Dybbuk

Vampire Owl: I am surprised that they have come up with a remake of Ezra after four years.

Vampire Bat: Yes, four years is a long time for a movie like Ezra.

Vampire Owl: Do you remember the last time when we had loved a Bollywood horror movie so much?

Vampire Bat: I am also not sure about that. We have been into Hollywood and other foreign language horror only.

Vampire Owl: I would like to know where this one stands in comparison with the original.

Vampire Bat: We had watched the original too long ago. Therefore, I am not sure if we can compare these well enough.

Vampire Owl: I only hope that our memories are as sharp as the vampire manual says.

Vampire Bat: I am sure that this one will have some difference, surely more than what the remakes like Drishyam have.

Vampire Owl: Ghosts need to be shown as somewhat different, because they are all not the same when at different places and affecting different people.

Vampire Bat: Well, maybe the demon of Ezra really needed another outing, and this one can serve it well, like vampires always needed.

[Gets some spicy tapioca chips and three cups of cardamom tea].

What is this remake of Ezra all about? :: The death of a Jew in Mauritius marks the end of a century old history of Jews in Mauritius – he was the last Jew around there, part of a group of Jews who had taken refuge in the island to escape persecutions and possible genocides. A mysterious box from the house goes missing, and soon, a local man is found dead without leaving any clues about the murder. It is indeed a strange case, and police hopes that something will lead them in the right direction. A newly married couple, Sam Issac (Emraan Hashmi) and Mahi Sood (Nikita Dutta) seems to be having a problem-free life until they move to Mauritius and the latter brings an antique box back to their new residence in the island. It is an isolated place, more or less like a holiday home, with no human to disturb them. But that would change soon enough, as what she brought back home as part of decorating the place turns out to be a Dybbuk box, which is supposed to be claimed by a Jewish demonic spirit called Dybbuk.

So, what happens next in this tale of horror out of a myth? :: Meanwhile, Sam is still working, as he is part of a company named Zayke, which deals with the disposal of nuclear waste from Europe. He feels that there is a certain amount of hallucination going on with her, as she had a miscarriage just some time ago. The spirit maintains all the qualities of the usual spirits, but is supposed to be among the most dangerous among them all. There is not much known about the same though, as there are not many Jews they know, with most of them migrating to Israel early enough. There would be strange things happening in the house very soon, and soon, a nightmare would begin for them. They think about getting rid of the box, but the spirit already has its place. To read the Hebrew inscription on the box, they contact a professor who gives them the translation. The same person also gives them the contact details of a rabbi who seems to be the only one who can help them. But are they moving in the right path against this particular evil spirit?

The defence of Dybbuk :: There is variety here, which this move inherits from its original, and there is quality in the looks too, with improvements there. The visuals are used well to create the horror advantage, and the darkness as well as the creepy elements are adjusted well with the use of sound effects, and these work really well in the first half to make us interested in a second half which promises further. The visuals of Mauritius nicely adds to the beauty in totality. There is also a lot in the story here, unlike the usual horror movies, and the creature that does the haunting around here is not among the usual ones, as the myth is comparatively new, especially for those who haven’t watched the original. There is the feeling of antiquity as well as a beauty not of this world being portrayed here. There is also that one twist that happens by the end, but that is not too innovative. But we do see that this one has a very slight edge over the original, and yet both remains the same in many elements as well as repeated scenes.

The claws of flaw :: It has to be noted that the evil spirit doesn’t have the terrifying presence that it had in the first half, being repeated in the second – the final exorcism, brings nothing huge, even though were always going for the big finish to lift the film in the end. There were so many possibilities with this movie with the new demon, and the unlimited number of chances are not used at all – it is kind of strange that the movie doesn’t take its opportunities as much as it could, just like the original didn’t. Dybbuk could have been scarier, and there is no doubt about that, with the original idea already being displayed on the big screen with the support of big sound systems – this one being released on Amazon Prime Video, there was the requirement of more power to keep the audience in fear and at the edge of their seats, but we see that such strength is not there, even though we can approve and appreciate the improvements which were made here. Yet, the background story of the spirit was better in the original.

Performers of the soul :: In a movie that has Emraan Hashmi as the protagonist, it is him who leads the way – in comparison with Prithviraj Sukumaran, one has to say that there has been some difference added to the role, but he has managed well, as he did the same in Chehre, the thriller which also released on Amazon Prime Video a few days ago. His affiliation with horror is here to stay, as it seems – there are a few other Malayalam films with certain thriller elements which could have him in the remake, one would feel. Nikita Dutta has come up with a very good performance as the lady in distress, being forced to be part of a demonic activity in which she is completely immersed. There is not much difference in her performance in comparison to the work in the original, but she does seems to have more emotions coming her way – there was the requirement to have a song like “Lailakame” for her too, with that much quality. The rest of the cast fills in well, and we have to look out for the Rabbis this time, and not the priests of the usual background – they have chosen the appropriate ones to play these roles too.

How it finishes :: There has a little shortage of horror movies in Malayalam movie industry, but Bollywood has chosen to remake this one, which is why, one can be sure that the Indian cinema as a whole, has the requirement is for more good horror. We do not have the need for more drama and more romance – there is so much of the same already, as well as those silly masala movies, and we need to move out of them whether with remakes or originals. Therefore, Ezra‘s remake is something which has to be appreciated, and the fact that there is no missing out here is a fine thing. Remaking a Malayalam movie can only mean good things for Bollywood, even though the exact opposite might not mean the same. As far as this film is concerned, the remake is done really well, and even with the limitations of the original maintained the same, there are a few moments which make this movie work as an improvement, with added visuals and special effects. So, Amazon Prime Video can be happy to have this one at a time when people are slowly just starting to think about choosing the theatres over OTT.

Release date: 29th October 2021 (Amazon Prime Video)
Running time: 152 minutes
Directed by: Jay K
Starring: Emraan Hashmi, Nikita Dutta, Darshana Banik, Pranay Ranjan, Denzil Smith, Ivan Sylvester Rodrigues, Vivana Singh, Sudev Nair, Manav Kaul, Yuri Suri, Vipin Sharma

<— Click here to go to the previous review.

<— Click here to go to the previous Hindi film review.

@ Cemetery Watch
✠ The Vampire Bat.

Don’t Listen

Vampire Owl: We, vampires don’t really need to listen because we know.

Vampire Bat: Still, we don’t know everything.

Vampire Owl: I know almost everything, and I am sure about that.

Vampire Bat: Your certainty of knowledge only creates doubts.

Vampire Owl: My doubts are the results of me knowing, and nothing more.

Vampire Bat: You should at least listen to Uncle Dracula.

Vampire Owl: Uncle Dracula is no longer a proper source of knowledge.

Vampire Bat: I feel that you are thinking about starting a revolution.

Vampire Owl: Nonsense. I am not a revolutionary. I am beyond that.

Vampire Bat: Okay, let us see how far you can take that.

[Gets a vanilla chake and three glasses of blackcurrant shake].

What is the movie about? :: Daniel (Rodolfo Sancho) and Sara (Belen Fabra) moves into a new house with their son Eric (Lucas Blas), and hopes that they would have a happy time there, as it is a big house in the beautiful countryside. But things don’t turn out to be that good as they had expected. In this old house in a rural setting, they are not longer happy. Daniel and Sara still plans to restore and sell the house, and they don’t care much about the voices which Erice talks about, and the fact that he cannot sleep much either. Soon, a psychiatrist who comes to help Eric dies, seemingly in the same way as Eric was drawing. Eric also had the feeling that the voices were making him draw things. The boy continues to make problems at the school too, and keeps waking up at night, screaming aloud. The problems continue in the house with further weird occurrences, and soon Eric is found dead in a swimming pool just outside the house on a strange night. This separates the two who can no longer handle the pain of losing the child.

So, what happens with the events here as we just keep looking? :: Sara is not able to handle it anymore and moves to her parents’ place, but Daniel decides to stay in the house and renovate it to sell it some day. Sara hopes that he will leave the house with terrible memories and follow her back to the city soon enough. That night, when he records a voice message and sends it to Sara, there are many voices in it. Right in there, he hears the voice of Eric, asking for his help. The same frightens him and he meets a supernatural investigator specialized in electronic voice with a paranormal touch. He is the one who is supposed to have gone through so many of similar paranormal events and have written books related to the same. Even though he is reluctant to believe the depressed father in the beginning, he finally decides to have a look, and travels to the place with his daughter, hoping to find something. Everything seems normal from a distance, but as they go inside, there are a few things that need to be taken care of.

The defence of Don’t Listen :: The atmosphere is well created for the movie, with everything happening in a house in the middle of nowhere. This is a house with a past, and it is located perfectly away from civilization for the people other world to make an appearance. Visually, it has a fine score, and it also scores well with the sound effects that asserts the supernatural presence strongly. The movie had also got into action quite early. It does have its scares, and there are some effective ones around here that does have the repetitive elements, but do work as we would have wanted it to. There are some interesting moments in the end, and there is a twist to go with it too. The haunting of this particular house and the people associated with it does have a different touch at times, along with the added history. It is to be noted that the movie has managed to achieve most of its positive things without using much of the gory elements, and with a simple tale. You have watched Hollywood do this before, and now we have the same in Spanish.

The claws of flaw :: This is another movie which reminds us of the usual horror films of Hollywood, even though not exactly the same as The Conjuring, The Nun, Annabelle, Sinister or Insidious – the common ones of our times which people try to watch all the time. It doesn’t move that much away from the usual path here too. The ideas of witchcraft and possession could have been much stronger here. The tale could have been twisted at many points, but they go for the safe background story yet again. The film is also slow in parts, and when there were so many opportunities to minimize such problems, it doesn’t make the best use of them. There were moments of horror which could have been better used, and the atmosphere could have been heavily worked on. After all, we have gone through so much of horror already, and there are enough resources to elevate the level of horror. Without thinking enough about the same, a horror film is more of a work of mystery, and that is the pothole where the movie almost fell during an earlier point.

Performers of the soul :: Rodolfo Sancho plays the father figure, and the one who is looking to get his son back in whatever way possible – the good father is played well, and he goes through the horror elements well too. The final moments have him at his best too. Belen Fabra plays the mother with less to do, but the two make the family well enough. Ana Fernandez is the one who catches our attention the most though, and she also plays the smarter character around there. She takes on the supernatural rather sensibly, and there is the bond with the father that runs through. She should give a try with Hollywood horror too. Ramon Barea is more or less the usual paranormal activist that we see around, and he suits the role very well – very much with experience. The kid has very less to do in comparison, as death comes rather too fast for him. As it is in most of the horror films, it is the demonic presence that maintains the scary work.

How it finishes :: Don’t Listen makes an attempt at the usual horror, with some differences which comes with the “voice” idea. One would have wished for it to bring more horror, but it does have some fine points. We do need our horror movies at regular intervals. It is good enough to watch one more horror film, while waiting for Ezra to be remade for Bollywood. We cannot be sure about that remake’s quality, but from the trailer, it is certain that it is done well enough. Corona virus pandemic has unleashed a different kind of horror into our world, and the usual horror is currently of lesser significance, but we await the return of the monsters of the night, as well as the demons which are part of our life. As we are certain that they will slowly and steadily return to haunt us, Don’t Listen is a pretty good reminder that we can go back to that at some point. Until we get to that particular horror, let us be safe from the present terror, the COVID-19 pandemic. We do have too many horror movies to watch in our short life time.

Release date: 24th July 2020
Running time: 97 minutes
Directed by: Angel Gomez Hernandez
Starring: Rodolfo Sancho, Ana Fernandez, Ramon Barea, Bethlehem Fabra, Lucas de Blas, Nerea Barros, Javier Botet , Viti Suarez, Ruben Corvo, Jorge Oubel, Peter van randen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Mara

Vampire Owl: This would be a nice name for a new vampire.

Vampire Bat: I am sure that vampires have so many nice names on the official list.

Vampire Owl: I am still confident that we can use one or two more.

Vampire Bat: Even in that case, there is no shortage of names.

Vampire Owl: You know that these names are too old and outdated.

Vampire Bat: There are no outdated names for immortals like us.

Vampire Owl: The world do change, even if vampires do not.

Vampire Bat: Well, we have changed. There are enough examples for the same within the castle itself.

Vampire Owl: Those are not really part of anything that we use.

Vampire Bat: They are all part of us now, even if you don’t realize the same yet.

[Gets a chocolate chake and three glasses of mango shake].

What is the movie about? :: Andrey (Semyon Serzin) wishes for a terrible memory to be erased from the mind of his wife, Olya (Marina Vasileva). For the same, he visits Mara (Aleksandra Revenko) who has some special herbs which could be good enough to do the job for him. Mara realizes that there was a terrible attempt at robbery at their home, and she provides them with some mushrooms which he uses in cake to make sure that she starts forgetting – Mara assures him that she will able to control how much she forgets. That night itself, Olya who was living separately after the incident returns to him. But she still doesn’t want to live with him in the same house where the incident took place, and as Mara had asked him to look after her house after she leaves for a few months, they move to her place which has so many herbs and antique items. She develops a liking for the new place immediately, and is happier than before.

So, what happens with the events here as we just keep looking? :: Things seem to go smoother than before from outside. Olya seems to be enjoying her time at the new place, which is strange with its look, but has all the facilities that they need. One night, Andrey does have a dream though, and he sees a child as well as a horse in there, and Olya also sees a person in there, staring at them. Mara assures him that they are ghosts of the previous owners, and that the process does include some side effects, but there is nothing to worry about there, and things can only get better. But Olya begins to experience more, and it only keeps her wishing to get out of there. As a musician, she is not able to practice like she used to, with fear of something being around her. She has her own hallucinations that doesn’t help her at all. Soon, it seems that he is not able to get Mara on the phone again, but it is not all, as he finds out that there is no record of the place as of now, and nobody knows the woman whom he had met. Now he wonders if things are going completely out of control.

The defence of Mara :: There is enough of the feeling of mystery and horror in this particular movie which seems to build, and become stronger with a certain amount of weirdness that is continued to be maintained around here. The atmosphere that is maintained for the same is quite superior, and there are different world being created here, most of them unreal, and bringing a different feeling. It begins very well, providing the idea that we are soon moving to a world of dark fantasy. The film provides the feeling of a twisted fairy-tale which is more than what meets the eye, and the audience are left doubting about many things here. The grief, the melancholy that is present here also feels real, and the whole thing takes enough of deviation to bring the horror, which is less evident, and hidden for us to find. It uses the evil which is off the screen, and generates the fear out of something which is more of a mystery than the usual ghost story.

The claws of flaw :: Mara does have a great beginning, and we were always expecting to see more as it progresses, but there is not that much of terror being unleashed here. The usual quick scares are missing here, even though there were so many opportunities to bring the same, with a certain amount of mystery always present at different areas. It could have also had more of the history of the apartment rather than of the rest. It could have also used the mushrooms in a more terrifying manner rather than with those colours, as the opportunities were many. Being not the usual horror movie, this one could have brought the grandeur that the others would find difficult to bring – that kind of a premise is set in the beginning itself. Mara does miss out on some of such opportunities which were there to be taken, but we appreciate the fact that it could go divergent against all odds. After all, we all have different demons to meet on separate occasions, even though this can be somewhat confusing for regular horror lovers.

Performers of the soul :: Even though not the main character, and even without having that much of time on the screen, it is Aleksandra Revenko who catches our attention from the beginning scenes, and we don’t see much more of her until the end. There is a certain wickedness in her which is clearly visible in the later stages, but the same is also present in her in the beginning too, hidden in her movements. One would have still wanted to use her more in the final stages, in the form of the terrifying antagonist rather than anything else. Semyon Serzin plays a simple, very much confused character, who does some foolish things which come back to haunt him, and that is done fine. At the same time, Marina Vasileva is really good here, and she has blended into this character who goes through different troubles – the emotions are nicely reflected by her. The changes that she goes through are nicely portrayed here, and she also gets more to do by the end of the movie.

How it finishes :: Mara, also known as Side Effect and Pobochnyi Effect reminds us of other Russian horror films like Queen of Spades, Guests and Baba Yaga. The Russian horror movies do have something different in them, just like the science fiction coming from the same area like Coma, Superdeep, Sputnik and The Blackout. There is such grand making quality here. The film also serves as a morality tale, a reminder about how the past cannot be erased, and we can only make things better in the present, for living in past can mean eternal grief and a never ending feeling of melancholy. It is a film of well-made divergent overall, and the same serves as a good cinematic experience with its mystery running directly in the middle. We all need our horror films during the Corona virus pandemic, and this one adds as horror better than most of those flicks which keep repeating the same pattern again and again. After all, we are also having a remake of Ezra coming soon for Bollywood on Amazon Prime Video.

Release date: 5th November 2020
Running time: 93 minutes
Directed by: Aleksey Kazakov
Starring: Semyon Serzin, Marina Vasileva, Aleksandra Revenko, Maria Abramova, Maria Karpova, Anatoliy Zhuravlyov, Stepan Devonin, Sergey Cherdantsev, Natalya Dedeyko, Nikita Tezov

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Freaks

Vampire Owl: It has been very long since we had a German film to watch.

Vampire Bat: You could have always watched German movies at will.

Vampire Owl: Well, we should watch them together as part of vampire brotherhood only.

Vampire Bat: You know that I am not always available.

Vampire Owl: Still, you are here now and ready for films.

Vampire Bat: I have been available only as part of my requirement to sign into Dracula Castle.

Vampire Owl: You only need to be here as much as you can. We can always find some worthy vampire horror time.

Vampire Bat: You can still watch as many movies as you want at the castle with the Vampire Crocodile or the Vampire Alligator.

Vampire Owl: You know that they watch films underwater.

Vampire Bat: Well, you asked them to watch a movie with you on the top of a mango tree.

[Gets a chicken cutlet and three glasses of orange shake].

What is the movie about? :: The movie begins with a quick flashback showing a destroyed area of a school, a crying child and blood as well as a destroyed building which seems like a school. The child is really upset, and we are quickly taken to the present where the rest of the action takes place. Now, Wendy Schulze (Cornelia Groschel) has grown up, and is living with her husband and son, while working at a diner. She seems to have some psychological effect of that incident as a child, and she is taking some pills which were prescribed by her psychiatrist, but mostly, everything seems quite normal. One day, she meets a homeless man named Marek (Wotan Wilke Mohring), and that brings a deviation to her life. His advice to her is to stop taking those pills which are prescribed to her, and he also reminds her that she is one of them, even though Wendy has no idea what is happening – she is quite shocked to see him jumping off a highway bridge only to be run over, but he is the same on the very next day, alive and seemingly even stronger.

So, what happens with the events here as we just keep looking? :: Wendy does feel that there is something fishy about everything that has been happening around her, and decides to stop taking the pills, as he had advised. When she is attacked after leaving her shift, she discovers that she has some special powers, and uses them to get rid of the attackers with ease. Her colleague Elmar Mund (Tim Oliver Schultz) notices some of her skills, and as he also has similar powers, they have to work together to find the secret behind these superpowers – it seems that the government has been watching them, and there is more to it than what meets the eye. There could be a vast conspiracy behind all of these, and getting to the bottom of it would require more than one or two superpowers. Is Wendy good enough to live up to the new powerful lady reputation that she has gained, or will some sinister forces have the upper hand? What role does the other people with superpowers have to play, and why is the government so much interested in this?

The defence of Freaks :: Freaks acts as an origin story for a superhero franchise, like Gundala did in Indonesian, and it seems that there is a lot of scope in that. This movie does build up very nicely with that, and the first few moments are really good at doing the same. The music is really good here, and there is something beautiful about the same too. It could really support the superhero stuff when its at full strength with a sequel. The setting is also good, and very much suitable for the superhero stuff here, and there are some beautiful shots too support the same too. There is also some fine humour being added here, and this feels like something nicely managed with less special effects and graphics. New superhero movies are always welcome, and this one has an ending which calls for some more films to follow in a possible long franchise. The world has always been in need of its superheroes, and you even got Shazam! earlier and accepted the same.

The claws of flaw :: Freaks could have actually been more divergent, and there could have been the idea of bringing more variety to the superheroes. You do feel that you have seen this before, as you are aware of so many superheroes. There are similarities to Split and Glass which we can easily recollect, as superhero powers are suppressed, and the existence of such heroes are also not brought to light. There could have been some innovation in that, as going by the usual path seemed rather unnecessary. A few things are also too direct with this one, and even for an origins story, there is a certain amount of predictability being drawn here. The few moments before the climax are not that effective either, and one does wonder if this could have been better there. Some other superpowers could have also been unleashed here, along with more action. When so many of similar films have already been done, this one should have come up with the divergent ingredient, for it was also immensely possible – you learn from what you already have.

Performers of the soul :: Cornelia Groschel leads the way in the movie, as she does in the poster, and that is done really well. She is very good from the beginning, and her transformation is also worth it. She would make a fine superhero in a costume, and can come up with some fights if there is a sequel for this one – Freaks didn’t have that much of action to boast about. She could have surely used some of it though. At the same time, Tim Oliver Schultz does make a fine villain in the making, and if there is a sequel, that could serve his character really well, as changes to the same possible supervillain can be seen from a distance too. Wotan Wilke Mohring does some solid work as the experienced superhero, or metahuman as often referred to. Nina Kunzendorf plays the usual human antagonist going against humans with ease, and there are moments for her to be remembered too. The rest are lesser characters, even though we know that some of them are going to be very much relevant for a sequel, if there is one.

How it finishes :: It hasn’t been easy to find the best German movies, unlike the case with Spanish, French and Korean which were recommended by so many people. Movies of the Soul has had only three German movie reviews before this, the full-length Kidnapping Stella and Breakdown Forest, as well as the short film named AUFDRUCK. Freaks is a fine addition to that list, and is very much fun to watch. You don’t always need your Avengers and Justice League teams, for you can stick to the lesser ones which are also interesting enough. We have had our mutants, the X-Men who were too good. We can surely have more, and even though those from Bollywood have kept disappointing us, the others won’t. Freaks will serve as an example of the same. We could have superhero movies in all languages, for so much of budget is often not necessary – with Tovino Thomas starrer Minnal Murali also coming to Netflix, the Malayalam movie industry will not be that far away from the genre either.

Release date: 2nd September 2020
Running time: 92 minutes
Directed by: Felix Binder
Starring: Cornelia Groschel, Tim Oliver Schultz, Nina Kunzendor, Gisa Flake, Wotan Wilke Mohring, Frederic Linkemann, Finnlay Berger, Thelma Buabeng, Ralph Herforth

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Paramedic

Vampire Owl: Another good Spanish film to watch? That sounds fair.

Vampire Bat: Well, we have always wanted to have more foreign movies to watch.

Vampire Owl: As we speak, the theatres are opening here too.

Vampire Bat: Well, the question remains – for how long?

Vampire Owl: So, you think that the next wave is coming soon.

Vampire Bat: I can already feel it to be close. One only has to wonder about the terror the virus can unleash this time.

Vampire Owl: Nobody is afraid of the Corona virus anymore.

Vampire Bat: They need to be afraid. It is a shame if they are not.

Vampire Owl: Well, people make their own strange choices these days.

Vampire Bat: Not people, just humans. All the other species are fine.

[Gets a chicken samosa and three cups of cardamom tea].

What is the movie about? :: Angel Hernandez (Mario Casas) is a paramedic who doesn’t care about his patients, and he also steals valuable items from them if he gets a chance. He is also disappointed about not having a child with his girl friend, Vanesa Francois (Deborah Francois) with whom he shares an apartment. He is also very possessive towards her, and blames her for them not having a child. But she wouldn’t care that much about the same, as she is ore interested in her work and advanced level of studies. Things get only worse when their ambulance which his colleague Ricardo (Guillermo Pfening) was driving meets with an accident, and Angel is paralyzed from waist down, leaving him on a wheel chair. This also further strains the relationship between him and Vanesa, and he begins to feel that she is cheating on him. His doubts only increase, and he also starts spying on her – when she realizes the same, she leaves him. But he still remains obssessed with her, and wouldn’t stop stalking her.

So, what happens with the events here as we just keep looking? :: Soon, he comes to know that Vanesa has also started a relationship with Ricardo. Soon, he feels that they are going to have a baby, and that further disappoints him. As he goes through his therapy, Angel is more and more concerned about the sequence of events which had occurred earlier. Therefore, he decides to take matters into his hands and calls Vanessa to come back to their apartment, and take her remaining possessions. But when she arrives, he injects him with medicines that leave her unconscious, and ties her to the bed. He also sends messages to Ricardo from her mobile phone, about her not wishing to have the baby, and that she is also not interested in continuing the relationship anymore. He also injects him with drugs so that she temporarily losses the use of her legs. Now, he has plans of them living together like this, and also raise the baby which she would have. Now, it is up to her to try to escape, and him to continue with his strange plans. The question remains about who will succeed in the end.

The defence of The Paramedic :: The Paramedic is partly a thriller and in part a drama, as we look at it. There are moments which raise the level of the movie, and it is very strong in parts, as we look at it. Some moments will be remembered, even though not fully, and the weirdness and sadness of the main character who often gets psychotic will be remembered. The tension does become stronger at times, and at times, we have some anguish and melancholy taking over, even though not at the strongest with the same. Yet, the same doesn’t reach the full potential, even when we feel that it is rising. The setting is really good, with the Spanish streets and an apartment proving as good backgrounds to the work. For a good amount of time, the movie has a certain amount of realistic feeling, and it is also simple enough, even though its characters are indeed complicated. After all, considering the times in which we live in, there are not many things which are not possible among humanity which has come down by a long way.

The claws of flaw :: The Paramedic had the chance to be something bigger, but it doesn’t use its scope to the best advantage. After the premise changes, and the quick turn of events create something for the film to use in the best possibly ways, it keeps itself back instead. In between everything that happened in the movie, we could have been able to add so many things here and there, but this one chooses to go the usual path, without adding the innovative. The movie is also too slow, and it doesn’t pick up the pace even when there was the certain chance to do so. The drag that it had in between could have been easily avoided. The ending is also not that strong enough, as we were expecting something huge happening with the climax too, but that was also not there. It could have also had some very disturbing and scary things to be added in between, and we feel that they could have arrived at many points. It could have been more fun, or with more substance, but both cases are ignored by the film which just goes on without the deviations.

Performers of the soul :: Mario Casas is solid in his role, which turns out to be a very negative one only a few minutes into the movie. He maintains the characteristics of the role throughout the run, and that does brings some unpredictability in between. Deborah Francois also comes up with a strong performance, as it is required from her here. Her character also changes, and gathers a lot of strength throughout the existence. The other characters give some support, and they are of lesser significance. It is to be noted that there are not characters whom we can call good, as most of them have a neutral vibe or the grey side in action here. We are not admirers of any of these characters, and most of us won’t even make friends out of them. Among the smaller performers who catch our attention, the first one is Maria Rodriguez Soto who has a lot of melancholy going on with her, and Guillermo Pfening who becomes a reason to keep the story going. Celso Bugallo also adds a bit there.

How it finishes :: The Paramedic was a fine opportunity to come up with something huge, but the film refuses to take that risk, and manages to provide us with the usual rather than anything else. While reading about the movie, the expectations were surely higher. For a movie which is known more as a thriller, more thrills are surely required, and with such fine performers, the film could have achieved more. With the theatres all prepared to open, one can wonder if what people would choose now, to go to the OTT platforms or go back to the theatres. I would wait in that case, and go for the movies which are still available in those platforms to watch. After all, the third wave of Corona virus might still be ready to come. You have to stay safe during these periods of time, and it has to be a thing of priority, not just for yourself, but also for the people around you. The two doses of vaccine are no guarantee for anything, and so we are supposed to continue to be as careful as we used to be in the beginning of this pandemic and during the lockdowns and quarantines.

Release date: 16th September 2020
Running time: 94 minutes
Directed by: Carles Torras
Starring: Mario Casas, Deborah Francois, Celso Bugallo, Raul Jimenez, Pol Monen, Gerard Oms, Guillermo Pfening, Maria Rodriguez Soto

<— Click here to go to the previous review.

<— Click here to go to the previous European film review.

<— Click here to go to the previous Western European film review.

<— Click here to go to the previous Spanish film review.

@ Cemetery Watch
✠ The Vampire Bat.

Black as Night

Vampire Owl: I thought this would be dark as night.

Vampire Bat: I am sure that they meant the exact same thing.

Vampire Owl: Yet, night is not black. It is just dark due to the absence of light.

Vampire Bat: I didn’t know that you were that interested in being exact.

Vampire Owl: Well, the are going to deal with the vampires. So they better be.

Vampire Bat: These are not really our type of vampires.

Vampire Owl: When they talk about real vampires, it has to be about us.

Vampire Bat: They are preferring variations these days.

Vampire Owl: Such a ridiculous human world. No wonder they have the virus.

Vampire Bat: Maybe they did create the virus. We cannot be sure.

[Gets a chicken puffs and three cups of iced tea].

What is the movie about? :: In the beginning, it is seen that a homeless man who is searching for cans is attacked by a group of three vampires who show no mercy. At the same time, in the same city of New Orleans, Shawna (Asjha Cooper), a teenage girl lives with her father Steven (Derek Roberts) and her big brother Jamal (Frankie Smith) as the mother Denise (Kenneisha Thompson) is living apart after becoming a drug addict. At the same time, there are many things going on the streets, including protests, with the distant possibility of riots too. Pedro (Frabizio Guido) who is her best friend forces her to be close to Chris (Mason Beauchamp) on whom she has a big crush, but that doesn’t seem to be a good idea, with her not being of his interest, and she also coming up against vampires who attacks her, but leaves when a car comes to the area. That leaves her scared as she feels that she would turn into a bat or a vampire. Along with the disappointment of not getting the attention of Chris after a talk, she is not afraid of noy being human anymore.

So, what happens with the events here as we just keep looking? :: In the morning, she sees that she is not affected by sunlight, unlike what she had read about. She feels that there is something vampiric about the place where her mother was staying, and when she reaches there with a doubting Pedro, they find out that Denise was bitten too. But unlike her, Denise is quick to transform into a vampire, leading to the curtains being taken off, only to have her burnt till death. As New Orleans is full of strange beliefs, and a lot of spiritual and magical stuff, she decides to get the help of some people who have some expertise in the same – the police have no idea about what has happened. Instead of going to the usual voodoo and hoodoo practitioners, they go to Granya (Abbie Gayle) who is supposed to be the great vampire expert. They still base their assumptions on vampire fiction, but they do feel that there is some idea about the same, and a sympathetic Chris also joins the team. But are they enough?

The defence of Black as Night :: We do have another addition to the vampire tales, and this does add up when we look at it that way. The first scene does add some power, and that adds the scary feeling that something interesting is surely going to happen soon enough – the film’s strength seems to be the beginning rather than the rest. The setting of New Orleans is all very good, and it keeps us interested enough, with the feeling that something could happen at any particular point. It could be suitable for the teenage audience more, like Twilight was largely successful with them, even though not with those who have traditionally liked the vampires through great works of fiction brought to us as classics from history. The ending provides us with a chance to have another sequel, and the same can keep us hoping for a better film to come later, without the extra nonsense social commentary added in between. If you are looking for one more vampire film in a world which seems to have moved away from the earlier vampire interest, this one will be a reminder.

The claws of flaw :: The emotional side is rather too weak, and we often have nothing to care about here, not just the protagonist, but also the remaining ones. There is also a lot more to care about when you are making a vampire movie – it is not like coming up with a creature movie with demons or aliens. It doesn’t have that vampire power which a movie like this should have possessed. When vampire terror should have been effectively, it does struggle to do the same, and often holds back without any particular reason. The opportunity to make this a horror comedy is not used well enough either. The movie is indeed a master in making the opportunities go missing. The chance to add some message about inequality and race in there also goes missing, and the usual good use of history in vampire works also falls flat. You cannot use social commentary where it doesn’t fit, and this one keeps pouring that at all places without success. It is also very quick to have us tired of all these things repeating, and has no big action happen unlike expectations.

Performers of the soul :: Asjha Cooper leads the way here as the leading lady, and happens to be okay in her work. Then there is also Mason Beauchamp and Frabizio Guido who seems to be leading the film together. But the one who seems to be more suitable to this situation is Abbie Gayle, with a character who is very much into the vampires. The others do have more screen time, but she seems to play the role of more relevance in comparison. The one face which seems to be somewhat familiar might be that of Keith David, who plays one of the major character really well, and so does Craig Tate, both of them being memorable people of darkness in the film. Sammy Nagi Njuguna and Tunde Laleye also have some notable roles around here, even though they are of significance only in the last moments of the film. Frankie Smith and Derek Roberts adds on with some less utilized characters, all of them seemingly reduced as the movie lasts less than one and half hours, rather too less for a film which seems to try to look back into some turbulent history – it is a shame.

How it finishes :: Here we have another vampire tale, even though the focus here is not that strong, and it is not the regular vampire thing as we usually know it. If there was better innovation, this could have been one fine vampire movie. Throughout the film, you know that vampires deserve better – films like Interview with the Vampire and Byzantium has already gone through the vampire world with class, and the Underworld series had the right vampire action. This one never really gets strong enough. Black as Night, despite seemingly having something in store, doesn’t really have the same. As we are going through the Corona virus pandemic which never seems to end, and all the natural disasters which never seems to move way, we do need some movies to fill up, and this one might do just fine for some people. After all, theatres have not opened in this part of the world yet, and you know that all the things that we are to fear will stay long enough, we have the intuition.

Release date: 1st October 2021 (Amazon Prime Video)
Running time: 87 minutes
Directed by: Maritte Lee Go
Starring: Mason Beauchamp, Asjha Cooper, Theodus Crane, Keith David, Abbie Gayle, Frabizio Guido, Tunde Laleye, Al Mitchell, Sammy Nagi Njuguna, Andrew Penrow, Nicole Barre, Derek Roberts, Joseph Singletary, Frankie Smith, Tim J Smith, Craig Tate, Kenneisha Thompson

<— Click here to go to the previous review.

<— Click here to go to the previous English film review.

<— Click here to go to the previous Amazon Prime horror release.

@ Cemetery Watch
✠ The Vampire Bat.

Superdeep

Vampire Owl: I thought that Meander had gone quite deep with its crawlspaces.

Vampire Bat: We cannot be sure that it was about going deep into the ground.

Vampire Owl: From the final moments, it did give me that feeling.

Vampire Bat: The feeling should most probably be wrong.

Vampire Owl: I am more confident about Russian science fiction than others.

Vampire Bat: Yes, I do remember Sputnik and The Blackout.

Vampire Owl: Russian high budget films seem to have some quality which Hollywood lacks.

Vampire Bat: Hollywood seems to be running out of ideas like Bollywood.

Vampire Owl: Bollywood is not what we usually associate with new ideas.

Vampire Bat: Still, they are so much available everywhere.

[Gets a blueberry cake and three cups of Ceylon tea].

What is the movie about? :: The action is set in 1984, during the final years of Soviet Union, before its final dissolution into Russia and the other nations. Anna Fedorova (Milena Radulovic) works as an epidemiologist is working for a vaccine for the government, but wishes to resign her post as the head of research, as her research associate is now dead due to trying the vaccine on himself without precautions and no preliminary animal testing. As there is a quick need for the vaccine, the military continues to force her to do what she has been doing, and she is also authorized to continue the human trials, and come up with a result. She still considers herself to be fully responsible for the failure of Vaccine MX23, and the death of her colleague. Her original idea was also to shut down the project immediately, but that wouldn’t be an option in Soviet Union. With the military having an eye over everything, things now have to proceed faster than ever.

So, what happens with the events here as we just keep looking? :: The Soviet soldiers in Africa are going to require this vaccine soon, and there is a deadline coming up – the government has never been fans of those who fail to meet the deadline, even if it is by a few days. Soon, Anna is seen as being congratulated on her success in developing the vaccine in a short period of time, much ahead of the deadline. She also receives a call from the military, and she is informed about an incident in a secret underground research facility at Kola Superdeep where sounds of unknown origin were discovered below the surface after twenty people had hone missing. The facility is going to be shut down soon, and there is the need to collect the samples very soon, for which she cab lead a team. For this, some fine rewards are offered to her. She finds the offer to be appointed as the head of the Military Biological Defense Institute to be something which she cannot turn down, and that leads her to the secret facility set in snow.

And things can get only stranger in this world of chaos :: With a group of highly armed soldiers, she reaches there, only to be approached by a strange man who refuses to obey instructions, and is shot. The stranger detonates a hand grenade to kill himself, and there is some damage caused to the helicopter, and the cew is also slightly hurt. This comes as a shock to Anna who feels that there is more to what has happened now. Anna notices the corpse, and finds out that there is something strange about the body, as she continues to collect samples from the remains. The dead man was supposed to be a scientist who came up and lost control of his mind, but according to the crew, he had become so strong that nobody could hold him down. Anna also checks the miners from the mining shaft attached to the secret facility, but she is able to find nothing specific. One of the miners do give her a clue, that this is not about a disease, and it is basically hell down there. Now, it is up to her to find something out of that particular idea.

The defence of The Superdeep :: Milena Radulovic whom we know from The Balkan Line leads the way well in this film which has her as the advantage. The film does have some fine visuals of this particular world which goes a long way underneath the surface of the planet. The fine detail around here does provide us with the feeling of 1980s and the Soviet world. It is different from what we see in the usual Hollywood movies, and that difference works as an advantage to take us to a different universe. It also reminds us of some of those computer games with some fine graphics. This is more or less like a whole world down there to explore, and we can surely make a video game out of this. There are moments when it also reminds one of Prometheus and Alien Covenant, as there is something out of this world at work. There is also a certain amount of alien-like horror working out here. The detailing here is also very good, and unveiling this mystery only makes things scarier. The fear here feels real, and the thrills go on.

Positives and negatives :: The Superdeep doesn’t have good beginning, as we do have our doubts about what is to happen, after the start. Other than the main character, the others don’t contribute that much around here. Once the film gets its setting to the snow-filled world and underneath it, we are quick to know that we are up for something that will keep us glued to the seats. The sound effects nicely contribute to the same as much as the atmosphere created. All these contribute well to the fear generation. The idea of the creature at work here brings more to totality too. There is so much about the creature that is scary, and it is not just the view itself. The limitations and the lack of soul in science can also be seen here, as we see the sinister motives here too. The ending leaves a few things to ponder about, not just about humanity and its survival as well as weakness, but also about what is to happen next, leaving the possibility of having a sequel at some point.

How it finishes :: Russian film industry has been very good in making some special science fiction movies, and this one is the latest addition to the same. It is also like a computer game in which we enters a dangerous new world, and we enjoy this setting a lot. It does reminds one of Doom, but does manage to create its own identity, thanks to the Soviet style which is reinvented really well with a certain amount of quality. The scary elements also work really well here, and the horror that is provided here can stay. If you are into science fiction horror, you have to give a chance to this film too. Among the recent flicks, you might have watched Russian demons, ghosts and witches through Guests, Queen of Spades, Baba Yaga and others, but it seems that the best of horror lies in science fiction. You can take a look back to The Blackout and Sputnik along with this one, and this is a film that I consider at a higher level, somewhat above many Hollywood films dealing with similar elements.

Release date: 4th November 2020
Running time: 115 minutes
Directed by: Arseny Syuhin
Starring: Milena Radulovic, Maksim Radugin, Nikita Dyuvbanov, Vadim Demchog, Kirill Kovbas, Viktor Nizovoy, Sergey Ivanyuk, Albina Chaykina, Artyom Tsukanov, Nikolay Kovbas

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Cadaver

Vampire Owl: I have got some doubt if they are talking about us.

Vampire Bat: This is surely not about the undead. You can have my assurance.

Vampire Owl: Well, dead people have no rights in the human world. So, we cannot be sure.

Vampire Bat: Such doubts that you have are usually wrong.

Vampire Owl: This is just our second Norwegian film to be watched.

Vampire Bat: Yes, the last one, Lake of Death was a good one, right?

Vampire Owl: There is something sinister about these movies. I can feel it.

Vampire Bat: You can reserve your feelings for later, after watching the film.

Vampire Owl: Yes, but I am a vampire of extreme doubt, you know that.

Vampire Bat: Yet, you remain the leader of a large vampire battalion.

[Gets a vegetable samosa and three cups of Darjeeling tea].

What is the movie about? :: One of the big Norwegian cities was hit by a nuclear disaster, and people struggling to survive with devastation all around. There is no hope for future in this post-apocalyptic situation – food is very difficult to find, and there is also no electricity. Dead bodies could be seen in different parts of the city with devastated buildings, and the climate seems to be very rough, as news about nuclear disasters, conflicts and possible world wars are everywhere. Leonora (Gitte Witt) and Jacob (Thomas Gullestad) live in this particular city with their little child, Alice (Tuva Olivia Remman). The child has regular nightmares, as they live alone in what seems to be an abandoned apartment. They understand that they cannot just hang in there with nothing left other than each other. It is then that they find out that there is a theatre play happening nearby, with a free meal. They understand that it is their chance to have some food for the family, and decides to go there at night, even though they do have some initial doubts about the same.

So, what happens with the events here as we just keep looking? :: Leonara hopes that these are the signs of things getting better, and her optimism leads them to the thaetre building – she feels that even if the meals are not enough, they could still have some fun, which the child desperately needs. Even though Alice is first refused entry, the hotel director, Mathias (Thorbjorn Harr), personally gets there and allows the child inside. The building seems to the one last thing standing tall in between all the destruction around. They are all happy to see what is like a new world for them, with a lot of food and it is more like a festival. Everyone seems starved, and they all eats as much as they want. There are other people who are also there for the first time. Mathias tells the guests that the play will be performed by using the whole hotel without curtain, seats and intermission. Everything during the night would be part of the show, with spectators given masks to wear, and the actors would be without the masks, as they move around.

And things can get only stranger in this world of chaos :: The performance starts all of a sudden, without a warning. The guests have the option to attend any performance at any part of the huge building with so many rooms and floors. Everyone keeps looking for things that would catch their interest, and there are so many different spaces without masked people. As everyone keeps walking around, soon Leonara and Jacon understand that Alice is not with them anymore. They remember seeing her just before, but now she seems lost. They keep searching for them, while others also seems to have lost people who were with them. Soon, it seems that there are no more spectactors, and all of them seems to have disappeared without trace. The show still seems to continue in the same manner, but without people. There are some strange trapdoors and creepy rooms around, while things only get more sinister as they keep moving on. It seems that we have more than what meets the eye with this particular building and the show – how dangerous is it?

The defence of Cadaver :: There seems to be so many mysteries hidden in this particular world, and after the initial introduction to the world of chaos hit by an apocalyptic world, we have a terrifying post-apocalyptic world outside, and we are then introduced into something even more frightening inside a building, that is two levels of horror unleashed without warning. The world inside is creepier than one can imagine. The structure, with its creepy corridors, rooms, paintings, darkness – this old-style building is something which will stay in our minds for a very long time. The terror that the movie brings feels much realistic than it is supposed to be, because it is more or less a reflection of humanity and the inherent evil that has led it for a long time throughout history. People have always been evil, as William Golding had shown in Lord of the Flies, a long time ago – it is the same reflection that we see here. As we look at where humanity has reached as of now, what happens in this film is only a little distant probability, for modernity has taken a part of everyone’s soul, as people go for riches above everything else.

Positives and negatives :: The film could have made itself a bigger blood and gore fest with terrifying secrets being brought to light on after the other, but it gains some remarkable ground in its current form. There were more opportunities in between, with all those strange acts being possible with this premise – the film could have used it for the better. The conclusion is pretty good, there are some moments in between that seems to stretch the movie rather than doing anything else. There is also a little bit of predictability, but we can go past that quick enough. Yet, when you are transported into this particular world, you are more or less in a mystery which seems to get thicker and thicker as time passes. When you have a horror thriller set inside a strange building which is part of a post-apocalyptic world, what can be there other than consistent scope of danger? Well, that much has been achieved really well with this particular movie which thrives on its atmosphere again and again. The idea of survival of the fittest, when applied here works remarkably well. The performances are pretty good, but that is not the focus here.

How it finishes :: This Norwegian film seems to rise above the usual horror flicks, as it rises above the genre which has depleted some of its strengths due to modernity and the lack of belief in traditions. The way in which Cadaver uses its scares should come as inspiration to Hollywood too, as one cannot always depend on The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others to do the thing, and even come up with more and more sequels, for originality matters. Cadaver is innovative enough to create something special out of an already terrifying premise, and the ability to display some extra skills to keep the audience engaged makes sure that this is one of the most effective horror flicks of these times. The atmosphere, setting, situations – all seems to come together so well. If you haven’t watched this one, you are missing the opportunity to watch a well-made horror movie making unexpected impact. This is indeed a film to stay with you even after the whole thing ends – as effective as you can expect from such a world of mystery.

Release date: 22nd October 2020
Running time: 86 minutes
Directed by: Jarand Herdal
Starring: Gitte Witt, Thomas Gullestad, Thorbjorn Harr, Tuva Olivia, Kingsford Siayor, Maria Grazia Di Meo, Jonatan Rodriguez, Trine Wiggen

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Green Knight

Vampire Owl: I have read about this particular tale during my graduation.

Vampire Bat: It has not been surprising that all vampires learn BA English Language and Literature, and most probably, also its post graduation.

Vampire Owl: Well, vampires do learn more than they need.

Vampire Bat: Yes, almost all the undead has double post graduation.

Vampire Owl: This film still comes as a surprise though.

Vampire Bat: Yes, we were not expecting any more of such movies on Amazon soon.

Vampire Owl: Yes, and with one of those tales from our British Literary History studies.

Vampire Bat: That makes the world feel quite small.

Vampire Owl: Well, you know that is never large enough for a demonic invasion.

Vampire Bat: In that case, there is not enough for the eaters of multiple realms.

[Gets a vegetable puffs and three cups of Vagamon special tea].

What is the movie about? :: The setting is in Camelot, the castle and court of the legendary King Arthur (Sean Harris), who has now turned old, and hopes that someone else could take over his place, someone worthy enough, even though there are many knights of the roundtable who could hold that position to take over the country. It was a long time ago that he taken the sword Excalibur out of stone, and claimed his throne with the help of one great sorcerer – but things are not the same again, as there is a certain amount of darkness that had engulfed the country, which seems to continue through the Christmas season which had just started, as the power of the king is at the all-time low. The king’s nephew, Sir Gawain (Dev Patel) have been leading a life of no knight, even though he is supposed to become one very soon. He goes through all the hedonistic activities as he can, and wakes up in a brothel alongside a common woman whom he fell in love with, despite having royal blood running through his veins.

So, what happens with the events here as we just keep looking? :: Gawain gets the scolding from his mother due to the same reason, but on one Christmas day, he attends the feast at the great round table of the knights with King Arthur, who gives him a better status, as he is the son of his sister, and a possible choice for the throne at some point of time. It is then that a strange creature in armour, riding a horse comes into the court and talks of a game. Calling itself the Green Knight, the creature tells him that any knight in the court can land a blow on his body and win his green axe, but the same person will have to come to the Green Chapel on the very next Christmas dar, and he will have to receive the exact same kind of blow in return. When the fight begins, the Green Knight gives up, and Gawain comes with a blow so hard that it severs the knight’s head. Then the knight rises and leaves with his severed head, after reminding him of the deal.

And what more is to be done with this adventure related to one green knight? :: Gawain spends the rest of the year merry-making with his common woman love, Essel (Alicia Vikander), but his mother Morgan le Fay (Sarita Choudhury) knows that he has to keep his end of the bargain and face the Green Knight at some point. So, finally when the next year’s Christmas season arrive, he starts his journey towards what seems to be his destiny. During his journey, he comes across a battlefield with dead bodies everywhere, and is ambushed by a group of people who ties him up and steals anything on him that seems valuable. But Gawain manages to get free and go after them. But random robbers on the road won’t be the major problems that he will have to face during this quest. This quest is woven out of magic, and it won’t end like a usual adventure ends for a knight who comes up with random acts of courage and honour. After all, these are the times when knights are always supposed to do better than earlier.

The defence of The Green Knight :: The movie maintains its dark elements really well instead of turning this into a light fantasy as one would expect as far as King Arthur and the related stories are concerned. The dark atmosphere does help in transporting us to an uncertain world of mystery rather than the usual space of certain heroes and villains placed on opposite sides. The setting, especially the landscape is incredibly beautiful, and the same can be said about the buildings around too, as the feeling of a medieval world is nicely recreated – the touch of magic can also be felt in between. One wouldn’t agree if there is a talk about this world not being filled with magic. The background music also adds a lot to this particular world. It had to be so, as any tale related to King Arthur has that feeling in the background. The film works as the coming of age story of a knight, which is nicely portrayed by Dev Patel in what might be among his best roles till now. The rest of the characters are just the path for him towards the final destination.

The claws of flaw :: The Green Knight, as it moves away from the usual fantasy adventure with a knight trying to meet his destiny, the darker side is added, and the same might not be what people might be looking for. The film also drags in between, as we have a certain time period in which nothing much happens, and the same could have been trimmed to make this film shorter. One can feel that there are too many dialogues here, and some of them seem to be pointless – they could have been replaced by some more of action, which is rather difficult to come by in the middle stages. The final moments are also not that strong as one would have expected in the beginning stages. The messages here could have also been clearer, and some elements of coming of age might have looked better if used in a more innovative manner. The opportunities to add more to the tale and expand the same have been many, and here we see no strengthening additions.

How it finishes :: Making a film out of a chivalric romance work of unknown authorship, written in the late fourteenth century, and make it suitable for this age is no easy task, as the same is not a huge adventure with big monsters that appeal to the big screen and the masses. I do remember reading about this work as part of my studies as well as the later teaching process at the college. Well, British Literary History is quite fascinating, and these are some of the earlier works which we go through in the syllabus after that Anglo-Saxon literature being looked at. So, this work is more or less like nostalgia for me. Even if the question papers in this part of the world do not really ask any question related to this one, we are all aware of the tale’s worth, and the same has been reasserted with this film, that seems to have done justice with the original thing. This is certainly not your usual fantasy adventure, and as long as you can look past the same, this will work really well for you.

Release date: 24th September 2021 (Amazon), 27th August 20201 (India)
Running time: 130 minutes
Directed by: David Lowery
Starring: Dev Patel, Alicia Vikander, Joel Edgerton, Sarita Choudhury, Sean Harris, Ralph Ineson, Kate Dickie, Erin Kellyman, Barry Keoghan, Atheena Frizzell, Nita Mishra, Tara McDonagh, Helena Browne, Megan Tiernan, Emmet O’Brien

<— Click here to go to the previous review.

<— Click here to go to the previous English film review here.

@ Cemetery Watch
✠ The Vampire Bat.

Rogue City

Vampire Owl: A rogue city is what we can call a city belonging to the werewolves.

Vampire Bat: You are classifying a whole species into rogues.

Vampire Owl: I think that this should have been done as a declaration a long time ago.

Vampire Bat: Vampire Elders have been against the same since last war.

Vampire Owl: They can say anything, as they are too old to take a strong stand.

Vampire Bat: We cannot devalue the werewolves that much.

Vampire Owl: We have done that for zombies, and so we can do the same everyone.

Vampire Bat: Well, not for the witches, for we can never do that.

Vampire Owl: Yes, I know. It is never the good time to blame a witch.

Vampire Bat: At least we get to agree on one thing in the end.

[Gets a French Naugha cake and three cups of masala tea].

What is the movie about? :: Marseille is caught in the middle of gang wars, as there is something dreadful happening at all times. There are drug deals, smuggling, murders and robberies related to these gangs, which has put a lot of pressure on the police force. A new police chief arrives, and the risk for the police force has never been this high in an already dangerous city which cannot afford mistakes from the side of cops. There are always talks about honour, honesty, courage and other qualities along with quotes from the Holy Bible and other literature, but none of these matters as there seems to be a war going on at all times, sometimes directly, and at other times, hidden for normal view. There is no love, but there is war, and everything seems to be fair in that, and one often wonders which side a person is on, or who is at risk of being killed by which gang. To this uncertain future of violence, a few people seems to be able to make some changes.

So, what happens with the events here as we just keep looking? :: Soon, there is a shoot-out at a party, and Mario Costa (Moussa Maaskri) who is in charge of the investigation fakes a report that the man whom they got in custody attacked him, and was shot dead in the process. At the same time, there are rumours about top secret information being provided to the gangsters by some corrupt police officers. The people who were killed in the shoot-out were part of an Arab gang who were trying to increase their influence among the territories of other gangs. They hope to find out what the dead man was doing in the club, and a determined officer Richard Vronski (Lannick Gautry) is determined to find out what really happened with the shooting, and he also hopes to find the rat in the police force and deal with it himself rather than waiting for the superior officers to make a move. But it seems that all of these is bigger than them, and they might be fighting something which they don’t really know that well.

The defence of Rogue City :: There seems to somewhat a realistic mode being followed in this particular movie. We have a city in France that has gangster infestation, and some of the police also takes sides, leading to so many gunfights between the sides. There is a lot of action that goes on here, and most of it is related to gunshots between police and gangsters, as well as in between them. There are also some twists related to the same being added here. It also maintains a certain amount of the dark mood here, as almost everything about this movie is grim, and that close to reality. The visuals of the city are beautiful, and even in the darker shades of the nights, they have our attention. It does remind one of some of the films set in other parts of Europe with terror awaiting in the streets. The melancholy feeling runs through here, and the same never leaves the film behind. The actors and actresses nicely get into the scheme of things.

The claws of flaw :: The film does provide the feeling of not being polished enough, and it moves on in a rather raw state. It doesn’t provide that much focus towards the thrills and twists when there was so much of chance. The film also moves in a slower pace than one would expect it to. With a shorter run-time, maybe it would have worked better, as some of the scenes and dialogues pass on as the extra thing rather than anything else. The characters that we have here are also not given that much of a depth, and some of them seems to be there to fill up the spaces more than anything else. There is surely more talent and more opportunities here to be explored. The ending is also not that satisfactory, as if all these had to come to this for no real reason. This film really needed to know where to stop, but it goes on adding something or the other, seemingly because there was the feeling that a little more is needed.

Performers of the soul :: Lannick Gautry plays the main character, and indeed the most solid one among the police officers as well as the gangsters. This is the one character who has that kind of a determination which we associate with some of the tragic heroes we have come across in our own films here too. David Belle is the most noticeable actor here, and we remember him the most in Brick Mansions where he combined forces with Paul Walker. But for some reason, his special physical discipline and fight technique of parkour is not used here – the same could have added a lot to the film, and changed the action scenes completely in a stylish manner. Barbara Opsomer is the next person to catch our attention – she is there in the background for most of the time, but has a big influence on the scheme of things as it nears the end. We remember Jean Reno the most for that funny role in The Pink Panther, and he has a solid presence here, and so does Moussa Maaskri. Jeanne Bournaud, Stanislas Merhar and Kaaris, all has something notable to leave for us.

How it finishes :: Rogue City, also known as Bronx has another crime thriller drama going on well with it possesses. It could have used its elements to create a better effect, which it doesn’t, but it remains pretty much solid and realistic during most of its run-time. For those who are interested in this genre, this will something of higher significance. After all, these are the days in which the value of human life is priced at a much lesser amount. With Corona virus on one side, and the even more lethal humans with no remorse on the other, we need movies like this one as a reminder. We had seen a different version of younger gangsters in the Italian film Piranhas, and this one is the more advanced, darker version, also resembling the Spanish film, Adios. There is no change in the basic idea that Lord of the Flies had provided us long ago though, for the inherent evil always has a big enough role to play, and people tend to move too much into the dark grey area.

Release date: 30th October 2020
Running time: 116 minutes
Directed by: Olivier Marchal
Starring: Lannick Gautry, Stanislas Merhar, Kaaris, David Belle, Patrick Catalifo, Jean Reno, Claudia Cardinale, Catherine Marchal, Erika Sainte, Barbara Opsomer, Ambre Pietri, Jeanne Bournaud, Moussa Maaskri, Francis Renaud, Gerard Lanvin, Eriq Ebouaney

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Peninsula

Vampire Owl: So, we do have the return of the zombies after a long time.

Vampire Bat: Well, Train to Busan always deserved a sequel.

Vampire Owl: We remember that it was the one movie which took us to Korea.

Vampire Bat: It led to our first Korean films on Movies of the Soul.

Vampire Owl: I remember that there are many other films which followed.

Vampire Bat: That was our entry into South Korean movies.

Vampire Owl: Only to have movies in many other languages follow.

Vampire Bat: South Korea should be among our dream nations too.

Vampire Owl: As far as Asian nations are concerned, I don’t see why it shouldn’t be.

Vampire Bat: Yes, we have visited only Singapore, Thailand, Indonesia and Malaysia in the east so far.

[Gets a marble cake and three cups of mixed tea].

What is the movie about? :: As a zombie outbreak occurs in South Korea, nobody has any clue about how it started, even though a particular bio-facility is suspected, and there is also no idea about how to contain it. There was pandemonium breaking loose in South Korea though, as people were believing in rumours circulating online, and traveling to safe areas further south – in the end, no place was safe, except for, maybe North Korea. As Captain Jung-seok (Gang Dong-won) of South Korean Marine Corps drives his family to safety, he ignores everyone seeking help on the way, suspecting that they could all be infected. But the infection has also spread in the ship, and more and more people are transformed into the zombie-like state. His nephew and sister are among the people who are bitten and lost to the disease. As they are re-routed to Hong Kong, while the world nations try to quarantine South Korea in whichever ways possible.

So, what happens with the events here as we just keep looking? :: South Korean refugees were no longer accepted in other countries, and the quarantine continued for four years, without any break in between. Later in Hong Kong, Jung-seok and his brother-in-law Chul-min (Kim Do-yoon) are recruited by some Chinese gangsters for a mission which includes retrieving a truck containing millions of dollars from South Korea. They would be paid half of the money if they come back with it alive. As they are certain that they won’t be given refugee status, and are going to be discriminated, they decide to take the offer. They go in at night hoping that they can stay undetected from zombies and most of the ships patrolling the peninsula, and for others, they can pay cash. With the help of the gangsters and their influence, they manage to get there and also find the truck, following it up with the murder of the zombie driver. But this mission won’t be that easy as they thought, as there is something else.

The defence of Peninsula :: Train to Busan was a favourite, and as Peninsula maintains the same spirit up to an extent, we can say that there is enough around here too – the focus on action would be the big change around here. The setting of the post-apocalyptic South Korea is also worth seeing with some fine visual quality. The devastated city is a scene to remember at night as well as the day. The film offers a lot of zombie action as expected, and the fighting sequences happen naturally, as it has always happened with Resident Evil and its sequels, even though this is a more believable one in comparison. The zombies remain as good as they were, even though the attention is less on them this time in comparison to the first film. Well, the world has changed, and we are into another environment now. There is enough action, and some emotions to be added here, and things work well. It is an interesting, thrilling ride from the beginning to the end.

The claws of flaw :: Peninsula wouldn’t get the appreciation that Train to Busan had gathered long ago, as there is not that much innovation being added here. It could have been stronger with the continuation of the original tale. We know that there is a lot that can get added to a post-apocalyptic world, much more than what is seen here. With all the vehicular mayhem that goes on in the end, things do get a little confusing with so much of fights between everyone. The graphics goes closer to a video game than the live action movie at times. It was surely built for the big screen, no doubt about that. The inspiration from other similar post-apocalyptic films to create this particular world cannot be ignored either. The possible messages about selfishness and sacrifice are mostly not there to stay, and are often lost. The focus on the story is not that much maintained when providing too many zombies to kill on the road.

Performers of the soul :: The cast here is led by Gang Dong-won, who manages to stay ahead with ease. He has his moments from the beginning stages itself, mostly emotional, even though that changes later. Lee Jung-hyun is the next one to catch our attention, as she plays the strong mother who has had to make some tough decisions, and lives with a purpose for her children. She goes strong with the emotional side, and becomes part of the big action very soon too. Kwon Hae-hyo adds a funny side at the same time too. Kim Do-yoon plays the brother-in-law role in a believable manner. Lee Re gets a lot of action with the vehicular mayhem, and its a glorious drive through the zombies as far as she is concerned. Those scenes could be taken right into a video game at some point. Lee Ye-won plays the young child in an interesting role. Kim Min-jae and Koo Kyo-hwan plays the two major antagonists, and they do the job well enough. Kim Kyu-baek also adds some humour here.

How it finishes :: We have waited for very long to have a sequel to Train to Busan, and here we have it – that film along with The Wailing are the two first Korean movies which I had reviewed, and that was indeed a game changing moment, the next Korean film reviewed being The Divine Fury coming much later. When Peninsula makes sure that the same zombie feeling returns, there is the similar feeling. We get to see the zombies in Korea yet again, and during the time of Corona virus pandemic, we are seeing the viral apocalypse again. It does feel different when we look at it now, after going through the COVID-19 pandemic, and seeing the viral outbreak unfold before our eyes. The movie continues the journey through the world of zombies in a way that keeps us interested, and I would recommend this film for all fans of the first one too. After all, what is better than a group of fully powered zombies in this world of quarantines and lock-downs? Especially when they come with so much of action on the streets. Well, zombies are forever too, just like vampires and werewolves.

Release date: 15th July 2020
Running time: 116 minutes
Directed by: Yeon Sang-ho
Starring: Gang Dong-won, Lee Jung-hyun, Lee Re, Kwon Hae-hyo, Kim Min-jae, Koo Kyo-hwan, Kim Do-yoon, Lee Ye-won, Jang So-yeon, Moon Woo-jin, Kim Kyu-baek, Bella Rahim

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Meander

Vampire Owl: I remember having met an elf with a similar name.

Vampire Bat: Well, this is certainly not a fantasy movie.

Vampire Owl: Elves are as real as we are. None of us are fantasy.

Vampire Bat: Well, for humans, we are all fantasy elements.

Vampire Owl: The girl on the poster does look very much real.

Vampire Bat: You surely cannot say the same about her surroundings.

Vampire Owl: The poster here doesn’t seems to mean anything.

Vampire Bat: It could be a reflection of the useless lives that the humans lead.

Vampire Owl: Well, with the terrible mindset that they have, what else can they do?

Vampire Bat: They could always choose to be extinct and save the planet and the other life forms that live without hate.

[Gets a vancho cake and three cups of iced tea].

What is the movie about? :: Lisa (Gaia Weiss) who works as a waiter is seen lying in the middle of a road in the countryside until a car arrives from a distance. She starts walking, but the man in the car, Adam (Peter Franzen) who works as a night watchman offers her a lift, as there is nobody nearby, and there is no hope of finding civilization soon enough. They seem to get along well enough, and Lisa is disappointed about her daughter’s death – she realizes that the girl would have been nine years old on that day if she was alive. There is the feeling of melancholy that runs through her, and she hopes that she could die one day and unite with he daughter again. It is then that it turns out that the man who is with her is a murderer, and the police is in search of him, as she realizes the same from the news on the radio. But the realization comes a little late, as he slams her head against the dashboard of the car, leaving her motionless.

So, what happens with the events here as we just keep looking? :: Lisa wakes up in a small room which seems to have no way out. She is clothed in a strange suit which tightly fits her body, and a strange light-emitting device is attached to her wrist. Later, a door on the side opens and reveals a narrow tunnel through which she crawls with great difficulty, and the door closes right behind her, leaving her trapped inside on her all fours. She has no option, but to continue crawling, trying to find and exit which could lead her to freedom. The device on her wrist also seems to have a timer and alarm, as it seems to remind her of time running out, as she has to go squeeze through extremely narrow passages, as she moved towards light. As the roof of the tunnel comes down, almost catching her buttocks stuck within, that would be only the first of the challenges that she would have to overcome, soon to be followed by a rotten body, water, acid and others.

The defence of Meander :: Almost whole of the movie has just one setting around here, and it has also dealt with the same effectively. There are some fine traps in here, and the more terrifying thing is that they are all within a crawlspace, with the chance of escape being really minute – I wouldn’t give most of us any chance with this, but we root for the lady in distress here, as we are more confident about her getting through, even though not as much as Prince of Persia or Tomb Raider would. Here, in between, we come to know that there is more to all of these than what meets the eye, and that there is something beyond our comprehension, most probably supernatural or paranormal at work. The same is revealed in the end, and it means that we have further scope for a sequel here. After all, this kind of a premise, like that of Prometheus and Alien Covenant, even though lesser in grandeur, can have many different paths to follow. The mysterious feeling never really leaves us.

The claws of flaw :: Meander is surely not the usual kind of a movie, and it goes divergent from even any other possible film who can deal with a similar circumstance. It doesn’t have much more than what it provides here, and leaves us with minimal settings. People who don’t wish to see one person trying to fight it all to make the way out of a long crawlspace won’t find this one to be of their type. Even though this is supposed to be science fiction, the same type of elements show less of a presence around here. We also feel that this could have been better, more direct in what it does, because you know how these have worked really well with the video games. There could have been direct ideas provided here, and even though there could be symbolism being connected here, there is not much that we can use directly. We do have many films with one actor getting all the focus, and others being almost absent – Sunny is a recent example, and this one could have done more with the one character other than the trap escape acts.

Performers of the soul :: The movie has only two actors, and it is more or less about Gaia Weiss, who is there for the whole of the movie, and works through it very all, as her character keeps trying to survive against all odds. She nicely fits in here, and one would feel that if there is a full action film coming soon, she could be right in there, doing a great job. She plays the character that has do the impossible, and she does some fantastic work as the one person who goes through all of these. To add to it, there is also an emotional side to her character, which is also portrayed well. Peter Franzen also has some work to do, but he has a very less time on the screen. Basically, we can say that everything is left to Gaia, and she becomes the sole pillar on which the movie depends on, as far as performances are concerned. She never looks like she is going to lag with that much of a weight on her. Not many people could have handled the same so well too.

How it finishes :: Meander makes a fine French movie that has different elements coming together even with almost everything set in one particular place. It is all about survival, set in a seemingly difficult situation, much scarier than The Shallows where we know the enemy, and much hopeless than The Platform in which there was at least the certainty of food and a possible companionship. Unlike the rest which has some hope for its protagonists, this one is at an advanced level of leaving almost no chance to survive, like a hopeless level of The Maze Runner. As a film which gives you claustrophobia, this one is surely an experiment which you might want to remember for long. As the lady moves through this particular crawlspace world, you are into some slow and effective moments of thrills, unlike the ones that we usually see elsewhere. It is that tale of survival which once again has the protagonist fighting against all odds, and we are all hoping for her to survive.

Release date: 11th October 2020
Running time: 87 minutes
Directed by: Mathieu Turi
Starring: Gaia Weiss, Peter Franzen

<— Click here to go to the previous review.

<— Click here to go to the previous French film review.

<— Click here to go to the first French film review on the site.

@ Cemetery Watch
✠ The Vampire Bat.

Cross the Line

Vampire Owl: Do you know that Spain has become my dream country again?

Vampire Bat: I thought that you were going to Romania.

Vampire Owl: All vampires are supposed to have some interest in Romania.

Vampire Bat: Does that lead to an interest in Spanish movies?

Vampire Owl: I don’t see why it shouldn’t.

Vampire Bat: Well, we already have some interesting Spanish favourites.

Vampire Owl: This seems to be the more critically appreciated type.

Vampire Bat: That doesn’t guarantee that this could be your type of a movie.

Vampire Owl: There is no my type of movie unless I make one.

Vampire Bat: Well, vampires don’t make movies, but do watch them.

[Gets a pineapple cake and three glasses of orange shake].

What is the movie about? :: Daniel (Mario Casas) is a shy and good-mannered man who is working at a travel agency in Barcelona. He is very much interested in his job, and loves his family consisting of his father and sister. After their father dies, Dani’s sister Laura (Elisabeth Larena) arranges a trip around the world for him from his own company, as he was the one who was taking care of their father, and might be missing the presence of their bed-ridden father. He is not really fond of the trip though, and he is not interested in changing his lifestyle either. He hopes that he can cancel the trip because there is a two week window, and therefore he just accepts the idea. It is then that he comes across a girl at a restaurant and cafe where he often spends time over a burger, and meeting this girl, Milagros (Milena Smit) changes how things would go about in his life from then. She borrows a small amount from him, and is not happy because she really wants to give it back to him.

So, what happens with the events here as some twist is coming up? :: She keeps asking him to come with her for the money despite him not wishing for it to be returned. They take a walk through the street to the place where she works. Finally, as she is a tattoo artist, decides to give him a tattoo instead. He is reluctant again, but finally decides to go for one due to her consistent persuasion. He becomes interested in her, and therefore, he continues to follow her when she asks for his company. But as he goes to her apartment, her interest in him stays only for a few minutes. Soon, things take a twist, and things are not as what he had thought they were. He would commit a murder due to the circumstances, and soon people would be after him, and it won’t be about just police looking for the murderer. These are not the circumstances which he thought he would have to go through at any point of his straightforward life, but he would have to work through it. Now his life has changed, but unlike what his sister thought, it is not for the best.

The defence of Cross the Line :: The film has managed thing nicely with less resources, and it something which we can appreciate. We can also see the beautiful colours on the screen as well as the spaces which also have that beauty about it. There is some nice music being used here, and the sound effects are really good. The film also serves as a morality tale in disguise, as it talks about what can happen when one crosses the line, hence the title being justified here. There is the side effects of what can happen when one immediately begins to trust someone, especially someone beautiful – you should always have limitations in a world like this, where things are not the same as what seem from outside. The situation of such a person is shown perfectly, without the addition of melodrama or extraordinary elements, and a change coming upon him is also visible. All these happen very quickly, and lasting only about three hours, there is no time being wasted here. It is a continuous busy ride from the beginning, even though the elements of thriller come up later only, and we stay close to the protagonist.

Positives and negatives :: Cross the Line, originally known as No Mataras, is no usual thriller, as it goes on from a drama to thriller half way, more or less like Drishyam and its remakes which changed the mood at the centre stage. So, there is that certain diversion, and some people might have wanted the mood in the beginning to continue, and others might have wanted a full thriller, but this one depends on that twist of events to make things happen. It also has no character development of others as it is completely focusing on the protagonist all the time, giving no importance to others except for in moments. It also ends too soon, and the ending could have had a certain amount of extraordinary, as this film is not something which is not scared of taking the risks. Along with that, Barcelona is among the top ten cities which I want to visit in my life, and in Western Europe, it is the first place which I wish to travel to, and I would hope that the same could be achieved some day, but after COVID-19 pandemic, you never know where you will end up.

Performers of the soul :: The performance from Mario Casas won him the Best Actor Award at the Goya Awards, Spain’s prestigious national annual film awards, and it is no surprise when we watch the film. The performance is realistic, and as far as performances from actors in foreign films are concerned, I would consider his work to be among the best, and something which should have all that appreciation. I had also loved his performance in Adios which released earlier. Along with the same, Milena Smit was also nominated for Best New Actress Award, coming very close to winning that one – when we look at her work here, even though not lasting throughout the film, is really good. She excels with her emotions, and I would love to see more of her in other movies, maybe in Hollywood too. The situations without money and clothes would seem to make her vulnerable, but it can be seen that her character dictates things even when it doesn’t seem so – a character at the strongest when dumped in a relationship, or when fully naked. Fernando Valdivielso was also nominated for Best New Actor there, and he had some good short time in the film too. Elisabeth Larena is a strong name in the film too, and in a film which is dominated by the main actor, she has her moments.

How it finishes :: The movie focuses on one character, and it has two others who are there for enough time to call them as providing support, and with these itself, the film manages to do very well. Serving as a message to what could happen if you cross the line, and also showing how much it can change a person, the film does the same very effectively. The thrilling moments of the film are supported really well by the music that runs in the background. The tension-filled atmosphere being nicely built, this is the kind of film that stays with you for the experience. With seemingly lesser budget and minimal characters, what the film has managed needs to be appreciated. One can be sure that there are many things that can be learnt from this particular film, and this one with its ending seems to taunt us to ask for a possible sequel too. Well, with films like these, it is only fair to hope for more, as it was short and we would have wished for it to go on for more.

Release date: 16th October 2020
Running time: 92 minutes
Directed by: David Victori
Starring: Mario Casas, Milena Smit, Elisabeth Larena, Javier Mula, Fernando Valdivielso, Aysha Daraaui, Javier Mula

<— Click here to go to the previous review.

<— Click here to go to the first Spanish film review here.

<— Click here to go to the first big budget Spanish film review here.

<— Click here to go to the most popular Spanish in this part of the world reviewed.

@ Cemetery Watch
✠ The Vampire Bat.

Madres

Vampire Owl: How many horror movies can one watch in a small gap of a few hours?

Vampire Bat: We vampires do not have limitations in horror.

Vampire Owl: During the Corona virus times, there should be restrictions.

Vampire Bat: Not in the case of films, for we are not watching them in theatres.

Vampire Owl: You mean to say that vampires should go back to horror.

Vampire Bat: We were always in horror. You didn’t know that?

Vampire Owl: This is not the horror that we were born into.

Vampire Bat: You should remember that all kinds of horror are connected.

Vampire Owl: Not in the watch of owls. Maybe that works for bats.

Vampire Bat: Still doing better than the Vampire Crocodile.

[Gets a choclate cake and three cups of Munnar special tea].

What is the movie about? :: In the 1970s, a Mexican-American couple are expecting their first child, and during this time period, they move from Los Angelos to a migrant farming community in the nineteen seventeens, and he would be working as a manager in a farm. The area chosen for the same is in California, and the place seems to be quite peaceful and quiet enough for the baby when it arrives. Diana (Ariana Guerra), the pregnant lady is American, while Beto (Tenoch Huerta) is Mexican, and had migrated to the United States. The small town where they move to, seems to have more of a Spanish influence too. The first person that they meet in the town is Anita (Elpidia Carrillo), who provides them with a blessing of Holy Mary, and assures them that the town can be a wonderful place to live in, much to the dismay of Diana who wonders why it is not already such a place. Beto doesn’t work much about the same.

So, what happens with the events here as we just keep looking? :: As Beto goes for work, Diana feels that there is something strange about the place, and that doubt leads her to the outhouse building near the house, and she finds a few things which might have belonged to the previous owners. She also gets locked inside, and after somehow getting out, finds a severed eye being hung on tree outside the house. Beto feels that these were not things to be worried about, as the door might have closed due to the wind and the severed eye might have been there for a very long time, and maybe it meant something for the previous owners or the locals. They also meet the locals who seems to be friendly enough, but don’t get much of information, even though they end up having more acquaintances. Still, they remains more of Beto’s friends, as he is Mexican and good at Spanish. Diana only gets more and more disoriented during her time there. She wonders if there is more than what meets the eye about the place.

The defence of Madres :: The one advantage that this film has over the others is that it really has its creepy world going strong during all times. The environment here is really good, and very much notable. An ancient curse in the background seems through run through here, and adds to the creepy atmosphere really well. Even though there seems to be something supernatural around here, we soon come to know that it is not all, and we soon face the mystery being revealed. Some of us might be able to guess the final twist, but it also has its own small changes related to the same. It also leads to a few things which really happened, and it does remind of a few things which can happen if we are not aware. It leaves the message that with or without the presence of the supernatural, the world and its people are not what we feel they are, for people will always have their hidden agenda and a good dose of hatred inside. The music here is also very much suitable for the same.

The claws of flaw :: Just like the case of The Manor, this film also has the problem of being classified completely into the category of horror, as this one is also no fully something that focuses on the scares. It could have used the horror, as well as the grand atmosphere that it possesses with the house and the town with maximum effectiveness, for these days, many horror films are on a continuous struggle to be what it really should be. It is actually not restricted to one location with scope for here, as there is a lot more in here, for the town itself has something in store at different parts. A faster movie could have dealt with all of these with better strength, but this one hesitates to pick up the pace. The movie also released without much of a hype, and not many people know about its entry into Amazon Prime Video – the title also has people confused about the language. The movie came silently, and it is still there, but not many people know about the same.

Performers of the soul :: Ariana Guera plays the one character who seems to be fully English, and she is also the upcoming mother in trouble, here she is acting as the main protagonist, as well as the centre of attraction. She achieves the same really well, as we look at the scenes here. She is not that much of a believer in the supernatural, and we see her knowing things the hard way. Tenoch Huerta gets into his role really well too. The next important character is played by Elpidia Carrillo, and you will remember her from Predator, fighting the monster with her newly discovered American allies. She has blended into this role, even though one does feel that it should have been better written. The others are just part of the usual process, and they just blend in here too. Most of these characters become relevant at some later stage of the movie, and we are not to avoid them – there is the twist about this particular mystery that awaits us later.

How it finishes :: This one has some similarities with The Manor with how it progresses, how it deviates from its genre, and how it joins different things in a building as well as with an environment that catches our attention. Instead of the old age home and the strange surroundings, this one has one home and a lonely enough world around it. As far as the whole atmosphere is concerned, and related to the progress that happens in each minute, Madres has the advantage. This is also part of the Welcome to the Blumhouse film series, just like The Manor. I would suggest this movie to those who are interested in some slow, atmospheric horror, with a strong base on ancient legends and curses, and this is not your Annabelle, The Conjuring, Insidious, Don’t Breathe and Lights Out. You just need to live through this atmosphere rather than trying to be scared at all times, for there are different things of interest here.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 83 minutes
Directed by: Ryan Zaragoza
Starring: Elpidia Carrillo, Ariana Guera, Tenoch Huerta, Jennifer Patino, Kerry Cahill, Evelyn Gonzalez, Britton Webb

<— Click here to go to the previous big hype movie released on Amazon.

@ Cemetery Watch
✠ The Vampire Bat.

The Manor

Vampire Owl: Are we talking about the Dracula Manor?

Vampire Bat: There is no such a manor. We only have the castle.

Vampire Owl: Well, this could be a manor which looks like a castle.

Vampire Bat: Well, Uncle Dracula certainly has some specific ideas about what a great vampire abode should be.

Vampire Owl: His ideas are as outdated as the castle dungeon coating.

Vampire Bat: We are not supposed to talk like that about the vampire elders.

Vampire Owl: Uncle Dracula is still a few centuries away from being a true elder.

Vampire Bat: The elder status is not always gained by age.

Vampire Owl: Yet, all our vampire elders are older than history.

Vampire Bat: Well, you will see how Uncle Dracula is an exception.

[Gets a pineapple cake and three cups of ginger tea].

What is the movie about? :: Judith Albright (Barbara Hershey) had considered herself to be of perfect health, and enjoyed her life with family including little kids, until she suddenly faces a stroke. She decides to move into a famous nursing home, even though her family feels that it is totally unnecessary. Her grandchildren considers her to be young and healthy as anyone of a lower age, but she is adamant. In comparison to her, the other residents of the nursing home are not really that healthy, both physically and mentally. For the peace and quiet of the place, the authorities actually keep a no mobile phone policy, much to her dismay, as she hoped to text her relatives and find some interesting photos and news from the social media. Judith had chosen to stay at this place, as she didn’t want to be a problem for her family, especially if she gets bed-ridden at some point, and has the feeling that things might not be the same again after the stroke.

So, what happens with the events here as we just keep looking? :: Soon, she feels that there is something really strange about the manor and the people around there, even though she does make some good friends out there. The nights no longer allow her to sleep, as something is seen or heard all around. The surroundings around this particular nursing home is also pretty much spooky, as we look on. Her room-mate makes some strange noises, and doesn’t seem to be of good mental health. She also feels that there is a supernatural presence there, with nurses also acting strange, and wants to escape. But the problem is that it was her own decision to choose the nursing home – now she needs to act against it. For the same, she would have a lot of convincing to do though, as everything looks perfect from outside. There is a mystery to be revealed here, about what is it that haunts this particular world, but can it be known?

The defence of The Manor :: There are some fine moments of terror which comes out of nowhere, even though there are not many, and nothing much that we would remember for that long. The setting is really good, and they do use the environment to the best advantage, from the building to the surroundings. There is always something about the world around, whether having an enchanted feeling, or about being ready to unleash the terror at any moment. We also have fine concept behind this film, even though not at its full strength when executed. As expected, there is indeed the twist that awaits us, and there is a certain amount of deviation regarding that too. With Barbara Hershey in the lead, this was going to create a certain amount of impact, and one could be confident that the same was going to increase the positive effect.

The claws of flaw :: The Manor could have done a lot more, and we know that from the premise itself. The film is also very slow, and slower than any horror film would have wanted to move forward. When a horror film cannot go at a good enough pace, it affects the whole thing rather too much. Such a film is also expected to use what is required to keep itself in the genre. The idea here should have been executed better, and there could have been many paths to follow. The scares that it uses could have been manufactured in a better way. It also doesn’t try to build on a possible message which was standing so close out there. The structure could have been better as we look at it. As part of a bigger series, Welcome to the Blumhouse, this one had the chance to stand out, but really doesn’t try to do that. Well, it is our right to expect more here.

Performers of the soul :: Barbara Hershey plays the main role here, and she is also the old lady in distress around. She is the name that has been familiar the most for the supernatural horror film, The Entity more than anything else. It is also one film of those times which has had its presence well known. After so many years, she is part of another horror flick, and she blends in here really well once again. Bruce Davison is the next notable face here, as he has a bigger role to play here than what it seems in the early stages. Then there are actresses like Ciera Payton, Stacey Travis and Jill Larson who also contribute to the film naturally. Nicholas Alexander plays another significant role here, which becomes even more important in the later stages of the movie. Katie Amanda Keane and Shelley Robertson also drops in, along with Fran Bennett. As this is a nursing home, there are enough in-mates here to add to the characters, even though not all of them are used to the best advantage.

How it finishes :: The Manor is the latest addition to the thrillers added to Amazon Prime Video, and last month we did have The Voyeurs doing the job. It doesn’t use enough of horror to its advantage, unlike what was expected, and if it had done that too, The Manor could have had its own good fan base with its premise. In the world of films like The Conjuring, Insidious, Annabelle, Lights Out and Don’t Breathe among others, this is no grand horror fest, but a small one to be part of the group. The focus here is more on the mystery, and as we go through the environment, we are going to be part of this journey, at a lower pace. In a world slowed down by COVID-19 pandemic, there is always scope for some slow horror too. During these days when you cannot trust the people or the virus enough, all you need is some supernatural horror.

Release date: 8th October 2021 (Amazon Prime Video)
Running time: 81 minutes
Directed by: Axelle Carolyn
Starring: Barbara Hershey, Stacey Travis, Bruce Davison, Ciera Payton, Jill Larson, Mark Steger

<— Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.