Superman

Posted on December 11, 2025 by Tennyson

Vampire Owl: I will always miss the Man of Steel version.

Vampire Bat: I feel that we are going back to the stone age.

Vampire Owl: Well, it is in Jio Hotstar, so we have to watch it.

Vampire Bat: Yes, after watching this one, we will watch the classic one.

Vampire Owl: I am worried about the state of DC after this.

Vampire Bat: We know that DC will never be the same without that darkness.

Vampire Owl: That versions of Aquaman and the Flash were too good.

Vampire Bat: We also know that people do not appreciate the best.

Vampire Owl: Aren’t they the same people who abandoned John Carter and Battleship?

Vampire Bat: If it was not for India and China, Pacific Rim would have also been done.

[Gets a savala vada and three cups of Wayanad tea].

What is the movie about? :: Clark Kent a.k.a. Superman (David Corenswet) was having a smooth run as the friendly superhero and part of world’s conversations while involved in saving people in trouble before he decides to illegally interfere in international matters and mess up diplomacy at a global level, destroying balance by stopping the nation of Boravia from invading its neighboring country known as Jarhanpur, after forcing himself upon the former. He even threatened its President with brutal force, making it impossible for most countries and their leaders to think about diplomacy and the need for the existence of countries on Earth. But soon enough, he is defeated for the first time by Hammer of Boravia (David Corenswet), who keeps a step ahead of Superman, and almost kills him before he is revived in his safehouse, the Fortress of Solitude in Antarctica with the help of his superpowered dog Krypto which also arrived from the same planet. He is only healed eighty three percent, but goes for it, only to be beaten up until the villain finally leaves.

So, what happens with the events here as we just keep looking? :: Superman finally agrees to be interviewed for media by Lois Lane (Rachel Brosnahan), as she his girlfriend as much as his colleague at the Daily Planet. Luthor uses a fire-breathing alien creature as a distraction while he manages to get into Superman’s fortress and overpower the robots while kidnapping Krypto. They also manage to find and translate a message from Superman’s parents with the help of Angela Spica a.k.a. The Engineer (María Gabriela de Faria) who has nanotechnology in each part of her body helping her to hack as much as to fight. Superman rescues the civilians while fighting the creature with the superhero team known as the Justice Gang including heroes Green Lantern (Nathan Fillion), Mister Terrific (Edi Gathegi) and Hawkgirl (Isabela Merced). Despite Superman not wanting to hurt the creature too much, Mister Terrific kills it. But this success is short-lived, as this was supposed to be a moment when Superman would find that revelation which he would have never wanted in his life, but becomes the biggest weapon for his enemies.

And what more is to follow here as things are supposed to get much worse with chaos ready to unleash itself on Earth? :: Luthor broadcasts the Kryptonian message in which Superman’s parents ask him to conquer Earth and take many women of Earth as sex slaves to restore the Kryptonian race. Superman had not listened to that last part of the message as it was somewhat damaged and could not be heard before it was corrected and amplified enough. The master brain behind all of these is Lex Luthor (Nicholas Hoult), the CEO of Luthor Corp who wishes to end Superman forever to make sure that his plans work out as expected. But he reveals that he desired for his business, but his true inspiration was always his hatred for Superman. Public opinion turns against Superman in no time, and his anger while searching for Krypto only makes it worse. Lois reassures Superman that she believes in him and he can only be good. Superman decides to surrender himself to the government, but they hand him over to Luthor as they doubt in their own ability to contain him. Lois asks Justice Gang to save him, but the question remains if they will respond and if they will be enough against Luthor’s seemingly unstoppable force of mercenaries.

The defence of Superman :: David Corenswet makes a pretty good Superman as long as too many comparisons are not made. Isabela Merced is the best part of the movie that gets so less space on the screen. While Nicholas Hoult makes a tough villain, María Gabriela de Faria’s performance makes her that one villain coming so close to killing Superman and such greatness is written on that side of antagonism. Rachel Brosnahan’s Lois Lane also remains memorable. The visuals are nice for most of the time even though not at same level all the time. There are lots of fight sequences around, and they remain effective even though not as fiery as the earlier movies. The final fight remains memorable and the pocket universe is something of another level. There is a certain amount of optimism and hope in this movie, even though it is something which can get us all killed – this is a motivation speaker special. The humour is effective at times, and the supporting cast does the job really well. The movie also leaves a nice beginning for what can follow with the same superhero and his newfound friends. A weaker Superman is also good for future.

The claws of flaw :: The movie does not feel that much power-packed for a superhero movie. There is too much focus on the dog, and that should explain how it would work better for the United States scenario. In other parts of the world where children get bitten by stray dogs, the interest in such a character are rather less. Even otherwise, a comparison would make it less interesting. The loss of that feeling of real danger as in the earlier universe cannot be felt here, and we just care less for the main character and his dog. The dialogues and emotions do not touch the hearts that much with this one, and the return of Superman to the more traditional clothing is rather strange, as this kind of a going back to comics is not applied to many other characters that could use it. The focus on Green Lantern and Hawkgirl are rather too less, even though they were the most interesting characters in the whole movie. If DC is going to go the new Marvel way without keeping its essence, there might not be a future for the franchise at least in this part of the world. The engagement is just so week at parts, and there feels like too much politics wander around the movie. Even the graphics and CGI as well as the music remain inferior to the earlier Krypto-alien journey.

How it finishes :: Superman will not match or seem satisfying for the fans of Man of Steel, the movie which set new standards for the character of Superman. A weaker Superman is still a bonus considering how ridiculously powerful and terrible character Captain Marvel ended up to be, and that too without weaknesses. Still, we wonder if the team of Green Lantern, Hawkgirl, Mister Terrific and Metamorpho can match Batman, Wonder Woman, Aquaman and the Flash who were such classic characters and provided the feeling of being another level and having such class that could be unmatched by any other. This movie also makes us wonder where Batman can stand in such a light environment? There are lots of questions which are left to be answered with the future of DC, which struggles just like Marvel did with the return of the Fantastic Four. The future might be a struggle for both sets of superheroes, as there are local superheroes from Lokah Chapter 1: Chandra, Minnal Murali, Gundala and others from different industries catering really well to the audience from those parts of the world.

Release date: 11th July 2025
Running time: 129 minutes
Directed by: James Gunn
Starring: David Corenswet, Rachel Brosnahan, Nicholas Hoult, Edi Gathegi, Anthony Carrigan, Nathan Fillion, Isabela Merced, María Gabriela de Faria

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@ Cemetery Watch
✠ The Vampire Bat.

Identity

Posted on November 27, 2025 by Tennyson

Vampire Owl: I have been thinking about changing my identity.

Vampire Bat: The vampire one or the owl one?

Vampire Owl: The undead one to be exact.

Vampire Bat: You are already dead and returned. That cannot change.

Vampire Owl: Dr. Frankenstein has changed his identity multiple times.

Vampire Bat: He never had any real identity.

Vampire Owl: Yes, Frankenstein, the genius scientist.

Vampire Bat: The pseudo-scientist, to be exact.

Vampire Owl: He is more, for he has invented vampire mechanics.

Vampire Bat: The only thing he has invented is pure nonsense.

[Gets a chilli chicken pizza and three cups of Darjeeling tea].

What is the movie about? :: A recently engaged young woman Emy John (Nilja K Baby) finds herself blackmailed by a man named Amar Felix (Arjun Radhakrishnan) with the help of a techie and occasional hacker Nakul Sachdev (Vishak Nair), as he had recorded her half-naked through a mobile phone kept in a changing room. He threatens to spread her nude videos all over internet unless she gives him three lakhs to which she agrees, but after many blackmails of random people, this time he finds himself facing a mysterious individual who kills him in his own warehouse which looks abandoned from outside. Alisha Abdul Salam (Trisha Krishnan) is the only witness to the murder as she had seen the person coming out of the warehouse after burning it, as she was passing through. CI Allen Jacob (Vinay Rai) is assigned the case, and decides to keep the witness in his home for protection, as advised by DYSP Dinesh Chandran (Aju Varghese). They feel the immediate need to get a sketch of the killer done as Alisha says that she has seen the face clearly, but protecting her is the top priority.

So, what happens with the events here as we just keep looking? :: Allen is helped by his highly influential friend Supriya Gopal (Mandira Bedi) who provide him with much needed information. Meanwhile, Haran Shankar (Tovino Thomas) is a part-time karate instructor and a genius in multiple subjects who suffers from OCD, and lives with his sister Devika Shankar (Archana Jose Kavi) and half-sister Neerja Sudip (Gopika Ramesh). Allen, after seeing a sketch made by Haran, decides that he should be the one to bring the identity of the killer to light. As Allen asks Haran to make a sketch, and as he does so with the help of the description given by Alisha, a few more things come to light, including the fact that Alisha can no longer identify human faces after an accident which followed the murder. This makes things further complicated, as finding the killer seems almost impossible, and Amar’s past also seems to catch up to the situation. It seems that things are just getting more and more complicated, but for how long?

The defence of Identity :: There is a certain amount of style related to how this movie looks, and the visuals remain stunning throughout its run. The technical strength is visible right there. We have not seen such over-reachers among the movies of this industry, unless it is Lucifer and its Empuraan, but this one has managed that extra load quite well. The movie nicely builds the tension, which keeps us interested. The twists are always present, and some of them are rather too nice. The action sequences are maintained well and kept under control without being overdone. The beginning of the movie was so good that we are attached to the proceedings so early. We wonder where the connections would be made, and that happens nicely too. The final fights are also well-executed, maybe qualifying as among the best-done moments. The performances remain of top quality, not really holding back even because of character complications. There is a certain amount of polishing that is visible there, moving further ahead of the usual movies. The background music also remains something of interest.

The claws of flaw :: The movie just seems to have taken so much for granted. After starting so well, and ending with a deviation, but in an interesting way, the middle part seems to have lost in the process. There are so many moments which seems over-stretched, and we feel that there was no need for that much of a detail in between, and the explanations which go long, just gets longer as we see and experience less twists in real-time than what we hear and find in flashbacks. The big reveal about the main character feels like a rather forced addition. The characters are not given the importance that they need, and the hero is just given that push. Many characters just come of nowhere and become part of that world of twists, making us not that interested in them. Even the leading lady is not given that strength and feels misplaced as a character. The other female characters are also not given that much of a background. The emotional depth is not that much there, and the pace is also uneven, often also struggling with the pace. Then the antagonist is also pushed out of nowhere right after a twist.

The performers of the soul :: Tovino Thomas leads the way here in style. When thinking about that one action hero of the industry, he comes first to the mind. We have seen that even with superheroes of Minnal Murali and Lokah Chapter 1: Chandra. Tovino handles this role in a way that we will remember, and gets into the genre really well as expected. Vinay Rai becomes a fine addition around here as he shines in the form of a strong antagonist, someone who aligns with the overall mood of the movie and the twists. Aju Varghese’s serious police role is a joy to watch, and it is to be noted that this time, the character do not follow the stereotypes. Trisha Krishnan comes back to Malayalam after Hey Jude with Nivin Pauly, and here she plays a main character and has just enough to do as the leading actress. Shammi Thilakan and Vishak Nair have some interesting things to do here. Archana Jose Kavi and Gopika Ramesh shine in their comparatively smaller roles, and Nilja K Baby contributes well in a small role too. It was good to see Mandira Bedi around too while Giju John and Sujith Shankar gets the due in the final minutes.

How it finishes :: This one was that opportunity with scope for big heights to become one memorable thriller above many more. Known as The Sketch Artist in Hindi on Jio Hotstar, this one would work better with that particular audience. If you like such stylish thrillers having action, twists, and a lot of ambition behind, this will feel a lot grand, as you remember from movies like Christopher. But that big a plot and well-developed characters would not be there that much for your attention here. Creating characters our of nowhere and using them here and there with twists that sometimes work like boomerang might not be for everyone’s love. But seeing the cast of this movie, you know that the movie will always be capable enough. It is available in Hindi on Amazon Prime Video going by the name, The Sketch Artist, even though one would be wondering why that name even came into picture. Unlike some other movies, this Hindi version is very well-created, and you might wish to have a look at that one.

Release date: 31st December 2024
Running time: 158 minutes
Directed by: Akhil Paul, Anas Khan
Starring: Tovino Thomas, Trisha Krishnan, Vinay Rai, Aju Varghese, Archana Jose Kavi, Sujith Shankar, Nilja K Baby, Giju John, Gopika Ramesh, Shammi Thilakan, Vishak Nair, Major Ravi, Asha Madathil, Mandira Bedi, Arjun Radhakrishnan, Mahima Radhakrishnan, Shinu Shyamalan, Litty Thomas, Vriddhi Vishal, Mohan Thankam, Sethu Lekshmi, Adam Sadiq, Akhil Paul, Anas Khan

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<<< Click here to go to the previous South Indian film review.

<<< Click here to go to the previous Malayalam film review.

@ Cemetery Watch
✠ The Vampire Bat.

Dirty Angels

Posted on November 24, 2025 by Tennyson

Vampire Owl: Do you remember that angels were banned from the realm?

Vampire Bat: They never really belonged here, did they?

Vampire Owl: Well, there are demons, so there should be angels around.

Vampire Bat: There is no angel-demon balance maintained here.

Vampire Owl: There should be something like the reverse Shadow World.

Vampire Bat: Shadow World is a closed portal away and not part of our realm.

Vampire Owl: You know that we have them in the map made my Dr. Frankenstein.

Vampire Bat: You are the only one looking at a map belonging to a pseudo doctor.

Vampire Owl: Dr. Frankenstein is a scientist and the greatest of achievers.

Vampire Bat: He was never supposed to be one, everyone knows that.

[Gets a Malabar Chicken biryani and three cups of Ooty tea].

What is the movie about? :: Badia (May Kurtz), the daughter of Afghanistan’s Minister of Education finds herself kidnapped from her school by a terrorist group which identifies itself as a subgroup of the Islamic State. Most of the girls of the school are shot dead or pushed to death from the top of the school, with a few of them who are children of important people taken as hostages. The leader of the group is Amir (George Iskandar), a man who had a terrible past, and cannot align with either the Pakistani government or the newly formed Taliban government of Afghanistan, both for him, have aligned with the devils for profit. Jake (Eva Green) who was tortured and chained up in a cage by the local militia, and was about to be stoned to death by the locals and militia, is rescued at the last moment by the American forces, and on recovery, is assigned to be part of this mission involving the missing girls. She is not happy about her escape, as there were men left behind, but decides to go on with it after persuaded by her old friend Travis (Christopher Backus).

So, what happens with the events here as we just keep looking? :: She gets to Pakistan with a plan to cross the border and meets her team with Medic (Ruby Rose), Bomb (Maria Bakalova), Mechanic (Rona-Lee Shimon), Shooter (Emily Bruni) and Geek (Jojo T Gibbs), along with their team doctor Mike (Edmund Kingsley), drivers Abbas (Aziz Capkurt) and Malik (Reza Brojerdi) who also provides them with local support in the country before they cross over to Afghanistan with what is disguised as medical aid. The terrorists had demand ten million dollars ransom per hostage and also the release of a prisoner in the Afghan prison, but the demands were not accepted. In Afghanistan, some local information is attained through Awina (Laetitia Eïdo), a woman whose life was saved by Jake during her last mission, as the United States of America has pulled out of the nation all of a sudden. But the mission does not seem to be as easy as expected with so many lives at stake, and so many people with higher profile involved. Now, can they go through this mission and achieve the objective in time without loss of civilian lives?

The defence of Dirty Angels :: The movie does manage to keep the action going with thrills that come with, as the action thriller mode was always on for the movie. The beginning scenes with the main character is very nicely done, even though leaving more scope for not opting for the safe mode as the opportunity seemed eternal; still manages to set the mood right there. Then there are moments which keep the tension going, and some humour is placed well in between. The visuals are also nicely arranged here with the feeling of being right there in the middle of danger to be taken. There is no budget lost there as it seems to have come in the right path. The action is never overdone and the interest is never lost. The combination of actors do their job well, and we see the combo working nicely, and those who feel like non-native adds nicely. This would not have been an easy thing to do, but the world and its problems have been depicted well with a fictional incident nicely worked on. There will surely be situations that would last for at least some time. Eva Green leads the way so well too.

The claws of flaw :: The movie does wonder about how to make the best of situations, from the first scenes involving the main character to the abduction and getting into mission, things could be used to be better advantage of the movie. The characters are not that much well-defined as we look closer, with all of them just existing for the sake of the mission. There could have been a stronger script which could have made the characters better too. The presence of stereotypes would also be felt, and the predictability factor often gets higher. The mood also keeps changing at times, affecting the flow, making one feel like the movie is bigger than what it really is. There could have been more talk about the danger and situation which is around. The potential would have led somewhere else, as we look at it. The evil could have also depicted with a much more force, and we know that this is not really what we had expected, and we were surely in requirement for much more. This could have even been a full-action adventure instead going into any political or social details, otherwise it needed more details.

How it finishes :: This movie, does manage to come up with quite some good work in the end, despite seemingly diverting in between. This would qualify as one of those rare movies with strong female leads and some morally complex objectives which seem to get to a pretty good end in the end. The uneven execution and the lack of balance is what keeps pulling it back. It was never going to be an American Sniper either, as one might realize it early enough. It is that kind of a movie which goes through the middle path, not aspiring for greatness through innovation or by trying hard, as the lookout for safe mode ends in just the usual. One can keep wondering how much bigger this could have managed to be, if diverted to the right path. They have this world and premise, and we can keep wondering about the possibilities – at the same time, enjoy the movie as it should be. It is now available in Lionsgate Play, and with one good mobile phone recharge offer, the same can be accessed and watched.

Vampire Owl: So, are we going back to getting the angels back in?

Vampire Bat: No, we are not having another open portal in the realm.

Vampire Owl: You know that this will bring balance.

Vampire Bat: There would be no balance in a world of chaos.

Vampire Owl: So, we will have no angels in the realm.

Vampire Bat: The realm would stay as it is, in a traditional manner.

Vampire Owl: The zombies were outside the tradition and still accepted.

Vampire Bat: You know that they are just partial vampires without brains.

Vampire Owl: Well, there can be no real relation, you know.

Vampire Bat: The relationships are for humans; we have bloodlines.

[Moves into the darkness of the night].

Release date: 13th December 2024
Running time: 104 minutes
Directed by: Martin Campbell
Starring: Eva Green, Maria Bakalova, Ruby Rose, Rona-Lee Shimon, Jojo T Gibbs, Emily Bruni, Christopher Backus, Zoha Rahman, Laetitia Eïdo, Aziz Çapkurt, George Iskandar, Reza Brojerdi, Edmund Kingsley as Dr. Mike Claudia, May Kurtz

<<< Click here to go to the previous review.

<<< Click here to go to the review of the biggest movie of the year.

@ Cemetery Watch
✠ The Vampire Bat.

Killer of Killers

Posted on November 10, 2025 by Tennyson

Vampire Owl: So, we are going to have more of predators now.

Vampire Bat: We have always wanted many more of predators.

Vampire Owl: You mean to say that we are not predators enough?

Vampire Bat: We stopped hunting quite some time ago.

Vampire Owl: The hunters do not change the basic nature.

Vampire Bat: Yes, but the hunters can surely evolve.

Vampire Owl: Vampires are not a scientific species, right?

Vampire Bat: Yes, according to science we are just humans who are not alive.

Vampire Owl: So, you still think that we evolve.

Vampire Bat: Well, this is not really evolution in the scientific viewpoint.

[Gets a chilli paneer dosa and three cups of Yercaud tea].

What is the movie about? :: Ursa (Lindsay LaVanchy) is a nineth century Scandinavian Viking huntress who seeks vengeance on a warlord Zoran (Andrew Morgado) who killed her father, and her son Anders (Damien Haas) is also with her on this quest which would be one which could have her mind to finally rest. After years of search and a final discovery of the wretched people, she manages to slaughter Zoran’s clan, and find him in his heavily guarded fortress which they successfully breach without much difficulty. Unable to recognize Ursa from a long-lost past, Zoran mocks her for her father’s death and her incapability to defend her father or avenge him for this long a time period, before an angry Anders beheads him and ends that speech forever. But right after the battle, a Predator ambushes the group, killing Ursa’s experienced fighters one by one and also seriously injures Anders. Ursa manages to kill the Predator by using the floating ice and almost frozen water underneath after a fight underwater, but finds Anders dying in her arms. Soon, she is taken to a space ship by the predators.

So, what happens with the events here as we just keep looking? :: Later in the seventeenth century Japan, Kenji Kawakami (Louis Ozawa Changchien) had to fight with his brother to become the next samurai warlord, and his hesitation to battle his brother leads to him being quickly defeated with a scar on his face. He leaves the castle, only to come back many years later, and after fighting his brother’s guards and defeating him, thus getting back to him, only to be attacked by a Predator who is looking for the strongest warrior to defeat and collect as trophy. Predator gets through the remaining guards of the castle and faces Kenji, who manages to defeat the creature with the help of his brother who dies of his wounds, while he himself is also injured. Kenji is then immediately transported to a space ship of the predators, and is imprisoned there with Ursa who continues to grieve for his son and hopes for a death in battlefield so that she can go to Valhalla where others will not be accepted.

And what more is to follow here as the predators keep hunting in different worlds during various time periods? :: In 1942, John J Torres who has always wished to a fighter pilot is finally drafted into the United States Navy under the command of Captain Vandenburg (Michael Biehn). Their squadron tries to investigate a mysterious aircraft that destroyed another unit, which they suspect to be a special advanced airplane built by the Germans whose military technology has always fascinated the rest of the world. Understanding that the object they managed to find in the plane is not German or of this world, John tries to warn others, taking charge of an old airplane which, he was trying to get ready to be part of the squadron. The Predator annihilates his squadron with relative ease until only John and the captain remained. Vandenburg sacrifices himself using the heat of the engine to buy more time for John, as the Predator destroys his plane with his weapons. John manages to outsmart the Predator in a well-planned movement with the flight, as the creature ends up destroying his own space ship. But John finds himself taken away later, and it is to be seen what the Predators intend to do with him and other captives.

The defence of Predator: Killer of Killers :: This movie gets into the Predator franchise incredibly well, as the animation is too good, producing some of the finest visuals on the screen. The historical worlds of different time periods at different locations keep us interested, as the essence of those situations is nicely taken. The expansion of the lore is to be appreciated. The idea of becoming the grand killer of killers do get our attention and has us interested. The movie is not that long, and as it is divided into fragments, the whole situation only keeps getting more interesting. The animated power is shown here like Justice League, Justice Society, Batman and others had shown already, but the quality of animation that we see here is even ahead. There is a lot of style around here, and the violence is also very much stylized. There are some fine additions which could be here due to the animated existence, and a base could be established in this way better than the usual methods. The final battle is indeed a joy to watch as things come together, and the world of Predators is nothing less than a classic alien planet.

The claws of flaw :: The movie does not get to elevate Predator as a creature, and never does it focus on the characterization of the most valuable alien that we will ever know that has a humanoid form. We remember that the usual movies of the franchise have some classic hunters who are remembered for long, but not this time. As there is some anthology method followed here, one might feel that the connection is sometimes lost. The extreme violence might not be accepted by everyone, as this kind of movie is also supposed to cater to a much younger audience. Many fans of the franchise might have wanted to have a live-action universe which captures the essence of the hunting with real people. This world might have looked so well if it was in live-action, and that feeling also keeps coming back to us. The linking together of the character might not appeal that well, and the reason for choosing fighters and all these endless fights – all need to serve some better purpose. Some part of the movie just seems to be forced.

How it finishes :: This is one franchise that might never get old, as it has been a classic from that first Arnold movie to now, as we do have one of our favourite aliens of all-time, still living on, sand continuing to do well against all odds, as much as Alien series which had Prometheus, Romulus and Covenant bringing that universe back in power. The time, the aliens are part of different timelines, and connected to the history of the world. The worlds of Vikings, Samurais and World War Pilots get introduced to us beautifully, and this elevates the movie really well, as there is action, thrills and more than the usual in store. With some good animation, there is no stopping the movie, and this is really well-placed in the world of hunters. We can be sure that there can be a lot more to come in this particular franchise which impressed me even more than the Terminator series which has always been the more talked-about one. Nowadays, this type of movies releases less around here, but let us hope for the hunt to get more screens here when the next one comes.

Release date: 6th June 2025
Running time: 90 minutes
Directed by: Dan Trachtenberg
Starring: Lindsay LaVanchy Louis Ozawa, Rick Gonzalez, Michael Biehn, Doug Cockle, Damien Haas, Lauren Holt, Jeff Leach, Piotr Michael, Andrew Morgado, Alessa Luz Martinez, Felix Solis, Britton Watkins

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@ Cemetery Watch
✠ The Vampire Bat.

M3GAN 2.0

Posted on November 5, 2025 by Tennyson

Vampire Owl: So, we are now looking at advanced AI dolls.

Vampire Bat: Vampires do not need artificial intelligence at all.

Vampire Owl: Dr. Frankenstein has been trying to bring AI to vampire world.

Vampire Bat: Well, we are going without science, for we have magic here.

Vampire Owl: The advertisements for AI seem to suggest otherwise.

Vampire Bat: Mr. Frankenstein will keep adding absurd things to the same.

Vampire Owl: He is the realm’s most popular doctor and scientist.

Vampire Bat: He is the biggest pseudo-doctor and pseudo-scientist.

Vampire Owl: Nobody else has ever created a human being through science.

Vampire Bat: It was the raising of the dead. We have risen, and so have the zombies along with all those skeletons brought to life by necromancers and dark witches.

[Gets a parippu vada and three cups of Wayanad tea].

What is the movie about? :: At a time when people are protesting about the unregulated use of Artificial Intelligence in a world having machines exercising too much control, AMELIA (Ivanna Sakhno) aka Autonomous Military Engagement Logistics & Infiltration Android) is the latest robot created from M3GAN’s original design, and is declared safe for operations as a military unit. It is set to be used for high profile missions of the government including well-targeted assassination of enemies of the state. Confident about this achievement, the United States Army colonel Sattler (Timm Sharp), head of a top-secret branch of the Pentagon, arranges a demonstration. But during her mission, AMELIA reveals to Sattler that she is self-aware and manages to escape from his control. At the same time, Gemma (Allison Williams) who had created M3GAN (Amie Donald) has now become an author. She had changed her views after an artificially intelligent doll who had developed an advanced level of self-awareness and became overprotective to her human companion, leading to the need to deactivate her as part of an unexpected turn of events.

So, what happens with the events here as we just keep looking? :: Gemma has been warning people against the dependence on technology, starting from children using smartphones, comparing it to drug addiction or sometimes saying that both are the same. She inspires an AI regulation bill and even makes some parents take away mobile phones from their children. Sharing the same ideas leads her to have a partnership with cybersecurity expert Christian (Aristotle Athari), and along with him, she goes on working with an experimental robotic exoskeleton with former workmates Cole (Brian Jordan Alvarez) and Tess (Jen Van Epps). She still lives with her niece Cady (Violet McGraw), who is very interested in computer science despite Gemma wishing that she would do something not involving much technology, like playing soccer. Gemma turns down an offer from corrupted billionaire Alton Appleton (Jemaine Clement) to work for him, but soon has FBI after her, and maybe even AMELIA who has been killing those who were responsible for creating her. This might be bigger than she thinks.

The defence of M3GAN 2.0 :: As the second movie of the series, this one gets more into action and tries to be more entertaining than the previous as far as the common audience is concerned. The action sequences are really good, and they are also never overdone even when there is a chance to go down to the ridiculous. There is also the possible end-of-the-world situation which makes the whole thing even more interesting. The emotional connection works really well, and the final sequences are really good, with a classic ending. There are so many emotional moments, and focus is also there on self-sacrifice and understanding of the other. The CGI has been nicely worked out, and some fine locations have been created, both within and also outside. Then there is the humour that comes out of nowhere and scores so well. The contemporary concerns about Artificial Intelligence, negative effects of science, technology misuse and corporate power all get a chance to be present here. The talk about the mobile misuse among children is relevant to the core, and the idea of bad parenting is relevant for all times.

Positives and negatives :: The movie could have developed further on the premise. The deviation from the original film with the style might not impress the fans of that particular film. The feeling that movie has chosen action instead of the creepy horror elements might not be satisfying to everyone. But the fact that it has deviated without missing its core or messing up things is to be remembered here. There is the feeling that Ivanna Sakhno was not given that focus which she deserved, as she is that android that needed a terminator-ish introduction. This is one android that has raised the stakes even above the original. The movie does have some doubt if it is to support or be against Artificial Intelligence, and seems to end up with a safe mode. One might feel that there could have been some nice scares with the available elements, and there could have also been so much more to talk about related to the themes. The beginning stages of the movie had also taken a little bit too much time to get going. When it starts to get going, it goes strong.

The performers of the soul :: Allison Williams leads the list of performers and manages to be the one who makes the difference. She shines as the aunty who wishes to be the mother to her niece as much as the scientist that we have already seen. Amie Donald’s android continues to impress us, and there seems to be always more to the technology than what meets the eye. Ivanna Sakhno’s android is also lovely, but does not get enough like the lady terminator of the third instalment of that “machine from future” managed. She could have had more to do, and more classic action, but gets limited – there is no Ex Machina-kind of crisis and classic moments added here either. Violet McGraw as Cady also adds more in this journey which has shifted to science fiction action. She would do even better with an extension of this world with another sequel in collaboration with the AI characters. Brian Jordan Alvarez and Jen Van Epps support well and even adds some humour around here. Aristotle Athari and Jemaine Clement have something extra to add, while Timm Sharp does well when he is around.

How it finishes :: The movie gets much more into action science fiction compared to the earlier film, as the idea itself had suggested, and therefore would appeal more to the usual audience. Those who enjoyed the first movie would continue to love the franchise with this one too. Moving from horror-thriller to action-thriller, this one also works, particularly in its own way. It becomes a classic holiday blockbuster with a twist, as the thrills often come out of nowhere and some suspense also comes all of a sudden. In the end, you will ask yourself about the role of technology in your life and how Artificial Intelligence would affect your life. Next time, when you are going through some Artificial Intelligence, you will wonder about this particular flick. This movie could inspire more of similar works, as Artificial Intelligence always require our attention, and a future with a robotic influence is not that far away. Let us have more of similar robots that will catch our attention related to the idea and expanding them.

Release date: 27th June 2025
Running time: 120 minutes
Directed by: Gerard Johnstone
Starring: Allison Williams, Violet McGraw, Ivanna Sakhno, Jemaine Clement, Amie Donald, Jenna Davis, Brian Jordan Alvarez, Jen Van Epps, Aristotle Athari, Timm Sharp

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@ Cemetery Watch
✠ The Vampire Bat.

Thunderbolts

Posted on November 4, 2025 by Tennyson

Vampire Owl: Are they talking about the God of Thunder?

Vampire Bat: The Marvel original heroes are done for now.

Vampire Owl: What about the DC heroes? They have godly people too.

Vampire Bat: Well, they have already destroyed Man of Steel.

Vampire Owl: Yes, I have heard that they brought dogs instead of cats to be super.

Vampire Bat: I believe that they always had dogs, like we have wolves.

Vampire Owl: We still have more cats, bats and rats.

Vampire Bat: Yes, after most of the wolves aligned with werewolves and took some dogs from the human world to assist them too.

Vampire Owl: But we still ended up winning, didn’t we?

Vampire Bat: Well, you know that everyone is afraid of big bats and black cats.

[Gets a paneer masala dosa and three cups of Vagamon tea].

What is the movie about? :: Yelena Belova (Florence Pugh) worked for a long time in Malaysia and finally destroys a laboratory for CIA director Valentina Allegra de Fontaine (Julia Louis-Dreyfus), who has been on a run to destroy any evidence of her involvement with a superhuman project known as Sentry. As Valentina faces impeachment for her work with OXE Group with the Sentry project, she plans to erase all evidence by putting all her agents in one place against each other, as Yelena finds Antonia Dreykov (Olga Kurylenko), Ava Starr (Hannah John-Kamen) and John Walker (Wyatt Russell) with weapons and bullets flying all around. Antonia gets shot dead by Ava, while a young man called Bob (Lewis Pullman) is released from a suspended animation pod, only to remember nothing about what has been happening with him. As they are locked in the room, they realize that they are going to be incinerated according to the plans of Valentina who wishes to erase her past and all who were part of it, thus saving her from impeachment.

So, what happens with the events here as we just keep looking? :: The contact with Bob brings the worst memories of Yelena and John back to them, and she also takes the gunfire to help the others escape, only to display his superpowers, as he seems invincible, but losses consciousness, and is captured by Valentina, who understands that he was the only survivor and positive result of her project. With the help of her assistant Mel (Geraldine Viswanathan), she intends to use Bob as her success story from the Sentry project. Alexei Shostakov (David Harbour) arrives to save the team led by Elena, only to be captured by Bucky Barnes (Sebastian Stan) who became the Winter Soldier again long after being elected as a member of the United States House of Representatives. But they soon realize that they need the team of Black Widow, Captain America, Winter Soldier, Ghost and Red Guardian to save the day against the evil plans of Valentina who would unleash the Sentry that she cannot control. Mel who has her doubts decide to help them, but they might be too late to become the New Avengers.

The defence of Thunderbolts :: Here is the one movie with big battles without magic that comes after the golden age of Marvel seems to have ended and sent us to some depression. Florence Pugh remains the heart and soul of this movie as she lives in the character like nobody ever did in the universe with the emotional side. As she joins the forces with so many others forming a team, we are reminded of Avengers assembling as much as a Justice League forming. But this team is a lot more interesting than the rest as it is one team that we least expect to be together and they are also fighting a villain who is so much stronger, unlike the underdeveloped superheroes who are too strong to like the much disliked and boring character of Captain Marvel. But our heroes here are all having their troubles and the movie is about the changes that they undergo, shown in a beautiful way. The dynamic characters run through the movie really well here. Psychological trauma, redemption, mental health and flawed characters keeps the world running in a different way, and the way in which emotions and humour blend so well in here needs some appreciation.

Positives and negatives :: Thunderbolts misses a main character Taskmaster played by Olga Kurylenko, which should have been the second most important character here, considering her skills and the immense possibilities in battle. Even though there are some big fights here, there is no moving towards that ultimate terror and colossal destruction, and the movie’s plan to keep close to the mind and heart is worth some appreciation too. Still, those massive multiversal crises, deeply complex plot twists and so many connections from past will not make way here – but the movie rises above the same with its simple and classic journey. The recent entries might not stand a chance to get even close to the quality of this one. It is indeed more of an experience than the usual superhero movie, and we can feel that there is always something to be done in the universe, and running out of ideas might not be the right thing to do. Well, we do have a lot more to come, and with DC coming up with change, let us see how things would come together.

The performers of the soul :: Florence Pugh as Yelena Belova steals the show, not just with the action, but also with emotional moments. The dialogue in the last moments to the father figure about being alone and being reminded of the terrible things she had done through thoughts that keep coming back to her – it might be the greatest emotional dialogue delivered in any Marvel movie. We also see Violet McGraw doing the younger role nicely. Lewis Pullman’s Bob brings multiple sides of a personality really well, and keeps reminding us that with great power, comes responsibility and terror from different sides. The disappointing moment of the movie would still be the early death of Olga Kurylenko’s character, and it pulls the movie back for some moments, and takes some time for it to get better – we know how capable she is with action movies, and we have to hope for the character to make a return. Geraldine Viswanathan makes a fine impression in between, while David Harbour brings so much humour. Julia Louis-Dreyfus is a strong antagonist while Hannah John-Kamen has her moments. Sebastian Stan stands strong as expected.

How it finishes :: Thunderbolts becomes the one movie long after Avengers: Infinity War and Avengers Endgame that becomes the classic, even though Doctor Strange: Multiverse of Madness had held the ground for some time. The movie is also the best dealing with anti-heroes since Suicide Squad, as the next version of the same did not rise up that level, and Deadpool and Venom never really showed that power. This movie is the reminder that Marvel Cinematic Universe still has that power, and the dumb and ridiculous comedy associated with Deadpool would not live for long, but this right combination of action, emotions and comedy is surely going to stand tall. The fact that this one managed less at the box-office is not a problem of this movie, but that of the audience that has been losing that class. Maybe with a sequel, this one would have better audience. But without such an audience, the greatness of this universe might be at stake, for there are so many other superhero universes from Gundala to Lokah Chapter 1: Chandra. Note that the movie also becomes renamed as The New Avengers by the end of credits.

Release date: 2nd May 2025
Running time: 92 minutes
Directed by: Jake Schreier
Starring: Florence Pugh, Sebastian Stan, Wyatt Russell, Lewis Pullman, Geraldine Viswanathan, Olga Kurylenko, Chris Bauer, Wendell Pierce, David Harbour, Hannah John-Kamen, Julia Louis-Dreyfus

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@ Cemetery Watch
✠ The Vampire Bat.

Elevation

Posted on November 1, 2025 by Tennyson

Vampire Owl: So, we are going back to the post-apocalyptic?

Vampire Bat: Yes, we are back to an end of the world event.

Vampire Owl: It only qualifies as the end of human world.

Vampire Bat: Well, they are the people of the apocalypse.

Vampire Owl: They like these apocalyptic stories so much too.

Vampire Bat: The truth is that they are the ones bringing the end of the world.

Vampire Owl: So, do you think that the humans are going to be finished soon?

Vampire Bat: I do not see why they won’t be.

Vampire Owl: I hope none of them get transformed into vampires anymore.

Vampire Bat: We are not turning anyone anymore. There will be no more human vampires.

[Gets a marble cake and three cups of Ooty tea].

What is the movie about? :: A number of mysterious creatures called Reapers emerges from sinkholes leading to underground and begins attacking humanity, with most of humanity not surviving the very first month. These creatures keep coming, and there are no bullets or missiles that could destroy them. The creatures establish themselves as the new apex predators, and just kills humans at will, while human weapons prove to be meaningless against them. Small numbers of human survivors live in different communities eight thousand feet or more above the sea level where the creatures do not reach. The new small towns are built exactly about the eight thousand feet limit, and there are boundaries drawn to make sure that nobody will dare to cross that limit and become prey to the newly arrived hunters. But there would always be an occasional traveler who try to get through for resources, communications or something else, but that do not end well for the person, and only serves the hunting creatures well.

So, what happens with the events here as we just keep looking? :: Three years later, Will (Anthony Mackie) who has been a single father for quite some time after the death of his wife Tara (Rachel Nicks), is trying to save his son Hunter (Danny Boyd Jr) who is suffering from a lung disease which only seems to be getting worse with them staying at the higher elevation. Nina (Morena Baccarin) holds the guilt for Tara’s death, as both Will and Tara were helping her in an expedition to find out the weaknesses of the Reapers before being attacked by them, and the experiment had ended with the untimely death. Will’s only good friend is Katie (Maddie Hasson) who develops a liking to him and also supports his son who faces usual breathing problems whenever he has some strain in that altitude. Will, concerned about his son, decides to do something about the situation, facing isolation from other communities and not having enough oxygen filters for his son. So, he decides to go and get a few oxygen filters after leaving his son with the elderly neighbour Hannah (Shauna Earp), and maybe find some more support in the process.

And what more is to follow in this terrible situation which seems to mean the end of humanity as we know it? :: He makes Nina agree to come with him so that they can go to her former laboratory and maybe find some clue to killing or at least temporarily stopping them. At the same time, Katie also decides to join them, despite Will asking her to stay and take care of things there. She feels that she could finally be useful, and does not wish to stay like this living in an area in the hills, doing nothing but wait for some creatures to die or humanity to be extinct. Their plan is to travel to a mine below the safety line and reach their destination through it without gaining the attention of the creatures. Nina has a device that can detect a nearby Reaper through their high bioelectromagnetic pulses. They gather supplies along the way, including a grenade launcher, but a Reaper spots them, and they just manage to escape at the last moment, as even grenades seem to have no effect on them. Even if they get to the laboratory, will there be a chance to stop creatures like these?

The defence of Elevation :: The movie surely gets the post-apocalyptic setting right, and is successful in taking us to that particular world which would come now or later. The mountain setting adds to that feeling as we feel the loneliness and depression which is prevalent in this particular world. The movie being not that long also works in the movie’s favour. It also does not overuse its content, and the creatures are also there creating the impact. As much as the visuals, the sound effects also contribute to create an impact, in a lesser level of The Quiet Place. The post-apocalyptic world keeps us close to the genre here, and we obviously get what we want. Anthony Mackie who is known for multiple Avengers and Captain America movies as well as Outside the Wire and The Woman in the Window, gets into action with ease, and leads the movie in style. With his name of character being Will, one also feels a certain nostalgia of having Will Smith in similar movies of action, adventure and apocalypse. Morena Baccarin, the Deadpool and Gotham star remains impressive in a role which has multiple faces.

The claws of flaw :: The movie does not use its resources to best advantage, despite the premise holding on so well in the beginning. Maddie Hasson’s character is missed too early, as she was just getting better with each scene, and we wanted to see her in those final moments. The father-son relationship seems to be just added to feel an emotional effect, but that is not felt in a deep manner, especially when the world seems to be too close to an end. The movie’s stay at the safe zone might not satisfy everyone, as one cannot help seeing it as somewhat a derivative of other movies. The creatures are also not seen that many times up close to create some unforgettable horror. The backstories could have also been explored in a better way. A lot of world-wide destruction is left for the imagination, and so are many other elements of the creature attack. The chance to go to a higher level is missed here, and a lot of action could have come in some corners, as the final line of defence is often what would matter the most in a big apocalyptic movie.

How it finishes :: Elevation makes a strong point among the post-apocalyptic movies, even though it will not be among the best, and there were surely chances to make it bigger in scope and also to add more action without killing one of its main characters too early. As the ending leaves scope for a sequel, we can hope for getting the canvas bigger in the next one. The movie is a strong enough visually pleasing survival-monster action-adventure thriller which becomes an entertaining, watch. It would just feel like going deep enough, but not to its end. The cast mainly of three works really well, and their success in making us feel that the danger is real, and do take us to the environment to which we also become a part. After all, this is surely going to be our future, as an apocalyptic event would come in one way or the other. This is another one of those movies which prepares us for that unstoppable doom – these kinds of movies should be more or less be saved as the manuals for the end of the world scenarios even though hypothetical, and available of Jio Hotstar.

Release date: 8th November 2024
Running time: 92 minutes
Directed by: George Nolfi
Starring: Anthony Mackie, Morena Baccarin, Maddie Hasson, Shauna Earp, Rachel Nicks, Danny Boyd Jr, Tyler Grey

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@ Cemetery Watch
✠ The Vampire Bat.

The Union

Posted on October 29, 2025 by Tennyson

Vampire Owl: I remember going to a vampire reunion. But it was a mirage.

Vampire Bat: Vampires are always together. Why a reunion?

Vampire Owl: They can wander all around the realm.

Vampire Bat: There is just a small area which is accessible to vampires in the realm.

Vampire Owl: It is still a pretty good area as long as we do not fly through.

Vampire Bat: There is too much of witch traffic on the broom to fly.

Vampire Owl: Why do we even care about the witches?

Vampire Bat: There is always something about the witches in the news.

Vampire Owl: So, we have also started watching the news?

Vampire Bat: Well, we only know even about the wars through the news.

[Gets a uzhunnu vada and three cups of Wayanad tea].

What is the movie about? :: Mike McKenna (Mark Wahlberg) is a construction worker in New Jersey who goes through his usual life in a regular pattern without thinking otherwise. One day, his childhood sweetheart Roxanne Hall (Halle Berry) meets him in the local pub and he ends up waking up in London after she tranquilizes him. She explains to him that he has been recruited for a secret mission by the group known as The Union, working as a secret organization in connection with FBI, Interpol and other teams. Their team, despite going through a top-secret mission, ended up losing a number of their team members and also ended up missing their target, leading them to assign someone without a past on the mission. Tom Brennan (J K Simmons), the head of the group hopes that Mike is as good as what Roxanne told him that he used to be during his childhood and youth. Mike who was going to attend a very important wedding as the best man and dating his former teacher, finds him somewhere he never expected to go.

So, what happens with the events here as we just keep looking? :: Roxanne assures him that he can go back to his town and job if he does not want to take the risk, but he decided to go for the same anyway. Their physical expert and trainer Frank Pfeiffer (Adewale Akinnuoye-Agbaje) is not sure about letting someone untrained in there and giving him just enough for the field within two weeks of special training. They do a detailed briefing for him on a high-stakes mission, and feels that his unassuming identity would be the perfect cover. This would be a very important mission to retrieve information about undercover agents and top-level officers in various intelligence agencies. The sensitive information on individuals who have served allied Western nations would soon be auctioned off to the highest bidder, and as Iranians, North Koreans and Russians look forward to this information and with a possibility of Chinese also going for it, it is now or never for the West. This could be their last chance.

And what more is to be added here as situation keeps getting more complicated? :: He is chosen to be sent by the Union with five million to buy a device which could bid at the intelligence auction, under the watch of the Union agents. Mike is immediately ambushed by some other trained professionals. The team somehow gets him out in time, but the auction device gets damaged without any chance for repair. With no more money to spend, The Union decides tries tracking down the Koreans’ mercenaries hoping to acquire their device. They find and steal the device, only to find out their communication expert Athena Kim (Alice Lee) has been murdered and that their headquarters has been blown up with an unidentified bomb. They feel that there is someone spying on them from the inside, but things might be more complicated than that. They might soon be on the run without a hideout or safehouse. One wrong movement and there might not be any agent left for the Union.

The defence of The Union :: The movies lead actors Mark Wahlberg and Halle Berry carry the movie on their shoulders effortlessly, as we enjoy the moments with them together, and they also add some fine humour in between as the movie never really goes dark with its content. When we are looking for a cool spy movie with action rather than the drama and the dark side making it scary, it has enough momentum to keep us engaged with all those fights scenes and high-powered car chases, getting only bigger as the movie gets closer to the end. The global locations are really good, and some stunning visuals provide us with much more to look out for – the action in those beautiful areas of the world got our interest early enough. The ending is well-executed, and the supporting cast as well as the antagonists get something more to do here too. The journey also never goes overboard like some of those Bollywood movies, and there is also nothing forced here with things going on smoothly.

The claws of flaw :: The beginning stages do not induce that much of an interest into this movie, as there seems to some pulling back right there. The bringing in of the main character to the team itself seems to be not convincing enough. Most of the characters are not really developed as if to inspire a possible sequel, as most of the spy genre flicks have been thinking about. The common style of spy flicks and action thrillers with a touch of comedy are remembered here without offering those big surprises or that innovation which was clearly possible. It never really takes its elements to the next level. The twist in the middle seemed to be rather expected, and the big spies not able to guess the same thing even though the audience could easily do the same, is rather disappointing. There is a certain artificiality to proceedings as the Men in Black kind of smooth movement is often not there to be taken. The movie might not last that long in memory, as there is no specific classic moment and there is nothing that we will remember for very long.

How it finishes :: We have an entertaining journey here as there are no dull moments in the spy world as soon as we know what the movie is up to. The movie nicely goes on with its adventure as the tale progresses. The light-hearted action with some suspense works fine, and the chemistry between the main characters work very well. Things are rather simple around here, as you do not eagerly wait for more, but something special could happen in the second movie, if there is one – the team does work really well. For a relaxed weekend with the light action, this will offer more than enough on Netflix. After all, this is that kind of a genre which offers more to one-time watch rather than any other. Netflix already offered a movie which gives similar kind of effect, Lift – once you watch, you enjoy it and the time spent remains good. Halle Berry and Mark Wahlberg are our eternal stars too, aren’t they?

Release date: 16th August 2024 (Netflix)
Running time: 107 minutes
Directed by: Julian Farino
Starring: Mark Wahlberg, Halle Berry, Mike Colter, Adewale Akinnuoye-Agbaje, Jessica De Gouw, Alice Lee, Jackie Earle Haley, J K Simmons

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@ Cemetery Watch
✠ The Vampire Bat.

Uglies

Posted on October 28, 2025 by Tennyson

Vampire Owl: Are they calling vampires by new names now?

Vampire Bat: They are not even sure that we exist.

Vampire Owl: They are calling us these names without even knowing about our existence.

Vampire Bat: People can even hate non-existing entities.

Vampire Owl: Will that make sure that they exist?

Vampire Bat: Well, that depends on the final conclusion.

Vampire Owl: I am not letting them conclude about us.

Vampire Bat: Why do their conclusions matter to us? Are they hunting us?

Vampire Owl: Because they think and we exist?

Vampire Bat: Thoughts and existence are not co-existing around here.

[Gets a parippu vada and three cups of Munnar tea].

What is the movie about? :: Tally (Joey King) and Peris (Chase Stokes) are best friends in a post-apocalyptic world where future seems to offer not much divergence. It is shown that the world has fallen into the ultimate chaos after a group known as “Rusties” exhausted all natural resources and polluted its environment, leading to fight among themselves. To keep the remaining humanity alive, Earth’s best scientists created a set of genetically modified orchids which acted as the energy source without polluting the air or water. Humans who went through the worst and their descendants had to undergo a surgical procedure to enhance human beings in both appearance and fitness so that they could all look the same, with everyone beautiful, lovely and charming. The surgery is performed on humans who are called “Uglies” until then, and would turn them into the “Pretties”, letting them into the colourful area of the city where there are celebrations and only happiness, with no sad or grieving face ever seen.

So, what happens with the events here as we just keep looking? :: Tally and Peris are Uglies, but Peris would leave for his surgery first as he is older. He is excited about it as the batch is welcomed to a new world by the representatives of the new world. The two have scars on their hands, which they promise to keep despite the procedure means to make them perfect without even such a scar. They also promise to meet again and rekindle their friendship. But as she finds him again, she realizes that he is not really bothered about her, and had even broken the promise by getting the scar on the hand removed. This leaves Tally sad and depressed, but is forced to flee the area as she is chased by machines, but is helped by Shay (Brianne Tju) who has been planning to rebel against the government. Shay is hoping to travel to “The Smoke”, a land of freedom within nature based on a book written Henry David Thoreau, one of the last copies of those older books available during the time when not much has remained against chaos.

And what more is to follow as things get stranger and weird? :: Shay who becomes best friends with Tally, asks her to reject the surgery and remain what she really is. She believes that hope is in the outskirts of the city and only a man named David (Keith Powers) who leads the resistance against the government can lead them to hope and truth, and they will remain who they really are, not perfect, but as the right people. As Shay leaves Tally to find David in the outskirts of the city, Dr. Cable (Laverne Cox) hold the surgical procedure of Tally. She tells Tally that that David is a dangerous man who will hurt Shay, and is building a weapon to destroy the city and what remains of this perfect civilization. Cable feels that only Tally can find Shay as their friendship is very deep. She asks Tally to do something right now and save her new friend, and find herself becomes the perfect person among Pretties and rejoin with her former best friend. She wonders if this is the right thing to do, but as she cares for Shay and her own surgery, she would have to agree. But how far will she go to achieve her newly found objective?

The defence of Uglies :: The movie is led nicely by Joey King and Brianne Tju follows the same path really well. The themes remain very much clearly seen, from beauty standards to conforming to the laws and freedom as well as self-worth. The impact of technology on people is clearly seen and also its adverse effects on the environment. It reminds us that the future will never be bright, and that there will always be someone to control humanity. The movie seems to have built a world that we will remember for long, as there is a bright one, a devastated one and one in between, all of them looking like a lot of work has been done around here. The stylish world of the Pretties world will surely catch the attention of lovers of futuristic designs and the other world is of interest to the lovers of post-apocalyptic and dystopian situations. The looks of different sections of people also get our attention. There is also some fine futuristic action as the movie gets to an end, a certain amount of mystery is also felt around here. There is surely hope for a future sequel too considering where the movie ended.

The claws of flaw :: The movie’s supporting cast do not come up with that much as we look at it, and the characters are also not that much developed except for the two main ladies. The story does seem to be just a repetition of what we have been seeing all the time, and it does not bring that much of a change when on the screen. There is not that much time taken in making the world better, as there are more things under-explored than what is shown in style. The archetypes seem to be given more focus not just with the situations and the world, but also with the characters who give the feeling that we have surely seen them before. There could have been more commitment around here, and even with themes, going deeper does not seem to be something of relevance here. The ending is also not that strong, even if it was meant to stay faithful to the novel. It is a case of wonder why so much power is not felt around here, even though such strong themes are dealt with, and from the title itself, the exploration of the themes seems to begin and only feel like getting stronger as the world moves forward.

How it finishes :: The movie goes through the pattern set by The Hunger Games, The Maze Runner and Divergent, with the setup closest to the last one mentioned – then there are these movies‘ sequels. If you like these movies and its sequels coming right out the Young Adult movies, you are sure to like this one too, for the world and action remains interesting with themes and messages that catch our attention, despite not using the strengths to the best or finishing that well as one would expect from a movie like this. The lack of originality and the presence of predictability do not affect this one like in some other cases, as it remains visually that good and the leading lady handles the situation well, and as messages are rather direct, there is no holding back. As it released directly to Netflix, the visual style might not be that powerfully felt, but this is the kind of entertainment that we can have on a fine weekend, and there is no shortage of enjoyment in this movie of the post-apocalyptic and dystopic future that would come to us in one way or the other.

Release date: 13th September 2024 (Netflix)
Running time: 102 minutes
Directed by: Joseph McGinty Nichol
Starring: Joey King, Keith Powers, Chase Stokes, Brianne Tju, Jan Luis Castellanos, Charmin Lee, Laverne Cox

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@ Cemetery Watch
✠ The Vampire Bat.

Lift

Posted on October 25, 2025 by Tennyson

Vampire Owl: This reminds me about that need for a lift in the castle.

Vampire Bat: The castle is not that tall and there are not enough floors.

Vampire Owl: We are not really going to need permission from any organization. We are vampires.

Vampire Bat: I am telling this to you because there is no need with a smaller number of floors.

Vampire Owl: I do get tired just with these many floors.

Vampire Bat: You know that you are an owl and can fly if there is an emergency.

Vampire Owl: Vampire Owls are made different. We are vampires first and owls last.

Vampire Bat: That does not mean that you cannot fly.

Vampire Owl: Dr. Frankenstein would still prefer the lift.

Vampire Bat: Mr. Frankenstein might want to keep having a tour of the castle.

[Gets some tapioca chips and three cups of Vagamon tea].

What is the movie about? :: A heist crew has been creating trouble for Interpol all around the world as they have been focusing on art heist at the unexpected locations, mostly in Europe. The team includes Cyrus Whitaker (Kevin Hart) the master thief and leader, Denton (Vincent D’Onofrio) a master of disguise and expert in trickery, Camila (Úrsula Corberó) expert pilot and beauty with the brains, Magnus (Billy Magnussen) safe cracker and seeker of adventures, Mi-Sun (Yun Jee Kim) hacker and computer expert and Luke (Viveik Kalra) an engineer and master of electronics. The team undertake two simultaneous heist works, one of stealing a Van Gogh painting in London and then kidnapping of renowned NFT artist N8 (Jacob Batalon) in Venice. Despite the best efforts of Interpol Agent Abby Gladwell (Gugu Mbatha-Raw), the team manage to be successful at both places, and the presence of Abby in Venice does not help at all. The team’s escape plan creates a joke out of Interpol team that comes chasing in boats.

So, what happens with the events here as we just keep looking? :: It is revealed that the team had a fake kidnapping plan for N8 to have the paintings rapidly increase in value after being stolen, making the value rise from $20 million to $89 million. They had pre-sold the Van Gogh painting for $20 million which gets them $89 million much to the dismay of Interpol and the local police that had come chasing after them. Abby Gladwell uncovers evidence implicating Denton and arrests him, hoping to get to the rest of the team using him. But Abby’s superior Huxley (Sam Worthington) decides to have Cyrus and team take on a mission which would provide them with full immunity from international law if they manage to pull it off. The plan is to capture a billionaire named Lars Jorgensen (Jean Reno), who intends to make more money with the help of a hacking group called Leviathan which is able to create massive flooding in Europe by hacking into security facilities of dams – he would do stock manipulation at the same time. But are they capable of such a big thing?

The defence of Lift :: Lift looks good throughout its run, starting from the stunning watery world and old architecture of the city which has enchanted us through years. The global settings ad London, Brussels, Tuscany etc to the list, making it feel international and extremely good-looking. A heist in such a height featuring two airplanes, one of them being an Airbus A380 and the other one a futuristic concept model would not cease to amaze you. There is that feeling of quality written all around the movie, with everything looking so good, and having a cast that seems to come from all around the world. The movie also does well to make us believe in the impossible, and never do we feel that it is doing a little too much. The polished feeling never really leaves us as we look at the world in front of us. It dies remind us to watch films like Red Notice, Army of Thieves, Now You see Me and even that local flavoured ones from this part of the world, Varnyathil Aashanka, Sapthamashree Thaskaraha and Kohinoor.

The claws of flaw :: The movie just seems to do the usual for most of the time, and not much more gets to elevate the whole thing. The predictability factor stays with us, and the ending seems to be too quickly done, with no big action or dialogues to go with it – everything just gets solved so easily, and there seems to be no danger around here, except when one is reminded of the same; yet, things go smooth enough even with those mistakes and weaknesses. The characters could have also had better introductions and backstories instead of focusing on those two main leads. The romantic side surely feels force, and one cannot stop thinking that it could have been with some other characters instead. The villain is not given the option to be that menacing, as he is on the screen only for some time, and he just do the usual talking. There could have also been more heists around here, and the difficulties faced by them could have been given more focus. The movie also lacks the moments which would make one go for it again, and never goes for divergence, as it chooses to be safe and just the usual.

The performers of the soul :: Kevin Hart leads the way here, and the humour works very well with him, especially with a combination to Gugu Mbatha-Raw, who remains solid as the Interpol agent around here. Their moments work for the humour, but not that much in favour of the romance, as comedy surely gets to be much more. There are moments with them that quickly elevate its humour, sometimes all of a sudden when the situation is serious. Among the crew, the most convincing is Úrsula Corberó, who shines as the pilot and scores like no other, even getting an unexpected part in flight fights. Sam Worthington remains solid, and I had hoped that the Avatar–Titans star would have had a bigger role to play in this – he is a bigger star than any other at least in this part of the world. Billy Magnussen adds some cool moments here and there. Yun Jee Kim is a joy to watch throughout the movie as she gets closer to those computers and do the job in style. Vincent D’Onofrio’s moments are also to be remembered, and Viveik Kalra is not that far behind. Jean Reno could have surely had more villainy to add.

How it finishes :: Lift go on with an old model in a new world, and it feels effective even without that much of an innovation around here. With the effectiveness of humour as much as the nice action that comes in as a bonus. In a world that is so well captured, we are glad to see it as much as enjoy that action – the movie also gets to add its own big action. This might not be among the biggest heist movies that you will ever see as far as story is concerned, but this one surely has its heart at the right place with a team that works together and sticks together in style. As it is available on Netflix, it provides some pure fun on the OTT, and it might be the right entertainer for the weekends and festivals without thinking too much about it. There might be those movies which depend too much on an overdose of heroism and nonsense, but this is not one of them. I was actually surprised that nobody really told me about this movie, but this one is surely worth your time, and this is surely something you can keep as a distant sibling of Fast and Furious movies, but with no cars at all to go for that speed on road.

Release date: 12th January 2024 (Netflix)
Running time: 107 minutes
Directed by: F. Gary Gray
Starring: Kevin Hart, Gugu Mbatha-Raw, Vincent D’Onofrio, Úrsula Corberó, Billy Magnussen, Jacob Batalon, Jean Reno, Sam Worthington

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Yudhra

Posted on October 1, 2025 by Tennyson

Vampire Owl: It is always good to watch those lesser-known Bollywood movies.

Vampire Bat: Especially movies like this one without those usual nepo kids.

Vampire Owl: How many movies work without that infinite nepo nonsense?

Vampire Bat: It is too difficult for Bollywood these days. Every movie can’t be Shaitaan.

Vampire Owl: Bollywood without nepo kids and too much mass still works.

Vampire Bat: In the case of nepo kids, their performance is always appreciated for no reason.

Vampire Owl: Yes, their performance will be considered the perfect one, no matter how bad it is.

Vampire Bat: I am surprised by the number of fans these people get when there are so many quality actors whose works feel so realistic.

Vampire Owl: This why I watch Hindi movies only on OTT these days.

Vampire Bat: Well, Amazon Prime and Netflix got most of them and brings us happy smiles.

[Gets a tomato uthappam and three cups of orange tea].

What is the movie about? :: Girish Dixit (Saurabh Gokhale) is an honest police officer who has been known for taking strict steps against the criminals and drug dealers of the city, often becoming target of gangsters. One day, after attending a party with fellow police officers, he and his wife Prerna Dixit (Sharvari Deshpande) meet an accident involving a truck and ends up dead, but the unborn baby miraculously survives against all odds. His best friends Karthik Rathore (Gajraj Rao) and Rehman Siddique (Ram Kapoor) from the Police Department decides to take care of the child, with Karthik adopting him and Rehman serves as a mentor. The child grows up to have anger issues from childhood itself. As he grows up, the situation gets worse, and Yudhra Dixit (Siddhant Chaturvedi) is an even angrier young man not to be controlled by anyone. They decide to send him to Pune in an attempt to make him join the military in the future. There he meets his childhood friend and daughter of Rehman, Nikhat Rehman (Malavika Mohanan).

So, what happens with the events here as we just keep looking? :: Yudhra and Nikhat are once again interested in each other and starts meeting each other regularly. But on one of those days, Yudhra brutally beats up some goons to protect his fellow cadet, leading to them being critically injured and admitted in the hospital. This leads to him being arrested and court-martialed. At the same time, Nikhat leaves for Portugal to study medicine. Karthik who had gone on to become a politician after retiring from police, tells Yudhra that he is disappointed, to which Yudhra asks him not to support him for his actions any more. At the same time, Rehman asks him to join him on an undercover operation, as there are already cases on Yudhra, which could get him to the prison where some of the gangsters related to the drug smuggling are located – he could do something here to find these drug consignments and also find the man who might have been behind the murder of Yudhra’s parents. Now, it seems that there is a motive for life in him, but how well can he achieve that?

The defence of Yudhra:: Yudhra can be considered stronger and sharper than most of the movies of the same genre, and those using similar situations, which are not at all uncommon in Bollywood. This one also has a soul and we feel for characters even when things go a little too further in the name of making it interesting for the crowds – while the nepo kids play themselves, these actors and actresses play rightly according the needs of the characters and not to impress the blind fans. The visuals, especially that of Portugal, remains stunning additions here. The action continuously impresses, as it is not really the mass masala type, and more believable than most of the Bollywood movies. The romantic side is also effective, and the twist work well enough. The moments of thrill in between keep the viewers engaged. The feeling of having more than what meets the eye will still be around there. The narrative moves really well around here, and the romance or drama never really feels out of the place either.

The claws of flaw :: Yudhra never really tries to take the big risk, whether with the action or the romance, even though the chances were always there to be used. The romance disappears too soon after first appearance, and there could have been more moments to contribute to it as well as the action in Portugal, as the scope was very high with the events around. There are moments when we feel that the movie is not going to get to that final resolution. The villains, despite being strong, never really shows that much of their villainy. The movie is also a little bit long, and by avoiding a few dialogues things could have been more interesting. The moments at the military could have also had more attention. The ending could have also been more intense instead of seemingly everything going in the easier path. If we consider even the lesser movies, the intensity in the end would be much more. This one surely works, but for this long a movie which has been building up to this kind of an end, more was there to be taken.

The performers of the soul :: Siddhant Chaturvedi leads the way, and reflects the angry young man really well, unlike those nepo kids of Bollywood who could begin acting only after so many chances being given due to the influence of their parents, uncles, aunties and all. When an actor in Bollywood has too many relatives in the industry, it has been a reflection of how bad that particular person could perform, and thankfully, this one does not have such an actor, and it might also be the reason why Bollywood and its fans decided not to make this one a superhit in a world of dumb Bollywood blockbusters which keep coming without any signs of stopping – they are the zombies of Bollywood. But our leading actors stands taller than any of them in this particular role for sure. Malavika Mohanan, at the same time, seems to be fitting perfectly around here, changing language and industry, and being the right choice, even better than those highly paid Bollywood actresses and nepo actresses. Maybe Bollywood can learn something from Malayalam movie industry about how a family in the film industry can really act from the first movie itself. The villainy is fine, but underused throughout the movie in the case of each negative character.

How it finishes :: One can be assured that this is a fine piece of entertainer with good dose of action and thrills. It is also free from that mandatory Bollywood nepo kid or mass masala influence, which keeps this one a step ahead. The lack of success of this movie can only be attributed to the prejudice of the viewers of its world, and I do not even remember this one releasing here. If we wish to stop the mass masala movies and nepo kids getting all the awards and those who struggle all the way up in the cinema gets avoided, movies like this one needs to be supported. After all, it is so much better than those so-called action movies which grossed rather too much for its standard. This movie never loses its direction, even when the objectives of the protagonist seem to change. We are in for a solid action thriller in here, and we will love without those overrated superstars; there lies the beauty of it and others like Vedaa and Agni in a zone free of nepo kids who would do anything to gain attention. Even though there is no such chance, I would love a sequel to this one too.

Release date: 20th September 2024
Running time: 142 minutes
Directed by: Ravi Udyawar
Starring: Siddhant Chaturvedi, Malavika Mohanan, Raj Arjun, Raghav Juyal, Gajraj Rao, Ram Kapoor, Shilpa Shukla, Martin Fernandez, Saurabh Gokhale, Sharvari Deshpande, Shireesh Sharma, Dolly Verma, Joao Mario, Anubha Arora, Kabeer Bhartiya

<<< Click here to go to the previous review.

<<< Click here for the review of a once-in-a-lifetime movie.

@ Cemetery Watch
✠ The Vampire Bat.

Transformers One

Posted on September 25, 2025 by Tennyson

Vampire Owl: So, we are getting back to the transformer robots again.

Vampire Bat: Well, there have been too many infinite transformers for my liking.

Vampire Owl: Yes, and the first three seemed to have worked the best.

Vampire Bat: The first one is nothing less than a classic.

Vampire Owl: The youth who liked the robot cars fully supported them.

Vampire Bat: It was a new concept for our audience then in that age.

Vampire Owl: For this age, it is all about too much information and OTTs.

Vampire Bat: OTTs have brought so much in front of the new generation.

Vampire Owl: This includes a lot of Transformers too.

Vampire Bat: At least, there are no Vampire Robots, at least not yet.

[Gets a thattu dosa and three cups of Yercaud tea].

What is the movie about? :: Beyond the stars, Cybertron is a planet formed through technology from the deity known by the name Primus and is occupied by sentient robots. Their life is sustained by a substance called Energon without which most of them would cease to exist. With only Sentinel Prime (Jon Hamm) remaining among the Primes who were supposed to rule the planet, there is no Matrix of Leadership, without which Energon has stop flowing, forcing the robot miners to extract it. Sentinel has been telling his people about this loss and how the battle with alien invaders called Quintessons has left the surface of their planet not good for life anymore, leaving them to survive underneath all the time. The fear of Quintessons coming back for Energon, and the lack of the same resources have left their world quite a dull one. The newly established hierarchy based on whether robots possess a transformation cog that allows them to shapeshift, decides if the citizens would be miners or something in the higher hierarchy.

So, what happens with the events here as we just keep looking? :: Orion Pax (Chris Hemsworth) and D-16 (Brian Tyree Henry) are best friends among these miner robots without the transformation cog. They live in the lower level of the long hierarchy where they mine for Energon to sustain the people of their world underground while Sentinel Prime and his army led by Airachnid (Vanessa Liguori) travels to the surface in search of the Matrix of Leadership, and any trace of aliens. The unit of Orion and D-16 for mining is led by Elita-1 (Scarlett Johansson), an arrogant mining supervisor who is so focused on following the protocols that she feels that one day she will be promoted. But due to Orion’s compassion for another miner Jazz (Evan Michael Lee) leads to a breach of protocol to save the person during an accident, which leads to Elita-1 being demoted and D-16 getting punched on the face by their overseer Darkwing (Isaac C Singleton Jr) while defending his friends. Orion, being optimistic, promises to find a way to do something bigger.

And what more happens around here in a world of chaos? :: This is the time when Sentinel Prime returns and once again tells them that the Matrix of Leadership could not be found and Energon should continue to be mined, with a need to work harder. He still calls for a race for some entertainment, and in between the transforming robots, Orion and D-16 enters, and gets close before losing it. An impressed Sentinel Prime promises them a reward only for a defeated Darkwing to blame them and throws them to the garbage incineration level. There they meet B-127 (Keegan-Michael Key) who has been working there for a long time, at what would be one of those lowest levels of hierarchy. There they find the message of a Prime known as Alpha Trion (Laurence Fishburne) who seems to have put the coordinates to the Matrix of Leadership there. Now, the three are determined to take this message to Sentinel Prime or if possible, investigate all of these by themselves. But are they good enough to do that?

The defence of Transformers One :: This movie seems to qualify for the position for the best Transformers movie ever with the quality that it displays on the screen, and the known idea about autobots and its leader which it further spreads so well here. The journey into the past of past of autobots and decepticons is supported by rich storytelling which starts from the lower level, and also explores class divides in the process. The movie also talks about how the influential ones, and governing people manage to hold the commoners on the leash and also create an even lower class to work for them without much given in return. The idea of thinking process being manipulated is also seen here, and there is also that entertainment which is provided to the crowd to keep silent, and the telescreens which display only what the rulers wish for them to see. There is also that life underground prohibiting everyone from going outside in the name of danger – all of these seem to point to one thing, deception, and in other terms, a dystopian world; for these robots there are enough twists in store.

Positives and negatives :: The idea of this movie might be well known, but the elevation of the same here is much notable. The origin story of autobots and decepticons also gets a twist here, and this including Sentinel Prime goes for another path. The world here is shown more for a forced illusion for the crowd who are just dumb fans like people who celebrate celebrities in our world and would believe anything they say and are ready to die for them – a matrix to keep the order. We are given the feeling that there is something greater to come and mysteries to be revealed, with scope for rebellion present all the time. The beautiful animation helps the process, with the world here being too beautiful to compare to any animated film of Hollywood. The voices serve the purpose nicely, especially that of Chris Hemsworth. The high ratings are a reflection of the movie’s qualities, as all the action nicely adds on. There are still some predictability elements and the character development of newly formed villain that got some struggles.

How it finishes :: Transformers One is that Transformers movie about which most of us had no idea about when it was releasing. Usually, the Transformers movies come with some huge hype that would surround them as if they are Avengers or Jurassic Park, but not in this case – maybe it is because of the animated side, but we know how well the animated movies have been doing too. With so many movies with imaginary characters made in an epic format here, it has been difficult for big movies to make an impact among the audience, and that might have affected this one too. Looking at this movie, we can still be sure that there are better movies from one side, and most of those which we had around here in the name of epics were just copies. This one surely feels too good with what is shown on the screen and despite a little of the feeling that we have seen most of this before as much as the idea that is repeated. But we also know that this is such a great movie. This one will stay with us for long, even if late, as something even better than the live-action ones that came right at us.

Release date: 20th September 2024
Running time: 104 minutes
Directed by: Josh Cooley
Starring: Chris Hemsworth, Brian Tyree, Henry Scarlett, Johansson Keegan-Michael Key, Steve Buscemi, Laurence Fishburne, Jon Hamm

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Survive

Posted on September 15, 2025 by Tennyson

Vampire Owl: Do you think that we really need another movie on survival?

Vampire Bat: Well, we are surviving right now. So, this is a realistic movie.

Vampire Owl: Does this have someone’s survival for centuries?

Vampire Bat: I think that this is just about a few days, maximum.

Vampire Owl: So, they are dealing with some crisis which would not matter for vampires.

Vampire Bat: You should understand that everything matters for vampires.

Vampire Owl: We are people of the past. So, future should not matter to us.

Vampire Bat: We live in the present whether we are in the past or future.

Vampire Owl: We do not live in timelines, we never did.

Vampire Bat: We blended in, and we become part of the nocturnal world then.

[Gets a kathi roll and three cups of Munnar tea].

What is the movie about? :: A family of four have been celebrating togetherness – Tom (Andreas Pietschmann), an expert oceanographer, Julia (Émilie Dequenne), an experienced doctor, and their two children Cassie (Lisa Delamar) and Ben (Lucas Ebel) are on a yacht named Orca somewhere in the Caribbean area, celebrating the boy’s thirteenth birthday and enjoying vacation, even though the girl does seem to miss her boyfriend too much, and finds the trip boring without his presence. She keeps making video calls to him even though the network connectivity is very low, often ruining family moments. This is a family vacation that occurs after quite a long time. There is something strange happening around though, as expert swimmer Julia almost drowns with sea getting rougher than usual, and whales also seems to flee, with some problems seemingly occurring with the compass too. There is a violent storm that also follows, and the family keeps themselves safe within the deck of the ship, passing out in the process.

So, what happens with the events here as we just keep looking? :: As they wake up next morning after the storm, the family is shocked to find out that the ocean has disappeared — there is no water, as the ocean bed has exposed itself as a strange desert. Tom feels that the poles of the planet have been reversed, leaving the oceans at what used to be land and vice versa. Even though there is no reply to their distress calls, they are finally able to contact Nao (Olivier Ho Hio Hen), a submariner who found himself on land from underneath the ocean floor all of a sudden. He feels that the poles will flip again in about a week and that the seas will return violently, devouring everything without trace. He offers his submarine as a safe location, with space for two more people, and Tom and wife quickly asks him to save their children. Nao gives them the coordinates, and they decide to start their journey only to find that something more has been unleashed there. Can they survive the unexpected terror on the way?

The defence of Survive :: A family trying to survive when there is almost no chance to do so is always worth our attention. After all, families staying together these days has been a rare thing as we look at most of them. The apocalyptic twist used here is nice, and nicely changed from the usual things which we keep finding everywhere. The end of the world has been shown clearly with only a few characters and grandeur of destruction is still felt. The visuals of a dry world nicely add to the same, and feels like a classic apocalypse with a twist to the incidents causing the same. The fine looks along with the sounds to set the mood has us interested early enough. The newly formed desert world is as interesting as the creatures and the debris that goes through them to make us feel the effect of the catastrophe rather than to spread fear. With action here and there and the family bonding moments, it does not drag, but keep the pace going – it is quite a short film indeed, and we are never out of the apocalyptic mood.

The claws of flaw :: The grand idea could have had further grandeur could have come up with a spectacle that we would remember for what is shown on the screen. There could have been some shots which would stay in our minds forever and remind us of this movie – the iconic shots could have been here, as the opportunity was clearly there. The idea of being terrifying is not that much around, and it never really gets into full fun either. Also, everything happens all of a sudden, and there is not much of an explanation for all these strange of end of the world incidents. The characters do not develop that much, and children show irritating side at times. The end also seems rushed, as if it has come around too soon after accelerating a little too much in the final moments. This is not that kind of a movie which we would feel the need to watch again, even with moments. The idea had possibilities from not just the ocean, but also from the newly formed wastelands and nature behaving strange.

The performers of the soul :: The movie had to depend on its performances, as there are only a few characters and the focus is so much on them. There is no scope for falling behind with this particular aspect, as the grandeur of the visuals make way for the characters with ease. Émilie Dequenne plays the mother and doctor figure trying to save her family, and she shows the fight so well, fighting against all odds. Andreas Pietschmann plays the protector, the strong father who keeps hoping to save his children and wife even at the cost of his own life. The two manages the role so well that they make the perfect parents. Lucas Ebel adds more or less to the emotional side as the child who needs support. Lisa Delamar lays the younger child with emotional problems and tension with other members of the family. From the beginning stage itself, we see she wants to be with her boyfriend and not with the family, and the rebel role is managed well. Arben Bajraktaraj and Olivier Ho Hio Hen adds well in support.

How it finishes :: Survival against all odds when even nature goes against you is something a lot more interesting than one can think about. This movie manages to be successful in doing the same even though not without the feeling that the grand idea did not get the execution it really deserved – still, it manages to rise well and create something of interest and remain entertaining from the beginning stages itself. With quality added to its visuals and the tense moments which brings the thrills in an apocalyptic world, one would appreciate the effort behind the movie. We would still keep wondering how huge this movie with such a premise and idea could have become, as we see movies like Lokah Chapter 1: Chandra and Minnal Murali doing so much with such a low budget in this part of the world. Then you see a family surviving in a world without hope, and it could even have a sequel that could expand things. Well, good people will always find themselves in trouble, and evil survives and thrives, doesn’t it?

Release date: 19th June 2024
Running time: 86 minutes
Directed by: Frédéric Jardin
Starring: Émilie Dequenne, Andreas Pietschmann, Lisa Delamar, Lucas Ebel

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Infinite Earths III

Posted on August 13, 2025 by Tennyson

Vampire Owl: I am finally managing to find the meaning of infinite earths.

Vampire Bat: There is no true meaning of infinity.

Vampire Owl: There is no truth that infinities can bring.

Vampire Bat: I am sure that your infinity is different from that of others.

Vampire Owl: So, you believe in infinity in our realm too.

Vampire Bat: I believe in death and beyond as an infinite process.

Vampire Owl: So, immortality is the same as infinity?

Vampire Bat: The world is quickly traveling towards infinity.

Vampire Owl: So, you do not believe in end of the world.

Vampire Bat: The whole eternity is a platform to our inevitable end. We die and we continue to live forever as we watch and focus on the darkness of the nights.

[Gets a paneer dosa and three cups of Wayanad tea].

What is the movie about? :: When the Monitor (Jonathan Adams) died, the cosmic energy within him was unleashed and the same provided the superheroes with enough power to transport the surviving earths with their stars into a dimension between the universes referred only as the Bleed. This made sure that the earths existed safely, even though the place is not stable, with different laws of Physics and regular natural disasters – to add to the same people of past, present and future keeps appearing at the same time, draining resources, even putting a limit on the use of water. The humans in the planets are not happy, and survival would mean fighting creatures including dinosaurs, with the number of superheroes in the universe reaching an all-time low. They are still safe from the Anti-Monitor force and the annihilating tsunami waves, but it is to be seen for how long before they find the location of these planets from outside.

So, what happens with the events here as we just keep looking? :: The end of the world seems to be coming sooner or later, whether it is due to this unstable world going beyond the limits or due to the Anti-Monitor force and waves finding the location and coming through. Even though people believe that death is only the beginning, there might not be anything to follow death in this case. They are surprised by the visit of Lex Luthor (Zachary Quinto) who reveals that the Anti-Monitor has found the Bleed and has already forced its way inside. Soon, it destroys Earth-146 and Earth-2, but it is revealed that it was Luthor who revealed the location of these earths to the antagonist to save his own. Luthor and his team of villains had already concluded that life in the Bleed is unsustainable, but he also studies the Anti-Monitor’s weaknesses and kill it. For the same, he comes up with an idea of sacrifice which would suit the best to his biggest enemies. But one has to wonder if he is to be trusted, as he has been one of the smartest villains around. Now, what fate awaits them as the final dawn of battle against apocalypse approaches?

The defence of Justice League: Crisis on Infinite Earths Part Three :: The best part of the movie is the use of Constantine and his powers, and one should always consider him to be bigger than Doctor Strange due to those spells seemingly having a dark side as much as the classic one. The ending with him at the core nicely manages to get things done, and provides hope for a better and more effective world with hope that history would not repeat itself. The final look at the superheroes is something that we would remember for a long time, and the classic action coming in never gets old. Among the superheroes, there is always that childhood of ours that is reminded. The idea of multiverse getting the explanation also makes an impact, and so does the anti-monitor entering its existence. We also leave with the idea that Justice League never ends and we will always have some justice to be served in whatever is to come in a new world.

The claws of flaw :: The subplots do suffer in this movie, and sometimes, the movie does not seem to feel the need to explain further. The non-linear feeling never really leaves us either, and there is juggling around, which never ceases to leave us. The makers needed to remember that this movie was made for the common people too, and not just the comic fans and the superhero admirers of all times. The Supergirl, even with the sacrificial actions, is once again wasted, and there is no emotional impact to whatever she does, after her actions in the previous movie. The movie also did not seem to have gained that much of an opinion, maybe the loyal audience wanted something else, and most of us have no idea what the comics about the same idea was dealing with. The character crowding continued even after some of them were dead already, and a feeling of repetition creeps in at times too.

Soul exploration :: The movie reminds us about the decisions which we take and the consequences that come with it. It tells us that the desire to change the past is one of the most futile ideas and could affect not just us, but also many others, coming to that point where the end of all humanity and life seems to be close enough. It reminds the viewers to be satisfied with what they have, and that losses are inevitable. Thinking about a terrible past and wondering if we could have changed that, would not be the right thing to do. The movie does feel that focusing on a present and not changing the timeline would have meant that life would not have been this complicated, and so many deaths could have been avoided. The number of losses only increased due to these actions, as it is shown. It is not the death of evil that mattered, as one has to vanquish that evil face to face – fighting evil with evil was never really the solution as reiterated here.

How it finishes :: Justice League: Crisis on Infinite Earths Part Three ends the series of three movies really well – the end is truly remarkable and we are happy with what we had, even though it takes some time to reach there. The feeling of some missing is there, and still, it manages to be here in the end, strong and capable. The emotional moments also manage to get to that end which also seems to have a better logic than some of the most realistic films around. There is also a lot of action that comes around here, and with the inevitable danger that is so huge, the fear element is also there along with this adventure that goes on. It does not focus that much on the subplots, and it is often a good thing and at other times, quite strange. One would now feel that this is the end, and the new beginning can suggest new possibilities – another movie would surely be required to know what a new world would be about. Who all will be missing and what all changes come to the new world is more interesting than any other.

Release date: 16th July 2024
Running time: 98 minutes
Directed by: Jeff Wamester
Starring: Matt Bomer, Jensen Ackles, Darren Criss, Meg Donnelly, Stana Katic, Corey Stoll

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@ Cemetery Watch
✠ The Vampire Bat.

Frozen Empire

Posted on August 6, 2025 by Tennyson

Vampire Owl: I feel that this movie is about the Lich Queen.

Vampire Bat: Are you talking about that witch who called herself the Lich?

Vampire Owl: She is the Lich Queen, and it is a status bigger than the regular witch.

Vampire Bat: Only an undead female sorcerer qualifies as a lich.

Vampire Owl: Well, witches are hard to kill in the world of magic.

Vampire Bat: You should see that undead sorcery is of another level, outside regular magic.

Vampire Owl: I am sure that she possesses the ancient frozen power.

Vampire Bat: Well, only if she is already dead and risen.

Vampire Owl: That would make her a vampire, a nosferatu, right? A vampiric officer on duty?

Vampire Bat: Liches once tasted the frozen evil would never be vampires. They also have no nocturnal qualities, and wait until dawn to unleash their full potential. The separation can be clearly seen in the atlas.

[Gets a masala bonda and three cups of Munnar tea].

What is the movie about? :: The team of Gary Grooberson (Paul Rudd), Callie Sengler (Carrie Coon), Trevor Spengler (Finn Wolfhard) and Phoebe Spengler (Mckenna Grace) goes through a fight in the streets of New York, three years after the battle in the countryside. The come across Hell’s Kitchen Sewer Dragon which they manage to capture, but only after causing quite some destruction to the city. The mayor of the city Walter Peck (William Atherton) finds this as a fine opportunity to threaten the team and close the Ghostbusters down for the best. He fins Phoebe to be under eighteen years old, and as a minor, warns her in specific. This leads to the team leaving Phoebe behind during their adventures, much to her dismay. As she is disappointed and wanders around in the park, she comes across the ghost of a girl who was killed in fire, Melody (Emily Alyn Lind), with whom she becomes a friend and plays chess to free her mind.

So, what happens with the events here as we just keep looking? :: Things change when a man named Nadeem Razmaadi (Kumail Nanjiani) sells a strange brass orb with Mesopotamian ritual markings to them. There seems to be something sinister about it, as Nadeem also disappears, and it also seems to affect other artefacts. As something seems to be coming and as they can feel the energy, they contact Dr. Hubert Wartzki (Patton Oswalt), a New York Public Library research librarian and anthropologist, but what they do not understand here is that an ancient power is ready to be awakened, and it would not stop until it takes over the world. It is revealed that the orb was supposed to be a prison built over four thousand years ago somewhere in South West Asia by four sorcerers serving as the masters of fire to imprison a creature of ice that wished to conquer humanity with its power of Death Chill. Now, things would get more serious – can they stop this villain from being unleashed in the modern world?

The defence of Ghostbusters: Frozen Empire :: The movie tries to keep up with the spirit of its predecessor and is partially successful in doing the same. There is fun in between and the spirit has its role to play too. The presence of a dumb little kid who makes all the mistakes to unleash the evil is once again here in the form of the foolish daughter who is not really old enough to be even talking to ghosts, as revealed in being the silliest creature in the universe – well, we require a usual dose of such dumb people to bring evil upon this world so that it can be saved. There are some fine visuals at the end of the movie to support the same time too. The ancient monstrous entity looks good, even though it is there for only a few moments. The ghosts look fine, even though there could have been bigger and better-looking ones. The combination of science and supernatural is good, even though the talking could have been less and action should have been more. The performers do try to bring as much fun in here as possible.

The claws of flaw :: The movie is surely too long for anyone, and there are too many dialogues in a film that should focus on action. It would have served the previous movie more as some introduction was needed, but not this time. Too much talking kills more than one ghost cinema for sure. After all, people in this part of the world are not fans of this particular series of movies, and the nostalgia that means to these people about it is very low. This kind of an approach is also not going to be appealing for the children of this age who are looking for quick results and have very less patience in comparison to our generation and the one that follows it. The funny side could have also been stronger, and the danger often leaks in its strength, even though there Is something greater needs to be there for this work for bringing the entertainment. Well, with kids not acting like they need to be, you know this movie also has its limitations. The grandeur that we were expecting is not really there and the evil struggles even though it is ancient and all – it should have been creating that demonic spectacle that we never get here.

The performers of the soul :: This seems to be one fun-loving cast that tries to keep this world interesting, even when there seems to be some limitations regarding the same. They also seem to keep a certain amount of nostalgia going, even though most of do not have it due to our love focused on other movies like Evil Dead and more. But this cast makes it work indeed. Paul Rudd is the one who leads the way in style, even though we keep wondering why he was not given more action. The movie focuses more on Mckenna Grace, and even though she does good, there is too much of focus on her character while others are shown less in comparison. Carrie Coon and Finn Wolfhard follows well, even though gets limited. Kumail Nanjiani nicely adds to the fun and there is some humour whenever he is around – he also gets it big in the final stages of the film. Emily Alyn Lind makes a fine ghost with a melancholic side that would stay with us for long. The other characters play along well.

How it finishes :: This version of ghostbusting tries the best to bring some nostalgia along with some scares and fun, and all these are partially effective as we look at them. There are many funny and scary ways that this film could have gone, and it is surprising to say that it is sticking to the minimum instead of bringing some innovation of our times. Without even a classic ending, it does struggle, but manages to hold on at times to keep some entertainment going. The movie required to have more of a soul than what it displayed. The lack of enough screens here does not come as a surprise as people do not really think about a movie like this, as it might not have had much with the earlier version too. It is that kind of a movie which we can go through on an OTT platform, and speed things up in between. This will make us feel like the overall length has been reduced, and is enough for us to spend a weekend when there is not much to do.

Release date: 22nd March 2024
Running time: 115 minutes
Directed by: Gil Kenan
Starring: Paul Rudd, Carrie Coon, Finn Wolfhard, Mckenna Grace, Kumail Nanjiani, Patton Oswalt, Bill Murray, Dan Aykroyd, Ernie Hudson, Annie Potts, William Atherton