Author Archives: Tennyson

Gemini Man

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What is the movie about? :: Henry Brogan (Will Smith), is a fifty one year old former Marine Sniper who had managed to go through the terrors of war in different wars in which United States of America was a part of. After finishing his assignments, he has been working as an assassin for the Defense Intelligence Agency (DIA). As he is sent on a mission to assassinate a terrorist on board a bullet train, and after he successfully makes the hit a few milliseconds before it enters a tunnel, he decides to quit the job. But his old friend Jack Willis (Douglas Hodge) tells him that he was tricked, and the person he last murdered was not a terrorist, but a Russian molecular biologist and a Russian operative Yuri Kovacs (Ilia Volok) has proof about it. Janet Lassiter (Linda Emond), the director of the DIA who comes to know about Henry realizing the truth, decides to get him assassinated, and so does Clayton Varris (Clive Owen) the director of GEMINI, a top secret black ops unit.

So, what happens with the events here? :: Meanwhile, while spending time on a fishing boat, Henry realizes that Danny Zakarewski (Mary Elizabeth Winstead) who was supposed to be the cute, friendly neighborhood boat rental manager is also a fellow DIA agent who retired from Navy earlier. During the same night, everyone who came close to Henry are killed, and Danny herself is almost killed, but manages to fight off the assassin after getting an early warning from Henry. Both Danny and Henry escape to Colombia with Baron (Benedict Wong), who was in the military with the latter, and is now working as a tour operator. With the assassins failing to kill both of them, Clayton sends another one after them, this time, someone who is an expert, and won’t stop until he completed his mission. Meanwhile, Henry hopes to find Yuri and talk to him about the assassination of the molecular biologist and the twist of fate which had followed.

And what else follows with the happenings? :: When the assassin reaches the house, and when Henry comes face to face with him, he realizes that it is just him, about thirty years ago. He resembled Henry very much that Danny ends up asking if he had a relationship when he was young, to which he answers that the closest he was to a woman was with her. Testing the DNA samples of both men, Danny realizes that the assassin is a younger clone of Henry. The clone possessed the same skill sets and even had the allergies from the former assassin. Henry manage to meet Yuri in Hungary who talks to him about the cloning project and the man he assassinated was one of the project’s main scientists. The idea was to produce clones without pain and emotions so that they can be perfect killing machines, and nobody would come looking for them either – there would be nothing much that could be taken from them if captured either. Now, time starts running out for them.

The defence of Gemini Man :: There are some interesting ideas used here by the movie, reminding one of the science fiction action thrillers of a much earlier period, like The 6th Day which had cloning at the core, and the main character being cloned. There are some fine action sequences to go with it, and as the story goes on, we see some humour in there, and the bonding scenes between the main characters are nice. Mary Elizabeth Winstead does have that kind of a combination with Will Smith – she is looking so different from her earlier adventures that it is difficult to recognize her, but she is really good here. The best action sequence is the one involving shootout and motorbike chasing sequences which come quite early into the movie. In the final moments, there are more to add to it though. There is also the question about morality being asked in the end, but that is just a little addition which comes towards it.

The claws of flaw :: There is not much of a suspense or twist in the movie, but there was scope for a lot – The 6th Day had something grand going on underneath, but this one is just too direct with the plans. There are also moments when the strength of Will Smith as the action hero shows signs of fading, even as he does quickly go back up. The movie could have the two going against each other for a long time, until all of a sudden, the big revelation is made as a twist, but this one chooses to go forward with everything well known. Gemini Man could have been John Wick on another day, but not on this day, and with the movie seems to be having a finish with no opening for a sequel, this particular hitman might not be coming back to provide anything more to us. Considering what we have, it doesn’t try to achieve something special, going through the predictable path.

The performers of the soul :: Will Smith guides this movie in his usual style, and we know that the role of assassin suits him well. We had seen him last in Aladdin, where he served as the genie from the lamp. But this one should point directly to Suicide Squad, the highly underrated beauty of a movie where he played expert marksman and assassin, Deadshot, as part of the team of dangerous criminals set to save the world. The character is very much suited to him, and he delivers in usual style, even though it is not that much there with the younger version of him. Mary Elizabeth Winstead has been a common name in horror movies, a scream queen who was last seen with full strength in the post-apocalyptic psychological horror thriller which gained much critical and audience acclaim, 10 Cloverfield Lane – with this one, she proves to be fine action material too, maybe the right choice for a Mission Impossible movie. Clive Owen makes a pretty good villain at the same time.

How it finishes :: With the eternal action hero Will Smith and the Scream Queen turned action star Mary Elizabeth Winstead does move this film forward in style, but with the inability to innovate, and the hesitation to try something different, Gemini Man doesn’t rise above its limitations at all times. We know the kind of movies Ang Lee has come up with, from Crouching Tiger, Hidden Dragon to Life of Pi, and in comparison, this one doesn’t gain the needed strength. But as an entertainer, you cannot question the quality of Gemini Man, because it delivers just that with ease. This surely is your usual kind of an action adventure movie, with the protagonist being hunted by the group he used to be working with, and he has to get away and find a solution – for the same, he has his very small list of allies, not numbering more than two. So, enjoy this one within the genre.

Release date: 11th October 2019
Running time: 117 minutes
Directed by: Ang Lee
Starring: Will Smith, Mary Elizabeth Winstead, Clive Owen, Benedict Wong, Linda Emond. Ralph Brown, Douglas Hodge, Ilia Volok

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@ Cemetery Watch
✠ The Vampire Bat.

Curse of La Llorona

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What is the movie about? :: The legend of La Llorona or the weeping woman goes a long way back in Latin America, especially Mexico. It told the story of a woman who found her husband with another woman, and drowned her children in the nearby river to punish the husband. Later she drowned herself, but according to the local legends, she is supposed to kidnap children and drown them. Unaware of this legend, in 1973 at Los Angeles, Anna Tate-Garcia (Linda Cardellini) investigates the case of Patricia Alvarez (Patricia Velasquez) whom she suspects is abusing her two sons, Carlos (Oliver Alexander) and Tomas (Aiden Lewandowski). Despite the mother wishing to keep her sons locked in a room for their own safety, Anna takes them to a child-services shelter. There, Tomas seems to sleepwalk and Carlos follows him until they are attacked by a woman wearing a white gown.

So, what happens with the events here? :: The two children are found dead by the police, after being seemingly drowned in the river. Patricia is immediately taken into custody by the police for committing the crime, but she blames Anna for the death of her children and tells her that the same will happen to her children Chris (Roman Christou) and Samantha (Jaynee-Lynne Kinchen) too. She claims that she had things under control, and had almost saved her children from the Curse of La Llorona when Anna came in, and decided to destroy everything. Chris who wanders near the crime scene finds himself marked by La Llorona (Marisol Ramirez), with burns on his hands similar to that of Patricia’s children. The very next day, the creature also grabs Sam and leaves identical burn marks on her hands after luring her to the area near the swimming pool at their home.

And what else follows with the happenings? :: Patricia has an alibi for the time of her sons’ deaths, and tells Anna that she has shown La Llorna her children, and it will come after Chris and Samantha, and after they are taken by the evil spirit, she will have Carlos and Tomas back with her. When Anna realizes the grave danger that they are in, the spirit had already started working its evil, with Chris almost being taken to the river and Samantha almost drowning in the bath tub only to be saved by Anna. Even though a non-religious person, she is forced to seek help from Father Perez (Tony Amendola), with her being branded as a child abuser by her own colleagues Donna (Irene Keng) and Cooper (Sean Patrick Thomas). But church won’t be able to help her in such a short period of time, but there is a former priest who might be able to – Rafael Olvera (Raymond Cruz) – but this creatures is pure evil; can that be done?

The defence of The Curse of La Llorona :: The movie works at the first level because of the danger than puts in here, the fear of children dying, and the terror the parents are forced to go through as their little children are going to be taken away by some evil entity through violent actions finalizing in murder. The appearance of the evil hands and the face in the bathroom might be the scariest scene in the movie, and the final moments also have some terrifying moments. The movie does have its own random scares to add to the quota. The creature here is nicely detailed, and one can’t deny the weeping woman’s existence as a quality evil spirit in the conjuring universe. It makes sure that the curse just feels strong enough, and at times, one feels confident that there is no escape from it. The darkness is used nicely, and the sound effects are utilized well in this horror movie too.

The claws of flaw :: The Curse of La Llorona does have a curse, it is that the story is not developed much, with the main characters themselves being random people in a horror movie, as we have nothing much to go with them. The back story could have also been told in a better way. At a running time of less than one and half hours, it couldn’t really stick to the necessary, even though the length makes sure that there is no boring moment at all. Still, the wrath of the weeping woman is released a little too a late, and the final scenes of banishing of evil are also a little too short for our liking as we are used to longer periods of exorcism and similar events. If it was marketed more with the tagline of The Conjuring, the movie would be ran more at this part of the world too, as clearly many people didn’t knew that. This is also one legend and one evil spirit that requires further attention with better display on the big screen.

The performers of the soul :: The director, Michael Chaves will also be directing the next movie in the main series, The Conjuring: The Devil Made Me Do It, and so this one should come as a sample of what is to come later this year, whenever the Corona virus decides to step back with its dose of horror. Linda Cardellini does the role of the concerned mother well enough, and the terror of losing her children in always there to be seen. Patricia Velasquez also has the same fear, and she goes through the same kind of terror, and a certain amount of mental instability is also there related to her character, and she supports the same really well throughout the flick. The two mothers make the two important adult protagonists in the movie who are there from the beginning of the flick to the very end. The two children also come up with some nice performancs, especially Jaynee-Lynne Kinchen. Raymond Cruz brings some fine moments in the last stage too.

How it finishes :: The Curse of La Llorona manages to be better than what the common reviews claimed about it. The movie manages to be another interesting member of the Conjuring universe with Annabelle and The Nun already becoming successful spin-off films, with the former being a series. This is another one of that kind of movies which are successful in horror, even though they won’t stay for long – in this case, the image of the weeping woman is there to stay. It will remain there just like the Annabelle doll. In between all the horror that Corona virus brings in real life, the weeping woman becomes another image of horror to add to the season. It will not have that much of a power as COVID-19 with its real life prospects in being terrifying like a virus pandemic of such fearful grandeur and dark fate, but we know what supernatural is of a different level.

Release date: 19th April 2019
Running time: 93 minutes
Directed by: Michael Chaves
Starring: Linda Cardellini, Patricia Velasquez, Raymond Cruz, Jaynee-Lynne Kinchen, Roman Christou, Marisol Ramirez, Irene Keng, Sean Patrick Thomas, Tony Amendola, Oliver Alexander, Aiden Lewandowski, DeLaRosa Rivera

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@ Cemetery Watch
✠ The Vampire Bat.

Frozen II

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Vampire Owl: Everyone is frozen at home due to COVID-19, and we are watching the second part of this movie.

Vampire Bat: COVID-19 has been a serious crisis in the vampire world too.

Vampire Owl: Yes, the last world vampire conference was held in twenty five districts because they had to keep the distance.

Vampire Bat: For the undead, it wouldn’t show any symptoms. We would just die.

Vampire Owl: Death after death is a highly disappointing thing.

Vampire Bat: Yes, we become immortal, and then we die. It is ridiculous.

Vampire Owl: The vampire doctors including Mr. Frankenstein are saying that this was spread by werewolves.

Vampire Bat: This could have been the result of a pure evil magic potion prepared by the Northern Witches.

Vampire Owl: Or maybe spread by a zombie bat?

Vampire Bat: Bats becoming zombies are abominations. I wouldn’t discuss them.

[Gets some banana chips and three cups of cardamom tea].

What is the movie about? :: King Runeard (Jeremy Sisto), long ago, had established a treaty between the people of the kingdom and those of the forest, by building a dam for the better utilization of resources by the forest tribe. But all of a sudden, a fight breaks out between the soldiers of the kingdom and the fighters of the forest tribe, leading to the death of Runeard and also that of the tribe leader, leading to a division between the two, and the forest being engulfed in an enchanted fog created by the spirits of nature, letting nobody inside and allowed nobody to go out. The enraged elemental spirits of Earth, Fire, Water, and Air of the forest had only one person escaping to the kingdom of Arendelle, Agnarr (Alfred Molina) who later became the king after the death of his father with Iduna (Evan Rachel Wood) as his queen. The tale go only this far for Elsa (Idina Menzel) and Anna (Kristen Bell).

So, what happens with the events here? :: Years after her coronation, Anna and Elsa are having some good time during the autumn season with Olaf the snowman (Josh Gad), Kristoff (Jonathan Groff), and Kristoff’s reindeer Sven along with the subjects in the kingdom. Elsa has been listening to a mysterious calling, and her response to the same awakens the four elemental spirits, Earth, Water, Air and Fire. With these spirits threatening the kingdom, Anna, Elsa, Olaf, Kristoff and Sven set off to find the problem’s root cause, leaving the people with Pabbie (Ciaran Hinds), the leader of the Rock Trolls. The team is taken in by the enchanted forest, but are trapped in there with no chance for exit. There they meet the air spirit first, followed by two groups of soldiers from both sides who are still in conflict with each other.

And what else follows with the happenings? :: Elsa and Anna manage to make peace between the two groups of soliders as they realized that the queen of the kingdom is from their tribe, and she was the one who saved the king and escaped with him from the enchanted forest years ago. Meanwhile, Kristoff keeps thinking about proposing to Anna, but doesn’t succeed in the same for which asks for her from Ryder (Jason Ritter) who shares his interest in reindeers. They come up against earth spirits, a group of giants made out of rocks, but manage to evade them. They find their parents’ destroyed ship and a map with a route to Ahtohallan, a mythical river which could answer all their questions. Elsa decides to go there alone, and with Kristoff and Sven already left behind, leaves Anna and Olaf to float down in a boat made of ice as she decides to take on the water spirit on her way through water. But there is a long way to go, and can she do it alone?

The defence of Frozen II :: The animation remains the strong point of the movie. There are also the special effects – what you see on the screen is nothing less than spectacular, getting you right into that world, and frost just gets to you if you are sitting in a theatre, especially a newer multiplex. The visual effects do the job like not many animated movies can do, and in a world of magic, it asserts the strength of the same. The characters are lovable, and we feel very close to them, even though they are part of that fantasy world only. They become part of us as much as the technical skill on display. The songs are pretty good too, and the messages are once again clear, with family bonding, not just between the sisters, but going further. Frozen will continue to have advantage over the other so called big animated movies like How to Train Your Dragon, Rio, Despicable Me, Finding Nemo, Cars, Ice Age, Madagascar, Kung Fu Panda and the others which have turned into successful franchises.

Positives and negatives in a world of enchantment :: The case of repetition could be there up to an extent. Frozen had already established a “happily ever after”, and due to the same, this could have been a reverse fantasy on another day. People might have the opinion that a sequel was not needed, considering how perfect the first movie seemed to be. A certain amount of deviation can be declared too. Finding fault with this sequel is more of a process which can be done in relation with the first movie, and not as a stand-alone flick, and it is something which a person who hasn’t watched the first film will understand with ease. We can also move on without finding any fault in this case, as this movie has no shortage of entertainment, with action, adventure and even a funny side – the cuteness factor is also at the highest with this movie in comparison with any other animated movie that strives to do the same for the audience.

How it finishes :: Frozen 2 might not be able to claim that much of a splendour as its predecessor which held the title of the highest grossing animated movie of all-time, even though the sequel has overtaken Frozen, but it has to be noted that the first position is no longer there to be taken. The two Frozen movies are now on second and third positions in that list. But that wouldn’t take away this movie’s claim as a worthy successor because the first movie had set a level which was almost impossible to meet, and this one had to stay close to what was established. The spectacular world which has been created in this film is sure to catch our attention, and the soul of the first movie is carried on, which will make this an interesting watch, and something to feel happy during the time when Corona virus is making its way through nations. Frozen 2 has the beauty of snow, hues and magic brought in style yet again for your eyes.

Release date: 22nd November 2019
Running time: 103 minutes
Directed by: Chris Buck, Jennifer Lee
Starring: Kristen Bell, Idina Menzel, Josh Gad, Jonathan Groff, Evan Rachel Wood, Sterling K Brown, Alfred Molina, Martha Plimpton, Rachel Matthews, Jason Ritter, Jeremy Sisto, Ciaran Hinds, Aurora

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@ Cemetery Watch
✠ The Vampire Bat.

Annabelle Comes Home

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What is the movie about? :: Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) continues their paranormal investigations, and manage to take the Annabelle doll home, as it had been terrorizing those who had kept it at home. During their return home, they are forced to stop the car near a cemetery, and the spirits summoned by the doll almost kills Ed. The couple are quick to take the doll to the artifacts room and is blessed by Father Gordon (Steve Coulter) before any other terrible events happen due to the demonic connection that the doll makes. The doll is kept inside a glass case, and a warning sign is provided outside, so that nobody would even think about opening the case, in case they get inside the artifacts room ignoring the warning given outside. At the same time, they continue the paranormal investigations, and add more items to the artifacts, filling the space with remains of the supernatural.

So, what happens with the events here? :: Judy Warren (Mckenna Grace) doesn’t have a good time at school as students lead by Anthony Rios (Luca Luhan) makes fun of her in the name of her parents’ paranormal investigations, and even refuses to attend her birthday party in the name of the same. Mary Ellen (Madison Iseman) is the one in charge of babysitting her, and she is only happy to listen to the stories about spirits and exorcism. Mary Ellen’s friend Daniela Rios (Katie Sarife) also comes to visit her, as the two try to make cake for Judy early, even though the birthday party is still scheduled a few days later. But Daniela’s aim is not the birthday, as she is haunted by the guilt of driving the car when her father was killed in an accident. As the Warrens are believed to have connections with the death and the undead, she hoped that something there would help her.

And what else follows with the happenings? :: When Mary and Judy are outside the house, Daniela offers to check the cake, and at the same time sneaks into the room where the artifacts are kept, hoping to find something to connect to her father. Only a message from her father could comfort her and save her from the guilt. While trying to find something that could help her and failing in doing so, she opens the glass case where Annabelle doll was held, and leaves it open, as the spirit is unleashed, looking for a human soul. Mary Ellen’s crush Bob Palmeri (Michael Cimino) arrives outside at the same time, and finds himself facing another spirit which Annabelle had awakened among the others. The house soon finds itself infested by more than one spirit, with Annabelle, the Bride and the Ferryman only some of them, as night arrives. Each space seems to be taken over by a spirit, as they try to find a solution.

The defence of Annabelle Comes Home :: We are never short of a little bit of horror, as there has been the need. The Conjuring, The Conjuring 2, The Nun, Annabelle, Annabelle: Creation and now this one has left us full of this franchise which never really seems to leave us. There is enough horror in store in this movie too, with danger lurking behind the doors, windows, curtains and within the shadows. There is also more than one spirit in store here, and the room of artifacts is once again clarified to be the one place nobody should be visiting even during day time. The movie does mark a certain return to form for the franchise, as within this movie, we can see hope for further spin-off versions. Well, the doll is nothing that never ceases to catch our interest, even more than Chucky, the Child’s Play doll of our childhood. The characters of this movie are also nicely worked out, with the older people left out, and those who have no prior knowledge of such terror being forced to face it. As usual, we have those nice sound effects as bonus.

The claws of flaw :: Annabelle Comes Home has the predictability which has been there with the horror movies up to an extent, but it does rise above the same on occasions. Even with the repetitions, we have enjoyable moments, but it seems to keep some of those with pride. The movie does take a little bit of too much time to get into the horror mode, and considering the fact that this is a movie franchise which has had a lot of time already, and understanding the idea that Annabelle needs no more time to begin the hunt, we could have began this earlier in style. Even then, the story isn’t developed that much, as all these converge into one point. Annabelle doll could also be scary with its moments, and there should have been the realization that it should be the scariest among them all, as it is the movie of the doll, and not of the other demonic abominations which could have had smaller space in comparison.

The performers of the soul :: In a horror movie, you often look forward to the performances of the ghosts, demons, vampires, zombies and werewolves instead of the humans, but here, we are blessed with the younger actors who can act, and adds as a bonus to the flick. Mckenna Grace, the child actress seems to be perfect fit for a horror movie, as she displays the skills here. She already has some horror movies to her credit and more is to come up – for the common audience here who rarely watches Hollywood movies, she played the childhood of Captain Marvel’s titular character. Madison Iseman who played Bethany in Jumanji is also here, along with Katie Sarife, all of these having good scope for future considering their performances. Patrick Wilson and Vera Fermiga have very less to do this time, as facing the demons in the house is left to the teenagers.

How it finishes :: Annabelle franchise has another interesting movie, and The Conjuring franchise also has another welcome addition. But it has to be said the horror genre hasn’t been that powerful these days, with what strength was displayed by The Conjuring when it released in 2013 not staying. As long as you are a horror fan and a fan of the franchise, this one should stay to keep the momentum going for the series, but a lot of these have been getting repetitive. Still, this one manages to continue to be strong, and we can watch it and enjoy the movie with the doll. But we are always looking for more, and now at the time of the Corona Virus, the evil spirits are not the ones which are the scariest among them – and even a medical thriller like Virus can be scary; so we are to work more and find better ideas to make such premises work better, and until then enjoy this movie.

Release date: 26th June 2019
Running time: 106 minutes
Directed by: Gary Dauberman
Starring: Mckenna Grace, Madison Iseman, Katie Sarife, Patrick Wilson, Vera Farmiga, Michael Cimino, Paul Dean, Steve Coulter, Luca Luhan, Anthony Wemmys, Alison White, Stephen Blackehart, Sade Katarina, Kenzie Caplan

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@ Cemetery Watch
✠ The Vampire Bat.

Charlie’s Angels

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Vampire Owl: I remember having watched those two older versions.

Vampire Bat: You mean the movies with Cameron Diaz, Drew Barrymore and Lucy Liu.

Vampire Owl: Yes, during those times, it was a change from the usual action movies which we managed to get locally.

Vampire Bat: Yes, I watched the movie at a time when the CD versions were just getting to be popular, replacing the video cassettes.

Vampire Owl: We have to go, like twenty years backwards. We are really old, aren’t we?

Vampire Bat: It is still a very small number of years in vampire time.

Vampire Owl: That is true, but when we look at the actresses involved here, we know that there is more to it than just vampire time.

Vampire Bat: Unless they come with something like Charlie’s Vampires.

Vampire Owl: I don’t think that they would want vampires doing this job.

Vampire Bat: I don’t see why not, especially if they start running out of the usual options.

[Gets some potato chips and three cups of ginger tea].

What is the movie about? :: John Bosley (Patrick Stewart), a senior operative, plans and executes a mission with his angels perfectly, and soon, enters retirement, with a programme which appreciates what he had done for a long time during his stay in the organization. Meanhile, Elena Houghlin (Naomi Scott), an engineer working under the millionaire Alexander Brok (Sam Claflin), wants to take a secret out regarding their new project Callisto, and their head of development, Peter Fleming (Nat Faxon) who is planning something sinister. She understands that the device which was supposed to be used for clean and cheap energy, has potential to be weaponized, and some people already have eyes on that. She has a meeting with Edgar Dessange (Djimon Hounsou), and the two angels operatives Jane Kano (Ella Balinska) and Sabina Wilson (Kristen Stewart) has an eye on them in case something happens.

So, what happens with the events here? :: But, they are attacked by an assassin known only as Hodak (Jonathan Tucker), and are chased all around the city by him, until they end up in a river, and Edgar is dead. Rebekah Bosley (Elizabeth Banks) who is in charge, gets them together, and their injuries and troubles are taken care of by the person whom they referred to as the Saint (Luis Gerardo Mendez). They decide to sneak into Brok’s corporate headquarters so that they can steal the remaining Calisto prototypes before someone manage to use it, and make copies of it. Along with Elena, the other two angels also gets in using different ids, but despite their best efforts, they fail. Fleming has the only existing Callisto models, and they find him traveling to Istanbul, Turkey – they decide to follow them, with Elena also given the angel equipments, to serve as the electronics and computer expert, or rather the hacker. But can they find out the real villain here?

The defence of Charlie’s Angels :: Elizabeth Banks not only acts in this movie, but is also the director, and she has nicely managed to make this version of the angels a very entertaining one. There are some nicely managed action sequences, as heists, explosions and chases become just part of this movie which also manages to have a certain amount of humour maintained throughout its run, and its two hours of run-time ends quickly enough. Most of the credit for the same goes to Naomi Scott, both directly and indirectly. The visuals are good, with some interesting locations being explored by the camera along with the angels. It has to be said that was high time they had another movie in this franchise, as we always have space for films like these which takes things lightly, along with the serious ones which get all the sequels – Mission Impossible kind of stuff. This one is sure to make you ask for a sequel, not making one waiting too long.

The claws of flaw :: Considering the fact that this is a movie which has arrived years after the earlier version, there was a lot of time to bring some innovation, but there is no such thing being attempted here. The movie focuses more on action thriller cliches to make the best out of its material, but it should have opted for changes. The plot also has its own predictable elements, and the twist that it has is rather minute, and is not there to stay. As usual, there is the new recruit, the rookie who will learn things, and finally join the team, as beating up some evil men becomes a reason for them travel all around the world at a time when there was no COVID-19 – maybe they wouldn’t do that these days. You might also miss the great popularity of Cameron Diaz, Drew Barrymore, and Lucy Liu, the three leads of the original version, as the actresses who play the same roles in this movie are those whom most of the film lovers of this part of the world might not be familiar with, except for Kristen Stewart.

Performers of the soul :: Elizabeth Banks, the director plays a major role in this movie, and does that well, and most people will always remember her for the role in the dystopian science fiction thriller, The Hunger Games, and its sequels. But the one who catches our attention the most is Naomi Scott, who plays the girl who changes from being clueless to becoming the angel. She was recently seen in Aladdin, and she was there in Power Rangers with Elizabeth Banks, playing one of the protagonists and the antagonist respectively. Ella Balinska is the next one to catch our attention, a relatively new face to most of us, who hasn’t really watched the movies in which she acted, and she makes one fine angel. Kristen Stewart was the one person whom I doubted when playing an angel because I had only seen her in the Twilight series and Snow White and the Huntsman, but she is surprisingly good here, and along with the other angels, she brings a lot of the funny side into action. Patrick Stewart and Jonathan Tucker are the appreciable male members of the cast.

How it finishes :: When we compare this new version of Charlie’s Angels to the old ones, this one seems to have a certain advantage with what seems to be a very energetic young cast and more fun than those which we had watched a long time ago, but we remember that we also loved them, and had that novelty with bigger names related to it. Not many movies which come back after a long time makes an impact, unless you have a Stephen King novel for support like Doctor Sleep. The movie is one light-hearted, quick, smart and humorous adventure which you will remember for long, and even bring a certain amount of nostalgia related to those older versions. There are only a few movies like Jumanji which can effectively use action and comedy, and Charlie’s Angels is a movie which has risen again to try and do that, and even though not as good as that movie on a game, this one is also a lot of fun to watch.

Release date: 15th November 2019
Running time: 119 minutes
Directed by: Elizabeth Banks
Starring: Naomi Scott, Ella Balinska, Kristen Stewart, Elizabeth Banks, Djimon Hounsou, Sam Claflin, Noah Centineo, Nat Faxon, Patrick Stewart

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@ Cemetery Watch
✠ The Vampire Bat.

MIB International

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Vampire Owl: This particular franchise has been so old that I am beginning to feel young.

Vampire Bat: Do you know that we have a group, Vampires in Black?

Vampire Owl: We do? What do they do?

Vampire Bat: They wear black, and wander around the castle, as if black is the coolest colour a vampire can wear.

Vampire Owl: So, this VIB does nothing of use.

Vampire Bat: Well, MIB has had another sequel, and so we might be up for more.

Vampire Owl: I think that we should run VIB parallel to MIB because I have so many ideas related to it.

Vampire Bat: What kind of idea do you have?

Vampire Owl: It is regarding a group of vampires wearing black, and facing aliens.

Vampire Bat: I think that people won’t need many more of that, unless created with some really good content.

[Gets a ghee cake and three cups of mixed tea].

What is the movie about? :: Molly Wright (Tessa Thompson) is someone who had witnessed her parents’ memories of aliens erased by agents of Men in Black while she helps an alien escape. As her memories of aliens stayed, she started looking for employment in the secret organization which she found out about, but finds out that there is no chance. Everybody thinks that she is delusional, and that there is something really weird about her. With no friends and no life of her own, she finally manages to find the Men in Black after tracing an alien who is taken away by the agents. She discovers the headquarters of the organization quite fast, enters without any hesitation, and makes a fine impression on Agent O (Emma Thompson) who heads the team in United States of America, and after naming her Agent M, sends her to work in London as a probationary agent to know how much she is capable of.

So, what happens with the events here? :: There, Agent M meets High T (Liam Neeson), head of the London branch, and Agent H (Chris Hemsworth), the two of whom are supposed to have stopped an invasion of the Hive, a parasitic race at the Eiffel Tower, many years ago. After that, while High T leads the force, Agent H had become irresponsible, leading to T having to cover up all his failures. M meets H, and manages to go with him in his meeting with his close friend and alien royalty who is killed by some mysterious alien twins able to manifest as pure energy, which the agents are not able to counter. Before dying, the alien royalty provides M with a strange crystal, telling to her that it won’t be useful giving it to H because he had changed after the incident during which he saved the world. It turns out that the crystal is not just the usual thing, and that there is something special about it, but they will have to find it the hard way, while the agency is not happy about the royal alien being killed. So, what is next for the two against all odds? Can they save the world?

The defence of Men in Black International :: As expected, the special effects with the action sequences score more than anything else, and the CGI elements are at fine work here, making the alien presence have glory – after all, the technology has improved so much, and this was to look better in each and every movie. The location explored are really nice, especially Marrakesh in Morocco which provides the best visuals around. MIB does manage to continue as how it used to be in essence, with a big universe with unlimited number of aliens to be saved these days. There is some humour present, even though most of them don’t work, or are repetitive. We can hope to have another movie in the franchise though, including these new characters and some of the old ones, which can prove to be interesting with some extra innovation, for we should never be short of smart ideas as far as alien invasion is concerned.

The claws of flaw :: There is not much different here as far as the plot idea of the Men in Black series is concerned, as each movie works on a similar thing every time, and the disadvantage here is that it lacks those stars whom we have associated this movie franchise with, and there is absolutely no emotional connection here – that side is almost completely done with. We develop no feelings for the protagonists here, and therefore the concern is rather less. There is not much to save here compared to those original movies which we had, and the villain reveal was rather unnecessary, because we could have guessed that from a long time ago, and it was certainly not that good a choice. The twist was pretty much unnecessary, and the best characters in the movie go unexplored. There is also absence of humour, as the funny side here is rather minimal, and it rarely works, leading us to question the direction it is going.

Performers of the soul :: Men in Black will miss Will Smith and Tommy Lee Jones this time, and there is no doubt about the same. It might be due to the same reason that we have a pair which worked so well with Thor: Ragnarok to get out of the Avengers world with that grand finish in Avengers: Endgame, and come to this franchise. Yes, they will have their roles to play in the Marvel Cinematic Universe as Thor and Valkyire, but their combination doesn’t work that well in this movie, even though they are okay together for most part of the movie. Chris Hemsworth does take a little bit of the early Thor attitude in here too, as the proud MIB agent. Tessa Thompson is fine here, but a younger actress playing this role would have been more appropriate. Rebecca Ferguson, the Mission Impossible and Doctor Sleep girl has fine run in her smaller role, while our Taken – Non-stop action star Liam Neeson is a fine addition to the movie here, but they could have used him in a better way, at least by the end scenes.

How it finishes :: Men in Black International continues that same format which it had been following for a long time, and through that idea which has been well-established, it manages to be entertaining – after all, there is also the presence of the big names like Chris Hemsworth, Tessa Thompson, Rebecca Ferguson and Liam Neeson who are there to keep us entertained. There is not much that we will find new in this movie, or to be greater than the previous movies in the franchise, but you have the guarantee because it is this particular franchise that we are talking about. But, it could have had a movie like Charlie’s Angels had, a long time later, but falls short due to the absence of that humour and an energetic cast. Yet, it is the movie that you watch for being Men in Black with all the aliens and saving the world stuff.

Release date: 14th June 2019
Running time: 115 minutes
Directed by: F Gary Gray
Starring: Chris Hemsworth, Tessa Thompson, Rebecca Ferguson, Liam Neeson, Kumail Nanjiani, Rafe Spall, Laurent Bourgeois, Larry Bourgeois, Emma Thompson

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@ Cemetery Watch
✠ The Vampire Bat.

It: Chapter Two

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Vampire Owl: Have you met the vampire clown?

Vampire Bat: We have a vampire clown now?

Vampire Owl: Yes, even the zombies have their own clowns in a zombie-infested theme park, and it was necessary for us to arrange one.

Vampire Bat: Now we have to pay him too. Being a clown is not even a real job in the vampire world with base in horror.

Vampire Owl: It is okay, because he will be playing the It clown only.

Vampire Bat: It clown is a creature that vampires shall not accept as their own.

Vampire Owl: But he has become a trend, and we have to accept him as our own too. This is not child’s play.

Vampire Bat: Well, I am sure that he was not the kind of clown the vampire elders had approved.

Vampire Owl: But he is trending on Vampire Twitter, and it has been so for the last one year.

Vampire Bat: What? Even the vampires are letting a clown trend when we have pure non-vegetarian vampires!

[Gets some tapioca chips and three cups of iced tea].

What is the movie about? :: In 1988-1989 time period, in the streets of a small and lesser known town Derry, a his six-year-old child was taken into the sewers and eaten by Pennywise the Dancing Clown (Bill Skarsgard), and a team of children had forgotten their fears to destroy the creature, and send it into hibernation for twenty seven years, hoping that it would starve and die during the time period with no option available. The team of children known as the Losers swears a blood oath that they shall be returning to to the town of Derry as adults if It returns to haunt the place ever again. Twenty seven years later, a young man is murdered by a clown which is said to have eaten his heart. A young girl who was watching a match in a stadium is also lured by It, and murdered under the seats of the gallery. Derry town now has more than what it can handle.

So, what happens with the events here? :: This ancient cosmic evil which preys upon children and possessing a large variety of powers including the ability to shapeshift, manipulate and create illusions has gone unnoticed by the police and the people in charge there, but the same cannot be said about Mike Hanlon (Isaiah Mustafa) who discovers clues to the presence of the creature. As the only person left in the town out of the children’s team serving as the town librarian, he decides to call the other members of the gang. Beverly Marsh (Jessica Chastain) who has been going through sexual and physical abuse in the hands of her husband is only happy to come to the town, while the successful novelist Bill Denbrough (James McAvoy) is quick to respond. A frightened Stanley Uris (Andy Bean) commits suicide and a lonely Ben Hanscom (Jay Ryan) is only happy about a get together. Others, Eddie Kaspbrak (James Ransone) and Richie Tozier (Bill Hader) also reach there, but are they good enough to face this advanced It?

The defence of It: Chapter Two :: Even in the absence of the quality of the first movie, the second one manages to stay floating against all the ice it had created in the water as hurdles including the dumb humour, silly bonding among friends and the not so scary frightening scenes. There are moments of horror which works in the movie, and in the final fifty to fifty five minutes of action, almost everything works as far as the scares are concerned. The adult replacements are good, but not that much as the children, and not all of them works accordingly. The clown remains a fantastic figure of horror, and it is only when the creature comes out there with all its glory that we realize that there is something special in this movie – whenever It is there, the movie raises its level, and the so called adults don’t really live up to the quality of the clown. Among the scary scenes, the most notable one might be the creepy old woman thing, and then the murder of the two kids.

The claws of flaw :: It can be seen that It: Chapter Two fails to meet the standards of the first movie which had that first scene of the child taken into sewers being among the best scenes ever in a horror movie. It also had a projector scene to stay in our memory along with others. Yes, the old woman scene is creepy, and there is some continuous dose of horror in the last few minutes, but they are more or less for the quick scares rather than being there to stay for long. There is no scene as in the first movie to remember in this second film in comparison, and it also drags a lot. There is a lot of slow movement inside the movie during the first half, and it is during the last one hour or so that the movie picks up its pace. It should have had that kind of horror which keeps us awake at night in the darkness like Lights Out could do when lights were turned off, but this second movie focuses too much on other things, as the bonding is too much and the humour is dumb.

Performers of the soul :: With its flashback, this movie is more or less drama than horror, as the children keep coming back to this film too, with its flashbacks. The young generation of the cast continues to score over the older ones, especially Sophia Lillis who becomes Jessica Chastain as an adult, and stay pretty well throughout the movie. James McAvoy is also very good, and is the next notable character in the flick. Jay Ryan is the one who seems to be completely different from his childhood avatar, and manages to be just okay. James Ransone provides the fun here, even though the humour itself is not that much working. Bill Hader with the comic side is also only somewhat working. Isaiah Mustafa does a good job as the one who brings them all together, the confident one among the Losers. Andy Bean is wasted while Bill Skarsgard as the clown continues to entertain – maybe some more kids would have added more here.

How it finishes :: It: Chapter Two is too long a movie, and has most of its best moments directed to the final one hour. A lot of the movie was rather not needed, including the first scene and the hallucinations when the protagonists come together. The collection of artifacts could have also been shortened to make this a one hundred and twenty minutes movie, which would mean an accurate movie filled with horror at all spaces. Still, with whatever we have, rooted in the Stephen King novel of the same name, the film takes the scary elements to the screen well enough. The predictable moments, silly jokes, and the overdone friendship can be avoided though, and we can quickly move towards the last few minutes to enjoy this movie at its best. After all, an evil clown like this is not to be left behind – for terror is real, whether there is Corona virus or not.

Release date: 6th September 2019
Running time: 169 minutes
Directed by: Andy Muschietti
Starring: Jessica Chastain, James McAvoy, Bill Hader, James Ransone, Isaiah Mustafa, Jay Ryan, Bill Skarsgard, Andy Bean

<— Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Angel of Mine

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Vampire Owl: Which type of mine are they talking about?

Vampire Bat: I don’t think that the usage is like that here.

Vampire Owl: I can think of a copper mine, gold mine or coal mine.

Vampire Bat: This is not a movie about that kind of a mine.

Vampire Owl: Okay, you are talking about a highly explosive land mine.

Vampire Bat: It is the thing which is used to refer to a something belonging to speaker, and will be related to nothing else.

Vampire Owl: It is disappointing. I was reading about the Romans using caltrops which were like land mines without explosions.

Vampire Bat: This movie surely has an angel belonging to the speaker, who is a mother, or rather mothers.

Vampire Owl: So, it is a daughter that they need.

Vampire Bat: Exactly, for it is about mothers and daughters.

[Gets a guava cake and three cups of white tea].

What is the movie about? :: Lizzie (Noomi Rapace) and Mike (Luke Evans) used to be husband and wife, but now they are looking for divorce, after having a strained relationship for years after the death of her second child a few days after birth, in a fire happening at the hospital. They are also fighting for the custody of their son Thomas (Finn Little) which has him disgusted, especially at the attitude of his mother, who hasn’t been the same after the death of his little sister. Lizzie who is working at a beauty parlour is not happy at what has happened, but doesn’t do anything to change things around, not socializing with people much, and trying to evade even people close to her. But as one day, when she goes to the birthday party of her son’s friend Jeremy (Indi Serafin), thinks change, as she feels that a girl Lola (Annika Whiteley) whom she sees there, is her daughter whom she thought, had died in the fire at the hospital.

So, what happens with the events here? :: Lizzie cannot sleep or concentrate in her work, because she feels that she cannot be wrong in this, and that Lola is really her daughter named Rosie. Initially, she doesn’t say this to anyone, and tries to get into the house where her possible lost daughter is staying, becoming friends with Claire (Yvonne Strahovski) who is planning move into another city, thus leaving her home open for sale. Lizzie poses as a buyer, and also makes use of his son’s friendship with the boy there. Claire’s husband Bernard (Richard Roxburgh) also hopes that she buys the house as soon as possible, and this allows Lizzie to be closer to Lola. Even though she seems to keep a distance in the beginning, can she keep herself away as the family is moving to their new home soon? Will Claire also know about this, and how will she react to Lizzie’s guess work? Is Lizzie out of her mind, as she once used to be?

The defence of Angel of Mine :: There is something about Angel of Mine which will keep you want to know what happens next. It is not just the need to know the truth about the death of a child and also on the life of one, but also about how Noomi Rapace and Yvonne Strahovski are going to handle this, and how their characters will go through this, as this is very much performance-oriented. The former has another huge performance of her career, and the latter follows really well. There are those twists which are more dramatic rather than thrilling here. The final moments are nice, and there is a fine emotional touch running through the whole movie – there is nothing that touches one’s feelings more than a mother’s love, other than the emotions of a mother who has lost her child. Here, we have the mother who has also lost her husband and is almost losing her other child, and has no social life at all – it is where emotions run high.

The claws of flaw :: The movie remains slow throughout its run-time, and there is nothing in there to make rise above that lack pace. The struggle to accelerate can be seen on many occasions, but it can’t escape the drag which it possesses from the time when this was supposed to be interesting – it could have been even one big thriller after that moment of feeling, but after that it doesn’t use those wings to fly, but stays grounded. Making this movie fast-paced was the first step towards getting more people to watch the whole thing without looking at somewhere else, because it is that kind of a topic, with some of the best acting performance lead by Noomi Rapace. The movie should have also added something in there as a clue, and this could have been more like an investigative thriller with the mother searching for her daughter who was supposed to be dead, but this movie never rises to that level, which sadly seems to be intentional.

Performers of the soul :: Noomi Rapace might be one of the most versatile actresses we have ever seen, first noticed with the Swedish movie adaptations of the Millennium series by Steig Larsson – The Girl with the Dragon Tattoo, The Girl Who Played with Fire, and The Girl Who Kicked the Hornets’ Nest. For the common Hollywood audience, she is known to have played Madame Simza Heron in Sherlock Holmes: A Game of Shadows and Dr. Elizabeth Shaw in Prometheus, the latter being one of the most solid performances in any alien movie, making us disappointed not to have her in the sequel Alien: Covenant. The Secrets We Keep and The Price are two more thrillers which are to come from here. While she is indeed brilliant here, we also have something of similar class from Yvonne Strahovski, the lady we know from I, Frankenstein among the demons. Luke Evans, the Dracula–Hobbit–Furious–NOL star is just there for namesake and nothing more.

How it finishes :: A remake of the 2008 French film titled Mark of an Angel, this version has also managed to have almost the same number of positive opinions from the critics, as the new version is supposed to have stayed close to original as much as possible. With Noomi Rapace around, one has to believe that the English version has to be stronger, as she has the habit of making everything better than they are supposed to be, as even the already wonderful Alien: Covenant was lifted to another level with her at centre of everything. Angel of Mine is the kind of movie which begins very slow, and keeps everything going without accelerating at any moment, with a realistic ending, keeping it close to life throughout its run. This is the kind of movie which is the best for the lovers of drama, and from a distance, it is also a partial, slow thriller. You can watch Angel of Mine and see how things work without pretensions.

Release date: 30th August 2019
Running time: 97 minutes
Directed by: Kim Farrant
Starring: Noomi Rapace, Yvonne Strahovski, Luke Evans, Richard Roxburgh, Rebecca Bower, Annika Whiteley, Finn Little, Emily Gruhl, Rob Collins, Indi Serafin, Tracy Mann, Richard Roxburgh, Mirko Grillini

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@ Cemetery Watch
✠ The Vampire Bat.

Kilometers and Kilometers

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Vampire Owl: I have been waiting for this movie for a long time.

Vampire Bat: This was the next film which we were supposed to watch before COVID-19 came up in March and theatres closed.

Vampire Owl: Well, one of the many things which one virus had changed.

Vampire Bat: A change which brought the movies home.

Vampire Owl: I was thinking Amazon Prime or Netflix in that case.

Vampire Bat: For a change, we have the first television channel release here.

Vampire Owl: Well, it is good to have such a release.

Vampire Bat: Yes, after all, everyone is not into those online platforms.

Vampire Owl: Finally, a release for the common man.

Vampire Bat: Let us makes sure that we don’t miss this!

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: In the village of Thalanadu, Josemon (Tovino Thomas) doesn’t have any job, and struggles to keep everything going, including paying fees for his sister’s studies. He only manages to get some small jobs which don’t translate to anything. He finally decides to sell his Royal Enfield which the family valued a lot. It is then that Cathy (India Jarvis) comes to visit India, starting from Kerala, after winning a lottery. As this is her final destination before return to the United States of America, she hopes to spend the rest of her money there, and with the help of Appachan (Joju George), Josemon finds this as an opportunity to make some quick money. They make their journey to different parts of India, and when they are in the North, their bags get stolen. Now, they have to find the documents which they had lost, and return to Kerala, but with no clue of what had happened with the theft, the same might not be easy.

The defence of Kilometers and Kilometers :: Simple fun and feel-good elements are abundant in this movie. The light-hearted fun in this movie is suitable for everyone in the family, without pretensions. There is the presence of the good message, giving importance to values and relationships over money, a message which has always been there, but is something which people these days won’t care about. What can surprise us the most is that even the people from earlier generation are still proud of their sons and daughters earning more, instead of being proud of their education or acts of goodness towards fellow human beings. The message will stay significant for a long time, because people won’t change, and this one is another addition to that particular message. The visuals are very good, and we would love to see how the places are being depicted. The performances are also very good. The emotional moments are working well too.

The claws of flaw :: People might not find many things new with this film, and it does maintain a certain amount of simplicity here. The idea is indeed in the old style mode, as you can see from the beginning stages itself. The predictability factor is high around here, as soon as the first major turning point occurs. Going innovative surely wasn’t the idea at work around here. As the promotion was not that much even for the first Malayalam movie which released on television, some people might have missed this movie at least in parts. The film could have actually done more with a greater number of characters, and more locations added, making this a travel movie too. But the journey actually gets stuck a little bit too early for our liking. There is no mingling with the cultures of different parts of India, and we only see small parts of the lifestyle being scattered here and there. The final moments, even though emotional enough, is a little too much of cliche.

Performers of the soul :: When COVID-19 started its side-effects, the earlier Tovino Thomas movie, Forensic was running in the theatres but reaching an early unexpected end, and his next film is here, this time completely off the theatres from the beginning itself. He has been one actor whose movies kept a certain level on most occasions, except for maybe one film in between which went full masala. His performance here reminds one of Ente Ummante Peru a little bit, and he does that with ease. There were clues about what was to be expected, from the trailer itself. Basil Joseph, the director of two smart movies Kunjiramayanam and Godha also brings some early humour here, and it is the one thing that lifts up the movie in its early stages – Joju George can also be seen contributing well during those stages. Longer final moments would have meant that these characters would have had a chance to add some more feel-good fun.

Further performers of the soul :: It is to be noted that Sidhartha Siva, director of the crowd favourites like Kochavva Paulo Ayyappa Coelho and Sakhavu nicely takes over the humour, and manages the same really well in the later stages of the film. His talk about the flashback is done with some fine humour, and he keeps bringing the laughter. The moments in Rajasthan are elevated with his use of the funny side. We have already seen him handling the humour really well, and this one has him around for a long period of time. India Jarvis does the job well, and plays the character as expected. From the performance, one would feel the need to see her in more Malayalam movies with similar characters being in requirement. She is not the random person who plays a European or an American just because there is space for the same, as she does much more. Sudheesh also has a very small, but notable role in the beginning stages of the movie.

How it finishes :: Kilometers and Kilometers has been a movie which had to wait quite some time due to COVID-19. At a time when we were wondering if something was actually going to happen, as theatres are still not opening any time soon, the movie has come to Asianet. During the pandemics, having a feel-good film delivered home can surely help to lighten the mood, especially during Onam. Still one has to wonder if most people did have time to watch this movie during the time of Onam celebrations at home. I would like to wish all of you who are reading this, and everyone from Kerala, a Very Happy Onam. Let us face this Corona Virus pandemic together, and rise together, as we did during the floods in the last two years. I really hope that Asianet shows the movie again, because it is a fun flick which can provide the feel-good factor to the Onam Celebrations. After all, we are having a ten day vacation here instead of the usual COVID-19 forced or flood-forced holidays.

Release date: 31st August 2020
Running time: 129 minutes
Directed by: Jeo Baby
Starring: Tovino Thomas, Joju George, India Jarvis, Sidhartha Siva, Basil Joseph, Sudheesh

<— Click here to go to the previous review.

<— Click here to go to the previous Malayalam drama.

@ Cemetery Watch
✠ The Vampire Bat.

Alita

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Vampire Owl: Do you know that a machine graveyard is now being prepared at the zombie graveyards by the werewolves?

Vampire Bat: What? You can’t have machines in a zombie world. It is a very dangerous situation that can lead to terrible consequences.

Vampire Owl: Yes, but the news says that they have already started it.

Vampire Bat: When there is a machine graveyard, it is called a scrapyard. They don’t even know that much?

Vampire Owl: Werewolves were never the experts in learning.

Vampire Bat: So, how far has this been present there?

Vampire Owl: Ever since the movie Alita: Battle Angel released.

Vampire Bat: Well, at least they haven’t based something on the Underworld series or some Frankenstein movie this time.

Vampire Owl: Well, you know them. They are never sure about what they do.

Vampire Bat: If they want something to base their lives on, tell them to watch something like Byzantium or Doctor Sleep.

[Gets a ghee cake and three cups of cardamom tea].

What is the movie about? :: Three hundred years have passed since a great war destroyed most of Earth. This war known as “The Fall” left the planet devastated, and divided it into the highly advanced Zalem City in the sky, and Iron City on the ground which was very crowded even though it had some of advanced technology. Almost everyone on the ground worked for Zalem, which was supposed to be one of the greatest cities of all-time, and the only one remaining after the continuous war with the enemy group known as United Republics of Mars (URM). A man named Vector (Mahershala Ali) controlled everything on the ground, as a proxy to the ruler at Zalem, getting his dirty job done. Almost everyone from the Iron City wanted to go to Zalem City, and it was part of their dreams for which they worked all day. But someone from the ground rarely made it to the sky, even though vice versa was always possible.

So, what happens with the events here? :: A scientist and doctor, Dyson Ido (Christoph Waltz) discovers parts of a female cyborg with a working human brain while looking for parts in the city’s scrapyard. With the help of his assistant Nurse Gerhad (Idara Victor), he manages to fit her into a cyborg body at his clinic. He calls her Alita (Rosa Salazar) after his daughter who died earlier, as the cyborg seems to have no memories of her past at all including her own name. Dr Chiren (Jennifer Connelly), Dyson’s former wife who works for Vector doesn’t seem to like it though. She manages to be friends with a scrap deaker Hugo (Keean Johnson) who shows her the world, and his friends including Koyomi (Lana Condor) and Tanji (Jorge Lendeborg Jr). She also knows about the cyborgs that walk on the streets including Grewishka (Jackie Earle Haley) and Nyssiana (Eiza Gonzalez), and a fight with them will bring some of her memories back. So, who was she? How does that play a role in the future of her and the city?

The defence of Alita: Battle Angel :: There is a well-designed post-apocalyptic and dystopian future that can be seen throughout the movie’s run, and the elements are always there to be seen and enjoyed. The futuristic world is really well designed, with the two cities, as well as what lies beyond. The same can be said about the cyborgs too, as almost each one of them has different characteristics – you can also see that the protagonist makes the best out of it. The action sequences are of top quality, and we are addicted to them, and looking for more of similar moments. The emotional moments are also effective, and the idea behind the movies with moments of its flashbacks makes us wish for a sequel or even a prequel, because both will complete the tale well. This is one of those rare movies when we get close to the cyborgs more than humans. It will be difficult not to be emotionally connected to this movie, and its leading battle angel.

The claws of flaw :: It has to be noted that Alita: Battle Angel leaves many questions to be answered, especially related to how United Republics of Mars (URM) was defeated, and the she ended up in the scrapyard if they were that good with fighting, having an almost perfect cyborg system which is near impossible to be destroyed – such an addition as a prequel or sequel is needed quickly enough. There is the feeling that we have watched most of this before too, and a lost cyborg finding its past and fighting through evil is not something we don’t know much about. The story becomes usual, and we can guess most of the proceedings of the tale. We can also predict what is to happen with some of the characters in the tale a little too easily, as the romantic side just serves as a drag. Let us see if a possible sequel and manage to rise above the usual stuff, and bring in the innovation.

Performers of the soul :: Rosa Salazar’s avatar remains a hit, and as she wore a motion capture suit and gave life to the character with the help of animation, we are glad to have this one added to our favourite list of cyborgs of all-time as the battle angel who is one day going to bring down a post-apocalyptic dystopia. Christoph Waltz’s character is the next one to whom we feel the emotional connect, and he makes the perfect father figure in more than one way. Jennifer Connelly makes a good addition, even though she is there for only shorter periods of time, but she makes some moments worthy. Mahershala Ali is okay as the puppet villain, but the antagonism is lost on a number of occasions. The two next most notable cyborgs played by Jackie Earle Haley and Ed Skrein makes it worthy of our time, being on the darker side of good-evil alignment. Keean Johnson as Hugo is the usual young lover boy done fine.

How it finishes :: Alita: Battle Angel is the very next project from James Cameroon’s Lightstorm Entertainment after Avatar, and before Terminator: Dark Fate which followed in the same year. If you look at that list, the next two movies are Avatar 2 and Avatar 3, followed by even more sequels if the two makes enough money. The director’s last movie was Sin City: A Dame to Kill For, some years ago. So, this is one project which was much expected – well, the trailer was really good too. Alita: Battle Angel, despite dealing with a post-apocalyptic and dystopian theme, with a dark side, can be watched by families, and it is an advantage that this movie have to widen its audience. I would recommend this movie over most of the movies which I have watched during lock-down. It has its heart and soul at the right place, and we are going to expect an even bigger sequel.

Release date: 14th February 2019
Running time: 122 minutes
Directed by: Robert Rodriguez
Starring: Rosa Salazar, Jennifer Connelly, Christoph Waltz, Ed Skrein, Jackie Earle Haley, Eiza Gonzalez, Lana Condor, Keean Johnson, Jorge Lendeborg Jr, Idara Victor, Mahershala Ali, Jeff Fahey, Rick Yune

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@ Cemetery Watch
✠ The Vampire Bat.

Scary Stories

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Vampire Owl: So, we have Scary Stories to Tell in the Dark.

Vampire Bat: Did you notice that it is the name of one movie with a very long title?

Vampire Owl: Yes, do you think that there will be stories which are that long?

Vampire Bat: It doesn’t seem to be about separate movies, not something like an anthology.

Vampire Owl: But the impression given is that of an anthology.

Vampire Bat: Yes, but this seems to be a story in which there are stories written about real horror which happens.

Vampire Owl: Horror has always been real. It is the only original genre in the world. The rest are not that close to reality.

Vampire Bat: Yes, who can expect thrillers and romance in life?

Vampire Owl: But horror happens to everyone, and is very much real.

Vampire Bat: Yes, if it is not present, we can always volunteer to provide them.

[Gets a marble cake and three cups of cardamom tea].

What is the movie about? :: It is the later 1960s, and three teenaged friends, Stella Nicholls (Zoe Colletti), August “Auggie” Hilderbrandt (Gabriel Rush), and Charlie “Chuck” Steinberg (Austin Zajur), prank play a Halloween prank on the bully Tommy Milner (Austin Abrams) who had been bothering them for a long time. Tommy is not someone who would take this lightly, as he and his gang chase them with baseball bats, they run to a drive-in movie theater, where a young drifter Ramon Morales (Michael Garza) hides them in his car. As he makes sure that Tommy doesn’t get them, he promises to have revenge on all of them sooner or later. Ramon becomes good friends with the kids, especially Stella with whom he has an instant connection, with a special interest in horror stories, and also connecting to her troubled past when her mother left her.

So, what happens with the events here? :: They decide to visit a haunted house for Halloween, where a girl named Sarah Bellows (Kathleen Pollard) had committed suicide. After a kid had gone missing, the place was locked down by the local authorities, but the group manages to get in, only to be locked in by Tommy along with his own girlfriend who is Charlie’s sister, Ruth Steinberg (Natalie Ganzhorn). Stella finds a book which seems to be writen by Sarah who was mostly a recluse, and considered by people to be mentally unwell. She decides to take it home, but on that night, she finds out that the book starts writing all by itself, and it is done using blood. Soon, they understand that Tommy has gone missing, and by finding his t-shirt on a scarecrow, she realizes that he had become the new scarecrow after being attacked by the former scarecrow according to the book. Now, before it starts writing again, she has to stop it with her friends. Can she do that in time?

The defence of Scary Stories to Tell in the Dark :: The movie is well-structured, and each death here becomes a special tale of supernatural murder when we look at them, connected by one which gets written by a supernatural entity which has terrible past behind it, that needs to be revealed. The idea is a really good one, and we are immersed in it, even without it trying to do the extraordinary. Everything here is kept pretty much simple, and you can always have time to admire some simple horror. The monsters are nice, beginning with the scarecrow coming alive, and going on to add more which relates to the worst fears of the victims. The Halloween setting is a fine beginning to the tale, and it continues to score well through the haunting in the middle, reaching to the end which is pretty well done, and leading to the option of a sequel being kept open. In the end, you have more than one story in your mind.

The claws of flaw :: There is not much unique being added here though, as this does remind us of other tales, and the predictability does come in, at times. There is not much of a character development around here, and the beginning moments are kind of drag, which could have been shortened to give this movie a better pace at the start. Even though the movie is based on Alvin Schwartz’s Scary Stories to Tell in the Dark, a series of three collections of short horror stories meant for children, this could have had some special additions because this is the movie version, and visuals mean a lot of horror. The book is supposed to have drawn heavily from folklore and urban legends, and so anything more can fit in here and there. Then there is the Academy award winner Guillermo del Toro’s name flashed as a producer, and your expectations are even higher, keeping this movie’s level below that. Well, I still want a sequel to his Crimson Peak as soon as possible, just like Dredd always needed.

Performers of the soul :: Zoe Colletti plays the protagonist, and leads the way in a horror movie amazingly well, leaving us hope for a scream queen many years later. From the beginning with silly Halloween pranks, she is someone who leads the way through the murders, and does that without doubts. Michael Garza who plays the next important character also does well, from the very moment he gets to meet the other characters. The other kids who are being hunted by the ghost with a past includes Natalie Ganzhorn, Austin Zajur, Gabriel Rush and Austin Abrams, and they all provided good support. Gil Bellows who plays the police officer also has his moments. But as usual, the ones who scores the best are the monsters, and even the book is a fine character enough. When you make good monsters, you inspire better work from the cast, unless you have The Conjuring, Annabelle, The Nun group, which works anyway.

How it finishes :: Scary Stories to Tell in the Dark shows that simple scary stories do come alive, and when it does, there is great scope for horror. There is no usual anthology here when you hear that it is about stories. There are no different tales coming together from different directors this time, like they have been doing for a long time. It does take an amount of such terror, and use it pretty well, with a cast which is not much known, and it works well enough with some interesting moments of monsters to go with it, as well as a past which is worthy enough for a good haunting. The idea to bring these tales and monsters are also nice, as it becomes not a usual horror story with spirits haunting us. It makes a fine thing for Halloween, and maybe you can watch it during the witching hours, with one monster after the other, as you even feel the need to write a horror story by the end of this movie.

Release date: 9th August 2019
Running time: 108 minutes
Directed by: Andre Ovredal
Starring: Zoe Colletti, Michael Garza, Gabriel Rush, Austin Zajur, Natalie Ganzhorn, Austin Abrams, Dean Norris, Gil Bellows, Lorraine Toussaint

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@ Cemetery Watch
✠ The Vampire Bat.

Glass

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Vampire Owl: So, have you watched the Unbreakable film series?

Vampire Bat: I have heard that it is better known as the Eastrail 177 Trilogy.

Vampire Owl: I am sure that nobody has really heard about this fanchise having such a strange and complex name.

Vampire Bat: I have watched Split, which was a very good movie, and I don’t remember much about Unbreakable.

Vampire Owl: I do feel that some memory of that movie might be needed to follow this one.

Vampire Bat: Well, I can remember something, but as far as Split is concerned, memory works better.

Vampire Owl: It is quite natural though, considering the fact that the first movie released in 2000 and the second in 2016.

Vampire Bat: I watch so many movies that my memories are very quickly replaced – I often forget a movie which I watched only a few months ago.

Vampire Owl: You are suffering from a case of movie overdose.

Vampire Bat: Yes, and there is no treatment for that. Even lock-down couldn’t do much.

[Gets a British cake and three cups of cardamom tea].

What is the movie about? :: Nineteen years have passed since the Eastrail 177 train wreck, and David Dunn (Bruce Willis), a superhuman who survived the wreck is not working as a vigilante who is often called by the media as the Overseer while continuing his business with his son, Joseph Dunn (Spencer Treat Clark). Elijah price who called himself Mr Glass remains confined to a psychiatric hospital for the criminally insane, after David had reported him to the police, as the one who was responsible for that train wreck which killed everyone except David. Kevin Wendell Crumb (James McAvoy) who has twenty three plus one distinct personalities formed in him after he was abused as a child by his mother during his childhood remains in action, as he kidnaps four cheerleaders (Diana Silvers, Nina Wisner, Kyli Zion and Shannon Ryan) and keep them chained inside a warehouse, just like he did earlier with Casey Cooke (Anya Taylor-Joy) and her friends who were to be sacrificed to the greatest entity inside him.

So, what happens with the events here? :: Kevin keeps the girls chained at all times, even though he does have the manifestations of different personalities at all times, none of them ready to rescue the girls from their bondage. It is then that David comes across Kevin, and understands that he is holding a secret, which is none other than the missing young girls. He gets into the warehouse and unchains the girls, only to come face to face with the personality of the Beast. While the girls escape, the two superhumans fight, only to fall in front of the police force, and has to surrender. Dr Ellie Staple (Sarah Paulson), an experienced psychiatrist specializing in delusions of grandeur visits them at the mental hospital where the two are admitted along with Mr. Glass. She tries to make them believe that they have no superhuman abilities, and they are just a little stronger than the rest, and might not be stronger than the strongest and the most muscular men in the world. But Mr Glass will have other plans. Who will succeed in achieving their mission?

The defence of Glass :: As one would expect, the performances of the three actors playing the three main characters, the protagonists, the superhumans – this keeps the movie at a higher level even when the flick slows down and makes one wonder if it is not going to reach anywhere. The action sequences here are kept simple. The idea keeps growing within the movie, and if you watched the previous two movies, you are going to be more interested in the proceedings here. The ending is the highest point of the movie, and there is one twist there which you should have guessed, but most probably you might not have – these final scenes show the mastery of M Night Shyamalan over the material, on what concerns the comics and the superheroes, very much unlike your usual superheroes. There are a few moments in this movie, which later turns out to be smart and masterful acts, but in the middle, you won’t know them to be that good. Then, in the end, you ask for a sequel.

The claws of flaw :: As the third movie of the story, and with the three main characters already established, you would probably expect this to be a tale which ends a good v/s evil story, but this one more or less continues that origins story rather than doing anything else. There is also the absence of action for most of this movie, and when you are having a superhero movie here which is not Brightburn, you will be expecting full action or thrills, but such an option is not here. The movie has a lot of dialogues, and most of them are in a place without colours – inside the mental asylum, but some of it are totally unnecessary. After the initial fight, there is a lot of time spent at the talks rather than anything else, and it often makes the movie slow, unlike any superhero movie which you have ever watched. This is a movie which you cannot watch as your regular superhero movie, because it looks for meanings rather than any kind of heroism. This is not the superhero world you dreamed about.

Performers of the soul :: Glass depends heavily on its performances just like its predecessor Split did. James McAvoy once again leads the way, continuing the form with twenty three plus one distinct personalities. He shines in different ways as personalities alter. Most people from this part of the world might have known him from the X-Men movies, the last one being X:Men: Dark Pheonix, a film which didn’t make that much of an impact as one had expected it to. But related to movies like X-Men: Apocalypse and X-Men: Days of Future Past, you know that he has been there raising the level of the movie. But none of them matches this character that he plays here. Bruce Willis is back in action, with some action sequences, and you do want the Die Hard star to do that – here he also has an emotional touch to his character. Samuel L Jackson begins ordinary, but as the movie goes to its end, we see the change, and he is glorious in those moments. Anya Taylor-Joy, the girl from The Witch is the Beast’s girl with a beautiful serenity running through her, while Sarah Paulson is good.

How it finishes :: Glass thrives on James McAvoy, Bruce Willis and Samuel L Jackson, who plays the three superhumans with augmented abilities, but the viewer has to note that it is not a regular superhero movie, and if one falls into that kind of a trap, this is not going to be that interesting. The common view pertaining to all those superheroes we have known not just through movies, but also through comics and cartoons, reaching their zenith in the recent years with those Avengers and Justice League movies collecting all of them and presenting them to the audience as spectacle on the big screen in 3D. Changing this viewpoint is essential when watching this movie, or the film might just end up changing it by adding a certain amount of realism to the whole thing. Glass is surely a movie with a difference and as we look at M Night Shyamalan’s movies which we have watched and liked, he has been a master in that, whether it was this movie’s predecessor Split, or the surprise fun which was The Visit.

Release date: 18th January 2019
Running time: 129 minutes
Directed by: M Night Shyamalan
Starring: James McAvoy, Bruce Willis, Anya Taylor-Joy, Sarah Paulson, Samuel L Jackson, Spencer Treat Clark, Charlayne Woodard, Luke Kirby, Adam David Thompson, Diana Silvers, Nina Wisner, Kyli Zion, Shannon Ryan

<— Click here to go to the previous review.

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@ Cemetery Watch
✠ The Vampire Bat.

Color Out of Space

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Vampire Owl: Does space have preference for any particular colour?

Vampire Bat: The colour here does look pink during the alien invasion.

Vampire Owl: Oh! I had considered it to be blue after the release of Avatar.

Vampire Bat: So, you didn’t think that it is black after Alien released.

Vampire Owl: No, blue just gave a better feeling, and nothing could rise over Avatar until Avengers: Endgame broke its box-office records.

Vampire Bat: But here, we have a pinkish colour which is almost pink.

Vampire Owl: We can take that for now, and leave it after the movie ends, because then it will always be blue.

Vampire Bat: Well, this one is from a story by HP Lovecraft, a master of horror. So, it is better to accept this colour as the alien shade.

Vampire Owl: I can’t do that. I have tried the same before with Stephen King.

Vampire Bat: Well, you can at least watch the movie and make the final decision.

[Gets an orange cake and three cups of black tea].

What is the movie about? :: Theresa Gardner (Joely Richardson), a financial advisor has been losing her clients after she was diagonised with breast cancer, and had a long treatment. As she settled down in a rural are with a farm where the family attempted to grow tomatoes and have alpacas for milk, she also had limited access to the internet, leading to a further problems in her career. Her husband Nathan Gardner (Nicolas Cage) had received the huge farm from his father, covering a grand area which extended towards the river on one side, and one the other side, it was almost impossible to find the borders. Their son Benny Gardner (Brendan Meyer) has been hanging around with Ezra (Tommy Chong) a local recluse who has been drinking a lot of alcohol and smoking weed all the time after he stopped being an electrician, and settled down in an area surrounded by woods. Nathan and Theresa are disappointed at the same, but there is nothing they can do.

So, what happens with the events here? :: Benny is not the only one affected by her mother’s disease and their move to the ancestral property, as their youngest son Jack Gardner (Julian Hilliard) is not even interested in talking to anyone else other than his pet dog Sam as he kept to himself all the time. Their only daughter Lavinia Gardner (Madeleine Arthur) becomes a Wiccan, and starts pagan witchcraft with the help of guides on black magic, hoping that one of those rituals close to nature can cure her mother’s remaining cancer cells completely. She keeps wearing strange and revealing Wiccan or Gothic clothing, and has coloured her hair in shade of violet, often traveling on a horse, much to the dismay of her parents. It is then that Ward Phillips (Elliot Knight) a hydrologist, surveying the water for an upcoming hydroelectric dam arrives there, and meets Lavinia in the middle of a pagan ritual involving a lock of hair.

And what else is to follow in this rural setting, making things different and divergent? :: One night, they are woken up by a Pinkish colour and a huge sound, which seems to be not of this world. While Lavinia feels it to be something magical, Benny finds it to be something from another planet, and they all finally agree that it is a meteorite after seeing a pink piece of the same lying on their lands. It is not exactly pink, with the colour feeling to be rather unearthly, and there is also a foul smell related to it. The very next morning, the meteorite is no longer glowing and is crumbling to dust. The mayor and the sheriff of the nearby town of Arkham also arrive to see it, followed by the television channels. But by that time, there is not much of the alien object remaining, seemingly having crumbled to death, leading to nobody taking it seriously. But on the next day, it is continuously struck by several bolts of lightning. Ward finds something wrong with the water there. How has the meteorite influenced the land, water and people around there? Is it safe anymore?

The defence of Color Out of Space :: HP Lovecraft is known to have blended science fiction with horror well, and it can be seen here too – use of science to reinforce the terror can be seen here, and it is displayed well in the movie. Use of recognizable monsters, jump scares and gory stuff is not longer the case, as a we go for the weird. It leaves a lot to be imagined too, as the fear feels more than what is seen here. The primordial forces from different worlds are stronger and beyond control, with no chance to escape, as no conceptions of reality can go beyond them. We are left with no power in front of things we don’t understand at all – it is the kind of horror from where nobody leaves alive. The colours are beautiful to watch on screen, adding to the lovely visuals of the countryside, but is supposed to be terror inside. Nicolas Cage does the usual job here and nothing more, but he is the one we trust every time. Madeleine Arthur remains cute even when going on the witch mode, and comes up with the next best performance, followed by Elliot Knight in this different horror thriller science fiction with colour itself as the alien life-form.

The claws of flaw :: As you already know, Colour Out of Space is not your usual type of horror thriller with a science fiction background present too – it is not for everyone, with all the weirdness, and a certain amount of disgust related to the same. The strangeness that one can feel in this movie goes rather too much for many people, and for Lovecraftian works transformed into movies, this might be found to be natural. This is the kind of tale which came before Alien and its sequels, and so, right now, we expect this movie adaptation to be even better – we don’t see that much of an extra effort which is put in here. The horror could have been added with something more, making it even more suitable for the age. There are times when one feels a comic effect, which should have been avoided, considering how terrifying, an inescapable this situation seems to be. One also has to doubt the use of Nicolas Cage here, who is not at his usual self. The final moments could have been better managed too.

How it finishes :: The movie is based on The Colour Out of Space, which is a science fiction as well as horror short story by the famous American author HP Lovecraft, who has come up with special interpretations in his tales regarding humanity’s place in the universe. His popular tales like The Call of Cthulhu, The Rats in the Walls, At the Mountains of Madness, The Shadow over Innsmouth, and The Shadow Out of Time have all been needing film adaptations, due to them bringing something a lot different than what we have had during those times. There has been many previous adaptations of his works, especially this particular story, but most of them haven’t been that popular, at least at this part of the world. This one has the ability to be more popular, even after some time after its release, because it has Nicolas Cage at the centre of things, and supported well, this one will rise above the others – this surely is one interesting journey, and you can go through that Lovecraft divergence nicely here.

Release date: 7th September 2019
Running time: 111 minutes
Directed by: Richard Stanley
Starring: Nicolas Cage, Madeleine Arthur, Joely Richardson, Q’orianka Kilcher, Tommy Chong

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@ Cemetery Watch
✠ The Vampire Bat.

Demon Eye

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Vampire Owl: This was the name of that artifact which the northern witches used.

Vampire Bat: You mean to say that they were in contact with the demons?

Vampire Owl: Well, aren’t they supposed to be so?

Vampire Bat: They are usually in contact with those who rise from the grave.

Vampire Owl: Well, this is just one portal away from that.

Vampire Bat: Yes, but the demons are not really the undead in any way.

Vampire Owl: You do have something against some popular demons.

Vampire Bat: No, I am not talking about those tik-tok using humans.

Vampire Owl: At least, that episode is over for now.

Vampire Bat: You should know that demons, the masters of hell are not to be treated without extreme care.

[Gets a chocolate cake and three cups of white tea].

What is the movie about? :: Sadie (Kate James) haven’t been in good terms with her father John (Darren Day) for a long time, and never really picks up his call, until one day, she decides to do just that. But she hears some stranhe noise from his room, and he quickly cuts the call, citing an emergency. This is the last time when Sadie sees her father, and the next thing he knows about him is that he is dead. Much to everyone’s surprise, he is supposed to have committed suicide by hanging. This forces Sadie to come back to the house, which is in a remote location, and has nobody else to take over the same. There she meets the man with whom the house keys were left with, Dan (Robert Hamilton), and Sadie feels strange to be at that house which has her old dolls and cameras being set in every room, corridor and staircase. Dan also leaves a job for her in a newspaper, passed on to her by her father who had worked there until his death.

So, what happens with the events here? :: She is immediately hired at the newspaper as a photographer, and finds Dan in an awkward position with Faye (Ellie Goffe) who is supposed to be his fiancee. Dan and Sadie get their first assignment to interview Craig (Liam Fox), a local man who is supposed to have seen The Burning Girl (Alannah Marie) – it was part of a folklore which was supposed to have become reality for some people. There is the legend of the Demon Eye that goes with it, as a girl was burned as a witch a long time ago in the name of causing a famine which she had predicted with the help of an amulet some time ago. But on the way, she sees a fire and a person standing in it, and as she tries to take a photo, the battery goes down. Even while interviewing, she gets into a fight with the man whom she was supposed to interview. She is confused about all the information she had managed to get from different people about her father who she hated. Is there a secret to be unveiled in relation to her father’s death?

The defence of Demon Eye :: We have been falling short of some interesting horror movies, and then this one comes up. It is that movie which deals with its subject in a slightly different way, and the subject itself has more than one angle to take care of. The quick scares are all there, and the most effective one is with a severed head in the bath-tub, then there are hands coming from under the bed, hellish hound kind of thing and the usual burned face with all the creepiness that it can have. The length of the movie is also less in comparison, not going to even ninety minutes, and it does make the most of it, with not having much from the dull moments there. The atmosphere is also good, with a setting in the middle of nowhere, with vast landscapes inspiring dark folktales all around. There is always something about focusing on the folklore, whether it is real or not. This setting will impress you, and with moments to remember, makes its point really well.

The claws of flaw :: Among the horror movies these days, Demon Eye is the one which is rather less known, or not known at all at this part of the world. It should have still achieved more with the premise – you know that with the title itself and also with the idea which is being explored here. Whenever there is a demon involved, you can take it further with ease. The demons might have been less scary in comparison to pandemics, but they are not yet completely out of the equation. We have so many moments which could have been something bigger, but manages to adjust with what it has, not trying to raise the bar. The effects of the low budget are there too, even though they have partially overcome that. The ending of the movie also felt a little rushed, because a horror movie like this requires something bigger, and the case of the climax is also the same. The main character also required to make more out of the situations here.

Performers of the soul :: Kate James plays the protagonist in this movie, even though IMDb hasn’t really listed here at the top, or with a photo. Even though there is some struggle in the beginning stages, she plays the character really well, and only gets better in the later stages. She is part of almost every scary scene in this movie, and the best one is that of the bath-tub with the severed head, even though more could have been done with a character like hers. Her portrayal of the troubled character who need psychiatric help from the early stages is believable, without being melodramatic. The other actors don’t seem to try too hard, but manages to hold on. She is way ahead in that case, when we look closely. The other young lady in the movie is the next person to catch our attention, even though she is not there for too long on the screen – Ellie Goffe does a very good job too. Robert Hamilton, Darren Day and Liam Fox, all of them manage just enough here.

How it finishes :: There are always some interesting horror movies of interest, if we keep checking for them. Demon Eye can be on the list too, depending on your preferences, even though you can’t expect it to do too much with its content. This is the kind of horror movie which you watch on Friday nights for some fun scares, and for that purpose, this film is successful, leaving no doubts behind. With a fine premise, from a situation in which things could have gone much worse, the movie takes itself back to make sure that as a whole, it is a pretty good work. There might be a few things left unexplained though, but through the same, it leaves the scope for a sequel, even as we are not really supposed to expect one, considering the response it had received otherwise. Do add this to your horror collection, as one more demon, this time with another witch-hunting past, will bring the entertainment to you.

Release date: 26th April 2019
Running time: 87 minutes
Directed by: Ryan Simons
Starring: Darren Day, Liam Fox, Kate James, Ellie Goffe, Jimmy Allen, Alannah Marie, Robert Hamilton

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✠ The Vampire Bat.

The Wretched

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Vampire Owl: These humans often refer us by this name.

Vampire Bat: Well, it is clearly wrong, as we are not in a wretched condition yet.

Vampire Owl: I am pretty sure that the humans are in a more wretched situation now.

Vampire Bat: Yes, the Corona Virus has gotten into them pretty badly.

Vampire Owl: I believe that they have always been wretched enough.

Vampire Bat: I wouldn’t say that for every one of them.

Vampire Owl: You have always been too kind of the humans.

Vampire Bat: And you have always been the cruel one.

Vampire Owl: Nobody in the known world are as cruel and wicked as the humans.

Vampire Bat: Now, this is something you don’t even say about the werewolves or zombies.

[Gets a green apple cake and three cups of masala tea].

What is the movie about? :: A young girl names Megan (Sydne Mikelle) has a babysitting duty, only to find a creature feeding off the little girl, and as she tries to escape, it seems that Megan also meets a similar end in the hands of the demonic creature. Later we see Ben (John-Paul Howard), a youngster joining his father Liam (Jamison Jones), as his parents are in the middle of having a mutually agreed divorce. Ben gets to work in the local harbour in the countryside with his father on a temporary basis. At the same time, Liam is getting too close to his co-worker, Sara (Azie Tesfai) while Ben becomes good friends with a local girl working there, named Mallory (Piper Curda). Ben also can’t stop himself from noticing their new neighbours, Abbie (Zarah Mahler) and her son Dillon (Blane Crockarell). They do get lost in the woods, and Dillon gets called by a tree into the hole underneath, but they do manage to bring home a deer which their car had hit and killed, much to the dismay of Abbie’s husband Ty (Kevin Bigley). She tries to cut the animal for a dish, but messes it up.

So, what happens with the events here? :: Later, we see that a certain creature is coming out of the body of the deer through the cut which was made earlier, and Ben also sees something sitting on the rails of Abbie’s home – seemingly human, but something else in reality. It does disappear when the light goes off, but makes appearances inside the house of Abbie. Ben tries to mingle with the young people in the neighbourhood with a party, but is publicly embarrassed by the most desired girl of the locality JJ (Gabriela Quezada Bloomgarden). As he returns home, he finds Abbie walking into the woods with her toddler, but is interrupted by Liam and Sara, leading to a dispute. Even though Abbie returns from the woods, she doesn’t seem to be the same. It doesn’t seem to be the usual trouble that haunts the small town, as there is more to it than what meets the eye. There is a force beyond one’s understanding, and if someone tries to solve the case, that person might be considered a lunatic. How many lives will be lost before such an evil vanquished?

The defence of The Wretched :: There is no doubt about this particular movie’s ability to score with the ambiance, as the setting as well as the neighbourhood where the people are living, can all be considered to be very much perfect. We have the small town where people are denying the existence of evil, but there has always been one in the woods, and a tree has been central to everything. To get to the depth of this evil, we have even more twisted ideas in there, and more of terrifying suspense will be revealed in the end. There are also some scares to support the same, and the nature around the place is indeed beautiful. It is more or less like a dark fairy-tale, as there are elements of a dark fantasy which runs right through. The characters are the kind of people whom you can relate to, and that makes the transformation caused by the witch feel even more real. After all, it is always nice to be taken back to the idea of that witch who used to haunt us during the childhood and reached as far as The Witch – until you had the older version of Evil Dead to scare you in the best possible way.

The claws of flaw :: It has to be noted that the movie does try to have a little too much than a regular witch story, which doesn’t always work in its favour. The mixture doesn’t make the best use of its elements, especially as there are so many things which a witch possessing a lady or two can do. The terror could have had even stranger forms, and it also takes some time to make one feel the seriousness of the same. Some scenes are also not needed, even in a movie which goes just above one and half hours. Some people can even find this movie to be confusing in parts, and the creepy poster doesn’t come up in there, which is also disappointing. The mask does come though, and just like the other elements related to the witch, there could have surely been more. The ending has also been left open, maybe for a sequel, but that would need more, and not just the type of material that we have here. There are also some characters who could have done more – some are just left not explored well enough, and we feel the need to see them more.

Performers of the soul :: It is to be noted that the main characters are driven by a terrifying feeling – if you die, and nobody remembers you, where you really alive? That existential crisis is first discovered by John-Paul Howard who plays Ben well enough, but the truth is that it is not just his neighbour who has forgotten his son, as the darker secrets are there to make him realize the terror further. He plays the curious youngster who understands things happening around better than the others, and he does that well. At the same time, Piper Curda remains very cute and brings a lot of charm to the movie – not your usual leading actress, she brings a few joyful moments here and there in what really is a dark movie as it progresses. Zarah Mahler is really good as the young lady next door who is possessed by the witch, as she makes some really scary appearances, and there are scenes with her skin ripping off, which takes it to another level. Azie Tesfai with that deer-skull mask on her face is joy to watch, even though it is only for a short period of time to make a good enough bad witch. Gabriela Quezada Bloomgarden could have been there for more though.

How it finishes :: We have always had the supernatural creatures running around in different movies, but the witches have always struggled to keep it going in comparison to vampires, werewolves, zombies and other creatures of the dark who have been competing well with the demons and ghosts. But The Wretched does manage to bring some of such interest back to us during these days, as the witch gets her due, without a broomstick, staying close to an evil tree in the forest. It has enough surprises in there to keep the whole thing going, and with such a setting to help its cause, The Wretched is sure to take you to a world of forest’s witches whom we have known since childhood. You can always expect more, but this is indeed a good beginning to a type of horror cinema which hasn’t made that much of success in comparison to the others. After all, elves and similar creatures of light are not the only ones you keep finding in the middle of the forest.

Release date: 19th July 2019
Running time: 96 minutes
Directed by: Brett Pierce, Drew T Pierce
Starring: John-Paul Howard, Piper Curda, Zarah Karen Mahler, Kevin Bigley, Gabriela Quezada Bloomgarden, Richard Ellis, Blane Crockarell, Jamison Jones, Azie Tesfai

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@ Cemetery Watch
✠ The Vampire Bat.