Salem’s Lot

Vampire Owl: I remember this as America’s answer to Dracula.

Vampire Bat: Do you think that Uncle Dracula would ever want to visit the United States?

Vampire Owl: Some parts of the nation are suitable for him.

Vampire Bat: You are talking about New Orleans where he won’t be an alien.

Vampire Owl: Uncle Dracula would need more than just one town or city.

Vampire Bat: You think that he still wishes to spread the undead curse?

Vampire Owl: I have read that it was the dream of the vampire elders.

Vampire Bat: Well, the vampire elders, even for a vampire lifespan, were too old to be alive.

Vampire Owl: They were still in their senses, even though tortured by light.

Vampire Bat: They are only that much in their sense as Dr Frankenstein during a science exhibition.

[Gets an egg puffs and three cups of tea with boost].

What is the movie about? :: In the 1975, a strange man from Europe opens an antique store in the town of Jerusalem’s Lot and starts residing in the long-abandoned Marsten House, which has a history of murders. It is then that Ben Mears (Lewis Pullman) has returned to this hometown after a very long time, this time as a writer. He falls in love with Susan Norton (Makenzie Leigh), who also wishes to leave the town one day. The place seems to be a peaceful little town where almost nothing happens, and there is almost nothing of interest. But the new entrant from Europe has a huge coffin in there, and something sinister seems to be lurking in the shadows of the night. There are boys who go missing, and as no clue is found, the locals begin to be suspicious about Ben who had only recently arrived and after which these missing cases started. The police is unable to find any clue about the particular missing.

So, what happens with the events here as we just keep looking? :: After the disappearance of the boy named Ralph Glick (Cade Woodward), his brother Danny Glick (Nicholas Crovetti) is also attacked, and after spending some time in the hospital, the boy dies, and is soon buried. Mike Ryerson (Spencer Treat Clark), gravedigger who buried the boy is soon attacked by the undead version of him and gets sick. It is Matthew Burke (Bill Camp) who first notices and identifies the signs of vampirism in the gravedigger and is able to connect the same to recent disappearances, illnesses and corpses. But things are worse than he could imagine as this is not a case of a random vampire attacking a few people in the town. Kurt Barlow (Alexander Ward) is an ancient vampire whose origins go a long way back, and is a source of pure evil. He would stop at nothing as the intention is to turn the whole town into a vampire colony and spread the undead curse even further. Can anyone even come close to stopping him?

The defence of Salem’s Lot :: The movie takes us to the 1970s feeling, and we see that again, and most of us who were not alive during the time can only know them through movies – this one seems to show that nicely, and place the vampire curse right in between. Finding the vampires around would be more chilling at that time as it is displayed in the movie, because there is no friendly neighbourhood vampirism as it has been popularized now. The movie maintains that original essence, and has vampires as the true evil creatures of the night, all prepared for some nocturnal hunting of humans. The setting is really well-constructed and the world suits works with perfection. The vampire attacks are shown with all the required intensity and the fear elements get good dose as the movie demanded. With the old style vampires with the long-established weakness and fear generation, the nostalgia returns like it has wings.

The claws of flaw :: The movie struggles to rise from the tag of just another old-style vampire movie which offers nothing new, and do not even make the book feel better with its content. There is the feeling of lack of depth at times, and the movie struggles to maintain pace. The length of the movie does not seem to justify itself and we see a lot of lagging in between. The struggle feels real, but it should not have been the case with a film which has the base material set from a long time ago – the whole things should have been as safe as adapting Dracula and adding so many new things to it, and still having the vampire world to work like a dream. Some characters do not really develop and we do not feel for them, even when they are dead. The emotional strength feels to be lacking, and the establishment of pillars of the movie might have been the problem as they threaten to fall. The mystery could have been deeper and it is to be noted that the new world would never cease to be terrifying even without vampires, as there are already existing monsters.

The performers of the soul :: The cast nicely blends into the 1970s setting and their work and appearance give us the best feeling of the time period. The blending into that world and characters work like a dream. The journey is led well by Lewis Pullman, who plays the protagonist who comes across the least possible evil and has to react quick enough to survive. Bill Camp is solid in a role which could be this movie’s Van Helsing, even though he does not survive that long with the undead curse spreading faster than that of Dracula. Makenzie Leigh seems to be the one person best suitable for the age with the work, and the character holds on so well. Alfre Woodard also keeps the anti-vampire battle going on well. John Benjamin Hickey could have had even bigger role to play when we see how things have been going. And then, the master vampire works really well, reminding one of Nosferatu.

How it finishes :: Salem’s Lot could have improved on the content of the book, but here it seems like just trying to use the available content and do nothing much to add to the same. There were lots of opportunities to bring a classic touch or visualize better, but the same are not taken by the movie. But the horror arrives well, and we are ready to accept the same. After all, horror is the one true feeling that everyone experiences and believes in, unlike the movies with college romance which is more myth for people who do not experience them. As part of the one true genre of horror, the movie has managed well. We are not supposed to expect more than what meets the eye as a usual thing though. This journey is indeed in the right direction to bring more horror to the scene, and take us back to the original vampire world – not that of the blood-drinking entities that glitter and live in the house on the other side of the street.

Release date: 3rd October 2024
Running time: 113 minutes
Directed by: Gary Dauberman
Starring: Lewis Pullman, Makenzie Leigh, Alfre Woodard, John Benjamin Hickey, Bill Camp, Jordan Preston Carter, Nicholas Crovetti, Spencer Treat Clark, William Sadler, Pilou Asbæk

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@ Cemetery Watch
✠ The Vampire Bat.

Munjya

Vampire Owl: The universe of Stree always have our attention.

Vampire Bat: Well, they have the vampires, werewolves and witches who form seventy five percent of the population in our realm.

Vampire Owl: I still do not know if anything could match Stree and its sequel.

Vampire Bat: Well, we never know how far horror comedy can go.

Vampire Owl: Comedy can never be horror enough.

Vampire Bat: It is yet to be seen, and we can only wait for the best.

Vampire Owl: I did not know that you have Jio Hotstar.

Vampire Bat: I use a Jio connection with a good plan. So, I would have always had that.

Vampire Owl: We use this in the vampire world? It is news to me.

Vampire Bat: There is nothing that a vampire cannot use, for we are an experienced species.

[Gets a chilli porotta and three cups of Valparai tea].

What is the movie about? :: In 1952, somewhere in the Konkan coast, a boy in his early teenage years tries to marry a woman more than seven years older than him much to her dismay, but they end up getting him a purification ceremony and gets her married off earlier. The relatives feel that everything is solved now, and the boy has also left the impure thoughts, but that was very far away from the truth, as he had other intentions, soon fleeing the village to the forests on the outskirts with his only sister. The boy named Gotya (Ayush Ulagadde) who is not happy with the happenings, plans to perform a human sacrifice as part of black magic, and this is about to happen under a peepal tree in the Chetukwadi forest in the outskirts of the village, but he finds himself falling down while chasing the girl, getting hurt and dying in the process. His remains are buried right beneath the tree to contain the spirit called Munjya which would do anything to get what it wishes for, no matter how many years pass.

So, what happens with the events here as we just keep looking? :: In the present day in Pune, Bittu (Abhay Verma) a young man who lives with his family which consists of his mother Pammi (Mona Singh) and grandmother Gita (Suhas Joshi), and runs a family saloon where he assists his mother while hoping to go abroad for studies. As his childhood friend and crush Bela (Sharvari) gets engaged to her British friend Kuba (Richard Lovatt), Bittu is highly disappointed. When his family travel to their ancestral village for his cousin Rukku’s (Bhagyashree Limaye) engagement, Bittu overhears a conversation about his late father’s mysterious death linked to a peepal tree in a haunted forest. There is a fight regarding his visit to the forest and the possessed tree, and the circumstances leading his father’s death have been unknown to him as they speak about it for the first time in front of him. Disturbed, he visits the mentioned place, and ends up releasing the creature, known as the brahmarakshas in the past, and it also kills his grandmother.

And what more is to follow as the demon wishes to haunt more? :: Bittu is devastated as the villagers feel that he was responsible for the death of his grandmother. His father’s brother Balu (Ajay Purkar) particularly feels the same and is not hesitant to assert the same in front of others even on the day of funeral. He leaves for Pune with his mother, but understands that the demon has imprinted on him and has followed him to the city. It is revealed that only someone who is related to his father’s family can see the demon, and therefore, his mother would not understand what is happening to him. The demon never really stops haunting him as it keeps appearing after the sun sets, and it comes out of him like in the tale of Vetala, as if attached to the person. Everyone around him feels that he is too sad about the demise of her grandmother and the related guilt that he has been taking drugs, explaining his strange behaviour. The demon says that it will not leave him until it gets what it wants, and it is not a simple thing. It wishes to get married to the girl whom the boy of the past wished to marry, but could not, despite even trying black magic. Can Bittu get him the same or destroy it in the process?

The defence of Munjya :: The movie, like the others of the same franchise, takes the roots of its horror from the folktales which had spread through the villages, and this time through the Konkan coasts which are less explored. The details are really good with the scary visuals of forests, big trees and villages making an impact. The Computer Generated Imagery works in favour of he same, and the demon’s detailing also works in its favour. The acting is also very good, led by Abhay Verma who gives life to this character incredibly well. Sharvari Wagh in this role, proves that she can do almost anything, up to that final dance, from that memorable work in Vedaa. Bhagyashree Limaye who plays the cousin also scores so well, and she blends in here really well – hoping to see her as lead soon too. Sathyaraj is the one person who handles most of the comedy, and the same works because of him – whenever he is around, this is just too much fun. Taranjot Singh also supports the humour while Suhas Joshi and Mona Singh remains memorable. The thrills feel real as much as the danger, as scares work and the atmosphere remains a gem.

The claws of flaw :: The movie does not have its humour working that well, and it is a surprise when you consider its premise – to have the jokes somewhat working around here and tries to pull this one by parts. Its feeling of the need to bring a British man to the story to make joke out of his situations was surely not funny and would remain the lowest points of the movie. The movie’s romantic side is weak, and the one romance that does seem to do dome good is that of the demon that hopes for immoral bonding in love. There is a certain amount of predictability about the happenings by the end, as we look at the whole thing. The demon could have been scarier too, when we keep thinking about the situations where the same could have been reflected. After all, so much of work has already been put into this group of movies, and one cannot help thinking about so much more that could have added as extra here. When there is a demon like this one involved, there should be no limit for scares.

How it finishes :: The movie becomes another bonus to the Stree series, and has managed to come up with a fine folktale legend with so much of ease. This is the kind of idea which has been made better by Lokah Chapter 1: Chandra now, and that much of a blending of local folktales has not happened here. Yet, we know that with the kind of demon this movie uses, it is not that easy to make things work, but we some skills at display here for sure. With a cameo in the end, the movie is nicely set in the universe of folklore. I would say that we surely require more of such movies, as local legend and folklore have been often forgotten in comparison to the commonly accepted religious narrations. It is our duty to support the local folklore as much as we keep on going through a view of the world internationally. These movies will keep us energized enough to do the same and will also keep the stories of different regions in the spotlight, for those are as much needed as the stories that come as a whole.

Release date: 7th June 2024
Running time: 123 minutes
Directed by: Aditya Sarpotdar
Starring: Abhay Verma, Sharvari Wagh, Sathyaraj, Mona Singh, Suhas Joshi, Taranjot Singh, Ajay Purkar, Bhagyashree Limaye, Ayush Ulagadde, Shruti Marathe, Richard Lovatt, Anay Kamat, Padmini Sardesai, Shrikant Mohan Yadav, Reema Chaudhary, Rasika Vendurlekar, Radhika Vidyasagar, Akshay Vengulikar, Abhijeet Chavan

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@ Cemetery Watch
✠ The Vampire Bat.

Nosferatu

Vampire Owl: Finally, our Count is coming back to the big screen.

Vampire Bat: This one is not really the true Dracula Uncle.

Vampire Owl: Well, Count Orlok is not lesser than Count Dracula.

Vampire Bat: I have heard from humans that this Orlok is an illegal version.

Vampire Owl: Well, there are no such rules in vampire kingdom, right?

Vampire Bat: Human rules need not apply here, but we should know.

Vampire Owl: We will never really know the humans.

Vampire Bat: We will know everything except their inherent evil.

Vampire Owl: Well, which is why we do not transform humans into vampires anymore.

Vampire Bat: I am sure that they want to; the greed for eternal life and perpetual youth.

[Gets a tea cake and three cups of Ooty tea].

What is the movie about? :: Ellen Hutter (Lily-Rose Depp) is a recently married young woman who has had too many nightmares in her life in the past, and it is revealed that her recent bad dream about being married to death and everyone around her dead. It is revealed that while looking for consolation from her loneliness and depression in life, during her random chants and prayers, she had ended up creating a psychic link with Count Orlok (Bill Skarsgård), or what they villagers of Romania used to call Nosferatu, with Romanian roots. The nocturnal creature of pure evil had marked Ellen from thousands of kilometres away, and this connection often led her into situations of seizures and sleepwalking. She keeps having hallucinations and a feeling of being with death, from which escape seems almost impossible. She has been living in the German town of Wisborg with her husband Thomas Hutter (Nicholas Hoult) and is irreversibly in love with him as it seems, but this connection seems to have journeyed through the unimaginable, the darkest of the woods and deepest of the rivers and lakes.

So, what happens with the events here as we just keep looking? :: It is then that Thomas accepts the offer to sell the partially ruined Grünewald Manor to a reclusive lord named Count Orlok located somewhere in Romania. Ellen talks about her nightmares and pleads Thomas not to leave for those unknown lands where a certain cursed evil lurks, but the offer from his employer is too much for him not to accept this opportunity of a life time. He leaves her in the care of his wealthy friend and famous shipbuilder Friedrich Harding (Aaron Taylor-Johnson) and his wife Anna Harding (Emma Corrin) who lives with their two little daughters. As he arrives at the Carpathians in the Transylvanian area of Romania, Thomas is warned not to wander around during the nights and not to visit Orlok. During the same night, he still wanders around and witnesses a group of gypsies running a ritual with a fully naked woman on a horse which ends with the exhuming and impaling a vampire’s corpse with a wooden stake, ending the undead life with a lot of blood coming out of its mouth. The next morning, he finds no help or support, and leaves for the count’s castle alone and on foot.

And what is to follow as the Count maintains all the control over the world known to him? :: In his castle, Count Orlok welcomed Thomas as the aristocrat that required respect at all times. But soon, his existence as something more than human is revealed to Thomas, who hopes to escape, but the paths of the castle only lead to the crypt where the count is sleeping in his coffin, and he is not able to attack him as the vampire awakens, and so do his demonic hounds. He understands that he will have to remain a prisoner in the castle forever, as the document which the count made him sign might not be the Romanian version of the deal concerning the property, but a document dissolving his marriage to Ellen and the vampire had also taken his locket, containing a lock of her hair. He understands the vampire is going after his wife, and jumps into the river below the castle to escape. But the count has already started his journey and has infested a ship which is on its way to Germany. He will not stop at anything unless he becomes together with Ellen. Can anyone stop this evil from embracing her and also spread through the whole of Western Europe? Or will the blood-seeking demon have a blood feast that will last forever?

The defence of Nosferatu :: The movie achieves atmospheric horror and thrives with the sound effects as much as the visuals. There is fear running through the air, as we rarely see a world thriving on light here. The psychological side very strong here, and the performance of Lily-Rose Depp is truly magical here, with so many moments to remember, and the final few moments of her is out of this world. I cannot stop myself from not being the new admirer of Johnny Depp’s daughter as I have been a fan of him. I can say that I have never seen the main female character of any version of Bram Stoker’s work getting such attention which is supported by a performance of grandeur. The connection to the demonic creature and talk about all of this terror has never been so perfectly detailed and connected to the female lead. Nicholas Hoult and Willem Dafoe works the roles just as expected, while Bill Skarsgård’s demon is something we have not seen before, well divergent in looks and actions to create more terror. Aaron Taylor-Johnson and Emma Corin move through expected paths. These are not just characters, but people who immerse us in their wisely created world with fine performances.

Positives and negatives :: It can be said that there is no movie based on Bram Stoker’s work that has provided an emotional and haunting touch like this one, and a terrifying vampire movie becoming an emotional tale of love and selflessness keeps us rooting for the film even more, like never before. The movie basically like music which strives for a fight against the most terrifying form of evil with love. By the end, here we know that as evil always finds a way, so does goodness and self-sacrifice. Finally, we know that the melancholy of the main character is not hers alone, but of all of us. It is a poetry on what it takes to thrive against the most ancient forms of evil. The sequence in the forest makes a fine reflection which is to come, and there are some classic shots in the castle that elevates this movie to a psychic-psychological mood which is rarely seen in the adaptations. The final image from where the camera zooms out reflects the same, and that too with a melancholic beauty. There is also some work with demonic possession, which is actually shown without any overdose. This is indeed a fine Gothic work that reflects the Victorian Age even when not in Britain. The one thing that we might really be missing is the Brides of Dracula.

How it finishes :: This is the one movie which becomes a fine divergent tribute to both the 1922 version of Nosferatu and the many later versions of Dracula as well as the original book, along with being a different entity in itself. There seems to be so many inspirations, and many creative ideas placed around here. This version is sure to be remembered as a classic in future, no matter problems critics would find, which would be lost in the process. This version might be the one which needs even more attention than what it has managed. This is that version of the vampire that maintains all kinds of feeling which are related to a vampire as a nocturnal creature that feeds from the lifeforce of humans. There are not many movies which can pay homage to so many of its predecessors and still remain something new. This one, with some fantastic performance and an atmosphere which would put even the high-budget movies to shame, manages to rise and seek theatre experience – it is quite depressing that the movie was not really found in theatres when it released.

Release date: 25th December 2024
Running time: 132 minutes
Directed by: Robert Eggers
Starring: Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Willem Dafoe, Katerina Bila

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@ Cemetery Watch
✠ The Vampire Bat.

Outside

Vampire Owl: It has been a long time since a zombie attack.

Vampire Bat: I am sure that they are preparing for an apocalypse.

Vampire Owl: There can be no zombie apocalypse in the undead world.

Vampire Bat: You feel that vampires cannot turn into zombies.

Vampire Owl: Yes, the undead are already transformed around here.

Vampire Bat: Not even when a zombie bites a vampire?

Vampire Owl: Well, vampires would bite them first and they would still remain zombies.

Vampire Bat: Becoming a vampire is an upgrade which they cannot have.

Vampire Owl: You mean vampires can go into base zombie forms instead.

Vampire Bat: Yes, it might be a first, but surely possible.

[Gets a chicken cutlet and three cups of Wayanad tea].

What is the movie about? :: Francis (Sid Lucero), his wife Iris (Beauty Gonzalez), and two sons Joshua (Marco Masa) and Lucas (Aiden Tyler Patdu) are trying to survive during a zombie outbreak which plagued their city. They run away to an old, abandoned plantation and farm house owned by Francis’ father, hoping for safety. Even though he finds his father dead by suicide before infection, her mother comes to him as a zombie, and he is forced to kill her. They decide to stay there for now, as the zombie infestation seems to have affected the area only in a lesser way. It is a world where there is no electricity or mobile phone signal. Iris feels that they should travel further north it was supposed to be safer there. Even though Joshua also feels that the northern side is safer, Francis feels that he should remain at his ancestral home to be safe, despite having terrible memories about the place from his past. With some difficulty, Iris manages to convince Francis that it is the best to move forward as the place was already attacked by zombies.

So, what happens with the events here as we just keep looking? :: Francis is bothered by his memories of the troubled past during the childhood and the fact that Iris had cheated him with his brother and the elder son was born of the brother. But they have been forgetting that past and moving on. They go back to the plantation and decides to spend they remaining days there as there is just enough for them to live through the days in peace. Francise also manages to find some fuel to keep the electricity running. It is then that Francis’ brother Diego (James Blanco) comes home while travelling towards north. But Francis asks him to leave, as he feels that it would be a strain for him and his relationship with the family. Diego is hopeful of a better future in the north and leaves a map with Francis, who decides to burn it instead. Joshua is more irritated with the actions of his father, and hopes that he could leave. It is then that an injured soldier reaches the farm – what would this mean to all of them and how will it change the situation?

The defence of Outside :: This is surely not your usual zombie outbreak movie even though it is the same in the background. There are lots of thing happening in this movie, and a zombie apocalypse is just one of them, while emotions run strong on the front. The scary side takes the secondary role as the human feelings make an impact. We see a family, especially two parents trying to make it happen for their children and keep them alive. The choices that they make finally lead to that end which remains uncertain, and as we go through this journey with them, we feel as much we understand the danger that surrounds them. Even with focus on emotions, the world past the apocalypse is well-detailed and we see enough zombies for it to stay close to the genre. There has always been something about family in trouble during an apocalypse with monsters around, like in A Quiet Place and its worthy sequel. This is the kind of situation where the viewers can place themselves, and the fear about zombies not just of the appearance, but of their existence as creatures that had an identity to remember, and one will know that tragedy when they encounter them in this movie.

The claws of flaw :: The movie could have used a little more of its zombies to create an effect, that of the prevailing danger, which is often lost in the emotional problems that occur in between. As much as the human feelings that work, the realization that this is a movie on zombie outbreak needs to have us moving forward. There will always be something else that is expected of a zombie movie, close to the infections and far away from the human interaction. You know that you are looking for less dialogues and more action whenever there is an apocalyptic event. You can have all the dialogues later when you are ready to rebuild and are doing the same. There could have also been more interesting characters, except for those who are there for a short period of time. The night and darkness could have also been used more. Some classic horror with the usual elements would have also done this movie better.

The performers of the soul :: The movie is indeed blessed with some fine performance, added nicely with emotions running above an apocalypse, as horror makes way for the feelings efficiently due to these performances. You do not usually see the emotions displayed this well when there is horror taking the base and keep the tale of a terrifying world going in the background. Sid Lucero as Francis steals the show in one of the most emotional performances that you will see around, playing a man troubled by his long gone past as much as his immediate past, living in a confusing past and uncertain future. This is that kind of a world for him where even hope is uncertain. Beauty Gonzalez who plays the only female character to be seen as human in the movie does not lag either, as we get to see a memorable performance instead of the usual running around by heroines that leads to a predictable end. Then, it is to be noted that the kids also do so well within the movie, and their work is surely a reflection of bigger things to come. We do not really know these performers, but we are immersed in their work, as we are provided a realistic side with the same in an unreal, but highly possible world as it has been depicted.

How it finishes :: This is the first Filipino movie review on this website, and after twelve years of its existence, here is one, and the right movie indeed to be reviewed as the first one. There have been some south-east Asian film reviews from Indonesian, Vietnamese and Thai to Chinese and Korean – this one gets to that list as the thirty-first language movie around here. It is great to have a post-apocalyptic movie for the purpose, just like my first novel, and this is a version of zombie apocalypse that I enjoyed. I would have loved to have more horror here, but there is still enough to be taken from this world. This is a slow, but effective journey through a world affected by flesh-eaters. This will not be your Train to Busan, Resident Evil or Warm Bodies with its zombies, but something different, and even in an undead world, as close to reality as it can get. You expect a zombie apocalypse, and you expect this one – you can also go for my novel, Wrath of the Future which is available on Amazon which has enough of end of the world scenarios with similar creatures.

Release date: 17th October 2024 (Netflix)
Running time: 142 minutes
Directed by: Carlo Ledesma
Starring: Sid Lucero, Beauty Gonzalez, Marco Masa, Aiden Tyler Patdu, Joel Torre, James Blanco, Enchong Dee, Bing Pimentel

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@ Cemetery Watch
✠ The Vampire Bat.

The Invitation

Vampire Owl: You are talking about the invitation to the witches’ lair.

Vampire Bat: No vampire goes to the land of the witches.

Vampire Owl: You are afraid of the curse.

Vampire Bat: There is no witch who can curse a vampire.

Vampire Owl: You mean vampirism itself is a curse.

Vampire Bat: We have the curse that has become a blessing.

Vampire Owl: The vampire curse has been suspected by many.

Vampire Bat: Your favourite doctor called it a bane.

Vampire Owl: Doctor Frankenstein can be wrong once in a year.

Vampire Bat: At least you agree to it now.

[Gets a chocolate brownie and three cups of Munnar tea].

What is the movie about? :: Evelyn (Nathalie Emmanuel) and Grace (Courtney Taylor) are two friends who keeps doing some freelancing for a catering business, and it seems to be working just okay for them. After taking a DNA test, Evelyn discovers that she has a distant cousin in England named Oliver Alexander (Hugh Skinner). They meet each other, and after Oliver tells Evelyn about the great scandal which happened with their grandparents, and also about a wedding of their cousin which is to take place soon. He invites her to the wedding in England, and even though it feels strange, Evelyn accepts the offer, as it is a full-paid trip all the way to another nation in another continent; she doesn’t have anyone else as part of family either. As she arrives at the grand manor of the De Ville family to whom their cousin is going to be married, she finds Walter De Ville (Thomas Doherty), the Lord of the Manor. She finds herself instantly attracted to his good looks and polite manners, even though Grace advices her not to be foolish in her actions, at least in the early stages in the manor.

So, what happens with the events here as we just keep looking? :: Evelyn finds out that there is something strange occurring in the manor, especially at night. She meets the maids of honour Lucy (Alana Boden) and Viktoria (Stephanie Corneliussen), both of them having nothing in common. It is revealed that a lady had committed suicide by hanging, and maids have started disappearing while shadowy figures seem to wander in the darkness of the night. There seems to be a certain secret about her grandmother that would be revealed, and she would feel that there is more to it than what meets the eye. But as she is infatuated with Walter, she avoids negative sides. But soon, the truth about the families would be revealed to her, and when she knows everything, it might be too late for to call for help or escape from this trap. Will Evelyn be able to escape from this family haunting and go back to the New World in the same form as she arrived in England?

The defence of The Invitation :: This is a movie which thrives on the atmosphere, as we have almost the whole of the movie happening in a very old mansion, which seems to be separated from the civilization with a long line of trees which run through the sides of the road which leads there. The reminder of a certain mystery about the family’s dark past is always there. The darkness is used by the movie to the best of effects, and there are enough terrifying effects that make fine additions. The beginning shot itself gives a clue about what is to come, and there is something eerie in the air at all times. This film reminds us that there is always something dangerous lurking in the dark shadows, nothing comes for free, even if it is within the family. The movie has the skill of creating something dangerous out of what seems to be the usual sequences, and the scares often come out of nowhere to make an impact. When we see the evil presence revealing itself, we feel the strength of truth in horror. The cast nicely works on this revelation, and the audience would enjoy it with a touch of fear. For the same, the costumes also work like a dream.

The claws of flaw :: The movie could have had a smarter ending, and the extra edition which comes after the death of the main antagonist is a big disappointment, as this is no superhero or vigilante movie to get a deviation like that. The world seemed to promise more, as we are transported to that dark atmosphere where the building and the clothing of the people around seems to hide more than what is revealed around there. The script does not try to go deep though, as the idea used here would not look that new for most people, and the attempt to end the whole thing goes through a struggle too. An opportunity at the exploration of evil has gone missing. The first half is surely better than the second, as in the end, the movie seems to be only working at going in one direction without the surprises which could have been there and connected well. The director also seems to talk about a few things which are not really connected to this film, and when losing focus just because there is a female protagonist does not do this film any good. There were many directions through which this film could have traveled, and here we only see the easy one.

The performers of the soul :: The cast is led by Nathalie Emmanuel who proves to be another talented scream queen to be added to the list. We have already seen her skills in Army of Thieves and Fast and Furious franchise where she excelled in her own way. The way in which she blends into the atmosphere of this movie leaves us impressed. Her scenes with other main characters feel very much natural and suitable for the situation. With the supporting roles, Stephanie Corneliussen goes through the more interesting and believable path. Alana Boden has a cure presence here, even though there is more about the character; yet she is used less. Thomas Doherty also makes his presence felt, and the transformation that comes across him is memorable. Hugh Skinner plays another character with a mysterious side to him, which threatens to come out. Sean Pertwee also has a strong and memorable presence. Courtney Taylor plays the small good friend role fine enough. Tian Chaudhry and Carol Ann Crawford have those smaller and yet notable roles here.

How it finishes :: We have a tale of terror nicely told here, and the entry of the vampires in a world of darkness only makes things better. The settings in this movie reminds us of the type of horror which was evident in Crimson Peak. Guillermo del Toro’s version of horror, even without vampires was a beautiful piece of horror. The Invitation does go through an unnecessary shift in between, which seems to make it lose the focus, as the mystery is revealed a little too early. But the movie stays strong with its cast and the environment which never ceases to keep us interested. We could always have a sequel to this movie though, as world like that of Byzantium or Night Teeth could be made for the vampires. Good movies with vampires have been more difficult to find these days in comparison to the world of Dracula, Carmilla and Ruthven, and taking that into consideration, this one could develop into something more with a search for blood and bloodlines.

Release date: 26th August 2022
Running time: 104 minutes
Directed by: Jessica M Thompson
Starring: Nathalie Emmanuel, Thomas Doherty, Stephanie Corneliussen, Alana Boden, Hugh Skinner, Sean Pertwee, Courtney Taylor, Tian Chaudhry

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@ Cemetery Watch
✠ The Vampire Bat.

Evil Dead Rise

Vampire Owl: I think that they are talking about me.

Vampire Bat: You are not part of any Evil Dead stuff.

Vampire Owl: I am the rising evil coming from the dead.

Vampire Bat: Yes, but the movie is surely not about your rise.

Vampire Owl: Does my rising from the dead every day bother these humans?

Vampire Bat: I don’t think that humans are bothered about dead owls returning to trees.

Vampire Owl: Don’t they have time to bother about such important things?

Vampire Bat: They are only worried about silly things which make no sense.

Vampire Owl: Yet, zombies are interested in eating their brains too.

Vampire Bat: A common zombie would eat the brain fried rice of anyone.

[Gets a paneer masala dosa and three cups of cardamom tea].

What is the movie about? :: Jessica (Anna-Maree Thomas), Teresa (Mirabai Pease) and Caleb (Richard Crouchley) are having a vacation in a cabin in the woods by the lakeside, when something strange happens to one of them. As Jessica seems to be possessed by some strange supernatural entity, there is the reminder about a series of incidents which happened in an apartment block back in the city of Los Angeles. In the city, Ellie (Alyssa Sutherland) is a single parent who takes good care of her children Bridget (Gabrielle Echols), Dannie (Morgan Davies) and Kassie (Nell Fisher), and is also loved by everyone living in those apartments. They are visited by Beth (Lily Sullivan), the only sister of Ellie who works in the music industry. They have had some misunderstandings in the past, but are back to their past as loving siblings. It is then that an earthquake hits the apartment complex while the kids are at the basement as they return with pizza and drinks. They notice that the earthquake has created a massive hole on the basement floor.

So, what happens with the events here as we just keep looking? :: Danny decides to investigate the strange hole, and discovers that there are different religious artifacts, along with some phonograph records and a strange-looking book which he takes back up to his room, even though the other children are not really fond of the findings. It turns out that the Book of the Dead has been found, and as he plays the phonograph records against the advice of Bridget, he unleashes the demons. These creatures take control of Ellie in the elevator through the vines which runs through her body, almost twisting her body parts. As she returns to the apartment, she begins to act strangely, and collapses all of a sudden. Beth and the children feel that she is dead, as there is no sign of life in her body. Her body seems to be in a somewhat decomposed already. But very soon, Ellie seems to wake up from her sleep, confused for a few seconds, but soon getting to attack her own family. All the family members work hard to keep her outside their apartment, but the possessed mother ends up murdering everyone in the nearby apartments who try to come out.

And what more is to follow in this tale of evil unleashed from a book of the dead? :: Ellie in her possessed form is still smart enough to almost make Kassie open the door for her. Bridget soon finds herself also possessed by the demons after being attacked and wounded by Ellie. Meanwhile, Ellie finds out that vents can be a good option to attack her own family. Bridget soon begins to attack the family, only to be impaled by accident by Kassie. Beth tries to learn more about the demons by listening to the phonograph. At the same time, Bridget manages to rise from the dead again, and Ellie gets into their home through the vents. At the same time, the dead people outside also find themselves alive in their undead state, ready to attack the family. They declare with confidence that the whole family would by dead by dawn. At the same time, the elevator doesn’t seem to work, and the stairs have also collapsed. There is the option of fire escape, but that would be a long distance away, with the undead awaiting them outside their home. Now, can Beth find a way to save what remains of the family with herself? Is there any chance to stop the possessed Ellie and Bridget? Does anyone know how to stop the ancient demons right out of the Book of the Dead?

The defence of Evil Dead Rise :: This rise of the dead makes sure that things get interesting from the beginning stages itself – it is the first few minutes that establishes the return of horror like no other moment. There are some nice dialogues which contribute well to the horror too, and most of them come from the main antagonist herself. The tall Los Angeles building seems to serve the demons’ purpose very well, if used well enough. The bloody side is strong, and the elevator filled with blood makes the point well. There is some difference from the other movies in display here too. The leading ladies have also come up with some fine performances. Lily Sullivan is the scream queen who can do wonders with a possible sequel too, as she has already shown here. Alyssa Sutherland is a fine possessed creature in the movie, even though the humour added to her character make it feel strange at times. Another interesting thing would be to guess how Anna-Maree Thomas would work with her character in the next possible movie if it chooses to continue this story, and one would also like to see Mirabai Pease in an alive character. The dark and gloomy atmosphere of this world would stay for long, that is for sure as we wait for more sequels.

The claws of flaw :: It is surprising that Evil Dead Rise often descends too much into comedy instead of continuing as the terrifying piece that it was always expected to be. It didn’t need those silly sequences which weakens the demon power. After all, these are demons who are to make human lives living hell, and they are required to act like them. There could have been more scary sequences used, and the shocking elements used here are not of that much of an effect. The demons could have come up with so many things with their chaotic skills, but it is too much limited in scope. The makers have to remember that these are not the viewers of those days when those first three movies released. There was the need for more innovation to make things better. The vine scene in the elevator could have been creepier, as the same in the forest was more terrifying in nature with the support of the environment. The surroundings of the tall apartment complex could have also been better used. You just cannot expect blood and gore to do the job all the time, as some real terror can always do better. When we look at the film reviews too, there is much more that everyone had expected, seemingly clear from the reaction of the audience in the theatre.

How it finishes :: When it is the case of Evil Dead, we are all interested. We have all been interested from childhood itself, as it has been that franchise which introduced many of us into the bloody and gory horror which knew no substitutes. Whether it is with the older franchises of horror or with those newer ones, there is nothing that matches the level of Evil Dead. The earlier version of the movie had come out in 2013, and it was no exception. The first movie was there before we were born, and that was legendary. This one comes so many years later, and during these times, it is even more difficult to make the horror work with such efficiency. This version of the movie manages to do the same up to an extent in style. There are indeed those moments to remember in this film, and we are only glad to have this particular sequel, which leaves the door open for more. The demons of Evil Dead will always have a different status in comparison to others, and the newer crowd favourites like The Conjuring, Insidious, Sinister and Annabelle can remember.

Release date: 21st April 2023
Running time: 97 minutes
Directed by: Lee Cronin
Starring: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher, Mirabai Pease, Anna-Maree Thomas, Richard Crouchley, Jayden Daniels, Billy Reynolds-McCarthy, Tai Wano

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@ Cemetery Watch
✠ The Vampire Bat.

Ghostbusters: Afterlife

Vampire Owl: You mean to say that they want the ghosts dead.

Vampire Bat: I am pretty sure that vampires are not included in the list of ghosts.

Vampire Owl: So, they wish to kill us in some other movie.

Vampire Bat: Still, not as much as they have murdered their own kind.

Vampire Owl: That was not enough for an extinction event though.

Vampire Bat: Humans will be extinct sooner or later.

Vampire Owl: Have you checked all possible extinction events?

Vampire Bat: Yes, humans are part of nine thousand out of ten thousand of them.

Vampire Owl: They do have a fair chance to go extinct then.

Vampire Bat: Yes, good for the world around them, right?

[Gets a chocolate cake and three cups of elaichi tea].

What is the movie about? :: It is shown that there is a hunt for a supernatural entity which leads to the death of the man who tried to trap the creature. This leads to his daughter Callie (Carrie Coon) inheriting the farm. As a single mother, she struggles to pay the rent for her apartment. Her children Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace) are not that fond of the happenings around there. The three moves to the house with the farm which is passed on to them. The new town where they live seems to have earthquakes at all times despite having no seismic activity recorded – there is no volcano around, and not even some loud noise in this town where nothing much happens. Trevor is infatuated by Lucky Domingo (Celeste O’Connor) who works at a nearby diner, and seeing a vacancy there, joins the place for work. Meanwhile, Phoebe joins the class of Gary Grooberson (Paul Rudd), who is there just for the sake of it, and plays movies for the students.

So, what happens with the events here as we just keep looking? :: She also meets Podcast (Logan Kim), another student who is interested in science as much as she is. The three becomes infatuated with a device which Phoebe finds at home, and it turns out to be a ghost trap. Gary who has been a fan of the Ghostbusters for a long time, tampers with the trap with the help of his students, releasing one of the spirits that scares them and immediately flies into the nearby closed mine – the locals used to believe that the place was haunted too. Callie and Gary seem to instantly attracted to each other as the three comes to the inherited home in the middle of nowhere to find clues related to ghosts. Meanwhile, Trevor and Lucky on a trip with their friends also come across a spirit which they seem to dismiss as some random smoke coming out of the abandoned mine as part of some natural process. But a word seems to stay stuck with them.

Now, where would the ghosts lead further in this tale? :: Soon, Phoebe discovers a secret laboratory underneath the outhouse on the side of their house, and it seems that there was more to her grandfather than what met the eye of the villagers who called him the dirt farmer who farmed nothing other than dirt. He was doing some special work indeed. It turns out that the ghost of the grandfather is still there, and he hopes that his grandchildren will take over the Ghostbusters procedures. Phoebe seems to be able to enjoy that prospect very much. But will the very young new generation be good enough to come with a new level of ghostbusting while working against all odds? With a new terrifying evil ready to be unleashed, how good can a group of kids leading a team be? With the evil predating everything that they know, how good can modernity work against such evil grandeur of ancient times?

The defence of Ghostbusters: Afterlife :: The movie would be very interesting for those who grew up watching the original movies of the 1980s – seems like some doses of nostalgia being in store here and there. The setting at a town in the middle of nowhere with some nice locations which are even more remote – things one get better from there. The humour works well in here too. The action is big enough, and there is a lot happening in the final stages with the fights going on against the creatures from the other world. The special effects are pretty well done, even though not with every ghost – the final demonic arrival is a sight to be appreciated though, with the background effects also playing some fine roles. Mckenna Grace remains the soul of this movie, and the one child ghostbuster that you are going to remember for long, with moments to remember. Carrie Coon – Paul Rudd moments also bring some unexpected fun. Celeste O’Connor – Finn Wolfhard team is also an enjoyable one around here.

The claws of flaw :: Anything that is specifically intended for the old fans of the franchise which started in the 1980s won’t work for us, as the series didn’t have much of a fan base in this part of the world which was more into those spirits of Evil Dead, Nightmare on Elm Street, Friday the 13th and others. It was also a reason for the reboot making no impact around here. This one which take place more than thirty years after the 1980s works seem to do better, but doesn’t make an impact around here either. Well, with The Conjuring having brought its own methods of hunting spirits, this method would surely seem less effective – this still seems to be twilight times of The Conjuring franchise and that brings some chance for another sequel. There could have also been some deviation from what seems to be less suited moments around here. It could have also been less inclined to be suitable for children, as ghosts have evolved enough during these days. The beginning stages also take some time to get going, thus stretching the movie to something above two hours.

How it finishes :: Ghostbusters: Afterlife works well with its elements, and seem to know the strength to use to the advantage – the same is done in most parts, even though the film doesn’t go on to become the perfect return vehicle for such ghosts of many people’s nostalgia. Not to be confused with Resident Evil: Afterlife, this movie has enough hunting of ghosts to keep us interested. With another sequel, much more can be achieved by this particular franchise, which seems to have enough family-friendly ghosts in action. Well, this is one film with ghosts which can be watched with all kinds of people as audience. One one side, we have The Conjuring, Insidious, Ouija, The Curse of La Llorna, Sinister, The Nun, Annabelle and team, and on the other side we have this one which is not really for the scares, but has its own ghosts to keep the haunting going strong. Well, as much as we need those other films, this one is in requirement too – no doubt about that.

Release date: 19th November 2021
Running time: 124 minutes
Directed by: Jason Reitman
Starring: Carrie Coon, Finn Wolfhard, Mckenna Grace, Annie Potts, Ernie Hudson, Paul Rudd

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@ Cemetery Watch
✠ The Vampire Bat.

Don’t Kill Me

Vampire Owl: At some point, a werewolf asked me not to kill him.

Vampire Bat: So, you have started fighting werewolves on your own.

Vampire Owl: No, it was an arena battle during the last carnival.

Vampire Bat: Why would you kill a werewolf on an arena?

Vampire Owl: It was part of a great, memorable drama.

Vampire Bat: I knew it. You wouldn’t even slay a zombie juggernaut.

Vampire Owl: Why would I? Let them eat the brains of evil humans.

Vampire Bat: All zombies are not interested in human brains. Some of them just sleep in their graves at all times.

Vampire Owl: They are not undead – they are just the dead.

Vampire Bat: Well, zombies do have the right to make their choices too. Some of them even fall in love.

[Gets a vancho cake and three cups of cardamom tea].

What is the movie about? :: Mirta (Alica Pagani) is madly in love with her boyfriend and drug addict Robin (Rocco Fasano) who is detested by her parents. One day, she decides to have drugs with him, and an overdose leads to the death of both of them. But soon enough, she finds herself waking up in the tomb. She escapes from her tomb in the mausoleum where she was laid to rest and starts walking towards her home. But she understands that she is dead, and leaves the house soon enough. The police informs her parents that someone has stolen her parents. She knows that her body has started decaying, and there are also people hunting her. A strange person also visits her home, and says that they are going to protect the living from the dead – he adds that the parents are going to see their child very soon, but she won’t be the person whom they knew earlier. Soon, she ends up committing her first murder, and after eating the man, feels much better.

So, what happens with the events here as we just keep looking? :: But soon enough, she will understand that there is something more going on out there. There is a sect that has been hunting her kind from 1600s – destroying those who come back to life instead of staying dead, known to the secret organizations as the overdead. The group seems to be heavily organized, with lots of money, weapons and other resources. Mirta does find some help, but she wishes to go back and find Robin, hoping that he will also wake up at some point, as they died in almost the same way. But she is captured by the group, and is put in chains. It is then that she realizes that Robin has also come back to life. But that would also leave her with more revelations about what has happened with her life. It will also mean that she will have to make her own decisions against her heart. Where will that lead her in the end? Is there a war coming between the humans and the overdead? Will she choose one of those sides?

The defence of Don’t Kill Me a.k.a. Non Mi Uccidere :: This is a movie which comes up with some fine surprises, and even shocks in relation to its zombie world. It doesn’t hesitate to try something different, and take a few risks with its progression and scenes. The ability to stay unique in a world of repetitions is to appreciated. There are a few bloody moments in the final scene of the movie, and that result of an undead fighting the hunters has some quality setting which is going to stay for long. The moments of the protagonists meeting after dead are strangely interesting too, and there was that twist that worked out there. The bath scene seemed to point to some of the tales of the witches from the past, and maybe this will also come up with more links if there is a sequel. The visuals are really good here, not just with the scenery, but also with people and objects. The environment has worked in favour of the movie too. The message here seems to be about being careful about whom you are obsessed with, and that it is not about looks in a relationship. The movie also encourages one to take the path required instead of going with the flow.

Positives and negatives :: Don’t Kill Me does more than what was expected from it, and we are only to witness the same. It doesn’t overuse any of the special effects, and keep them to the minimum, but in an effective way. The idea here seems to be about using lower budget to achieve more. It does leave a few things to the imagination, without trying to explain them all. It could have also linked its sequences better, instead of seemingly straying from the path to come up with one scene or the other. Despite the zombie existence, you would still imagine Alice Pagani in a vampire movie, because the looks seem to work well with such an option – the Gothic world seems to suit her well. I would like to see her as part of an Underworld movie at some point of time. She is also suitable for the mood of Byzantium and Interview with the Vampire. The ability to move away from silly romance and keeping it natural also helps here – this movie could have easily been Twilight, but thankfully it is not. This one is a serious adventure at hand. The blood and gore is present, and still continues to be in control.

The performers of the soul :: The movie has its soul fixed on Alice Pagani, an actress who has made the transformation into the undead very smooth and believable – you don’t become the undead that easily and make it feel natural. She has this one in control throughout its run, as the confused youngster in love who doesn’t know much about what she has been forced to go through. Even in a decayed zombie form, she remains beautiful, and displaying the human confusion seemingly in an attempt to retain her humanity. She is there in every key moment of this movie, as if she is this movie, and it is all about her. Despite the thriving human beauty, she will make a fine undead, maybe even a vampire – Hollywood should have her. Rocco Fasano, for most of the movie, is the Robert Pattinson of this movie, the much liked Edward Cullen who is without his Twilight – has the looks of the undead working for him. They have some interesting scenes together, but there are not that much either – the romance doesn’t get overdone, and that is a nice way to keep away from the commonly expected undead infatuation.

How it finishes :: There are the usual romantic zombie movies like Warm Bodies which try to go the Twilight way, and then there is this one, which tries to be as divergent as possible. It knows that it has to be innovative in the zombie horror genre, as the idea has been repeated too many times. This is the realization which makes the whole thing better. One can only feel that Andrea De Sica is a visionary director who has brought another zombie origins story which can have a prequel or a sequel according to the need, as this one doesn’t end here at all. Italian movies have had some quality works in the last few months, like Security and A Classic Horror Story, both of them coming up with their own divergence in the process. When we look at these movies, despite the genres to which they belong, there is no exaggeration at all. Well, you know how wrong you can go with the zombies, and how much nonsense can be added in the name of the undead – here, we get them in our world, without those unnecessary ornaments or overdose of romance. The low ratings seem to be from those who expected a Twilight, but the beauty of this movie is that it is not here.

Release date: 21st April 2021 (Italy); 21st February 2022 (Netflix)
Running time: 90 minutes
Directed by: Andrea De Sica
Starring: Alice Pagani, Rocco Fasano, Silvia Calderoni, Fabrizio Ferracane, Anita Caprioli, Sergio Albelli, Giacomo Ferrara, Esther Elisha, Kateryna Aresi, Francesca Alice Antonini, Federico Ielapi, Marco Boriero, Marco Matteo Donat-Cattin, Marco Pancrazi

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<<< Click here to go to the first Italian film review here.

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@ Cemetery Watch
✠ The Vampire Bat.

Army of the Dead

Vampire Owl: We are the Army of the Dead. This movie should be about us.

Vampire Bat: We are not the Army of the Dead. We are the Army of the Undead.

Vampire Owl: You mean to say that they are different from each other.

Vampire Bat: Yes, there is also an Army of Darkness, you know.

Vampire Owl: Okay, still it is the dead that becomes the undead.

Vampire Bat: Well, death is a beginning, and for the undead, it has already begun.

Vampire Owl: I think that you are pointing to the zombies as the dead.

Vampire Bat: Yes, without full brain acitivity, they are to considered dead rather than undead, as we look closer at them.

Vampire Owl: Well, not all of the dead are undead, we can be sure about that.

Vampire Bat: I am sure that this one has some fine zombies though.

[Gets a vegetable pizza and three cups of iced tea].

What is the movie about? :: A convoy coming from Area 51, the highly classified United States Air Force facility located within the Nevada Test and Training Range collides with the car of a newly married couple on a highway near Las Vegas. The high level of secrecy surrounding the base had already brought enough conspiracy theories to the scene including UFOs and aliens which are regular part of such talks. This time, the package which was part of the convoy is revealed to be a zombie, a very strong muscular creature which escapes, and during the process kills all the soldiers, among which some of them are infected and transformed into similar creatures, seeking to attack more humans. The zombies do head to the city, and infect most of its population. The United States military faces suffer heavy casualities, and is forced to retreat while facing the ever increasing hordes of zombies which are not that easy to kill as they only get stronger. The government decides to do what they considers to be the last resort, to deploy a tactical nuclear strike on the city to end the zombie threat forever, even though there are protests against the same.

So, what happens with the events here as we just keep looking? :: Later, the very rich and influencial Japanese casino owner Bly Tanaka (Hiroyuki Sanada) and his associate Martin (Garret Dillahunt) asks a former resident of Las Vegas and earlier mercenary, Scott Ward (Dave Bautista) who is currently working at a burger joint to take over a job to recover two hundred million dollars from his casino vault in the quarantined Las Vegas. The time is running out, with the nuclear strike coming up. Ward agrees and recruits his former teammates Maria Cruz (Ana de la Reguera) and Vanderohe (Omari Hardwick) as the maim mercenaries, along with a helicopter pilot Marianne Peters (Tig Notaro), a safecracker Ludwig Dieter (Matthias Schweighofer), and a sharpshooter Mikey Guzman (Raul Castillo), who also brings his associate Chambers (Samantha Win). Martin also joins them to make sure that there is access. They have a thirty two hour window to do what they have done the best in history, and even though they cannot fly in due to flight restrictions, they can fly out in one of the rescue helicopter located at the top of the casino.

And what is with the humans and the zombies which we have around here? :: As they are not able to find a way inside, Scott searches and finds his daughter Kate Ward (Ella Purnell), and offers her his share of the millions, asking her to help him get into the city. Kate directs them to Lilly (Nora Arnezeder) or coyote, a smuggler who knows the city. Burt Cummings (Theo Rossi), an abusive security guard who knows exactly what happens inside with the zombies. When Kate understands that Geeta (Huma Qureshi) also went into Las Vegas with two others, she feels that she should also be inside. Being the badly raised dumb kid that she happens to be, she stops at nothing to get what she wants, and the returned father figure can only agree. When inside, the common zombies are not the only ones that they have to face, for there are zombie animals too, including a zombie tiger. There are also a different kind of zombies, which are not the usual mindless ones. They are smarter, faster and better organized, with a mark on their territories. It won’t be that easy to dupe these zombies. Can they get what they want and make it out?

The defence of Army of the Dead :: It is clear that we haven’t had a full fun zombie movie like this one for a long time, and there is a lot of entertainment with the action, thrills and even a certain amount of horror that has been going on with the undead creatures. It also has some humour in between, and a fine detail of the post-apocalyptic world as well as the zombie attacks with descriptions to support them. Among the performers, Dave Bautista and Ana de la Reguera are at the top, with Nora Arnezeder and Matthias Schweighofer following closely. The man who is known as Batista in WWE is another one of those ring performers who has done so well in cinema, after Dwayne Johnson’s classic performance, and also John Cena up-to an extent. Ana de la Reguera and Nora Arnezeder are perfect lady soldiers who know exactly what they are doing. The movie, with its ending, also leaves something for a possible film in the future. Even though it is pretty much a long movie, you don’t really feel the length, as there is so much of action going on at all times, and we are indeed taken to this world of post-apocalyptic chaos.

Positives and negatives :: There are moments which this movie could have avoided to cut down the length, and it also kills one of its interesting characters too early – Samantha Win played quite a strong soldier who is lost before the big battles begin. Ella Purnell, even if meant to be irritating, plays the character that causes the death of most of the character – one of the most foolish characters ever in an action movie, for only horror films have dumber characters suiting them. Huma Qureshi is also here, but she is also wasted in a character which provides nothing good to the movie – without her, the film could have been shorter as there was no need to spare some time for the unnecessary. At least half of the characters are not made to be memorable either. This is also a movie about which not many people knows, and that is a disappointment – it could have had some advertisements in this part of the world, as it is something which will appeal to our audience too. Zombies will catch our attention as much as any undead creature rising from the dead.

How it finishes :: With the title, one wouldn’t really know if this is about vampires, zombies or ghosts, but the zombie idea also does work that effectively as any other monster, proven already in Warm Bodies, World War Z and so many Resident Evil films which kept coming back again, one after the other. This one makes a fine progress with the story, even with some predictability in store, and as it does have a lot of action to go with it. The movie is indeed an all-rounder, and you can feel that quite early itself. Even though the corona virus pandemic didn’t create the zombie apocalypse as a gamer or zombie-movie lover would have anticipated, it is only safe to say that there is always hope for something like it in the future. When that zombie pandemic happens, we will have watched some quality undead hunting movies like this one, and we will be ready. After all, Zombieland already has us partially prepared for the big event. For the rest of the procedure, the next sequel of this particular movie will keep us prepared.

Release date: 14th May 2021 (Netflix)
Running time: 148 minutes
Directed by: Zack Snyder
Starring: Dave Bautista, Ana de la Reguera, Ella Purnell, Nora Arnezeder, Omari Hardwick, Theo Rossi, Matthias Schweighofer, Hiroyuki Sanada, Tig Notaro, Raul Castillo, Huma Qureshi, Garret Dillahunt

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@ Cemetery Watch
✠ The Vampire Bat.

Night Teeth

Vampire Owl: And finally, we have another vampire movie.

Vampire Bat: I don’t think that this is about our kind of vampires.

Vampire Owl: They seem to drink blood really well.

Vampire Bat: Yet, they seem to be like a new group of vampires.

Vampire Owl: There is no new or old groups among true vampires.

Vampire Bat: You were the one leading the protest against the new batch of sparkling teenage romantic vampires.

Vampire Owl: Well, I have now become a more inclusive vampire.

Vampire Bat: You are acting like the Vampire Chameleon.

Vampire Owl: That guy has been dead for years now.

Vampire Bat: Yet, you are trying to replace him.

[Gets a chocolate cake and three cups of tea-coffee mix].

What is the movie about? :: Vampires and humans have co-existed through the years, and the former has fed from the latter only through a mutual agreement, which means that there was no chance of a battle between the two races. The living and the undead has kept on going without any problems coming in between. There was also a truce, and as vampires continued to get better, humans continued to make themselves believe that the creatures of the night didn’t exist. Vampire continued to try and hide their existence, not feeding on the unwilling and never entering the human area without permission. Benny (Jorge Lendeborg Jr) is a college student who is working part-time as a as a chauffeur, temporarily replacing his brother Jay (Raul Castillo), who was going to apologize and make up with his girlfriend. Jay has also realized that the vampires have broken the pact and entered the human area, also feeding from a lot of them, as well as committing murders. His girlfriend Maria (Ash Santos) is also among the latest ones taken by the vampires as many encounters happen.

So, what happens with the events here as we just keep looking? :: Benny, a Spanish speaking immigrant, is the usual local college student who is not aware of all of these, and was going on with his happy and carefree life until then. He was the one who forced to Jay to let him be the driver for a change. As he goes to the rather rich area to pick up the riders, he meets Blaire (Debby Ryan), who seems to be really friendly. The other girl Zoe (Lucy Fry) doesn’t seem to be that friendly, but does seem to be talkative enough, in a strange manner. They even talk about the possibility of this being his last day on Earth. They do arrive at grand location where the party is taking place, and he hears a woman screaming from inside. At the same time, a war between vampires and humans are coming, because a very rich and influential vampire lord Victor (Alfie Allen) is the person who has intentionally broken the truce for no reason. Jay is actually part of a human group which is charged with maintaining the peace between the two races. As Jay and his friends start hunting down the vampires, Victor plans to finish off his fellow lords and gain all the power. So, what role does Benny play among all these around here?

The defence of Night Teeth :: There are some very interesting scenes in this movie which once again brings the vampires to the human world without pretensions. One has the feeling that this could go the Twilight way and make a mess of the whole thing with full teenage vampire romance, but such a thing doesn’t happen at all. The visuals are nothing less than stunning, as we go through this vampire-infested world in the nights with classic style buildings and lights – the blood also runs strong here, adding to the overall creepy beauty of the atmosphere. The pace is always good around here, and the vampire situation that we see here has been nicely arranged. The vampire-human clash in the city is basically like something that we have seen before, but being much better, like a battle between gangs or races nicely set in a better environment with a divergence. There is a continuous flow of a beautifully stylish world that is going on here, with a touch of horror, as blood runs through. Even without that much of backstory being told, the tale goes on really well.

Positives and negatives :: The movie does succumb to the usual tendency of such vampire stories to go through the predictable path, and that which appeal only to a certain amount of audience. Yet, it manages to come back up in the path whenever it seems to be a little lost, with the style and some nice humour that seems to come as a welcome addition. The humour comes in to join the horror and the thrills, and makes them more entertaining. It is a reminder that the funny side can compliment a horror movie really well, and it was what the film, Black as Night had missed while trying to add some dumb humour and some nonsensical history in between. The cast has also been perfectly chosen, even though there might still be some names which one would also like to have around here. There are some fine action scenes in here, that is for sure, and the vampire girls lead in that quite well. The movie also sets a fine ending which has scope for a future sequel. The music is really good, and set things up nicely for the happenings of the world. The movie does have some good fangs at the needed areas.

The performers of the soul :: Jorge Lendeborg Jr plays the protagonist caught between vampires really well – he seems to suit the situation nicely. He has the confusion being dealt with nicely, but even has enough to be a vampire himself. Yet, there is nobody who suits the nice vampire role better than Debby Ryan, who also has her moments of vampire intensity. One another day, she could be part of a horror slasher movie as a scream queen too, with blood seemingly doing well with her. Lucy Fry had played a vampire about seven years ago, and she is doing it again – this time, she is part of a much better movie, and has a lot better role to perform, as she becomes the perfect nocturnal creature in need of blood and enjoys all the violence that she inflicts. She has the kind of look here that one wouldn’t doubt if she is not really a vampire, even from a distance. I would love to have her as a major antagonist in more than one horror movie. Raul Castillo and Alfie Allen are the strong ones belonging to two sides. One would also love The Voyeurs‘ own lovely Sydney Sweeney and the always charming Megan Fox playing two superior vampires, but we could have actually had more of them here, especially the former who makes a very interesting character in a short time.

How it finishes :: We are never short of the need of the vampire movies to entertain us, for vampirism shall never leave the audience, being an idea of quality since Lord Byron’s physician, William John Polidori published the first vampire novel, The Vampyre. After all, vampires are as immortal in literature and cinema as the vampire characters happen to be in fiction, their immortality in their ability to entertain the viewers rarely questioned. This one, with a touch of the modern age, doesn’t fall behind, even though I did have my doubts after watching the trailer. Well, this is one of those movies which manages to do a lot better than what the trailer had brought us – the movie seems to realize that its strengths are best shown as a whole rather than in parts. You are going to remember the humour in this movie as much you remember those moments of action with blood having a say. In the end, you will remember that the vampires are forever, and they will keep coming back in different forms in different movies like the certainty of Corona virus taking different forms and coming back for more of infections.

Release date: 20th October 2021 (Netflix)
Running time: 108 minutes
Directed by: Adam Randall
Starring: Jorge Lendeborg Jr, Debby Ryan, Lucy Fry, Raul Castillo, Megan Fox, Alfie Allen, Ash Santos, Marlene Forte, Bryan Batt

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@ Cemetery Watch
✠ The Vampire Bat.

Blood Red Sky

Vampire Owl: Now, this is the type of title that I would prefer for a movie.

Vampire Bat: You are planning to make a movie too?

Vampire Owl: Yes, Doctor Frankenstein will be directing it.

Vampire Bat: Well, not the best director for our kind of a movie.

Vampire Owl: He has assured us that this movie will be the highest grossing vampire movie in the history of our realm.

Vampire Bat: I assume that it would be science fiction then?

Vampire Owl: You know that Doctor Frankenstein doesn’t talk science outside the laboratory anymore.

Vampire Bat: His type of science is the best when not talked about.

Vampire Owl: You are talking ill about an award winning scientist.

Vampire Bat: I am sure that he paid a million for that particular award.

[Gets a strawberry cake and three cups of white tea].

What is the movie about? :: An airplane which was supposed to have been hijacked, lands at an RAF base in Scotland. As the soldiers try to get the people out, Elias (Carl Anton Koch), a little boy is the first person to come out, and he is taken into a room, where he recollects the happenings during the flight, seemingly in terror. Back to the past, Nadja (Peri Baumeister), a widow from Germany, is taking a flight to the United States, where she could be treated for blood cancer better, and Elias, her son, joins her at the airport. They come up against Farid al Adwa (Kais Setti), a physicist, who helps them with their luggage. Nadja continues to look really ill, and taking her medicines doesn’t seem to help at all. As the passengers begin to sleep, a group of men supported by the co-pilot Bastian Buchner (Kai Ivo Baulitz), find and attack the three air marshalls in the flight, murdering them. Soon, the gang take over the flight, after getting rid of the pilot.

So, what happens with the events here as we just keep looking? :: The team tells the passengers that their requirement is monetary, and if nobody tries to do anything nasty, it will remain safe for everyone. They also re-programme the black box, after which they deviate the flight towards another path. As Elias tries to run away to a hiding place in the plane, one of the attackers shoots Nadja, and leaves her behind, considering her as dead. But it seems that Nadja has secrets of her own. Nadja, even though weakened, manages to access the cargo hold, and removes the contact lenses and dentures that conceal her mutated eyes and fangs before managing to kill and feed on a dog. It is revealed that she was bitten by a vampire which also killed her husband on a winter night when their car broke down. She regains her strength, and attacks one of the hijackers who come that way, killing him. She realizes that her vampirism is coming back to her, as she also feeds from the hijacker. Now, the hijackers have an adversary that they don’t want. But is she good enough?

The defence of Blood Red Sky :: The idea is good, as there is a vampire on the airplane, and we don’t usually get that – there is a certain amount of creativity in bringing a different vampire world unlike what we usually have. It brings a dangerous situation, and then makes it even more dangerous from multiple sides. Each minute, there is no real relief, as the situation only gets worse for the living characters. The movie has no real heroes, and it doesn’t claim to have some supernatural being saving the day, for the bloodbath won’t leave many people behind if it was a real thing. There are some moments which stand out, including different transformations, and quick as well as gory attacks. The mother-son bonding is also good, especially in the beginning stages. There might not be many other movies which connect motherhood and vampirism, and here, the vampire has its own divergence, even though not by that much of a distance. You are never short of blood and gore with vampirism around.

The claws of flaw :: This premise could have developed into something bigger, and there could have been some fine action sequences as well as moments of horror which would bring the shock and stay for long, but that chance is not taken here. You have a vampire on a flight, and also a few hijackers – things really need to get bigger. While holding on to many elements, it sometimes losses grip on its most valuable asset, the vampire mother who has just unleashed the creature in her. Sometimes, the action doesn’t get the attention that it deserves, and during some moments, horror just takes the backseat, leading to the movie losing the advantage. The hijackers here could have also had better motives, and some of them could have actually had specific characteristics as well as a background tale – here, only one of them seems to have the same. Turning more people into vampires is not always the best option to make a movie better – this film seems to like the idea of having a vampire full-house airplane though.

Performers of the soul :: Peri Baumeister leads the way in this movie here, and she does that in a way that catches our attention a lot in more than one mode. She is strong as the motherly figure, and as a vampire, she takes the creature’s features with ease. It is a performance that many others playing vampire characters can note. She goes through the motherly love and vampire thirst for blood at the same time, or interchangeably. Among the villains, it is Alexander Scheer who gets the most of the villainy, even though the vampire-thing doesn’t work well for him. Dominic Purcell who plays the leader doesn’t get his due at all, as death comes early for him. Roland Moller also has his own different moments, and he could have made one smart villain – leaves a mark as he does now though. Carl Anton Koch who plays the son has his moments, but there are a few which doesn’t suit. Kais Setti is there from the beginning to the end, and he also has some fine job to do. Another one to be noted is Kai Ivo Baulitz.

How it finishes :: Like Train to Busan, this one is Flight to New York, and with vampirism spreading quicker than ever, one could actually replace the vampire here with a zombie, and still have the film working – with a little concern about the slower pace of zombies. Placing vampires on the airplane is an idea that can hold on strong, better than placing them in ships or trains. This film seems to have finished the idea though, without scope for a sequel, but we know that sequels can come out of nowhere. We are never really short of vampires, for we have placed them with werewolves in Underworld series, as mother-daughter duo wandering around the world in Byzantium and at many other places. Anne Rice, the author of The Vampire Chronicles who recently died, had brought some fine works which could be made into movies, taking some fine form in the form of Interview with the Vampire starring Tom Cruise, Brad Pitt and Antonio Banderas. We have had so many vampire novels, films, series and others in quick succession – this one also adds on. Netflix surely has the better vampire flick, as what Amazon Prime could get was Black as Night.

Release date: 23rd July 2021 (Netflix)
Running time: 121 minutes
Directed by: Peter Thorwarth
Starring: Roland Moller, Peri Baumeister, Chidi Ajufo, Alexander Scheer, Dominic Purcell, Rebecca Dyson-Smith, Graham McTavish, Kai Ivo Baulitz, David Hurten, Kais Setti, Nader Ben-Abdallah, Jan Loukota, Florian Schmidtke, Jacqueline Macaulay, Holger Hage

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@ Cemetery Watch
✠ The Vampire Bat.

Peninsula

Vampire Owl: So, we do have the return of the zombies after a long time.

Vampire Bat: Well, Train to Busan always deserved a sequel.

Vampire Owl: We remember that it was the one movie which took us to Korea.

Vampire Bat: It led to our first Korean films on Movies of the Soul.

Vampire Owl: I remember that there are many other films which followed.

Vampire Bat: That was our entry into South Korean movies.

Vampire Owl: Only to have movies in many other languages follow.

Vampire Bat: South Korea should be among our dream nations too.

Vampire Owl: As far as Asian nations are concerned, I don’t see why it shouldn’t be.

Vampire Bat: Yes, we have visited only Singapore, Thailand, Indonesia and Malaysia in the east so far.

[Gets a marble cake and three cups of mixed tea].

What is the movie about? :: As a zombie outbreak occurs in South Korea, nobody has any clue about how it started, even though a particular bio-facility is suspected, and there is also no idea about how to contain it. There was pandemonium breaking loose in South Korea though, as people were believing in rumours circulating online, and traveling to safe areas further south – in the end, no place was safe, except for, maybe North Korea. As Captain Jung-seok (Gang Dong-won) of South Korean Marine Corps drives his family to safety, he ignores everyone seeking help on the way, suspecting that they could all be infected. But the infection has also spread in the ship, and more and more people are transformed into the zombie-like state. His nephew and sister are among the people who are bitten and lost to the disease. As they are re-routed to Hong Kong, while the world nations try to quarantine South Korea in whichever ways possible.

So, what happens with the events here as we just keep looking? :: South Korean refugees were no longer accepted in other countries, and the quarantine continued for four years, without any break in between. Later in Hong Kong, Jung-seok and his brother-in-law Chul-min (Kim Do-yoon) are recruited by some Chinese gangsters for a mission which includes retrieving a truck containing millions of dollars from South Korea. They would be paid half of the money if they come back with it alive. As they are certain that they won’t be given refugee status, and are going to be discriminated, they decide to take the offer. They go in at night hoping that they can stay undetected from zombies and most of the ships patrolling the peninsula, and for others, they can pay cash. With the help of the gangsters and their influence, they manage to get there and also find the truck, following it up with the murder of the zombie driver. But this mission won’t be that easy as they thought, as there is something else.

The defence of Peninsula :: Train to Busan was a favourite, and as Peninsula maintains the same spirit up to an extent, we can say that there is enough around here too – the focus on action would be the big change around here. The setting of the post-apocalyptic South Korea is also worth seeing with some fine visual quality. The devastated city is a scene to remember at night as well as the day. The film offers a lot of zombie action as expected, and the fighting sequences happen naturally, as it has always happened with Resident Evil and its sequels, even though this is a more believable one in comparison. The zombies remain as good as they were, even though the attention is less on them this time in comparison to the first film. Well, the world has changed, and we are into another environment now. There is enough action, and some emotions to be added here, and things work well. It is an interesting, thrilling ride from the beginning to the end.

The claws of flaw :: Peninsula wouldn’t get the appreciation that Train to Busan had gathered long ago, as there is not that much innovation being added here. It could have been stronger with the continuation of the original tale. We know that there is a lot that can get added to a post-apocalyptic world, much more than what is seen here. With all the vehicular mayhem that goes on in the end, things do get a little confusing with so much of fights between everyone. The graphics goes closer to a video game than the live action movie at times. It was surely built for the big screen, no doubt about that. The inspiration from other similar post-apocalyptic films to create this particular world cannot be ignored either. The possible messages about selfishness and sacrifice are mostly not there to stay, and are often lost. The focus on the story is not that much maintained when providing too many zombies to kill on the road.

Performers of the soul :: The cast here is led by Gang Dong-won, who manages to stay ahead with ease. He has his moments from the beginning stages itself, mostly emotional, even though that changes later. Lee Jung-hyun is the next one to catch our attention, as she plays the strong mother who has had to make some tough decisions, and lives with a purpose for her children. She goes strong with the emotional side, and becomes part of the big action very soon too. Kwon Hae-hyo adds a funny side at the same time too. Kim Do-yoon plays the brother-in-law role in a believable manner. Lee Re gets a lot of action with the vehicular mayhem, and its a glorious drive through the zombies as far as she is concerned. Those scenes could be taken right into a video game at some point. Lee Ye-won plays the young child in an interesting role. Kim Min-jae and Koo Kyo-hwan plays the two major antagonists, and they do the job well enough. Kim Kyu-baek also adds some humour here.

How it finishes :: We have waited for very long to have a sequel to Train to Busan, and here we have it – that film along with The Wailing are the two first Korean movies which I had reviewed, and that was indeed a game changing moment, the next Korean film reviewed being The Divine Fury coming much later. When Peninsula makes sure that the same zombie feeling returns, there is the similar feeling. We get to see the zombies in Korea yet again, and during the time of Corona virus pandemic, we are seeing the viral apocalypse again. It does feel different when we look at it now, after going through the COVID-19 pandemic, and seeing the viral outbreak unfold before our eyes. The movie continues the journey through the world of zombies in a way that keeps us interested, and I would recommend this film for all fans of the first one too. After all, what is better than a group of fully powered zombies in this world of quarantines and lock-downs? Especially when they come with so much of action on the streets. Well, zombies are forever too, just like vampires and werewolves.

Release date: 15th July 2020
Running time: 116 minutes
Directed by: Yeon Sang-ho
Starring: Gang Dong-won, Lee Jung-hyun, Lee Re, Kwon Hae-hyo, Kim Min-jae, Koo Kyo-hwan, Kim Do-yoon, Lee Ye-won, Jang So-yeon, Moon Woo-jin, Kim Kyu-baek, Bella Rahim

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@ Cemetery Watch
✠ The Vampire Bat.

Warning: Do Not Play

Vampire Owl: I have watched a movie with the name Warning, some years back.

Vampire Bat: Yes, that was in the year 2013. We watched that Hindi movie with the same name.

Vampire Owl: So, this one provides another warning.

Vampire Bat: Well, horror movies do come up with many warnings.

Vampire Owl: Yes, those warnings which the people in the movie ignores.

Vampire Bat: Without such foolish actions, the horror movie losses the charm.

Vampire Owl: I would always support such actions though.

Vampire Bat: There is no need to overdo the same thing again and again though.

Vampire Owl: Yes, even being foolish for the sake of horror has its limits.

Vampire Bat: Let us see what the characters in this movie manage to do.

[Gets a vancho cake and three glasses of vanilla-strawberry shake].

What is the movie about? :: Mi-Jung (Seo Ye-Ji) is an aspiring film director has been preparing a horror film for many years, but is not able to find the right story despite watching many movies of the same genre, and reading many short stories and novels belonging to the same category, and that leaves her in a desperate need for something. As an young and energetic girl looking to shine in her field, she decides to go after a news about one short-film which was taken in a university by a student as part of the person’s project. It is supposed to have caused some strange incidents in the university, and people say that the movie was originally filmed by a ghost. She does travel all the way there, but from the professor who has been working in the film department for about ten years, she gets no information regarding the same. This leads to her looking for some information from the students of the university, but manages to get very little.

So, what happens with the events here? :: It is then that she gets something from a film festival which was supposed to screen the movie, and as she posts the same online, she is approached by a strange man who is supposed to have created the movie. He forces her to delete her post, and tells her nothing. But she follows him to his house, and manages to steal a copy of the movie, as she has to create her film as soon as possible. But these sequence of events does bring her much trouble. She does manage to see a strange figure lurking in the shadows, and within the darkness. She struggles hard to get whole of the movie retrieved, as some part of it was destroyed. After she is successful in doing the same, she hopes to bring a new version of the same story with a lot of edits. But the question remains if she will be alive or with enough sanity to continue what she has been doing. There is something coming right after her, and it is not good – now, it is more about survival.

The defence of Warning: Do Not Play :: It is clear that this movie chooses to go on through the usual horror path, with one video tape at the centre, reminding one of the Ring series of movies which went on producing many sequels after the grand success with the first flick. The idea of a movie which kills people itself is always something of interest. There are some nice scares which comes in the later stages of the movie, and the settings are also pretty well managed, but what scares more might be the selfishness of someone who looks forward to get what the person wants. If you have watched those usual horror movies, this one can be added to that list – we had seen what an electronic device can do with the help of a ghost, as shown Polaroid, and this one also seems to share some similarities with that particular flick. Still, it is nice that this one is not a found footage movie, because that would have brought the level of the film further down in this case.

The claws of flaw :: Warning: Do Not Play did have many paths to choose from, and for some reason, it decides to go with the usual one without surprises, and it is not a good sign. It leaves the horror behind for the mystery elements on too many occasions despite being branded as a horror movie, and it surely has some problem with bringing the scares to the screen, which takes too much time to come, and doesn’t elevate itself above those usual horror films. As it makes the attempt to bring the past and the present together for a future horror movie, it seemed to be in a certain amount of confusion at times. Even though it is usual in its basic methods of horror, this complication which comes in here and there causes a certain amount of confusion. When you look at it closer, you can see that one more opportunity for a grand horror thing is lost here, and only a sequel can bring it back. The movie is also too short to bring a story like this to further strength.

Performers of the soul :: Seo Ye-Ji plays the protagonist looking forward to get her movie idea working, but is not able to write well enough to reach anywhere with the script. We see the perfect choice for the cast as her, as we see her worries reflected in her actions and face itself, really well – the determination to do something more is also with her, all the time. The rest of the cast just plays according to the needs of the protagonist. She is the only character in this movie that matters, and the only one person who needs our attention. She takes us through the journey of a struggling film maker who would do anything to have her movie idea working. As she looks younger than her age, it is easy to have her in this role. There is energy, and the emotions are all very well reflected on her face. The obsession that she shows is as clear as the desperation which could be seen in her earlier. Still, the movie could have developed the other characters a little bit more for support, as this one is more or less the one-woman show throughout the run.

How it finishes :: There is always space for another Korean movie around here. During the time of Corona virus lock-down, nothing has kept people entertained like the works from South Korea on the screen. During this time of COVID-19, we are always looking for the other types of horror, and we have it again in this form. We still need work to be done in the usual horror movies like this one, and prepare a better work, even though we do have something pretty good around here. At the same time, I hope that all the readers of Movies of the Soul are safe from the Corona virus during this time. Stay safe, and let us hope that things which are getting worse all around the world as well as the nation now can get better – after all, we are all better prepared now. Let us believe that everyone will contribute to preventing this crisis from getting worse, with people coming from outside keeping themselves inside the quarantine as well as people here continuing the social distancing practice. Well, horror is indeed real in life.

Release date: 15th August 2019
Running time: 116 minutes
Directed by: Kim Jin-won
Starring: Seo Ye-Ji, Seon-kyu Jin, Bo-ra Kim, Cha Yub, Yoon-ho Ji, Jae-Young Joe, Mi-kyung Kim, Kim Jae-In, Yoon Jeong-ro, Tae-boo Nam, So-Yi Shin

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@ Cemetery Watch
✠ The Vampire Bat.

Pet Sematary

Vampire Owl: This is the cemetery where most the people we know shall go.

Vampire Bat: Most people don’t go to cemeteries. They are taken there.

Vampire Owl: We, the undead can just walk all the way there though.

Vampire Bat: The Stephen King’s novel might have other ideas about the cemetery.

Vampire Owl: Well, there is nothing like being buried in a grave far away from the town. It is so calm and peaceful.

Vampire Bat: It has always been calm and peaceful under the surface, except for some worms.

Vampire Owl: You can listen to those foot steps if you stay awake for long. It is not that peaceful in cemeteries of the city.

Vampire Bat: There is no hope in the cities anymore.

Vampire Owl: Does that mean hope among humans otherwise.

Vampire Bat: There is none. There is no goodness in them even during the time of a virus which has killed a good number of them, and sent them to lockdown.

[Gets some potato chips and three cups of ginger tea].

What is the movie about? :: Dr. Louis Creed (Jason Clarke) moves to the countryside with his wife Rachel Creed (Amy Seimetz) and his children Ellie Creed (Jete Laurence) and Gage Creed (Lucas Lavoie). The move from the busy city of Boston to the calm and quiet town of Ludlow seemed to be a much needed change for them to settle down and slow things down. Ellie’s cat, Church named after Winston Churchill is the only other person who is with them. They find out that there is a pet sematary as a part of their property, as they have bought a large section of land of which finding all the borders is a tough job. Children taking their dead pets to the cemetery had become a common sight there, seemingly having a ritual significance. Despite being asked not to venture through the woods and the deserted areas, a curious Ellie makes her way through the cemetry and meets Jud Crandall (John Lithgow), an old widower.

So, what happens with the events here? :: Ellie becomes friendly with Jud, and the family also invites him for food. One day, a student who struck by an automobile, Victor Pascow (Obssa Ahmed) is taken to the hospital, and Louis try to save him only in vain. After the incident, he has visions of the same person trying to warn him about certain danger which is to happen if he decides to go beyond the limits. One day, Church is killed by a truck, and Jud takes Louis past the pet cemetery to an ancient burial ground and asks him to bury the cat there, putting a stone over it. The next day, Church returns home alive. But it can be seen that he is different -the cat had become very aggressive and violent, brutally attacking a bird, and eating it alive, as well as attacking the kids. Jud tells Louis that it might be a spirit that came back from the dead, even though he had expected the cat to return in the same manner.

The defence of Pet Sematary :: There is no questioning the ability of this particular movie to use the terrifying atmosphere to its advantage, as the common “cabin the woods” setting serves as the perfect place, with one cemetery built around an ancient burial ground creates too perfect a world for a horror movie here. The feeling of mystery is always there, and we keep expecting something terrifying to be revealed at different steps. There is also that scary past and legend that goes a long way back beyond colonization to go with it, and there is some creepy music to add here. The movie also has a certain amount of blood and gore even though not too much, and a violent kid is always scarier than the rest, especially when returning from the dead – demon kids never stop being impactful with or without the presence of the demon spirit. You will also love the choice of cat being made here, and the speeding trucks also add to the effect.

The claws of flaw :: This version of Pet Sematary does have some differences with the Stephen King novel, and such a deviation might not be liked by everyone. After all, King is the god-figure for so many readers of horror, especially those who started reading much earlier. Changes from the 1989 film version can also be seen here. The movie also doesn’t explore all the spookiness that can be associated with the cemetery, especially with an area which has an even longer history to go with it. In these types of movies, elements of nature can play a better role, but this one decides not to touch the same much. There is a lot of scope for horror in each moment and each part of this movie’s visual and audible part, and those elements are not exploited enough. The movie is also slow paced, and it does take its own time to keep the horror moving.

Performers of the soul :: Jason Clarke is there as the protagonist, a name which we have known throughout popular movies including Terminator Genisys and Everest among many other flicks. He plays the loving father very well, and faces the troubles making some hard decisions nicely. Amy Seimetz was there in Alien Covenant, in one of those roles. She is really good here, as the character works on the memories, and there is the past that catches up to her. Jete Laurence as Ellie Creed is fantastic as the cute little kid as well as the undead child looking forward to violence. John Lithgow plays the good old guy in the neighborhood who knows that evil is eternally present, but can do nothing about it. Along with these, the masked kids having a procession to the pet sematary and the cat do seem to add to the performances just in some short period of time.

How it finishes :: Pet Sematary moves on like any other Stephen King book inspired movie with ease, and with the written material at the base, there is no difficulty here. With the mis-spelled cemetery in the name, the novel takes the idea to the visual level too, and it becomes another version of the much appreciated novel that needs a watch. In the world of The Conjuring, Annabelle, The Nun, Insidious, Child’s Play and other popular movies becoming part of a series of flicks in a franchise, there is always scope for the old style horror, as much as the new generation horror like It Follows, Lights Out and Don’t Breathe. After all, good horror is the need of the time, especially with one virus spreading all over the world, and bringing the terror without adding anything that is out of this world. Everyone stay safe, stay at home, and watch more movies.

Release date: 5th April 2019
Running time: 101 minutes
Directed by: Kevin Kolsch, Dennis Widmyer
Starring: Jason Clarke, Amy Seimetz, John Lithgow, Jete Laurence, Sonia Maria Chirila, Obssa Ahmed, Alyssa Brooke Levine, Suzy Stingl, Maria Herrera, Lucas Lavoie

@ Cemetery Watch
✠ The Vampire Bat.

Zombieland: Double Tap

What is the movie about? :: Years have passed after that incident which involved a case of mad cow disease mutating into mad person disease transforming people into zombies, an event which started in the United States of America, but spread to the whole world in a short amount of time. The virus had turned the nation into a wasteland, where people struggled to survive against the creatures while finding the supplies from here and there, as people used the names of places as their own nicknames, not being attached to anyone. But there were a few exceptions for that case too, as it was seen in the previous movie. Ten years have passed after Tallahassee (Woody Harrelson), Colombus (Jesse Eisenberg), Wichita (Emma Stone) and Little Rock (Abigail Breslin) had started living like a family while making their way through a zombie infested nation. The team have become experts in zombie hunting and finds their new home in the abandoned White House.

So, what happens with the events here? :: Colombus takes the idea of starting a new family very seriously, and proposes to Wichita with the Hope Diamond from Smithsonian Museum, an act which doesn’t go well with her, who is afraid of getting attached to him during the time of a zombie pandemic. She begins to value her freedom more when listening to the proposal. Meanwhile, Little Rock is not happy about Tallahassee playing too much of a father figure and considering her as a little girl, not allowing her to find a lover and start her own family. Wichita and Little Rock leave the place, after placing a note there. Tallahassee is not that unhappy about their decision to leave, but Colombus is devastated. One day, in a mall, they meet Madison (Zoey Deutch), a girl who survived the zombie apocalypse alone by hiding most of the time inside a freezer, having absolutely no contact with other humans or zombies for many years.

And what else follows with the happenings? :: Colombus manages to find a lover in Madison after the heart break, despite Tallahassee saying that the only reason the zombies spared her life was that she had no brain for them to eat. As Colombus and Madison spends the night together in Lincoln’s room in the White House, Wichita makes a return to find them together. She looks forward to finding Little Rock who had left with Berkeley (Avan Jogia), a pacifist and a hippie with lots of weed and a guitar which he keeps playing. The team of Tallahassee, Colombus, Wichita and Madison takes a minivan, and starts the journey searching for Little Rock and her newfound love interest. Madison finds the journey as her long awaited road trip, and during this travel, there would be more zombies to deal with, including more agile, powerful and durable super-zombies that takes multiple gunshots to kill, named T-800 after the machines of the Terminator franchise. Can they survive it all?

The defence of Zombieland: Double Tap :: There is enough fun in store here as zombie attacks lead to some fine action sequences, with a touch of humour. The funny side remains strong, and the new characters only add more here. The fans are going to consider this to be a very good sequel which goes on the same path as the first movie had chosen, and there is nothing much that deviates. The best of funny moments relate to Zoey Deutch, as the character leaves the best potential for the comic side, starting from the freezer and going for the zombie infested road trip. The zombie hunts are nicely done, we do have some family bonding going on here, as the group is even extended. In the end, movies on virus pandemics are of more interest these days due to the Corona virus, and it doesn’t matter what happens to the patients of this zombie virus as long as its in a fictional world of a movie.

The claws of flaw :: Zombieland: Double Tap doesn’t apply much of brains to the brain-eating zombie movie, but one has to say that it was rather expected. The first movie had explored the idea of zombie comedy and the premise really well, leading to not much being left for this particular sequel. Therefore, we only have a little bit of innovation, if that can be found after some searching done. Zombies are also losing their significance, and this movie needed more of the creature action – more attacks were to happen considering the fact that there are better and improved zombies in action here. The beginning part of the movie also seems to be forced, so that there can be a reason for them to keep running, that too after finding a fine home in White House. This is where Zombieland: Double Tap can make things better with another sequel, if there is one.

The performers of the soul :: Woody Harrelson leads the way here, with the funny moments as well as the action sequences naturally. Jesse Eisenberg follows the same here, as things don’t really change much for his character here. Emma Stone once again has that fine character which she performs with ease, and Abigail Breslin has let to do in comparison, thus having no trouble in doing the same. The movie also have some nice additions which can be taken over to the next sequel, and the best of them is undoubtedly, Zoey Deutch who handles the funny side so well that all her moments bring the best humour to be remembered. Rosario Dawson also makes a pretty good addition, even though her character is just another one expected to be there in a setting like this. Avan Jogia doesn’t add much, as any minor character could have done the job, or even a photo.

How it finishes :: This second movie in the franchise might not be as satisfying as the original Zombieland, but it is still a lot of fun, with the zombies, and the fact that the movie has kept all the original characters played by the same actors, along with adding some interesting characters makes things even better for the fans and admirers of that zombie comedy which even inspired a lot of people to watch the Bollywood zombie comedy, Go Goa Gone. With the end finally coming for the Resident Evil franchise, we have missed the zombie pandemic, and Zombieland is the answer to our need for the zombie virus. During the time of Corona virus, as it spread through the world, there is always room for another virus, especially for a zombie pandemic. After all, most of the nations all around the world are in lockdown even without the zombies. So, lets have more of such movies.

Release date: 18th October 2019
Running time: 99 minutes
Directed by: Ruben Fleischer
Starring: Woody Harrelson, Emma Stone, Abigail Breslin, Jesse Eisenberg, Zoey Deutch, Rosario Dawson, Avan Jogia, Luke Wilson, Thomas Middleditch

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@ Cemetery Watch
✠ The Vampire Bat.