Tag Archives: paranormal

Final Destination: Bloodlines

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Vampire Owl: Is somebody talking about blood now?

Vampire Bat: I am sure that there is blood, but not as you think.

Vampire Owl: Maybe, they are talking about vampire bloodlines.

Vampire Bat: Vampire bloodlines no longer remain a topic of discussion at least among the awakened.

Vampire Owl: So, you are not going to listen to the vampire elders anymore.

Vampire Bat: The vampire elders do not call the shots these days.

Vampire Owl: They are no longer the unwritten rulers of vampire kind?

Vampire Bat: They have never been the rulers, but advisors.

Vampire Owl: Advisors who have always made decisions all by themselves.

Vampire Bat: Well, the value given to their decisions was certainly higher. But now, we live in a world of monster hunters.

[Gets a Mysore masala dosa and three cups of Munnar tea].

What is the movie about? :: Iris Campbell (Brec Bassinger) and her boyfriend Paul Campbell (Max Lloyd-Jones) manage to attend the grand opening of the Sky View, the tallest tower in the city which has been a prestigious project, and will have the richest and the most influential people around. He intended to propose to her at the top of the tower which also has the perfect restaurant for a classic romantic dinner. Iris who is about to accept his proposal and also reveal that she is pregnant with their child, has a premonition of that chain of events that causes the tower to collapse in parts, killing everyone inside. There would be nothing left in that area which would be in shambles. She managed to stop the major factors that set up the events in motion including stopping a kid from throwing a coin which gets stuck, and warning the attendees not to step on the glass floor which would and thus prevents the total collapse but, in doing so, she had disrupted Death’s intelligent design. The tower was then closed for renovation, but after many years, was torn down, and nobody talked about that incident again.

So, what happens with the events here as we just keep looking? :: Many years later, Iris and Paul’s granddaughter, bright college student Stefani Reyes (Kaitlyn Santa Juana) who spends most of her life in books, is haunted by repeated nightmares of the tower accident and returns home after a long time, seeking the right answers. She is welcomed at home by her father, Marty Reyes (Tinpo Lee) and younger brother Charlie Reyes (Teo Briones). Still, searching for answers, she leaves with Charlie to visit their uncle Howard Campbell (Alex Zahara), aunt Brenda Campbell (April Telek), along with their happy cousins Erik Campbell (Richard Harmon), Julia Campbell (Anna Lore), and Bobby Campbell (Owen Patrick Joyner). When Stefani asks about her grandmother, Howard explains that she was sick and had mental problems, often called crazy with no way to be normal again. But she finds letters from her grandmother in a cabin, and traces her to a highly fortified cabin in the woods where she lives, but terminally ill with cancer and awaiting the slow arrival of death instead of the quick and brutal one.

And what more is to follow here with death’s grand plans? :: Iris recounts the Sky View accident and tells her that Death is taking the lives of everyone in the specific order they should have died. Then there is that family that were not supposed to have, and Death is taking them too, one after the other in the order of their birth. The fact that Iris has remained alive for long has kept her bloodline alive too, but as she steps out of her barricaded house to give her granddaughter her research on escaping death, she also shows how Death works, with a simple sequence of events leading to her brutal impaled death. She does not completely believe that death is coming to them in the specified order, but then the brutal death of Howard awakens her. The rest of the family realizes the seriousness only when Julia who has been confident herself and does not listen to others, falls into a garbage truck and gets squeezed in between. Now, they realize that deaths are going to keep happening, and it might just end their family. Can they find a way to stop Death from unleashing the eerie plans perfectly on them? Death who is a master of doing his perfect work shall not wait though, as he is already late.

The defence of Final Destination: Bloodlines :: The opening scene with the destruction of the tower and the deaths is one of the impressive beginnings that one can ever have, and it is one of those occasions when the death of a kid character is so much satisfactory. The visuals are the most stunning during those moments, and has us scared this time about going to the top of a tower – this actually released at a time when we were in Colombo and about to go to the top of the Lotus Tower – the effectiveness was right there to be taken. The deaths remain impressive, and the way in which the death’s plan comes to meet the requirements remain classic and something that we will remember for a long time. The familial side seems to work better than the previous movies too, as death seems to mean more here as it haunts the bloodlines. When death would come to haunt a family, things are always going to get more personal and fueling emotions. The appreciation that the movie received in comparison to previous movies will further fuel more viewers on Jio Hotstar where it finally reached. The lad role is well done by Kaitlyn Santa Juana, who would always be a lovely scream queen and we feel that Brec Bassinger would shine the same, as we remember her from 47 Meters Down: Uncaged.

The claws of flaw :: The predictability factor remains here too, and visual effects could have also scored more. The characters are also not given that much of importance as we look at them. As it is all about death anyway, the movie does not innovate in an overall manner, even though deaths get that focus as expected. The film never gets that much innovative out of the best idea, which seems to repeat a little too around. Still, the side characters are not provided that much significance, especially that of people like Anna Lore who plays Julia who just dies off too soon. The effects used here are not of quality all the time, as some of them feels like coming from a lower level. The gore is just given more importance over suspense, twists and haunting – there seems to be not that power in the investigation to cheat death, and nothing much seems to be gained by the same. There could have been some variety or some findings that come as the special ingredient here, but the same is not there to be taken.

How it finishes :: This seems to be the Final Destination movie with the best opinions so far, even though the third with the roller coaster deaths was the one which had me going as a child despite knowing well enough about the flight and truck deaths. The movie keeps the nostalgia running, surely in a stronger way than the recent flicks from the same world of death, those with the bridge collapses and racing car accidents. Its presence in Jio Hotstar makes it very much accessible to many. For those who are fans of Final Destination style classic deaths, this is more than worth watching, starting from the opening sequence, seemingly bringing some quality back around here. Still, it hesitates to use the movie’s full potential and develop on what could be its strength as bloodlines also come into the picture. Well, Fast and Furious showed us the power of family, but this one, despite having such a family hunt around, do not bring enough focus around here. Still, this remains very much fun, and a reminder that we are all going to die, and possibly a very painful one, reflecting our own painful existence in a sad and depressing world.

Release date: 16th May 2025
Running time: 110 minutes
Directed by: Zach Lipovsky, Adam Stein
Starring: Kaitlyn Santa Juana, Teo Briones, Richard Harmon, Owen Patrick Joyner, Anna Lore, Brec Bassinger, Tony Todd

<<< Click here to go to the previous review.

<<< Click here to go to the previous English film review.

@ Cemetery Watch
✠ The Vampire Bat.

Hello Mummy

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Vampire Owl: I am sure that this movie has a vampire mummy.

Vampire Bat: We are dealing with real ghosts around here.

Vampire Owl: Mummies are animated corpses, right? Not ghosts.

Vampire Bat: I do not think that this is that kind of a mummy.

Vampire Owl: Because the character is not Egyptian?

Vampire Bat: They are referring to the mother-in-law of main character.

Vampire Owl: But this is still horror, so other mummies could also be around.

Vampire Bat: What can a mummy do to reach South India from Egypt?

Vampire Owl: I do not know. Maybe, take a flight?

Vampire Bat: Even Count Dracula is known to have taken only a ship.

[Gets a chilly chicken puffs and three cups of mixed tea].

What is the movie about? :: Boney (Sharafudheen) who has been running a pet shop – one of the biggest in the city, and trying to evade marriage for quite a long time, much to the dismay of his father Philip (Johny Antony), mother Soyamma (Ganga Meera) and sister Tincy (Sruthy Suresh). But when he goes through the usual process of seeing and rejecting girls, he comes across Stephy (Aishwarya Lekshmi), whom he really likes and decides not reject her. But Stephy comes with a condition that he should move to her house after wedding, and even though Boney’s parents show some hesitation, everyone is just happy that he is finally going to be married. But one day, she stops responding to him, and when he asks, she tells him that her dead mother still talks to her and that she does not approve of her marriage with him. She says that it is the best for the future of both of them that they do not proceed to the wedding ceremony. But Boney feels that she is just making things up to avoid him, and tells her that he believes her – and that he is ready to adjust in whatever ways possible.

So, what happens with the events here as we just keep looking? :: This impresses Stephy and they go on with the process. But on the first day itself, Boney realizes that she was not joking or making an excuse, and his father-in-law Samuel (Jagadish) asserts the same. The ghost mummy begins attacking him whenever he does something that she does not like. Stephy reveals that the mummy has prevented any physical union between them for now, and there some strange rules which he has to obey – this includes not wearing chappals inside the house, keeping the refrigerator open for more than ten seconds, dropping any food particle on the floor and a few more. Boss (Aju Varghese) who is running an investigative channel from the neighbouring house feels that there is something wrong, and tries to find a solution, while Boney’s best friend Bichu (Joemon Jyothir) tries to help only to find him at the receiving end of the mummy’s fury. Boney and Stephy tries to twist the situation by telling the mummy that they are going to be parents. But how can they sneak away from the powerful spirit which keeps the watch all the time?

The defence of Hello Mummy :: Here is one merging of horror and comedy that works well on the lines of Bollywood movies like Stree and Bhool Bhulaiyaa, but this is not a genre that has been working too well in this particular industry. In comparison, black comedy has had more success, like in the case of the recent work, Maranamass. There are moments that would be remembered, along with some dialogues which can stay for quite a long time. There seems to be a lot of energy in various parts of the movie, and that keeps the level of the movie high. This is also one horror movie that one can watch with family without too much of terror and no unsuitable comedy to go with it. The performances from the leading cast remains the highlight of the movie along with the fine support with the veteran actors around. The way in which the movie makes the fantasy tale blend into a world which was normal, makes it a world of magic realism in one way or the other. Cinematography and background score adds well to the whole thing.

The claws of flaw :: The movie’s focus on horror is rather less on comparison to the side of comedy which rises much above the other. The blending is rather one-sided when we look closely, and there is not much of an explanation of the supernatural elements. There is also a lot of predictability associated with the movie, even though most people might have expected the same. The lack of hype might have left many people without having watched the movie – if focused on the strengths, this would have become more popular from the day of release itself. There is a certain amount of silliness that can be seen around, and the lack of seriousness means some loss of the overall quality of the movie. The cliches are surely there, and the tale could have kept a stronger centre. Some of the emotional moments could have been avoided to make the movie shorter, as there is not that much of focus on the story, as situations are above everything else. The lack of consistency can be seen here in relation to the content, and horror also falls flat at times.

The performers of the soul :: Sharafudheen shines in the humorous role which seems to suit him so well, even though there is a subtle emotional side that runs through here. There are some fine one-liners which are there to stay, and some of these moments can be seen in the television in parts regularly. The movie also has Aishwarya Lekshmi who continues to prove that there are not many actresses who can match her grace and variety of performances in this generation. From a grand beginning with movies like Njandukalude Nattil Oridavela, Mayaanadhi, Varathan, Vijay Superum Pournamiyum and Brother’s Day with range from romance and feel-good to drama and thriller mode, she has come a long way, and deserves even more. She is in full strength here in a role which does not challenge her, but she assures that things are now better. We just need to remember how good Kaanekkaane was, to be reminded of her capabilities. The group of Jagadish, Johny Antony, Aju Varghese and Joemon Jyothir adds to the fun, while Bindu Panicker’s role is something that we will remember for a long time. Sunny Hinduja makes a fine villain at the same time.

How it finishes :: We know that good horror comedy is really hard to create, especially to make both sides work. This movie aligns more on the side of comedy, but there is always that hidden horror which comes out at rarely, but by the end of the movie, we see the blending of the two genres becoming one effectively. There is no lack of enjoyment at any part of the movie, as we see the situations, and feel the entertainment. There are not many movies that make us think too much about the situations, and we can focus on enjoying the whole thing without second thoughts. There is the scope left for a sequel, and we can expect this to get better. After all, there are so many questions to be answered from the first movie, and there might be a little too much to be done for what could be a series of movies. We can always accept the movies with a certain amount of silliness that worked so well, like Adi Kapyare Koottamani and Kunjiramayanam that keeps us laughing for a very long time.

Release date: 21st November 2024
Running time: 92 minutes
Directed by: Vaishakh Elans
Starring: Sharafudheen, Aishwarya Lekshmi, Sunny Hinduja, Jagadish, Johny Antony, Aju Varghese, Joemon Jyothir, Bindu Panicker, Arun Cherukavil, Ganga Meera, Sruthy Suresh, Adhri Joe

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Long Legs

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Vampire Owl: Are we going to have serial killings returning to the screen?

Vampire Bat: We can have as many serial killers as we wish to see around.

Vampire Owl: Are they supplied by Dr. Frankenstein after research?

Vampire Bat: Mr. Frankenstein has no research truly running.

Vampire Owl: He has access to many serial killer scientists.

Vampire Bat: They are more of psycho killers who do not kill serially.

Vampire Owl: Still, they commit interesting scientific murder.

Vampire Bat: You should remember that Mr. Frankenstein is a pseudo-scientist.

Vampire Owl: The greatness of a monster creator shall never fade.

Vampire Bat: Even the greatest empires fade, and he is just shade.

[Gets a chicken samosa and three cups of mixed tea].

What is the movie about? :: A young FBI agent named Lee Harker (Maika Monroe) gets assigned a new case, and this one involves a series of killing and suicides, much to the surprise of her co-workers. This is also that kind of a case related to which not much of an inroad was made, especially with the same pattern repeating itself. These are basically understood as murder–suicides, and each case consists of a father killing his whole family the committing suicide, leaving behind just a letter with a writing “Longlegs” notes in strange language, with some strange handwriting which remains unidentified. Agent William Carter (Blair Underwood) feels that something could be done with her added to the team, as she seems to know things and also has a perspective different from others, as she is known to act according to the same. Yet, she is not someone who is that much confident about the same, and a certain amount of fear seems to be gripping her. It only seems to be getting stronger as she gets into the case.

So, what happens with the events here as we just keep looking? :: For some reason, the newly appointed detective shows a certain amount of psychic energy that seems to help her to solve a part of the mystery. She solves the mystery in part, but does get the threat from the unknown that she herself hunts and do not intend to stop in between. Further investigation leads to the information that each family had a nine-year-old daughter born on the fourteenth day of the month and that all the murders all occurred within six days before or after that birthday. This is something which she feels that she could connect with the missing elements well. It is then that a doll with a metal orb in its head discovered, much to the dismay of the detectives. It remains to be seen how Lee would be able to connect all these dots, and also save her mother from the threat from the unknown. But the evil force seems to know her, and as this connects well to her own life, it is to be seen how she deals with this situation, as time is almost running out for everyone.

The defence of Long Legs :: The movie has its moments, and it also got that suspense and twist maintained till the end, and a few moments right there would not be guessed that easily. The struggle of the protagonist is felt early itself, and the danger feels very much active here. There is the feeling of something not just terrifying, but also something unsettling ready to happen, with the atmosphere well-set for the same. It is applicable to both human and the supernatural side, as something is felt like lurking in the corners at all times. The devilish side is done with effectiveness, even though the same could have been scarier and closer to the core. The realization that the demons will come to us now or at some other point, and the supernatural in our world cannot be ignored, will keep us going. Even in the modern world, this presence is once again asserted, as required, as people have been deviating a little too much from even the neutrality between good and evil, as the latter always finds a way. The performances are good, and working well to support the movie.

The claws of flaw :: The movie remains too slow, and this lack of pace would affect any movie with murder investigations, not just this one. The struggle seems to be not of the protagonist, but of the movie to get its pace right, on many occasions. There are moments when the movie seems to sleepwalk, and this one is surely not required to go any minute over ninety, and maybe would stay perfect at eighty five. There will be doubts if the movie is pointing to where it is supposed to go, as it keeps slowing down, and at times, moves on with the feeling of going somewhere else. The first few moments itself do not bring the interest to the movie, and the ending itself does not satisfy those who have been watching that long and slow build-up. The world of murders with supernatural intent should also be that quick and clear as the works with serial killers and psychotic murderers, but this one is not twisted enough to justify those slow and often clueless paths taken in between. In Prime Video, that Hindi audio felt strange, and it is advised not to take that one.

The performers of the soul :: It is Maika Monroe who leads the way in a way that keeps us interested even when the movie slows down, and stops beside a snail at times. She is surely quicker than the movie in keeping us glued to the screen. There are moments of helplessness and that of determination that seems to work so well with her around. Nicolas Cage comes out of nowhere to make an impact too, even though he is not much there to extend beyond – his character should have surely meant a lot more than what we see here. We know that one reason for us to think about watching this movie was surely seeing him around again, this time as a much different character, something he might not do again in Hollywood. Blair Underwood makes a solid impact here, even though not that much in the later stages. Alicia Witt remains a strong force here, seemingly not that much in the early stages, but gaining in strength as the movie progresses. Michelle Choi-Lee adds on well around here too.

How it finishes :: Long Legs is that kind of a movie which will appeal to a smaller group of horror lovers, and most probably will not has one interested in a sequel, despite some scope being there considering the ending. There is no denying the fact that there is the effort to make it twisted, and the same is reflected in the title and right in the beginning itself – the same only works at times, but we are interested enough to continue and wait for the big revelation with that supernatural twist that hides and has sneak peaks in between. This is surely not going to be your Stream, Halloween or Scream killer, or the supernatural of The Conjuring, The Nun, Annabelle, Insidious or Sinister. Instead, this will be just another movie that comes with a killer with that supernatural angle which often feels forced, but still works. Long Legs is available on Amazon Prime Video, and adds to the list of horror movies that you can watch with the subscription to keep the horror world of your mind growing, and it is always good to have one more of the genre.

Release date: 12th July 2024
Running time: 101 minutes
Directed by: Osgood Perkins
Starring: Maika Monroe, Blair Underwood, Alicia Witt, Nicolas Cage, Michelle Choi-Lee, Dakota Daulby, Kiernan Shipka, Maila Hosie, Jason Day, Lisa Chandler, Ava Kelders, Carmel Amit, Peter Bryant

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Oddity

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Vampire Owl: I would like to say that we are all odd.

Vampire Bat: We are odd for the humans indeed.

Vampire Owl: We have called odd by Dr Frankenstein millions of times.

Vampire Bat: Mr Frankenstein knows nothing about vampires.

Vampire Owl: Yes, he is a man of science and an expert in the same.

Vampire Bat: He is a man of pseudoscience like no other.

Vampire Owl: Well, humans call us as part of this pseudoscience too.

Vampire Bat: The lack of belief in God is slowly eating humans from inside.

Vampire Owl: I have heard that the demons of the night are also burning them.

Vampire Bat: I know that there is a great war coming among humans, bigger than they have ever known, and the godless world of theirs which twists religion for politics is going to burn.

[Gets a masala bonda and three cups of tea by Fort Cochin Beach].

What is the movie about? :: Dani Odello-Timmis (Carolyn Bracken), wife of Ted Timmis (Gwilym Lee), a renounced psychiatrist, moves to a new country house which is located in the middle of nowhere. As Ted works during the nights, and as the hospital is short-staffed, she decides to stay at the new house through the night and arrange a few things even though there is a lot of work to be done. She tries to call her twin sister Darcy Odello (Carolyn Bracken), who is a clairvoyant, but is unable to get to her on the phone. Olin Boole (Tadhg Murphy), a former of patient of Ted visits Dani on the might and asks her to let him in so that he can help her with the people who had gotten inside her home. Even though she feels that she heard some sound inside, she is reluctant to get him inside and asks him to go away. Olin tells her to call the police and seems to walk away. She is scared, but decides to stay inside and not open the door. But in the morning, she is found dead, and Olin is believed to be the murderer.

So, what happens with the events here as we just keep looking? :: Soon, Olin is also found dead in the mental hospital where he was admitted, and he seemed to have met his death in the most brutal manner. One year later, a woman named Yana (Caroline Menton) starts living with Ted as his new girlfriend. She is not happy about living in home in the middle of nowhere which had seen that one mysterious and brutal death. She feels that there is something sinister at work there, and she gets visions of the dead woman all the time. Even though she credits the same to sleeplessness, she wishes to moves to the city as her new boyfriend is always at the hospital during nights in the name of extra work and too many patients. Meanwhile, the twin sister Darcy, who has been talking to the spirits, seems to be in need of investigating the murder as she feels that there is something more to that particular murder. She decides to visit the house where the murders took place – what will she find there? Is there anything to find out?

The defence of Oddity :: The movie remains highly atmospheric, and this country mansion in the middle of nowhere is the perfect place to live as long as you are looking for horror. The setting justifies everything else, as we have the feeling that the supernatural is always around, even though the presence of a human killer or a psycho is also around to be felt. The movie has its own unsettling moments, and there are some red herrings which comes right out of nowhere. The movie does feel clean, with nothing unnecessary being put into use here. There is a lot of evil that runs through the background of the movie which can be used for a sequel too. The supernatural elements of this one can have another movie or even get multiple spin-offs. There seems to be a limitless journey like The Conjuring in store here, but due to the nature of this movie, we need to doubt such an existence. Maybe, this is only a beginning which will stay fine at the beginning.

The claws of flaw :: The movie remains too slow and continues to lag even with such a short run-time which could have been a boon here. There are too many moments when nothing much is happening, or at least make us feel so. Too many dialogues also send the movie into a struggle, as there are too much words and less action. There could have been some big action at least with those hallucinations, but that is not so. There are moments which are predictable, and at some point, we have already guessed a number of main things here – for a movie like this, it is not too acceptable. There are some elements and some characters who needed a detailed exploration, but that focus is certainly not here to be taken. The lack of focus comes back to haunt the movie at times, as the emotional attachment also leaves us on the way due to the same reason. Something at the centre of all these, also needed some explanation instead of coming alive in the end.

The performers of the soul :: The movie is led really well by Carolyn Bracken who plays two roles, one of an unsuspecting lady who is excited to move to a new house and loves her sister and husband very much, while there is the second sister who is blind, but is in contact with the supernatural as the one sister who is more determined than ever, and yet makes one feel that there is something strange as well as psychotic about her, along with being psychic. These are the characters so well-played that we fall in love with both, and there is that nice divergence from each other that we love to have. Gwilym Lee comes with the classic work as the man who does all the job, and is the man to look out for. Tadhg Murphy plays a memorable character and does it in a convincing way even though not present throughout the movie. Caroline Menton plays her character in a believable way with no pretentions. Steve Wall also stays in a notable role which becomes more relevant as the movie reaches the final moments.

How it finishes :: Oddity had so much scope to be something bigger, but it resists that tendency to search for grandeur with ease. The movie takes too safe a path here, and the same is evident at times. The movie could have been a psychological and supernatural masterpiece with elements from both sides, but that heavy load is not taken here, as there seems to a certain reluctance to go big. Therefore, as it is, this is one movie which works, and gives us some fine moments to remember, but there is nothing much that would extend its stay. This one is not going to be a Sinister, Insidious, Oujia, The Conjuring, Annabelle, The Nun or The Curse of La Llorna, establishing certain evil that we are going to remember for long. Instead, it is that common safe route horror movie which brings some innovation and shoots the scares that work with an abiding mystery all around. Let us watch this one and keep guessing on what is to happen next with its own suspense creeping into the classic space for horror.

Release date: 30th August 2024
Running time: 98 minutes
Directed by: Damian McCarthy
Starring: Gwilym Lee, Carolyn Bracken, Tadhg Murphy, Caroline Menton, Jonathan French, Steve Wall

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

The Well

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Vampire Owl: Wells are some fine containers for the supernatural.

Vampire Bat: We, vampires are not people of the wells.

Vampire Owl: The demons can stay in the well though.

Vampire Bat: Even werewolves and zombies do not mind. But we do.

Vampire Owl: Can a well without water serve as a coffin during daytime?

Vampire Bat: A coffin needs to have a lid at all times.

Vampire Owl: I believe that Dr. Frankenstein can arrange that.

Vampire Bat: I knew that it was his idea only.

Vampire Owl: I do not see how great men like Frank bro cannot have such ideas.

Vampire Bat: Such villains always have similar ideas.

[Gets a kadai paneer puffs and three cups of Vagamon tea].

What is the movie about? :: Lisa Gray (Lauren LaVera) is the daughter of a renowned art restorer and they run a famous firm which is known for their expertise in the field and operates in multiple countries. One day, she gets a very significant assignment from a small village in Italy where a wealthy aristocratic family living in a castle-like mansion has a damaged painting which needs to be restored in a very small amount of time. Her father Mr. Gray (Giovanni Lombardo Radice) forces her to take the assignment as he cannot travel that long and their company is in desperate need for funds – a failure there would leave them bankrupt, and at the end of their art restoration journey. The painting is owned by Emma Malvisi (Claudia Gerini) who seems to be too charming and beautiful for her age. On the way, she meets two American biologists Madison (Courage Oviawe) and Tracy (Taylor Zaudtk), along with their guide Toni (Gianluigi Galvani) who are traveling to a nearby campsite located in the woods.

So, what happens with the events here as we just keep looking? :: Lisa is asked to restore a centuries painting that has been damaged in a fire, with almost nothing visible. She begins work on the painting, and is forced to speed up, as the contract signed by her father promised that the job would be finished in two weeks, despite her feeling that it would take more than a month. The painting starts revealing demonic figures which also appears in Lisa’s dreams which turn into nightmares. Emma’s teenage daughter, Giulia (Linda Zampaglione), gives Lisa some warnings about the paintings despite acting unfriendly. Emma assures her that it is just a personality disorder and the girl has too many fantasies due to which she could not stay in the school. Meanwhile, Madison, Tracy, and Toni are attacked by an unknown figure and are held captive in cells surrounding a well. There seems to be something sinister going on in the area, and can Lisa and her newfound friends survive this terrifying reality filled with terror?

The defence of The Well :: The Well is that movie which has come out of nowhere to make the perfect Gothic impact, and open that world of ancient horror taken into the medieval and beyond. The terrifying reality which the Gothic and the Dark Romantics provided in the past with its classic elements comes alive again, and we keep thinking about that world of supernatural chaos yet again. The demon is also nicely done and the painting is something like no other. The curse of the past coming to haunt in a medieval castle with secret passages and traps never gets old, no matter how much the modernity comes upon us. The imagination of our age can work well with the Gothic of the past – hence proven. The darkness with that kind of lighting which inspire further horror is also to be appreciated. This one becomes an inspiration to travel to Italy, becoming the one location that horror fans would prefer in Western Europe like Romania in the eastern side. I would travel to Eastern Europe any day, but Italy and Spain would be in the list if there is an extension; after all, I am also a vlogger now.

Positives and negatives :: There would always be people questioning these types of smooth horror movies, especially as it does not bring that inescapable terror. The castle could have even added more horror, and the well could have been further terrifying, despite us feeling the Gothic strength all the time. The fear elements keep gripping us, and we know what Italian movies can do right from Don’t Kill Me with the zombies, A Classic Horror Story with its gore-fillers, Security with the thrills, among the others. Well, this one requires a sequel like The Conjuring, Annabelle, The Nun and Insidious had, and such a setting is added to the ending, even though forced – the scope is a lot there to be taken. Even though a lot of people might have missed the movie – even I never really heard about it, the release of the movie on Amazon Prime Video with Hindi audio is surely going to help. In the world of modernity where nothing is a sin, let this one remind one of the presence of evil and its ability to take over in an environment which seems perfectly not supernatural.

The performers of the soul :: Lauren LaVera is someone whom we remember from Terrifier 2, and it was one fantastic performance from her in a slasher movie that kept us immersed there – the last fight with the clown was epic. There was the note that she began as a body double for Anya Taylor-Joy and others in that memorable psychological thriller Split – this reminds us that we had the seen the girl somewhere before too. She continues her great work in this particular movie, as from the beginning, we know that this one would make a fine scream queen and can continue the great job to more movies of horror too. She goes through the scares, slasher situations and nightmares in a convincing manner. The next significant candidate for the scream queen role is Taylor Zaudtke, who has also done a fine job with the girl who tries to escape from the evil, and is too terrorized at times. Claudia Gerini’s work is solid and we feel like she is part of that aristocratic world all the time. Linda Zampaglione as Giulia does not fall behind in doing the same either. The rest of the supporting cast also contributes pretty well.

How it finishes :: There might be no better place to shoot a Gothic horror film than Italy, which seems to have the settings that would keep us horror fans enlightened with the older medieval buildings of its past as much as the Renaissance structures. The Gothic never got such close its soul in horror movies like we have here, with a medieval castle, mysterious painting, secret passages, underground dungeon, hidden traps and darkness that shines like the light of the moon with a haunting past. If there is a perfect Gothic world, it should be this one, and the other one would be Guillermo del Toro’s Crimson Peak which kept breathing Gothic till the end. This one remains scary, entertaining, and as mysterious as any such movie should be. We know that there is more than what meets the eye from the beginning itself, and we enjoy the same. When you feel that horror is losing its strength, we get transported to this world, and that is indeed something great – we enjoy our existence in such a world of old model horror awakened again.

Release date: 1st August 2024
Running time: 92 minutes
Directed by: Federico Zampaglione
Starring: Lauren LaVera, Claudia Gerini, Jonathan Dylan King, Yassine Fadel, Gianluigi Galvani, Taylor Zaudtke, Courage Oviawe, Giovanni Lombardo Radice, Linda Zampaglione, Lorenzo Renzi, Melanie Gaydos, Stefano Martinelli, Toni Pandolfo

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Smile 2

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Vampire Owl: Vampires are not really supposed to give good smiles.

Vampire Bat: Our smiles are the shadows of the smiles.

Vampire Owl: You mean to say that shadows have smiles.

Vampire Bat: Yes, those are the perfect scares that anyone can have.

Vampire Owl: The shadow of a smile. Sounds like it would make a fine movie.

Vampire Bat: Well, vampires make no movies at all.

Vampire Owl: Dr Frankenstein once told me about a particular movie.

Vampire Bat: That vampire movie was not made by vampires.

Vampire Owl: Well, Mr Frankenstein talked about a half-vampire.

Vampire Bat: I warn you – do not trust anything that smiles, even a Frankenstein.

[Gets a chilli porotta and three cups of Munnar tea].

What is the movie about? :: Joel (Kyle Gallner), a police officer who was cursed by an evil entity tries to transfer the curse to a new person by killing someone in front of another, as it would make him commit suicide and transfer itself to the watcher otherwise. The curse passing in the usual manner past smiling hallucinations when he dies – right to someone he knew would be unbearable to him, and therefore he chooses a murderer and his brother, killing one and making the other witness. But in the resulting shootout after he kills a brother, the witness is also murdered. But a drug dealer named Lewis (Lukas Gage) is a silent victim to all of these incidents and the curse lands right up on him. With Joel getting hit by a truck while running away, nobody gets to know about this particular evil spreading to Lewis, and ready to bring the horror working through people and their smiles. Lewis is unaware of this, but begins to have hallucinations.

So, what happens with the events here as we just keep looking? :: Skye (Naomi Scott) is a New York-based pop music star who is ready to make a reappearance to the public after a long struggle with substance abuse and a car accident which killed her boyfriend and severely injured her. She still feels her health, and with the need to get back to the drugs, she reaches the home of Lewis, one of her high school friends who continues to deal with drugs even after the incident. At his apartment, Skye witnesses Lewis screaming and panicking, but soon finds him smiling, and brutally killing himself. A scared Skye leaves the place, not wishing to be found near the corpse and the drugs. This makes her situation worse, with the hallucinations all around and seeing people with some terrifying versions of smiles feels like a natural thing for her. At the same time, she receives a message from an unknown number, talking about her presence at the apartment when the friend was killed, and about the knowledge of what is going on with her with the hallucinations resembling a supernatural presence. But can this smiling evil be stopped in time?

The defence of Smile 2 :: This one has a new idea, and even though shown in its predecessor, most of us might not have watched it. The franchise is indeed a setup for some new kind of horror, which transforms smiles into something terrible, the evil that needs to be feared. There are not many occasions when innocent smiles from children can be scary, but this one surely has that quality and keeps us in the lair of fear. The main character keeps us glued too, as the performance is of top quality and the same person works out of trauma. The creepiness never leaves the movie, and we know that from the beginning itself. There is the challenge to see beyond what meets the eye, and beyond the surface and the jump scares, this one raises the bar. The psychological elements and celebrity culture, all gets a few moments here. There is a certain emotional side here too, as the terror goes beyond everything that could be imagined. The smiles, you take them scared, and those scares coming out of nowhere with an even terrifying finish.

The claws of flaw :: The movie does not use its resources to the maximum effect, with hallucinations taking too much time than reality, and seemingly wasting time to make this movie longer than the usual horror flick. These visions could have actually been more terrifying and far away from reality, instead of keeping us in confusion. Too many false visions with incidents that do not happen only spoils the overall quality, and an ambiguous side helps nobody. This is also too powerful a supernatural force, and with all realities of perception changed, there is not much to fight with for the protagonist, making the movie feeling a world without hope, especially with that particular ending. When there are too many things shown, and with none of them happening or even leading to a change in the end, too many things feel to be unnecessary. In the end, the movie might be found guilty of overdoing certain things, and in the end, it remains not that movie which everyone, or every horror lover would like to watch.

The performers of the soul :: Naomi Scott does a perfect job in this movie, and she is the one person who elevates the flick by a long way – there are so many moments of her to remember, like Margaret Qualley and Demi Moore did in The Substance, another movie which had enough of the drug abuse and something far away from reality with hallucinations playing a major role. That movie had more to work with, and there is quality written all over it, but with the help of horror, this one surge forward led by Naomi. The movie almost completely rests on Naomi, and she makes sure that it stays that way. The next significant character seems to be the one played by Dylan Gelula, who stands strong to give her company. Lukas Gage makes a fine impression in the beginning stages itself. Peter Jacobson’s role could have been more significant to the incidents which were to follow, but it is moved to the backside, but we hope there will more from him in a sequel. The other performers also play along, even though the focus remains on the lady in the centre.

How it finishes :: Smile 2 makes one wonder why the first movie was missed, and it is strange that such a horror movie was not brought to the theatres here – the first one would have set a better beginning to the series, but watching the second one first feels fine too. The idea of smile itself is so well used here, and when we see someone smiling so well and when that makes us scared, it provides another level of scares. Smile 2 is quite a creepy horror movie, but remains predictable, with too much of hallucinations that deviate the movie from its original path and at times confuses people. The scares do work and the social commentary is effective, making it that movie which often stands above the usual horror movies with supernatural presence. With a third entry in the series, any confusion could be solved, and the ending is just nicely setting up for the same. This one surely adds to those nice deviations in horror.

Release date: 18th October 2024
Running time: 127 minutes
Directed by: Parker Finn
Starring: Naomi Scott, Rosemarie DeWitt, Miles Gutierrez-Riley, Kyle Gallner

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Grave Torture

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Vampire Owl: What kind of tortures did vampires historically endure?

Vampire Bat: There is certainly no torture in the grave.

Vampire Owl: You think that all outside graves are the same.

Vampire Bat: All coffins are the same, which makes all graves the same.

Vampire Owl: Well, Uncle Dracula says that death is only the beginning.

Vampire Bat: It is quite a well-known fact because the shadow world is there to be taken.

Vampire Owl: You feel that the afterlife will have a shadow world?

Vampire Bat: It is why people do not enter the world of shadows.

Vampire Owl: Well, they say that we become one of them.

Vampire Bat: Well, vampires are already people of the shadows, as nocturnal as we can get.

[Gets an Uzhunnu Vada and three cups of Vagamon tea].

What is the movie about? :: Sita (Faradina Mufti) and Adil (Reza Rahadian) are siblings who have had a troubled past. Their family owned a bakery in the city, and it was standing strong enough despite facing so many problems from different franchises often with multinational backgrounds. But an attack by a terrorist who believes in the Islamic concept of Siksa Kubur or Grave Torture had shattered their world by the worst way imaginable. The siblings who had to study in an Islamic boarding school due to their newly achieved status as orphans do not keep that much of faith after growing up, especially Sita. She vows to prove that the idea of Grave Torture does not exist, and as she works in a nursing home, finds a wealthy man who had run those orphanages and boarding colleges in the name religion. She feels that the man had wronged her brother in some ways, maybe even did child abuse, and tries to prove that torture of sinners in the grave do not exist by getting under the sands with him.

So, what happens with the events here as we just keep looking? :: The man who seems to be a child molester by using religion as cover would be the perfect to go through this process when a person is tested and judged in the grave shortly after burial, and for a terrible person, the torments in the grave would act as a preview of the afterlife punishment. Sita buries herself with the sinner and gets out without hearing anything. But when she tries to air the footage in a television show, it is simply not there. She is branded as a kafir/non-believer due to the same, and she suspects that it is all the fault of Adil. At the same time, she also begins to have visions of dead people or strange things from the other world. As she goes even deeper into the world of the dead, there is more disturbing and supernatural terror on her way. Sita’s highest level of disbelief of the supernatural is gradually weakened by the horror that comes across her, but due to her childhood trauma, she continues to try her best to get to the bottom of this. But the question remains if she can find anything substantial and whether she herself and her brother would survive this. And there is also the question about how the religious authorities would take this.

The defence of Grave Torture :: The movie focuses on what comes from the other world rather than anything else. It gives the early feeling that something grand is to be revealed from the supernatural or created mystery from the beginning itself. The setup from the main character’s skepticism, sibling trauma and religious themes seems to draw the audience to the feeling of upcoming evil really well. The fear elements do start working, and gets better by the end. There is also that emotional side that somewhat works. The family setup in the beginning had provided the emotional touch and the following tension goes through lighting, sound and use of settings—the graveyard, nursing home and every place works just fine. All of these are realistic in what would otherwise feel supernatural, and always watched over by evil which never ceases to exist. As we have known for a very long time, evil always finds a way.

The claws of flaw :: The movie does seem confused in between about what it tries to prove. It seems to be rational at times and during some moments, it seems to focus too much on religion – the result is just unwanted complication which comes in and gets bigger. The struggle can be seen further by the end of the movie, as there is a little too much added here and there to lead to the world of complex natural and supernatural blending. The loss of connection also comes up in between as if to make an unwanted point, and some resolutions are never really reached as if they are subplots going nowhere. Why there are so many things around here which goes on like islands is beyond us. The incoherent ending seems to come right out of this confusion, while the cliches do not leave either. The questioning power of the movie is lost for no real reason, and that strange ending seems to be too forced for anyone to be impressed with. Let us all have faith, but not by fear, and may there be belief with hope without always thinking about torment and torture.

The performers of the soul :: The main character is played by Faradina Mufti as an adult and Widuri Puteri as the teenager, both coming up with some performances of magnificence. Widuri makes a perfect sceptical teenager, and that works for her like a dream with perfection, as her world changes so much, with belief and lack of the same coming from two sides – the child gets caught up in things of seriousness and that grief can be seen all around her. The hopelessness of a child is well-portrayed by her and its worth appreciation as happiness moves into terror in such pace. Faradina is fantastic while playing the adult. Her search for truth rooted in a tragedy of the past makes us feel, but what happens to her character in the end remains a shame. Whenever she is there, we feel confident and so close to unveiling mysteries with a twist. Reza Rahadian is not far behind as the borther-figure, and neither is Muzakki Ramdhan who plays the younger version of the character. The other characters do not feel that much of relevance, and can leave our minds early enough, but not the situations.

How it finishes :: This movie travels in a different path from the other Indonesian movies reviewed by me, but surely is not better than them. Impetigore, Gundala, Photocopier and Ivanna are surely ahead of this particular movie more with content than anything else – they also seemed to have a bigger canvas for characters. There was so much that this movie could have done after that fine beginning, and the struggle could have meant more, but it seems to be happy with what all are already around, and that surely feels safe. To claim safety, it might have left its core behind, but remains an interesting work with enough dose of horror here and there, even though getting too stretchy in between. A better ending would have been more satisfactory, but we are okay with what we have. The Indonesian movies are surely having some interesting elements and the experimentation is surely on the right path. There is always a lot more that we can expect in this particular industry.

Release date: 16th September 2024 (Netflix)
Running time: 117 minutes
Directed by: Joko Anwar
Starring: Faradina Mufti, Widuri Puteri, Reza Rahadian, Christine Hakim, Slamet Rahardjo, Muzakki Ramdhan

<<< Click here to go to the previous review.

<<< Click here to go to the previous non-Asian version of supernatural.

@ Cemetery Watch
✠ The Vampire Bat.

Nokturno

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Vampire Owl: This should surely be about us.

Vampire Bat: Why do you keep feeling that so many movies would be about us?

Vampire Owl: Well, because we are the true nocturnal creatures?

Vampire Bat: Even zombies walk around only at night.

Vampire Owl: I have seen a few like a smaller army in daylight though.

Vampire Bat: They are not zombies, but humans without brains.

Vampire Owl: There are many humans like that?

Vampire Bat: Yes, mostly the fans of some celebrities and blind supporters of political ideologies.

Vampire Owl: I did not know that they were not extinct.

Vampire Bat: Well, they are surely rising in power, stronger than ever in the human world which faces many apocalyptic events at the same time.

[Gets a packet of Milk Bikis and three cups of Munnar tea].

What is the movie about? :: Jamie (Nadine Lustre) has been working as an overseas worker in Dubai and has returned to her hometown of San Sebastian following her younger sister Joanna’s (Bea Binene) mysterious death. Her mother Lilet (Eula Valdez) feels that a sinister curse which is part of the Filipino folklore of the kumakatok is haunting them and also took her daughter to the grave. According to the folklore, these are ghostly figures that knock on the doors after midnight, and those who open them are doomed to be die or at least lose a loved one within three days. Jamie does not believe in any of these, and feels that her mother is mentally sick, in need of treatment. Joanna’s boyfriend Manu (Wilbert Ross) feels that the curse is real, as his girlfriend had talked about the same before death and he has also been having some hallucinations after her death. He wishes to stop this, but is too afraid to do anything about it.

So, what happens with the events here as we just keep looking? :: The explanations of the police officers do not seem to satisfy any of them. Most of the locals think that it was a suicide just like those self-proclaimed logical ones. It seems that the curse has bound itself to the family, and escape only gets more and more difficult as time passes, and someone or the other is taken from among their beloved, and their father was just one of them. These kumakatoks need lives and they are not going to stop, as it is told by more than one person who have heard about the folklore. Jamie is still not a person of villages and small towns of the country. She had left this lesser-known simple world a long time ago and would not have come back there under any circumstance. But is this the beginning of the end for them? Can the family stick together and fight against this centuries-old pure evil that takes souls to another world? Is there really some kind of supernatural force or is there some sinister person or mental disorder at work? Is it already late to act and find a solution or can the protagonist return in peace?

The defence of Nokturno :: The Kumakatok myth from the folklore of Philippines has been used well, and it is something that our world is not aware of, and is not seen that much around. The atmospheric horror works really well, and the focus on rural areas makes some moments even more interesting with the mysterious supernatural side. The sound effects also add nicely to the horror, and it seems to be around at all times in the background. The connection between modernity and a largely ignored world of the past can be easily seen. The mystery is present at all times, and we know that the danger awaits, even though there is nothing directly shown around here. The folklores of all nations should be part of a knowledge system based on horror, and it is something that we should keep learning as part of understanding different cultures and traditions. After all, myths based on demons are stronger than any other, as we are all driven by fear and the lack of understanding of the supernatural, which drives this movie too. To add to the same, there is an emotional side around here too.

The claws of flaw :: The movie is still too slow as it moves forward, and the horror is not that much mainstream terrifying, as the common audience look at it. This means that the commercial side will not keep the movie going forward. The smooth transition to horror is not always there, and slowing down seems to come naturally to this movie. There is a little bit of too much talk around here instead of getting the horror wings. We never really get to see a monster with all its glory, and most of the time it is all about finding the knocks at night and being afraid of something which might happen because there is this folklore about which the mother-figure believes so much. There is too much left to the imagination, and the problem with the same is that some people might end up choosing not to imagine at all, and there is lies the true lack of horror, and a curse that could not be fully effective. There are a few things that will always work in the case of horror movies, and this one seems to forget that with a certain amount of convenience.

The performers of the soul :: The movie has an outstanding performance by Nadine Lustr who connects to both the horror and emotions really well. She provides the character with the much-needed emotional depth, as it is that kind of a character who returns home after such a long time, and some grief and regret are to be present. Bea Binene has her moments in the first few minutes, and we would wish to have seen her for a longer period of time. She seems to suit a scream queen situation quite well, and would suit bigger roles in many horror movies which are to come. Eula Valdez adds further emotional depth to the tale, and the tragic side of this story remains close to her performance. Wilbert Ross has also come up with an emotionally memorable performance. JJ Quilantang as the younger brother also has something do around here, and the same is done well. Ku Aquino’s work also remains memorable, as his character creates a certain amount of hope against all odds.

How it finishes :: This only the second movie from Philippines being reviewed here, and the first one was also quite an emotional horror work in the form of Outside, with the presence of zombies and the world almost reaching an end. I had heard a lot about this movie, and I was sure that it had to be watched sometime soon enough – it could have been the first Filippino movie to be reviewed, but missed the same in the first attempt. This one might not be everyone’s cup of demon, but in a world of evil humans, we need all the demons we can take, and taking them from folklore would always be the best option. The movie might not that much be liked for the pace, and people would have wanted to see more scary things on screen, but this remains strong enough, even without the same. The soul of the horror here lies in the certainty of loss and the absolute grief that will haunt them for an eternity, if they survive. Well, horror has always been the true human reality, unlike most of the fantasy that they show with romantic and feel-good movies.

Release date: 31st October 2024
Running time: 99 minutes
Directed by: Mikhail Red
Starring: Nadine Lustre, Eula Valdez, Bea Binene, Wilbert Ross, Ku Aquino, JJ Quilantang

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Until Dawn

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Vampire Owl: We never really wait for dawn.

Vampire Bat: It is because we are against dawn. We are people of the night.

Vampire Owl: So, these people are looking forward to dawn.

Vampire Bat: They are surely trying to get rid of people of the night.

Vampire Owl: Well, we are not the only people of the night around here.

Vampire Bat: Yet, we are the major ones around here.

Vampire Owl: The werewolves might disagree.

Vampire Bat: Would that matter if they do not agree?

Vampire Owl: I am sure that Doctor Frankenstein would mind.

Vampire Bat: Well, Mr. Frank has never been the ideal or even real doctor as we know.

[Gets an onion vada and three cups of Vagamon tea].

What is the movie about? :: Clover (Ella Rubin) has been searching for her missing sister Melanie (Maia Mitchell) for a very long time, and she decides to retrace the steps of the sister traveling through the final days when she was in contact and sent a video. For the same purpose, she is accompanied by Nina (Odessa A’zion) her best friend, Max (Michael Cimino) her ex-boyfriend, Abe (Belmont Cameli) Nina’s boyfriend and Megan (Ji-young Yoo) Max’s step sister, who are all hoping that Clover could get better by going through the same path her sister had taken, and get better by understanding that this is the end and the past should be left behind for what is the best. As they stop by a gas station where Melanie had recorded a video, Clover is warned by the attendant there that people go missing in a mining town called Glore Valley, and it has never been a safe place, as he has been noticing for years.

So, what happens with the events here as we just keep looking? :: They keep driving though, and as there is a thunderstorm with heavy fog on the way, Abe is not able to see the road, and every turning back or driving straight seem to lead to the same place, and they finally reach a building which resembles a centre for visitors or a guesthouse of the mining town, and surprisingly, the climate is rather better around there. As Nina signs on the visitors’ register, she finds the name of Melanie there, and there is also the photo of Melanie on the noticeboard in the drawing room with many others, but there is no address, phone number or e-mail to contact if the person is found. There is also a moving hourglass which gets turned on. At the same time, it seems that their car is taken away by someone and Clover feels that she heard someone calling her by name, and she thinks that it was none other than Melanie. But soon, they come across a person with an axe, and he proceeds to kill everyone around quickly.

And what is this certain strange mystery all about? :: Soon, the group finds themselves waking up in the same house, but with the realization that they were brutally murdered. They find their photos on the missing list placed on the noticeboard this time, and hopes that they can get out of the building before the same person tries to kill them again. But it seems that this time, it is not the man with the axe that they need to worry about, with some other entity awaiting them. This time, it is a demonic possession that awaits them, as they realize that Megan who had a strong connection with the supernatural is possessed and there is something more sinister than a man with an axe that awaits them. There is also a new house in front of their house, and there seems to be more terrifying elements coming right out of there. Now, can they survive this night, and how many others await them? If they survive this, if this the end? Even they are out of this, can they really get back home to a normal life?

The defence of Until Dawn :: Like The Cabin in the Woods and Evil Dead of the past, this movie makes a fine impact in horror. The scares feel really good and the mystery is too good to be left behind as we are taken right into the middle of terror from where there is no escape. The location is too good and the music and sound effects nicely supports the events. The methods of death used here are pretty much efficient, and the monsters brigng the scares nicely. Ella Rubin who is also seen in Fear Street: Prom Queen makes the perfect scream queen, the classic heroine of the horror films, as it is seen here too. Her different looks seem to support the same, and we hope to see her in one of those classic horror reboots, with serial killers or demons. Her final look with that determination and pickaxe makes the whole thing feel more classic. After a fine work here, Odessa A’zion could also have herself in a horror movie which would make a similar impact, as we hope to see her in similar horror movies of interest.

Positives and negatives :: There are not many movies with an infinity of horror, and this one provides the unlimited horror with repeated deaths which makes one feel the ineffectiveness and uselessness of life itself. It could have been more, but we can be very much satisfied with what we have. The movie’s twists are quite nice, and we have the feeling that there is always more than what meets the eye. It is like having many horror movies into one, and not being sure in which film we are in and which one is to follow next. This way, the movie also provides a fine tribute to the slasher horror genre which has not been getting to its past glory again due to the inability to use the basic elements which were always there to be taken. When we take the young cast as a whole, we know that so much talent is there to be used in the horror genre, and it is an advantage that the new generation of horror movie makers have, and they need to use it every time, just like atmosphere has been used efficiently here.

How it finishes :: This movie is a reminder that good movies can be made out of computer games, especially from the survival gaming modes to a survival film of a higher level. I still believe that Doom, Hitman, Resident Evil, Silent Hill etc were well-made. I have not played or heard about the game before, but it would be an interesting choice to get into that – even though I have that feeling which says that my days of gaming are over, even for those old versions of Age of Empires: Conquerors and Unreal Tournament: GOTY. The final scope for sequel that is left in the end would make one wonder what twist is yet to come. This is like being respawn in Unreal Tournament or Quake 3 Arena to kill more and be killed, as we think about it, but as we use this idea in horror, there is much more at stake. After watching this movie, we can only feel confident that horror will stay alive as long as cinema takes forms like these.

Release date: 25th April 2025
Running time: 103 minutes
Directed by: David F Sandberg
Starring: Ella Rubin, Michael Cimino, Odessa A’zion, Ji-young Yoo, Belmont Cameli, Maia Mitchell, Peter Stormare, Lotta Losten

@ Cemetery Watch
✠ The Vampire Bat.

The Red Door

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Vampire Owl: I have always loved the red door.

Vampire Bat: There is no red door in the castle.

Vampire Owl: There are doors in many colours?

Vampire Bat: You were colouring the stone doors all these times?

Vampire Owl: It already had enough colours with them.

Vampire Bat: We only paint everything black.

Vampire Owl: Not everything is black in the castle.

Vampire Bat: Yes, in the Dracula Castle, some are very dark grey.

Vampire Owl: You cannot question Doctor Frankenstein’s choice of colours.

Vampire Bat: So, Mr. Frankenstein is responsible for all of these.

[Gets a blueberry cake and three cups of kadak chai].

What is the movie about? :: Josh Lambert (Patrick Wilson) has lived many years after the earlier incidents of possession and traveling through the Further, a realm full of tortured souls through which the family had projected in an astral mode bringing chaos and destruction to their world. Renai Lambert (Rose Byrne) is now divorced from him, and this separation has not come up with positive things for him or her. His relationship with his son Dalton Lambert (Ty Simpkins) has only managed to worsen over time, and his attempt to make things better by staying closer to him only makes the whole thing even more terrible. As Dalton joins a new course, Chris Winslow (Sinclair Daniel) becomes his new best friend after they are given the same room despite the latter being a girl. He joins the class of Professor Armagan (Hiam Abbass) as he wishes to be an artist, but a painting that he makes when asked to go deep into memory makes things very weird. The painting is of a red door which has served as a portal to the Further and the darkness of evil that awaited.

So, what happens with the events here as we just keep looking? :: This is when both father and son seems to have some hallucinations, and dead people seem to come to meet them. Dalton seems to have travelled to some other world which is connected to this, but he does not remember the Further – both Josh and Dalton had their memories wiped out and seeing the spirits is the first-time experience for them. The demons that haunt them only seem to get worse. Chris shows Dalton YouTube videos about astral projection to help him understand the situation, as he gets into the Further again, which brings into this world an unknown entity that attacks Chris. Despite the repeated warnings by Chris, Dalton decides to go into the Further again and search for answers, which locks him there. Josh who understands that the situation is terrible, meets Renai and after knowing about the painting of the red door, decides to travel to the terrifying dimension once again to save Dalton. Can he do it without being lost there?

The defence of Insidious V: The Red Door :: We are always interested in a world beyond, brought together by astral projection, and having its demons. The reminder about another dimension existing in the dark and waiting to pounce upon us, is something that has immense possibilities. We get the feeling that this brings everything together, and the franchise’s journey focusing on this particular family might end here. The use of picture and some of the moments within the other dimension brings some horror here, and the mystery remains strong. The bonding for family is nicely shown without holding back. The emotional side works for most of the time too. The idea of focusing on the red door through a painting is nicely done. The astral projection’s extension can be seen as effective enough to bring other films focusing on the same idea. The journey through the memories also brings some of the nostalgia back here too. We are looking forward for the red door to open and bring something more through the portal that connects between all of these, for we understand again that death is only the beginning of a torment that never ends.

The claws of flaw :: Insidious V: The Red Door reminds us that the franchise was once very frightening with elements that were to stay in our memories. One can be sure that this one does not live up to that power, as the scares are never focused on. The darkness and the evil that lurks in the Further is not explored well enough, as we look closer. The demons basically could have had a grand tale with deep myths running through, but the same cannot be seen here. There is a certain amount of struggle that this movie goes through, this many years after it made its classic point through another dimension, and that feels too strange. There are moments when we think what went wrong with this world, as there was so much to explore, and instead this movie spends its time to focus on the family and how the members bond together to destroy evil that comes back to haunt them – it also leaves us with the hope of bringing the whole family together yet again; not the best choice for a fifth horror movie in a frightening franchise which should live forever.

The performers of the soul :: Patrick Wilson also becomes the director in this movie, as he goes through the journey both as the main character and the man behind all of these with ease. He has been a clear part of the horror world with works in The Conjuring universe as well as this one, along with the journey through the Aquaman franchise. His journeys seem to have created so many horror enthusiasts in this part of the world, and he leaves us confident about more. The beginning as the director works out well for him too. Rose Byrne has been part of this franchise for long, and contributes well as one would expect in a film which does not focus on her that much. Ty Simpkins’s son character works pretty well, while Sinclair Daniel bring the comic side to the scene, even though a little bit more than it was needed in a movie like this, and not always working that well with the humour. The supporting work just happens, and do not go that much forward with the same strength with which the earlier movies came and conquered without second thoughts.

How it finishes :: Insidious V: The Red Door tries to bring the sequel horror right back here again. The attempts of Annabelle, Sinister, The Conjuring, The Nun, Don’t Breathe and others have already been seen, and this particular movie here is at number five with its sequels. We know that horror is forever, but we also understand that none of these movies had their sequel providing a higher quality than the original flicks which started the series with a certain amount of strength. It leaves a certain amount of chance for another sequel which can explore the demons and the other dimension better. But we know that a sequel might not have that much of a power as we would have expected from an original, and the next one would be the sixth movie in the series which would require more plans to elevate the overall status. Not many movies have managed to come up with a sixth film in the franchise, and for horror movies, it is even more difficult. This movie just manages to live on as a sequel, and we have to see how far can the next entry raise the level.

Release date: 7th July 2023
Running time: 107 minutes
Directed by: Patrick Wilson
Starring: Patrick Wilson, Rose Byrne, Ty Simpkins, Sinclair Daniel, Hiam Abbass

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Evil Dead Rise

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Vampire Owl: I think that they are talking about me.

Vampire Bat: You are not part of any Evil Dead stuff.

Vampire Owl: I am the rising evil coming from the dead.

Vampire Bat: Yes, but the movie is surely not about your rise.

Vampire Owl: Does my rising from the dead every day bother these humans?

Vampire Bat: I don’t think that humans are bothered about dead owls returning to trees.

Vampire Owl: Don’t they have time to bother about such important things?

Vampire Bat: They are only worried about silly things which make no sense.

Vampire Owl: Yet, zombies are interested in eating their brains too.

Vampire Bat: A common zombie would eat the brain fried rice of anyone.

[Gets a paneer masala dosa and three cups of cardamom tea].

What is the movie about? :: Jessica (Anna-Maree Thomas), Teresa (Mirabai Pease) and Caleb (Richard Crouchley) are having a vacation in a cabin in the woods by the lakeside, when something strange happens to one of them. As Jessica seems to be possessed by some strange supernatural entity, there is the reminder about a series of incidents which happened in an apartment block back in the city of Los Angeles. In the city, Ellie (Alyssa Sutherland) is a single parent who takes good care of her children Bridget (Gabrielle Echols), Dannie (Morgan Davies) and Kassie (Nell Fisher), and is also loved by everyone living in those apartments. They are visited by Beth (Lily Sullivan), the only sister of Ellie who works in the music industry. They have had some misunderstandings in the past, but are back to their past as loving siblings. It is then that an earthquake hits the apartment complex while the kids are at the basement as they return with pizza and drinks. They notice that the earthquake has created a massive hole on the basement floor.

So, what happens with the events here as we just keep looking? :: Danny decides to investigate the strange hole, and discovers that there are different religious artifacts, along with some phonograph records and a strange-looking book which he takes back up to his room, even though the other children are not really fond of the findings. It turns out that the Book of the Dead has been found, and as he plays the phonograph records against the advice of Bridget, he unleashes the demons. These creatures take control of Ellie in the elevator through the vines which runs through her body, almost twisting her body parts. As she returns to the apartment, she begins to act strangely, and collapses all of a sudden. Beth and the children feel that she is dead, as there is no sign of life in her body. Her body seems to be in a somewhat decomposed already. But very soon, Ellie seems to wake up from her sleep, confused for a few seconds, but soon getting to attack her own family. All the family members work hard to keep her outside their apartment, but the possessed mother ends up murdering everyone in the nearby apartments who try to come out.

And what more is to follow in this tale of evil unleashed from a book of the dead? :: Ellie in her possessed form is still smart enough to almost make Kassie open the door for her. Bridget soon finds herself also possessed by the demons after being attacked and wounded by Ellie. Meanwhile, Ellie finds out that vents can be a good option to attack her own family. Bridget soon begins to attack the family, only to be impaled by accident by Kassie. Beth tries to learn more about the demons by listening to the phonograph. At the same time, Bridget manages to rise from the dead again, and Ellie gets into their home through the vents. At the same time, the dead people outside also find themselves alive in their undead state, ready to attack the family. They declare with confidence that the whole family would by dead by dawn. At the same time, the elevator doesn’t seem to work, and the stairs have also collapsed. There is the option of fire escape, but that would be a long distance away, with the undead awaiting them outside their home. Now, can Beth find a way to save what remains of the family with herself? Is there any chance to stop the possessed Ellie and Bridget? Does anyone know how to stop the ancient demons right out of the Book of the Dead?

The defence of Evil Dead Rise :: This rise of the dead makes sure that things get interesting from the beginning stages itself – it is the first few minutes that establishes the return of horror like no other moment. There are some nice dialogues which contribute well to the horror too, and most of them come from the main antagonist herself. The tall Los Angeles building seems to serve the demons’ purpose very well, if used well enough. The bloody side is strong, and the elevator filled with blood makes the point well. There is some difference from the other movies in display here too. The leading ladies have also come up with some fine performances. Lily Sullivan is the scream queen who can do wonders with a possible sequel too, as she has already shown here. Alyssa Sutherland is a fine possessed creature in the movie, even though the humour added to her character make it feel strange at times. Another interesting thing would be to guess how Anna-Maree Thomas would work with her character in the next possible movie if it chooses to continue this story, and one would also like to see Mirabai Pease in an alive character. The dark and gloomy atmosphere of this world would stay for long, that is for sure as we wait for more sequels.

The claws of flaw :: It is surprising that Evil Dead Rise often descends too much into comedy instead of continuing as the terrifying piece that it was always expected to be. It didn’t need those silly sequences which weakens the demon power. After all, these are demons who are to make human lives living hell, and they are required to act like them. There could have been more scary sequences used, and the shocking elements used here are not of that much of an effect. The demons could have come up with so many things with their chaotic skills, but it is too much limited in scope. The makers have to remember that these are not the viewers of those days when those first three movies released. There was the need for more innovation to make things better. The vine scene in the elevator could have been creepier, as the same in the forest was more terrifying in nature with the support of the environment. The surroundings of the tall apartment complex could have also been better used. You just cannot expect blood and gore to do the job all the time, as some real terror can always do better. When we look at the film reviews too, there is much more that everyone had expected, seemingly clear from the reaction of the audience in the theatre.

How it finishes :: When it is the case of Evil Dead, we are all interested. We have all been interested from childhood itself, as it has been that franchise which introduced many of us into the bloody and gory horror which knew no substitutes. Whether it is with the older franchises of horror or with those newer ones, there is nothing that matches the level of Evil Dead. The earlier version of the movie had come out in 2013, and it was no exception. The first movie was there before we were born, and that was legendary. This one comes so many years later, and during these times, it is even more difficult to make the horror work with such efficiency. This version of the movie manages to do the same up to an extent in style. There are indeed those moments to remember in this film, and we are only glad to have this particular sequel, which leaves the door open for more. The demons of Evil Dead will always have a different status in comparison to others, and the newer crowd favourites like The Conjuring, Insidious, Sinister and Annabelle can remember.

Release date: 21st April 2023
Running time: 97 minutes
Directed by: Lee Cronin
Starring: Lily Sullivan, Alyssa Sutherland, Morgan Davies, Gabrielle Echols, Nell Fisher, Mirabai Pease, Anna-Maree Thomas, Richard Crouchley, Jayden Daniels, Billy Reynolds-McCarthy, Tai Wano

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Romancham

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Vampire Owl: We have heard a lot about this movie.

Vampire Bat: When we hear too much about a film, it won’t be good.

Vampire Owl: Well, human tastes rarely apply to us.

Vampire Bat: Yet, there have been exceptions from old times.

Vampire Owl: The exceptions have not been really worthy either.

Vampire Bat: There are actually so many movies releasing these days.

Vampire Owl: But we don’t even know most of them.

Vampire Bat: They just come and go as fast as possible.

Vampire Owl: Well, releases used to be more relevant until some time ago.

Vampire Bat: The movies these days mean too less. It has been so quiet.

[Gets a paneer biriyani and three cups of cardamom tea].

What is the movie about? :: Jibi (Soubin Shahir), Rivin (Anantharaman Ajay), Niroop (Sajin Gopu), Shijappan (Abin Bino), Mukesh (Siju Sunny), Karikuttan (Afzal PH) and Soman (Jagadeesh Kumar) are seven youngsters sharing the same house in Bangalore. Most of them don’t have any job, and some among them are not really interested in working at all. The people in the neighbourhood do not like them and consider them to be nuisance. One day, they come across the idea of playing an ouija board by decorating a carroms board to tranform its looks. Even though they feel that it doesn’t work at all, things seem to get supernatural at least within the board, as there seems to be a female spirit named Anamika talking to them. The spirit answers to all their questions, which even brings people from outside to become part of the game. People even get to know things which were unknown to most humans around. It seems that the spirit could even solve mysteries and crimes, which surprises everyone. But things go out of control when it seems that the spirit is capable of more than just being part of the game, and they finally decide to stop playing the ouija board.

So, what happens with the events here as we just keep looking? :: But things don’t get any better after the oujia board is destroyed. They bring an acquaintance named Sinu Solomon (Arjun Ashokan) to the house after he had faced a trauma of being kidnapped, but this man seems to be even stranger than the lady spirit. He seems to act strange, and even knows things that he was not supposed to know, even about Anamika. He seems to be stuck at times while doing something or talking to himself during regular intervals which makes everyone feel strange. To add to it, he also talks about human skull soup, much to the dismay and fear of the already scared group of people. They try to bring a common acquaintance to talk to him, but he feels that the problem is with Jiby. Compared to others, Jiby feels that there has never been a spirit in the house, as it was him who started moving the glass on the board, and thinks that someone else might have continued from where he had left. So, is there a chance the spirit is actually something else, or is there something to be afraid of?

The defence of Romancham :: The genre of horror comedy gets the much needed strength with this particular movie. This is the category which hasn’t managed to find a fine footing in Malayalam film industry, and this is a positive move in that direction. The prevailing mystery in this movie never ceases to exist, and we are left to think about the spirit more than anyone in the movie. There is the humour that works, and it is that kind of a comic side which has been used before, but not something that we haven’t seen before, thanks to the premise and the setting at work here. The movie also manages to connect most of the dots really well, and it doesn’t back down when there is chance for some realistic talk to go on in between. It is also that kind of a horror movie which does not require us to think too much about evil that has its claws stretched towards human lives, as it is more focused on letting the audience live through the experience of the main characters who remain different from each other, even with so many common things which seem to run through. The final moments do score well, and leaves scope for guessing for another movie which can also follow.

The claws of flaw :: There was so much to be done with this movie, and a lot more than what was seen on the screen. The horror remains weak throughout this movie, and there is no clear indication of what has happened around here in relation to the spirit – the lady spirit is never really shown around here, and we never really get to see the demonic spirit. The movie also takes too much time to start becoming interesting, as the first forty-five minutes are rather dull with the life of random youth being shown with all the useless elements. It is only when the board gets the focus that things begin to be of significant nature. Then, the movie seems to be getting ready to become something extraordinarily huge, but it never really manages that, as it stays within the limitations instead of breaking free to bring the unlimited doses of anything of the blended genres. Along with the same, I have to say that movies based on Bangalore has worked less for me, and it was the same case with Bangalore Days which was so much appreciated for some reason, which I would never really find out. There could have been more than what meets the eye, but there isn’t, and it is also too long a film.

The performers of the soul :: The movie depends on a list of newcomers to make the desired impact, and the same has been mostly achieved with most of the actors. Among the performers who have a long history, Soubin Shahir is there for the longest time, and he manages to keep things going strong. The next one who is there for more time is Arjun Ashokan, who has his moments, especially with funny side having a spooky addition to it. Chemban Vinod Jose should have been there for more time though, as he seems to be most experienced person who shows the face around here – it remains more or less a cameo-like performance though. Among the new faces, the ones who catch our attention the most are Anantharaman Ajay who plays the decent boy among them all and Sajin Gopu who played the supposed-to-be-brave character. The movie does miss the female cast though, as the only ladies around here are those of no importance to the tale or a spirit which is never revealed in the feminine form. Deepika Siva as a nurse might be the only other female presence on whom the camera is focused for enough time period.

How it finishes :: The movie misses out on the opportunity to have the side of horror up and running along with the comedy, but in the end, it seems clear that this one would not give the genre of horror any advantage in between the comedy. There was a lot to be achieved by this movie, and it only happens to be successful with some of them. It could do better with a sequel, but even without such hope, remains a film of interest. Adi Kapyare Koottamani which had a horror presence in the end with all the comic side is still to have that long awaited sequel, and so we just cannot be sure about another film. The movie might not feel that huge as some of the opinions about it, but the use of the available resources to become effective is to be noted. Making a horror movie work has been more difficult than ever during these days, and such difficulty in display here is managed better during the later stages of the movie. The device at work for the supernatural here is the homemade ouija board out of the carroms board, and it is the innovation that makes one feel the presence of the local ghost even without that woman in white saree.

Release date: 7th April 2023 (Hotstar), 3rd February 2023 (Theatre)
Running time: 129 minutes
Directed by: Jithu Madhavan
Starring: Soubin Shahir, Anantharaman Ajay, Sajin Gopu, Abin Bino, Siju Sunny, Afzal PH, Jagadeesh Kumar, Arjun Ashokan, Joemon Jyothir, Chemban Vinod Jose, Deepika Siva, Sneha Matthew, Asim Jamal, Thankam Mohan, Jolly Chirayath

<<< Click here to go to the previous review.

<<< Click here to go to the previous horror film review.

<<< Click here to go to the previous Malayalam horror film review.

@ Cemetery Watch
✠ The Vampire Bat.

Ghostbusters: Afterlife

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Vampire Owl: You mean to say that they want the ghosts dead.

Vampire Bat: I am pretty sure that vampires are not included in the list of ghosts.

Vampire Owl: So, they wish to kill us in some other movie.

Vampire Bat: Still, not as much as they have murdered their own kind.

Vampire Owl: That was not enough for an extinction event though.

Vampire Bat: Humans will be extinct sooner or later.

Vampire Owl: Have you checked all possible extinction events?

Vampire Bat: Yes, humans are part of nine thousand out of ten thousand of them.

Vampire Owl: They do have a fair chance to go extinct then.

Vampire Bat: Yes, good for the world around them, right?

[Gets a chocolate cake and three cups of elaichi tea].

What is the movie about? :: It is shown that there is a hunt for a supernatural entity which leads to the death of the man who tried to trap the creature. This leads to his daughter Callie (Carrie Coon) inheriting the farm. As a single mother, she struggles to pay the rent for her apartment. Her children Trevor (Finn Wolfhard) and Phoebe (Mckenna Grace) are not that fond of the happenings around there. The three moves to the house with the farm which is passed on to them. The new town where they live seems to have earthquakes at all times despite having no seismic activity recorded – there is no volcano around, and not even some loud noise in this town where nothing much happens. Trevor is infatuated by Lucky Domingo (Celeste O’Connor) who works at a nearby diner, and seeing a vacancy there, joins the place for work. Meanwhile, Phoebe joins the class of Gary Grooberson (Paul Rudd), who is there just for the sake of it, and plays movies for the students.

So, what happens with the events here as we just keep looking? :: She also meets Podcast (Logan Kim), another student who is interested in science as much as she is. The three becomes infatuated with a device which Phoebe finds at home, and it turns out to be a ghost trap. Gary who has been a fan of the Ghostbusters for a long time, tampers with the trap with the help of his students, releasing one of the spirits that scares them and immediately flies into the nearby closed mine – the locals used to believe that the place was haunted too. Callie and Gary seem to instantly attracted to each other as the three comes to the inherited home in the middle of nowhere to find clues related to ghosts. Meanwhile, Trevor and Lucky on a trip with their friends also come across a spirit which they seem to dismiss as some random smoke coming out of the abandoned mine as part of some natural process. But a word seems to stay stuck with them.

Now, where would the ghosts lead further in this tale? :: Soon, Phoebe discovers a secret laboratory underneath the outhouse on the side of their house, and it seems that there was more to her grandfather than what met the eye of the villagers who called him the dirt farmer who farmed nothing other than dirt. He was doing some special work indeed. It turns out that the ghost of the grandfather is still there, and he hopes that his grandchildren will take over the Ghostbusters procedures. Phoebe seems to be able to enjoy that prospect very much. But will the very young new generation be good enough to come with a new level of ghostbusting while working against all odds? With a new terrifying evil ready to be unleashed, how good can a group of kids leading a team be? With the evil predating everything that they know, how good can modernity work against such evil grandeur of ancient times?

The defence of Ghostbusters: Afterlife :: The movie would be very interesting for those who grew up watching the original movies of the 1980s – seems like some doses of nostalgia being in store here and there. The setting at a town in the middle of nowhere with some nice locations which are even more remote – things one get better from there. The humour works well in here too. The action is big enough, and there is a lot happening in the final stages with the fights going on against the creatures from the other world. The special effects are pretty well done, even though not with every ghost – the final demonic arrival is a sight to be appreciated though, with the background effects also playing some fine roles. Mckenna Grace remains the soul of this movie, and the one child ghostbuster that you are going to remember for long, with moments to remember. Carrie Coon – Paul Rudd moments also bring some unexpected fun. Celeste O’Connor – Finn Wolfhard team is also an enjoyable one around here.

The claws of flaw :: Anything that is specifically intended for the old fans of the franchise which started in the 1980s won’t work for us, as the series didn’t have much of a fan base in this part of the world which was more into those spirits of Evil Dead, Nightmare on Elm Street, Friday the 13th and others. It was also a reason for the reboot making no impact around here. This one which take place more than thirty years after the 1980s works seem to do better, but doesn’t make an impact around here either. Well, with The Conjuring having brought its own methods of hunting spirits, this method would surely seem less effective – this still seems to be twilight times of The Conjuring franchise and that brings some chance for another sequel. There could have also been some deviation from what seems to be less suited moments around here. It could have also been less inclined to be suitable for children, as ghosts have evolved enough during these days. The beginning stages also take some time to get going, thus stretching the movie to something above two hours.

How it finishes :: Ghostbusters: Afterlife works well with its elements, and seem to know the strength to use to the advantage – the same is done in most parts, even though the film doesn’t go on to become the perfect return vehicle for such ghosts of many people’s nostalgia. Not to be confused with Resident Evil: Afterlife, this movie has enough hunting of ghosts to keep us interested. With another sequel, much more can be achieved by this particular franchise, which seems to have enough family-friendly ghosts in action. Well, this is one film with ghosts which can be watched with all kinds of people as audience. One one side, we have The Conjuring, Insidious, Ouija, The Curse of La Llorna, Sinister, The Nun, Annabelle and team, and on the other side we have this one which is not really for the scares, but has its own ghosts to keep the haunting going strong. Well, as much as we need those other films, this one is in requirement too – no doubt about that.

Release date: 19th November 2021
Running time: 124 minutes
Directed by: Jason Reitman
Starring: Carrie Coon, Finn Wolfhard, Mckenna Grace, Annie Potts, Ernie Hudson, Paul Rudd

<<< Click here to go to the previous review.

@ Cemetery Watch
✠ The Vampire Bat.

Ghost Lab

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Vampire Owl: Now, the ghosts are in need of labs too?

Vampire Bat: Well, even your favourite pseudo-scientist has a lab.

Vampire Owl: It seems that you are not done making fun of Doctor Frankenstein, the greatest inventor of them all.

Vampire Bat: Mr Frankenstein is not a true immortal. He will be dead soon.

Vampire Owl: He has prepared and drunk the elixir of immortality. He is sure to live forever, at least when he is part of this realm.

Vampire Bat: You think that a human can be equal to us.

Vampire Owl: He hasn’t been human for a very long time!

Vampire Bat: Well, you will know the true immortals after watching this film.

Vampire Owl: You are talking about the second Thai film we will be watching to be part of this website.

Vampire Bat: Yes, The Whole Truth then, and now this one.

[Gets a strawberry cake and three cups of Munnar tea].

What is the movie about? :: Wee (Thanapob Leeratanakachorn) and Gla (Paris Intarakomalyasut) are two doctors who are highly obsessed about getting some scientific proof that the ghosts are real, after they had witnessed a certain haunting occuring in their hospital. They were the kind of people who wouldn’t believe in the existence of spirits before that, but not anymore. They wouldn’t be making fun of the shamans or any ghost hunter after the incident. Wee’s mother has been in the hospital for a very long time, and it also one reason why he had decided to become a doctor. He would keep saying that if there was something like ghosts, science would have detected them early enough, like detecting those particles from space. Gla still thinks that it is absurd for someone like him to not to believe in ghosts as he believes in aliens. It was the apparition of man who was burned to his death that appeared with a body of burns. The two doctors were the only people who save the creature, and it didn’t appear on camera at all.

So, what happens with the events here as we just keep looking? :: Wee wonders if that was a case of hallucination, but two people can’t hallucinate the same thing at the same time, which leaves many questions. Gla is only happy to have seen a ghost in the end, as he did have his own doubts about the supernatural existence. He feels that he had seen the ghost of his dad, a few days after his death, but as he was a child then and as it was for just a second too, he couldn’t be so sure. Wee decides to join his friend in proving that there are really ghosts wandering around the human world. They call it the Northern Lights Quest. They want it to be that great an experiment and discovery as Newton or Einstein had come up with, and people will study about them. It turns out that Gla has already done a lot of field work in secret, visiting all the famous haunted places as well as local cemeteries, accident scenes and mortuaries. The fact that cameras can’t record the mechanism doesn’t help them in finding the proof.

And more is to happen with this particular search for ghosts? :: The absence of cameras means that they have to make the ghosts appear to other people too, but there doesn’t seem to be any pattern to how the creatures appear. They understand that they just can’t write some fiction like the authors of the past and make people that it is close to reality; they won’t be able to share the realities of others who would say that they have seen something supernatural. Even the once popular vampires and demons don’t seem to have that market anymore. But it turns out that there are some invisible ghosts too, and they might be making things happen – maybe, a few random things in the hospital might be caused by them. Well, they feel that the best place to find a ghost might always be a hospital, and not anywhere else, as so many people die in the building, and the morgue has the bodies that might bring the ghosts out. But none of these would count as solid proof. With these late night experiments affecting the quality of work for the doctors, there seems to be the need to find a clue as soon as possible, but can they?

The defence of Ghost Lab :: This movie does have an interesting beginning that serves well to keep us engaged in the whole thing, as if something grand is worth waiting for. Thanapob Leeratanakachorn and Paris Intarakomalyasut come up with a good performance, especially a team. The former’s continued presence means that he would always have more to do on screen throughout the movie. Nuttanicha Dungwattanawanich only has a smaller role in the first half, in a movie which is so much about the two leading actors – yet she is there for enough time especially in the second half, and handles the emotional side really well, as she seems to be very good with those emotions. She surely has a lovely and serene way of handling the things around even with the overflow of emotions. There are also the mother-sister roles which are minute in length, but performed very well. The movie makes one wonder about the borders which one is not supposed to cross, especially in the name of ambition or pride. There is something innovative about how it tries to get the ghost world to be in contact with the humans.

The claws of flaw :: The film doesn’t make the best of use of the ghosts which appear around there, and the horror itself is not strong enough, as we move forward. Some scenes don’t seem to make much of sense though, even within a movie about the supernatural. With some science involved people would always be looking for a certain amount of logic though. Even though the protagonists are trying to cross the line with all that they have, the movie is not trying enough especially with the possibility of further divergence always present. The film was never supposed to go that much normal – it should have brought the mysterious and the spectacular to a high level instead. There could have also been so much to think about, and different things to have as messages, but it pauses with that thought. Some of the terrifying moments in the end could have done more for the film, and it seems to try to end without that expected blast, as if they are already tired of what has happened so far. The seemingly unnecessary deviation from the genre and subgenres have done it no good, as we look closer.

How it finishes :: There are some interesting points being made here in the form of the different horror movie here – Ghost Lab is a search for ghosts that goes on and on. We are not strangers to experiments in horror, and the movies like Malignant, It Follows, A Quite Place, Don’t Breathe and Lights Out are fine examples of the same. This movie from Thailand does shows the divergence which our usual Hollywood movies are often not sure about. It comes from the beautiful country, a mixture of magnificent modernity and charming natural beauty which I had witnessed during my visit to Bangkok and Pattaya, two years before the Corona virus pandemic had its viral say about tourism. During our visit to the malls, I did want to give a try to one or two of the Thai movies, as there was enough time to spend in Bangkok during the last two days of our presence there. The film did have the possibility of going the The Lazarus Effect way, but that path is not taken. Instead, it has a life of its own, and manages to make things working well with a certain amount of mystery always present.

Release date: 26th May 2021 (Netflix)
Running time: 117 minutes
Directed by: Paween Purijitpanya
Starring: Thanapob Leeratanakachorn, Paris Intarakomalyasut, Nuttanicha Dungwattanawanich, Suquan Bulakul, Pearachanee Siralert, Natthawut Jenmana, Chaleeda Gilbert, Jinjuta Rattanaburi, Alanta Potjes, Prem Fakseemuang, Sombat Inopast, Pranya Sakiyalak

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@ Cemetery Watch
✠ The Vampire Bat.

Antlers

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Vampire Owl: I haven’t seen a more interesting poster in a very long time.

Vampire Bat: Horror does need such posters to show divergence in fear.

Vampire Owl: Fear should always be the same, right?

Vampire Bat: Unless you are a vampire, or maybe zombie.

Vampire Owl: You are talking about a different smell of fear.

Vampire Bat: You should be aware of the fear potions of the witches.

Vampire Owl: Those potions never really work.

Vampire Bat: I know that you trust the pseudo-scientific elixirs of Mr Frankenstein better.

Vampire Owl: Doctor Frankenstein has opened portals with elixirs.

Vampire Bat: Those were ancient portals found hidden in the caves beneath the castle!

[Gets a red velvet cake and three cups of cardamom tea].

What is the movie about? :: In the beginning, there is a warning that Mother Earth has been pillaged, with her life’s blood taken away, and this terrible act has awakened a spirit which needs to be feared – it would seek the lost, frail and the depraved, and asks the viewers to hope and pray that it won’t take one among them. The scene cuts to Cispus Falls, a small town in Oregon which feels dark with an eerie feeling. There, in an inactive mine, Frank Weaver (Scott Haze) runs a meth lab within an inactive mine which used to serve the town’s economy a long time ago. Frank and his co-worker hears some strange noises from within the mine, and goes on to check the same. As they doubt that it is an animal and tries to escape, find themselves attacked by an unseen creature. Frank’s son Aiden Weaver (Sawyer Jones) waits for him outside the mine, failing to understand what has happened inside. His elder brother as Lucas Weaver (Jeremy T Thomas) is considered to be strange by his classmates and teachers, but Julia Meadows (Keri Russell) who teaches about myths and fables is determined to help him.

So, what happens with the events here as we just keep looking? :: Julia remembers the abuse she suffered as a child in the hands of her alcoholic father who was also mentally ill – she feels that he is also suffering from something similar. Paul Meadows (Jesse Plemons), her brother is the local sheriff – she had abandoned him a long time ago, but has now returned home from California following the death of their father. She feels that she shouldn’t have left the place, and tries to help another person as she can, this time, Lucas. She tries to bond with him, but there is no success at all – she tries to visit his house, but leaves after hearing some strange noises from inside. Lucas seems to have some some mystery locked within his house, and also takes dead animals and birds to his home. He stays awake at night and makes strange drawings. Julia feels that she really needs to get to the bottom of this, and also informs her brother, who reaffirms that Frank was considered fit to be the guardian of the two children after the mother’s death – now, what would she do?

The defence of Antlers :: It can be seen that Antlers does take the deviation from the usual horror, and this divergence is taken seriously throughout its narrative – it lets the surroundings contribute to the same really well. The environment and the setting serve effectively for the movie too. The small town with its dark and wet weather really suits the situation presented around here, and there is enough of the woods to keep one going in the mood of terror. The idea of the “diabolic wickedness that devours humans”, the spirit that takes many forms, makes a powerful myth around here. There is also a connection made to the destruction of nature which the humans managed to come up with. One wouldn’t be able to blame the monsters considering how evil the humans happen to be at every point. We also have the moments of scares, and that gets stronger with the understanding that there is a seemingly unstoppable force of nature at work. Add the performance, especially from children, and things only get much darker and scarier in nature.

The claws of flaw :: There is no doubt about the fact that Antlers had the premise to be something greater, but doesn’t use the same to the best of advantage. We do see the moments which we feel could have been better. When you have such a near-unstoppable monster at the centre, there are many things that can be done – it could have surely been designed better too. The emotional side doesn’t seem to work that much, even though we are waiting for those elements to be effective too. The myth could have also been given a boost with certain elements from the past, and a history to be remembered. One can generate enough fear out of that too. The scope for sequel at the end seems to be forced, as if there was a certain need rather than anything else. One can feel the need to remind the viewer of a myth that goes missing, but that requires more of a better origins story with roots in a mysterious past – let the horror run through there too.

The performers of the soul :: Keri Russell has been among my favourite actresses from a long time ago – she carries a certain amount of charm with her roles, even though horror hasn’t been the genre we would remember her the most for. She would make it to the list of performers who don’t seem to age much as years pass. She blends in really well as this protagonist who has her own problems from childhood itself. Jesse Plemons supports her really well as the brother figure and the policeman. Jeremy T Thomas gets his moments as the struggling child who is forced to make too many decisions at such a young age. Scott Haze gets into the terrifying moments around here well. Sawyer Jones plays the other child of significance in a role which brings a fair challenge to him. Amy Madigan ends up having a smaller role to work with than what was expected. Rory Cochrane’s work is another thing of support here. The monster when shown, works as a performer by itself.

How it finishes :: Antlers keeps on moving the world of horror forward in a different path for a change, and the world of fear continues to make its points in one way or the other. One does feel that the Malayalam movie Odiyan could have learned a few things from this one with the creature attacks and the atmosphere to make it darker – if you see the looks, there seems to a visual connection. The earlier divergent horror movies like Malignant, Lights Out, It Follows and Don’t Breathe had scored better, but this one tries to make it count. Maybe, something like the creature in this movie is the need of environment itself to take care of the humans who are destroying nature as we have known it. Well, Corona virus did try, but they were not successful in getting rid of humanity and its use of science to destroy environment. It does make us feel that there can be the moment when nature can get it back running – The Blackout surely made us think about human extinction. Until something like that happens, let us enjoy this horror out of nature.

Release date: 29th October 2021 (Theatre); 15th December 2021 (Hotstar)
Running time: 99 minutes
Directed by: Scott Cooper
Starring: Keri Russell, Jesse Plemons, Jeremy T Thomas, Graham Greene, Scott Haze, Rory Cochrane, Amy Madigan

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@ Cemetery Watch
✠ The Vampire Bat.