count for them.

Vampire Bat: Humans are not that aware about true vampires.

Vampire Owl: There are no true and false vampires. There are only us.

Vampire Bat: We have been children of the night for too long.

Vampire Owl: There are no vampires of the day.

Vampire Bat: Well, the vampires that sparkle have other opinions.

[Gets a chicken biryani and three cups of cardamom tea].

What is the movie about? :: Miles County Massacre was one of the most traumatizing events for the people of the town. Art the Clown (David Howard Thornton) who was responsible for the brutal murders does return though. He was considered dead, even though the body was not found – he is once again here though. The police had only provided the statement that the body had just disappeared, and some people do spend the legend that the clown is not dead and might return at some point. The Little Pale Girl (Amelie McLain) is another mysterious entity which wears similar clown costume, and seems to join forces with Art. Meanwhile, a teenager named Sienna Shaw (Lauren LaVera) is finishing the Halloween costume which was designed for her by her father who recently died due to brain tumour. Sienna’s younger brother Jonathan Shaw (Elliott Fullam) is obsessed with Art the Clown though, and wishes to dress like him for the Halloween, after finding details about him from his father’s sketches. Sienna ends up having a nightmare about the clown, and wakes up to find the room on fire, yet has a sword from her father as the same as it used to be. She had also seen people being murdered by the clown in her nightmare.

So, what happens with the events here as we just keep looking? :: On Halloween, Jonathan sees Art and The Little Pale Girl at school playing with a dead animal, and he is held responsible for bringing the creature to school as they disappear without a trace. As the school calls the parent, he is grounded at home. Sienna goes to the Halloween costume shop to buy a replacement pair of wings to fit with her costume as the earlier one was lost in fire, and there she encounters Art who stalks her without mercy, and later brutally murders the shop vendor who is left alone in the store. He also manages to make the later customers believe that it is all part of a Halloween show. Sienna is the only one who believes her brother and that the clown might be real as she had seen him in the shop. Sienna’s friend, Allie (Casey Hartnett) finds herself in trouble too, as Art gets to her home pretending to be trick or treating. Allie who is rude to him for asking for candy at an old age is brutally attcked by the clown and left in pieces. Allie’s mother is also killed in the same way, and her head is kept for putting sweets for Halloween.

And what more is to follow with this brutal adventure featuring a clown? :: Art is well-supported by the clown girl in his actions, even though the brutality is committed all by himself. He also resorts to cannibalism at times, even though the act of brutal murder seems to be the one thing that satisfies him more than anything else. He also seems to display a supernatural side to him after returning to the seemingly unstoppable killing spree which goes mostly undetected as the victims are not found. Jonathan shows the paintings of his father to his mother Barbara Shaw (Sarah Voigt), but unhappy with his obsession with the clown and not believing in his stories, she tears them off. She feels that his son requires some serious counselling. At the same time, Sienna goes to a Halloween party dressed in the costume designed by her father, but it seems that Art has other ideas about this particular celebration, and it would involve her family. She becomes drunk at the party and begins to see the clown girl, while the clown attacks their home. Jonathan runs away from home only to find the clown girl in the way. Art seems immortal evil, but how far will he go?

The defence of Terrifier 2 :: For a slasher, the character development of this movie is at an all time high, especially with Lauren LaVera playing Sienna Shaw. She leads the movie here, and as a battle angel, becomes the last hope for a family and the town in general, a role into which she evolves really well. This is one character who rises above the horror tropes with ease, and promises to continue the peformance into a sequel too, if such a thing happens. Lauren in the Halloween costume fighting the clown is a joy to watch. Elliott Fullam who plays her brother also does a fine job. The movie, with blood and gore as well as the representation of the evil on screen lives up to the name, as a work of terrifying nature. The ambience is very well used too, and the Halloween world as well as the carnival attraction works like a fine nightmare here. As you get transported into the world of a seemingly immortal evil clown, the feeling is forever, and here, the grand clown rises above Stephen King’s It as a movie and its second part as the demonic clown of the century.

Positives and negatives :: Terrifier 2 blends into its genre really well. It has some of the very gory scenes which might not be that good for everyone. The signs of such brutality can be seen in the beginning itself. The border lines for gore has been crossed here and most of the natural horror film fans who prefer only those works like Ouija, The Conjuring, The Nun, Annabelle, Curse of La Llorna, Insidious, Sinister and other would not go further with this after the first scene. A murder on the bed might feel to be too brutal even for the best of fans of the genre. The final moments have a little bit of of too much of the supernatural side added to it, which could have been kept to the minimum, especially as both the protagonist and antagonist deserves more in the form of two people going at each other. The movie does remind of those older slasher films with moments which takes us back to the past memories of slasher horror, a genre which has kept us close to the darker side of humanity, the horror which has been inherent in human beings since the beginning of time. While doing the same, the scares work so well.

How it finishes :: Terrifier 2 is the nice slasher horror which we rarely see around these days. After all, it is easy to lose the way whenever a slasher gets a chance to make it big. The movie delivers most of what it promises, and in the end, leaves an open door for a possible sequel, as death does not come easy for antagonists like this, as proven by many slashers including Halloween which has overused the idea. Most of us around here did not hear about the first movie, and a lot of people still need to hear about this movie. It is the kind of movie that has raised the level of slashers in a decade when it hasn’t scored much. With a third movie, things can get even better, as characters are better developed here. Well, we need to celebrate the horror in raw forms when we see them, as this is one example of the same. One can be sure that Terrifier 2 will have its fans, and can develop into a cult classic horror as most of the old slasher horror films have stopped bringing reboots and remakes of relevance to keep the legacy moving on.

Release date: 6th October 2022
Running time: 138 minutes
Directed by: Damien Leone
Starring: Lauren LaVera, Sarah Voigt, Elliott Fullam, Kailey Hyman, Casey Hartnett, David Howard Thornton

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@ Cemetery Watch
✠ The Vampire Bat.

Black Adam

Vampire Owl: I have heard about this person before.

Vampire Bat: He is not the Adam from your Frankenstein’s tale.

Vampire Owl: Doctor Frankenstein has already confirmed it.

Vampire Bat: Mr Frank cannot claim to know these many people.

Vampire Owl: He has lived enough to come with such a claim.

Vampire Bat: Well, he is not a true old immortal like us.

Vampire Owl: He has been a semi-immortal with the help of science.

Vampire Bat: There is no semi-immortal. We only have immortals and mortals.

Vampire Owl: You should be better aware of the ways of science.

Vampire Bat: The ways of science do not work in our realm.

[Gets a Hyderabadi biriyani and three cups of Vagamon tea].

What is the movie about? :: Black Adam (Dwayne Johnson) was provided the powers of ancient deities of Egypt as he fought a tyrannical ruler in Kahndaq who had enslaved the people of his nation a long time before the great civilizations of the world held their powers. The king who was trying to use the artifact known as Crown of Sabbac to attain power like no other mortal could, but is defeated by this new champion, thus ending the evil reign. Adrianna Tomaz (Sarah Shahi) who lives the same city in the present finds her people oppressed by an international criminal organization named Intergang. As the new hope for resistance and as a renowned archeologist, she is determined to make sure that the Crown of Sabbac does not fall into the hands of any of those mercenary groups. As she almost reaches the crown, she is ambushed by a team sent by the organization which wants to use the artifact to control as much of the world as they can. The group looks forward to a kind of world domination like never done before with the ultimate control in Kahndaq. The group has the military strength with air, land and water support like most of the nations of the world can never dream of.

So, what happens with the events here as we just keep looking? :: As she is captured by the mercenaries who look forward to kill her, she uses her last option and chants the incantation which awakens Black Adam from beneath the tomb. It is seen that the newly unleashed metahuman is extremely powerful and he violently destroys all the enemies of Adrianna who keeps shooting at him without success. As Adam is wounded by one of the rockets which he catches on the way, he is taken to Adrianna’s home, where he begins to realize things and understand the new world, he lives in. He understands that the ways of the world have changes the situation is much different now. Considering his murder of many assassins, he is considered as a threat and the Justice Society sent to annihilate him, even though the Suicide Squad was also an option. The team includes the leader Hawkman (Aldis Hodge), the veteran sorcerer Doctor Fate (Pierce Brosnan), molecular manipulator Atom Smasher (Noah Centineo) and wind-controlling Cyclone (Quintessa Swindell), a team which seems to have members with their own inner struggles.

And what more is to follow in this tale of a centuries old superhero? :: Hawkman doesn’t consider this to be too much of a task, but Doctor Fate who has seen many dark futures doesn’t think so. They arrive at the city only to find Adam murdering more mercenaries. The battle goes very much in favour of Adam, as he seems to have an answer to everything which is thrown at him. It is then that Adrianna’s teenage son Amon Tomaz (Bodhi Sabongui) is kidnapped by Ishmael Gregor (Marwan Kenzari), who had disguised as a friend for a very long time. Ishmael wishes to gain the powers of the six powerful demons of Hell: Lucifer, Aym, Belial, Beelzebub, Asmodeus and Crateis using the crown. As the Justice Society and Adam fight each other, there seems to be other forces gaining control of the situation. Can the superheroes find a way out of it? How much can this possible terror from hell be stopped or delayed? Can Black Adam, with a troubled past defeat his enemies on all sides? Will he understand the new world and adjust to live in it? Will this ancient city be finally free in the end? The situation seems bleak for everyone around him.

The defence of Black Adam :: There is a lot of entertainment that goes around this movie, especially with Dwayne Johnson in the lead. There is no lack of fun when he is around, even if he did not have those superpowers. Unlike the overrated all-powerful heroes like Captain Marvel, Black Adam is the kind of superhero who seems to be more believable and enjoyable inside the willing suspension of disbelief with the addition of ancient magic. Despite being a dark enough movie with demons ready to be unleashed and having wrath of the ancient gods in control, the movie manages its light-hearted moments really well with a touch of effective humour. The comic side never gets out of control, and the Rock provides an assurance about it. Sarah Shahi nicely blends in, and looks even younger with some moments of action added to her work. Marwan Kenzari’s villainous side would also be memorable, as the sinister side works really well. We can be assured that Black Adam will have a bigger role to play than most of those overrated superheroes who jump around in the different comics universes, as there is a certain amount of class written over this particular character played by Dwayne Johnson, and that too beyond this world.

Positives and negatives :: The movie is a visual stunner as expected, and the graphics used here is really good. The setting is interesting, as we have a city away from the usual areas, and the need for protection that it requires and the type of hero that it gets, are all different in nature. The action sequences with the display of superpowers manage to be really good, and the Justice Society makes an interesting group of people, and the presence of Pierce Brosnan as Doctor Fate stands out, seemingly asking for Doctor Strange of the of the other universe to do better. The movie also has a strong villain, and finding one has not been easy in this particular universe in comparison to that of Marvel Cinematic Universe. There is the presence of the usual repeated elements, but we know that it is supposed to happen in almost every superhero flick. It doesn’t deviate and become that dull superhero movie even though the tendency was always there, and the length is surely a little more than the requirement. The movie still rises a long way above the usual Shazam movie which is too childish for anyone to make it the top favourite superhero movie.

How it finishes :: Black Adam is a nicely done superhero film which is powered by the Rock a.k.a. Dwayne Johnson who never ceases to entertain us. This has been one film which we have been waiting for, and seeing him as the superhero brings no surprises, but appreciation. Most of us have always wondered how a full-superhero movie would look with him around, and a full-horror film would look with the Undertaker around. We can be sure that no other WWE wrestler can make the impact in film industry like the Rock has done with the movies like Jumanji, Fast and Furious and others, with action films like How it will bring the power to the DC Extended Universe is yet to be seen, even though, the final moments and the end credits scene do provide us with a lot of hope. These are the times when Marvel Cinematic Universe has been losing in power, especially by making Thor a silly person and with having the tales move through series instead of movies where it should have always focused. Marvel’s overuse of humour will only come back to strike it one day, and DC finding balance will elevate its status as the superior comic book adapted universe.

Release date: 15th Match 2023 (Amazon Prime Video); 21st October 2022 (Theatre)
Running time: 125 minutes
Directed by: Jaume Collet-Serra
Starring: Dwayne Johnson, Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, Quintessa Swindell, Pierce Brosnan

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@ Cemetery Watch
✠ The Vampire Bat.

Wifelike

Vampire Owl: There should be a movie called vampire-like.

Vampire Bat: There is no other like the vampires.

Vampire Owl: Some of the hybrids claim to be so.

Vampire Bat: The claim is certainly not valid.

Vampire Owl: There are some assurances made in relation to that.

Vampire Bat: Most of those assurances do not bind.

Vampire Owl: I am sure that they were good enough on paper.

Vampire Bat: It is surprising that you have started to believe random assurances.

Vampire Owl: Well, I have been different after the corona virus pandemic.

Vampire Bat: You are yet to know enough about that virus.

[Gets a paneer pizza and three cups of Vagamon tea].

What is the movie about? :: A company named Wifelike begins to provide android companions to people who lost them or requires someone new. An robotic human, programmed to serve as a partner, Meredith (Elena Kampouris) gets assigned as a companion to a widower William (Jonathan Rhys Meyers). This cyborg-being is designed to behave like his late wife with the same name. Everything seems to work fine, but there is an organization named SCAIR or Sentient Citizens for AI Rights who are considered to be terrorists who use the companions for other purposes including wrecking havoc. At the same time, some of these people are seen as asking for equal rights for AI, similar to humans. Meredith is learning everything slowly, while William has the job of protecting companions, while finding those missing among them. It becomes more and more of a dangerous job, as there is an unknown figure known by the name Ring Master completely in control of the activities of SCAIR, and he means to cause more harm.

So, what happens with the events here as we just keep looking? :: There are also interactive dream operators for the companions, to bring the dream mode which helps them while charging themselves in hibernation. There is something strange in these dreams though, as a masked man gives her a card, and the programme does not identify such a person. Meredith finds a lady on the way who asks her to remember while causing her a distraction. The strange lady also visits Meredith in the house. In the dreams, she keeps seeing a masked man who asks her to remember. William assures her that it was only a bad dream, and nothing more. But it seems that her programming has been hacked, and William begins to feel that things are getting more serious than it was supposed to be. The dreams which allows the companions to rest are not safe any more. Wifelike soon brings a new group of company, known as Childlike, which has perfect babies being created. But there is a mess which has already been created, and it requires more attention, and Meredith could end up being a ghost in a shell without some fine job of repair.

The defence of Wifelike :: The idea behind the movie is strong, and even though it feels set in a future, one cannot forget the fact that there are always immense possibilities for the rich and the powerful. There will always be people who can buy anything. The movie goes through such a feeling strongly, in an environment which has been very well created. The stunning visuals support the same throughout its run. The twists of the movie are also nicely crafted, and there are some red herrings brought in here and there to make sure that the audience won’t guess the whole thing exactly as it is supposed to be. The final moments bring in the chance for a sequel, and there are moments when we feel that this film could make a return as a cult classic in the future. Elena Kampouris leads the work from the core, and there are so many moments which reminds us that we will have more than what meets the eye, and the same would be proven in the end.

Positives and negatives :: There are reminders here about other science fiction movies for sure, and at times, we cannot find what we need around here. One might feel that it gets slow and losses focus at times, but everything comes together in the end, and we feel that those moments which were felt to be less important are also significant around here. There could have been some more fine moments added here, with the capabilities of other companions also explored, and the life of at least one more of them being shown. Instead, the movie shows the others as just being less significant androids even while talking about equality for the artificial intelligence. Well, with the further development of aritificial intelligence, there will always be chance for more occuring in real life, even if it need not always be about a Terminator-like incident in which machines take over, or some Ultron requiring Avengers to save the day. With thought-provoking movies like this one, we can always expect more.

The performers of the soul :: The movie is led by Elena Kampouris, who comes up with a memorable performance as an android, human recreated into a robot, with a past that she cannot hold on to. She makes a fine robot, and the past is also shown in an interesting manner. She provides many moments to remember, and the emotional past is only another side of her resurrection in the form of the perfect companion. There are signs which show the possibilities of her becoming a bigger star, seemingly well-suited to become a scream queen at some point of time. Playing an android with so much of artificial intelligence would not be an easy task, but she has nailed it. Jonathan Rhys Meyers also plays his role well, and the twist about him makes the character even more interesting. The final moments do set up well for a sequel in which he could bring in another side of the whole companion thing talked about in the movie. The other actors and actresses provide good support, but the movie is indeed focused on these two.

How it finishes :: In the end, Wifelike does not become another Ex Machina, but it does come close in the process. The ideas do travel in a similar path on multiple occasions, but there are not many things that match that particular movie which can be considered as a classic among works of science fiction which dealt with similar topics. The movie gets a number of things right, and with the leading lady interpreting the idea of the android really well, it has more than enough to deal with the content an bring the entertainment along with the twists that work well. Well, when some actresses play humans, they end up with such robotic performances that we would want to ask them to play robots, but here we have the actress who can play both sides. Most of the rating do not bring any justice to this movie, as there combination is indeed effective with this one. This is one movie which could have used more attention when it was released.

Release date: 20th December 2022
Running time: 105 minutes
Directed by: James Bird
Starring: Jonathan Rhys Meyers, Elena Kampouris, Doron Bell, Sara Sampaio, Rachelle Goulding, CJ Perry, Alix Villaret, Agam Darshi, Doron Bell, Fletcher Donovan, Claire Friesen, Sari Mercer, Chezca Vega, Stephen Lobo, Bradley Stryker

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@ Cemetery Watch
✠ The Vampire Bat.