Tag Archives: sorcery

Hello Mummy

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Vampire Owl: I am sure that this movie has a vampire mummy.

Vampire Bat: We are dealing with real ghosts around here.

Vampire Owl: Mummies are animated corpses, right? Not ghosts.

Vampire Bat: I do not think that this is that kind of a mummy.

Vampire Owl: Because the character is not Egyptian?

Vampire Bat: They are referring to the mother-in-law of main character.

Vampire Owl: But this is still horror, so other mummies could also be around.

Vampire Bat: What can a mummy do to reach South India from Egypt?

Vampire Owl: I do not know. Maybe, take a flight?

Vampire Bat: Even Count Dracula is known to have taken only a ship.

[Gets a chilly chicken puffs and three cups of mixed tea].

What is the movie about? :: Boney (Sharafudheen) who has been running a pet shop – one of the biggest in the city, and trying to evade marriage for quite a long time, much to the dismay of his father Philip (Johny Antony), mother Soyamma (Ganga Meera) and sister Tincy (Sruthy Suresh). But when he goes through the usual process of seeing and rejecting girls, he comes across Stephy (Aishwarya Lekshmi), whom he really likes and decides not reject her. But Stephy comes with a condition that he should move to her house after wedding, and even though Boney’s parents show some hesitation, everyone is just happy that he is finally going to be married. But one day, she stops responding to him, and when he asks, she tells him that her dead mother still talks to her and that she does not approve of her marriage with him. She says that it is the best for the future of both of them that they do not proceed to the wedding ceremony. But Boney feels that she is just making things up to avoid him, and tells her that he believes her – and that he is ready to adjust in whatever ways possible.

So, what happens with the events here as we just keep looking? :: This impresses Stephy and they go on with the process. But on the first day itself, Boney realizes that she was not joking or making an excuse, and his father-in-law Samuel (Jagadish) asserts the same. The ghost mummy begins attacking him whenever he does something that she does not like. Stephy reveals that the mummy has prevented any physical union between them for now, and there some strange rules which he has to obey – this includes not wearing chappals inside the house, keeping the refrigerator open for more than ten seconds, dropping any food particle on the floor and a few more. Boss (Aju Varghese) who is running an investigative channel from the neighbouring house feels that there is something wrong, and tries to find a solution, while Boney’s best friend Bichu (Joemon Jyothir) tries to help only to find him at the receiving end of the mummy’s fury. Boney and Stephy tries to twist the situation by telling the mummy that they are going to be parents. But how can they sneak away from the powerful spirit which keeps the watch all the time?

The defence of Hello Mummy :: Here is one merging of horror and comedy that works well on the lines of Bollywood movies like Stree and Bhool Bhulaiyaa, but this is not a genre that has been working too well in this particular industry. In comparison, black comedy has had more success, like in the case of the recent work, Maranamass. There are moments that would be remembered, along with some dialogues which can stay for quite a long time. There seems to be a lot of energy in various parts of the movie, and that keeps the level of the movie high. This is also one horror movie that one can watch with family without too much of terror and no unsuitable comedy to go with it. The performances from the leading cast remains the highlight of the movie along with the fine support with the veteran actors around. The way in which the movie makes the fantasy tale blend into a world which was normal, makes it a world of magic realism in one way or the other. Cinematography and background score adds well to the whole thing.

The claws of flaw :: The movie’s focus on horror is rather less on comparison to the side of comedy which rises much above the other. The blending is rather one-sided when we look closely, and there is not much of an explanation of the supernatural elements. There is also a lot of predictability associated with the movie, even though most people might have expected the same. The lack of hype might have left many people without having watched the movie – if focused on the strengths, this would have become more popular from the day of release itself. There is a certain amount of silliness that can be seen around, and the lack of seriousness means some loss of the overall quality of the movie. The cliches are surely there, and the tale could have kept a stronger centre. Some of the emotional moments could have been avoided to make the movie shorter, as there is not that much of focus on the story, as situations are above everything else. The lack of consistency can be seen here in relation to the content, and horror also falls flat at times.

The performers of the soul :: Sharafudheen shines in the humorous role which seems to suit him so well, even though there is a subtle emotional side that runs through here. There are some fine one-liners which are there to stay, and some of these moments can be seen in the television in parts regularly. The movie also has Aishwarya Lekshmi who continues to prove that there are not many actresses who can match her grace and variety of performances in this generation. From a grand beginning with movies like Njandukalude Nattil Oridavela, Mayaanadhi, Varathan, Vijay Superum Pournamiyum and Brother’s Day with range from romance and feel-good to drama and thriller mode, she has come a long way, and deserves even more. She is in full strength here in a role which does not challenge her, but she assures that things are now better. We just need to remember how good Kaanekkaane was, to be reminded of her capabilities. The group of Jagadish, Johny Antony, Aju Varghese and Joemon Jyothir adds to the fun, while Bindu Panicker’s role is something that we will remember for a long time. Sunny Hinduja makes a fine villain at the same time.

How it finishes :: We know that good horror comedy is really hard to create, especially to make both sides work. This movie aligns more on the side of comedy, but there is always that hidden horror which comes out at rarely, but by the end of the movie, we see the blending of the two genres becoming one effectively. There is no lack of enjoyment at any part of the movie, as we see the situations, and feel the entertainment. There are not many movies that make us think too much about the situations, and we can focus on enjoying the whole thing without second thoughts. There is the scope left for a sequel, and we can expect this to get better. After all, there are so many questions to be answered from the first movie, and there might be a little too much to be done for what could be a series of movies. We can always accept the movies with a certain amount of silliness that worked so well, like Adi Kapyare Koottamani and Kunjiramayanam that keeps us laughing for a very long time.

Release date: 21st November 2024
Running time: 92 minutes
Directed by: Vaishakh Elans
Starring: Sharafudheen, Aishwarya Lekshmi, Sunny Hinduja, Jagadish, Johny Antony, Aju Varghese, Joemon Jyothir, Bindu Panicker, Arun Cherukavil, Ganga Meera, Sruthy Suresh, Adhri Joe

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@ Cemetery Watch
✠ The Vampire Bat.

Amelia’s Children

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Vampire Owl: We have not been reviewing many Portuguese movies.

Vampire Bat: We have only managed one, and it was not out of Portugal either.

Vampire Owl: I am sure that Bacurau will still count as Portuguese.

Vampire Bat: Yes, Brazilian movies are in Portuguese, so it counted.

Vampire Owl: So, this is the first Portuguese film from Portugal we are reviewing.

Vampire Bat: Yes, this is indeed a milestone too.

Vampire Owl: Yet we have so many Spanish movies here.

Vampire Bat: Some of these Spanish movies were true classics.

Vampire Owl: I hope that this one will inspire us to watch more Portuguese films.

Vampire Bat: Well, we are immortal and can watch them all.

[Gets a paneer masala dosa and three cups of Wayanad tea].

What is the movie about? :: Edward (Carloto Cotta) has been looking to find his family as he has always felt without roots. One day, his girlfriend Riley (Jack Haven) provides him with a DNA test kit. The results reveal more about his birth, and that he has a twin brother, Manuel (Carloto Cotta) and also their mother named Amelia (Anabela Moreira) who live in a small village in Portugal. Edward and Riley travel to the huge villa in the middle of the woods so that he can finally feel like having a family. This is a strange, but an emotional reunion. But Riley feels that there is something wrong, as the locals are hostile to them, and both the twin brother and the mother seem to be hiding something. There seems to be not much of interest being talked about, and Amelia looks and acts strange. She even hears something weird from outside the room where Manuel and Amelia are found sleeping together in a bed, making her question the kind of family which seems to exist in that seemingly perfect building.

So, what happens with the events here as we just keep looking? :: Riley notices a strange bonding between the brothers that feels unnatural, even though they are seeing each other for the first time, and Edward was once not really sure about the meeting. Riley tries to uncover the secrets that seems to plague the villa, and feels that Amelia has some supernatural powers and is part of a ritualistic system of which Manuel is also a member. The mother-son relationship is not what seems to be from a distance. Riley’s growing realization is also supported by nightmares which seem to come to her at regular intervals. The question remains if she knows this particular world within the woods well enough and whether she can escape from it. Edward seems to be ready to remain there as part of the family, but he is also having his own dose of hallucinations. The people of the village seem to hope that they will leave soon, as if it is the right things to do. Will there be escape or will there be death?

The defence of Amelia’s Children a.k.a. A Semente do Mal :: The world has been nicely built here, and finding the roots itself was a starting which seemed to mean much more than what met the eye. This idea of discovering a long-lost family through DNA testing, only to find something supernatural associated with it, makes the whole thing interesting. The mixture of psychological with the supernatural elements gives it much more depth. Then there is the setting, the atmosphere that does a fine job. The building itself has something like we ha in Crimson Peak to add to the structural fear, even though this is not that much of a scary architecture, and never is an attempt to made to elevate the level to such a world of fear. The creepiness is always present, even they do not really come to the front. The premise has already done most of the work here. The presence of a witch provides the much-needed boost to a world which has started off well. The ending, even though not that deep into the situation, leaves us with a scope for a sequel to expand this better.

The claws of flaw :: The struggle of long run-time seems to plague this movie even though it is not long at all. There might be a little bit too much revealed early, and that might have plagued the later run and might have kept it running without much happening to create an impact. The twist should have been kept better hidden with red herrings or at least by deviating to something less important. It seems to stretch due to not trying to do well enough with the content and let everything unfold – even the leading performers seem to be left on their own rather than their characters undergoing anything. The mood seems to be mixed here, as the strongest element of supernatural horror often losses the way. The main lady character should have been the central point, and the one who should stay scared and attacked, but she seems to have a run without that big sense of danger. She does not become that big a scream queen as the usual elements of horror, and even that of slasher remains largely forgotten when dealing with her character.

The performers of the soul :: The performances are pretty good, but not much when we consider the possibilities of the horror. This is a world of scares, and the usual do not satisfy the environment that much – The Well had realized the same in Italy, but in Portugal, that blending is paused due to the lack of pace which seems to plague the characters as if it is an old award movie where not enough happens to provide the performers with scope. Carloto Cotta does quite well in the two roles, even though it is nothing out of the box, and not much expands. Anabela Moreira does well to manage the strangeness present there, while Alba Baptista who portrays her younger version does the same perfectly – she has the looks and expression to bring the strangeness of a mortal immortal. Jack Haven does a fine job, but does not seem to try that hard. There is a certain amount of predictability in the work and the journey is just accordingly, nothing more or less. The same is also applicable to the final moments when there is nothing grand in the performances, but just enough, as if playing by the safe side.

How it finishes :: Amelia’s Children could have been a classic, but it chooses not use that many scares even though it is in a village with woods and a strange villa in the middle of all – this could have been horror unleashing itself, but the movie holds itself back. The same is also done in the last moments when this could have come with a shock, but chooses to go for the unexpected. The titular character wanders in the old form too much, and the young form would have been nice if appeared at least in hallucinations often. There are moments when the mother could have been young, and there are situations when fear could have had many different faces, and even darkness could have been used better. Yet, the movie keeps us interested, thanks to the mystery that prevails throughout its run. There is always the feeling that something bigger is to come and that it is going to be a shocker, and it is that feeling and the existence of terror ready to be unleashed keeps us going. It was never going to be The Conjuring, The Nun, Annabelle, Insidious or Sinister, but manages to do enough.

Release date: 18th January 2024
Running time: 91 minutes
Directed by: Gabriel Abrantes
Starring: Jack Haven, Carloto Cotta, Anabela Moreira, Alba Baptista, Rita Blanco

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@ Cemetery Watch
✠ The Vampire Bat.

Pechi

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Vampire Owl: Are we now looking for witches again?

Vampire Bat: We have stopped looking for witches since a long time ago.

Vampire Owl: Well, the war can restart any time now.

Vampire Bat: The next war will not be of this realm.

Vampire Owl: You talk like we have had enough of war, but not all species have been part of them.

Vampire Bat: The war affects the whole realm, whether or not they are part of it.

Vampire Owl: If it affects the advanced the vampire civilization, yes.

Vampire Bat: You should know that the magic used in our wars are nuclear in nature.

Vampire Owl: You are talking about the mythical weapons which are never used.

Vampire Bat: The witches are known to have a magical powerhouse which stores sorcery of the unknown supported by necromancy.

[Gets a chilli chicken puffs and three cups of black tea].

What is the movie about? :: At Aranmanaikaadu in Kollimalai, Ram (Murali Ram) and his wife (Aadhirai Soundarajan) are spending their peaceful time within the forest. After a lot of difficulty and getting a few days off from their busy schedule, they look forward to spend some time of their own in the lap of nature. They venture far deep and sets up a camp there. The temperature drops very soon, and while looking for some firewood, Ram ends up cutting the branch of a tree which reveals a nail, followed by a witchcraft doll. There seems to be something else coming out of the tree, and has him scared, but his wife who is listening to music do not hear a thing. Soon, he is taken away by an unknown force, and the same evil entity also captures his wife. But this evil presence is not identified by anyone. But three weeks later, another group of youngsters come to the area with a desire to venture through this lesser-known area of the forest as part of a trekking adventure. Maari (Bala Saravanan), a forest guard who acts as a part-time guide is asked to escort them all the way into the forest and back, as the paths can be confusing and some animals might also be around.

So, what happens with the events here as we just keep looking? :: The five friends, Charan (Dev Ramnath), Meena (Gayathri Shanker), Sethu (Jana), Charu (Preethi Nedumaran) and Jerry (Mageshwaran) are looking for adventure, and are not interested in listening to their guide who talks to them about restrictions due to wildlife and traditions that have been followed for a long time. Meena is frustrated with the restrictions imposed on her, as she feels that they could go through the walk all by themselves and that a tourist guide is only an extra burden. Meanwhile, an arrogant Charu destroys a blockage to an area considered restricted by tradition to the local villagers, ignoring the warning signs. Sethu who considers him to be courageous one among them supports the same, much to the dismay of Maari who continues to ask them not to disturb the nature of the beliefs of people that runs through the area.

And what more happens in the forest where the villages rarely choose to enter :: There seems to be something strange going on though, as Charu almost falls from a cliff and Jerry feels that something grabbed his legs. As Charu and Sethu makes fun of him, he challenges them to go back to the area where the warning board was kept and tie a scarf. Both are not really worried, and accepts the challenge telling everyone that Maari is just creating random stories and is trying to keep them scared as if they are children. On the way there, Charu and Sethu comes across a house, which they enter and finds witchcraft dolls and elements of black magic. Charu is startled to see an unknown figure appearing out of nowhere. Maari and Charan begin searching for them, only to find Charu lying motionless. But soon, they realize that is was not really Charu, and Maari tells them a story, that of a woman from a long time ago who learned black magic and started ritual sacrifices of children. But how is it relevant now? Can they escape whatever is in the forest?

The defence of Pechi :: The movie thrives on its atmosphere and an ancient tale of folklore than runs right through it. Bala Saravanan comes up with the best among the cast, and he plays the only fully sane person around there who seems to understand the gravity of the situation – we remember him in those funny sequences of Godha. Gayathrie Shankar, the actress of Nna Thaan Case Kodu, has provided a memorable performance here, and excels in the last few moments and the flashbacks. The rest of the cast nicely follows the procedure as a cabin in the woods, or lost in the forest tale would unfold. The antagonist here is strong, and is not just another demonic presence – it is the kind of creature from where escape seems almost impossible. There are the moments which provide us with those quick scares and above that, there are the times when it keeps us scared at all times. The fear factor with an inescapable fate brings the terror here. Along with that, the visuals are too good, whether of horror or of the green and dark woods.

The claws of flaw :: The flashback feels repetitive at times, and comes in at a time when it was not to enter. There are moments in between which feels rather confusing, and the scares could have been more visual – it is the kind of scare that would work the best in these situations. Here it seems that the horror elements are not innovative enough and inspired from others instead. The use of darkness is also not at the best. As a cabin in the woods, or journey to the woods story with the usual horror background, there is always a lot more to be added. It also becomes repetitive, and that grand scares which should have come in the end is never there to be taken. A visual terror in the end could have served the best, and combined with the twists would have brought wonders. The twist in the end, even though effective, does not bring that grandeur on the screen, and the flashback provided, even though clear, could have been more detailed. The present situation of the villagers in relation to the witch could have also been shown.

How it finishes :: The movie manages to be an interesting horror flick that elevates itself with the setting and folk-tale power. In a world where there is a shortage of good horror, this one score well, and becomes a good example of bringing working scares out of folklore and myth, something only Stree could do so effectively. As visuals and performances support the scares, fine horror is born. The movie could have still been better, but it is worth watching for sure considering for fans of folk-horror who can appreciate mood over momentum—but it is not for all. There is still a lot to come in a possible sequel, considering how the movie ended, and with one of these main characters having an even bigger role to play there, we will be only glad to wait for more of fear. Until then, we have this movie, and something to remember when we go on trekking, and a reminder to respect nature, local traditions and those who guide the way and advice for the best.

Release date: 2nd August 2024
Running time: 110 minutes
Directed by: Ramachandran B
Starring: Gayathrie Shankar, Bala Saravanan, Preethi Nedumaran, Dev, Jana, Mageshwaran, Seeniammaal, Murali Ram, Aadhirai Soundararajan, Shanthimani

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@ Cemetery Watch
✠ The Vampire Bat.

Tantra

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Vampire Owl: So, after a long time, we are back to a movie of this particular language.

Vampire Bat: We haven’t had many movies in this language.

Vampire Owl: Well, the ones available at nearby theatres are those mass flicks.

Vampire Bat: I vote against watching any of such movies.

Vampire Owl: Well, those need not comes to us as we are different.

Vampire Bat: Mass masala has been too much present in this world.

Vampire Owl: It is strange that such movies even get awards.

Vampire Bat: We are glad to have some horror here instead.

Vampire Owl: As long as we have Amazon Prime Video, we can search for them.

Vampire Bat: OTT platforms have served us well with lesser-known fine movies in languages other than English and Hindi.

[Gets a kadai chicken pizza and three cups of iced tea].

What is the movie about? :: Rekha (Ananya Nagalla) is a young lady doing her graduation who has the ability to see spirits. The dead people seem to appear to her randomly, sometimes where they died and often leads to her sleepwalking in the middle of the night. She is in love with Teju (Dhanush Raghumudri) who goes to the same college, and they are like the two people who believes in black magic existing in the area and causing evil to spread through their lands. Teju’s uncle Shankaram (Meesala Lakshman) also understands that this black magic or tantra had once existed in their lands as he himself had once ptractised the same not once, but twice, after which he took the decision to never do it again. According to him, it has been there for a very long time, and are even depicted in Mahabharata and Ramayana, as well as other sacred texts. He also cites incidents from history as much as religious texts.

So, what happens with the events here as we just keep looking? :: When the best friend of Shailaja (Kusalina Pulapa) seems to be affected by this dark magic. When a master of magic known only as Baba (Bhaskar Manyam) confirms the same, they decide to take the needed measures. They understand that Shailaja is getting weaker every day, and has started visiting graveyard at nights. Both Rekha and Teju who had their bad upbringings due to the former being born with the death of her mother and the latter having a prostitute as mother. They manage to defeat the evil sorcerer who was trying to take control of Shailaja forever as she had rejected her romantic advances. They manage to do it just moments before she would be completely under his control. It is then that Vigathi Swami (Temper Vamsi), a sorcerer and temple priest arrives at the village after a very long time, and starts searching for Rekha.

And what is to follow as evil spread during the darkest of nights? :: With a warning about death coming to the village, it is to be known how such ancient evil can be stopped. But Baba himself is helpless against this man who had done black magic with Rekha’s mother and that had actually caused her death. His return after eighteen years is with the determination that matches no other. He will have Rekha one way or the other. He has control over more than one demon, and not just some random spirit that scares people. He is powered by some evil deity that knows no boundaries of evil, and is the over-reacher who will awaken those forces hidden for centuries. With sleepwalking remaining as her habit and after finding her in the middle of the road at late nights during regular intervals, how long can Rekha stop herself from going into his captivity? What does he really want to do with her?

The defence of Tantra :: The movie effectively delivers its scares, and due to the settings used, it could elevate the side of fear with ease, at times. The movie has the pillar of the work done by the leading lady Ananya Nagalla, who makes use of a strong character with a lot of emotional depth – reminds one of the leading actresses of ARM from some angles. The performances including that of the villain remains good, and seems to suit the horror world nicely. The atmosphere is too good here, and with the help of some fine tales from the belief systems combined with the myth, the world works really well. The folklore keeps coming up all the time in here, and the cultural roots work in favour, even though the overdose of talks keeps it in check. The idea of black magic has been used to the best advantage. The links are nicely made here with the incidents and a certain narrative skill can be seen at work. The background sounds work well in support of the movie, and the twist is working with suspense maintained.

The claws of flaw :: The movie has a lot of moments which feels stretched, increasing the total length of the movie itself. It gives too many explanations, and the movie could have done well without some of them. Too much talking often makes a horror movie struggle, as a few things could be left without explaining as if it is a horror tuition class. There are too many flashbacks, and we also find those subplots to be rather too much. The drag is mostly felt due to this reason, and in the end, the movie feels long. The fear generation of the final moments is rather too less, and it seems to forced to get to that end. When there is something too dark and demonic coming in the end, it had to do more, if not with the action, at least with the scares. Well, we have met too many nocturnal creatures of the night to like any lesser one unless backup by enough power. This might not appeal in the same way for everyone due to the extra dose of strange content too.

How it finishes :: I have not seen many Telugu movies, and you would not see many film reviews of the same language here for that reason. I did not watch those most famous Telugu movies which the crowd had watched and have been looking forward to make everyone watch more than once. But I have not been a person who wished to go with the crowd. Therefore, the two Telugu movies which I have reviewed here are Konda Polam and Drushyam 2. This one becomes the third, and the first Telugu horror movie to be reviewed here. In this case, it can be seen that despite the problems with the overall pace, the movie maintains the embedded horror really well. It might have rushed towards that ending, but finishes off well enough. There are some good horror movies, and this one will surely stay with us, as that horror movie which raises its level and uses the less used elements to its advantage too. This one is recommended for horror fans for sure.

Release date: 15th March 2024
Running time: 134 minutes
Directed by: Srinivas Gopisetti
Starring: Ananya Nagalla, Dhanush Raghumudri, Saloni Aswani, Temper Vamsi, Meesala Lakshman, Manoj Muthyam, Kushalini, Bhaskar Manyam

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@ Cemetery Watch
✠ The Vampire Bat.

Kraven

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Vampire Owl: This is not the kind if superhero that we were looking for.

Vampire Bat: I am pretty sure that this is an anti-hero.

Vampire Owl: All vigilantes are not really anti-heroes.

Vampire Bat: Well, this one seems to have less heroism than others.

Vampire Owl: Sometimes villains are the true heroes.

Vampire Bat: You are talking about Thanos, aren’t you?

Vampire Owl: I always wished that they ended the series with The Avengers: Infinity War.

Vampire Bat: I also agree that a dead character should stay dead.

Vampire Owl: Well, death is only the beginning.

Vampire Bat: Yes, as far as the dead keep rising.

[Gets a vanilla shake and three cups of iced tea].

What is the movie about? :: Nikolai Kravinoff (Russell Crowe) is a much-feared drug lord and crime boss, and he moves to Ghana with his sons after the death of his wife, only to have his sons attacked by a lion and one of them even leaves him after seeing that his father brutally killed the animal. The family feels broken down, but the younger son stays with the father, whom considers him to be too weak to continue his legacy. The elder son Sergei Kravinoff (Aaron Taylor-Johnson) goes on to become Kraven the Hunter, an entity whose real identity is known. The younger son Dmitri Kravinoff (Fred Hechinger) lives with his father, but has no part in his crime business. Sergei goes on as a vigilante who hunts criminals. After assassinating an arms trafficker in a Russian prison, and following it up with a few others, he travels to London for Dmitri’s birthday where there is a family reunion including the father. But their reunion is short-lived, as mercenaries abduct Dmitri despite the best efforts of the big brother to stop the effort.

So, what happens with the events here as we just keep looking? :: The man who was behind this kidnapping, Aleksei Sytsevich (Alessandro Nivola) has been an opponent of Nikolai. He also has the strength of a rhinoceros along with its skin, after an experiment which was conducted a few years ago. Aleksei proposes an alliance with the brothers to overthrow Nikolai, and after agreeing to this, he says that they would be partners. As there seems to be no solution, Aleksei lures him to a monastery in Turkey, but the ambush is not successful. Aleksei hires the Foreigner (Christopher Abbott), a hypnotic assassin to kill him. Sergei’s only support it Calypso Ezili (Ariana DeBose), a lady who had also helped him earlier to survive when he was attacked by the lion as a child. Now, it remains to be seen if a deal or a raid could be done, as Nikolai is not ready to pay the kidnapper. Still, it is to be seen if the assassin would kill Sergei even before that. He finds himself searching without results, but some result is sure to come soon.

The defence of Kraven the Hunter :: There is the usual anti-hero dose being provided here, and there is a look at the environmental concern and the love for animals, as if an emergency of our times. The action scenes in the forest and grasslands bring a certain amount of variety here and there. A connection between the wild and the domestic is established easily. The actors seem to very much capable of working through the side of action, and the anti-hero side is indeed well-maintained here. The fights do feel more raw than stylish, and that often comes as a welcome change. The mystical elements do run through here. The antagonist is indeed strong, and there is more than one that goes with the title, all of them strong enough to make an impact. There is a lot of idea left for a possible sequel, as the ending seems to suggest more to come, and there is surely some mystery to be solved later. The anti-hero elements do work better than what Deadpool has been turning out to be with its ridiculous nonsense.

The claws of flaw :: The movie never manages to raise its level that much as it keeps moving through the safe zone and keep it even safer. In this world of too many superheroes, some risk needed to be taken in the right way to bring variety through innovation and not through strange representation and change of races and ethnicities. The movie also struggles with its special effects, and even its antagonist could have scored further with better computer-generated imagery. There should have been some Spider-Man connection made here, and without that presence even in the end credits, we struggle to believe in the seriousness here. The negative opinions about Madame Web might affected this one too, as the world of spiders surely seems to be in a crippling state – we miss The Amazing Spider-Man more than ever. There are complications about his position in this world, and the lack of clarity regarding his powers would mean more confusion – well, it is that kind of a family where everyone seems like an anti-hero or a villain and we do wonder about the situation being like this with just a hunter around.

The performers of the soul :: Aaron Taylor-Johnson leads the way pretty well as the anti-hero who goes on hunting without remorse, as he chooses the worst people. There might be the question if someone bigger would have been there, but this would feel good enough due to his dedicated work. Even though Ariana DeBose as Calypso Ezili manages pretty well, Diaana Babnicova who played the younger version seemed to match the character the best, and a deviation from the past is visible around there. Alessandro Nivola makes a fine antagonist, and even with lesser graphics and special effects, he is indeed a menacing villain and a match for the protagonist. Christopher Abbott plays the other villain, and the menace should have been given more time as we look at it. About Russell Crowe, we see a certain amount of grey side here, and it is also something to remember as we move away from this movie. Fred Hechinger who made a point will surely have more to make in the sequel as we notice the ending moments.

How it finishes :: Kraven the Hunter adds to that list of lesser-known anti-heroes, even though it might never be as popular as Venom and Deadpool who became the main characters out of Spider-Man and Wolverine. This is that movie which seemed to have been missed by too many people around here. Unlike those earlier superhero movies, this one is the flick which came with no hype at all, and most people also failed to realize that this one existed in the theatres nearby. They would expect many things here, but they would no not much about him, as this man is no hero that the people in this part of the world have ever known. All these are happening in a timeline where fine superhero movies like Minnal Murali and Gundala and brought about by those industries which have not been known for creating this kind of a universe. With that long comic support, it is surprising that people of Spidey are struggling to make an impact. I would for a better work with a sequel even though this one did work well enough.

Release date: 13h December 2024
Running time: 127 minutes
Directed by: J C Chandor
Starring: Aaron Taylor-Johnson, Ariana DeBose, Fred Hechinger, Alessandro Nivola, Christopher Abbott, Russell Crowe

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Shaitaan

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Vampire Owl: So, is the movie really about the devil?

Vampire Bat: There are many demons who identify as the devil.

Vampire Owl: Is there anyone whom you know?

Vampire Bat: We do not make acquaintances with the shadow world.

Vampire Owl: We are also nocturnal creatures of the shadows.

Vampire Bat: We are the shadow warriors, but we are not shadows.

Vampire Owl: Shadows are still our allies, and they even provide warnings.

Vampire Bat: Allies do not make us. We are better than that.

Vampire Owl: The shadows will keep us safe.

Vampire Bat: Not just the shadows, we shall stay in the dark forever.

[Gets a masala bonda and three cups of mint tea].

What is the movie about? :: Kabir Rishi (Ajay Devgn), a chartered accountant, his wife Jyoti Rishi (Jyothika), daughter Jahnvi Rishi (Janki Bodiwala) and son Dhruv Rishi (Anngad Raaj) decides to take a break from their busy routine, and spend some time at their farmhouse in the outskirts of Dehradun, Uttarakhand. Jahnvi is hoping to end this trip as soon as possible, and go on her on tour with friends, especially her boyfriend. On the way, at a dhaba, they come across a man named Vanraj Kashyap (R Madhavan), who offers them tea when they do not have change. He seems to be a nice person who shows the photo of his daughter and gives friendly advice. He also gives Jahnvi who does not want to have roti and tea, a laddu which she accepts happily. He also leaves her with a few biscuits, much to the dismay of Jyoti. As they reach the farmhouse, they are surprised to find Vanraj following them there. They also find out that Jahnvi had invited him inside the house, and he sits there on the couch as a guest.

So, what happens with the events here as we just keep looking? :: He only asks for a cup of tea and charger for the phone, but soon, Janhvi ends up threatening her brother under his influence, which makes Kabir and Jyoti ask him to leave immediately, to which he disagrees. Before Kabir can push him out, Janhvi under Vanraj’s command stops him. Vanraj says that he has hypnotized Janhvi using black magic, and that she will obey every instruction he gives. To prove his control, he orders her to repeatedly stand and sit, and she does the same robotically. To make them believe in the extremes of his power, he makes her take a tea packet and eat raw tea leaves. He also makes Janhvi slap her father and make her laugh and cry. As she is asked to jump into the swimming pool and stay underwater until he tells her, the parents understand the grave situation. As the frightened family gives him the mobile phones as told, he makes Janhvi destroy all the phones in the house, cutting off their communication with the outside world. Now the question remains about what does he plan to do, and what does he want from the family.

The defence of Shaitaan :: The movie rests on the shoulders of Janki Bodiwala who brings a performance that nobody would ever forget, as she alternates between her character’s own personality and that of a hypnotized mind, as we see her helplessness and determination to commit a task according to an order at the same time, and moving between the two. Madhavan’s alternation between the gentleman and pure evil entity is not that far behind either, as his evolution as an actor is seen again, but we know that he could have also done the father-figure to perfection if given that role. The movie keeps us closer to the situation, because we know that it is indeed a usual family in trouble, even though a little bit too bourgeoisie for many, with the main character driving a Benz Car and owning a huge farmhouse in a hill station besides his original home in the city. The feelings that we have for the family is much more as we can relate to them, at least most of us. The danger is always there, with the younger child closest to death than any other, even though I would consider all lives as equal whether that of children or the elders – I am not a robot to calculate how much more they will live and be useful to society or turn into murderous psychopaths.

Positives and negatives :: The movie might not be appreciated as doing as good as the original, but we know that it is true for all Bollywood adaptations, a case which is best depicted in the works od Priyadarshan, as the original Malayalam movies were all classics which can have no match, certainly none with nepotism factor taking around, like in the case of that remake of Helen. The idea of the original version would always stay strong, and with this one made on a bigger budget and made to suit the spoon-fed and feel-good-seeking audience, some of the soul of a dark movie would be left out – we know what the Bollywood have been involved in making big blockbusters, and so the taste difference would be looked at by the makers who remake works. But the movie has its tension perfectly built and the danger felt from within, with no exaggeration. Each and every moment in the house seems to be perfectly created, and the cast nicely adapts to the same. The satanic touch brings the terror as the movie shifts its world by the end really well.

The performers of the soul :: Janki Bodiwala is the one person who steals the show, long above the veteran stars who surrounds her, and it is no surprise as her character stays at the centre and decides too many outcomes. She had also played the same character in the original movie, and that experience seems to count. This work will establish her as one of the best among the future stars of Bollywood, and maybe could have a hand in another regional cinema too. She has the biggest moments of the film to perform, like the one where sits on the gas cylinder, dancing without end and those smiles and laughs for no reason which are truly spooky. Madhavan might have played the best villain in a horror movie, and let us hope that the ending of Hindi version does not spoil his chance to bring a sequel with him in it. The way in which he gives instructions and talks about his own greatness provides us with the chills. Ajay Devgn and Jyothika plays the helpless parents who still struggle to make things happen and save their family quite well. As the former nicely manages to bring the heroic father to the scene, let’s see what the next sequel of Drishyam brings, as Bollywood is ready take the script from the Malayalam version, and Tamil, Telugu and other versions would be waiting.

How it finishes :: Shaitaan, as a remake of the 2023 Gujarati film Vash, makes a fine impact, even though most of us have not watched the original. But from what has been heard, the original is more of the classic, but as we only have this one around here, and it is very well-made, despite the ending seemingly not that special compared to the original. There is a haunting and satisfying feeling about it, with that strength which is rarely seen in pure horror movies of Bollywood, even though movies like Stree and its sequel had made horror comedy working better. The best horror of pure seriousness was done well by Bollywood quite long ago, and most of the time there were only movies like 3G and Murder which only partially did the job. But this one will surely achieve a legendary status, despite being an adaptation of an older film. Remakes will work very well if done in the right manner, and this one proves it. This is also a proof for the fact that you do not need to keep looking at Hollywood for horror every time, and basic elements for the same working out is right here, with us.

Release date: 8th March 2024
Running time: 132 minutes
Directed by: Vikas Bahl
Starring: Janki Bodiwala, Ajay Devgn, R Madhavan, Jyothika, Anngad Raaj

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Witch: Revenge

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Vampire Owl: Is this a witch that we know?

Vampire Bat: We no longer know any witches.

Vampire Owl: But there are many in the north.

Vampire Bat: There are no wars anymore, and they live there in peace without contact.

Vampire Owl: They do not eat child vampires anymore?

Vampire Bat: I feel that they are more afraid of being bitten by child vampires now.

Vampire Owl: So, the treaty among species have weakened them?

Vampire Bat: Yes, by a long way, because we gained territory.

Vampire Owl: I am sure that the zombies or werewolves might be still at war with them.

Vampire Bat: I have heard that they are on war with elves and dwarves over the custody of magical forests which they use for creating their special potions.

[Gets a parippu vada and three cups of Yercaud tea].

What is the movie about? :: Olena (Tetiana Malkova) is living a happy life with her fiancé Andriy (Taras Tsymbaliuk) in a small town in Ukraine, but their life meets new struggles as they have to face the Russian Invasion, which quickly reaches their place, and feels the needs to quickly escape into the woods. Olena suggests moving further into the dark forest, as Yevdokiya (Olena Khokhlatkina), her aunty is there to take care of them, and people do not usually go that way. But on the way, they are attacked by a Russian military unit, and Andriy is murdered with their dog injured, and Olena just manages to escape from a sexual assault. They reach the place of her aunt, and she remembers her earlier nightmare about death. Back there, angry, frustrated and in grief, Olena releases another side of her, that of a witch, as she has been an immortal being of magic for a long time, only to renounce the same after falling in love with a man whom she met. She unrobes in front of a mirror to reflect the ancient signs engraved on her and lets the ancient magic run through her naked eternally young body yet again.

So, what happens with the events here as we just keep looking? :: Being an immortal guised at a mortal, she lets go of the human side and embraces ancient magic with its darkest elements in search of brutal vengeance. She combines forces from various nodes of power to become something more than the supernatural witch she had ever been. It is then that another girl named Katya (Oleksandra Pankova) gets kidnapped and sexually assaulted by the invading soldiers. Even though they decide to keep her for more abuse by the other soldiers, the effects of the witch force them to leave her in the middle of nowhere. But she is also found by Olena who promises her a chance at having revenge. Katya, who is on a desperate state after that brutal violation will stop at nothing to have her revenge. But the soldiers remain remorseless and looks to punish the locals as much as possible, as they move further into Ukrainian territory. Meanwhile, Olena has transformed into something different, and she seems to resemble something other than humans even though she retained her human form. Can Olena and Katya have their revenge in the most brutal way or will the soldiers somehow escape?

The defence of The Witch: Revenge :: The movie scores the best with its visuals and there is some beauty about even the most evil of acts and the gore with goes with the same. This comes after some of the most colourful and happy moments that a movie can have in the beginning, with the true love feeling running through. On one side, there is that terror of modern warfare in the form of Russian invasion of Ukraine which seems to have no end, and on the other side, there is that mastery of the supernatural, which bring multiple levels of strength to the movie. Those elements of magic and witchcraft are nicely shown, and blood often makes a stylish entry, looking even better in the presence of snow. The atmosphere feels always suitable, and the emotional side also makes an entry at times with confidence. The witch becomes a metaphor for the Ukrainian resistance with ease, as there is the talk about ancient folktales. The mood of folklore is at the best with dark forests, candle-lit interiors and ritual elements while being bold with its true reflection of war-related violence among the weak.

The claws of flaw :: The movie seems to stop trying at times, and keeps moving on the ordinary path when there was so much of a chance for greatness. With the Ukrainian side taken, one would wonder if the feeling of one-sidedness will be omnipresent. There is only one kind of portrayal of the Russian side, and showing the two sides in black and white will not be satisfying at all times, with the grey side definitely missing. Despite the understanding that invasions can keep being brutal, the grey side is expected at some points. Even though the movie is rather short, we feel that there are moments when it stretches from within, and some moments could have just been avoided. We feel that some touch is lost in between, as a venture through the classic revenge in a tale of brutality and chaos. The male protagonist is killed too early and there is no character development regarding him. The villains just seem like the usual antagonists without any variety between them. All women characters other than the protagonist does not seem to rise that much and pales in comparison to her.

The performers of the soul :: The movie is strongly and soulfully led by Tetiana Malkova, who remains at the core, setting the bar high. It has always been easier to portray vampires and zombies than witches these days, and we are lucky enough to have a good one here with a fine performance as the supernatural creature. The romantic side was also strong with her, as it was where her transformation began and went on to the other. The romance feels as much real as the revenge and the feelings behind them are portrayed very well. The next one to catch our attention is Oleksandra Pankova who also leads the way in an act of revenge, and this search to bring deaths to the violators also has the same intensity, even though not that much of witchcraft and sorcery. Taras Tsymbaliuk as Andriy does a good job as the lover and Olena Khokhlatkina as Yevdokiya plays a believable aunty with magical roots. The villains in the form of soldiers does fine even though too restricted in the second half with nothing much to do.

How it finishes :: We have had our movies with the presence of witches, from the action adventure of Hansel and Gretel: Witch Hunters to a more classic kind with The Witch and much twisted versions from Russia like Baba Yaga and Mara that went the divergent way in comparison to what we have been seeing in Hollywood. This is only the second Ukrainian movie on this website after The Rising Hawk which also had its moments, and I would love to expand on this Eastern European movie collection, as some of the finest movies from the Romanian work named The Whistlers to the Serbian film The Balkan Lane are from that side. Still, let us hope that there will be no more wars to become background for future movies, and that there can be imaginary battles or some Nosferatu to replace the same. Until then, we watch this movie, and enjoy it even though not without some small troubles that come here and there. One can find that there is something about this movie, which can also have a sequel, and by that time, there will be no war, but lesser problems running in the background.

Release date: 22nd August 2024
Running time: 100 minutes
Directed by: Andriy Kolesnyk
Starring: Tetiana Malkova, Oleksandra Pankova, Taras Tsimbalyuk, Olena Khokhlatkina, Pavel Vyshniakov, Ivan Sharan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Black Adam

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Vampire Owl: I have heard about this person before.

Vampire Bat: He is not the Adam from your Frankenstein’s tale.

Vampire Owl: Doctor Frankenstein has already confirmed it.

Vampire Bat: Mr Frank cannot claim to know these many people.

Vampire Owl: He has lived enough to come with such a claim.

Vampire Bat: Well, he is not a true old immortal like us.

Vampire Owl: He has been a semi-immortal with the help of science.

Vampire Bat: There is no semi-immortal. We only have immortals and mortals.

Vampire Owl: You should be better aware of the ways of science.

Vampire Bat: The ways of science do not work in our realm.

[Gets a Hyderabadi biriyani and three cups of Vagamon tea].

What is the movie about? :: Black Adam (Dwayne Johnson) was provided the powers of ancient deities of Egypt as he fought a tyrannical ruler in Kahndaq who had enslaved the people of his nation a long time before the great civilizations of the world held their powers. The king who was trying to use the artifact known as Crown of Sabbac to attain power like no other mortal could, but is defeated by this new champion, thus ending the evil reign. Adrianna Tomaz (Sarah Shahi) who lives the same city in the present finds her people oppressed by an international criminal organization named Intergang. As the new hope for resistance and as a renowned archeologist, she is determined to make sure that the Crown of Sabbac does not fall into the hands of any of those mercenary groups. As she almost reaches the crown, she is ambushed by a team sent by the organization which wants to use the artifact to control as much of the world as they can. The group looks forward to a kind of world domination like never done before with the ultimate control in Kahndaq. The group has the military strength with air, land and water support like most of the nations of the world can never dream of.

So, what happens with the events here as we just keep looking? :: As she is captured by the mercenaries who look forward to kill her, she uses her last option and chants the incantation which awakens Black Adam from beneath the tomb. It is seen that the newly unleashed metahuman is extremely powerful and he violently destroys all the enemies of Adrianna who keeps shooting at him without success. As Adam is wounded by one of the rockets which he catches on the way, he is taken to Adrianna’s home, where he begins to realize things and understand the new world, he lives in. He understands that the ways of the world have changes the situation is much different now. Considering his murder of many assassins, he is considered as a threat and the Justice Society sent to annihilate him, even though the Suicide Squad was also an option. The team includes the leader Hawkman (Aldis Hodge), the veteran sorcerer Doctor Fate (Pierce Brosnan), molecular manipulator Atom Smasher (Noah Centineo) and wind-controlling Cyclone (Quintessa Swindell), a team which seems to have members with their own inner struggles.

And what more is to follow in this tale of a centuries old superhero? :: Hawkman doesn’t consider this to be too much of a task, but Doctor Fate who has seen many dark futures doesn’t think so. They arrive at the city only to find Adam murdering more mercenaries. The battle goes very much in favour of Adam, as he seems to have an answer to everything which is thrown at him. It is then that Adrianna’s teenage son Amon Tomaz (Bodhi Sabongui) is kidnapped by Ishmael Gregor (Marwan Kenzari), who had disguised as a friend for a very long time. Ishmael wishes to gain the powers of the six powerful demons of Hell: Lucifer, Aym, Belial, Beelzebub, Asmodeus and Crateis using the crown. As the Justice Society and Adam fight each other, there seems to be other forces gaining control of the situation. Can the superheroes find a way out of it? How much can this possible terror from hell be stopped or delayed? Can Black Adam, with a troubled past defeat his enemies on all sides? Will he understand the new world and adjust to live in it? Will this ancient city be finally free in the end? The situation seems bleak for everyone around him.

The defence of Black Adam :: There is a lot of entertainment that goes around this movie, especially with Dwayne Johnson in the lead. There is no lack of fun when he is around, even if he did not have those superpowers. Unlike the overrated all-powerful heroes like Captain Marvel, Black Adam is the kind of superhero who seems to be more believable and enjoyable inside the willing suspension of disbelief with the addition of ancient magic. Despite being a dark enough movie with demons ready to be unleashed and having wrath of the ancient gods in control, the movie manages its light-hearted moments really well with a touch of effective humour. The comic side never gets out of control, and the Rock provides an assurance about it. Sarah Shahi nicely blends in, and looks even younger with some moments of action added to her work. Marwan Kenzari’s villainous side would also be memorable, as the sinister side works really well. We can be assured that Black Adam will have a bigger role to play than most of those overrated superheroes who jump around in the different comics universes, as there is a certain amount of class written over this particular character played by Dwayne Johnson, and that too beyond this world.

Positives and negatives :: The movie is a visual stunner as expected, and the graphics used here is really good. The setting is interesting, as we have a city away from the usual areas, and the need for protection that it requires and the type of hero that it gets, are all different in nature. The action sequences with the display of superpowers manage to be really good, and the Justice Society makes an interesting group of people, and the presence of Pierce Brosnan as Doctor Fate stands out, seemingly asking for Doctor Strange of the of the other universe to do better. The movie also has a strong villain, and finding one has not been easy in this particular universe in comparison to that of Marvel Cinematic Universe. There is the presence of the usual repeated elements, but we know that it is supposed to happen in almost every superhero flick. It doesn’t deviate and become that dull superhero movie even though the tendency was always there, and the length is surely a little more than the requirement. The movie still rises a long way above the usual Shazam movie which is too childish for anyone to make it the top favourite superhero movie.

How it finishes :: Black Adam is a nicely done superhero film which is powered by the Rock a.k.a. Dwayne Johnson who never ceases to entertain us. This has been one film which we have been waiting for, and seeing him as the superhero brings no surprises, but appreciation. Most of us have always wondered how a full-superhero movie would look with him around, and a full-horror film would look with the Undertaker around. We can be sure that no other WWE wrestler can make the impact in film industry like the Rock has done with the movies like Jumanji, Fast and Furious and others, with action films like How it will bring the power to the DC Extended Universe is yet to be seen, even though, the final moments and the end credits scene do provide us with a lot of hope. These are the times when Marvel Cinematic Universe has been losing in power, especially by making Thor a silly person and with having the tales move through series instead of movies where it should have always focused. Marvel’s overuse of humour will only come back to strike it one day, and DC finding balance will elevate its status as the superior comic book adapted universe.

Release date: 15th Match 2023 (Amazon Prime Video); 21st October 2022 (Theatre)
Running time: 125 minutes
Directed by: Jaume Collet-Serra
Starring: Dwayne Johnson, Aldis Hodge, Noah Centineo, Sarah Shahi, Marwan Kenzari, Quintessa Swindell, Pierce Brosnan

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Shang-Chi

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Vampire Owl: Let me know when Marvel has actually finished with the superheroes.

Vampire Bat: You do think that it is a possibility?

Vampire Owl: Yes, everything comes to an end, in one way or the other.

Vampire Bat: Not everything. We are immortals, so you should know.

Vampire Owl: Marvel is not immortal. There are no vampires among them.

Vampire Bat: There are vampiric superheroes and villains though.

Vampire Owl: But they are not real, you know.

Vampire Bat: They don’t consider us as real either.

Vampire Owl: Who cares about the evil humans think about?

Vampire Bat: We should care about them as they possess the evil of science, and sooner or later, they will come to get us through that portal on the north.

[Gets an onion vada and three cups of cardamom tea].

What is the movie about? :: Xu Wenwu (Tony Leung) had discovered the mystical power of ten rings which granted immortality and the strength resembling a god. He could have used these powers for the good, but instead had chosen to get richer and even stronger, being left with almost nothing to conquer as he had all nations under his control directly or indirectly, within a few years. Later in the 1990s, he travels to a magical forest, which he also required to be in his control. Therem he is stopped by the guardian of the forest, Ying Li (Fala Chen), who stops him, and the two ends up falling in love. As he is not accepted in the village, the two leaves the village and returns to the city. Back to the present, Xu Shang-Chi a.k.a. Shaun (Simu Liu) has grown up, and is best friends with Katy (Awkwafina), both now living carefree life at San Francisco in the United States. They do valet parking for a living, and Shaun doesn’t want to remember much of his martial arts training of early childhood as things seem to go in a natural way in the city.

So, what happens with the events here as we just keep looking? :: Soon, he is attacked by a group of assassins on a bus. The attackers take his pendant, and he does feel that he need to find his sister, Xu Xialing (Meng’er Zhang), and save her. Even though he decides to run away soon, Katy manages to convince him and accompany him on the journey after the awakening on a darker past. As he reaches the place where Xu is staying, she turns out to be a thankless moron of a sister, who forces him into a battle with her, which she cheats to win. She also abandons him to fight on his own, until she finally has a change of heart to become less of a deserter. Now, it seems that it was their father who had sent these people to take the two pendants, which he wants to use for some strange and evil plan. But Xu is that kind of a person who feels that she will build her own empire that rivals her father’s, and Shaun would be caught between the two, not looking forward to goodness in anyway.

And what more is to be added to this world of possible chaos and destruction? :: It doesn’t matter how much they fight, as the father finally returns to take them to their original home, and make his son the grand successor, and the holder of the ten rings. Wenwu who wishes to reunite the family again, uses the pendants to bring to life, a magical map leading to that old, enchanted forest – Ta Lo. He tells them that he feels that he could hear his wife calling from the village where he has been held captive. He intends to make them release her, or he will burn the village to the ground. But the two children don’t really have anything to do with it, and they are locked up in the dungeons. There, they meet a former actor who was imprisoned for impersonating Wenwu. There, they find a possibility for some future plans, as there is a magical creature which can lead them to the magical forest through an easier path, which is a little bit too dangerous though. Can they get there before the evil father does?

The defence of Shang-Chi and the Legend of the Ten Rings :: There is a lot of action around here, as one would expect from a movie like this. The same is nicely supported by the visuals and the special effects contribute very well. The final battle with the dragon is so much full of grandeur. There are also some nice details with the magical world and the fantasy creatures present in the village which has all the most beautiful secrets that we find around on the screen. It is the kind of mythological and magical world which we connect with the medieval model with castles and dungeons like so many of the films from Hollywood have done so far. This is the divergent one in that case, and we never really have enough of this. Well, the world surely needs to be different in each and every case, and that would provide us with the feeling of seeing a different civilization every time with its own attributes in Age of Empires and its sequels, or different magical races in Age of Wonders and its sequels. Nowadays, globalization has brought too many similarities, making landscapes looking so similar to each other.

Positives and negatives :: As this movie is releasing rather late in comparison with the others, one can be sure that there are indeed repetitions which are to be found around here, even though there is a certain flavour added which makes them feel somewhat new. Yet, a little predictability will provide some resistance and won’t go away at all. There is always something about different worlds coming together, and evil trying to get into another realm to capture it – the same has been the idea of so many wonderful video games too. The father-son battle is also a usual thing, and even though repetitive as it is, there is something divergent about it for sure. Simu Liu nicely becomes the fine protagonist that we have all wanted around here, and Awkwafina as well as Meng’er Zhang comes up with some fine support in the process. Tony Leung makes a strong villain too, and he surely has more than what meets the eye. Florian Munteanu as Razor Fist also has his moments, and so do Michelle Yeoh and Fala Chen as the fighter motherly figures.

How it finishes :: Shang-Chi and the Legend of the Ten Rings keeps on moving the Marvel Cinematic Universe straight forward after Infinity War and Endgame provided us with what seemed to be a grand end. There is the feeling of something more magical about this particular movie than any other in the franchise, maybe with the one exception of Doctor Strange, which was all so much of magic and sorcery. You can only enjoy the beauty created by magic around here, instead of the science that has run through Avengers all the time and begged for attention. It is always nice to see magic having the upper hand over science, which has been all about war, death and terror. After all, the Corona virus is also a product of science, and we have failed to stop it completely. The mythology of the Dark Gate and The Great Protector told in this movie also further helps in understanding the terrible nature of humanity, and how the whole world should be a better place without their ambitions and hatred that always prevails.

Release date: 3rd September 2021
Running time: 132 minutes
Directed by: Destin Daniel Cretton
Starring: Simu Liu, Awkwafina, Meng’er Zhang, Fala Chen, Florian Munteanu, Benedict Wong, Michelle Yeoh, Ben Kingsley, Tony Leung

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Curse of Audrey Earnshaw

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Vampire Owl: I think that I have met this girl before.

Vampire Bat: No, she is not the witch who cursed you last year.

Vampire Owl: How can you be so sure? She had the same expressions.

Vampire Bat: The witches can be confusing with their looks.

Vampire Owl: You mean to say that they alter their appearances very often.

Vampire Bat: Yes, many more times than we do in a human city.

Vampire Owl: Yet, we can see through them, can’t we?

Vampire Bat: We are not immune to all kinds of magic.

Vampire Owl: We are still immune to dark magic.

Vampire Bat: Yes, but not all kind of dark magic. Some witches practice the darkest of magic, and we are often not strong enough to resist the same.

[Gets a vegetable samosa and three glasses of Vanilla shake].

What is the movie about? :: During the times when there were more and more settlements in North America, a group of families decided to separate from the Church of England, leading to the establishment of an isolated settlement, further away from the rest in the continent. Years passed, the the World Wars broke out, and science had the advantage over religion, with unrestricted expansions, but the villagers of this particular settlement kept their old ways of life alive. Later, in the year 1956, a strange phenomenon, which came to be known as the eclipse, a kind of pestilence spread throughout the settlement and its surroundings, poisoning the land and also corrupting the livestock. The only exception was the land belonging to one woman, Agatha Earnshaw (Catherine Walker), and he was suspected of heresy. She also gave birth to a girl child during the eclipse, but kept the child as a secret from the villagers who kept looking at her with suspecting eyes.

So, what happens with the events here as we just keep looking? :: The community has kept struggling without hope, and with a feeling that God abandoned them, and that there is no future for them, as the time shifts the 1973 – not many things have changed for this particular village far away from civilization. Agatha continues to live separated from everyone with her daughter who has now grown up, and yet remains hidden from the eyes of others. She tells Audrey that anyone who tries to come to their place is a villain, and that everyone in the village wishes to steal young girls like her. The villagers continue to despise her as she still has a great harvest all for herself, and is not ready to help even those who have been starving for days and close to death. Colm Dwyer (Jared Abrahamson) and Hannah Bridget Dwyer (Emily Anderson) are further angry about her as they lost their child for some illness, and lack of food comes naturally with the life. Everyone knows that there is a curse going on, and soon, they will have to take another step to change their lives.

The defence of The Curse of Audrey Earnshaw :: The film thrives on its atmosphere, which has so much in store with a setting which is established nicely with an initial writing about the premise – the first scene surely sets the mood, and the visuals nicely contributes to the same, as it does raise our expectations by quite some distance. If the story could have explained all the happenings better, the atmosphere could have elevated this one in the blink of an eye. There is the presence of blood and gore, but the same is not that much justified as we look at them. The main character does have the looks which are required, and there is always the feeling of having more than what meets the eye soon enough. We have seen films like The Witch, and so we are expecting something similar around here too, as the evil creatures of the night, from vampires and werewolves to zombies and demons, we are also interested in the witches to make the horror runs strong into a world of escapism that we always need.

The claws of flaw :: The real-life curse for the movie lies in the ending here. It doesn’t seem to know how to finish everything after building up all these. Running towards confusion is not what one would want with a film like this one. Finally, you are wondering what has actually happened, and there is always something wrong with the titular character, and it is not just the usual kind of wrong, but more, in a complicated manner. The movie is also really slow, and in between, there are scenes which don’t seem to make much of a sense, and we are always looking for some big terrifying sequence with sorcery to happen, but that is not there to be taken. There are no real witch-like gathering or frightening events happening in there, and due to the same, the movie has less strength as a horror movie, as it focuses on being a slow thriller. There were so many paths for this movie to follow, and none of them are taken, which brings some disappointment around here, as we don’t really get what we were expecting at all.

Performers of the soul :: Jessica Reynolds as Audrey Earnshaw is the young lady who is the reason for almost everything around here to happen – she has that kind of a look which would serve a witch, supported by the expressions and even movements. She has taken on the character which is a little bit too complex and strange, but managed to work with that well enough. She also has that stare that a witch would require, and her violence is unparalleled just like her curses. Catherine Walker as Agatha Earnshaw plays the mother, and she also remains as strange she can get, staying close to the character with the possible mysteries. Jared Abrahamson plays the role which is closest to a leading man, but he doesn’t really get much of a screen space either. Hannah Emily Anderson plays his wife, and that is done pretty well too. Sean McGinley adds well to the characters of interest in the movie, and so does Don McKellar, and later Geraldine O’Rawe. There are others who are just part of the world, and has something or the other to do at some occasions.

How it finishes :: There have always been something about the tales of witches in worlds created in any village far away from civilization, and with strange curses being felt all around. This one is no exception, even though it doesn’t make the best use of its resources, not living up to the strength that it displays in the beginning, and progressing to the end without enough of the explanations. You know that this movie was capable for much more, but we take this dark and disturbing story as it is, and enjoy is as much as we can, without that much expectations in horror. These movies serve as a reminder to how the world of strange beliefs have been, and how we have not become better people with science taking over – we are just the same if not worse, even without the supernatural, evil, distrustful and full of hate. We all have the devil in more people these days, and humanity’s lack of conscience has made the present world a worse place to live in than those days when people at least feared and revered God. Beware of the people around you more than the witches.

Release date: 2nd October 2020
Running time: 103 minutes
Directed by: Thomas Robert Lee
Starring: Catherine Walker, Jessica Reynolds, Jared Abrahamson, Sean McGinley, Geraldine O’Rawe, Don McKellar

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@ Cemetery Watch
✠ The Vampire Bat.

The Pale Door

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Vampire Owl: How pale is the door?

Vampire Bat: It cannot be that pale as the door to Uncle Dracula’s door.

Vampire Owl: It won’t be as pale as life itself.

Vampire Bat: Life will get better after Corona virus ends.

Vampire Owl: There is no life after COVID-19 ends.

Vampire Bat: How can you be so sure about?

Vampire Owl: The world has now become more evil, you know that.

Vampire Bat: Yes, but that is related to the humans only.

Vampire Owl: The realms are going to collide at some point of time.

Vampire Bat: When they do, we will be ready to face the evil humans and their weapons including hatred and fear.

[Gets some French fries and three glasses of pista shake].

What is the movie about? :: One day, a home is raided by a gang of thieves who are heavily armed. Two children survive the terrifying incident, while the parents are shot dead. The house is also burnt down, but the two boys decide to move on with the help of an acquaintance. The younger of the two brothers, Jake (Devin Druid) is working in a saloon, while Duncan (Zachary Knighton), the elder brother is leading the Dalton gang, a group of robbers who come up with some big heists all the time. When one their gang members die in a gang fight, they are in need of more manpower for a train heist which might be the best of their career. Even though Duncan is not sure about allowing his younger brother to involved in anything related to guns, Jake doesn’t back down, and the gang finally decides to take him because of the urgent requirement. They find the train heist to quite an easy job, and they find the chest which was being guarded there, and manage to escape with the same.

So, what happens with the events here as we just keep looking? :: Instead of finding any gold or money in the chest, they end up finding a young lady tied up inside. The girl introduces herself as Pearl (Natasha Bassett), and tells them that her home is in Potemkin, from where she was taken by these people. She also promises them some fine reward if they take her home. As the gang also wants to have some treatment for the wounded Duncan, they decide to go to her town which is closer than the rest of the civilization. As they reach the town, they try to find a doctor first, but there is nothing in the place, but woods with one small cottage in between, much to their dismay. Pearl does offer them help, as they are forced to follow her deep into the woods, and she tells them that they live in a brothel. As they are welcomed at the brothel by the one who seems to be their leader, Maria (Melora Walters) also promises that they will have the reward soon enough. But soon they realize that there is something different about this brothel, and they won’t really like that.

The defence of The Pale Door :: The movie does have a lot of action with the gun shots, and the witches are also there, which makes this a divergent type of film in comparison to those usual films which have one of these. The transform between the western heist and the world of magic and witchcraft is nicely done with the surprise working well. The message of evil being present at all times, and the final moments after building the atmosphere works pretty well, even though it doesn’t become a full horror movie at any moment as expected. There are moments which come back to the main characters as revelations about the past, and the setting within the forest brings the need for being frightened, in a strong enough manner. Placing the outlaws against the witches is a pretty good idea, as we look at it, and can also have an extended version of the same in a sequel, as the latter can go on forever, and be back for more innocent blood to sustain them. A successful mixing of these genres is exactly what has helped around here.

The claws of flaw :: The problem with this film is that it is too slow for our liking, and there are more dialogues than action on many different occasions. The movie is also really slow to go through its problems, and the beginning moments have too many scenes which keep on dragging the film until we reach the much needed action. Even though the witches are shown in their true forms, there could have been more especially related to one of them bathing in the blood of the victims, a moment that reminds of the ancient legends. The moment required an extended version, and also the hunting which the witches come up with. Just like the vampires, the witches are always capable of more, and this one doesn’t touch those abilities enough around here. The idea of witchcraft always have enough strength to rise as strong as the vampires and zombies who have ruled the world of cinema for quite a long time, and this time, they don’t go for where the strength lies the most – instead, the safe side seems to have more of an attention than anything else.

Performers of the soul :: Devin Druid as Jake and Zachary Knighton as Duncan are given importance in brotherly bond, but beyond that, they don’t work that much within limitations. Stan Shaw as Lester makes a strong impact among the group in comparison. Bill Sage and Pat Healy are fine in what they do. Melora Walters does make a fine witch with a mission here, and there is the past that is related to her, and works fine enough. Natasha Bassett makes a fine witch for the future, and might be one of the most charming of the group. There are other witches added around here, and Ashley Couch appears in the blood bath, the one which had the scope to be the most notable scene in the film, but the same gets limited – she still has one’s attention there though. As a film which deviates to witchcraft early enough, there could have been more focus on each witch character here, but the same is not provided that much of a significance around here. But the witches don’t get their due, and that is somewhat a shame, considering the possibilities.

How it finishes :: The movie seems to have done pretty well as a low budget horror movie, and has enough to keep itself strong with the big reveal that comes later. There is not that much to make a heavy entertaining impact, but the film manages well enough with what they have. Maybe, if this had left idea of the wild west behind, and focused on the witches and their past, with the forest being the permanent setting, things could have been better. Even a medieval setting in England could have lifted this one better. Yet, there is something about the film and its witches which will keep it going. During the time when the Corona virus pandemic is coming up its omicron variant, one can say that this kind of a variant can also serve the purpose. At a time when the supernatural are going down due to the strength of COVID-19 and the evil that the humans are bringing, we all need our original demons, witches, vampires, werewolves, ghosts and zombies – let us take these witches for now and enjoy what we can, while staying safe during the omicron-active Christmas season.

Release date: 21st August 2020
Running time: 96 minutes
Directed by: Aaron B Koontz
Starring: Devin Druid, Zachary Knighton, Melora Walters, Natasha Bassett, Tina Parker, Ashley Couch, Bill Sage, Pat Healy, Stan Shaw, Noah Segan

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@ Cemetery Watch
✠ The Vampire Bat.

The Witches

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Vampire Owl: It is strange that we are being called by the witches too.

Vampire Bat: The vampires are now more accepted in a society than ever.

Vampire Owl: I wouldn’t say that about each and every vampire.

Vampire Bat: Well, humans create divisions among themselves and also divide vampires.

Vampire Owl: The absence of politicians among us has hindered those divisions.

Vampire Bat: I would say that we should divide them before they do the same to us.

Vampire Owl: I find the possibility of bringing more divisions to humans as too easy.

Vampire Bat: But the question still remains if there is space for more of them.

Vampire Owl: Well, lets first go and play, and we will know later.

Vampire Bat: I hope that they have at least set a good athletic sport and not something as lazy as golf or cricket.

[Gets a vegetable burger and three cups of orange juice].

What is the movie about? :: A young boy (Jahzir Kadeem Bruno) losses both his parents to a car accident on a snow evening, and his grandmother (Octavia Spencer) comes to his aid. She takes him home, and does everything to keep him happy when he is wih her. She was someone who used to be known as a healer among her people, and knew how to make sick people feel better. The boy also gets a pet mouse which he names Daisy. One day, the boy is approached by a witch with a snake in her hands, and while she tries to cast a spell on him, grandmother comes and ruins the magic. The grandmother also starts coughing, and as he tells her the story of the lady whom he had met, she realizes that it was a witch, and decides to leave the place with the boy to avoid any more meetings with the witch, as she did have a past with one of such creatures when she was a child. They decide to go to a hotel where her cousin is the chief cook, and stay there, safe from the witches.

So, what happens with the events here? :: But things there are not that safe as they thought. A group of witches led by their all-powerful great leader, The Grand High Witch (Anne Hathaway), arrives there, and the team includes the one the boy had met earlier. At the same time, the boy meets Bruno Jenkins (Codie-Lei Eastick), a boy who is addicted to food, and highly attached to chocolates. As the boy secretly enters a large hall to train his mouse, he is forced to hide, with witches coming in to hold their meeting. He sees them in their true forms, as they have claws instead of fingernails, which is hidden by wearing gloves; they are bald, and adjust by wearing wigs; have square sized feet without toes, which they hide under sensible shoes; strange and scary forms for the boy. There, the boy hears them making their grand plans, as The Grand High Witch tells them to give the all the children in the world a potion, mixed into sweets, that can transform all of them into mice, starting with Bruno. Now, he and his mouse should find a way to stop them.

The defence of The Witches :: It can be seen that the movie does capture our interest well enough from the beginning itself, as the starting scenes make a fine build-up. The special effects as well as the performances contribute nicely here, and it will appeal the most to children, with whom the movie can have some instant connection. The children would find most of the approach taken by the film to be adorable, and the pattern is the same which has been adopted by such stories for decades. There is the usual folk-tale and fairy-tale power that comes from behind it. The unpredictability factor, maybe coming out of the original book by Roald Dahl, a man who has something for the twists as we know from Lamb to the Slaughter, the much appreciated twisted short stories which became part of the syllabus of many universities including our own MG University’s Modes of Fiction paper. It is always good to see the witches, after vampires, zombies and werewolves ruled the big screen and novels for too long.

The claws of flaw :: The Witches is not that strong as it should have been, with any element attached to it. The film could have used a lot of elements of magic in there, and the whole thing could have lit up with colourful spells – maybe even with a touch of darkness to add to it. There is no clear movement towards a colourful, light world or towards that world of terror, as the movie stays reluctant, playing in the safe side, never taking the risks from the beginning to the end. The finish could have also been bigger in scope. There is also supposed to be an older version, which is supposed to be better than this, at least according to the critics. Finding of faults will be easy for this movie for people who live in the far away past, but not the same for those who understand it from the time when the book was published. The movie also came a little bit late, because an OTT release in April or May would have brought more viewers, with children not having schools, and colleges having some kind of semester breaks in between.

Performers of the soul :: Anne Hathaway comes up with a fantastic performance as the witch to remember, with a funny side – the last time we saw such a thing was related to Eva Green in Dark Shadows. She has blended into the witch-role really well. She is the one person on whom this movie can depend on, not only as the big performer, but the one huge name that everyone knows about – she has been a superstar even in the areas where people don’t remember the name of Hollywood celebrities. Octavia Spencer is there in a role which suits her really well right from the beginning itself. Jahzir Kadeem Bruno who plays the main kid does a really good job. Stanley Tucci as the manager of the grand hotel is fun throughout the film’s run. The other witches are also come up with a nice job, even though they don’t really get to do anything in particular individually. It is all left for the leader of the witches, and that comes as rather surprising, because more witch identities and some special powers to add to the same would have been nice to watch with the availability of special effects.

How it finishes :: The Witches does have your attention as the one film which seems to sparkle with its poster being shown among the new releases on the OTT platform. We did have one movie named The Witch a few years later which dealt with everything in an entirely different way. The movie we have here is certainly not the serious one among the two, focusing more on simple basic entertainment rather than anything else. There can be some accusations against this one, but those simple things can be passed over as things of no importance, as this is the kind of film which thrives on the cute silliness, and will appeal to the younger audience really well. Well, this is another movie which will keep us interested in the escapist mode, as this world where the witches go among the humans to deal with the children whom they consider to be brats, is a good addition during the COVID-19 lockdown which never really seems to end. This is the kind of old style entertainment that we need to keep us going through a world of chaos.

Release date: 22nd October 2020 (USA), 5th June 2021 (Amazon Prime)
Running time: 106 minutes
Directed by: Robert Zemeckis
Starring: Anne Hathaway, Octavia Spencer, Stanley Tucci, Kristin Chenoweth, Codie-Lei Eastick, Jahzir Kadeem Bruno, Charles Edwards, Morgana Robinson, Josette Simon, Eugenia Caruso, Ana-Maria Maskell, Orla O’Rourke, Penny Lisle, Simon Manyonda, Philippe Spall, Brian Bovell

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@ Cemetery Watch
✠ The Vampire Bat.

Aladdin

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What is the movie about? :: Aladdin (Mena Massoud) is a young man living in the streets of Agrabah with his pet monkey, with no parents and no idea about family. He is considered as a petty thief living in the streets, stealing one thing or the other to keep going, and his monkey is not far behind in the same skill. In the streets, he meet Princess Jasmine (Naomi Scott) who has dressed up as a commoner and is wandering in the streets. After giving some bread to a few starving children without paying for the same, they are chased by the soldiers, and she leaves him with the idea that he is just a thief, as he fails to return her bracelet which his monkey had taken. But Aladdin decides to get it back to the lady whom he misunderstands as the princess’ handmaiden Dalia (Nasim Pedrad). At a time when she is bothered by suitors from different nations like Prince Anders (Billy Magnussen), Aladdin sneaks into the palace.

So, what happens with the events to follow? :: His skills are noticed by the Grand Vizier Jafar (Marwan Kenzari), the chief advisor to The Sultan (Navid Negahban). Even though he is the second most powerful person in the kingdom, he wants more, and for the same, he needs a magic lamp hidden within the Cave of Wonders. It is a near impossible task, and as Aladdin enters the palace unnoticed, he decides to use the skills of the young man to get the lamp from the cave which has been unkind to those who tried to take the lamp earlier. In return for the same, he offers the youth from the street infinite riches and even the attention of the princess. But as Aladdin gets into the cave, he realizes that it is no ordinary cave, and the lamp is not the usual one – it has the Genie (Will Smith) who is ready with three wishes. But will that be enough to marry the beautiful princess?

And what more is to happen? :: Genie hopes that the last wish of Aladdin would be about setting him free. Jafar hopes that he could get his hands on the magic lamp at some point. Jasmine hopes that it is not just her curves that is loved by her suitors, but also her ideas, with a desire to become the ruler of her kingdom one day. Aladdin would go back to the palace by the name Prince Ali, and hope to gain the attention of the princess and win her hand. But it turns out that Jasmine is not at all interested in the newly arrived prince despite him displaying all the wealth that Genie had brought. Despite Jasmine’s lack of interest, there would be Jaffar’s interest, as his evil plans continue. With his desire to become the most powerful man in the kingdom as well as the known world, what could stop him? Will there be a better fate in store for the kingdom?

The defence of Aladdin :: The memories of childhood comes back with Aladdin, as we remember those days of watching a lot of cartoon and that music which goes by the lines, Arabian Nights. Nostalgia surely becomes a grand factor here, and not just Princess Jasmine, but also her handmaiden remains adorable. Even though there is nothing spectacular about the fight scenes, the visual beauty can be seen there as well as with the city itself. The whole place is nicely built, and the magical elements add to the visuals well. There are some nice fun sequences around here, and Will Smith plays the big part in the same. These keep the fun element going. Coming from the man who brought Sherlock Holmes and its sequel, along with The Man from UNCLE, one could surely guess a few things about this one, and raise the level of expectations.

The claws of flaw :: The problem here is that there is the feeling of not being able to make this one better than what we had seen in the past, even though the ideas as well as technology did improve a lot. A visual extravaganza in the desert could have meant more. The Arabian Nights song version here is not that interesting as the original one, and often the Genie fails to rise as the character and becomes more of the actor that plays the same – Will Smith. At the expense of making the main female character stronger, the viewers are presented with a weaker villain who never really seems like he could come up with something terrifying. The changes from the original version are not really improvements, but strange diversions that take the essence away from what we know about Aladdin – Prince of Persia: The Sands of Time could actually do this better, whichever way we look at the same.

The performers of the soul :: The top performer of this movie is Naomi Scott, and she goes through the whole movie with charm, scoring heavily in the final moments. One can see that she plays her character to such perfection at some moments that we feel that she could do well with a sequel, further away from the original Aladdin story. She is lovely to watch on the screen from the beginning, to the end. Mena Massoud’s titular character is memorable, and has his own moments. Will Smith brings the funny side very well, even though deviated from our idea of a genie – some are surely overdone, but he holds on really well. Marwan Kenzari as Jafar brings a weaker villain, and one has to wonder if that was intentional. Nasim Pedrad as Dalia is a fine addition of a character. The animal characters are nicely worked on too.

How it finishes :: Aladdin makes an interesting watch with family, especially with kids. It keeps going the light-hearted way, and there is no real menace to be seen, as we go through this safe trip. The movie could have actually began with its action rather than using the story within the story setting – it ruins the chance to bring a certain twist. Well, Aladdin could have been lesser like Robin Hood last year, and there were so many chances of it to miss out, but it does hold on and brings Aladdin well enough to touch our nostalgia. With Avengers: Endgame and John Wick Chapter 3: Parabellum continuing to stay, this one can also accompany them, as Hollywood movies have been scoring bigger these days. Also, lets wonder what more could have been added to this particular movie.

Release date: 24th May 2019
Running time: 128 minutes
Directed by: Guy Ritchie
Starring: Will Smith, Naomi Scott, Mena Massoud, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen

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@ Cemetery Watch
✠ The Vampire Bat.

The Lost Village

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Vampire Owl: I was looking for blue creatures in our realm. There has been none.

Vampire Bat: After orcs had chosen green and goblins also choosing the same, the popularity for blue has been decreasing.

Vampire Owl: And these werewolves always come in black.

Vampire Bat: Just like those Batman gadgets.

Vampire Owl: Even Mr. Luttappi is just red, you know.

Vampire Bat: Do you even remember having watched these Smurfs movies?

Vampire Owl: Yes, I can clearly remember that I have watched them both.

Vampire Bat: Okay, then talk about something that you remember more than the rest.

Vampire Owl: I don’t think that there was anything in particular – there was the village, blue people, bad wizard with a cat…

Vampire Bat: It was the main problem. They were not at all memorable.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: In the secret Smurf Village, the Smurfs continue to live a happy life, hidden from the evil that await in the outside world. Papa Smurf (Mandy Patinkin), their leader takes care of them as a fatherly figure, and things go on quite normally through times. Among those Smurfs who are given names according to their character or purpose are Clumsy Smurf (Jack McBrayer), Brainy Smurf (Danny Pudi), Hefty Smurf (Joe Manganiello) and many others, with even the strangest of names. It is only Smurfette (Demi Lovato) whom, despite being admired by all other smurfs as the only girl smurf around, seems to have no sense of purpose. As she was created by the evil remorseless wizard Gargamel (Rainn Wilson) from a lump of clay to use as the means to catch other smurfs, now she has no meaning of life, transformed into one of them, and out of the evil ways. It keeps bothering her most of the time.

So, what happens next in the adventure? :: With Gargamel on a mission to capture the Smurfs, steal their blue essence, and become the strongest wizard in the world, Smurfette and her friends sneak out of their village. Gargamel’s pet cat Azrael (Frank Welker) and his pet vulture Monty (Dee Bradley Baker) are also on the look out for any sign of a smurf in the woods. Smurfette comes up against a blue creature hidden by leaves, which runs away into the Forbidden Forest, and leaves a hat behind. She as well as the hat is taken by Garamel, who uses it to discover the location of a new group of smurfs with his magic. She is rescued by her friends, and all of them get grounded by Papa Smurf for disobeying him. But she is determined to save these lost smurfs from the evil wizard, and with her friends, set out for Forbidden Village, no matter how forbidden it is for her people. At the same time, Gargamel, Azrael and Monty also set out in search for the new village.

And what is to follow with the blue people against a wizard and his minions? :: The smurfs are attacked by Gargamel and his team, and is presumed dead by the evil wizard, but they escape with the help of a few bunnies. It is quite the dangerous mission that they are up against, as they have no idea what dangers lie ahead in a world which has been forbidden to them for such a long time. There they come up against animals and plants which are not normal, and soon they would be on a race against Gargamel, Azrael and Monty who are also traveling on the same route. Surprised to find each other again, they race, only to have Gargamel drowning in the river. After Hefty and Smurfette support the idea of saving him, he throws the smurfs down the waterfalls instead of thanking them. But they survive, and travel on land. They are soon trapped by the blue creatures under the leaves. They are supposed to be smurfs aren’t they? If they are smurfs, they are surely in danger, right?

The defence of Smurfs: The Lost Village :: There are good visuals for this one, that is for sure, and we get to see some nice animation not just with the characters, but also with the world. There is no more the mixture of the real world and the animated world, which is also a nice thing – also, there are no humans in this one except for the big evil wizard; it is another positive thing, as the mixture can have big problems with working. This is indeed cute and sweet too, and with all the colours around, the kids are going to enjoy it without doubt, and everyone else is going to have their childish side awakened. There are occasions when you feel that this is the kind of movie which you would have loved to watch during your early childhood, but wasn’t there; we are always happy that we had those Doordarshan cartoons like He-Man and the Masters of the Universe, Ducktales, Talespin and Tom and Jerry, but we imagine ourselves having such a treat, but childhood is long gone, a sad thing indeed.

The claws of flaw :: The movie is without doubt, predictable from the first moment itself. It is not like the same becomes a big problem in an animated feature film which is prone to the same. But you know that there have been exceptions like Moana, Zootopia, Frozen, Inside Out and others which have deviated from the expected path during the journey more than once. Smurfs: The Lost Village never really stands a chance against the animated movies of our times, with How to Train Your Dragon 2, Finding Dory and Kung Fu Panda 3, all being pretty cool sequels inheriting the original’s qualities. Just like its predecessors, this one has predictability written into it. The movie also has too much focus on one character whose search for her purpose gets rather repetitive. There is also the inability to capitalize on a funny side which always had the chance to be better. It even has a villain who is not even half smart as his cat, and that is not used to bring enough laughter. Better and smarter story in also not on cards.

How it finishes :: Smurfs: The Lost Village can be seen not to deviate, not inside the movie, and also not within the franchise. But it surely manages to be one of the most appropriate movies for the kids, with not much left to ponder about except for finding one’s purpose in life, and it leaves the message that being good will bring that meaning of life on this day, or at some other point – there is only the need to wait for the same. During these time when the life as well as the movies are so complicated, this kind of cuteness becomes rather necessary, and let the simplicity of this one save us from the complex evil of a world which is slowly and steadily being taken over by those who have no heart. The Smurfs franchise is becoming more interested in being the brand which has movies to add to it rather than flicks with big tales. Well, there is more than one than one way to go around with things, and cute little creatures are more than just fair for children.

Release date: 7th April 2017
Running time: 91 minutes
Directed by: Kelly Asbury
Starring: Demi Lovato, Rainn Wilson, Joe Manganiello, Jack McBrayer, Danny Pudi, Michelle Rodriguez, Ellie Kemper, Ariel Winter, Meghan Trainor, Jake Johnson, Mandy Patinkin, Julia Roberts, Gordon Ramsay, Tituss Burgess, Gabriel Iglesias, Jeff Dunham, Kelly Asbury, Bret Marnell, Melissa Sturm, Frank Welker, Dee Bradley Baker

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@ Cemetery Watch
✠ The Vampire Bat.

The Monkey King II

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Vampire Owl: I have this name wandering in my mind somewhere.

Vampire Bat: I am sure that you have known many kings and monkeys during your life-time.

Vampire Owl: Yes, the most recent acquaintance being the Lich Queen with her undead minions.

Vampire Bat: What? You met the Lich Queen? It is forbidden for a vampire to meet an undead queen sorceress.

Vampire Owl: She is not that undead, you know, and she is a good host.

Vampire Bat: Whatever. That doesn’t explain how you met the Monkey King though.

Vampire Owl: Well, I was reading this classic, and the pages came alive.

Vampire Bat: And they attacked you?

Vampire Owl: No, then I realized that I was tearing the pages apart. Then I took some glue and fixed it back to its place.

Vampire Bat: The imperial librarian won’t be that happy this time. You should get a few zombie minions to cover it up.

[Gets three cups of strong tea with Mariegold biscuits].

What is the movie about? :: A young Buddhist monk, Tang Sanzang (Feng Shaofeng) is on the journey to the West, to the Thunder Monastery in India to collect some of the valuable scriptures of Buddha. But the soldiers who were meant to assist and protect him during his journey leaves him when a white tiger attacks them. Trying to protect the horse, he ends up being under attack from the tiger, only to get into a cave and save himself. As he is followed by the tiger, he sees Sun Wukong a.k.a. The Monkey King (Aaron Kwok) who was imprisoned under the Five Fingers Mountain as part of his five hundred years of atonement for the trouble which he had caused in heaven. The awakened and released monkey soon deals with the tiger, but that only begins in new life, as the Goddess Guan Yin (Kelly Chen) has instructed him to protect the monk throughout his journey.

So, what happens next? :: Wukong is not someone who likes taking orders from anyone, but he is bound to stay close to the instructions made by the goddess, as he is wearing a magical headband which can’t be removed, and will cause him pain if he acts like a bad monkey. He finds his life connected to the monk’s, and decides to finish this job as soon as possible, and get back to his usual, mischievous life. On the way, Wukong defeats two other immortals looking like monsters – Zhu Bajie (Xiaoshenyang) and Sha Wujing (Him Law) who joins them in the journey as atonement for their sins, as the monk gets protected from three sides. Both of the new travelers consider Wukong as their big brother, and approves of his superiority in skills. They have some interesting moments during their travel, and reaches Yun Hai Xi Kingdom, which is ruled by a king (Fei Xiang) and his people living in fear.

And, what is to follow next in the adventure? :: The kingdom is terrorized by the White Bone Demon (Gong Li), a powerful demoness who is known to take away children from everywhere, and she is supposed to devour them to keep herself in this world. As the demoness learns about the arrival of the young monk, she decides to eat him, and thus get more powerful, without no reincarnation, being an eternally unstoppable demon who could challenge even heaven and hell. She, along with her three demoness minions (Lu Weu, Xi’er Qi and Miya Muqi) get the four to their house in the middle of the forest, where they offer all of them a place to rest. She tells them the story of her past as a young woman, which had Sanzang in tears. The two monsters fall into the seductive trap of the demonesses posing as beautiful girls, and Wukong seems to have some problem with his eyes – so, will the demoness and her minions be successful in using the young monk to expand their evil? Or will the Monkey King be able to save him?

The defence of The Monkey King 2 :: This movie is visually excellent with its creatures, surroundings and magic having our attention, and has those action sequences which will immediately ask for your attention. There are also the messages about forgiveness, and the reflection of the fact that humans are so capable of being more evil than the demons every time. There is also some humour present here, and the comic relief is very much useful in this movie. It actually combines nicely with the adventure as well as the spiritual side, making this package whole. Everything is so simple in this movie, and this simplicity in fantasy is something that we can cherish, and the same makes sure that this movie is for everyone – kids are certainly going to love this one as much as any animated movie. Even though there are not that many reviews of this movie in English, the ratings received, including those in Rotten Tomatoes make nice example of how well this has worked.

The claws of flaw :: Maybe, a more serious version of the classic might have been expected by many, and also this one happens to be a sequel rather than the original story, which could have also kept some people from watching this particular flick. There is also more needed of action from everyone other than Monkey King whose action scenes never cease being delightful – the fans from everywhere will always look for more from him, as I had wondered more about this particular character than anyone else. Also, despite having a very strong female villain there with minions, her manipulation or the fighting skills get quite less attention than we would have expected to witness. Looking silly at times is not something that one would expect from this movie, as there is enough depth all the time, as long as you have a classic in your hands, and got hope of everyone who has read or has read about the work expecting a lot. Also, despite the movie being a visual treat, there are moments when the CGI looks too much and strange.

How it finishes :: Those who have read the novel Journey to the West by Wu Cheng’en, are sure to love this movie adaptation of the tale – there are so many version of the same, and many translations. This tale is actually something that needs to be read by everyone, and this movie will help in attaining that for sure. As more people get to read Four Great Classical Novels of Chinese Literature, adding the other three, Romance of the Three Kingdoms, Dream of the Red Chamber and Water Margin to their list of books to read, we can safely say that this visual extravaganza of an action movie is successful in doing the right thing for literature. Even if you haven’t watched this movie’s predecessor, or never known about the novel, it is still okay to watch this movie – this one is a rather stand-alone work, and things really can’t get any simpler than this as far as fantasy movies are concerned. Then, the messages are also straight-forward with nothing there to bring a message out of a message. Also note that the actor who played the antagonist in the previous movie plays the protagonist here.

PS: For more on the movie of the week here, read on – Thondimuthalum Driksakshiyum

Release date: 6th February 2016
Running time: 119 minutes
Directed by: Cheang Pou-soi
Starring: Aaron Kwok, Gong Li, Feng Shaofeng, Xiaoshenyang, Him Law, Fei Xiang, Kelly Chen, Lu Weu, Xi’er Qi, Miya Muqi

@ Cemetery Watch
✠ The Vampire Bat.